“
She got to you, too, huh?" I said, sliding onto the bench seat across from him.
"Actually, I called her." Luca grinned. "I'm vomiting from a possible case of food poisoning. You?"
"Sudden onset menstruation."
He nodded respectfully. "Classic."
"Yeah, but I should have gone for something more long-term. Yours will get you out of the whole afternoon. Ferris Bueller would be proud.
”
”
Rachel Vincent (Before I Wake (Soul Screamers, #6))
“
Seated here in contemplations lost, my thought discovers vaster space beyond, supernal silence and unfathomed peace
”
”
Giacomo Leopardi
“
It was the nicest cop car I’d ever been in, and I’d been in quite a few. The black leather interior smelled of vanilla. The Plexiglas divider was squeaky clean. The bench seat had a massage feature so I could relax after a hard day of loitering. Obviously, they served only the finest criminals here in Alfheim.
”
”
Rick Riordan (Magnus Chase and the Hammer of Thor (Magnus Chase and the Gods of Asgard #2))
“
Kate collapsed onto a bench seat. "You were right" she said. "worst plan ever".
"Told you". Said Agust, sinking onto his knees.
”
”
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
“
Once we were on the road, I glanced at my passenger. “If you’ve got any ideas about how I can get this shit storm cleared up, I’m all ears.”
Tank snorted, sneezed, and lay down on the bench seat, plopping his head on my leg. I rested my hand on his back, eyes glued to the winding two-lane highway. “Yeah, I don’t have a goddamn clue either.
”
”
Lisa Kessler (Ice Moon (Moon, #5))
“
She pulled open the reception area door, bright sunshine causing her to pause, momentarily blinding her. Her eyes adjusted and she saw Josh, Peta and Daryl in deep conversation at an outdoor table. Saskia retreated, holding the door open. She saw Daryl lunge out of his bench, reach across the table, grab the front of Josh’s shirt and haul him close. Daryl’s mouth worked in angry lines and Josh’s head bowed, shaking back and forth slowly. Peta glanced nervously over her shoulder and towards the door of the administration building. She laid a hand on Daryl’s arm, leaning towards him. Daryl let Josh loose, sinking back into his seat. Josh also sat back, tugging his shirt into place.
”
”
Miriam Verbeek (The Forest: A thrilling international crime novel (Saskia van Essen crime thrillers))
“
...and Jon had ordered benches and tables brought in. Men with comfortable seats were more inclined to listen, Maester Aemon had once told him; standing men were more inclined to shout.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
He was seated on the bench now. He had his left elbow on his knee, his right arm across his lap, his shoulders hunched, his head bowed. White face, red hair: snow and fire, like something from an old tale. The book I had noticed earlier was on the bench beside him, its covers shut. Around Anluan's feet and in the birdbath, small visitors to the garden hopped and splashed and made the most of the day that was becoming fair and sunny. He did not seem to notice them. As for me, I found it difficult to take my eyes from him. There was an odd beauty in his isolation and his sadness, like that of a forlorn prince ensorcelled by a wicked enchantress, or a traveller lost forever in a world far from home.
”
”
Juliet Marillier (Heart's Blood)
“
Did you take lessons in cynical?”
“I did, yes. I was so good at it, I now teach ‘How to be a cynical jerk’ at the local
community college. I can get you discount rates if you want. Just tell them I sent you.”
“And sarcasm?”
“Yep, I have my Masters in sarcasm. I can get you a two-for-one deal if you want.”
Will laughed again. “You would seriously charge me to take one of your hypothetical
classes?”
“Hypothetical is an extra charge,” I told him, sitting down on a bench seat. “And anyway,
I have to make a living somehow. I’d consider prostitution, but it’s against my moral standing to enjoy my work.
”
”
N.R. Walker (Blindside (Blind Faith, #3))
“
We turn the corner, and once again I’m greeted with the evil statue, sitting on the park bench styled seat like he owns the fucking joint. Newsflash McFuckhead, I own it.
”
”
K.M. Golland (Attainment (Temptation, #3.5))
“
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?"
The au pair was wary. "What kind of diversion?"
"You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside."
"That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction."
"Maybe you're from out of town," Dan suggested. "Wait–you are from out of town."
Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger."
The Egyptian Mau surveyed the street uncertainly. "Mrrp."
Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready."
The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian."
"Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?"
"More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals."
The clerk stared in perplexity.
Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..."
He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start."
"You are a music lover," said the wide-eyed cashier.
"No, I'm a kleptomaniac." And she dashed out the door.
”
”
Gordon Korman (One False Note (The 39 Clues, #2))
“
Becca watched New Kid work the cutlery. “Bet you wish you’d given up your seat now, huh?”
“Oh.” Quinn settled back on the bench and gave him a more appraising look. “This is that guy.”
He looked thrown for a second. “That guy?”
Quinn nodded. “Pet store hero, ex-police-dog owner, seat stealer.”
Trust her best friend to be absolutely direct. Becca glanced away and tucked her hair behind her ear. “I might have mentioned you.
”
”
Brigid Kemmerer (Storm (Elemental, #1))
“
But her body, seated a few inches from mine on the wooden bench, had manifested no unease. Not even her voice, which had been sure and clear: no. Not a single sign that might lead me to think that she was lying. Thus I had no doubt. She was lying.
”
”
Elena Ferrante (Troubling Love)
“
You know my thoughts on arming morons,” he’d once remarked from the bench after Raymer, then a young officer, had accidentally discharged his weapon, the wayward bullet narrowly missing an old woman seated on her commode half a block away. “If you arm one, you have to arm them all. Otherwise, it isn’t even good sport.
”
”
Richard Russo (Somebody's Fool (Sully #3))
“
What he then saw was like an apparition. She was seated in the middle of a bench all alone, or, at any rate, he could see no one, dazzled as he was by her eyes.
”
”
Gustave Flaubert (Sentimental Education Vol 1)
“
One major factor that will prevent your dreams from becoming nightmares is learning to vacate your spectators’ seat and then taking steps towards the players' bench! You've got to play to win!
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks glasses! of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster— tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone?
”
”
Herman Melville (Moby-Dick or, The Whale)
“
He thought dawdling, protective thoughts, sitting under the lamp, but he knew that pretty soon his
name would be called and he would have to go up before the bench with himself as judge and his own
crimes as jurors.
And his name was called, shrilly in his ears. His mind walked in to face the accusers: Vanity, which charged him with being ill dressed and dirty and vulgar; and Lust, slipping him the money for his whoring; Dishonesty, to make him pretend to talent and thought he did not have; Laziness and Gluttony arm in arm. Tom felt comforted by these because they screened the great Gray One in the back seat, waiting—the gray and dreadful crime. He dredged up lesser things, used small sins almost like virtues to save himself. There were Covetousness of Will’s money, Treason toward his mother’s God, Theft of time and hope, sick Rejection of love.
Samuel spoke softly but his voice filled the room. “Be good, be pure, be great, be Tom Hamilton.”
Tom ignored his father. He said, “I’m busy greeting my friends,” and he nodded to Discourtesy and Ugliness and Unfilial Conduct and Unkempt Fingernails. Then he started with Vanity again. The
Gray One shouldered up in front. It was too late to stall with baby sins. This Gray One was Murder.
”
”
John Steinbeck (East of Eden)
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
I lock myself in the stall, take out the flask, unscrew it, and attach myself to it like a leech. I’m sitting on the bench, my heart is empty, my head is empty, my soul is empty, gulping down the hard stuff like water. Alive. I got out. The Zone let me out. The damned hag. My lifeblood. Traitorous bitch. Alive. The novices can’t understand this. No one but a stalker can understand. And tears are pouring down my face—maybe from the booze, maybe from something else. I suck the flask dry; I’m wet, the flask is dry. As usual, I need just one more sip. Oh well, we’ll fix that. We can fix anything now. Alive. I light a cigarette and stay seated. I can feel it—I’m coming around.
”
”
Arkady Strugatsky (Roadside Picnic)
“
But like he said, it was clean, and it was very, very cool.
I told him so.He beamed. Then ordered, "Seat belt!" as he stowed our bags in the backseat. I was trying. I'd already scanned the duct-tape-patched roof in vain. The clip was where I expected it to be, next to my left hip on the bench seat.Not so the other half. "Oh,yeah.I forgot to mention it's a lap belt."
He reached over me, his arm brushing against my chest, his hair just grazing my cheekbone as he pulled the belt from the crevive between the seat and the door. I caught my breath. And jumped a little when he shoved the pieces together with a loud click.
"Old parts," he apologized.
Quivery parts,I thought as my insides settled.Kinda.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Taking a seat on the bench and listening to Mariia, I think about freedom. The village, one would say, has been liberated. Are its people free?
”
”
Timothy Snyder (On Freedom)
“
Our only real hope had been the Supreme Court. But with one empty seat on an already right-leaning bench and two more retirements looming, the Supremes didn’t offer much hope.
”
”
Christina Dalcher (Vox)
“
Missy
As Jessica mentioned earlier in the book, I also have to laugh when I hear people talk about Korie, Jessica, and me as gold diggers. I think, Oh please! Jase was skinning raccoons for extra money when Cole (our second child) was born! The only gold I was interested in was Jason’s old gold-colored Chevy, because it had a bench seat and I could snuggle up to him while he drove.
