Belle Anime Quotes

No animal has more liberty than the cat, but it buries the mess it makes. The cat is the best anarchist.

A million years of evolution," Eric said bitterly, "and what are we? Animals.

Man is the result of slow growth; that is why he occupies the position he does in animal life. What does a pup amount to that has gained its growth in a few days or weeks, beside a man who only attains it in as many years.

Once bitten twice shy? Sure, but... why not get a bigger dog and bite them back?

Sometimes you want to stay with someone, not only because it's magic and it's promising and it feels like home; but sometimes you find someone and you want to stay with him (or her)—because you're the same kind of animal.

When we deny the spiritual dimension to our existence, we end up living like animals. And when we deny the physical, sexual dimension to our existence, we end up living like angels. And both ways are destructive, because God made us human.

...and she's thinking of rage, like an ember or a burning acid swallowing up her knotted viscera. Blindness like the kind that leads men to perpetrate horrors, animal drunkenness, the jungles of the mind.

That the sun still rose the next morning was incredibly unjust. Someone good had died. People still woke up, had breakfast, went to work, and it was wrong. Flower petals still opened in the sun’s early light, and animals still grazed the day away, their minds untroubled. Someone good had died and the world had the audacity to move on.

Winter then in its early and clear stages, was a purifying engine that ran unhindered over city and country, alerting the stars to sparkle violently and shower their silver light into the arms of bare upreaching trees. It was a mad and beautiful thing that scoured raw the souls of animals and man, driving them before it until they loved to run. And what it did to Northern forests can hardly be described, considering that it iced the branches of the sycamores on Chrystie Street and swept them back and forth until they rang like ranks of bells.

I played God today And it was fun! I made animals that men had never seen So they would stop and scratch their heads Instead of scowling. I made words that men had never heard So they would stop and stare at me Instead of running. And I made love that laughed So men would giggle like children Instead of sighing. Tomorrow, perhaps, I won't be God And you will know it Because you won't see any three-headed cats Or bushes with bells on... I wish I could always play God So that lonely men could laugh!

After hearing the boy scream, the cats formed their pyramid in front of the glass door. Belle turned the handle while Harry and the others pushed the door open. They scrambled in and searched the room and small bathroom and shower. Bombarded with the boy’s scent, the cats continued to search. He had to be somewhere. A knock on the door startled the animals. Belle ran to the door and sniffed. “Food,” she whispered. “Must be for the boy.” “We must find that boy,” Harry said. “If the human enters, they will find us. Quickly, everyone, show time!” One-by-one, the cats crawled under the bed sheet and maneuvered between the opened books. “Just as in The Catman’s act,” Curry said, trying not to snicker. “Hush!” Belle scolded. Two moved upward, two downward, two to the right, and three to the left. Belle and Harry crouched in the middle. Allie crawled to the pillow and poked out her back and head. With her ears lowered, only her straggling black hair could be seen.

Empathy is the ability to step outside of your own bubble and into the bubbles of other people. Empathy is the ability that allows us to be useful creatures on this planet; without empathy, we are a waste of oxygen in this world. Without empathy, we are lower than animals. Empathy is the ability that allows us the perception of things around us, outside of ourselves; so a person without empathy is a limited human being, someone who will only live half of a life.

His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. But her will had left her. A strange weight was on her limbs. She was giving way. She was giving up...she had to lie down there under the boughs of the tree, like an animal, while he waited, standing there in his shirt and breeches, watching her with haunted eyes...He too had bared the front part of his body and she felt his naked flesh against her as he came into her. For a moment he was still inside her, turgid there and quivering. Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite and melting her all molten inside. It was like bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit and she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea anenome under the tide, clamouring for him to come in again and make fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her with a strange rhythmic growing motion, swelling and swelling til it filled all her cleaving consciousness, and then began again the unspeakable motion that was not really motion, but pure deepening whirlpools of sensation swirling deeper and deeper through all her tissue and consciousness, til she was one perfect concentric fluid of feeling, and she lay there crying in unconscious inarticulate cries.

Look at walls splashed with a number of stains, or stones of various mixed colours. If you have to invent some scene, you can see there resemblances to a number of landscapes, adorned with mountains, rivers, rocks, trees, great plains, valleys and hills, in various ways. Also you can see various battles, and lively postures of strange figures, expressions on faces, costumes and an infinite number of things, which you can reduce to good integrated form. This happens on such walls and varicoloured stones, (which act) like the sound of bells, in whose peeling you can find every name and word that you can imagine. Do not despise my opinion, when I remind you that it should not hard for you to stop sometimes and look into the stains of walls, or the ashes of a fire, or clouds, or mud or like places, in which, if you consider them well, you may find really marvelous ideas. The mind of the painter is stimulated to new discoveries, the composition of battles of animals and men, various compositions of landscapes and monstrous things, such as devils and similar things, which may bring you honor, because by indistinct things the mind is stimulated to new inventions.

I’m a fan of Belle from Beauty and the Beast. Brunette and doesn’t mind a guy that’s an animal? Hell yeah.

It was her favorite story, that she remembers, but she would be hard-pressed to retell it now, faithfully, as it had been told to her. All she could recall were frayed, sleep-watered images of a forgotten castle in the middle of a wild forest, stone statues, crimson roses, and a dark, animal presence never seen, but which stained her memory of the tale, even past its edges to the daylight after.

I believe the most difficult situation to be in, is one of mind-game-playing. Interestingly enough, it can be observed that it’s those from the most prosperous countries that tend to play the most mind-games with other people. They even write things about it. Why is it very difficult to be honest and transparent about what one thinks and feels? Why must one resort to manipulations and mind-mockery and mimicry? It is such a sad situation or state for any person to be in. Living in cubicle within cubicle within cubicle of themselves. Victims and perpetrators of mind games, interestingly, are the most paranoid about it happening to them— because they do it, they think everyone else does it too. Or because it’s been done to them, they think everyone will do it to them. Why cannot people say what they think, think what they say, say what they mean and mean what they say? The world would be happier if we were all just living out in a big plain in Africa! Roaming with animals, walking barefoot, being simple, transparent, real...

If our enemies take me And people stop talking to me, If they confiscate the whole world— The right to breathe, open doors, Affirm that existence shall go on And that people, like a judge, shall judge, And if they dare to keep me like an animal And fling my food on the floor, I won’t fall silent or deaden the agony, But shall write what I am free to write, My naked body gathering momentum like a bell, And in a corner of the ominous dark I shall yoke ten oxen to my voice And move my hand in the darkness like a plough And, wrung out into a legion of brotherly eyes, Shall fall with the full heaviness of a harvest, Exploding in the distance with all the force of a vow, And in the depths of the unguarded night The eyes of that unskilled laborer, earth, shall shine And a flock of flaming years swoop down, And like a ripe thunderstorm Lenin shall burst forth. But on this earth (which shall escape decay) There to wake up life and reason will be

With human beings, a natural death was a death with dignity. But animals were innocents, and as their stewards, people owed them mercy.

