Belt Fashion Quotes

We've searched our database for all the quotes and captions related to Belt Fashion. Here they are! All 43 of them:

The Classic Notting Hill junkie, i.e; Armani underwear, Pink’s shirt and Burberry belt tourniquets
Tyne O'Connell (Latest Accessory (Meet Me at the Bar, #2))
I would certainly rather the industry not go broke, but if that's what it takes for everyone to acquire some values and lose that sense of entitlement, maybe a little belt-tightening wouldn't be so tragic.
Tim Gunn (Gunn's Golden Rules: Life's Little Lessons for Making It Work)
People call me old-fashioned. The younger guys on the force, they bust my chops because I don't speak their language. Harvey Bullock, dinosaur…because, nope, I didn't see that show last night, where they prance around and belt out awful covers and vote each other into the damn ocean or whatnot.
Scott Snyder (Batman: The Black Mirror)
In his writings, Proust suggests that our memory is separate from us, residing in the ocean breeze or the smells of early autumn—things linked to the earth that recur periodically, confirming the permanence of mankind. For me and no doubt many of my contemporaries, memories are associated with ephemeral things such as a fashionable belt or a summer hit and therefore the act of remembering can do nothing to reaffirm my sense of identity or continuity. It can only confirm the fragmented nature of my life and the belief that I belong to history.
Annie Ernaux (Shame)
Reading has not gone out of fashion in the last number of years, nor in the ones while you slept in the asteroid belt. Your relatives do not wish to expose themselves to deep thought, lest they be affected by it.
Anne McCaffrey (The Death of Sleep (Planet Pirates, #2))
Today, Chanel sells nothing other than its griffe; the griffe is an absolute symbol for 'fashion' which, having become historical, is now able to sell this history better than it could sell fashion. Chanel's lasting success proves that fashion has become self-referential: the fetish of the mere name shows how it has begun to revolve around itself. The House of Chanel produces what Coco most abhorred: a thing of the past, dead. The visible, outwardly displayed griffe has become the opposite of individualized style: instead it confirms the latent uniform collectivity, which had always defined Chanel-wear; in the end, it signifies membership of an expensive club. The Chanel woman does not want to display her own taste, she wants to belong. In order to be certain, she is laden with Chanel signs and accessories, like amulets to protect against the evil eye; on the pocket, on the belt, on the dress buttons, on the watch, on costume jewelry, proudly stand the initials of the founder of the house, to which she knows she belongs.
Barbara Vinken (Fashion Zeitgeist: Trends and Cycles in the Fashion System)
They are approaching now a lengthy brick improvisation, a Victorian paraphrase of what once, long ago, resulted in Gothic cathedrals—but which, in its own time, arose not from any need to climb through the fashioning of suitable confusions toward any apical God, but more in a derangement of aim, a doubt as to the God’s actual locus (or, in some, as to its very existence), out of a cruel network of sensuous moments that could not be transcended and so bent the intentions of the builders not on any zenith, but back to fright, to simple escape, in whatever direction, from what the industrial smoke, street excrement, windowless warrens, shrugging leather forests of drive belts, flowing and patient shadow states of the rats and flies, were saying about the chances for mercy that year.
Thomas Pynchon (Gravity’s Rainbow)
I was sweating like Christy Moore at a Feis Ceol, so badly, in fact, I looked like I was sporting a finger moustache as I attempted to rescue suicidal perspiration drops from my upper lip. Classy.
Annmarie O'Connor (Brigitte Bailey Women's Printed Romper with Tie Belt Yellow Jumpsuit LG)
Willpower is misunderstood. The very word suggests that wanting something badly enough bequeaths that necessary strength to achieve or overcome something. If that were the case, I'd be Michael Fassbender's missus by now.
Annmarie O'Connor (Brigitte Bailey Women's Printed Romper with Tie Belt Yellow Jumpsuit LG)
The Orion constellation was very significant to the ancient Egyptians. Years earlier, a construction engineer, Robert Bauval, had noticed that the three pyramids at Giza, including the great pyramid, were aligned in a fashion that looked similar to the way that the three stars of Orion’s belt were aligned.