”
”
Missy Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
“
A few moments later the bus pulled up. It was an old-fashioned red double-decker bus that you could jump on at the back. I went to sit on the bench at the back of the bus and was placing my guitar case in the storage space near where the conductor was standing when, behind me, I saw a sudden flash of ginger fur. Before I knew it, Bob had jumped up and plonked himself on the seat next to where I was sitting.
”
”
James Bowen (A Street Cat Named Bob: And How He Saved My Life)
“
You kissed me.” His brow shoots up. “I thought that was what you wanted. I thought that’s what we were doing.” “No, I know.” I step back, my spine meeting the side of the bench seat. “We were. I just—it’s different now.” “What do you mean?” “I don’t want to play that game anymore,” I say. “I don’t want you to say things you don’t mean and do things you don’t want to do. It’s confusing.” “Who says I did anything I don’t want to do?” he asks. “You did,” I fire back. “You’re the one who told me you don’t want anything to happen between us—” “I never said that,” he argues, stepping closer. “—and I don’t want to be a prop to make your ex jealous, and I know I started it—” “You’re not a prop,” he says, looking hurt. “That’s exactly what I just was,” I counter. “You only want to kiss me when they’re there to see it. And I know I started it, but things are different now.
”
”
Emily Henry (Funny Story)
“
(The feast-room in GUNNAR'S house. The entrance-door is in the back; smaller doors in the side-walls. In front, on the left, the greater high-seat; opposite it on the right, the lesser. In the middle of the floor, a wood fire is burning on a built-up hearth. In the background, on both sides of the door, are daises for the women of the household. From each of the high-seats, a long table, with benches, stretches backwards, parallel with the wall. It is dark outside; the fire lights the room.)
”
”
Henrik Ibsen (The Vikings of Helgeland The Prose Dramas Of Henrik Ibsen, Vol. III.)
“
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity.
My identity comes back fine and clean and boring.
Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so.
His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing?
I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud.
I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes.
He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage.
God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way.
“Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.”
And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her.
“I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.”
Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her.
That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her.
“The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.”
She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah.
“I’d need to change clothes.”
His gaze flickered over her short jeans skirt, her T-shirt.
“That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.”
No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers.
“Bare legs and motorcycles don’t exactly go together,” she pointed out.
He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.”
She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him.
“Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup?
He looked around. “I haven’t seen a pickup.”
“It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.”
He grinned. He was so proud of that damned pickup.
“Where did something so little come up with a truck that big?” he teased her then.
She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening.
“You drive it?”
“All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.”
Did he swallow tighter?
“It’s pinged then?”
She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?”
Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror.
The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
”
”
Lora Leigh (Wild Card (Elite Ops, #1))
“
Their box, their great common anxiety, what was it, in this grim breathing−space, but the practical question of life? They could live if they would; that is, like herself, they had been told so: she saw them all about her, on seats, digesting the information, recognising it again as something in a slightly different shape familiar enough, the blessed old truth that they would live if they could. All she thus shared with them made her wish to sit in their company; which she so far did that she looked for a bench that was empty, eschewing a still emptier chair that she saw hard by and for which she would have paid, with superiority, a fee.
”
”
Henry James (The Wings of the Dove)
“
On one occasion when she was feeling edgy and exhausted and her cartilage ached the way it sometimes did, she stopped off at the memorial park on her way home. It was the biggest public open space in the country. She drove up and down the long rows of granite grave markers set flush to the grass singing, “If you are going to San Francisco,” thinking about smothering Byrdie and taking the car and just running away. Her life could start over as it was meant to start – but how was that, pray tell? As a lesbian? What about those two or three months of fixation on sleeping with Lee? Is that what lesbians do? She looked back at Byrdie asleep on the back bench seat and said, “Byrdie boy, I love you so much.
”
”
Nell Zink (Mislaid)
“
Ford began building his first automobile after he moved to Detroit, in a workshop he set up in a brick shed behind his Detroit duplex. The quadricycle, as he called it, was more a four-wheeled, motorized bicycle than an automobile. With a two-cylinder, four-cycle, four-horsepower gasoline-fueled internal combustion engine installed under the bench seat, a tiller for steering, and no brakes, it weighed just five hundred pounds.1 It took him three years to design and build, by hand. (“Ford was working in a world that contained no automobile parts,” quips one of his biographers.2) He rolled the quadricycle out of the workshop—after enlarging the narrow brick doorway with a sledgehammer—at two o’clock on a rainy June morning in 1896.
”
”
Richard Rhodes (Energy: A Human History)
“
And when spring comes to the City people notice one another in the road; notice the strangers with whom they share aisles and tables and the space where intimate garments are laundered. going in and out, in and out the same door, they handle the handle; on trolleys and park benches they settle thighs on a seat in which hundreds have done it too. Copper coins dropped in the palm have been swallowed by children and tested by gypsies, but it’s still money and people smile at that. It’s the time of year when the City urges contradiction most, encouraging you to buy street food when you have no appetite at all; giving you a taste for a single room occupied by you alone as well as a craving to share it with someone you passed in the street. Really there is no contradiction—rather it’s a condition; the range of what an artful City can do. What can beat bricks warming up to the sun? The return of awnings. The removal of blankets from horses’ backs. Tar softens under the heel and the darkness under bridges changes from gloom to cooling shade. After a light rain, when the leaves have come, tree limbs are like wet fingers playing in woolly green hair. Motor cars become black jet boxes gliding behind hoodlights weakened by mist. On sidewalks turned to satin figures move shoulder first, the crowns of their heads angled shields against the light buckshot that the raindrops are. The faces of children glimpsed at windows appear to be crying, but it is the glass pane dripping that makes it seem so.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
The man on the bench was not plump or big-boned or overweight or even obese. He was a mountain. He was huge. Over six feet, and that was side to side. He dwarfed the bench. He was wearing an ankle-length caftan, gray in color, and his knees were forced wide by his belly, and he was leaning back, perched with his ass on the very front part of the seat, because in the other direction his belly wouldn’t let him fold up ninety degrees to a normal sitting position. There were no recognizable contours to his body. He was an undifferentiated triangle of flesh, with breasts the size of soft basketballs, and other unexplained lumps and bulges the size of king-size pillows. His arms were resting along the back of the bench, and huge dewlaps of fat hung down either side of dimpled elbows.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
Where to?" said the bear.
The boy wobbled back to the rear seat, concentrating as the hull rolled and bounced beneath him. He half sat and half fell onto the hard wooden bench, bashing his wrist painfully against the edge as he landed.
"Ow!" he said. "Just over to the other side, please." He waved his unbashed hand vaguely out across the water without looking up.
"Right you are," said the bear.
”
”
Dave Shelton (A Boy and A Bear in a Boat)
“
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?”
Still no response.
“Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.”
Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate.
And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood.
That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle.
“You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!”
A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?”
He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . .
His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman.
Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.”
And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink.
“What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?”
Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable.
She grimaced, then said, “I’ll be fine.”
Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?”
She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.”
“Are you faint? Dizzy? Weak?”
She shook her head. “Just in pain. What are you doing here?”
He smiled through his tears. “I came to find you.”
“You did?” she whispered.
He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.”
Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
While stationed in Fort Jackson, I experienced racial prejudice for the first time and came to the understanding that humans are not born with prejudice, but learn prejudice. Back home in South Dakota, I only knew one black American. The Scandinavians in my community treated him just like any other Swede; my family considered him a friend. My parents taught me, and I believed that all men are equal because God created all men in His image.
One day during a week end furlough, I boarded a crowded city bus. As I walked down the aisle, I looked for an open seat. Looking towards the rear of the bus, I noticed three huge, young black men sitting on a bench in the back. I decided to squeeze onto the bench with them. As I sat down, a woman said in a very loud voice, "What is that white soldier doing in our part of the bus?"
Neither my life experiences nor my education prepared me for what I experienced walking the streets of Fort Jackson. I saw water fountains for whites only, barbershops for blacks only, and separation for most aspects of Southern living. I discovered that the feelings of prejudice ran deeply amongst many of the people that we encountered. In fact, the blacks even trained separately from the whites during our military preparation, even though we all worked towards defending the United States of America.
”
”
Oliver Omanson (Prisoner of War Number 21860: The World War II Memoirs of Oliver Omanson)
“
You ask for too much, Iain,” she murmured. “More than I can give.”
“Do I?”
Movement against her made her pause, made her stiffen as she felt him press forward, felt his body shift until his back and shoulders were pressing indecently against her belly and his head was turned, the curve of his cheek lying on her lap.
“Can you give me this, Beth? Just one moment to lie here and close my eyes, and feel you beneath me, soft and curved?”
“And what would you find?” she asked, her voice little more than a breathless whisper.
“Solace.”
Closing her eyes, she bit hard on her lip, trying not to weaken against that one word. There had been no hesitation when he said it. It was as if he’d known it—what he’d desired all along, a feeling of tranquility. Peace. Rightness.
Her hand hovered over his head, her fingers itching to touch, to run her fingers through his hair, which would be damp with snow. What picture did they make, seated on this bench, a tempest of white swirling around them as he laid his head in her lap?