Wolves did not keep secrets from one another. They didn’t worry about having enough money or finishing school or winning races . They didn’t interfere with nature and have to figure out what was too much and what was enough. They were nature.

This boy - his name was Eric - said he thought it disgusting the way all the girls at my college stood around on the porches under the porch lights and in the bushes in plain view, necking madly before the one o'clock curfew, so everybody passing by could see them. A million years of evolution, Eric said bitterly, and what are we? Animals.

That’s called style, girlfriend. It’s what sets us apart from the animals. And the rednecks.

In the snowstorm you came close to wild animals and they were not afraid. They travelled across country not knowing where they were and the deer stood sometimes in the lee of the cabin. In a snowstorm you rode up to a moose and he mistook your horse for another moose and trotted forward to meet you. In a snowstorm it always seemed, for a time, as though there were no enemies.

Sometimes she liked to search for animals and faces in the shapen clouds of a summer day. Flames were too quick and fluid for the eye to glimpse the suggestion of any presence other than fire,

THE DAY THE SAUCERS CAME “That day, the saucer day the zombie day The Ragnarok and fairies day, the day the great winds came And snows, and the cities turned to crystal, the day All plants died, plastics dissolved, the day the Computers turned, the screens telling us we would obey, the day Angels, drunk and muddled, stumbled from the bars, And all the bells of London were sounded, the day Animals spoke to us in Assyrian, the Yeti day, The fluttering capes and arrival of the Time Machine day, You didn’t notice any of this because you were sitting in your room, not doing anything not even reading, not really, just looking at your telephone, wondering if I was going to call.

I said maybe if you loved a woman it wouldn't seem so boring, but Eric said it would be spoiled by thinking this woman too was just an animal like the rest, so if he loved anybody he would never go to bed with her. He'd go to a whore if he had to and keep the woman he loved free from all the dirty business.

When we were only several hundred-thousand years old, we built stone circles, water clocks. Later, someone forged an iron spring, set clockwork running, imagined grid-lines on a globe. Cathedrals are like machines defining the soul; bells of clock towers stitch the sleeper’s dreams together. You see? So we’ve always been on our way to this new place ― that is no place, really ― but is real. It’s our nature to represent: we’re the animal that represents, the sole and only maker of maps. And if our weakness has been to confuse the bright and bloody colors of our calendars with the true weather of days, and the parchment’s territory of our maps with the lands spread out before us ― never mind. We've always been on our way to this new place ― that is no place, really ― but is real.

Even in laboratory animals we have found that affective goal directedness can spoil the Pavlovian experiment. When, during a bell food training session, the dog’s beloved master entered the room, the animal lost all its previous conditioning and began to bark excitedly. Here is a simple example of an age old truth: love and laughter break through all rigid conditioning.

I could hear it from far away, that sound which only very big cities can produce: a sound consisting of all sounds rolled into one: the hum of voices and the cries of animals, bells ringing and the chink of coins, children's laughter and hammers beating metal, knives and forks clattering and a thousand doors slamming - the grandiose sound of life, of birth and death, itself.

His sister Kat, her husband, Morgan Williams, have been plucked from this life as fast as his daughters were taken, one day walking and talking and next day cold as stones, tumbled into their Thames-side graves and dug in beyond reach of the tide, beyond sight and smell of the river; deaf now to the sound of Putney's cracked church bell, to the smell of wet ink, of hops, of malted barley, and the scent, still animal, of woolen bales; dead to the autumn aroma of pine resin and apple candles, of soul cakes baking.

I looked down at my phone and saw another text from John. -Disney character you would sleep with? I smiled at that one. It was a silly question, but I answered it truthfully. -Peter Pan. I've always had a thing for the boys that never wanted to grow up. -Ouch. I hope that wasn't aimed at me. Because I’m a fan of Belle from Beauty and the Beast.Brunette and doesn't mind a guy that’s an animal? Hell yeah. wait for you

The upper lip during the act of grinning is retracted, as in snarling, so that the canines are exposed, and the ears are drawn backwards; but the general appearance of the animal clearly shows that anger is not felt. Sir C. Bell[3] remarks "Dogs, in their expression of fondness, have a slight eversion of the lips, and grin and sniff amidst their gambols, in a way that resembles laughter." Some persons speak of the grin as a smile, but if it had been really a smile, we should see a similar, though more pronounced, movement of the lips and ears, when dogs utter their bark of joy; but this is not the case, although a bark of joy often follows a grin.

A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.

Where is God? God is out there in the wild, where the animals run and where the stars implode.

War is a starving animal. It has no end. It feeds and only sleeps until it is hungry again.

It was a relief to be free of the animal, but it seemed to have taken my spirit with it, and everything else it could lay its paws on.

A million years of evolution, Eric said bitterly, and what are we? Animals.

For a deaf man, the world is a zoo of mime artists

I recognize the fact that whatever a person is doing in their lives, and whoever they happen to be at that moment in time; they are exactly where they are and who they are, as a result of their own life story, as a result of the voices in their heads, as a result of the monsters that they battle. Everything that I see about a person, is their own animation of their very best fight at staying alive.

There had been many definitions of Man; he would make another: “The noise-producing animal.” Now there was only the nearly imperceptible murmur of his own engine. He had no need to blow the horn. There were no back-firing trucks, no snorting trains, no pounding planes overhead. In the little towns no whistles blew or bells rang or radios blared or people talked. Even if it was the peace of death, still that was a kind of peace.

We defend so cautiously against our egoically limited experiences, states Laing in The Politics of Experience, that it is not surprising to see people grow defensive and panic at the idea of experiencing ego-loss through the use of drugs or collective experiences. But there is nothing pathological about ego-loss, Laing adds; quite the contrary. Ego-loss is the experience of all mankind, "of the primal man, of Adam and perhaps even [a journey] further into the beings of animals, vegetables and minerals." No age, Laing concludes, has so lost touch with this healing process as has ours. Deleuze and Guattari's schizoanalytic approach serves to begin such a healing process. Its major task is to destroy the oedipalized and neuroticized individual dependencies through the forging of a collective subjectivity, a nonfascist subject—anti-Oedipus. Anti-Oedipus is an individual or a group that no longer functions in terms of beliefs and that comes to redeem mankind, as Nietzsche foresaw, not only from the ideals that weighed it down, "but also from that which was bound to grow out of it, the great nausea, the will to nothingness, nihilism; this bell-stroke of noon and of the great decision that liberates the will again and restores its goal to the earth and his hope to man; this Antichrist and antinihilist. . . He must come one day.—

after you've pulled off the tablecloth with the full plates of food and broken the windows and rung the bells of idiots and have spoken true and terrible words and have chased the mob through the doorway- then comes the great and peaceful moment: sitting alone and pouring that quiet drink. the world is better without them. only the plants and the animals are true comrades. I drink to them and with them. they wait as I fill their glasses.