Hunt Kingsbury (The Moses Riddle (Thomas McAllister 'Treasure Hunter' Adventure Book 1))
Ayden's eyes snapped up and narrowed to slits. "This is a collar," he said flatly. "Nay!" Freyrík said. "'Tis . . ." "A neck belt, perhaps? To hold my shirt up?" "A cravat," Freyrík said firmly. "Very fashionable, I assure you." He felt the elf's stare on his throat, unyielding as a choking hand. "Yet you do not wear one.
Rachel Haimowitz (Counterpoint (Song of the Fallen, #1))
IN THE PARLANCE of the Bible Belt, those within the faith used many words and terms to describe those outside of it. On the harsher end of the spectrum, the “lost” were referred to as heathen, unsaved, unclean, hell-bound, and just old-fashioned sinners. More polite Christians called them nonbelievers, future saints, backsliders, or—the favorite—unchurched.
John Grisham (A Time for Mercy (Jake Brigance, #3))
1) Leopardskin is always a neutral. 2) You can get away with nearly anything if you wear the thing with black opaque tights and boots. 3) Contrary to popular opinion, a belt is often not a good friend to a lady. Indeed, in many circumstances, it acts merely as a visual aid to help the onlooker settle the question: "Which half is fatter - the bottom or the top?" 4) Bright red is a neutral. 5) Sellotape is NOT strong enough to mend a hole in the crotch of a pair of tights. 6) You should NOT buy an outfit if you have to strike a sexy pose in the changing-room mirror to make it look good. On the other hand, if you immediately start dancing the minute you put it on, buy it, however much it costs: unless it's lots, in which case, you can't, so don't. Fashion magazines will NEVER say, "Actually, don't buy it if you can't afford it." Neither will your friends. I am probably the only person who will EVER say it to you. You're welcome.
Caitlin Moran (How to Be a Woman)
Who do you think is angriest right now? In our country, I mean.” I shrugged. “African Americans?” She made a buzzing noise, a sort of you’re-out-but-we’ve-got-some-lovely-consolation-prizes-backstage kind of a sound. “Guess again.” “Gays?” “No, you dope. The straight white dude. He’s angry as shit. He feels emasculated.” “Honestly, Jacko.” “Of course he does.” Jackie pointed a purple fingernail at me. “You just wait. It’s gonna be a different world in a few years if we don’t do something to change it. Expanding Bible Belt, shit-ass representation in Congress, and a pack of power-hungry little boys who are tired of being told they gotta be more sensitive.” She laughed then, a wicked laugh that shook her whole body. “And don’t think they’ll all be men. The Becky Homeckies will be on their side.” “The who?” Jackie nodded at my sweats and bed-matted hair, at the pile of yesterday’s dishes in the sink, and finally at her own outfit. It was one of the more interesting fashion creations I’d seen on her in a while—paisley leggings, an oversized crocheted sweater that used to be beige but had now taken on the color of various other articles of clothing, and purple stiletto boots. “The Susie Homemakers. Those girls in matching skirts and sweaters and sensible shoes going for their Mrs. degrees. You think they like our sort? Think again.
Christina Dalcher (Vox)
You can wear a variety of clothing. But you should have one designer you favor. I suggest Amano." "Ooh," Noriko hums. "I love him." Ichiko taps out something on her tablet and hands me photographs of his latest runway show. "I see it now. You are a small-town girl who supports the local artist. An up-and-comer like you. That's your brand." She winks at me. "Amano's pieces are flattering with a nod to classical elements, but with a certain modern flair." Women strut down a white runway. One wears a black silk furisode with flowing kimono sleeves and a lotus flower motif. Another sports a red evening gown with a matching capelet. Another, a turquoise fitted dress with a square neckline and beaded belt. All so pretty. I like.
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere. Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.
Douglas Nicholas
Charlie’s body was on autopilot as she stirred bitters into old-fashioneds, and doctored abominable Smirnoff Ices with half shots of Chambored. Up on stage, a drag trio in sinister yet glittery Elvira-esque attire belted out songs from the nineties. Mixing drinks, she found herself glad of something to do with her hands, some distraction from the churn of her thoughts. In the hours before a job, adrenaline kicked in. She was alert, focused. As though she only truly came awake when there was a puzzle to solve, a potential triumph outside of the grinding pattern of days. Something other than getting up, eating, going to work, eating again, and then having a few hours before bed with which you could work out or do your laundry or have sex or clean the kitchen or watch a movie or get drunk. The grinding pattern was life, though. You weren’t supposed to yearn for something else.