”
”
Charlotte Featherstone (Temptation & Twilight (The Brethren Guardians, #3))
“
Later he would tell her that their story began at the Royal Hungarian Opera House, the night before he left for Paris on the Western Europe Express. The year was 1937; the month was September, the evening unseasonably cold. His brother had insisted on taking him to the opera as a parting gift. The show was Tosca and their seats were at the top of the house. Not for them the three marble-arched doorways, the façade with its Corinthian columns and heroic entablature. Theirs was a humble side entrance with a red-faced ticket taker, a floor of scuffed wood, walls plastered with crumbling opera posters. Girls in knee-length dresses climbed the stairs arm in arm with young men in threadbare suits; pensioners argued with their white-haired wives as they shuffled up the five narrow flights. At the top, a joyful din: a refreshment salon lined with mirrors and wooden benches, the air hazy with cigarette smoke. A doorway at its far end opened onto the concert hall itself, the great electric-lit cavern of it, with its ceiling fresco of Greek immortals and its gold-scrolled tiers. Andras had never expected to see an opera here, nor would he have if Tibor hadn’t bought the tickets. But it was Tibor’s opinion that residence in Budapest must include at least one evening of Puccini at the Operaház. Now Tibor leaned over the rail to point out Admiral Horthy’s box, empty that night except for an ancient general in a hussar’s jacket. Far below, tuxedoed ushers led men and women to their seats, the men in evening dress, the women’s hair glittering with jewels.
”
”
Julie Orringer (The Invisible Bridge (Vintage Contemporaries))
“
Aline looked up from her seated position at the bench as McKenna approached her, his dark presence falling over her like a shadow. Adam's reference to McKenna was not quite accurate- he looked far more like a devil than a dragon, needing only a pitchfork to complete the image. A tall, brooding, smoldering-eyed devil, in a formal scheme of black and white. He literally took her breath away. Aline was shocked by her own uncontrollable hunger to touch him. This was the feeling of her youth, the wild, dizzying excitement that she had never been able to forget.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
There was still some time before the train opened its doors for boarding, yet passengers were hurriedly buying boxed dinners, snacks, cans of beer, and magazines at the kiosk. Some had white iPod headphones in their ears, already off in their own little worlds. Others palmed smartphones, thumbing out texts, some talking so loudly into their phones that their voices rose above the blaring PA announcements. Tsukuru spotted a young couple, seated close together on a bench, happily sharing secrets. A pair of sleepy-looking five- or six-year-old twin boys, with their mother and father dragging them along by their hands, were whisked past where Tsukuru sat. The boys clutched small game devices. Two young foreign men hefted heavy-looking backpacks, while a young woman was lugging a cello case. A woman with a stunning profile passed by. Everyone was boarding a night train, heading to a far-off destination. Tsukuru envied them. At least they had a place they needed to go to.
Tsukuru Tazaki had no place he needed to go.
He realized that he had never actually been to Matsumoto, or Kofu. Or Shiojiri. Not even to the much closer town of Hachioji. He had watched countless express trains for Matsumoto depart from this platform, but it had never occurred to him that there was a possibility he could board one. Until now he had never thought of it. Why is that? he wondered.
Tsukuru imagined himself boarding this train and heading for Matsumoto. It wasn’t exactly impossible. And it didn’t seem like such a terrible idea. He’d suddenly gotten it into his head, after all, to take off for Finland, so why not Matsumoto? What sort of town was it? he wondered. What kind of lives did people lead there? But he shook his head and erased these thoughts. Tomorrow morning it would be impossible to get back to Tokyo in time for work. He knew that much without consulting the timetable. And he was meeting Sara tomorrow night. It was a very important day for him. He couldn’t just take off for Matsumoto on a whim.
He drank the rest of his now-lukewarm coffee and tossed the paper cup into a nearby garbage bin.
Tsukuru Tazaki had nowhere he had to go. This was like a running theme of his life. He had no place he had to go to, no place to come back to. He never did, and he didn’t now.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
Clark Air base in Angeles City is a hub of commerce. The streets teem with industrious Filipinos hustling to make a living. Rusty cars and trucks clog narrow streets and honk their horns with abandon. Jeepneys ferry passengers around town for only a few pesos and serve as public transportation. The jeepney is the official vehicle of the Philippines. Jeepneys are long, open-sided jeeps and have bench seats for passengers. The best jeepneys are very ornate, their hoods festooned with a multitude of fancy chrome horses and ornaments, multihued streamers, and hand-operated rubber-bulb horns. Safety standards are third-world-relaxed in the PI, and jeepney drivers casually smoke cigarettes while they sit with plastic containers of gasoline nestled between their feet. The clear plastic jugs have a tube that connects to the engine and serves as the jeepney’s improvised gas tank, making it easier for the driver to monitor and conserve fuel. Jeepneys are not the only transportation available. Small, sidecar-equipped motorcycles called tricycles, also serve as cheap taxis, crowding the streets near popular establishments. The alleys are lined with side-by-side food stalls, and street vendors occupy every corner.
”
”
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
“
It was when Maya showed me the benches at Gallaudet University that I started to glimpse sound—the physical structure of it, the elastic bounce of its travel. My friends who are deaf have always told me that sound also belongs to them—that hearing people are forever getting it wrong to imagine deafness as a “silent world”—but the benches were the thing that made this idea vividly real. They were a feature in the design at the scale of rooms at Gallaudet, alongside a dozen other architectural choices that a hearing person could easily miss. Maya had paused for a moment in our campus tour to point them out, standing in the middle of a big, airy common space lined with windows on three sides, the lobby of a dorm where many students study and socialize, alone or in groups. The benches serve as seating for nearby wood tables, sets that are interspersed with soft fabric chairs arranged 360 degrees around for discussion. “Wood is the best material for this kind of group seating,” she told me, and mimed lightly slapping the wood with her palm. The resonance of wood makes it reverberate when struck. Students sometimes tap or slap nearby surfaces to get one another’s attention or to call a group to order, she said, and materials like concrete or thick plastics tend to absorb the sound rather than scatter it productively.
”
”
Sara Hendren (What Can a Body Do?)
“
channel as the rest of the team, but now he could not hear the transmission. Strange. Court turned to the three men next to him on the bench. From their posture, from their facial expressions, Gentry determined that, just like their leader, they weren’t decompressing after the tension of the extraction from the hot zone. No, they moved and looked like they were about to go into action. Gentry had spent sixteen years in covert operations, studied faces and evaluated threats for a living. He knew what an operator looked like when the fight was over, and he knew what an operator looked like when the fight was about to begin. Surreptitiously he unhooked the strap securing him to the bench and swiveled in his seat to face the men around him.
”
”
Mark Greaney (The Gray Man (Gray Man, #1))
“
To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.
”
”
Nikolai Gogol (Dead Souls)
“
So often have I studied the views of Florence, that I was familiar with the city before I ever set foot within its walls; I found that I could thread my way through the streets without a guide. Turning to the left I passed before a bookseller's shop, where I bought a couple of descriptive surveys of the city (guide). Twice only was I forced to inquire my way of passers by, who answered me with politeness which was wholly French and with a most singular accent; and at last I found myself before the facade of Santa Croce.
Within, upon the right of the doorway, rises the tomb of Michelangelo; lo! There stands Canova's effigy of Alfieri; I needed no cicerone to recognise the features of the great Italian writer. Further still, I discovered the tomb of Machiavelli; while facing Michelangelo lies Galileo. What a race of men! And to these already named, Tuscany might further add Dante, Boccaccio and Petrarch. What a fantastic gathering! The tide of emotion which overwhelmed me flowed so deep that it scarce was to be distinguished from religious awe. The mystic dimness which filled the church, its plain, timbered roof, its unfinished facade – all these things spoke volumes to my soul. Ah! Could I but forget...! A Friar moved silently towards me; and I, in the place of that sense of revulsion all but bordering on physical horror which usually possesses me in such circumstances, discovered in my heart a feeling which was almost friendship. Was not he likewise a Friar, Fra Bartolomeo di San Marco, that great painter who invented the art of chiaroscuro, and showed it to Raphael, and was the forefather of Correggio? I spoke to my tonsured acquaintance, and found in him an exquisite degree of politeness. Indeed, he was delighted to meet a Frenchman. I begged him to unlock for me the chapel in the north-east corner of the church, where are preserved the frescoes of Volterrano. He introduced me to the place, then left me to my own devices. There, seated upon the step of a folds tool, with my head thrown back to rest upon the desk, so that I might let my gaze dwell on the ceiling, I underwent, through the medium of Volterrano's Sybills, the profoundest experience of ecstasy that, as far as I am aware, I ever encountered through the painter's art. My soul, affected by the very notion of being in Florence, and by proximity of those great men whose tombs I had just beheld, was already in a state of trance. Absorbed in the contemplation of sublime beauty, I could perceive its very essence close at hand; I could, as it were, feel the stuff of it beneath my fingertips. I had attained to that supreme degree of sensibility where the divine intimations of art merge with the impassioned sensuality of emotion. As I emerged from the porch of Santa Croce, I was seized with a fierce palpitations of the heart (that same symptom which, in Berlin, is referred to as an attack of nerves); the well-spring of life was dried up within me, and I walked in constant fear of falling to the ground.
