Bench Press Funny Quotes

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Leo took out a pen and autographed the arm of one of the nymphs. “Narcissus is a loser! He’s so weak, he can’t bench-press a Kleenex. He’s so lame, when you look up lame on Wikipedia, it’s got a picture of Narcissus—only the picture’s so ugly, no one ever checks it out.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Some men’s chests are more buttlike than some women’s butts.
Mokokoma Mokhonoana
Puppies are cute. I'm fierce!" "Yeah!" Evelyn snorted. "Romas says you're as fierce as a kitten." "A kitten?" Kiera's tone grew more hurt. "I'm not afraid of him, just because he's twelve feet tall and can bench press me with his toes. It's not nice of him to say that
Lizzy Ford (Kiera's Moon (The Anshan Saga, #1))
There was still another 75 minutes left to play. It didn’t matter. Those 75 minutes would end up as a footnote on Carli Lloyd’s stunning performance—one of the most dominant displays in a championship game anywhere, ever. The Americans won the World Cup, 5–2, but it was the performance of a lifetime for Lloyd. When the whistle blew, Lloyd dropped to her knees and cried. Heather O’Reilly ran from the bench straight to Lloyd and slid into her. Soon all the players found their way to one another for a frantic mishmash of hugs. Afterward, in the post-match press conference, Japanese coach Norio Sasaki told reporters: “Ms. Lloyd always does this to us. In London she scored twice. Today she scored three times. So we’re embarrassed, but she’s excellent.” Lloyd, for her part, almost downplayed the performance. She believed she could’ve scored one more goal. “I visualized playing in the World Cup final and visualized scoring four goals,” Lloyd said. “It sounds pretty funny, but that’s what it’s all about. At the end of the day, you can be physically strong, you can have all the tools out there, but if your mental state isn’t good enough, you can’t bring yourself to bigger and better things.
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
Hi,” I say quietly. I’m surprised that noise crept past the emotion in my throat because I still feel like it’s going to choke me. “Hi,” he says quietly. He looks over at Jill, and she gives him a thumbs-up. She doesn’t get up, though. I see her wipe a tear from her cheek. “Did you meet my friend, Hayley?” I ask. He nods. Paul keeps trying to catch my eyes with his, but I won’t let him. “I’m Friday,” I say. I’m your mother, and I love you more than anything, anywhere, anytime. The words rush to my lips, but I bite them back. “What’s your name?” Jacob runs over to his mother and says something to her. She reaches into the big bag at her feet and takes out a box. She hands it to him, and he runs back over. He never did tell me his name, but that’s okay. I’d rather he have a little stranger danger. And I’m a stranger, after all. Jacob sits down on the sidewalk and opens his box. He takes out a clunky piece of chalk and says, “Do you want to draw with me?” I sit down beside him and say, “What color should I use?” He gives me a blue piece of chalk. “This one.” So I sit for hours and draw with my son in chalk on the sidewalk. We draw rainbows and dragons, and we even make some flowers for his mom. I look around and see that the sidewalk is completely full of our art. There’s not an available space to be had. “You’re a really good drawer,” he says. He grins up at me, and I see the space where his missing tooth should be. “So are you.” I reach out a tentative hand and touch the top of his head. I close my eyes and breathe, letting my hand riffle through the silky strands. I pull back way sooner than I want to because he’s looking at me funny. I look over and see Paul sitting and talking quietly with Jill. He gets up and yells over to us. “We’re going to get some lunch! We’ll be right back!” I give him a thumbs-up and get up to chase Hayley and Jacob over to the swings. “Push me!” Hayley cries. “Push me!” Jacob calls at the same time. He laughs, and I put my hand in the center of both their backs, standing between them, and give them both a shove. It’s only a minute or two later when Paul and Jill come back carrying hot dogs and drinks. The kids race to the table. I jam my hands into my pockets and walk over a little more slowly. Paul and Jill sit side by side on one side of the picnic table, and Hayley and Jacob sit on the other. “Sit beside me!” Hayley cries. “No, me!” Jacob says. I put my legs over the bench and sit between them, and Paul hands me a hot dog. Jacob scoots so close to me that I can feel his thigh against mine. The heat of his little body seeps into the cold of mine and warms me everywhere. I close my eyes for a moment and just breathe, enjoying the feel of having my living, breathing child pressed into my side.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
