“
All men fear death. It’s a natural fear that consumes us all. We fear death because we feel that we haven’t loved well enough or loved at all, which ultimately are one and the same. However, when you make love with a truly great woman, one that deserves the utmost respect in this world and one that makes you feel truly powerful, that fear of death completely disappears. Because when you are sharing your body and heart with a great woman the world fades away. You two are the only ones in the entire universe. You conquer what most lesser men have never conquered before, you have conquered a great woman’s heart, the most vulnerable thing she can offer to another. Death no longer lingers in the mind. Fear no longer clouds your heart. Only passion for living, and for loving, become your sole reality. This is no easy task for it takes insurmountable courage. But remember this, for that moment when you are making love with a woman of true greatness you will feel immortal.
I believe that love that is true and real creates a respite from death. All cowardice comes from not loving or not loving well, which is the same thing. And when the man who is brave and true looks death squarely in the face like some rhino hunters I know or Belmonte, who is truly brave, it is because they love with sufficient passion to push death out of their minds. Until it returns, as it does to all men. And then you must make really good love again. Think about it.
”
”
Woody Allen
“
Remind me again why I put up with you?"
''Cause you sold me your soul for five bucks, and now you must submit to my will?' I still had the sheet of paper, written in his untidy fifth-grade scrawl. Gideon David Belmonte. One soul.
”
”
Bethany Frenette (Dark Star (Dark Star, #1))
“
Let no one define how you se yourself...save God alone. See yourself through His eyes and His strength, and you'll see who you can be despite being who you are.
”
”
Tamera Alexander (A Lasting Impression (Belmont Mansion, #1))
“
I turned the page in Slaughterhouse Five, a forbidden book at Belmont because we were too young to read about soldiers swearing and bombs dropping and bodies blowing up and war sucking.
”
”
Laurie Halse Anderson (The Impossible Knife of Memory)
“
Just as hundreds of brushstrokes comprised a finished canvas, people were made up of a lifetime of experiences, both good and bad. And without knowing what someone had endured, it was impossible to truly know them - and accept them - for who they were.
”
”
Tamera Alexander (A Lasting Impression (Belmont Mansion, #1))
“
There were no other vessels in the sound; the big white sports fisherman streaked along like a solitary comet on the surface of the world.
”
”
Paul A. Barra (Strangers and Sojourners: A Big Percy Pletcher thriller)
“
I remembered learning from my favorite professor at Belmont to “surround yourself with people who are better than you,” and I was now living that mantra.
”
”
Kimberly Novosel (Loved)
“
You've got to look out for number one. If you're really worried about not being spoiled, just pound on through that book guys. Just read the shit out of it.
”
”
Veronica Belmont
“
On the Big Blackfoot River above the mouth of Belmont Creek the banks are fringed by large Ponderosa pines. In the slanting sun of late afternoon the shadows of great branches reached from across the river, and the trees took the river in their arms. The shadows continued up the bank, until they included us
”
”
Norman Maclean (A River Runs Through It)
“
That sounds like Russian interference to me.” “Agreed.”
They sat sipping their drinks.
“Should we even be drinking vodka?
”
”
Paul A. Barra (Strangers and Sojourners: A Big Percy Pletcher thriller)
“
And now Rosie fucking Belmont has waltzed into the scene with her smart mouth and suspiciously watery eyes. And all I want to do is demand to know who hurt her so I can fix it.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
I loved Granny Belmonte, but she didn't need a costume to look undead.
”
”
Bethany Frenette (Dark Star (Dark Star, #1))
“
We should not expect to have all the blessings of life and none of its trials. It would make this world too delightful a dwelling place, and I fear we would never care to leave it.
”
”
Tamera Alexander (A Lasting Impression (Belmont Mansion, #1))
“
The big Hatteras roared south, ducking in to come up under Montauk. He slowed her after dark and cruised the Atlantic coast of Long Island westward into Brooklyn on autopilot.
”
”
Paul A. Barra (Strangers and Sojourners: A Big Percy Pletcher thriller)
“
I wasn’t lying when I said I don’t care if random people think I’m a dick. But Rosie Belmont isn’t random people.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
Would you paint if you knew you were painting only for Me?
”
”
Tamera Alexander (A Lasting Impression (Belmont Mansion, #1))
“
Funny how often something she'd been so certain she needed turned out not to be a need at all, but a want--when the real 'need' was something else entirely. Something that could only be gained by giving, not by getting.
”
”
Tamera Alexander (A Beauty So Rare (Belmont Mansion, #2))
“
Then Belmont discovered the carnival world of Louisiana politics, in the way a mental patient might wander into a theme park for the insane and realize that life held more promise than he had ever dreamed.
Burke, James Lee. Purple Cane Road (Dave Robicheaux Book 11)
”
”
James Lee Burke (Purple Cane Road (Dave Robicheaux, #11))
“
Bummed around in Rose Hill and tried my damnedest to keep from falling in love with Rosalie Belmont.
I’m still trying.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
Weston Belmont. Rose Hill’s very own Super-Crocodile-Dundee-Man at your service,” I reply with a dramatic salute.
”
”
Elsie Silver (Wild Eyes (Rose Hill, #2))
“
In such a night stood Dido with a willow in her hand upon the wild sea-banks, and waft her love to come again to Carthage
Jessica: In such a night Medea gathered the enchanted herbs that did renew old Aeson.
Lorenzo: In such a night did Jessica steal from the wealthy Jew, and with an unthrift love did run from Venice, as far as Belmont.
Jessica: In such a night did young Lorenzo swear he lov'd her well, stealing her soul with many vows of faith, and ne'er a true one.
Lorenzo: In such a night did pretty Jessica (like a little shrow) slander her love, and he forgave it her.
Jessica: I would out-night you, did nobody come; but hark, I hear the footing of a man.
”
”
William Shakespeare (The Merchant of Venice)
“
Bryce gli scoccò un'occhiata di puro apprezzamento che si trasformò quasi in trasporto nel momento in cui, giunti nei pressi dei sotterranei di Palazzo Belmont, Morton si fermò un momento per sistemargli il colletto e il panciotto nero e poi gli fece luce con la lanterna mentre si specchiava nel piatto della spada.
