Bengal Small Quotes

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On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.
Jorge Luis Borges
A Brief for the Defense Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafés and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.
Jack Gilbert (Refusing Heaven: Poems)
When I come to the country I cease to view man as separate from the rest. As the river runs through many a clime, so does the stream of men babble on, winding through woods and villages and towns. It is not a true contrast that men may come and men may go, but I go on for ever. Humanity, with all its confluent streams, big and small, flows on and on, just as does the river, from its source in birth to its sea in death- two dark mysteries at either end, and between them various play and work and chattering unceasing.
Rabindranath Tagore (Glimpses of Bengal)
There are many paradoxes in the world and one of them is this, that wherever the landscape is immense, the sky unlimited, clouds intimately dense, feelings unfathomable ⎯ that is to say where infinitude is manifest ⎯ its fit companion is one solitary person; a multitude there seems so petty, so distracting. An individual and the infinite are on equal terms, worthy to gaze on one another, each from his own throne. But where many men are, how small both humanity and infinitude become, how much they have to knock off each other, in order to fit in together! Each soul wants so much room to expand that in a crowd it needs must wait for gaps through which to thrust a little craning piece of a head from time to time. So the only result of our endeavour to assemble is that we become unable to fill our joined hands, our outstretched arms, with this endless, fathomless expanse.
Rabindranath Tagore (Glimpses of Bengal)
A BRIEF FOR THE DEFENSE Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafes and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.
Jack Gilbert (Refusing Heaven: Poems)
The big cat cages also stank in the heat. This was before zoos built natural habitats with boulders and waterfalls, and the cages back then were painfully small, the animals miserable. The Bengal tiger had flies creeping all over its eyelids, and he didn’t even blink. There was a kid throwing peanuts at him, and Lecia somehow menaced the boy into stopping. When I grew up and discovered the German poet Rilke, it was this zoo’s sorry-looking cats that I thought back to. As a young poet, Rilke had been sent by the sculptor Rodin to study zoo animals, and he captured in a few lines the same frustrated power that I sensed that day in the dull-coated panther: It seems there are a thousand bars; and behind the bars, no world.
Mary Karr (The Liars' Club)
Clive determined to add a final political flourish of his own. He decided that a small portion of Shuja’s former dominions around Allahabad and Kora would be turned over to support Shah Alam as an imperial demesne. Vague promises would be made about supporting the Emperor’s long-dreamed-of return to Delhi, while taking in return the offer of financially managing the three rich eastern provinces of the Emperor dominions – Bengal, Bihar and Orissa. This was the granting of what in Mughal legalese was known as the Diwani – the office of economic management of Mughal provinces.
William Dalrymple (The Anarchy: The Relentless Rise of the East India Company)
Along with explosive and tactical training, our training on small arms began. The NCO instructors conducted the weapons training but they were not comfortable dealing with university students. Often tricky situations would arise. Two examples would illustrate the nature of the problem. In the Pakistan Army, soldiers of the East Bengal Regiment were taught their craft in Roman Urdu. The NCOs tried to teach us just as they were taught. They began with kholna-jorna (stripping and assembling). Our NCO instructor started the class by saying "Iss purza ko kehta hae..." (this part is known as ...) in Urdu. "Why are you speaking in Urdu?" we protested immediately. "Urdu is the army’s language!" "The Pakistan Army's language! This is the Bangladesh army! No Urdu here! And if you don't speak in Bangla we won’t listen to you!" we told him. The complaint reached the Subedar Major. He was not pleased with our 'mutiny' and said the Dacca University boys don’t listen to their ustad (teacher). "You have to listen to them," he told us. We told him the same thing; why was the NCO speaking to us in Urdu? "We are Bengalis. He is from Noakhali, and if he wants he can even speak in his dialect and we’ll try our best to understand, but no Urdu!" When the Subedar Major’s intervention didn’t work, the matter went up to Khaled Mosharraf who was greatly amused. "Shalara, they are such fools! It has not yet dawned on them that they no longer have to speak in Urdu!" he said, laughing. He immediately issued an order: Henceforth there would be no more communication in Urdu.
A. Qayyum Khan (Bittersweet Victory A Freedom Fighter's Tale)
And there’s a chance they could be dangerous, like the tribe on North Sentinel Island.” Dante and Milana obviously understood what Charlie meant. North Sentinel Island was located in the Bay of Bengal, between India and Myanmar. It was a notoriously hard island to dock a ship at, and therefore the small indigenous tribe that lived there had little contact with humans throughout its history. They were known for being extremely hostile to outsiders—and so the rest of the world had let them be.