Holly Black (Book of Night (Book of Night, #1))
In marked contrast to the relaxed, typically Latin attitude of the Dominicans the Protestant missionaries were still proceeding at full blast with the fight for souls. These North American evangelists of strictly fundamentalist inclination combined in a curious fashion strict adhesion to the literal meaning of the Old Testament With mastery of the most modern technology. Most of them came from small towns in the Bible Belt, armed with unshakably clear consciences and a rudimentary smattering of theology, convinced that they alone were the repositories of Christian values now abolished elsewhere. Totally ignorant of the vast world, despite their transplantation, and taking the few articles of morality accepted in the rural Amenca of their childhoods to be a universal credo, they strove bravely to spread these principles of salvation all around them. Their rustic faith was well served by a flotilla of light aircraft, a powerful radio, an ultra-modern hospital and four-wheel-drive vehicles -- in short, all the equipment that a battalion of crusaders dropped behind enemy lines needed.
Philippe Descola (The Spears of Twilight: Life and Death in the Amazon Jungle)
Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
She knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it. This tiny, effeminate creature dressed in velvet suits, red socks, an absurdly long scarf usually wrapped around his throat, trailing after him like a coronation robe. He who pronounced, after dinner, “I’m going to go sit over here with the rest of the girls and gossip!” This pixie who might suddenly leap into the air, kicking one foot out behind him, exclaiming, “Oh, what fun, fun, fun it is to be me! I’m beside myself!” “Truman, you could charm the rattle off a snake,” Diana Vreeland pronounced. Hemingway - He was so muskily, powerfully masculine. More than any other man she’d met, and that was saying something when Clark Gable was a notch in your belt. So it was that, and his brain, his heart—poetic, sad, boyish, angry—that drew her. And he wanted her. Slim could see it in his hungry eyes, voraciously taking her in, no matter how many times a day he saw her; each time was like the first time after a wrenching separation. How to soothe and flatter and caress and purr and then ignore, just when the flattering and caressing got to be a bit too much. Modesty bores me. I hate people who act coy. Just come right out and say it, if you believe it—I’m the greatest. I’m the cat’s pajamas. I’m it! He couldn’t humiliate her vulnerability, her despair. Old habits die hard. Particularly among the wealthy. And the storytellers, gossips, and snakes. Is it truly a scandal? A divine, delicious literary scandal, just like in the good old days of Hemingway and Fitzgerald? The loss of trust, the loss of joy; the loss of herself. The loss of her true heart. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty. In the end as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves. Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glance of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes. The splendor of belonging, being included, prized, coveted. What happened to Truman Capote. What happened to his swans. What happened to elegance. What truly was the price they paid, for the lives they lived. For there is always a price. Especially in fairy tales.
Melanie Benjamin (The Swans of Fifth Avenue)
I am in a two-stoplight town in the Alabama hill country, in the heart of the Bible Belt and Crimson Tide football mania, listening to an old-fashioned, heated argument between Cubans like the ones I've heard in Little Havana in Miami, but the moment very quickly loses its sense of strangeness and cultural dissonance. This is what America is like now-- North America, I mean, the United States. The craziness of cubanos and mexicanos and guatemaltecos can find you just about anywhere
Héctor Tobar (Translation Nation: Defining a New American Identity in the Spanish-Speaking United States)
The job of trade unions, parties, and even radical social movements is precisely to institutionalize unruly protest and anger. Their function is, one might say, to try to translate anger, frustration, and pain into a coherent political program that can be the basis of policy making and legislation. They are the transmission belt between an unruly public and rule-making elites. The implicit assumption is that if they do their jobs well, not only will they be able to fashion political demands that are, in principle, digestible by legislative institutions, they will, in the process, discipline and regain control of the tumultuous crowds by plausibly representing their interests, or most of them, to the policy makers. Those policy makers negotiate with such “institutions of translation” on the premise that they command the allegiance of and hence can control the constituencies they purport to represent. In this respect, it is no exaggeration to say that organized interests of this kind are parasitic on the spontaneous defiance of those whose interests they presume to represent. It is that defiance that is, at such moments, the source of what influence they have as governing elites strive to contain and channel insurgent masses back into the run of normal politics.