-Morton-, disse Bryce con slancio. -Vai immediatamente alla Residenza di Aldenor in qualità di primo maggiordomo-.
”
”
Virginia De Winter (L'Ordine della chiave (Black Friars, #0.5))
“
Let no-one define how you see yourself...save God alone. See yourself through His eyes and His strength, and you'll see who you can be despite being who you are. But see yourself through your own eyes, and you'll be left to question, and to doubt, subject to the whims and wishes of others who will not have your best at heart.
”
”
Tamera Alexander (A Lasting Impression (Belmont Mansion, #1))
“
I have pondered how much is provided for us by God's goodness. So many sources of enjoyment, and how thankful we should be. And even if afflictions come...we should know that they are of the hand of God.' She sighed, the semblance of a smile gracing the edges of her mouth. 'We should not expect to have all the blessings of life and none of its trials. it would make this world too delightful a dwelling place, and I fear we would never care to leave it.' Her eyes slipped closed. 'As it is...I have come to believe that it's only by taking some of those objects from us to which our hearts so closely cling that He endeavors...in His kindness, to draw us from this world to one of greater happiness.
”
”
Tamera Alexander (A Lasting Impression (Belmont Mansion, #1))
“
And she found the weight of grief at missing him eased somewhat by dwelling on what a blessing he'd been and how much poorer her life would be if she'd never known him.
”
”
Tamera Alexander (A Note Yet Unsung (Belmont Mansion, #3))
“
God is not a symbol of goodness. Goodness is a symbol of God.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
. . .life isn't always just. But God, who sees everything, is. And He will bring good from it.
”
”
Tamera Alexander (A Note Yet Unsung (Belmont Mansion, #3))
“
America's industrial success produced a roll call of financial magnificence: Rockefellers, Morgans, Astors, Mellons, Fricks, Carnegies, Goulds, du Ponts, Belmonts, Harrimans, Huntingtons, Vanderbilts, and many more based in dynastic wealth of essentially inexhaustible proportions. John D. Rockefeller made $1 billion a year, measured in today's money, and paid no income tax. No one did, for income tax did not yet exist in America. Congress tried to introduce an income tax of 2 percent on earnings of $4,000 in 1894, but the Supreme Court ruled it unconstitutional. Income tax wouldn't become a regular part of American Life until 1914. People would never be this rich again.
Spending all this wealth became for many a more or less full-time occupation. A kind of desperate, vulgar edge became attached to almost everything they did. At one New York dinner party, guests found the table heaped with sand and at each place a little gold spade; upon a signal, they were invited to dig in and search for diamonds and other costly glitter buried within. At another party - possibly the most preposterous ever staged - several dozen horses with padded hooves were led into the ballroom of Sherry's, a vast and esteemed eating establishment, and tethered around the tables so that the guests, dressed as cowboys and cowgirls, could enjoy the novel and sublimely pointless pleasure of dining in a New York ballroom on horseback.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
Defy the conventions . . . keep the commandments.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
Belmonte was no longer well enough. He no longer had his greatest moments in the bull-ring. He was not sure that there were any great moments. Things were not the same and now life only came in flashes.
”
”
Ernest Hemingway (The Sun Also Rises)
“
Thoughts of the future and what it might hold threatened to crowd out her happiness, but she quickly reined in her thoughts and her fears. The good-byes here are only temporary. Someday there will be only together forevers.
”
”
Tamera Alexander (A Beauty So Rare (Belmont Mansion, #2))
“
Presently, struck by a sudden thought, Charles said-- "Captain Wentworth, which way are you going? Only to Gay Street, or farther up the town?" "I hardly know," replied Captain Wentworth, surprised. "Are you going as high as Belmont? Are you going near Camden Place? Because, if you are, I shall have no scruple in asking you to take my place, and give Anne your arm to her father's door. She is rather done for this morning, and must not go so far without help, and I ought to be at that fellow's in the Market Place.
”
”
Jane Austen (Persuasion)
“
Portia we can admire because, having seen her leave her Earthly Paradise to do a good deed in this world (one notices, incidentally, that in this world she appears in disguise), we know that she is aware of her wealth as a moral responsibility, but the other inhabitants of Belmont, Bassanio, Gratiano, Lorenzo and Jessica, for all their beauty and charm, appear as frivolous members of a leisure class, whose carefree life is parasitic upon the labors of others, including usurers. When we learn that Jessica has spent fourscore ducats of her father’s money in an evening and bought a monkey with her mother’s ring, we cannot take this as a comic punishment for Shylock’s sin of avarice; her behavior seems rather an example of the opposite sin of conspicuous waste. Then, with the example in our minds of self-sacrificing love as displayed by Antonio, while we can enjoy the verbal felicity of the love duet between Lorenzo and Jessica, we cannot help noticing that the pairs of lovers they recall, Troilus and Cressida, Aeneas and Dido, Jason and Medea, are none of them examples of self-sacrifice or fidelity. […] Belmont would like to believe that men and women are either good or bad by nature, but Antonio and Shylock remind us that this is an illusion; in the real world, no hatred is totally without justification, no love totally innocent.
”
”
W.H. Auden (The Dyer's Hand and Other Essays)
“
the reservation population turned out. As Smith walked the horse by, an ancient Indian leaned up and looked the horse over. “Racehorse?” he said. Smith nodded. “Looks like a cow pony to me.”1 Smith was pleased. The rumors followed them west. The backstretch at Hollywood was thick with stories, chief among them that Seabiscuit was lame. The stewards listened and worried that they would be burned by Seabiscuit as Belmont and Suffolk Downs had been. They had some reason to be wary. Earlier in the meet, a much-anticipated meeting between Kentucky Derby winner Lawrin and Preakness winner Dauber had to be canceled at the last moment when Dauber suffered a minor injury. The event had been traumatic for the Hollywood Park officials and seemed to make them overly concerned about Smith. On July 11, 1938, Smith walked Seabiscuit onto the track for his first workout at Hollywood. The trainer didn’t like the looks of the track, which was so deep and crumbly that it was playing at least a second slower than usual.2 “It looked like they were trying to grow corn on the track,” he said.3
”
”
Laura Hillenbrand (Seabiscuit: An American Legend)
“
Don't fall into the habit of bringing work home, Rick. It indicates a lack of planning, and you would eventually find yourself stuck indoors every night. Teaching is like having a bank account. You can happily draw on it while it is well supplied with new funds; otherwise you're in difficulties.