The first commandment of dog behavior: Thou shalt not hump. Thou shalt especially not hump in public. Thou shalt not hump thy neighbor’s wife, thy neighbor’s leg, or thy neighbor’s Jack Russell Terrier. - Belle, Dog Only Knows

If polar bears live at the North Pole, why doesn’t Santa use them to pull the sleigh?” Brogan asked, licking mustard off his thumb with the air of someone who thought they’d won the argument, which was dumb, because he never won. Embry was the uncontested champion of arguing in their house. “Are you high?” Embry asked. “Have you seen a fucking polar bear? There’s no way they’re as aerodynamic as reindeer.” “Polar bears make about as much sense as reindeer, seeing as neither of them can actually fly,” Brogan pointed out. “Polar bears are stronger, too. You’d only need half as many to get the job done.” “Polar bears aren’t pack animals. You’d never get all of them attached to the sleigh at once.” “Think how cool it would be, though. A whole troop of polar bears pulling a sleigh. There should be fire somewhere. A secondary propulsion system in case the bears get tired. Like a jet engine.” His eyes went wide with awe, presumably at his own genius. “There should be a jet engine, Embry.

If you are free, you're going to scare them. In the same way light scares bats or how a chained animal grown so accustomed to its cage, would refuse an opened fence. That's how you'll scare them: with an open mind, a brave voice, the stare of a bear! You'll scare them every time you belly-laugh and every time you look a man eye-to-eye as an equal. You'll scare them when they see your thighs and when you choose your own religion. You'll scare them. Because it's birds who fly free that terrify the ones in cages.

Gradually, it sank in. The Mother Beast was dead. I had killed her. The taste of her blood burned in my mouth. Behind her, a deep black hole bore into the ground beneath the remnants of the railroad car. It must have been her underground lair. She had raised her brood there, safe and far away from everyone, until Kyle's crew invaded her den. Such an awful waste. None of this was necessary. At least one person died, many others were injured, and this great magnificient beast and her brood lost their lives all because Kyle Bell wanted to make a quick buck on the side. He stood by the remnants of the tent now, arms crossed, barking orders. I marched over to Kyle. He saw me, opened his mouth, and I backhanded him. The blow knocked him to the ground. «This is your fault. You brought these people here. You knew this place was dangerous.» I pulled him upright and spun him toward the dead beast. «Look! People died because of you. Do you understand that? If it wasn't for you, I wouldn't have had to murder her. She was just protecting her children.» «She tried to kill us!» I backhanded him again. «She tried to kill you because you broke into her house.» The workers stood around us, thier faces grim. Nobody made any move to help their boss. *** I found my bow and quiver and walked away. Ascanio jumped off the beast and joined me. His voice was a deep growl, shredded by his teeth. «It. Wash. Aweshome.» «This was a tragedy.» People came before animals. I knew that, but when you turn into an animal, your perspective is a little different. «Yesh. But aweshome.» He was a boy. What did he know?

Engineers are funny animals. If you tell an engineer about a problem, any problem, his first instinct is to measure it. Tell an engineer you don’t love him anymore and he’ll ask for a graph of your love over time so that he can understand exactly how big the problem is and when it started.

Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.

I was struck with how full a silence could be: a Carolina wren sang from the eave of the shed; cedar waxwings carried on whispery bickerings up in the cherry; a mockingbird did an odd jerky dance, as if seized by the bird spirit, out on the driveway. The pea bowl rang like an insistent bell as we tossed in our peas.

from Mr. Bell." "Sorry, miss! Sorry isn't going to help matters any. You'd better go and look at the havoc that animal has made in my oats … trampled them from center to circumference, miss." "I am very sorry," repeated Anne firmly, "but perhaps if you kept your fences in better repair Dolly might not have broken in. It is your part

Eravamo state meravigliose compagne di viaggio, ma in fondo non eravamo che solitari aggregati metallici che disegnavano ognuno la propria orbita. In lontananza potremmo anche essere belle a vedersi, come stelle cadenti. Ma in realtà non siamo che prigioniere, ognuna confinata nel proprio spazio, senza la possibilità di andare da nessun’altra parte. Quando le orbite dei nostri satelliti per caso si incrociano, le nostre facce si incontrano. E forse, chissà, anche le nostre anime vengono a contatto. Ma questo non dura che un attimo. Un istante dopo, ci ritroviamo ognuna nella propria assoluta solitudine. Fino al giorno in cui bruceremo e saremo completamente azzerate.

The only tragic part of the making of La Belle et la Bête was Jean Marais's terrible make-up which used to take five hours and from which he emerged as though after a surgical operation. Laurence Olivier said to me one day that he would never have had the strength to undergo such torture. I maintain that it took Marais's passion for his profession and his love for his dog to have persisted with such fortitude to pass from the human race into the animal one. What was in fact due to the genius of an actor was ascribed by the critics to the perfection of a mask. But there was no mask, and to live the part of the beast, Marais in his dressing-room went through the terrible phases of Dr. Jekyll's transformation into Mr. Hyde.

She turned down her street once more, glaring at the garish lights someone had put up along their house. Might as well light the roof with “Santa Park Here”. Sheesh. The closer she got to home, though, the lower her heart sank. The overly bright house looked suspiciously like... No. Oh, no. He wouldn’t. He had. Light up animated animals were dotted all over her lawn. The circle of life has apparently found our power outlet. And why the fuck is there a Star of David on my roof? She wasn’t exactly the most church-going member of the community, but you’d think Simon would know what religion she was. After all, she knew exactly who was going to officiate at his funeral. She picked up her cell phone and called Emma. “I’m going to kill him.

The one who answered his questions certainly had pointed ears, though the same observer might be hard pressed to make out any ears- or actual answers at all. The boy spoke to what appeared to be little more than a golden light that bobbled and sparkled and tinkled like bells. In fact, the whole scene resembled a mesmerist quizzing a pendulum held from a long golden chain, glittering in the sunlight, whose vague swings returned meanings known only to the occultist himself. But upon looking more closely, one would see that inside the golden bauble was a tiny woman with very pointed ears, a serious face, a green dress, and sparkling wings. Her body was like a series of energetic globes, from her golden hair in its messy bun to her hips to the round silver bells that decorated her shoes. Throughout the conversation every part of her was as animated as her friend's face.

Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.

In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there. I never knew I was there, either. For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you.

It is good that the boy did not kill him.” “Qué va. The gypsy wanted me to kill him last night. The gypsy is an animal.” “You’re an animal, too,” she said. “But intelligent.” “We are both intelligent,” Agustín said. “But the talent is Pablo!” “But difficult to put up with. You do not know how ruined.” “Yes. But a talent. Look, Pilar. To make war all you need is intelligence. But to win you need talent and material.” “I will think it over,” she said.

Stop making dubious literature about the Berbers and the old Iberians and admit that you have liked to kill as all who are soldiers by choice have enjoyed it at some time whether they lie about it or not. Anselmo does not like to because he is a hunter, not a soldier. Don't idealize him either. Hunters kill animals and soldiers kill men. Don't lie to yourself, he thought. Nor make up literature about it. You have been tainted with it for a long time now.