James C. Scott (Two Cheers for Anarchism: Six Easy Pieces on Autonomy, Dignity and Meaningful Work and Play)
How Long Will It Take? You can’t blame people for wanting instant results. Time is money, and quickness, especially quick OODA loops, is good. But when it comes to adopting maneuver conflict / Boyd’s principles to your business, there is a lot to be learned and a lot to be done. Consider that: •   According to its principle creator, Taiichi Ohno, it took 28 years (1945-1973) to create and install the Toyota Production System, which is maneuver conflict applied to manufacturing. •   It takes roughly 15 years of experience—and recognition as a leader in one’s technical field—to qualify as a susha (development manager) for a new Toyota vehicle.150 •   Studies of people regarded as the top experts in a number of fields suggest that they practice about four hours a day, virtually every day, for 10 years before they achieve a recognized level of mastery.151 •   It takes a minimum of 8 years beyond a bachelor’s degree to train a surgeon (4 years medical school and 4 or more years of residency.) •   It takes four to six years on the average beyond a bachelor’s degree to complete a Ph.D. •   It takes three years or so to earn a black belt (first degree) in the martial arts and four to six years beyond that to earn third degree, assuming you are in good physical condition to begin with. •   It takes a bare minimum of five years military service to qualify for the Special Forces “Green Beret” (minimum rank of corporal / captain with airborne qualification, then a 1-2 year highly rigorous and selective training program.) •   It takes three years to achieve proficiency as a first level leader in an infantry unit—a squad leader.152 It is no less difficult to learn to fashion an elite, highly competitive company. Yet for some reason, otherwise intelligent people sometimes feel they should be able to attend a three-day seminar and return home experts in maneuver conflict as applied to business. An intensive orientation session may get you started, but successful leaders study their art for years—Patton, Rommel, and Grant were all known for the intensity with which they studied military history and current campaigns. Then-LTC David Hackworth had commanded 10 other units before taking over the 4th Battalion, 39th Infantry in Vietnam in 1969, as he described in Steel My Soldiers’ Hearts. You may also recall the scene in We Were Soldiers where LTC Hal Moore unloaded armfuls of strategy and history books as he was moving into his quarters at Ft. Benning. At that point, he had been in the Army 20 years and had commanded at every level from platoon to battalion.
Chet Richards (Certain to Win: The Strategy of John Boyd, Applied to Business)
So he sings,” he continued as if Denny had said nothing. “His solo mio, that with her in his life he is rich because she is so beautiful that she makes the sun more beautiful, you understand?” And at that he dropped the hoe, closed his eyes and spread out his arms wide and with the fading sun shining on his handsome face he sang: Che bella cosa è na jurnata 'e sole n'aria serena doppo na tempesta! Pe' ll'aria fresca pare già na festa Che bella cosa e' na jurnata 'e sole Ma n'atu sole, cchiù bello, oi ne' 'O sole mio sta 'nfronte a te! 'O sole, 'o sole mio sta 'nfronte a te! sta 'nfronte a te! It looked like fun. We dropped our tools and joined him, belting out something that sounded remarkably like Napolitano. We sang as loud as we could, holding on to each note as long as we could before we ran out of breath, and then we sang again, occasionally dropping to one knee, holding our hands over our hearts with exaggerated looks of deep pain. Although we made the words up, we sang with the deepest passion, with the best that we had, with all of our hearts, and that made us artists, great artists, for in that song, we had made all that art is: the creation of something from nothing, fashioned with all of the soul, born from joy. And as that beautiful summer sun set over Waterbury, the Brass City, the City of Churches, our voices floated above the wonderful aromas of the garden, across the red sky and joined the spirits in eternity.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
It would finally be a book that excluded no one. And then when all the world's people had been singled out and praised for their good works, forgiven their failures and near misses and broken promises, both to themselves and others, excused every digression of their hearts, when their names had finally been inscribed by wire onto a piece of wood that bands the earth like a belt holding the whole place together, these people would once and for all be killed, so that they won't return and won't be remembered, a complete killing in the old-fashioned style of the Ohio Exits, where not only the person is killed but the things around him and any referencing devices indexing, in any way, the person: killed.