Every teacher should have a fund of ready information on which to draw; he should keep that fund supplied regularly by new experiences, new thoughts and discoveries, by reading and moving around among people from whom he can acquire such things."
"Not much chance of social movement for me, I'm afraid."
"Nonsense, Rick, you're settled in a job now, so there's no need to worry about that; but you must get out and meet more people. I'm sure you'll find lots of nice people about who are not foolishly concerned with prejudice."
"That's all right, Dad; I'm quite happy to stay at home with you and Mom."
"Nice to hear you say that, but we're old and getting a bit stuffy. You need the company of younger people like yourself. It's even time he had a girl, don't you think, Jess?"
Mom smiled across at me.
"Ah, leave him alone, Bob, there's plenty of time for that."
We went on to chat about other things, but I never forgot what Dad Belmont had said, and never again did I take notebooks home for marking. I would check the work in progress by moving about the class, helping here, correcting there; and I very soon discovered that in this way errors were pin-pointed while they were still fresh in the child's mind.
”
”
E.R. Braithwaite (To Sir, With Love)
“
At Belmont, where 50 percent of the students are Black, and 70 percent are people of color, Malcolm and I got to be normal. Nobody was asking to touch my twist-out, nobody was asking him about his locs, and nobody was asking us for permission to appropriate Black culture as if we’re the authority for our entire race.
”
”
Brittney Morris (Slay)
“
Like the apple bruising Kafka’s beetle, each of these pellets of recollection lodged in Moose’s flesh, releasing its cargo of memories of all the things he had lost— “Not lost! Gained!” Moose thundered aloud, but now, mercifully, that debate (lost or gained?) was supplanted in his mind by the proximity of Belmont Harbor and the yacht club. Yes, this was the place; Moose eased the station wagon into a parking space, desperate to free himself of its chassis, whose sole purpose, it now seemed, was to hold him still so that these bullets of memory could assault him, enter his flesh and release their shrapnel of foolish and unreliable nostalgia.
”
”
Jennifer Egan (Look at Me)
“
November 1952 US Army Garrison Fort Belmont, Maryland HE ARRIVED AT REGINA GUERRERO’S house at the usual time. As he walked up the front path, he waved to her son, Ricky, who played in the yard. The four-year-old grinned, his wide brown eyes the only part of his face not covered in dirt. Gina needed to take better care of that kid.
”
”
Rachel Grant (Concrete Evidence (Evidence, #1))
“
They had not yet started out across a continent of grief that a lifetime of walking could not cover.
”
”
Sebastian Junger (A Death in Belmont)
“
Live, love and laugh while you can. Life is a one-time deal.
”
”
Shadonna Richards (The Billionaire's Promise (Billionaires of Belmont #2))
“
acabó pegándose un tiro, porque quién sabe lo que pasa por dentro de nadie cuando decide ser nadie.
”
”
Manuel Chaves Nogales (Juan Belmonte, matador de toros: Su vida y sus hazañas (Libros del Asteroide nº 44) (Spanish Edition))
“
The riddles of God are more satisfying than the solutions of man.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
weak thought is always thought about its most recent developments.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
Joy, joy forever, my task is done. The gates are passed, and heaven is won.
”
”
Tamera Alexander (A Lasting Impression (Belmont Mansion, #1))
“
In short, I had always believed that the world involved magic: now I thought that perhaps it involved a magician. And this pointed a profound emotion always present and sub-conscious; that this world of ours has some purpose; and if there is a purpose, there is a person. I had always felt life first as a story: and if there is a story there is a story-teller.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
At McLean Hospital in Belmont, Massachusetts, one of the premier psychiatric hospitals in the nation, women represented eighty-two percent of the total number of lobotomy patients from 1938 to 1954. In hospitals across the country, women constituted between sixty and eighty percent of all lobotomy recipients, in spite of the fact that men comprised the majority of institutionalized patients.
”
”
Kate Clifford Larson (Rosemary: The Hidden Kennedy Daughter)
“
How easy it was to slip back into the comfort of one's own life, even into one's own worries and fears, and to unintentionally forget. Tears rose to her eyes. Her throat tightened. Oh, Lord. forgive me....Help me to be more grateful.
”
”
Tamera Alexander (A Beauty So Rare (Belmont Mansion, #2))
“
Como dice Blanchot, la esencia de la literatura nunca está ya aquí, siempre hay que encontrarla o inventarla de nuevo. Así vengo yo trabajando en estas notas, buscando e inventando, prescindiendo de que existen unas reglas de juego de la literatura. Vengo yo trabajando en estas notas de forma un tanto despreocupada o anárquica, de un modo que me recuerda a veces la respuesta que dio el gran torero Belmonte cuando, en una entrevista, le requirieron que hablara sobre su toreo. "¡Si no sé! -contestó-. Palabra que no sé. Yo no sé las reglas, ni creo en las reglas. Yo siento el toreo, y sin fijarme en las reglas lo ejecuto a mi modo."
"Quien afirme a la literatura en sí misma, no afirma nada. Quien la busca, sólo busca lo que se escapa, quien la encuentra, sólo encuentra lo que está aquí o, cosa peor, más allá de la literatura. Por eso, finalmente, cada libro persigue la no-literatura como la esencia de lo que quiere y quisiera apasionadamente descubrir.
”
”
Enrique Vila-Matas (Bartleby & Co.)
“
Just as hundreds of brushstrokes comprised a finished canvas, people were made up of a lifetime of experiences, both good and bad. And without knowing what someone had endured, it was impossible to truly know them—and accept them—for who they were.
”
”
Tamera Alexander (A Lasting Impression (Belmont Mansion, #1))
“
The story about Bessie Goldberg that I heard from my parents was that a nice old lady had been killed down the street and an innocent black man went to prison for the crime. Meanwhile--unknown to anyone--a violent psychopath named Al was working alone at our house all day and probably committed the murder. In our family this story eventually acquired the tidy symbolism of a folk tale. Roy Smith was a stand-in for everything that was decent but utterly defenseless. Albert DeSalvo, of course, was a stand-in for pure random evil.