Even the objects in a room are not, in some sense, the same objects to another animal. A dog looking around a room does not think he is surrounded by human things; he sees dog things. What we think an object is for, or what it makes us think of, may or may not match the dog’s idea of the object’s function or meaning. Objects are defined by how you can act upon them: what von Uexküll calls their functional tones—as though an object’s use rings bell-like when you set eyes on it. A

The two friends went on and on toward the sierra, at times keeping the highway, at times. deviating from it. Whenever they passed through a town or a hamlet, the slow peal of bells tolling the death-knell announced to our hero that the Angel of Death was not losing his time; that his arm reached to every part of the world, and that, though Gil felt it now weighing upon his breast like a mountain of ice, none the less did it scatter ruin and desolation over the entire surface of the earth. As they went, the Angel of Death related many strange and wonderful things to his protege. The foe of history, he took pleasure in scoffing at its pretended utility, in disproof of which he narrated many facts as they had actually occurred, and not as they are recorded on monuments and in chronicles. The abysses of the past opened before the entranced imagination of Gil Gil, revealing to him facts of transcendent importance concerning the fate of man and of empires, disclosing to him the great mystery of the origin of life and the no less great and terrible mystery of the end to which we, wrongly called mortals, are progressing, and causing him, finally, to comprehend, by the light of this sublime philosophy, the laws which preside at the evolution of cosmic matter, and its various manifestations in those ephemeral and transitory forms which are called minerals, plants,animals, stars, constellations, nebula, and worlds. ("The Friend Of The Death")

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

The classroom is a place of high drama. You'll never know what you've done to, or for, the hundreds coming and going. You see them leaving the classroom: dreamy, flat, sneering, admiring, smiling, puzzled. After a few years you develop antennae. You can tell when you've reached them or alienated them. It's chemistry. It's psychology. It's animal instinct. You are with the kids and, as long as you want to be a teacher, there's no escape. Don't expect help from the people who've escaped the classroom, the higher-ups. They're busy going to lunch and thinking higher thoughts. It's you and the kids. So, there's the bell. See you later. Find what you love and do it.

Can't we make a blusterer ourselves? asked Jón Hreggviðsson. Can't we scratch that damned sign with the ax-point onto the chopping block and get a beautiful, chubby woman in here tonight, right now-or preferably three? It was no easy matter to create such a sign, because in order to do so the two men required much greater access to the animal kingdom and the forces of nature than conditions in the dungeon permitted. The sign of the Blusterer is inscribed with a raven's gall on the rust-brown inner side of a bitch's skin, and afterward blood is sprinkled over the skin - blood from a black tomcat whose neck has been cut under a full moon by an unspoiled maiden. Where'd you find an unspoiled maiden to cut a black tomcat's neck asked Jón Hreggviðsson.

You say, you don't have any prejudice! Let's put that to test, shall we! Read the following phrases, pausing a few seconds after each. Hallelujah! ¡Viva la libertad! Shabbat Shalom! Allahu Akbar! Black Lives Matter! We're Here, We're Queer! My body, my decision! Now bring your faculty of reason into action, and think, which of the terms induced a negative emotional response in your mind? It's nothing out of the ordinary, it's just common animal nature. How your brain got conditioned to react in such a way that's a different matter. The main thing is, your brain just reacted exactly like the brain of pavlov's dog every time it heard the bell. The only difference is that, a dog doesn't have further brain capacity to question such conditioning, but a human does.

A few weeks after this, the purchase was concluded, and at the close of the season the Minister and his family went down to Canterville Chase. Mrs. Otis, who, as Miss Lucretia R. Tappan, of West 53d Street, had been a celebrated New York belle, was now a very handsome, middle-aged woman, with fine eyes, and a superb profile. Many American ladies on leaving their native land adopt an appearance of chronic ill-health, under the impression that it is a form of European refinement, but Mrs. Otis had never fallen into this error. She had a magnificent constitution, and a really wonderful amount of animal spirits. Indeed, in many respects, she was quite English, and was an excellent example of the fact that we have really everything in common with America nowadays, except, of course, language.

Yet once we are done nodding earnestly at Whitehead and Latour, what do we do? We return to our libraries and our word processors. We refine our diction and insert more endnotes. We apply "rigor," the scholarly version of Tinker Bell's fairy dust, in adequate quantities to stave off interest while cheating death. For too long, being "radical" in philosophy has meant writing and talking incessantly, theorizing ideas so big that they can never be concretized but only marked with threatening definite articles ("the political," "the other," "the neighbor," "the animal"). For too long, philosophers have spun waste like a goldfish's sphincter, rather than spinning yarn like a charka. Whether or not the real radical philosophers march or protest or run for office in addition to writing inscrutable tomes - this is a question we can, perhaps, leave aside. Real radicals, we might conclude, make things.

Forward blocking provides one of the most spectacular refutations of the associationist view.5 In blocking experiments, an animal is given two sensory clues, say, a bell and a light, both of which predict the imminent arrival of food. The trick is to present them sequentially. We start with the light: the animal learns that whenever the light is on, it predicts the arrival of food. Only then do we introduce dual trials where both light and bell predict food. Finally, we test the effect of the bell alone. Surprise: it has no effect whatsoever! Upon hearing the bell, the animal does not salivate; it seems utterly oblivious to the repeated association between the bell and the food reward. What happened? The finding is incompatible with associationism, but it fits perfectly with the Rescorla-Wagner theory. The key idea is that the acquisition of the first association (light and food) blocked the second one (bell and food). Why? Because the prediction based on light alone suffices to explain everything.

Now imagine what happened when people would offer a sacrifice but then it didn’t rain or the sun didn’t shine or their animals still got diseases or they were unable to have children—obviously, they concluded, they didn’t offer enough. And so they offered more. And more and more. Because religion had built into it from the very beginning something called anxiety. You never knew where you stood with the gods. The gods are angry, the gods are demanding, and if you don’t please them, they will punish you by bringing calamity. But what if things went well? What if it rained just the right amount and the sun shone just the right amount—what if it appeared that the gods were pleased with you? Well then, you’d need to offer them thanks. But how would you ever know if you’d properly showed them how grateful you were? How would you know you’d offered ENOUGH? If things went well, you never knew if you’d been grateful enough and offered enough, and if things didn’t go well clearly you hadn’t done . . . enough. Anxiety either way.

Just then he heard the sweet tinkle of bells followed by the sound of four camels plodding towards him from the main roadway. Two were snowy in complexion and all four were straddled by men also dressed in white. They approached the inn and the riders drew their mounts to a halt. Guo Jing noticed the finely embroidered cushions padding the saddles. Guo Jing was a child of the steppes deserts, but white camels were rare, and he had never seen such fine animals. He could not take his eyes off them. The riders were only a few years older than him, in their early twenties he guessed, each one as delicately handsome as the last. They leaped from the camels and made for the inn. Guo Jing was enraptured by their expensive robes, fringed at the neck by the finest fox fur. One of the young men glanced toward Guo Jing, blushed and lowered his head. Another glared at him and growled, “What are you staring at, little boy?” Flustered, Guo Jing looked away. He heard them laugh. “Congratulations,” one of them mocked in a girlish voice. “He likes you.