I sat down on one of the benches which line the piazza di Santa Croce; in my wallet, I discovered the following lines by Ugo Foscolo, which I re-read now with a great surge of pleasure; I could find no fault with such poetry; I desperately needed to hear the voice of a friend who shared my own emotion (…)
”
”
Stendhal (Rome, Naples et Florence)
“
Matthew and Elspeth knew the Duke of Johannesburg, of course. Matthew had first met him some years earlier when he had gone to a party at Single-Malt House, the Duke’s seat. Most of us have houses or flats, but dukes have seats, which conjures up an altogether more comfortable set of domestic arrangements. Professors have chairs, which are not necessarily as comfortable as seats, but better, perhaps, than the mere benches on which judges have to spend their working hours. Least fortunate, of course, are people who have posts or slots—arrangements suggestive of impermanence and discomfort. To say of somebody that “he occupies the post of” is to imply that he has a place, but that he should not become too ensconced as there are others only too ready to take his place, with all the enthusiasm of the would-be stylite, on that post.
”
”
Alexander McCall Smith (Bertie's Guide to Life and Mothers)
“
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long.
“Oh, that’s good. Really, really good. What a grand bed!”
Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.”
The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious?
I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook.
“What are you doing?”
She looks up, her doe eyes widening. “Getting ready for bed.”
“You’re going to sleep there?”
“Of course. The sofa’s very uncomfortable.”
“Why can’t we share the bed?”
She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.”
I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.”
“That’s not what I mean.”
“You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.”
And the blush is back. With a vengeance.
“I’m not . . . I don’t . . .”
“You don’t fart?” I scoff. “Really? Are you not human?”
She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining.
She shakes her head, pinning me with her eyes.
“There’s something wrong with you.”
“No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.”
She folds her arms, all tight, trembling indignation. It’s adorable.
“I’m sleeping in the nook, Your Highness. And that’s that.”
I sit up, pinning her gaze right back at her.
“Henry.”
“What?”
“My name is not Highness, it’s fucking Henry, and I’d prefer you use it.”
And she snaps.
“Fine! Fucking Henry—happy?”
I smile.
“Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.”
I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence.
I wiggle around, getting comfy.
I turn on my side and fluff the pillow.
I squeeze my eyes tight . . . but it’s hopeless.
“Fucking hell!” I sit up.
And Sarah springs to her feet. “What? What’s wrong?”
It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick.
I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance.
“You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.”
“You don’t have to do that.”
I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.”
She blinks, her little mouth pursed. “Okay.”
Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow.
The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths.
But then, in the near darkness, her delicate voice floats out on a sigh.
“All right, we can sleep in the bed together.”
Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed.
That’s better.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
”
”
Michael Chabon (Telegraph Avenue)
“
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated.
When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize.
If you let me, I can do things to u to make u forget her.
As soon as he clears it, another one pops up from a different number.
Hit me back if u want to chat. I'll treat u better than E.
How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma.
At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up.
Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along.
With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child.
It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
is a city of delightful ease, of freedom and sunshine, of torrid heat. There it does not matter what you do, nor when, nor how you do it. There is none to hinder you, none to watch. Each takes his ease, and is content that his neighbour should do the like. Doubtless people are lazy in Seville, but good heavens! why should one be so terribly strenuous? Go into the Plaza Nueva, and you will see it filled with men of all ages, of all classes, 'taking the sun'; they promenade slowly, untroubled by any mental activity, or sit on benches between the palm-trees, smoking cigarettes; perhaps the more energetic read the bull-fighting news in the paper. They are not ambitious, and they do not greatly care to make their fortunes; so long as they have enough to eat and drink--food is very cheap--and cigarettes to smoke, they are quite happy. The Corporation provides seats, and the sun shines down for nothing--so let them sit in it and warm themselves. I daresay it is as good a way of getting through life as most others.
”
”
W. Somerset Maugham
“
It was an afternoon of premature spring. Water was drying on the walks and in the Park little girls were gravely wheeling white doll-buggies up and down under the thin trees while behind them followed bored nursery-maids in two’s, discussing with each other those tremendous secrets that are peculiar to nursery-maids. Two o’clock by her little gold watch. She should have a new watch, one made in a platinum oblong and incrusted with diamonds—but those cost even more than squirrel coats and of course they were out of her reach now, like everything else—unless perhaps the right letter was awaiting her . . . in about an hour . . . fifty-eight minutes exactly. Ten to get there left forty-eight . . . forty-seven now. . . . Little girls soberly wheeling their buggies along the damp sunny walks. The nursery-maids chattering in pairs about their inscrutable secrets. Here and there a raggedy man seated upon newspapers spread on a drying bench, related not to the radiant and delightful afternoon but to the dirty snow that slept exhausted in obscure corners, waiting for extermination. . .
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Sorry,’ said Harry nervously. ‘I – I didn’t know the time had been changed.’ ‘That is not the Wizengamot’s fault,’ said the voice. ‘An owl was sent to you this morning. Take your seat.’ Harry dropped his gaze to the chair in the centre of the room, the arms of which were covered in chains. He had seen those chains spring to life and bind whoever sat between them. His footsteps echoed loudly as he walked across the stone floor. When he sat gingerly on the edge of the chair the chains clinked threateningly, but did not bind him. Feeling rather sick, he looked up at the people seated at the bench above. There were about fifty of them, all, as far as he could see, wearing plum-coloured robes with an elaborately worked silver ‘W’ on the left-hand side of the chest and all staring down their noses at him, some with very austere expressions, others looks of frank curiosity. In the very middle of the front row sat Cornelius Fudge, the Minister for Magic. Fudge was a portly man who often sported a lime-green bowler hat, though today he had dispensed with it; he had dispensed, too, with
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth."
Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it.
Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands."
Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire."
Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again."
There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?"
Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual."
Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much."
"Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?"
"I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd.
"I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality."
"It is a good thought," Krysta said.
Rycca nodded. Very quietly, she said, "Blessed are the peacemakers."
Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it."
They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars.
The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night.
The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
”
”
Patricia MacLachlan (The Facts and Fictions of Minna Pratt)
“
Moi, moreover, made full use of his control of government machinery to obtain funds, harass the opposition and manipulate the results. The delimitation of constituencies was skewed heavily to favour Kanu strongholds in the North Eastern, Rift Valley and Coast provinces. The number of voters needed to return a single seat in opposition strongholds in some cases was four times higher than in Kanu strongholds. Whereas the North Eastern province, with 1.79 per cent of the electorate, had ten seats, Nairobi province with 8.53 per cent had only eight seats; whereas Coast province with 8.37 per cent of the electorate had twenty seats, Central province with 15.51 per cent had only twenty-five seats. The average size of a secure Kanu constituency was only 28,350 voters, while seats in opposition areas were on average 84 per cent larger with 52,169 voters. The registration process was also manipulated. The government cut short the period allowed for voter registration and delayed the issuing of identity cards needed by young potential voters, effectively disenfranchising at least 1 million people. Opposition areas were under-registered. The highest figures for registration were in the Rift Valley. The independence of the Electoral Commission was also suspect. The man Moi appointed to head it was a former judge who had been declared bankrupt two years previously and removed from the bench for improper conduct.
”
”
Martin Meredith (The Fate of Africa: A History of Fifty Years of Independence)
“
Dither and I like to take the ladies out. Last night Maggie showered her blue-black guts over the barstool at the Dirty Truth while I swung the bartender into the wall-sized mirror by his ankles. Dither put his many fingers into six fraternity brothers while Winnie sucked off the beer spigots, her shattered pelvis undulating obscenely, her hair and dress alive with blood beetles. Then we burst out into the streets. I sliced off heads all down Pleasant while Dither shoved swords up through the seats at the Calvin Theater. Winnie set bassinets afire at Cooley Dickinson while Maggie squatted to piss in the lobster tank in the Stop & Shop. We pinwheeled through the Bridge Street cemetery, upending ancient caskets and sending their contents into the grey sky until it looked like smoke from a great fire. It was a beautiful night; we poured wine into our lungs like drowning sots. In the pink morning we were stacked on the benches like cordwood. The sky was a sick yellow bruise. The sun was a cold dead eye. The winds raised up and shook the houses and thrashed the trees. A great fire is coming to Leeds. Pneumonic plagues and blood from the faucets and worms exploding up into bath tubs from the drains. You’re listening to WXXT. The time is 6:16 a.m. It is not too late to rise, rise and do what needs to be done. Up next, we’ve got Burton Stallhearse and the Grappling Grannies performing their version of “Dark Was the Night, Cold Was the Ground.
”
”
Matthew M. Bartlett (Creeping Waves)
“
When he was gone the men on the bench began to laugh. One of them rose to better see the map.
Es un fantasma, he said.
Fantasma?
Sí, sí. Claro.
Cómo?
Cómo? Porque el viejo está loco es como.
Loco?
Billy stood looking at the map. No es correcto? he said.
The man threw up his hands. He said that what they beheld was but a decoration. He said that anyway it was not so much a question of a correct map but of any map at all. He said that in that country were fires and earthquakes and floods and that one needed to know the country itself and not simply the landmarks therein. Besides, he said, when had that old man last journeyed to those mountains? Or journeyed anywhere at all? His map was after all not really so much a map as a picture of a voyage. And what voyage was that? And when?
Un dibujo de un viaje, he said. Un viaje pasado, un viaje antigun.
He threw up one hand in dismissal. As if no more could be said. Billy looked at the other three men on the bench. They watched with a certain brightness of eye so that he wondered if he were being made a fool of. But the one seated at the right leaned forward and tapped the ash from his cigarette and addressed the man standing and said that as far as that went there were certainly other dangers to a journey than losing one's way. He said that plans were one thing and journeys another. He said it was a mistake to discount the good will inherent in the old man's desire to guide them for it too must be taken into account and would in itself lend strength and resolution to them in their journey.
