Belt And Braces Quotes

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Don't worry, I'm shielding you. When we crashed here and it first attacked me, I was caught with my mental trousers down. Not anymore. Psychic force field's intact. Belts and braces. Braces, by the way, are very cool.
James Goss (Doctor Who: Dead of Winter)
I sought them far and found them, The sure, the straight, the brave, The hearts I lost my own to, The souls I could not save They braced their belts about them, They crossed in ships the sea, They sought and found six feet of ground, And there they died for me.
A.E. Housman
Hands braced on the bar, he only watched me unclasp his watch. My breath grew dense in my lungs. I was simply removing his watch, yet somehow, it felt like I was undoing his belt.
Danielle Lori (The Maddest Obsession (Made, #2))
He braced his elbows on the desk,his brow on his fists. "She came shrieking across the court.I'd just hit a line drive,barely missed beaning her. Cameras rolling, and there I am trying to look my sixth-generational-hotelier best, the athletic yet intelligent, the world-traveled yet dedicated, the dashing yet concerned heir to the Templeton name." "You'd be good at that," Margo murmured, hoping to placate him. He didn't even look at her. "Suddenly I've got my arms full of this half-naked, spitting, swearing, clawing mass who's screaming that my sister, her lesbian companion, and my whore attacked her." He pinched the bridge of his nose, hoping to relieve some pressure. "I figured out right away who my sister was. Though I didn't appreciate the term,I deduced you must be my whore.The lesbian companion might have stumped me,but for process of elimination." He lifted his head. "I was tempted to belt her,but I was too busy trying to keep her from ripping off my face." "It's such a nice face too." Hoping to soothe, she walked around the desk and sat on his lap. "I'm sorry she took it out on you." "She sratched me." He turned his head to show her the trio of angry welts on the side of his throat. Dutifully, Margo kissed them. "What am I going to do with you?" he asked wearily and rested his cheek on her head. Then he chuckled. "How the hell did you stuff her into one of those skinny lockers?" "It wasn't easy but it was fun." He narrowed his eyes. "You're not going to do it again,no matter what the provocation-unless you sedate her first." "Deal." Since the crisis seemed to have passed, she slipped a hand under his shirt, stroked it over his chest, watched his brow lift. "I've been waxed and polished.If you're interested." "Well,just so the day isn't a complete loss." He picked her up and carried her to the bed.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
She begins to strip like a roommate and climb into bed. They have fallen asleep. Dean wakes first, in the early afternoon. He unfastens her stockings and slowly rolls them off. Her skirt is next and then her underpants. She opens her eyes. The garter belt he leaves on, to confirm her nakedness. He rests his head there. Her hand touches his chest and begins to fall in excruciating slow designs. He lies still as a dog beneath it, still as an idiot. The next morning she is recovered. His prick is hard. She takes it in her hand. They always sleep naked. Their flesh is innocent and warm. In the end she is arranged across the pillows, a ritual she accepts without a word. It is half an hour before they fall apart, spent, and call for breakfast. She eats both her rolls and one of his. “There was a lot,” she says. She glistens with it. The inside of her thighs is wet. “How long does it take to make again?” she asks. Dean tries to think. He is remembering biology. “Two or three days,” he guesses. “Non, non!” she cries. That is not what she meant. She begins to make him hard again. In a few minutes he rolls her over and puts it in as if the intermission were ended. This time she is wild. The great bed begins creaking. Her breath becomes short. Dean has to brace his hands on the wall. He hooks his knees outside her legs and drives himself deeper. “Oh,” she breathes, “that’s the best.
James Salter (A Sport and a Pastime)
Derek glanced over at her. Then he closed his magazine, leaving a finger inside as a marker, and undid his seat belt and stood up. “Trade places with me,” he said. Willa gazed up at him imploringly. “Come on. Move.” She fumbled for her seat belt. She undid the buckle, holding her breath, and then she clutched her purse and sat forward, wincing as she braced for the slam of the bullet. Nothing happened.
Anne Tyler (Clock Dance)
Stance in Strategy Adopt a stance with the head erect, neither hanging down, nor looking up, nor twisted. Your forehead and the space between your eyes should not be wrinkled. Do not roll your eyes nor allow them to blink, but slightly narrow them. With your features composed, keep the line of your nose straight with a feeling of slightly flaring your nostrils. Hold the line of the rear of the neck straight: instill vigor into your hairline, and in the same way from the shoulders down through your entire body. Lower both shoulders and, without the buttocks jutting out, put strength into your legs from the knees to the tips of your toes. Brace your abdomen so that you do not bend at the hips. Wedge your companion sword in your belt against your abdomen, so that your belt is not slack - this is called "wedging in".