Esther n'était certainement pas bien éduquée au sens habituel du terme, jamais l'idée ne lui serait venue de vider un cendrier ou de débarrasser le relief de ses repas, et c'est sans la moindre gêne qu'elle laissait la lumière allumée derrière elle dans les pièces qu'elle venait de quitter (il m'est arrivé, suivant pas à pas son parcours dans ma résidence de San Jose, d'avoir à actionner dix-sept commutateurs); il n'était pas davantage question de lui demander de penser à faire un achat, de ramener d'un magasin où elle se rendait une course non destinée à son propre usage, ou plus généralement de rendre un service quelconque. Comme toutes les très jolies jeunes filles elle n'était au fond bonne qu'à baiser, et il aurait été stupide de l'employer à autre chose, de la voir autrement que comme un animal de luxe, en tout choyé et gåté, protégé de tout souci comme de toute tâche ennuyeuse ou pénible afin de mieux pouvoir se consacrer à son service exclusivement sexuel. Elle n'en était pas moins très loin d'être ce monstre d'arrogance, d'égoïsme absolu et froid, au, pour parler en termes plus baudelairiens, cette infernale petite salope que sont la plupart des très jolies jeunes filles; il y avait en elle la conscience de la maladie, de la faiblesse et de la mort. Quoique belle, très belle, infiniment érotique et désirable, Esther n'en était pas moins sensible aux infirmités animales, parce qu'elle les connaissait ; c'est ce soir-là que j'en pris conscience, et que je me mis véritablement à l'aimer. Le désir physique, si violent soit-il, n'avait jamais suffi chez moi à conduire à l'amour, il n'avait pu atteindre ce stade ultime que lorsqu'il s'accompagnait, par une juxtaposition étrange, d'une compassion pour l'être désiré ; tout être vivant, évidemment, mérite la compassion du simple fait qu'il est en vie et se trouve par là-même exposé à des souffrances sans nombre, mais face à un être jeune et en pleine santé c'est une considération qui paraît bien théorique. Par sa maladie de reins, par sa faiblesse physique insoupçonnable mais réelle, Esther pouvait susciter en moi une compassion non feinte, chaque fois que l'envie me prendrait d'éprouver ce sentiment à son égard. Étant elle-même compatissante, ayant même des aspirations occasionnelles à la bonté, elle pouvait également susciter en moi l'estime, ce qui parachevait l'édifice, car je n'étais pas un être de passion, pas essentiellement, et si je pouvais désirer quelqu'un de parfaitement méprisable, s'il m'était arrivé à plusieurs reprises de baiser des filles dans l'unique but d'assurer mon emprise sur elles et au fond de les dominer, si j'étais même allé jusqu'à utiliser ce peu louable sentiment dans des sketches, jusqu'à manifester une compréhension troublante pour ces violeurs qui sacrifient leur victime immédiatement après avoir disposé de son corps, j'avais par contre toujours eu besoin d'estimer pour aimer, jamais au fond je ne m'étais senti parfaitement à l'aise dans une relation sexuelle basée sur la pure attirance érotique et l'indifférence à l'autre, j'avais toujours eu besoin, pour me sentir sexuellement heureux, d'un minimum - à défaut d'amour - de sympathie, d'estime, de compréhension mutuelle; l'humanité non, je n'y avais pas renoncé. (La possibilité d'une île, Daniel 1,15)

Both men and women of the race were extremely handsome; the former tall and strong, with fine features, curly hair, and a clear bronze complexion. They wore long tunics and turbans, and carried lances, bucklers, or round shields, and large swords slung across their shoulders, the latter, also very tall and well formed, were dressed in becoming bodices with full skirts, a loose mantle enveloping the whole form in graceful drapery. They wore jewels in their ears, and necklaces, bracelets, bangles, and anklets, made of gold, ivory, or shells.   Thousands of oxen paced quietly along with these men, women, old men, and children. They had neither harness nor halter, only bells or red tassels on their heads, and double packs thrown across their backs, which contained wheat and other grains.   A whole tribe journeyed in this manner, under the directions of an elected chief, called the “naik,” whose power is despotic while it lasts. He controls the movements of the caravan, fixes the hours for the start and the halt, and arranges the dispositions of the camp.   I was struck by the magnificent appearance of a large bull, who with superb and imperial step led the van. He was covered with a bright coloured cloth, ornamented with bells and shell embroidery, and I asked Banks if he knew what was the special office of this splendid animal.   “Kâlagani will of course be able to tell us,” answered he. “Where is the fellow?”   He was called, but did not make his appearance, and search being made, it was found he had left Steam House.   “No doubt he has gone to renew acquaintance with some old comrade,” said Colonel Munro. “He will return before we resume our journey.”   This seemed very natural. There was nothing in the temporary absence of the man to occasion uneasiness, but somehow it haunted me uncomfortably.   “Well,” said Banks, “to the best of my belief this bull represents, or is an emblem of, their deity. Where he goes they follow; where he stops, there they encamp; but of course we are to suppose he is in reality under the secret control of the ‘naik.’ Anyhow, he is to these wanderers an embodiment of their religion.”   The cortege seemed interminable, and for two hours there was no sign of an approaching end.

At the bottom of the passage, behind thick steel doors, I witnessed the true wealth of that country. Others have estimated the value in those rooms of grains, of nuts, of beans; of the millions in canned foie and white asparagus; of the greenhouses under their orange lights, and the vast spice grottos. I can't quote numbers. I can only say what happened when I pressed my face to a wheel of ten-year Parmigiano, how in a burst of grass and ripe pineapple I stood in some green meadow that existed only in the resonance, like a bell's fading peal, of that aroma. I can tell you how it was to cradle wines and vinegars older than myself, their labels crying out the names of lost traditions. And I can tell you of the ferocious crack in my heart when I walked into the deep freezer to see chickens, pigs, rabbits, cows, pheasants, tunas, sturgeon, boars hung two by two. No more boars roamed the world above, no Öland geese, no sharks; the day I climbed the mountain, there vanished wild larks. I knew, then, why the storerooms were guarded as if they held gold, or nuclear armaments. They hid something rarer still: a passage back through time. The animal carcasses were left unskinned. In the circulating air, the extinct revolved on their hooks to greet me.

Even in the dry heat of summer's end, the great forest was never silent. Along the ground – soft, bare soil, twigs and fallen branches, decaying leaves black as ashes – there ran a continuous flow of sound. As a fire burns with a murmur of flames, with the intermittent crack of exploding knots în the logs and the falling and settling of coal, so on the forest floor the hours of dusky light consumed away with rustlings, patterings, sighing and dying of breeze, scuttlings of rodents, snakes, lizards and now and then the padding of some larger animal on the move. Above, the green dusk of creepers and branches formed another realm, inhabited by the monkeys and sloths, by hunting spiders and birds innumerable -creatures passing all their lives high above the ground. Here the noises were louder and harsher –chatterings, sudden cacklings and screams, hollow knockings, bell-like calls and the swish of disturbed leaves and branches. Higher still, in the topmost tiers, where the sunlight fell upon the outer surface of the forest as upon the upper side of an expanse of green clouds, the raucous gloom gave place to a silent brightness, the province of great butterflies flitting across the sprays in a solitude where no eye admired nor any ear caught the minute sounds made by those marvellous wings.