The man who was standing weighed these words and then erased them in the air before him with a slow fanning motion of his forefinger. He said that the jovenes could hardly be expected to apportion credence in the matter of the map. He said that in any case a bad map was worse than no map at all for it engendered in the traveler a false confidence and might easily cause him to set aside those instincts which would otherwise guide him if he would but place himself in their care. He said that to follow a false map was to invite disaster. He gestured at the sketching in the dirt. As if to invite them to behold its futility. The second man on the bench nodded his agreement in this and said that the map in question was a folly and that the dogs in the street would piss upon it. But man on the right only smiled and said that for that matter the dogs would piss upon their graves as well and how was this an argument?
The man standing said that what argued for one case argued for all and that in any event our graves make no claims outside of their own simple coordinates and no advice as to how to arrive there but only the assurance that arrive we shall. It may even be that those who lie in desecrated graves-by dogs of whatever manner-could have words of a more cautionary nature and better suited to the realities of the world. At this the man at the left who'd so far not spoke at all rose laughing and gestured for the two boys to follow and they went with him out of the square and into the street leaving the disputants to their rustic parkbench tertulia.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
There was a noise out back and Megan stalked to the end of the hall to look out the window. The door to the shed was just closing.
Finn.
He was just as bad as his brother. Finn had stranded her that morning too and he hadn’t said a word to her about Spanish class, even though he never would have passed that pop quiz they had taken without her help. Megan turned and stormed down the hallway. Maybe she was too scared to say anything to Evan, but Finn…she was going to give that boy a piece of her mind.
“You guys all suck, you know that?” Megan shouted, flinging open the door to the shed.
Finn dropped his paintbrush on the leg of his jeans, where it left a streak of orange before hitting the dirty floor.
“Sorry?” he said.
“You! You suck!” Megan fumed.
“We’ve been over this. I know I suck.”
“Not your art. You! You…guys!” Megan shouted.
Finn blinked. “Actually, I think I’m kind of an okay guy.”
“Oh, please!” Megan said, squaring off in front of him. “I mean, what’s wrong with you people? Were you all born like this? Because it’s gotta be in your genes. Either that or you’ve all gotten each other in one too many choke holds over the years and you’ve deprived your brains of too much oxygen. Which is it?”
“Megan, I think you need to sit down,” Finn said, carefully reaching for her shoulders. Keeping her at arm’s length, he steered her over to the old bench and pushed her down until she had to let her knees go and fall into the seat. “Now, is this about Hailey and Evan?”
“No! It’s about you! You deserted me this morning,” Megan said. “And then I went to get my bike and the tires were flat. You guys popped my freaking tires! What is this? The McGowan Home for the Criminally Insane?
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
At last Angela turned in to the space between the pews. She picked her way around Solembum--who crouched next to the novitiate he had killed, every hair on his body standing on end--and then carefully made her way over the corpses of the three novitiates Eragon had slain.
As she approached, the High Priest began to thrash like a hooked fish in an attempt to push itself farther up the pew. At the same time, the pressure on Eragon’s mind lessened, although not enough for him to risk moving.
The herbalist stopped when she reached the High Priest, and the High Priest surprised Eragon by giving up its struggle and lying panting on the seat of the bench. For a minute, the hollow-eyed creature and the short, stern-faced woman glared at each other, an invisible battle of wills taking place between them.
Then the High Priest flinched, and a smile appeared on Angela’s lips. She dropped her poniard and, from within her dress, drew forth a tiny dagger with a blade the color of a ruddy sunset. Leaning over the High Priest, she whispered, ever so faintly, “You ought to know my name, tongueless one. If you had, you never would have dared oppose us. Here, let me tell it to you…
Her voice dropped even lower then, too low for Eragon to hear, but as she spoke, the High Priest blanched, and its puckered mouth opened, forming a round black oval, and an unearthly howl emanated from its throat, and the whole of the cathedral rang with the creature’s baying.
“Oh, be quiet!” exclaimed the herbalist, and she buried her sunset-colored dagger in the center of the High Priest’s chest.
The blade flashed white-hot and vanished with a sound like a far-off thunderclap. The area around the wound glowed like burning wood; then skin and flesh began to disintegrate into a fine, dark soot that poured into the High Priest’s chest. With a choked gargle, the creature’s howl ceased as abruptly as it had begun.
The spell quickly devoured the rest of the High Priest, reducing its body to a pile of black powder, the shape of which matched the outline of the priest’s head and torso.
“And good riddance,” said Angela with a firm nod.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Men traveling alone develop a romantic vertigo. Bech had already fallen in love with a freckled embassy wife in Russia, a buck-toothed chanteuse in Rumania, a stolid Mongolian sculptress in Kazakhstan. In the Tretyakov Gallery he had fallen in love with a recumbent statue, and at the Moscow Ballet School with an entire roomful of girls. Entering the room, he had been struck by the aroma, tenderly acrid, of young female sweat. Sixteen and seventeen, wearing patchy practice suits, the girls were twirling so strenuously their slippers were unraveling. Demure student faces crowned the unconscious insolence of their bodies. The room was doubled in depth by a floor-to-ceiling mirror. Bech was seated on a bench at its base. Staring above his head, each girl watched herself with frowning eyes frozen, for an instant in the turn, by the imperious delay and snap of her head. Bech tried to remember the lines of Rilke that expressed it, this snap and delay:
did not the drawing remain/that the dark stroke of your eyebrow/swiftly wrote on the wall of its own turning?
At one point the teacher, a shapeless old Ukrainian lady with gold canines, a prima of the thirties, had arisen and cried something translated to Bech as, “No, no, the arms free, free!”
And in demonstration she had executed a rapid series of pirouettes with such proud effortlessness that all the girls, standing this way and that like deer along the wall, had applauded. Bech had loved them for that. In all his loves, there was an urge to rescue—to rescue the girls from the slavery of their exertions, the statue from the cold grip of its own marble, the embassy wife from her boring and unctuous husband, the chanteuse from her nightly humiliation (she could not sing), the Mongolian from her stolid race. But the Bulgarian poetess presented herself to him as needing nothing, as being complete, poised, satisfied, achieved. He was aroused and curious and, the next day, inquired about her of the man with the vaguely contemptuous mouth of a hare—a novelist turned playwright and scenarist, who accompanied him to the Rila Monastery. “She lives to write,” the playwright said. “I do not think it is healthy.
”
”
John Updike (Bech: A Book)
“
Sophie!” Val spotted her first and abandoned all ceremony to wrap his arms around her. “Sophie Windham, I have missed you and missed you.” He held her tightly, so tightly Sophie could hide her face against his shoulder and swallow back the lump abruptly forming in her throat. “I have a new étude for you to listen to. It’s based on parallel sixths and contrary motion—it’s quite good fun.” He stepped back, his smile so dear Sophie wanted to hug him all over again, but St. Just elbowed Val aside. “Long lost sister, where have you been?” His hug was gentler but no less welcome. “I’ve traveled half the length of England to see you, you know.” He kissed her cheek, and Sophie felt a blush creeping up her neck. “You did not. You’ve come south because Emmie said you must, and you want to check on your ladies out in Surrey.” Westhaven waited until St. Just had released her. “I wanted to check on you.” His hug was the gentlest of all. “But you were not where you were supposed to be, Sophie. You have some explaining to do if we’re to get the story straight before we face Her Grace.” The simple fact of his support undid her. Sophie pressed her face to his shoulder and felt a tear leak from her eye. “I have missed you so, missed all of you so much.” Westhaven patted her back while Valentine stuffed a cold, wrinkled handkerchief into her hand. “We’ve made her cry.” St. Just did not sound happy. “I’m just…” Sophie stepped away from Westhaven and dabbed at her eyes. “I’m a little fatigued is all. I’ve been doing some baking, and the holidays are never without some challenges, and then there’s the baby—” “What baby?” All three men spoke—shouted, more nearly—as one. “Keep your voices down, please,” Sophie hissed. “Kit isn’t used to strangers, and if he’s overset, I’ll be all night dealing with him.” “And behold, a virgin shall conceive,” Val muttered as Sophie passed him back his handkerchief. St. Just shoved him on the shoulder. “That isn’t helping.” Westhaven went to the stove and took the kettle from the hob. “What baby, Sophie? And perhaps you might share some of this baking you’ve been doing. The day was long and cold, and our brothers grow testy if denied their victuals too long.” He sent her a smile, an it-will-be-all-right smile that had comforted her on many an occasion. Westhaven was sensible. It was his surpassing gift to be sensible, but Sophie found no solace from it now. She had not been sensible, and worse yet, she did not regret the lapse. She would, however, regret very much if the lapse did not remain private. “The tweenie was anticipating an interesting event, wasn’t she?” Westhaven asked as he assembled a tea tray. While Sophie took a seat at the table, St. Just hiked himself onto a counter, and Val took the other bench. “Joleen,” Sophie said. “Her interesting event is six months old, a thriving healthy child named… Westhaven, what are you doing?” “He’s making sure he gets something to eat under the guise of looking after his siblings,” St. Just said, pushing off the counter. “Next, he’ll fetch the cream from the window box while I make us some sandwiches. Valentine find us a cloth for the table.” “At once, Colonel.” Val snapped a salute and sauntered off in the direction of the butler’s pantry, while Westhaven headed for the colder reaches of the back hallway. “You
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
So…” Lindsay started again, “… are we still on for spring break?” Jumping off her seat, Lilian stood on the table, left foot on the bench, right on the table itself. She raised a hand to her face, clenching it into a fist, eyes blazing with an inner fire. “Of course we are!” she declared, wearing a large, excited smile. “There’s no way we’re going to alter our plans now! This is my first spring break, and by Inari, we are going to travel out of this state and have fun!” A grinning Kevin followed his girlfriend-slash-mate’s example. He, too, jumped onto the table, imitating Lilian’s pose. An excited gleam had entered his eyes. “That’s right! This is something we must do! It’s going to be the adventure of a lifetime! There’s no way we can pass up on this opportunity!” Everyone stared at the two with the kind of “WTF?” expression that had become commonplace among them.