Ben Marcus
St. Lawrence River May 1705 Temperature 48 degrees From the river they walked back to the town, and the boy was taken into the fire circle outside the powwow’s longhouse. Here he was placed on the powwow’s sacred albino furs. A dozen men, those who were now his relatives, sat in a circle around him. The powwow lit a sacred pipe and passed it, and for the first time in his life, the boy smoked. Don’t cough, Mercy prayed for him. Don’t choke. Afterward she found out they diluted the tobacco with dried sumac leaves to make sure he wouldn’t cough on his first pull. Although the women had adopted him, it was the men who filed by to bring gifts. The new Indian son received a tomahawk, knives, a fine bow, a pot of vermilion paint, a beautiful black-and-white-striped pouch made from a skunk and several necklaces. “Watch, watch!” whispered Snow Walker, riveted. “This is his father. Look what his father gives him!” The warrior transferred from his own body to his son’s a wampum belt--hundreds of tiny shell circles linked together like white lace. The belt was so large it had to hang from the neck instead of the waist. To give a man a belt was old-fashioned. Wampum had no value to the French and had not been used as money by the Indians for many years. But it still spoke of power and honor and even Mercy caught her breath to see it on a white boy’s body. But of course, he was not white any longer. “My son,” said the powwow, “now you are flesh of our flesh and bone of our bone.” At last his real name was called aloud, and the name was plain: Annisquam, which just meant “Hilltop.” Perhaps they had caught him at the summit of a mountain. Or considering the honor of the wampum belt, perhaps he kept his eyes on the horizon and was a future leader. Or like Ruth, he might have done some great deed that would be told in story that evening. When the gifts and embraces were over, Annisquam was taken into the powwow’s longhouse to sit alone. He would stay there for many hours and would not be brought out until well into the dancing and feasting in the evening. Not one of Mercy’s questions had been answered. Was he, in his heart, adopted? Had he, in his heart, accepted these new parents? Where, in his heart, had he placed his English parents? How did he excuse himself to his English God and his English dead? The dancing began. Along with ancient percussion instruments that crackled and rattled, rasped and banged, the St. Francis Indians had French bells, whose clear chimes rang, and even a bugle, whose notes trumpeted across the river and over the trees.
Caroline B. Cooney (The Ransom of Mercy Carter)
As she said this, she tossed him one of her blue-and-gray-checked tea towels to use as an apron. She was wearing a blue summer dress and tucked her towel-apron into her red belt. Today he could see that her blond hair was tinged with silver at the temples and that the former confusion and terror had left her eyes. Soon the windowpanes had misted up; the gas flames were hissing under pots and pans; the white wine, shallots and cream sauce was simmering; and in a heavy pan the olive oil was browning potatoes sprinkled with rosemary and salt. They were chatting away as if they'd known each other for years and had simply lost touch for a while. About Carla Bruni, and about how male sea horses carried their young around in a pouch on their stomachs. They talked about fashion and about the trend for salt with added flavorings, and of course they gossiped about their neighbors.
Nina George (The Little Paris Bookshop)
You know the old adage: give a woman a bag and she'll fill it for a day. Teach a woman to pack and she'll fill every damn bag she owns (or something of that ilk).
Annmarie O'Connor (Brigitte Bailey Women's Printed Romper with Tie Belt Yellow Jumpsuit LG)
Excuses – the great enabler. Without them, we'd have no reason to shop when we shouldn't and every reason to feel guilty for doing so. Nothing like the aul 'dog ate my knickers' chestnut to manifest a new handbag at will (in which to deposit much-needed new knickers, of course).