”
”
Sebastian Junger (A Death in Belmont)
“
RAVI ZACHARIAS ON GKC G. K. Chesterton once quipped that before you remove any fence, always ask first why it was put there in the first place. You see, every boundary set by God points to something worth protecting, and if you are to protect the wonder of existence, God’s instruction book is the place to turn. A
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
Quien quiera hacer de Rembrandt un pensador, un rebelde enfrentado a su época, al encontrarse ante estas obras maestras deberá admitir que la verdad más convincente para definirlo es la furia creadora, una necesidad constante e irreprimible de representar con toda libertad y de consumir la vida en esta obsesión liberadora.
”
”
Isabel Belmonte (Rembrandt (Protagonistas de la Civilización, #22))
“
He planned a lot of it out at McClean Hospital, which's out in Belmont, which is where Himself had almost his own private reserved room, by then. He made up a genre that he considered the ultimate Neorealism and got some film-journals to run some proclamatory edictish things he wrote about it, and he got Duquette at M.I.T. and a couple other younger tenure-jockeys who were in on it to start referring and writing little articles in journals and quarterlies about it and talking at art openings and avant-garde theater and film openings, feeding it into the grapevine, hailing some new movement they called Found Drama, this supposedly Neorealism thing that they all declared was like the future of drama and cinematic art, etc.
”
”
David Foster Wallace (Infinite Jest)
“
I consider myself a Chicagoan now, having lived in the city since I graduated from the University of Illinois at Urbana-Champaign with a degree in accounting. I came here often when I went to Maine West High School out in Des Plaines, which is a short drive west on the Kennedy or a short Blue Line ride toward O’Hare airport, the next-to-last stop in fact. My friends and I would take the Blue Line downtown and then transfer to the Red or Brown Line up to Belmont and Clark, our favorite part of the city when we were 16 and 17, mainly because of The Alley—a store that sold concert shirts, posters, spiked bracelets and stuff like that—and Gramophone Records, the electronic music store that took my virginity, so to speak. - 1st paragraph from Sophomoric Philosophy
”
”
Victor David Giron (Sophomoric Philosophy)
“
Grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
I’m also frequently asked if I’ve used my abilities for gambling or the lottery. Get your minds out of the gutter. What I do is for the highest good of all concerned, so I’d never do that intentionally! And let’s face it, even if I did try, I’m way too scattered to recognize what I’m being told. My aunt and I went to Belmont Park Race Track for her birthday one year, and I remember hearing “six ten” when I walked in--which is my birthday, June 10. How nice, I thought. Spirit’s acknowledging my birthday too. My uncle asked me what colors I liked best so he could bet on a horse wearing that color, and all the colors I said were losing. It wasn’t until after we left that I realized all the horses that won were a combination of the numbers six and ten! And then there was the time I went to a spa with my sister-in-law Corrinda. We went to Mohegan Sun one night, which was the first time I’d ever been to a casino, and decided to play roulette. Wouldn’t you know, every number we played on the wheel was a loser?
”
”
Theresa Caputo (There's More to Life Than This)
“
It ought never to have been so swift, so much like a dance or a dream. It was as if there had been music playing somewhere, almost but not quite heard. He had fought those five men side-by-side with Rodrigo Belmonte of Valledo, whom he had never seen in his life, and it had been as nothing had ever been before, on a battlefield or anywhere else. It had felt weirdly akin to having doubled himself. To fighting as if there were two hard-trained bodies with the one controlling mind. They hadn't spoken during the fight. No warnings, tactics. It hadn't even lasted long enough for that.
He ought to have been elated after such a triumph, perhaps curious, intrigued. He was deeply unsettled instead. Restless. Even a little afraid, if he was honest with himself...
Come, brother; Rodrigo Belmonte of Valledo had said today as five hard men with swords had walked forward to encircle the two of them. Shall we show them how this is done?
They had shown them.
Brother.
He had looked at Belmonte after, and had seen - with relief and apprehension, both - a mirror image of that same strangeness. As if something had gone flying away from each of them and was only just coming back. The Valledan had looked glazed, unfocused.
At least, Ammar had thought, it isn't only me.
”
”
Guy Gavriel Kay (The Lions of Al-Rassan)
“
It was Huxley and Herbert Spencer and Bradlaugh who brought me back to orthodox theology. They sowed in my mind my first wild doubts of doubt. Our grandmothers were quite right when they said that Tom Paine and the freethinkers unsettled the mind. They do. They unsettled mine horribly. The rationalist made me question whether reason was of any use whatever; and when I had finished Herbert Spencer I had got as far as doubting (for the first time) whether evolution had occurred at all. As I laid down the last of Colonel Ingersoll’s atheistic lectures the dreadful thought broke across my mind, “Almost thou persuadest me to be a Christian.” I was in a desperate way.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
I look at the names on the mailboxes and the bells inside number 1940 and pick out a couple of women’s names and press the first one. I stand there waiting, feeling the image
build up and not thinking about what I’m going to say to her because I know
something will come to me like it always does. Nothing happens. I press the second doorbell and in a few minutes she buzzes the door, twice, and I walk into the hallway. The stairs are curved around an elevator and to the right and I go up them, not in a hurry or nothing, just taking them one at a time.
Its funny, isn’t it, how the first woman didn’t answer the bell or wasn’t home or something and just that little chance, you understand what I mean?