This book festival...grew to attract thousands of visitors every year. Now they felt like they needed a new purpose. The festival’s continuing existence felt assured. What was it for? What could it do? How could it make itself count? The festival’s leadership reached out to me for advice on these questions. What kind of purpose could be their next great animating force? Someone had the idea that the festival’s purpose could be about stitching together the community. Books were, of course, the medium. But couldn’t an ambitious festival set itself the challenge of making the city more connected? Couldn’t it help turn strong readers into good citizens? That seemed to me a promising direction—a specific, unique, disputable lodestar for a book festival that could guide its construction...We began to brainstorm. I proposed an idea: Instead of starting each session with the books and authors themselves, why not kick things off with a two-minute exercise in which audience members can meaningfully, if briefly, connect with one another? The host could ask three city- or book-related questions, and then ask each member of the audience to turn to a stranger to discuss one of them. What brought you to this city—whether birth or circumstance? What is a book that really affected you as a child? What do you think would make us a better city? Starting a session with these questions would help the audience become aware of one another. It would also break the norm of not speaking to a stranger, and perhaps encourage this kind of behavior to continue as people left the session. And it would activate a group identity—the city’s book lovers—that, in the absence of such questions, tends to stay dormant. As soon as this idea was mentioned, someone in the group sounded a worry. “But I wouldn’t want to take away time from the authors,” the person said. There it was—the real, if unspoken, purpose rousing from its slumber and insisting on its continued primacy. Everyone liked the idea of “book festival as community glue” in theory. But at the first sign of needing to compromise on another thing in order to honor this new something, alarm bells rang. The group wasn’t ready to make the purpose of the book festival the stitching of community if it meant changing the structure of the sessions, or taking time away from something else. Their purpose, whether or not they admitted it, was the promotion of books and reading and the honoring of authors. It bothered them to make an author wait two minutes for citizens to bond. The book festival was doing what many of us do: shaping a gathering according to various unstated motivations, and making half-hearted gestures toward loftier goals.

Dr. Syngmann: But someone must have made it all. Don't you think so, John? Pastor Jón: Thou shalt love the Lord thy God with all thy heart and so on, said the late pastor Lens. Dr. Syngmann: Listen, John, how is it possible to love God? And what reason is there for doing so? To love, is that not the prelude to sleeping together, something connected with the genitals, at its best a marital tragedy among apes? It would be ridiculous. People are fond of their children, all right, but if someone said he was fond of God, wouldn't that be blasphemy? Pastor Jón once again utters that strange word 'it' and says: I accept it. Dr. Syngmann: What do you mean when you say you accept God? Did you consent to his creating the world? Do you think the world as good as all that, or something? This world! Or are you all that pleased with yourself? Pastor Jón: Have you noticed that the ewe that was bleating outside the window is now quiet? She has found her lamb. And I believe that the calf here in the homefield will pull through. Dr. Syngmann: I know as well as you do, John, that animals are perfect within their limits and that man is the lowest rung in the reverse-evolution of earthly life: one need only compare the pictures of an emperor and a dog to see that, or a farmer and the horse he rides. But I for my part refuse to accept it. Pastor Jón Prímus: To refuse to accept it - what is meant by that? Suicide or something? Dr. Syngmann: At this moment, when the alignment with a higher humanity is at hand, a chapter is at last beginning that can be taken seriously in the history of the earth. Epagogics provide the arguments to prove to the Creator that life is an entirely meaningless gimmick unless it is eternal. Pastor Jón: Who is to bell the cat? Dr. Syngmann: As regards epagogics, it is pleading a completely logical case. In six volumes I have proved my thesis with incontrovertible arguments; even juridically. But obviously it isn't enough to use cold reasoning. I take the liberty of appealing to this gifted Maker's honour. I ask Him - how could it ever occur to you to hand over the earth to demons? The only ideal over which demons can unite is to have a war. Why did you permit the demons of the earth to profess their love to you in services and prayers as if you were their God? Will you let honest men call you demiurge, you, the Creator of the world? Whose defeat is it, now that the demons of the earth have acquired a machine to wipe out all life? Whose defeat is it if you let life on earth die on your hands? Can the Maker of the heavens stoop so low as to let German philosophers give Him orders what to do? And finally - I am a creature you have created. And that's why I am here, just like you. Who has given you the right to wipe me out? Is justice ridiculous in your eyes? Cards on the table! (He mumbles to himself.) You are at least under an obligation to resurrect me!

When inanimate things ceased to commune with me like natural men, other dreams came to live with me. Animals took on lives and characteristics which nobody knew anything about except myself. Little things that people did or said grew into fantastic stories. There was a man who turned into an alligator for my amusement. All he did was live in a one-room house by himself down near Lake Belle. I did the rest myself. He came into the village one evening near dusk and stopped at the store. Somebody teased him about living out there by himself, and said that if he did not hurry up and get married, he was liable to go wild. I saw him tending his little garden all day, and otherwise just being a natural man. But I made an image of him for after dark that was different. In my imagination, his work-a-day hands and feet became the reptilian claws of an alligator. A tough, knotty hide crept over him, and his mouth became a huge snout with prong-toothed, powerful jaws. In the dark of the night, when the alligators began their nightly mysteries behind the cloaking curtain of cypress trees that all but hid Lake Belle, I could see him crawling from his door, turning his ugly head from left to right to see who was looking, then gliding down into the dark waters to become a ’gator among ’gators. He would mingle his bellow with other bull ’gator bellows and be strong and terrible. He was the king of ’gators and the others minded him. When I heard the thunder of bull ’gator voices from the lake on dark nights, I used to whisper to myself, “That’s Mr. Pendir! Just listen at him!

The Master's Eyes Shining with Secrets Those bells ringing on the mist-covered mountain signify that the Master of the Temple is dead. The fact of the matter is that the monks there finally killed him. It seems that a few years ago the Master of the Temple began to exhibit some odd and very unpleasant forms of behavior. He apparently lost all sense of earthly decorum, even losing control over his own body. At one point an extra head sprouted from the side of the Master's neck, and this ugly little thing started to issue all sorts of commands and instructions to the monks which only their lofty sense of decency and order prevented them from carrying out. Eventually the Master of the Temple was confined to a small room in an isolated part of the monastery. There, this once wise and beloved teacher was looked after like an animal. For several years the monks put up with the noises he made, the diverse shapes he took. Finally, they killed him. It is whispered among students of enlightenment that one may achieve a state of being in which enlightenment itself loses all meaning, with the consequence that one thereby becomes subject to all manner of strange destinies. And the monks? After the assassination they scattered in all directions. Some hid out in other monasteries, while others went back to live among the everyday inhabitants of this earth. But it was not as if they could escape their past by fleeing it, no more than they could rid themselves of their old master by killing him. For even after the death of his material self, the Master of the Temple sought out those who were once under his guidance; and upon these unhappy disciples he now bestowed, somewhat insistently, his terrible illumination.