Annmarie O'Connor (Brigitte Bailey Women's Printed Romper with Tie Belt Yellow Jumpsuit LG)
Now they emerged upon a great prairie, an expanse of rumpled short-grass plains with occasional clumps of trees dimly seen in the distance, like tiny islands in a sea. This was the western border of a scattered belt of forest land, about forty miles in width, which stretched across the country from north to south, from the Arkansas to the Red River. This oddly fashioned landscape was called the Cross Timbers.
Robert Vaughan (Showdown at Comanche Butte (Remington Book 3))
Having an emotional connection with what we wear is at once transformative and talismanic. Why else would Glenda the Good Witch have given Dorothy a pair of ruby slippers? Clicking those heels did more than get Miss Garland back to Kansas; they manifested magic – that sweet spot where memories are made.
Annmarie O'Connor (Brigitte Bailey Women's Printed Romper with Tie Belt Yellow Jumpsuit LG)
When she twisted around to face Steven, he was grinning at her. “What?” she demanded. “Never mind.” She realized she’d displayed her derriere, after a fashion, and the blood flowed to her face again. “Skunk,” she said. “You’re crazy about me,” Steven retorted with an impish grin. “Get into the water,” Emma said impatiently. “I’m due back at the library and I haven’t had anything to eat.” Steven got to his feet painfully and started untying the belt of Big John’s blue flannel robe. Emma whirled away, her hands over her eyes, and Steven laughed. “Sorry,” he said. Emma did not turn around, but stood hugging herself, her chin high.
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
A PROCESSION OF ANGELS Then I saw a powerful angel walk up to Jesus. The Lord spoke to this angel, although I did not understand the words that passed back and forth between them. However, I did understand that this angel had been working in Tanzania and had been on an important assignment. I really do not understand how I knew what was transpiring. I just had a supernatural revelation of what was taking place as the Lord stood over me and gave instruction to the angel. Perhaps just being so close to the Lord allowed me to have some understanding of the things that were unfolding before me in the spirit. Shortly, I saw this angel “ascend” upon Jesus. I knew that this angel was returning into the realms of Heaven, and that the assignment that it had been on had now been completed. I was astonished to see the angel ascend into the heavens “on” Jesus. It was very similar to the night in Springdale when I saw Jesus ascend back through the open heaven spinning in the sanctuary in Living Waters Church. (See John 1:51.) The Lord looked at me and gave me a big smile. He began to speak to me again, just as a loving friend would to a small child. In just a moment or two, He was again interrupted by a second strong angel. This time the angel descended from the realms of Heaven upon Jesus and stepped onto the beach. Once again the Lord and the angel began to speak, though again I was unable to understand the language that they spoke. I could see this second angel was powerful and very strong. He carried himself in the manner of a warrior, and there was a large sword in his right hand. He also had a large, polished, shiny golden shield in his left hand. Upon his belt were other weapons, including an ornate buckler and a smaller type of sword. As I was looking, I suddenly saw Jesus pat the angel upon his powerful shoulder and point with His right hand. Immediately, the angel turned in military fashion and ran off in the direction that the Lord had indicated. I was astonished, but I was also absolutely certain that Jesus had just commissioned the strong second angel to an important mission in the nation of Tanzania. Then Jesus turned His loving gaze back upon me as I lay on the beach. The waters were still billowing around me. The Lord again began to speak to me and told me that it was important that I began to study and learn to understand about the “seer anointing.” At that moment, I did not have any knowledge of the seer anointing, so I was a little concerned about my ignorance. As if sensing I was uncomfortable, the Lord smiled and gently began to speak with me about the seer prophets of old. This encounter with the Lord continued from about 4:15 A.M. until about 6:30 A.M. in the natural. However, in the realm of the spirit, it seemed to last for many more hours. The Lord continued to speak to me in great detail about the seer gift or anointing. I could determine the passage of time because the sun shifted its position over the sea of glass-like crystal as He continued to speak. The other reason I was aware of time passing was that there began to be a steady stream of angels ascending and descending upon the Lord Jesus Christ. ANGELS ON MISSIONS This procession of angels was quite impressive. After the first few, I began to relax. I had been
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