”
”
Sebastian Junger (A Death in Belmont)
“
There is an excellent short book (126 pages) by Faustino Ballvè, Essentials of Economics (Irvington-on-Hudson, N.Y.: Foundation for Economic Education), which briefly summarizes principles and policies. A book that does that at somewhat greater length (327 pages) is Understanding the Dollar Crisis by Percy L. Greaves (Belmont, Mass.: Western Islands, 1973). Bettina Bien Greaves has assembled two volumes of readings on Free Market Economics (Foundation for Economic Education). The reader who aims at a thorough understanding, and feels prepared for it, should next read Human Action by Ludwig von Mises (Chicago: Contemporary Books, 1949, 1966, 907 pages). This book extended the logical unity and precision of economics beyond that of any previous work. A two-volume work written thirteen years after Human Action by a student of Mises is Murray N. Rothbard’s Man, Economy, and State (Mission, Kan.: Sheed, Andrews and McMeel, 1962, 987 pages). This contains much original and penetrating material; its exposition is admirably lucid; and its arrangement makes it in some respects more suitable for textbook use than Mises’ great work. Short books that discuss special economic subjects in a simple way are Planning for Freedom by Ludwig von Mises (South Holland, 111.: Libertarian Press, 1952), and Capitalism and Freedom by Milton Friedman (Chicago: University of Chicago Press, 1962). There is an excellent pamphlet by Murray N. Rothbard, What Has Government Done to Our Money? (Santa Ana, Calif.: Rampart College, 1964, 1974, 62 pages). On the urgent subject of inflation, a book by the present author has recently been published, The Inflation Crisis, and How to Resolve It (New Rochelle, N.Y.: Arlington House, 1978). Among recent works which discuss current ideologies and developments from a point of view similar to that of this volume are the present author’s The Failure of the “New Economics”: An Analysis of the Keynesian Fallacies (Arlington House, 1959); F. A. Hayek, The Road to Serfdom (1945) and the same author’s monumental Constitution of Liberty (Chicago: University of Chicago Press, 1960). Ludwig von Mises’ Socialism: An Economic and Sociological Analysis (London: Jonathan Cape, 1936, 1969) is the most thorough and devastating critique of collectivistic doctrines ever written. The reader should not overlook, of course, Frederic Bastiat’s Economic Sophisms (ca. 1844), and particularly his essay on “What Is Seen and What Is Not Seen.” Those who are interested in working through the economic classics might find it most profitable to do this in the reverse of their historical order. Presented in this order, the chief works to be consulted, with the dates of their first editions, are: Philip Wicksteed, The Common Sense of Political Economy, 1911; John Bates Clark, The Distribution of Wealth, 1899; Eugen von Böhm-Bawerk, The Positive Theory of Capital, 1888; Karl Menger, Principles of Economics, 1871; W. Stanley Jevons, The Theory of Political Economy, 1871; John Stuart Mill, Principles of Political Economy, 1848; David Ricardo, Principles of Political Economy and Taxation, 1817; and Adam Smith, The Wealth of Nations, 1776.
”
”
Henry Hazlitt (Economics in One Lesson: The Shortest and Surest Way to Understand Basic Economics)
“
This new generation of Italian American entertainers shared Sinatra’s view of the new dance music that emerged in the 1950s. “Rock-and-roll is the most brutal, ugly, desperate, vicious form of expression it has been my misfortune to hear,” Sinatra told Congress in 1958. “Rock-and-roll smells phony and false. It is sung, played, and written for the most part by cretinous goons, and by means of its almost imbecilic reiteration, and sly, lewd—in plain fact, dirty—lyrics … it manages to be the martial music of every sideburned delinquent on the face of the earth.” In response to the raw, driving sexuality of black-influenced rock, young Italian American men in New York and Philadelphia did to the new music what Sinatra and his generation had done to jazz. A style combining smooth vocal harmonies, romantic lyrics, and a stationary stage presence, doo-wop was invented in the 1940s by black youth on street corners, but it shot to the top of the pop charts in the late 1950s when Italian Americans adopted it as their own—just as most African American performers moved toward “soul music.” From 1958, when Dion (DiMucci) and the Belmonts placed several songs on the pop charts, until the “British Invasion” of 1964, Italian American doo-wop groups dominated American popular music. All wearing conservative suits and exuding a benign romanticism, the Capris, the Elegants, the Mystics, the Duprees, the Del-Satins, the Four Jays, the Essentials, Randy and the Rainbows, and Vito & the Salutations declared the arrival of Italians into American civilization. During the rise of doo-wop and Frank Rizzo, Malcolm X mocked the newly white Italians. “No Italian will ever jump up in my face and start putting bad mouth on me,” he said, “because I know his history. I tell him when you’re talking about me you’re talking about your pappy, your father. He knows his history. He knows how he got that color.” Though fewer and fewer Italian Americans know the history of which Malcolm X spoke, some have reenacted it.
”
”
Thaddeus Russell (A Renegade History of the United States)
“
The state's case against Smith, however, did claim to speak to his actual guilt or innocence, and it has to be considered carefully. The reason this is important has nothing to do with Roy Smith or Bessie Goldberg or even Al DeSalvo; they're all dead. In some ways there is nothing less relevant than an old murder case. The reason it is important is this: Here is a group of people who have gathered to judge--and possibly execute--a fellow citizen. It's the highest calling there is, the very thing that separates us from social anarchy, and it has to be done well. A trial, however, is just a microcosm of the entire political system. When a democratic government decides to raise taxes or wage war or write child safety laws, it is essentially saying to an enormous jury, "This is our theory of how the world works, and this is our proposal for dealing with it. If our theory makes sense to you, vote for us in the next election. If it doesn't, throw us out." The ability of citizens to scrutinize the theories insisted on by their government is their only protection against abuse of power and, ultimately, against tyranny. If ordinary citizens can't coolly and rationally evaluate a prosecutor's summation in a criminal trial, they won't have a chance at calling to task a deceitful government. And all governments are deceitful--they're deceitful because it's easier than being honest. Most of the time, it's no more sinister than that.
”
”
Sebastian Junger (A Death in Belmont)
“
He had a rough idea where he was going, since Rylann had previously mentioned that she lived in Roscoe Village. At the stoplight at Belmont Avenue, he pulled out his cell phone and scrolled through his contacts. The beauty of text messaging, he realized, was in its simplicity. He didn’t have to try to explain things, nor did he have to attempt to parse through all the banter in an attempt to figure out what she might be thinking. Instead, he could keep things short and sweet.
I’D LIKE TO SEE YOU.
He hit send.
To kill time while he waited for her response, he drove in the direction of his sister’s wine shop, figuring he could always drop in and harass Jordan about something.
This time, however, she beat him to the punch.
“So who’s the brunette bombshell?” Jordan asked as soon as he walked into the shop and took a seat at the main bar.
Damn. He’d forgotten about the stupid Scene and Heard column. Kyle helped himself to a cracker and some Brie cheese sitting on the bar. “I’m going to say…Angelina Jolie. Actually, no—Megan Fox.”
“Megan Fox is, like, twenty-five.”
“And this is a problem why, exactly?”