Miyamoto Musashi (Book of Five Rings: The Classic Guide to Strategy)
Initially, suspended headfirst, thousands of feet above the ground, restrained from falling only by a seat belt, I was paralyzed by terror. My hands and arms reflexively braced against the sides of the cockpit, as if holding on would hold me in. Every muscle in my body was tensed, vibrating, and there was a rushing feeling, almost like a noise, going up and down the back of my skull. Yet I didn’t fall out of the plane. The seat belt attached in five places and kept me pinioned, rock-solid, in my seat. My eyes told me that nothing was keeping me from plummeting to my death, but with experience, I started to be able to override that sensation with reason: I was actually just fine, I wasn’t going to fall out of the plane. Eventually the fear that I might faded.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
I hurt my hip, too.” “Let me see.” She made a face and yelped when her cheek protested even that slight movement. “You don’t need to see my hip. It’s fine.” “If the skin’s broken, it’ll need cleaning, too,” he said, unbuckling her belt. “Stop that.” “Think of me as your doctor,” he said, as he unsnapped and then unzipped her jeans. “My doctor doesn’t usually undress me,” she snapped. “And my patients already come undressed.” He laughed. “Life your hips,” he said. “Up!” he ordered, when she hesitated. She put her one good hand on his shoulder to brace herself and lifted her hips as he pulled her torn jeans down. To her surprise, her bikini underwear was shredded, and the skin underneath was bloody. “Uh-oh.” She was still staring at the injury on her hip when she felt him pulling off her boots. She started to protest, saw the warning look in his eyes, and shut her mouth. He pulled her jeans off, leaving her legs bare above her white boot socks. “Was that really necessary?” “You’re decent,” he said, straightening the tails of her Western shirt over her shredded bikini underwear. “I can put your boots back on if you like.” Bay shook her head and laughed. “Just get the first-aid kit, and let me take care of myself.” He grimaced. “If I’m not mistaken, you packed the first-aid kit in your saddlebags.” Bay winced. “You’re right.” She stared down the canyon as far as she could see. There was no sign of her horse. “How long do you think it’ll take him to stop running?” “He won’t have gone far. But I need to set up camp before it gets dark. And I’m not hunting for your horse in the dark, for the same reason I’m not hunting for your brother in the dark.” “Where am I supposed to sleep? My bedroll and tent are with my horse.” “You should have thought of that before you started that little striptease of yours.” “You’re the one who shouted and scared me half to death. I was only trying to cool off.” “And heating me up in the process!” “I can’t help it if you have a vivid imagination.” “It didn’t take much to imagine to see your breasts,” he shot back. “You opened your blouse right up and bent over and flapped your shirt like you were waving a red flag at a bull” “I was getting some air!” “You slid your butt around that saddle like you were sitting right on my lap.” “That’s ridiculous!” “Then you lifted your arms to hold your hair up and those perfect little breasts of yours—” “That’s enough,” she interrupted. “You’re crazy if you think—” “You mean you weren’t inviting me to kiss my way around those wispy curls at your nape?” “I most certainly was not!” “Could’ve fooled me.” She searched for the worst insult she could think of to sling at him. “You—you—Bullying Blackthorne!” “Damned contentious Creed!
Joan Johnston (The Texan (Bitter Creek, #2))
Good to know,” Reacher said. “Tell your uncle no laws have been broken. Tell him he’s been paid for the room. Tell him I’ll see him later.” The guy on the right uncrossed his arms. The guy on the left said, “Are you going to be a problem?” “I’m already a problem,” Reacher said. “The question is, what are you going to do about it?” There was a pause, hot and lonely in the middle of nowhere, and then the two guys answered by brushing aside their coats, in tandem, casually, right-handed, both thereby showing black semi-automatic pistols, in pancake holsters, mounted on their belts. Which was a mistake, and Reacher could have told them why. He could have launched into a long and impatient classroom lecture, about sealing their fates by forcing a decisive battle too early, about short-circuiting a grander strategy by moving the endgame to the beginning. Threats had to be answered, which meant he was going to have to take their guns away, because probing pawns had to be sent back beaten, and because folks in Mother’s Rest needed to know for sure the next time he came to town he would be armed. He wanted to tell them it was their own fault. He wanted to tell them they had brought it on themselves. But he didn’t tell them anything. Instead he ducked his own hand under his own coat, grabbing at nothing but air, but the two guys didn’t know that, and like the good range-trained shooters they were they went for their guns and dropped into solid shooting stances all at once, which braced their feet a yard apart for stability, so Reacher stepped in and kicked the left-hand guy full in the groin, before the guy’s gun was even halfway out of its holster, which meant the right-hand guy had time to get his all the way out, but to no avail, because the next event in his life was the arrival of Reacher’s elbow, scything backhand against his cheekbone, shattering it and causing a general lights-out everywhere.