The joy of Loretta’s homecoming was overshadowed by Henry’s rage. Friends with a murderin’ savage, was she? A Comanche slut, that’s what, kissin’ on him in broad daylight, comin’ home to shame them all with her Injun horse and heathen necklace. His land looked like a bloomin’ pincushion with all them heathen lances pokin’ up. He was gonna get shut of ’em, just like he had those horses. Half of ’em stole from white folks! Some trade that was! Loretta listened to his tirade in stony silence. When he wound down she said, “Are you quite finished?” “No, I ain’t!” He leveled a finger at her. “Just you understand this, young lady. If that bastard planted his seed in that belly of yours, it’ll be hell to pay. The second you throw an Injun brat, I’ll bash its head on a rock!” Loretta flinched. “And we call them animals?” Henry backhanded her, catching her on the cheek with stunning force. Loretta reeled and grabbed the table to keep from falling. Rachel screamed and threw herself between them. Amy’s muffled sobs could be heard coming up through the floor. “For the love of God, Henry, please…” Rachel wrung her hands in her apron. “Get a hold on your temper.” Henry swept Rachel aside. Leveling a finger at Loretta again, he snarled, “Don’t you sass me, girl, or I’ll tan your hide till next Sunday. You’ll show respect, by gawd.” Loretta pressed her fingers to her jaw, staring at him. Respect? Suddenly it struck her as hysterically funny. She had been captured by savages and dragged halfway across Texas. Never once, not even when he had just cause, had Hunter hit her with enough force to hurt her, and never in the face. She’d had to come home to receive that kind of abuse. She sank onto the planked bench and started to laugh, a high-pitched, half-mad laughter. Aunt Rachel crossed herself, and that only made her laugh harder. Henry stormed outside to get “those dad-blamed Indian lances” pulled up before a passing neighbor spied them and started calling them Injun lovers. Loretta laughed harder yet. Maybe she had gone mad. Stark, raving mad.
Catherine Anderson (Comanche Moon (Comanche, #1))
IT’S FUNNY: it isn’t the fire that kills you, it’s the smoke. There you are, pounding on the windows, climbing higher and higher through your burning home, trying to get away, to get out, hoping that if you can just avoid the flames, perhaps you’ll survive the fire, but all the time you’re suffocating slowly, your lungs filling with smoke. There you are, waiting for the horrors to come from some there, from some other, from without, and all the while you’re dying, bit by airless bit, from within. You buy a handgun—for protection, you say—and drop dead that night from a heart attack. You put locks on your doors. You put bars on your windows. You put gates around your house. The doctor phones: It’s cancer, he says. Swimming frantically up to the surface to escape from a menacing shark, you get the bends and drown. You resolve, one sunny New Year’s Day, to get back into shape. This is the year, you insist. A new beginning. A new start. A stronger you, a tougher you. At the health club the following morning, just as you’re beginning your third set of bench presses, your muscles cramp and the barbell collapses onto your neck, crushing your windpipe. You can’t cry out. Your face turns blue. Your arms go limp. There, on a poster on the wall beside you, are the last words you see before your eyes close and darkness envelopes you for eternity: Feel the Burn. It’s funny.
Shalom Auslander (Hope: A Tragedy)
IT’S FUNNY: it isn’t the fire that kills you, it’s the smoke. There you are, pounding on the windows, climbing higher and higher through your burning home, trying to get away, to get out, hoping that if you can just avoid the flames, perhaps you’ll survive the fire, but all the time you’re suffocating slowly, your lungs filling with smoke. There you are, waiting for the horrors to come from some there, from some other, from without, and all the while you’re dying, bit by airless bit, from within. You buy a handgun—for protection, you say—and drop dead that night from a heart attack. You put locks on your doors. You put bars on your windows. You put gates around your house. The doctor phones: It’s cancer, he says. Swimming frantically up to the surface to escape from a menacing shark, you get the bends and drown. You resolve, one sunny New Year’s Day, to get back into shape. This is the year, you insist. A new beginning. A new start. A stronger you, a tougher you. At the health club the following morning, just as you’re beginning your third set of bench presses, your muscles cramp and the barbell collapses onto your neck, crushing your windpipe. You can’t cry out. Your face turns blue. Your arms go limp. There, on a poster on the wall beside you, are the last words you see before your eyes close and darkness envelopes you for eternity: Feel the Burn.
Shalom Auslander (Hope: A Tragedy)