Jordan slapped his hand as he reached for more crackers. “Those are for customers.” She put her hand on her hip. “You know, after reading the Scene and Heard column, I’d kind of hoped it was Rylann they were talking about. And that maybe, just maybe, my ne’er-do-well twin had decided to stop playing around and finally pursue a woman of quality.”
He stole another cracker. “Now, that would be something.”
She shook her head. “Why do I bother? You know, one day you’re going to wake up and…”
Kyle’s cell phone buzzed, and he tuned out the rest of Jordan’s lecture—he could probably repeat the whole thing word for word by now—as he checked the incoming message. It was from Rylann, her response as short and sweet as his original text.
3418 CORNELIA, #3.
He had her address.
With a smile, he looked up and interrupted his sister. “That’s great, Jordo. Hey, by any chance do you have any bottles of that India Ink cabernet lying around?”
She stopped midrant and stared at him. “I’m sure I do. Why, what made you think of that?” Then her face broke into a wide grin. “Wait a second…that was the wine Rylann talked about when she was here. She said it was one of her favorites.”
“Did she? Funny coincidence.”
Jordan put her hand over her heart. “Oh my God, you’re trying to impress her. That is so cute.”
“Don’t be ridiculous,” Kyle scoffed. “I just thought, since I’ve heard such good things about the wine, that I would give it a shot.”
Jordan gave him a look, cutting through all the bullshit. “Kyle. She’s going to love it.”
Okay, whatever. Maybe he was trying to impress Rylann a little. “You don’t think it’s too much? Like I’m trying too hard?”
Jordan put her hand over her heart again. “Oh. It’s like watching Bambi take his first steps.”
“Jordo…” he growled warningly.
With a smile, she put her hand on his shoulder and squeezed affectionately. “It’s perfect. Trust me.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
Just because a horse can run, or train, does not mean that it can race. It might have the ability to run just as fast as everyone else - or faster - but it can't race, or won't race. There are plenty of horses working at Penn National or Finger Lakes, everyday, putting in workouts that are just as fast as the horses at Belmont. But they can't race; that's why they're at Finger Lakes.
”
”
Joe Layden (The Ghost Horse: A True Story of Love, Death, and Redemption)
“
O exercício da fé em momentos de dificuldades, o esforço de confiar quando tudo ao redor está em ruínas, a dor da espera em submissão a Deus, são as ferramentas de transformação de nosso coração. Elas nos deixarão aptos, preparados, prontos para receber uma herança maior que está sendo preparada para nós.
”
”
Vanessa Belmonte (O lugar da espera na vida cristã)
“
Dejad que el visionario o el dinamitero vivan un otoño en Logroño con sus correspondientes tardes de domingo y acabarán convirtiéndose en opositores a notarías.
”
”
Bruno Belmonte (Toda la verdad sobre los señores de provincias)
“
You’ve got a hot tip on a pony in the fifth race at Belmont and you’ve got an extra two bucks in your pocket and you wonder where to go. In Los Angeles you go south on Grand to Eleventh and straight across the street. On the corner, extending about sixty feet on down Grand, is the Ace Joke Shop. It seems a little big for one of those novelty stores, but you can buy matches that explode when you strike them, chair cushions that go pffffft, horribly, when you sit on them, and about nine hundred other gadgets to either enliven or ruin a party depending on your sense of humor.
”
”
Richard S. Prather (Shell Scott PI Mystery Series, Volume Five)
“
Every brick laid in the foundation of a life, however meaningfully or haphazardly placed, shaped the whole. He could now see that fact borne out in every branch of study, from mathematics to science, from economics to chemistry. Each part of the equation influenced the whole.
”
”
Tamera Alexander (A Beauty So Rare (Belmont Mansion, #2))
“
any other day a visit to Belmont’s villa would appeal to his curious nature, but the timing’s wrong. Nile is bristling with frustration while he waits for the metal door to click open, admitting him to the rock star’s empire. He expected a huge mansion, covered in bling, with an Olympic-sized pool, but Belmont’s home is a miracle of clean lines and polished
”
”
Anne Glenconner (Murder on Mustique)
“
Bummed around in Rose Hill and tried my damnedest to keep from falling in love with Rosalie Belmont. I’m still trying.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
Instead, my idea of home became bigger—stretching from Shaw Avenue to Belmont Avenue sandwiched in between West Avenue and First Avenue, encompassing all of Fresno south of Shaw—and everyone I knew there became a bit like family. —
”
”
Madeline Pendleton (I Survived Capitalism and All I Got Was This Lousy T-Shirt: Everything I Wish I Never Had to Learn About Money)
“
Rosie Belmont took off to start her life ten years ago and has barely been back. It crushed me then when she left. I don’t even want to think about what it might do to me now.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
but before she goes, she swings her backpack over one shoulder and turns back to me with a smug smirk on her lips. “And just so you know, all the perv dads at pickup have noticed she’s”—her fingers curl into sarcastic air quotes—“Rosie Belmont, too.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
There are a few good reasons I shouldn’t have kissed Rosie Belmont last night. But Ryan isn’t one of them. And I refuse to regret kissing Rosie.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
Sephardic Lazaruses, Nathans, and Hendrickses. It had also had August Belmont, and it now had his sons—August, Jr., Oliver, and Perry—and it had at least one acknowledged German Jew, the banker Adolph Ladenburg.
”
”
Stephen Birmingham (Our Crowd: The Great Jewish Families of New York)
“
don’t care if random people think I’m a dick. But Rosie Belmont isn’t random people.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
Advantages Philadelphia Has Over New York: Fairmount Park (more than four times bigger and better than Central Park). The park’s colonial houses: Strawberry Mansion, Lemon Hill, Belmont Mansion. The weeping cherry trees of George’s Hill, the Playhouse in the Park, Robin Hood Dell. Hoagies (more than four times better than heroes). Steak sandwiches (they don’t make them here the way they do at home: layers of paper-thin beef smothered in grilled onions; melted cheese, optional; catsup, yet another option!). People who wait for you to get off the subway before they try to get on. Smoking on the subway platform. Row houses. The Philadelphia Orchestra. Mustard pretzels with mustard (in New York—would you believe?—they sell mustard pretzels plain). Red and white police cars so you can shout, “Look out, the red devil’s coming!