”
”
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
“
A common feature of country or eclectic interiors is a multipurpose hall bench that combines seating, coat pegs, hat shelf, and basket storage (for gloves, mittens, shoes, and scarves).
”
”
Ellen S. Fisher (New York School of Interior Design: Home: The Foundations of Enduring Spaces)
“
Pindor chuckled and gave his agreement before he shook the half-ogre’s hand. I offered my own to the young mage as well and was pleased to find he’d learned the importance of a firm grip. “Look after the girls, I guess,” I told him, but as I thought back to the sight of Mina and Deli melting down an ice giant in a flash of flames and diamond dust, I furrowed my brows. “Well … maybe not. Just try and keep up.” I sent the young mage a wink as he shook his head and turned to board the train, and the young Ignis Mages waved happily to us from their places on the metal benches I’d lined the train cars with. I waved back, but as I turned to head into the mines, I heard the three of them shriek in surprise. Haragh chuckled at my back. “You melted their damn seats didn’t ye’?” “Of course I did,” I said with a smirk, then I sighed. “I’m gonna miss those kids.
”
”
Eric Vall (Metal Mage 5 (Metal Mage, #5))
“
She’s seated on the ground with her back pressed against a bench and a long barbell resting across her waist. When my gaze traces down to the end of it, my eyes bulge. The number of plates she has stacked there seems, well, almost impossible for a woman her size.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
Drunk enough?” David yelled from the fountain as Rob approached. “I guess we’ll see, won’t we,” Rob responded. “Where’s my change?” Rob shrugged. “You drank a hundred dollars worth of alcohol in a couple hours?” “I did not,” Rob said with a smile. “But Carol got one hell of a tip.” “You’re a dick,” David said as he crossed to a bench and patted its seat for Rob to join him.
”
”
Mike Salt (Damned to Hell (Linkville Horror #1))
“
across the bench seat and tugged at the hem of her dress. “Give me a couple minutes with her?” “Did you just refer to my vagina as her? “Them?
”
”
Karissa Kinword (Christmas in Coconut Creek (Dirty Delta, #1))
“
The ceremony was beautiful, and as Hope and Mark stood beneath the towering floral arch, I couldn't help but think this scene truly looked like something out of a fairytale wedding. I even started feeling a little emotional--- until they started to recite their vows.
Hope had told me earlier that she and Mark had written their own vows but failed to say more about them. At first, I thought my hearing had failed or I was having some kind of stroke.
"What language is that?" I whispered to Dom from our perch in the back.
"I... I actually think it's a pretend language," he replied.
"What are you talking about?" I asked. "What do you mean pretend language?"
"Do you have one of the programs with you?" he asked. "I bet there's a note in there about it."
"No, but let me grab one."
I didn't have to go far before I found the table at the back of the aisle and a basket full of programs. Each program was iridescent, in the shape of a flower with a beautiful lilac ribbon tied at the bottom. Under the order of service, a small line read: "The bride and groom have chosen to recite their own vows to one another in their favorite mythical tongue: Sindarin, one of the Elvish languages of Tolkein." My eyes were wide as saucers.
Both the Elvish and English translations were printed below for everyone to follow along. Dom was going to lose it for sure.
I quietly moved back to my seat next to Dom, who was still filming. "You're not going to believe what I'm about to tell you," I whispered as I casually fanned myself with the floral program.
"What is it?" he asked.
"It's Elvish," I said, holding back a laugh.
"What?" he replied a little too loud.
"Keep your voice down," I said, now pointing to the line in the program as proof.
"Like, from The Lord of the Rings?"
"I can't believe she didn't mention this to me earlier," I said. "But yes, I think so. This wedding is just full of surprises."
"For once, I'm at a loss for words," Dom said. "They are clearly perfect for each other if this was something they both enjoyed. I bet they go to all those conferences for people who like fantasy stuff."
"Maybe that's what they're doing for their honeymoon," I added. "I haven't asked them about it yet. If it is, I'm going to die."
We were both holding back giggles at this point, but thankfully the couple finished reciting whatever it was they were saying to each other. I wondered whether we'd need to add subtitles to our video if we showed this part of the ceremony.
As soon as the officiant pronounced them man and wife, the ceremony musicians played a set of chimes and the officiant asked for every guest to open the small box that was placed at the base of every bench. Inside each box was a butterfly that flew into the air and fluttered around the entire area above all the guests. I supposed that since real fairies weren't available, butterflies were the next best option. It was actually the perfect ending to this mythical ceremony, and everyone cheered in delight.
”
”
Mary Hollis Huddleston (Piece of Cake: A Novel)
“
There was in these days of our history a highly developed system of interurban street railway lines. One could travel great distances on hard rush seats or wooden benches by taking each line to its terminus and transferring to the next.
”
”
E.L. Doctorow (Ragtime)
“
I watched him climb to the platform and take a seat in the short row of benches along the wall, wishing that I had been wiser in my choice of heroes. I wished I had known about Calder. A man broken twice over, still willing to hand his life over to the greater good. A man drowning in bitterness and resentment, still a steadfast protector to the very source of his anguish. A man who lost everything and turned it into something, who had done what I was trying to do now. I was staring down the path of impossibility, knowing he had already walked it … and that was what a real hero was.
”
”
Jane Washington (A Tempest of Shadows (A Tempest of Shadows, #1))
“
And so I will try and write a book of my own, inch by inch, that might reach beyond my narrow self and add to the ration of courage that stories are for us all. To share this learning I have, which was only accidental at first: that more of us might find more and many little ways to step out from our circles of safe belonging, to show and share what we know, and surprise interest from others who encounter us. To be people who simply sit on park benches, open and noticing, so that a lonely person might feel able to risk a smile, then take a seat and speak. To spend even a few of our spare hours in this way, being calling cards and quiet invitations.
”
”
Tanya Shadrick (The Cure for Sleep)
“
Calm yourself, calm yourself! Sit here, Nastenka,' I said, as I seated her on the bench. 'But I am calm. Enough! It's nothing. Just tears, they'll dry!
”
”
Fyodor Dostoyevsky (White Nights)
“
He went slowly along a long gray corridor, the redoubtable masonry of clammy stone on either side stacked and mortared against the penetration of hope. The familiar smell of disinfectant and floor wax was in his nostrils, the walls lined with scarred wooden benches with high backs that may have been pews rescued from a desanctified church. In passing he read names carved into the seats circumscribed with hearts or conjoined with chains and there were admonitions in crude calligraphy to fuck off, to eat shit. In one high seat back an optimistic vandal had inscribed his assurance that Millimaki would be reborn. The work of feral children, of wives and lovers mutely enraged by their celibacy, their infidelities. Mothers had dug their nails into the soft wood as they waited in the dank corridor to see the fruit of their wombs turned out so briefly from their cages.
”
”
Kim Zupan (The Ploughmen: A Novel)
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The constant clack of train wheels over the steel track was enough to lull anyone to sleep. When I looked up from rereading Papa’s journal, passengers slept with their heads bent back against neighboring bench seats. In such momentary quiet, looking out train windows, I unwound the landscape. Along the plains, taupe fields planted deep with wheat seamed the green forest beyond. Across Kentucky, acres of bluegrass and waxy leaves of green corn touched an azure horizon. In Virginia, the Appalachian valleys blurred gray, as if they still hid widows and orphans wearing mourning cloaks after enduring five years of civil war.
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Heather Miller (Yellow Bird's Song)
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Push off the bench seat with the hand not holding your poles. And remember, tips up.” “Tits up,” she repeats, her breath visible. She sits up straighter, drawing her shoulders back and down.
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Christina Hill (Tips Up)
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I wonder how he’s feeling. I wonder if he knows what he’s doing. I wonder if he’ll regret changing his life for me. And the weight of that is downright crushing. I don’t go to my next appointment. I don’t think I can handle looking at another dining room and wondering about Beau. What I want is to crawl into bed with him and have him hold me. I don’t text him. I just drive back to the fire hall, prepared to wait for him if I have to. But I don’t have to. When I pull up, he’s seated on a bench in the sun, knees slung open, phone held low while he scrolls the screen. You’d think for a tier one operator he would notice me across the street, but he doesn’t. So I watch him. He smiles and his shoulders vibrate on a laugh. I wonder what he’s watching. I wonder how his interview went. I wonder how long he’s been waiting. I wonder if he’s hungry or if he ate lunch. I wonder if he’d be okay with me coming to sit beside him. It
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Elsie Silver (Hopeless (Chestnut Springs, #5))
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I wonder how he’s feeling. I wonder if he knows what he’s doing. I wonder if he’ll regret changing his life for me. And the weight of that is downright crushing. I don’t go to my next appointment. I don’t think I can handle looking at another dining room and wondering about Beau. What I want is to crawl into bed with him and have him hold me. I don’t text him. I just drive back to the fire hall, prepared to wait for him if I have to. But I don’t have to. When I pull up, he’s seated on a bench in the sun, knees slung open, phone held low while he scrolls the screen. You’d think for a tier one operator he would notice me across the street, but he doesn’t. So I watch him. He smiles and his shoulders vibrate on a laugh. I wonder what he’s watching. I wonder how his interview went. I wonder how long he’s been waiting. I wonder if he’s hungry or if he ate lunch. I wonder if he’d be okay with me coming to sit beside him. It feels like my brain is just an ode to Beau Eaton. I think about him all the fucking time. Worry about him. Crave him.