I refused to admit it was because I was heading home alone instead of eating with Dante. I shut my eyes as I realized that even the thought of his name caused a shiver to run down my back. His voice startled me. “Do you not understand English, Little Bee? Or do you like to try to test my patience?” Again, that odd swell of relief flooded my chest. He was here. I opened my eyes and met his gaze. He was behind the wheel of the red SUV, his head tilted, a deep frown on his face. “I said I’d pick you up.” “I never agreed,” I responded and turned my back. I knew I was acting like my cat. If I couldn’t see him, he couldn’t see me either. But maybe he’d go away. I heard the sound of a door opening and measured footsteps. Then he was behind me. “I didn’t ask,” he said, wrapping his arms around me and lifting me as if I weighed nothing. I gasped in outrage as he swung around and took the few steps needed to place me in the vehicle. He carried me in much the same fashion as I used to carry my dolls. Legs hanging, pressed tight to my chest, not giving them the chance to fall. I couldn’t move until he deposited me in the seat. “You-you high-handed, cupcake-stealing…motherplucker!” “Motherplucker? Oh, you wound me,” he said with a laugh, leaning over me and snapping my seat belt closed. Our faces were so close, he could have kissed me. His gaze dropped to my lips, and then he met my eyes again. The intensity of his stare was overwhelming. He ran a finger down my cheek then tapped the end of my nose. “Extraordinary,” he whispered. He stepped back, shutting the door and, with a smirk, engaging the locks.
Melanie Moreland (My Favorite Kidnapper (My Favorite, #1))
Presently Claude announced, “Breakfast is served!” With those welcome words, the boys and the general sat down to an old-fashioned Southern repast. Chet’s face was aglow as Claude served chilled cantaloupe, followed by crisp-fringed pancakes and broiled ham. Then he brought in a platter of fried eggs, a dish of raspberry jam, and piping hot muffins. Letting his belt out a notch, Chet asked, “General, does everybody eat like this in the South?” “They used to,” the officer replied, smiling. “Most people are in too much of a hurry today to enjoy the art of good cooking.
Franklin W. Dixon (The Secret of the Lost Tunnel (Hardy Boys, #29))
Soup bowls made from the sawed-off tops of human heads. Chairs upholstered in human flesh. Lampshades fashioned of skin. A boxful of noses. A shade pull decorated with a pair of women's lips. A belt made of female nipples. A shoe box containing a collection of preserved female genitalia. The faces of nine women, carefully dried, stuffed with paper and mounted, like hunting trophies on a wall. A skin vest, complete with breasts, which had been fashioned from the tanned upper torso of a middle-aged woman.
Harold Schechter (The Serial Killer Files: The Who, What, Where, How, and Why of the World's Most Terrifying Murderers)
Alison Wood Brooks, an associate professor at Harvard Business School, had a different notion of how to handle nervousness. In a series of three studies, she subjected groups of people to experiences that most everyone would find nerve-racking: completing “a very difficult IQ test” administered “under time pressure”; delivering, on the spot, “a persuasive public speech about ‘why you are a good work partner’ ”; and most excruciating of all, belting out an 80s pop song (“Don’t Stop Believin’,” by Journey). Before beginning the activity, participants were to direct themselves to stay calm, or to tell themselves that they were excited. Reappraising nervousness as excitement yielded a noticeable difference in performance. The IQ test takers scored significantly higher. The speech givers came across as more persuasive, competent, and confident. Even the singers performed more passably (as judged by the Nintendo Wii Karaoke Revolution program they used). All reported genuinely feeling the pleasurable emotion of excitement—a remarkable shift away from the unpleasant discomfort such activities might be expected to engender. In a similar fashion, we can choose to reappraise debilitating “stress” as productive “coping.” A 2010 study carried out with Boston-area undergraduates looked at what happens when people facing a stressful experience are informed about the positive effects of stress on our thinking—that is, the way it can make us more alert and more motivated. Before taking the GRE, the admissions exam for graduate school, one group of students was given the following message to read: “People think that feeling anxious while taking a standardized test will make them do poorly on the test. However, recent research suggests that arousal doesn’t hurt performance on these tests and can even help performance. People who feel anxious during a test might actually do better. This means that you shouldn’t feel concerned if you do feel anxious while taking today’s GRE test. If you find yourself feeling anxious, simply remind yourself that your arousal could be helping you do well.” A second group received no such message before taking the exam. Three months later, when the students’ GRE scores were released, the students who had been encouraged to reappraise their feelings of stress scored an average of 65 points higher.