Lee Child (Make Me (Jack Reacher, #20))
The Robot With Human Hair Pt2" Said it's the coming of man And I forget when you went away Like a kick to the face Not winning the race (Lion, I've seen you from afar) I've seen her in the car Knowing that you deserve such more Deserved to know you're free Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you from all of those bruised, bruised and battered wounds (Wave right with a gun in his hand wave right) Can you taste this blood Dripping sweeter than...? And over your eyes And I, and I fall to both knees Not to beg for your forgiveness But to hate the word And you speak Take a right off these cliffs The ground is staring at your wounded weapons Wounded weapons (And I can't believe that you're right) You can bank the night on this its round And glaring at your well I get hyphy Tell 'em I get hyphy And this is where it ends Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you, save you Save you, save you I can't believe these long words Come from many national absurd This is a line cut across Hope, defeat, the line, the loss I can never be this lone wolf You can never see me across this earth This will be a light that I run from You thought you were so strong You pleaded to never be wrong (Brace yourself, fasten belts) Well, now that you go (Close the hatch, flip the latch) I sit here and wonder (They're not dead, speed ahead) Times have changed It's like we've been trashing silos (Well, now that you go) In the time bomb aisle (I sit here and wonder) Maybe they'll dodge the spill Oil kills, sure it will And I can't breathe the air (Hide your daughter 'cause I'm coming over) To reach for this light (You know I'm not lying about) (Trashing silos in the time bomb aisle) And you can't breathe the air (About trashing silos in the time bomb aisle) Not leaving her to reach The line, the work, the rope, the love And I have seen such worse for you It's a no, I'm not coming back It's a no, I'm not coming back It's a no, I'm not coming back And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone
Dance Gavin Dance
Bunny, Top and Cole kept themselves belted in and braced, because Lydia Rose drove like a maniac. "She's going to kill us all," yelled Cole. "Don't want to play the man card here," yelled Top, "but woman up." "'Woman up' is not a thing, you sexist freak.
Jonathan Maberry (Dogs of War (Joe Ledger, #9))
Tell me one good reason I shouldn’t cut that overused pencil dick off right now,” I grit through my teeth. He sucks in a breath, his hands rising in the air beside him. I press the blade into his jeans further, ensuring he feels just how serious I am. “F-fuck...no. Please,” he begs, his chest heaving, his voice becoming breathless. “Briony, baby, please. Not the dick. Anything but the dick.” I press the blade further against his jewels. “Oh God, not those either!” His desperation gets me off. I find myself enjoying his pleas and sad little cries for help, so I press a little deeper, most definitely cutting into something. “Hands on the roof,” I demand. I quickly search him with my free hand, finding a lone gun in the back of his jeans beneath the belt. “Where is he?” I demand, tossing Baret the gun from behind me. He catches it against his chest, looking at me wide-eyed, face drowning in shock at my behavior, before quickly realizing what I’m doing. Circling around to the side of us, he points the barrel at Nox. Nox drops his head between his shoulders, his arms bracing himself on the surface of the blacked-out car, and a disturbing laugh fills the air between us.
Jescie Hall (That Sik Luv)
Cinch together the whole look with a wide belt” was a very popular style in the early 2000s, which we believed accentuated our curves but in reality made a generation of women look like we were wearing lumbar support braces.
Mindy Kaling (Why Not Me?)
The medical Power of Attorney is legally enforceable, whereas the Living Will is not. It may seem like a man using both a belt and braces to keep his trousers up, but experience shows that if you care about a good death you cannot be too careful.