But we have, if not our understanding, our own experience, and it feels to me sealed, inviolable, ours. We have a last, deep week together, because Wally is not on morphine yet, because he has just enough awareness, just enough ability to communicate with me. I’m with him almost all day and night- little breaks, for swimming, for walking the dogs. Outside it snows and snows, deeper and deeper; we seem to live in a circle of lamplight. I rub his feet, make him hot cider. All week I feel like we’re taking one another in, looking and looking. I tell him I love him and he says I love you, babe, and then when it’s too hard for him to speak he smiles back at me with the little crooked smile he can manage now, and I know what it means. I play music for him, the most encompassing and quiet I can find: Couperin, Vivaldi, the British soprano Lesley Garret singing arias he loved, especially the duet from Lakme: music of freedom, diving, floating. How can this be written? Shouldn’t these sentences simply be smithereened apart, broken in a hurricane? All that afternoon he looks out at us though a little space in his eyes, but I know he sees and registers: I know that he’s loving us, actively; if I know nothing else about this man, after nearly thirteen years, I know that. I bring all the animals, and then I sit there myself, all afternoon, the lamps on. The afternoon’s so quiet and deep it seems almost to ring, like chimes, a cold, struck bell. I sit into the evening, when he closes his eyes. There is an inaudible roaring, a rush beneath the surface of things, beneath the surface of Wally, who has now almost no surface- as if I could see into him, into the great hurrying current, that energy, that forward motion which is life going on. I was never this close to anyone in my life. His living’s so deep and absolute that it pulls me close to that interior current, so far inside his life. And my own. I know I am going to be more afraid than I have ever been, but right now I am not afraid. I am face to face with the deepest movement in the world, the point of my love’s deepest reality- where he is most himself, even if that self empties out into no one, swift river hurrying into the tumble of rivers, out of individuality, into the great rushing whirlwind of currents. All the love in the world goes with you.

The presence of this extraordinary being caused, as it were, a breath of life to circulate throughout the entire cathedral. It seemed as though there escaped from him, at least according to the growing superstitions of the crowd, a mysterious emanation which animated all the stones of Notre-Dame, and made the deep bowels of the ancient church to palpitate. It sufficed for people to know that he was there, to make them believe that they beheld the thousand statues of the galleries and the fronts in motion. And the cathedral did indeed seem a docile and obedient creature beneath his hand; it waited on his will to raise its great voice; it was possessed and filled with Quasimodo, as with a familiar spirit. One would have said that he made the immense edifice breathe. He was everywhere about it; in fact, he multiplied himself on all points of the structure. Now one perceived with affright at the very top of one of the towers, a fantastic dwarf climbing, writhing, crawling on all fours, descending outside above the abyss, leaping from projection to projection, and going to ransack the belly of some sculptured gorgon; it was Quasimodo dislodging the crows. Again, in some obscure corner of the church one came in contact with a sort of living chimera, crouching and scowling; it was Quasimodo engaged in thought. Sometimes one caught sight, upon a bell tower, of an enormous head and a bundle of disordered limbs swinging furiously at the end of a rope; it was Quasimodo ringing vespers or the Angelus. Often at night a hideous form was seen wandering along the frail balustrade of carved lacework, which crowns the towers and borders the circumference of the apse; again it was the hunchback of Notre-Dame. Then, said the women of the neighborhood, the whole church took on something fantastic, supernatural, horrible; eyes and mouths were opened, here and there; one heard the dogs, the monsters, and the gargoyles of stone, which keep watch night and day, with outstretched neck and open jaws, around the monstrous cathedral, barking. And, if it was a Christmas Eve, while the great bell, which seemed to emit the death rattle, summoned the faithful to the midnight mass, such an air was spread over the sombre façade that one would have declared that the grand portal was devouring the throng, and that the rose window was watching it. And all this came from Quasimodo. Egypt would have taken him for the god of this temple; the Middle Ages believed him to be its demon: he was in fact its soul.

I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.

Given that at all times, so long as there have been human beings, there have also been herds of human beings (racial groups, communities, tribes, peoples, states, churches) and always a great many followers in relation to the small number of those issuing orders―and taking into consideration also that so far nothing has been better and longer practised and cultivated among human beings than obedience, we can reasonably assume that typically now the need for obedience is inborn in each individual, as a sort of formal conscience which states "You are to do something or other without conditions, and leave aside something else without conditions," in short, "Thou shalt." This need seeks to satisfy itself and to fill its form with some content. Depending on its strength, impatience, and tension, it seizes on something, without being very particular, like a coarse appetite, and accepts what someone or other issuing commands―parents, teachers, laws, class biases, public opinion―shouts in people's ears. The curiously limitation of human development―the way it hesitates, takes so long, often regresses, and turns around on itself―is based on the fact that the herd instinct of obedience is passed on best and at the expense of the art of commanding. If we imagine this instinct at some point striding right to its ultimate excess, then there would finally be a total lack of commanders and independent people, or they would suffer inside from a bad conscience and find it necessary first to prepare a deception for themselves in order to be able to command, as if they, too, were only obeying orders. This condition is what, in fact, exists nowadays in Europe: I call it the moral hypocrisy of those in command. They don't know how to protect themselves from their bad conscience except by behaving as if they were carrying out older or higher orders (from ancestors, the constitution, rights, law, or even God), or they even borrow herd maxims from the herd way of thinking, for example, as "the first servant of their people" or as "tools of the common good." On the other hand, the herd man in Europe today makes himself appear as if he is the single kind of human being allowed, and he glorifies those characteristics of his thanks to which he is tame, good natured, and useful to the herd, as the really human virtues, that is, public spiritedness, wishing everyone well, consideration, diligence, moderation, modesty, forbearance, and pity. For those cases, however, where people believe they cannot do without a leader and bell wether, they make attempt after attempt to replace the commander by adding together collections of clever herd people All the representative constitutional assemblies, for example, have this origin. But for all that, what a blissful relief, what a release from a pressure which is growing unbearable is the appearance of an absolute commander for these European herd animals. The effect which the appearance of Napoleon made was the most recent major evidence for that:―the history of the effect of Napoleon is almost the history of the higher happiness which this entire century derived from its most valuable men and moments.