”
”
Fran Ross (Oreo)
“
Weston Belmont saved me from a grizzly bear. Saved me from myself, really. From my own naiveté. A smarter girl would be captivated by his bravery, or his deep voice, or his quippy one-liners.
”
”
Elsie Silver (Wild Eyes (Rose Hill, #2))
“
To proceed, I imagine life as a film being screened by an incompetent projectionist.
”
”
Matthew Belmonte
“
Engaged Progressives say that divorce is preferable to an unhappy marriage, but like the denizens of Charles Murray’s Belmont, they don’t practice what they preach. They are almost as likely to remain married, in fact, as the Faithful. They are just as likely to eat meals with their children, and Engaged Progressive mothers with preschool kids are nearly as likely to stay at home with them as their Faithful counterparts.
”
”
R.R. Reno (Resurrecting the Idea of a Christian Society)
“
Ladies and gentlemen.” His voice carried straight into the darkest corners of the hall and straight into Ellen’s heart. “There is a slight misprint on tonight’s program. We offer for our finale tonight my own debut effort, which is listed on the program as Little Summer Symphony. It should read, Little Weldon Summer Symphony, and the dedication was left out, as well, so I offer it to you now. “Ellen, I know you are with me tonight, seated with my parents and our friends, though I cannot see you. I can feel you, though, here.” He tapped the tip of the baton over his heart. “I can always feel you there, and hope I always will. Like its creator, this work is not perfect, but it is full of joy, gratitude, and love, because of you. Ladies and gentlemen, I dedicate this work to the woman who showed me what it means to be loved and love in return: Ellen, Baroness Roxbury, whom I hope soon to convince to be my lady wife. These modest tunes and all I have of value, Ellen, are dedicated to you.” He turned in the ensuing beats of silence, raised his baton, and let the music begin. Ellen was in tears before the first movement concluded. The piece began modestly, like an old-fashioned sonata di chiesa, the long slow introduction standing alone as its own movement. Two flutes began it, playing about each other like two butterflies on a sunbeam, but then broadening, the melody shifting from sweet to tender to sorrowful. She heard in it grief and such unbearable, unresolved longing, she wanted to grab Val’s arm to make the notes stop bombarding her aching heart. But the second movement marched up right behind that opening, full of lovely, laughing melodies, like flowers bobbing in a summer breeze. This movement was full of song and sunshine; it got the toes tapping and left all manner of pretty themes humming around in the memory. My gardens, Ellen thought. My beautiful sunny gardens, and Marmalade and birds singing and the Belmont brothers laughing and racing around. The third movement was tranquil, like the sunshine on the still surface of the pond, like the peace after lovemaking. The third movement was napping entwined in the hammock, and strolling home hand in hand in the moonlight. She loved the third movement the best so far, until it romped into a little drinking song, that soon got away from itself and became a fourth movement full of the ebullient joy of creation at its most abundant and beautiful. The joy of falling in love, Ellen thought, clutching her handkerchief hard. The joy of being in love and being loved the way you need to be. Ah, it was too much, and it was just perfect as the music came to a stunning, joyous conclusion.
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
You’re sure he’s gone?” Ellen asked, unable to keep her voice from breaking. “He’ll stay gone? You’re safe from him?” “I am safe from him.” Val held her gaze. “You are safe from him. I promise you this, Ellen, with my most solemn word. My family owns two shipping companies, and we’d spot him before he disembarked at any domestic port. His ship was headed for Italy by way of Portugal, because he already has enemies in France. He can afford to run for a bit, since he took his personal jewelry with him. Recall, though, that he’s alone, he doesn’t speak the language, doesn’t know the customs, and I have friends who will keep an eye on him in Rome. Will you marry me?” “You’re going to keep composing, aren’t you?” Ellen peered at him worriedly. “That music, Val. It was… sublime. I could almost hear the frogs croaking and feel the tears on my cheeks—well, I could feel the real tears—and the flowers, I could smell them in the sunshine during that second movement. I think the Belmont boys were there too, and so was Marmalade. You have to keep writing. You have to. Is your hand all right?” Val sat back and braced one of his hands on each of her arms. “If I promise to keep composing, will you marry me?” “Yes.” It was a simple word but the most radiant in her vocabulary. Radiant like the notes of his symphony. “Yes. I will marry you, Valentine Windham, and you will write music, and our lives will always have something of the divine in them.” “Always,” he agreed, hugging her to him. And
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
May I finish your sandwich?” Phillip reached for his brother’s uneaten portion. “Touch it”—Day sat up immediately—“and it’s pistols, swords, or bare-knuckle rules.” Darius accepted the pie Val withdrew from the hamper. “And to think, Valentine,” Darius drawled, “your mother raised five of these, what are they? Boys?” “Demons,” Belmont muttered. “Spawn of Satan, imps from hell.” “Beloved offspring,” Dayton and Phillip chorused together. “Hush,” Belmont reproved.
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Ellen FitzEngle, may I present to you Mr. Axel Belmont of Candlewick.” “Mrs. Fitz.” Belmont bowed over her hand, smiling openly. “We’re acquainted. I am a botanist, and Mrs. FitzEngle has the most impressive flower gardens in the shire.” “You flatter, Professor,” Ellen said, “but I’ll allow it. I came to see the massacre, or what surely sounded like one.” “You heard my sons,” Belmont concluded dryly. “As soon as we cut the pie, you’ll have the pleasure, or the burden, of meeting them.” “Won’t
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
When he shifted a few minutes later and lifted her against his chest, she did not protest but looped her arms around his neck, and that was a kind of trust too. He carried her to her porch swing and sat at one end so her back was supported by the pillows banking the arm of the swing. He set the swing in motion and gathered her close until she drifted away into sleep. Val stayed on that swing long after the woman in his arms had fallen asleep, knowing he was stealing a pleasure from her he should not. He’d never been in her cottage, though, and was reluctant to invade her privacy. Or so he told himself. In truth, the warm, trusting weight of Ellen FitzEngle in his arms anchored him on a night when he’d been at risk of wandering off, of putting just a little more space between his body and his soul; his intellect and his emotions. Darius had delivered a telling blow when he’d characterized music, and the piano, as an imaginary friend. And it was enough, Val realized, to admit no creative art could meet the artist’s every need or fulfill every wish. Ellen FitzEngle wasn’t going to be able to do that either, of course; that wasn’t the point. The point, Val mused as he carefully lifted Ellen against his chest and made his way into her cottage, was that life yet held pleasures and mysteries and interest for him. He would get through the weekend at Belmont’s on the strength of that insight. As he tucked a sleeping Ellen into her bed and left a good-night kiss on her cheek, Val silently sent up a prayer of thanks. By trusting him with her grief, Ellen had relieved a little of his own.