Derek Humphry (Final Exit: The Practicalities of Self-Deliverance and Assisted Suicide for the Dying)
How to Deal with Them The only way you are going to survive the tank’s onslaught is to be methodical and calm as much as you can. First is that you have to brace yourself. Look at them in the eye as they are about to deliver a verbal beatdown. Manage your breathing and temper here as you want to be as calm as possible when the tank is delivering their verbal payload. As the tank starts belting out their opinions, you must interrupt their attack. You can do this by slowly saying their name over and over again until you get their attention. The goal here is to slowly increase the tone of your voice so the tank can get the idea that you mean business.
James W. Williams (Communication Skills Training: How to Talk to Anyone, Connect Effortlessly, Develop Charisma, and Become a People Person)
paddock. Before Lily could reach the horses, Cade was behind her, catching her waist and holding her kicking to his side. Always aware of his greater strength, he spread his legs and braced himself so he could pull her up against his chest where neither of them could harm the other. Lily's head jerked angrily, and her long braid swung from her shoulder and down her back as she glared at him, face to face. "If you ride, you must take someone with you." "Says who? You're not my boss. Put me down, Cade. I'm a grown woman. I can go anywhere I want." "Jim was a grown man, and he lost his life out there alone. Promise me you will go nowhere without company." "And if I don't?" Here was an area where she could defy him, and Lily faced him triumphantly. The fact that Cade held her so close his belt buckle pressed into her stomach did not go unnoticed, but she was too angry to react differently. "I will have Abraham follow you around all day. If you want to pay one of the men to watch over you, then defy me in this." And Abraham would do anything Cade told him. Wriggling, Lily escaped his grasp and spat, "I hate you," before retreating indignantly to the house. The
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Brittany, wait!” a voice calls from behind me. I turn around and am face-to-face with the guy who’s haunting my dreams…daydreams and night dreams. Alex. The guy who I hate. The guy who I can’t get out of my mind, no matter how drunk I am. “Ignore Javier,” Alex says. “Sometimes he gets carried away tryin’ to be a badass.” I’m stunned when he steps closer and wipes away a tear from my cheek. “Don’t cry. I wouldn’t let him hurt you.” Should I tell him I’m not afraid of being hurt? I’m afraid of not being in control. Though I haven’t run far, it’s far enough from Alex’s friends. They can’t see me or hear me. “Why do you like Carmen?” I ask as the world tilts and I stumble in the sand. “She’s mean.” He holds out his hands to help me but I flinch, so he stuffs his hands in his pockets. “What the fuck do you care, anyway? You stood me up.” “I had stuff going on.” “Like washin’ your hair or getting’ a manicure?” Or having my hair ripped out by my sister and getting reamed out by my mom? I jab my finger into his chest. “You’re an asshole.” “And you’re a bitch,” he says. “A bitch with a kick-ass smile and eyes that can seriously screw with a guy’s head.” He winces, as if the words slipped out and he wants to take them back. I was expecting him to say a lot of things, but not that. Especially not that. I notice his bloodshot eyes. “You’re high, Alex.” “Yeah, well you don’t look too sober yourself. Maybe now’s a good time to give me that kiss you owe me.” “No way.” “¿Por qué no? Afraid you’ll like it so much you’ll forget your boyfriend?” Kiss Alex? Never. Although I’ve been thinking about it. A lot. More than I should. His lips are full and inviting. Oh, boy, he’s right. I am drunk. And I’m definitely not feeling right. I’m past numbness and going on delirium, because I’m thinking things I have no business thinking. Like how I want to know what his lips feel like against mine. “Fine. Kiss me, Alex,” I say, stepping forward and leaning into him. “Then we’ll be even.” His hands are braced on my arms. This is it. I’m going to kiss Alex and find out what it’s like. He’s dangerous and he mocks me. But he’s sexy and dark ad beautiful. Being this close to him makes my body shiver with excitement and my head spin. I loop my finger through his belt loop to steady myself. It’s like we’re standing on a Tilt-a-Whirl ride at the carnival.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Domestic animals come in two sorts - workers and pets. The working kind have a very belt and braces existence and are expected to earn their keep as guard dogs, rat cats, ornamental pub fish, etc. A 'pet' in Estonian is a lemmikloom (which means 'favourite animal') and a very much part of the family.