Annie Murphy Paul (The Extended Mind: The Power of Thinking Outside the Brain)
Women who wear black lead colorful lives," Neiman Marcus once said, and those words stuck to me like glue on glitter. Black rules my wardrobe like a stern, fashionable monarch. There I was, on a night grander than a royal ball, adorning myself in a black PVC sleeveless top that hugged my figure like a second skin. My ultra-short black leather skirt was more akin to a wide belt. And to complete the ensemble, I sentenced my feet to an evening of harsh labor in towering black stilettos. An Asian version of Will and Grace we were, your average straight couple we were not. -Kim Lee ‘The Big Apple Took a Bite Off Me’ Now on Amazon Books and Kindle
Kim Lee
Zade, I think I'd rather talk about my mother trying to convince me that chastity belts were the latest fashion when I was fourteen than talk about trying to stab you." Another pause. "Okay, so there's a lot to unpack here, and I'm not sure where to start.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Movement startles him. Two figures have emerged, rather suddenly, from the mist at the end of the cobbled alley. A dog, heavy-jawed and deep gold, and a young woman. She is tall and brownish, and her hair is braided and coiled in a fashion he has never seen before. She is dressed like some combination of vagabond and debutante- a fine blue skirt fastened with pearl buttons, a leather belt slung low over her hips, a shapeless coat that looks several centuries older than she is.
Alix E. Harrow (The Ten Thousand Doors of January)
Holy Aphrodite’s girdle!’ I yelped as I pulled out … Aphrodite’s girdle. My hands trembled. I knew all about this particular article of clothing, though I’d never seen it in person before. Aphrodite was super careful about when she wore it. Crafted for Mom by Hephaestus (when they were still on good speaking terms), the girdle was more like a fashionable belt – a finely wrought wide band of gold filigree (twenty carat, if I’m not mistaken) – infused with magic. Supposedly, anyone who saw Mom wearing it got whipped up in a frenzy of passion for her. Not that she needs any help in that department. I mean, everyone who sees her gets the hots for her. As I held the magical belt, I couldn’t help wondering if its power would work for me. I thought about taking it for a test drive around camp. I’d saunter past a certain Brazilian boy’s cabin and pause long enough for him to take a gander … Tempting, I thought. But no. I tossed the girdle back in the trunk. Why? Because I’d heard tales of Hephaestus cursing the items he made. The girdle probably wasn’t cursed, but I wasn’t going to chance triggering some dormant spell. Besides, any magic item used by the gods could be too much for demigods to
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
Who's Vanessa?" "I don't believe you. She's only the most popular girl in the whole school." She pointed a finger at the girl in the middle of the three who were still watching Tianna closely. "Everyone knows Vanessa." Vanessa had perfect skin, large blue eyes, and luxurious blond hair that curled over her shoulders. "Are those extensions?" Tianna asked. "All hers." Corrine sighed. Vanessa was dressed in a funky white coat of fake fur that went down to her brown suede boots; underneath was a low-hanging party-girl skirt with two gold belts draped around her tan waist. "Where'd she get the clothes? They're so cool." Tianna glanced self-consciously at her own jeans. The knees were soiled, and there was a long black mark on the side, as if she had skidded in dirt or oil. "Her mom's a costume designer for the movies," Corrine confided. Tianna felt a pang of jealousy- not for the clothes, but from the mention of Vanessa's mother. She wondered where hers was. Why hadn't she been with her this morning?
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
First, most fat women don’t get the luxury of shopping in a real store, all our shit has to be ordered online, a Jesus candle lit when it ships, and then tried on in an empty dark bedroom with the air conditioner blasting to fifty degrees. We all know this. Second, you’re assuming any of us know how to dress ourselves, and some switch is magically going to flip back on inside us like, duh, I guess I do like belts to hit at my natural waist.
Brittany Gibbons (The Clothes Make the Girl (Look Fat)?: Adventures and Agonies in Fashion)