Bells Of St Mary's Quotes

So what actually goes on with all this religion business? Does it really matter whether you’re a Gnostic, a Christian, a Muslim, a Shi’ite, a Hindu, a Taoist, a Rosicrucian, a Jew, a Witch or a Jehovah’s Witness? Not in the slightest. (Well, it might matter if you’re a Jehovah’s Witness). Does it matter if you follow the teachings of Confucius, Buddha, Ramakrishna or Mary Baker Eddy? Of course not. Does it matter if your ritual object or talisman is a cup, an amulet, a tabernacle, a horseshoe, holy water, a wishbone, a Sanctus bell, a St. Christopher, a baptismal font, a rabbit’s foot, rosary beads, a broomstick or a seven-branched candlestick? No, it’s just something to focus your mind on. The real power is within you. Just as long as it doesn’t become a cop-out. Which it so often does. Why? I’ll tell you. Because Rag, Tag & Bobtail are not willing to take responsibility for their own lives. They need someone to tell them what to do and what to believe. But in reality you don’t need anyone. It’s all there inside you. You grant your own absolution. Hey, it’s your life! You certainly have more control over your ultimate destiny than a priest.

Crosby’s name was mentioned, and Peyton got on the telephone. He tracked Crosby to the set of The Bells of St. Mary’s, where Crosby was working on the role, ironically, of a priest. On the spur of the moment, Crosby agreed to do the show. Francis Cardinal Spellman also appeared, and the Mother’s Day broadcast was such a success that Peyton pushed ahead with plans for a regular series. Mutual donated the time, under four conditions: that the show be of top quality; that it be strictly nonsectarian; that a major film star be involved each week; and that Peyton pay production costs himself. He met Loretta Young, who advised him how to approach the stars and became the “first lady” of Family Theater

Come on, I want to take you around to the back, to see St. Anthony's Garden," he said. Delicate bell clangs marked the half hour, and a mockingbird called through the still air as the group entered the garden. The green space was dominated by the tall white statue of a man with arms raised in welcome. "St. Anthony is known as the protector of childless women and finder of lost things," explained Falkner. "This area has had many functions over the years. It was a place for gatherings, markets, meals---even a dueling ground. Père Antoine, one of the cathedral's popular pastors, used the space as a kitchen garden to feed his monks. He also worked with voodoo priestess Marie Laveau to assist the large slave population, especially women and children." "A Roman Catholic priest collaborating with a voodoo priestess?" asked one of the tourists, mopping his brow with a handkerchief. Falkner nodded. "They had more in common than you may think. They both had a desire to heal, sooth, and do good works. They were both very spiritual people. Marie Laveau blended voodoo with Catholicism, especially regarding the saints.

So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams. "And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice—since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts.

The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’ Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there. This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione. When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.

​Try it in the last hundred years or so and you’ll find the lack of National Insurance number, ID card, or credit rating means you’re officially a non-person and after America closed its borders last year, all sorts of security alarm bells start ringing. ​Or, you think you’ll go back a little further before all these tiresome records were invented, but that doesn’t work either. Society is rigid. Everyone knows everyone else in their world. Everyone has their place in the scheme of things. If you don’t belong to a family, a tribe, a village, a guild, whatever, you don’t exist then, either. And you can’t just pitch up somewhere without mutual acquaintances, recommendations, or letters of introduction. Life on the fringes of society, any society in any time is tough. I should know.

Primer of Love [Lesson 57] The female orgasm is like church. Many attend, but few understand. ~ Anonymous Lesson 57) Learn to become a strong swimmer-- master the breaststroke, the crawl and the muff dive. Many indeed do attend, lay devotedly beside her holy of holies -- and proceed to commit sacrilege. Learn to speak in tongues, pick up a few essential tantric phrases and you'll be a cunning linguist in no time. You will become at one with her yoni, hear the bells of St. Mary's toll for thee and you'll never miss a day of church again. Now, get on your knees, sinner!

Three years after I got my law degree, in the summer of 1989, I was a first-year law teacher invited to attend the first-ever workshop on something called “critical race theory,” to be held at the St. Benedict Center in Madison, Wisconsin. At that workshop, I discovered what had been missing for me as a student. I met some of the people who, by then, had begun to be recognized across the nation as major intellectual figures: Derrick Bell, Kimberlé Crenshaw, Richard Delgado, Mari Matsuda, Patricia Williams. And I discovered a community of scholars who were inventing a language and creating a literature that was unlike anything I had read for class in three years of law school. As we enter the twenty-first century, critical race theory is no longer new, but it continues to grow and thrive.

Bing Crosby in The Bells of St. Mary’s was a longtime favorite, along with an appreciation for Ingrid Bergman as a rather fetching nun. Grant tried not to think too deeply about a Lutheran pastor having the hots for a Catholic nun.

We drove in Helen’s cruiser down a long two-lane road through flooded gum and willow and cypress trees, the sunlight spangling through the canopy on water that was black in the shade or filmed with a skim of algae that resembled green lace. The road dead-ended on a cusp of oil-streaked beach and a shallow saltwater bay that bled into the Gulf of Mexico. The St. Mary Parish sheriff, two deputies, a crime scene investigator, the coroner, and two paramedics were already at the scene. They were standing in a circle with the blank expressions of people who had just discovered that their vocational training and experience were perhaps of no value.