Stuart Gibbs (Charlie Thorne and the Lost City)
Hiring a novice reporter of Times of India, who was barely drawing a monthly salary of about Rs.7,000 (Rajdeep Sardesai) for about Rs.75,000 a month as Political Editor of NDTV because he got married to the only child of incumbent Information and Broadcasting Secretary (Bhaskar Ghose, IAS West Bengal) or an incompetent small time stringer (Abhisar Sharma) for his IRS spouse Shumana Sen for a whopping salary of Rs.70,000 per month are but a few instances of sinecure appointments or, to be more accurate, an alternate way of paying bribes.
Sree Iyer (NDTV Frauds V2.0 - The Real Culprit: A completely revamped version that shows the extent to which NDTV and a Cabal will stoop to hide a saga of Money Laundering, Tax Evasion and Stock Manipulation.)
We will have to get you to the bed, Jacques.” Gregori’s voice dispelled the thick tension in the room, pushed it aside to replace it with clean, fragrant air. “Mikhail, I will need herbs. You know which ones. Tell Byron to bring me plenty of rich soil from the steam chamber in the caves.” Gregori glided closer to the couple, his graceful elegance failing to conceal the rippling strength of his muscles and the power emanating from his body. He looked totally confident, relaxed, completely fearless. The soft rumbling in Jacques’ throat increased; his fingers tightened possessively, crushing bones and tendon in Shea’s upper arm. Gregori stopped moving immediately. “I am sorry, woman, I know you are weak, but you will have to move to the other side of him or he will not allow me to help,” Gregori instructed calmly. What we need, Mikhail, is Raven’s calming influence. You look about as reassuring as a Bengal tiger. Oh, and you look like a bunny rabbit, Mikhail scoffed. “You could have brought Raven along,” Gregori chided softly, aloud. “You bring her along on every other dangerous thing she should not be involved in.” That was a clear reprimand. “You might have brought her where she could actually do some good.” Through the open doorway suddenly stepped a small woman, long ebony hair braided intricately, huge blue eyes flashing at Mikhail. As Byron shouldered his way inside behind her, she gave him a friendly smile and stood on her toes to brush his chin with a kiss. Mikhail stiffened, then immediately wrapped a possessive arm around her waist. “Carpathian women do not do that kind of thing,” he reprimanded her. She tilted her chin at him, in no way intimidated. “That’s because Carpathian males have such a territorial mentality--you know, a beat-their-chest, swing-from-the-trees sort of thing.” She turned her head to look at the couple lying on the floor. Her indrawn breath was audible. “Jacques.” She whispered his name, tears in her voice and in her blue eyes. “It really is you.” Eluding Mikhail’s outstretched, detaining hand, she ran to him.
Christine Feehan (Dark Desire (Dark, #2))
I’m a Bengali,’ I said. His face lit up. ‘Oh Bengali! Bengali, Malayali same thing. Communism, cinema, culture . . .’ He could have gone on talking, but his English was as limited as my Malayalam. Though I could see from his eyes that he was genuinely happy to have me in that chair. I was glad that he did not speak English or else it would have broken his heart to know that I never lived in Bengal and was, culturally, more of a UP-wallah. I have let down—and even offended—quite a few Malayalis during my visits to Kerala. Upon knowing that I am a Bengali, they would presume that I hailed from Calcutta and was bound to be a distant relative of Jyoti Basu. Once, I was at a small gathering in Trivandrum, where a young man, in order to impress me about his knowledge of Marxist literature emanating from Bengal, asked me, ‘So what do you think of . . .?’ He named someone I had never heard of. ‘I am sorry, but who is he?