Lembit Öpik (Xenophobe's Guide to the Estonians)
38 Then the Lord spoke to Job out of the storm. He said: 2 “Who is this that obscures my plans with words without knowledge? 3 Brace yourself like a man; I will question you, and you shall answer me. 4 “Where were you when I laid the earth’s foundation? Tell me, if you understand. 5 Who marked off its dimensions? Surely you know! Who stretched a measuring line across it? 6 On what were its footings set, or who laid its cornerstone— 7 while the morning stars sang together and all the angels[a] shouted for joy? 8 “Who shut up the sea behind doors when it burst forth from the womb, 9 when I made the clouds its garment and wrapped it in thick darkness, 10 when I fixed limits for it and set its doors and bars in place, 11 when I said, ‘This far you may come and no farther; here is where your proud waves halt’? 12 “Have you ever given orders to the morning, or shown the dawn its place, 13 that it might take the earth by the edges and shake the wicked out of it? 14 The earth takes shape like clay under a seal; its features stand out like those of a garment. 15 The wicked are denied their light, and their upraised arm is broken. 16 “Have you journeyed to the springs of the sea or walked in the recesses of the deep? 17 Have the gates of death been shown to you? Have you seen the gates of the deepest darkness? 18 Have you comprehended the vast expanses of the earth? Tell me, if you know all this. 19 “What is the way to the abode of light? And where does darkness reside? 20 Can you take them to their places? Do you know the paths to their dwellings? 21 Surely you know, for you were already born! You have lived so many years! 22 “Have you entered the storehouses of the snow or seen the storehouses of the hail, 23 which I reserve for times of trouble, for days of war and battle? 24 What is the way to the place where the lightning is dispersed, or the place where the east winds are scattered over the earth? 25 Who cuts a channel for the torrents of rain, and a path for the thunderstorm, 26 to water a land where no one lives, an uninhabited desert, 27 to satisfy a desolate wasteland and make it sprout with grass? 28 Does the rain have a father? Who fathers the drops of dew? 29 From whose womb comes the ice? Who gives birth to the frost from the heavens 30 when the waters become hard as stone, when the surface of the deep is frozen? 31 “Can you bind the chains[b] of the Pleiades? Can you loosen Orion’s belt? 32 Can you bring forth the constellations in their seasons[c] or lead out the Bear[d] with its cubs? 33 Do you know the laws of the heavens? Can you set up God’s[e] dominion over the earth? 34 “Can you raise your voice to the clouds and cover yourself with a flood of water? 35 Do you send the lightning bolts on their way? Do they report to you, ‘Here we are’? 36 Who gives the ibis wisdom[f] or gives the rooster understanding?[g] 37 Who has the wisdom to count the clouds? Who can tip over the water jars of the heavens 38 when the dust becomes hard and the clods of earth stick together? 39 “Do you hunt the prey for the lioness and satisfy the hunger of the lions 40 when they crouch in their dens or lie in wait in a thicket? 41 Who provides food for the raven when its young cry out to God and wander about for lack of food?
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He moved into a large sitting area, past a sunken bath that could fit ten and through a set of double doors, where he tossed her on the bed. She bounced as she hit and looked up. He didn’t break eye contact as he shed his jacket, tossing it over on a chair. “Strip.” “You first.” Frank toed off his shoes and loosened his tie, pulling it over his head then dropping it to the floor. “Tell you what. Whoever’s naked first, gets to be on top.” He gave her a lecherous grin and was rewarded with a rosy blush, coloring her cheeks. “Okay.” She climbed off the bed. “On the count of three.” “One,” Frank said and lifted his hands to the top of his dress shirt. She did the same, bracing for the count like a racer on the blocks, her hands behind her neck. “Three.” Frank unbuttoned the collar, and tugged the shirt over his head, including the T-shirt underneath. “That’s cheating,” she said, as she fumbled with the hooks down the back of her blouse. “You had a head start. I’m evening the field.” He ripped his belt off and undid his fly and dropped his boxers and pants all at once. She froze and gasped, staring, hunger in her eyes, snapped out of the spell and tossed her blouse and bra to the side, moving fast, but not fast enough. Her skirt puddled around her ankles as Frank stood, as bare as the day he was born. “I win.” She kicked her garment to the side and placed her hands on her hips. Her chest rose and fell, pebbled nipples displayed against gloriously soft skin and full breasts. Her eyes were wild and her soft blonde hair tousled, like she’d already taken a roll in the sack. Man, did he want to make a bigger mess of it.
D.L. Jackson (My Boogie Woogie Bugle Guy)