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Elsie Silver (Hopeless (Chestnut Springs, #5))
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When in my hunting lodge I drank the warm foaming milk which an unkempt wench had drained into a wooden pail from the udder of a beautiful gentle~yed cow, the sensation was no different from that which I experienced when, seated on a bench built into the window of my study, my mind absorbed the sweet and foaming nourishment from a book.
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Hugo von Hofmannsthal
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Taking my seat at the piano bench, I disappeared into the tension that wraps the entertainer and the entertained just before the journey begins—the collision of fear and possibility that one must weather to meet the magic on the other side.
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Andrew McMahon (Three Pianos: A Memoir)
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In the imagination of two late-twentieth-century filmmakers, an unseen force of artificial intelligence has overtaken the human species, has managed to control humans in an alternate reality in which everything one sees, feels, hears, tastes, smells, touches is in actuality a program. There are programs within programs, and humans become not just programmed but are in danger of and, in fact, well on their way to becoming nothing more than programs. What is reality and what is a program morph into one. The interlocking program passes for life itself. The great quest in the film series The Matrix involves those humans who awaken to this realization as they search for a way to escape their entrapment. Those who accept their programming get to lead deadened, surface lives enslaved to a semblance of reality. They are captives, safe on the surface, as long as they are unaware of their captivity. Perhaps it is the unthinking acquiescence, the blindness to one’s imprisonment, that is the most effective way for human beings to remain captive. People who do not know that they are captive will not resist their bondage. But those who awaken to their captivity threaten the hum of the matrix. Any attempt to escape their imprisonment risks detection, signals a breach in the order, exposes the artifice of unreality that has been imposed upon human beings. The Matrix, the unseen master program fed by the survival instinct of an automated collective, does not react well to threats to its existence. In a crucial moment, a man who has only recently awakened to the program in which he and his species are ensnared consults a wise woman, the Oracle, who, it appears, could guide him. He is uncertain and wary, as he takes a seat next to her on a park bench that may or may not be real. She speaks in code and metaphor. A flock of birds alights on the pavement beyond them. “See those birds,” the Oracle says to him. “At some point a program was written to govern them.” She looks up and scans the horizon. “A program was written to watch over the trees and the wind, the sunrise and sunset. There are programs running all over the place.” Some of these programs go without notice, so perfectly attuned they are to their task, so deeply embedded in the drone of existence. “The ones doing their job,” she tells him, “doing what they were meant to do are invisible. You’d never even know they were here.” So, too, with the caste system as it goes about its work in silence, the string of a puppet master unseen by those whose subconscious it directs, its instructions an intravenous drip to the mind, caste in the guise of normalcy, injustice looking just, atrocities looking unavoidable to keep the machinery humming, the matrix of caste as a facsimile for life itself and whose purpose is maintaining the primacy of those hoarding and holding tight to power.
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Isabel Wilkerson (Caste: The Origins of Our Discontents)
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investigating . . . everything, I made my way back to the mausoleum and took a seat on the bench inside. Within seconds, I burst into tears. They were the stress-release kind, not tears of sorrow. “Sorry,” I apologized to my grandparents. “This has been an intense year, and I’m starting to think things will never be normal again.” I chuckled as I dried my tears. “Normal. Was this village ever normal?” I stared up at their picture, eyes darting between
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Shawn McGuire (Wayward Secrets (Whispering Pines Mystery #13))
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She stood on the bench seating that ran around the rim of the room
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Maureen Johnson (Truly Devious (Truly Devious, #1))
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I buried my face in my hands, thinking he didn’t have to go downstairs and sit at the dinner table with the ice king next. “If this is healing, I’d rather be sick. I need my ability to shut everyone and everything out, but it’s gone. I can’t cope.” To my surprise, Jameson laughed, then crossed the chamber to join me on the window seat. Looking at Edward, he asked, “Does she know the story about the lame man whom Peter healed?” Edward threw his palms up as if to say my religious training was still a mystery to him and that Jameson should leave me be. “I know it,” I said, not in the mood to hear it recited. Gritting my teeth, I looked toward the door, feeling as trapped as I used to with my former vicar. I couldn’t handle people acting as though everything could be solved with the Bible. “All right, I won’t repeat it, then.” Jameson held up innocent hands. “But have you ever considered how costly and painful that healing was for the man?” I rolled my eyes, unable to hide my antagonism toward receiving a religious lecture. “Yes, how he must have hated being able to walk.” “Oh, I’m certain it was exciting at first. A huge miracle, center of attention, a great testimony, and all that.” Jameson rested one foot on the bench, then laced his fingers about his knee. “But afterwards there’s still the business of living to get to. What do you suppose he did for work the following morning?” I touched my temples, not certain how I’d fallen into this conversation and wondering the quickest way out. “Think about it, Mrs. Auburn. He was lame from birth, which meant he was a beggar by trade. He’d never been trained for any occupation, never been apprenticed. Likely he couldn’t read or write. He had to learn to adjust to a half life to survive. The entire way he viewed the world, structured his life, and adapted, all gone—” Jameson snapped his fingers—“in the blink of an eye.” I said nothing but looked at him. At least he wasn’t telling me what I ought to be feeling or thinking. And like it or not, I was now captivated enough to listen. “Everywhere he went, he likely was stared at. Some probably suspected he’d faked being lame for pity and money. To be healed ended up costing him everything he knew. His entire world was deconstructed, leaving him the hard task of rebuilding it.” Jameson’s voice grew tender as I only stared. “Sounds familiar, doesn’t it? I’ve known full-grown men to collapse under less strain than you’ve endured. You’ve been crippled from birth, too, just in a different sort of way. It hurts to be healed, but would you honestly rather be lame at the gate?
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Jessica Dotta (Price of Privilege (Price of Privilege Trilogy #3))
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His dick is so massive that the head of it has probably only seen the balls in pictures. I could probably wrap it around my neck like a scarf if I wasn’t afraid it would get hard and strangle me. Like a helicopter, it could probably seat six. When he flies commercial, he probably has to check that thing as baggage. Hell, he could probably bench my entire body with his dick alone. He most definitely accidentally sits on that thing at least once a day. How the fuck does he wear pants?
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Persephone Steele (They Call Me Wicked (Wicked Duet Book 1))
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We walked around the other side of the whitewashed barn structure, where the massive antique doors had been opened and adorned with large wreaths made entirely of baby's breath. Inside, every wooden beam in the ceiling was wrapped in lush greenery and dripping in white wisteria blooms. The floor of the barn was covered in faux moss, and benches carved to look like bent tree branches served as seating for the guests. The benches flanked an aisle covered in white rose petals, and at the end of the aisle was an arch made entirely of white dogwood blooms. It was breathtaking and looked exactly like the wedding scene from the Twilight series.
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Mary Hollis Huddleston (Piece of Cake: A Novel)
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She did not answer, but disappeared behind the hedge. I crossed the drive and followed her. She was seated on the uncomfortable rustic bench by the goldfish pond swinging her legs to and fro and biting into her apple. Above its rosy circumference her eyes regarded me sombrely and with what I could not but feel was hostility.
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Agatha Christie (Crooked House)
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She liked to think things through sometimes, his Mercy. But she put a hand on his leg and he wished for the Chevy truck he’d driven in high school because it had had a bench seat. Eventually she said, “It was easier when I was mad at you. I can’t shake the feeling that this is stupid.
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Patricia Briggs (Winter Lost (Mercy Thompson, #14; Mercy Thompson World, #20))
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Show me,” Saint mutters once more, pulling the bench forward to the end of my iron bedframe, staring down at me intently as he takes a seat again. “I need to see what I do to you, Briony.” The slight ache in his innocent voice silently kills me. It’s not that I’ve never imagined Saint in this light. He’s handsome, and extremely attractive compared to all of my other classmates. But it’s the fact that his brother has been the one that’s continuously occupied my mind.
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Jescie Hall (That Sik Luv)
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Less than a minute later, we’re sliding onto the bench seat of his ‘67 Impala
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C.E. Ricci (Don't You Dare (Reckless Games #1))
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My world turned to white as I made contact with the queen, smashing into her. A flash of intense pain flooded my body, but then it was gone… Everything… was gone. The human race was safe from enslavement by the queen of Scrag. I had done my duty as a ninja… as the defender of mankind, and the hero of— “…cheeseburger.” a girl’s voice said. I shook my head, embarrassed. The voice had come from my cousin, Zoe, who was seated on the bench next to me. The rest of my friends were hovering around
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Marcus Emerson (Scavengers (Diary of a 6th Grade Ninja, #7))
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The shake in her legs reverberated up her body, making it hard to balance on her low heels. Clasping the front pew, she slid onto the bench seat, knocking the kneeling cushion from its hanger. The chapel seemed to close in on her as she struggled for breath, making her feel dizzy.