Bishwanath Ghosh (Chai, Chai: Travels in Places Where You Stop But Never Get Off)
I’m a Bengali,’ I said. His face lit up. ‘Oh Bengali! Bengali, Malayali same thing. Communism, cinema, culture . . .’ He could have gone on talking, but his English was as limited as my Malayalam. Though I could see from his eyes that he was genuinely happy to have me in that chair. I was glad that he did not speak English or else it would have broken his heart to know that I never lived in Bengal and was, culturally, more of a UP-wallah. I have let down—and even offended—quite a few Malayalis during my visits to Kerala. Upon knowing that I am a Bengali, they would presume that I hailed from Calcutta and was bound to be a distant relative of Jyoti Basu. Once, I was at a small gathering in Trivandrum, where a young man, in order to impress me about his knowledge of Marxist literature emanating from Bengal, asked me, ‘So what do you think of . . .?’ He named someone I had never heard of. ‘I am sorry, but who is he?’ ‘What? You never read his books?’ he was scandalised. ‘He is such a great writer.’ I told the young man that I had never heard of this writer. He was indignant. ‘What? You never heard of him? He is also a Ghosh, then how come?’ ‘I am sorry, but I have never heard of him.’ ‘What? You never heard of him? He is one of the leading lights of communism. How can a Bengali not read him?’ I told him I had never lived in Bengal and that the communist movement did not interest me much. ‘Oh, so where are you from?’ ‘I am from Kanpur, in Uttar Pradesh.’ ‘But you surname says you are a Bengali.’ ‘Of course I am a Bengali, but born and raised in Uttar Pradesh.’ ‘Oh, so you are a rootless Bengali. No wonder.’ The young man looked smug as if he had won a battle and he poured himself another drink. He looked around for approval but, fortunately, the other members at the gathering kept a straight face.
Bishwanath Ghosh (Chai, Chai: Travels in Places Where You Stop But Never Get Off)
I have traveled to the high altitudes of the Himalayas. In one case I was going on the way to there because I wanted to do as we've heard. After the battle of Mahabharata, the Pandavas went to heaven by foot. So I also wanted to go by foot. When I arrived at there someone said: 'This way you should go.' So I started going, and on the way, there was one man doing penance in a cave. He was from Bengal. It was very cold, so I asked him 'Can I spend the night with you?' He said 'Yes, but you must cook.' It was a very small cave, 6 feet by 6 feet, and he said I would sleep there while he would sleep in the kitchen. There was a stone bench, with a cloth, and the pillow was also made of cloth with sand inside. So, this man was living in such a sacrifice, but I said 'I don't want this pillow because it's not comfortable. I can sleep without this sand pillow.' When I removed the pillow, under it, I found a book about sex. So this man had left his country, and went to do penance in the Himalayas and had a Filmfare book of sex. So this is the result of going to the caves. If you have to study sex living in such a cold place, why not stay in your home place? - Papaji Satsang in Lucknow, 1994
SantataGamana (Kundalini Exposed: Disclosing the Cosmic Mystery of Kundalini. The Ultimate Guide to Kundalini Yoga, Kundalini Awakening, Rising, and Reposing on its Hidden Throne (Real Yoga Book 3))
When I come to the country I cease to view man as separate from the rest. As the river runs through many a clime, so does the stream of men babble on, winding through woods and villages and towns. It is not a true contrast that men may come and men may go, but I go on for ever. Humanity, with all its confluent streams, big and small, flows on and on, just as does the river, from its source in birth to its sea of death; ⎯ two dark mysteries at either end, and between them various play and work and chatter unceasing.
Rabindranath Tagore (Glimpses of Bengal)
the world’s cheapest small car, Tata’s Nano, worth only $1500. This toy-like ill-fated vehicle, whose destiny it was to look as if it had been prematurely brought into the world, more foetus than car, and whose birth was near abortive and then indefinitely delayed, this car, when it finally took to the road, turned out to have an engine that at times exploded mysteriously. Until 2009, it was seen to be Bengal’s quirky but irreplaceable mascot for development.
Amit Chaudhuri (Calcutta: Two Years in the City)
The more one lives alone on the river or in the open country, the clearer it becomes that nothing is more beautiful or great than to perform the ordinary duties of one's daily life simply and naturally. From the grasses in the field to the stars in the sky, each one is doing just that; and there is such profound peace and surpassing beauty in nature because none of these tries forcibly to transgress its limitations. Yet what each one does is by no means of little moment. The grass has to put forth all its energy to draw sustenance from the uttermost tips of its rootlets simply to grow where it is as grass; it does not vainly strive to become a banyan tree; and so the earth gains a lovely carpet of green. And, indeed, what little of beauty and peace is to be found in the societies of men is owing to the daily performance of small duties, not to big doings and fine talk. Perhaps because the whole of our life is not vividly present at each moment, some imaginary hope may lure, some glowing picture of a future, untrammelled with everyday burdens, may tempt us; but these are illusory.
Rabindranath Tagore (Glimpses of Bengal)