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
They are splendid young men,” Ellen said after her second glass of wine—or was it her third? “And I think having them around makes us all less lonely.” “Lonely,” Abby spat. “I got damned sick of being lonely. I’m not lonely now.” “Because of Mr. Belmont. He is an impressive specimen.” Abby grinned at her wineglass. “Quite, but so is your Mr. Windham.” Ellen shook her head, and the countryside beyond the balcony swished around in her vision. “He isn’t my Mr. Windham.” It really was an interesting effect. “I think I’m getting tipsy.” Abby nodded slowly. “One should, from time to time. Why isn’t he your Mr. Windham?” “He’s far above my touch. I’m a gardener, for pity’s sake, and he’s a wealthy young fellow who will no doubt want children.” Abby cocked her head. “You can still have children. You aren’t at your last prayers, Baroness.” “I never carried a child to term for Francis,” Ellen said, some of the pleasant haze evaporating, “and I am… not fit for one of Mr. Windham’s station.” Abby set her wine glass down. “What nonsense is this?” Ellen should have remained silent; she should have let the moment pass with some unremarkable platitude, but five years of platitudes and silence—or perhaps half a bottle of wine—overwhelmed good sense. “Oh, Abby, I’ve done things to be ashamed of, and they are such things as will not allow me to remarry. Ever.” “Did you murder your husband?” Abby asked, her tone indignant. “Did you hold up stagecoaches on the high toby? Perhaps you sold secrets to the Corsican?” “I did not murder my h-husband,” Ellen said, tears welling up again. “Oh, damn it all.” It was her worst, most scathing curse, and it hardly served to express one tenth of her misery. “What I did was worse than that, and I won’t speak of it. I’d like to be alone.” Abby rose and put her arms around Ellen, enveloping her in a cloud of sweet, flowery fragrance. “Whatever you think you did, it can be forgiven by those who love you. I know this, Ellen.” “I am not you,” Ellen said, her voice resolute. “I am me, and if I care for Mr. Windham, I will not involve him in my past.” “You’re involving him in your present, though.” Abby sat back, regarding Ellen levelly. “And likely in your future, as well, I hope.” “I should not,” Ellen said softly. “I should not, but you’re right, I have, and for the present I probably can’t help myself. He’ll tire of our dalliance, though, and then I’ll let him go, and all will be as it should be again.” “You
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Would you be very offended if I begged off our cribbage match?” There was only so much fraternal cross-examination a man could politely bear, after all. “Of course I don’t mind. I’ll trounce Belmont instead, or the grooms, or maybe just cadge a nap under some obliging tree. Go to your lady. It’s clear you were pining for her all through lunch.” Val scrubbed a hand over his face. “Was I that obvious?” “A brother far from home suspects these things. There’s cake in the breadbox. You might take her some.” “One piece and one fork.” “Well done.
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
You’re quiet.” St. Just turned piercing green eyes on his brother. “This has never boded well with you. It means you are hatching up mischief.” “If I’m hatching up mischief, it’s because Belmont’s scamps have led me astray.
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Right is right, even if nobody does it. Wrong is wrong, even if everybody is wrong about it.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
In truth, Belmont’s Jockey Club, the organization that controlled Thoroughbred racing in America, was founded by a mix of people. Some were blue-blooded Americans who traced their ancestry to Mayflower voyagers and Puritan founding fathers, and others were nouveau riche industrialists who wished to ally themselves—through marriages to aristocrats, membership in the Episcopal Church, and associations with the elite sport of horse racing—to the American upper crust. At
”
”
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
“
Life is always a novel. Our existence may cease to be a song; it may cease even to be a beautiful lament. Our existence may not be an intelligible justice, or even a recognizable wrong. But our existence is still a story. In the fiery alphabet of every sunset is written, “to be continued in our next.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
I do seriously think that the most profound criticism of the culture of our time can be found in a sentence which, I believe, was written by Artemus Ward, which runs, I think: “It isn’t so much people’s ignorance that does the harm as it is their knowing so many things that ain’t so.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
potenciar los positivos y mitigar los negativos.
”
”
José Luis Belmonte (Afirmaciones liberadoras a la llama violeta (Spanish Edition))
“
The Gospel never has a better name than when it goes forth in a manner beyond reproach.
”
”
Kevin Belmonte
“
My mind is a collection of truths that I have extracted from greatest thinkers throughout human history
”
”
Diego Belmonte
“
I drove back to Belmont Pier, parked in front of a shop that sold whale-watching tickets, and used a pay phone there to call Lou Poitras. He said, “Bubba, you really take advantage.” “Funny. Your wife said the same thing.” Poitras sighed. “Just tell me what you want.” Humor. You break them down with humor, and victory is yours.
”
”
Robert Crais (Indigo Slam (Elvis Cole, #7))
“
It is not earth that judges heaven, but heaven that judges earth; so for me at least it was not earth that criticised elfland, but elfland that criticised the earth.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
And the strongest emotion was that life was as precious as it was puzzling. It was an ecstasy because it was an adventure; it was an adventure because it was an opportunity.
”
”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
“
He has offered you his entire heart. What I have given to him, he has offered to pass on to you. By this great love he has shown that he truly is the prince for you.’ “So the girl returned to the prince, and with great joy the two of them exchanged hearts, and were married that very day, and from that point on, they lived happily ever after.
”
”
Ethan Russell Erway (Michael Belmont and the Curse of the Thunderbird (The Adventures of Michael Belmont Book 3))
“
She begged his patience, and for permission to ask one more question, which he gladly gave. She then asked him to confirm that this young man was truly the prince she was looking for, because she had been hurt so many times before.
”
”
Ethan Russell Erway (Michael Belmont and the Curse of the Thunderbird (The Adventures of Michael Belmont Book 3))