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Tracy Corbett (Someone Like You)
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Oxbridge stream,’ mimicked Jake. ‘Since when does that make someone not a tosser? Look at this lot.’ He and Cassie were back in the swing seat, with the bottle of wine Cassie had pilfered while her parents were busy fussing over their guests. Would anyone like an amuse-bouche? Or even some crisps? Dinner’s a little held up, sorry. Cassie’s mum was so anxious all the time. For someone who didn’t really work, she seemed mega stressed. Who cared what time dinner was at? It wasn’t even dark yet. The grown-ups, six of them, were sitting round the wooden picnic table. On one bench were Callum and Jodi, like a massive marshmallow. On the other were her parents, her mum looking round her anxiously every few minutes, at the kitchen, or at Cassie, or the living room where Benji was playing Xbox.
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Claire McGowan (What You Did)
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I see a little boy with brown hair run over and talk to Paul. “Is he yours?” I ask. She nods. “Yes.” “He’s adorable, too.” He is. He’s tall and slim. Then he looks up, and his eyes meet mine. I gasp. I know those eyes. I have seen them before. It was only once in real life, but I will never, ever forget them. My gaze jerks to the woman beside me. “Please don’t be angry,” she says. “I talked your boyfriend into it.” My heart is so tight in my fucking throat that I can’t get out a sound, not even the sob that’s buried deep within me. I sit forward, balancing on the edge of the seat, because now that I’ve seen him, I can’t look away again. He grins, and I can see his dad’s quirky smile, the one he had when I met him, and I know, without a shadow of a doubt, that this little boy is my son. “Are you all right?” she asks quietly. She turns to face me on the bench. “Please don’t blame your boyfriend. I just wanted to meet you. Jacob doesn’t even know who you are, and he won’t, not unless you tell me you want that.
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Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
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Being invisible to your father hurts,” Val said. He fell silent, wondering where the words had come from. Growing up, he’d been the runt, too young, too dreamy, too artistic to keep up with his brothers or their friends. As a younger man, he’d been disinclined to academic brilliance, social wit, or business acumen, and denied by ducal fiat from buying his colors. For the first time, he wondered if he’d chosen the piano or simply chained himself to it by default. Nick shot him a curious glance. “Would it be so much better if you’d ended up like Bart and Victor? If Esther and Percy had to bury three sons instead of two, while you were spared the pains of living the life God gave you? I think the more important question now, Val, is are you invisible to yourself?” “No, Nick.” A mirthless laugh. “I am not, but just when I realize what a pit I had fallen into with my slavish devotion to a simple manual skill, just when I can begin to hope there might be more to life than benumbing myself on a piano bench, I find a woman I can love, but she can’t love me back.” “I think she does love you,” Nick replied, remaining seated as Val rose and crossed the room. “And you certainly do love her.” Val considered Nick’s words. They settled something inside him, in his head—where he planned and worked out strategies—and in his heart, where his music and his love for Ellen both resided. “I do love her.” Val lowered himself to sit on the little stage enthroning the piano. “I most assuredly do. It’s helpful to be reminded of this.” “Now I am going to cry,” Nick said with mock disgust as he crossed the room and once again sat right next to Val. “What will you do about Ellen?” “About Ellen? I agree with you: We love each other. She believes her love for me requires us to part. I believe our love requires us to be together for whatever time the good Lord grants.” “So you must convince her,” Nick concluded with a nod. “How will you go about this?” “I have some ideas.” Those ideas were like the first stirrings of a musical theme in Val’s head. Tenuous, in need of development, but they were taking hold in Val’s mind with the same tenacity as a lovely new tune. “God alone knows if my ideas will work.” Val
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Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
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I’m sorry for taking so long.” Tori straightened her shoulders as if readying herself for battle, then traipsed down the steps to the street. “I had a few last-minute details to see to.” Ben hurried around the back of the wagon to meet her and had opened his mouth to offer assurances that the delay was no problem when Lewis popped his head up. “About time! Sheesh, Ma. You took for-ev-er.” Ben cast a warning glance at the boy. “I’m sure whatever your ma was doing was important.” He turned back to Tori and gave her his most charming grin. “She’s worth waiting on.” Her lips tightened at that, but into a shape that looked more like disapproval than appreciation of a compliment. So much for his charm. “Yes, well . . . I suggest we delay no longer.” Tori lengthened her stride, giving him no chance to assist her into the wagon. She scrambled up the wheel spokes and onto the bench before he could even think about fitting his hands to her waist and hoisting her up. Unfortunate, that. Ben shrugged off his disappointment and moved forward to give his team a final check before climbing into the driver’s seat. Emma handed a large basket up to Tori and wished her farewell while Grace Mallory waved from behind the store railing. As he clucked to his Shires and set the wagon in motion, Ben grinned to himself. One of the best parts of this plan to call on area homesteaders was the sheer number of times they’d be required to enter and exit the wagon. Tori might have escaped him this time, but he’d have a couple dozen more chances to wrap his fingers around her slender waist.
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Karen Witemeyer (Worth the Wait (Ladies of Harper’s Station, #1.5))
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The instant the brake was set, Tori stood and set about climbing down from the bench. Unfortunately, the freight wagon stood several feet taller than the wagons she was accustomed to, and since she had to exit backward, her right foot groped for a wheel spoke with no success. Wonderful. Nothing like making a competent first impression. She adjusted her grip on the seat back and stretched her toe down a little farther, not liking the feeling of falling that assailed her when her shoe failed to connect to anything solid. Twisting her head sideways to better gauge her aim, she stretched a little farther. Where was that confounded spoke? Her palms began to perspire, and her grip grew slick. She slipped downward. A desperate prayer for help soared from her spirit at the same instant a pair of very large, very strong, very warm hands pressed into her waist. He didn’t say a word. No teasing comment whispered in her ear. No flirtation. Just a firm grasp and a smooth descent to the ground. The next instant he was gone, busying himself with the horses. A perfectly gentlemanly action that no one would think twice about.
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Karen Witemeyer (Worth the Wait (Ladies of Harper’s Station, #1.5))
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He wouldn’t turn your wife away.” Deene didn’t flatter himself that he was any particular friend of Moreland’s—he was a vote, perhaps, on some of the duke’s pet bills—but Moreland had been generous with advice at a time when Deene was without much wisdom of his own. “Except I have no wife.” This provoked a surprisingly sweet smile from His Grace. “Then you should rectify that poverty posthaste. Because I am the lone male in my household at present, I am more privy to the ladies’ views on your situation than I would be otherwise. I understand you are being stalked by the debutantes and their mamas.” “Of course I am being stalked.” Lest this conversation continue on into the Moreland home itself, Deene gestured to a bench and waited for Moreland to seat himself before doing the same. “I am the highest available title, unless you count some septuagenarian dukes with ample progeny, and I am in need of an heir. When I am riding to hounds, I will never pursue Reynard with quite the same lack of sympathy I have in the past.” “The fox most often escapes the hounds, because he’s running for his life. The wrong wife can make you entirely resent yours.” How honest could one be with a man twice one’s age? “I cannot say my parents’ union escaped such a characterization.” His Grace stretched out long legs and leaned his head back, closing his eyes. “Times were different then. Matches were usually arranged by the parents for dynastic reasons, and expectations of the institution were different. Here is my advice to you, young man, which you may discard or heed at your pleasure: do not marry until you meet that person whom you cannot imagine living the rest of your life without. Call it love, call it affection, call it a fine understanding. Put whatever label you want on it. You will be wed for the rest of your life or perhaps for hers, and that can be a long, long time.” His
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Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
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You can scoot in next to me,” Mr. Fitz offered. “My bench has got seat heaters.” “It’s called gas,” Prudence Tuttman
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Marina Adair (It Started With a Kiss (Sequoia Lake, #1))
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Taylor followed her out into a small garden, fully enclosed by the surrounding buildings. A pebble path wound through small patches of grass. A few carved statues sat unobtrusively in the four corners, a stone bench sat next to a burbling fountain. They took a seat, Thalia with her back straight and the same beatific smile she’d had on for the past five minutes. “This is my favorite place. It’s easy to think here.” A calm had stolen over Taylor, similar to the feeling she’d had inside the church. “I can understand why. Can you teach art if you’re a nun?” “Of course. Especially in our fast-paced world, where people don’t take time to read. Art can play a huge role in communication, especially to the young. There are certainly centuries of religious works to study.” They sat in silence for a few moments, then Thalia spoke again, her voiced tinged with sadness. “Jasmine called me. She told me to answer your questions. I don’t know everything about the secret society, but I know some. I’ll help in any way that I can.” “I appreciate that. Jasmine told me that there is a club of girls who are making sex tapes to be posted on the Internet. What can you tell me about them?” Thalia contemplated her hands, which were nestled in her lap. “It’s not what they make it out to be, for starters. It’s supposed to be this glamorous, exciting club that everyone wants to be a part of, and only the most beautiful and popular are tapped. You know what being tapped is, right?” “Yes. You’re chosen by the group, have to go through some awful ritual, then you’re a pledge of sorts.
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J.T. Ellison (Judas Kiss (Taylor Jackson #3))