Given that at all times, so long as there have been human beings, there have also been herds of human beings (racial groups, communities, tribes, peoples, states, churches) and always a great many followers in relation to the small number of those issuing orders - and taking into consideration also that so far nothing has been better and longer practised and cultivated among human beings than obedience, we can reasonably assume that typically now the need for obedience is inborn in each individual, as a sort of formal conscience which states "You are to do something or other without conditions, and leave aside something else without conditions," in short, "Thou shalt." This need seeks to satisfy itself and to fill its form with some content. Depending on its strength, impatience, and tension, it seizes on something, without being very particular, like a coarse appetite, and accepts what someone or other issuing commands - parents, teachers, laws, class biases, public opinion - shouts in people's ears. The curiously limitation of human development - the way it hesitates, takes so long, often regresses, and turns around on itself - is based on the fact that the herd instinct of obedience is passed on best and at the expense of the art of commanding. If we imagine this instinct at some point striding right to its ultimate excess, then there would finally be a total lack of commanders and independent people, or they would suffer inside from a bad conscience and find it necessary first to prepare a deception for themselves in order to be able to command, as if they, too, were only obeying orders. This condition is what, in fact, exists nowadays in Europe: I call it the moral hypocrisy of those in command. They don't know how to protect themselves from their bad conscience except by behaving as if they were carrying out older or higher orders (from ancestors, the constitution, rights, law, or even God), or they even borrow herd maxims from the herd way of thinking, for example, as "the first servant of their people" or as "tools of the common good." On the other hand, the herd man in Europe today makes himself appear as if he is the single kind of human being allowed, and he glorifies those characteristics of his thanks to which he is tame, good natured, and useful to the herd, as the really human virtues, that is, public spiritedness, wishing everyone well, consideration, diligence, moderation, modesty, forbearance, and pity. For those cases, however, where people believe they cannot do without a leader and bell wether, they make attempt after attempt to replace the commander by adding together collections of clever herd people All the representative constitutional assemblies, for example, have this origin. But for all that, what a blissful relief, what a release from a pressure which is growing unbearable is the appearance of an absolute commander for these European herd animals. The effect which the appearance of Napoleon made was the most recent major evidence for that: - the history of the effect of Napoleon is almost the history of the higher happiness which this entire century derived from its most valuable men and moments.

I was standing lost, sunk, my hands in my pockets, gazing toward Tinker Mountain and feeling the earth reel down. All at once, I saw what looked like a Martian spaceship whirling towards me in the air. It flashed borrowed light like a propeller. Its forward motion greatly outran its fall. As I watched, transfixed, it rose, just before it would have touched a thistle, and hovered pirouetting in one spot, then twirled on and finally came to rest. I found it in the grass; it was a maple key…Hullo. I threw it into the wind and it flew off again, bristling with animate purpose, not like a thing dropped or windblown, pushed by the witless winds of convection currents hauling round the world’s rondure where they must, but like a creature muscled and vigorous, or a creature spread thin to that other wind, the wind of the spirit that bloweth where it listeth, lighting, and raising up, and easing down. O maple key, I thought, I must confess I thought, o welcome, cheers. And the bell under my ribs rang a true note, a flourish of blended horns, clarion, sweet, and making a long dim sense I will try at length to explain. Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. That breath never ceases to kindle, exuberant, abandoned; frayed splinters spatter in every direction and burgeon into flame. And now when I sway to a fitful wind, alone and listing, I will think, maple key. When I see a photograph of earth from outer space, the planet so startlingly painterly and hung, I will think, maple key. When I shake your hand or meet your eyes, I will think two maple keys. If I am maple key falling, at least I can twirl. Thomas Merton wrote, “There is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It’s no self-conscious, so apparently moral, simple to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus. Ezekiel excoriates false prophets who have “not gone up into the gaps.” The gaps are the thing. The gaps are the spirit’s one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself for the first time like a once blind man unbound. The gaps are the cliffs in the rock where you cower to see the back parts of God; they are the fissures between mountains and cells the wind lances through, the icy narrowing fjords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock- more than a maple- a universe. This is how you spend the afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you.

Yet let us reflect, where does the animal cease, where does man begin? — man, who is nature’s sole concern! As long as anyone desires life as he desires happiness, he has not yet raised his eyes above the horizon of the animal, for he only desires more consciously what the animal seeks through blind impulse. But that is what we all do for the greater part of our lives; usually we fail to emerge out of animality, we ourselves are the animals whose suffering seems to be senseless. But there are moments when we realize this: then the clouds are rent asunder, and we see that, in common with all nature, we are pressing towards something that stands high above us. In this sudden illumination we gaze around us and behind us with a shudder; we behold the more subtle beasts of prey and there we are in the midst of them. The tremendous coming and going of men on the great wilderness of the earth, their founding of cities and states their wars their restless assembling and scattering again, their confused mingling, mutual imitation, mutual outwitting and downtreading, their wailing in distress, their howls of joy in victory — all this is a continuation of animality; as though man was to be deliberately retrogressed and defrauded of his metaphysical disposition, indeed as though nature, after having desired and worked at man for so long, now drew back from him in fear and preferred to return to the unconsciousness of instinct. Nature needs knowledge and it is terrified of the knowledge it has need of; and so the flame flickers restlessly back and forth as though afraid of itself and seizes upon a thousand things before it seizes upon that on account of which nature needs knowledge at all. In individual moments we all know how the most elaborate arrangements of our life are made only so as to flee from the tasks we actually ought to be performing, how we would like to hide our head somewhere as though our hundred-eyed conscience could not find us out there, how we hasten to give our heart to the state, to money-making, to sociability or science merely so as no longer to possess it ourselves, how we labor at our daily work more ardently and thoughtlessly than is necessary to sustain our life because to us it is even more necessary not to have leisure to stop and think. Haste is universal because everyone is in flight from himself; universal too is the shy concealment of this haste because everyone wants to seem content and would like to deceive more sharp-eyed observers as to the wretchedness he feels; and also universal is the need for new tinkling word-bells to hang upon life and so bestow upon it an air of noisy festivity. Everyone is familiar with the strange condition in which unpleasant memories suddenly assert themselves and we then make great efforts, through vehement noise and gestures, to banish them from our minds: but the noise and gestures which are going on everywhere reveal that we are all in such a condition all the time, that we live in fear of memory and of turning inward. But what is it that assails us so frequently, what is the gnat that will not let us sleep? There are spirits all around us, every moment of our life wants to say something to us, but we refuse to listen to these spirit-voices. We are afraid that when we are alone and quiet something will be whispered into our ear, and so we hate quietness and deafen ourselves with sociability.

Meanwhile the rain continued to beat sonorously down upon the wooden roof, and could be heard trickling into a water butt; nor for a single moment did the dogs cease to bark with all the strength of their lungs. One of them, throwing up its head, kept venting a howl of such energy and duration that the animal seemed to be howling for a handsome wager; while another, cutting in between the yelpings of the first animal, kept restlessly reiterating, like a postman's bell, the notes of a very young puppy. Finally, an old hound which appeared to be gifted with a peculiarly robust temperament kept supplying the part of contrabasso, so that his growls resembled the rumbling of a bass singer when a chorus is in full cry, and the tenors are rising on tiptoe in their efforts to compass a particularly high note, and the whole body of choristers are wagging their heads before approaching a climax, and this contrabasso alone is tucking his bearded chin into his collar, and sinking almost to a squatting posture on the floor, in order to produce a note which shall cause the windows to shiver and their panes to crack. Naturally,

Un animal noble ou une belle fleur sont « intellectuellement » supérieurs à un homme vil. Dieu se révèle à la plante sous la forme de la lumière solaire. La plante se tourne irrésistiblement vers la lumière; elle ne saurait être athée ou impie.

Moon Fishing" When the moon was full they came to the water. some with pitchforks, some with rakes, some with sieves and ladles, and one with a silver cup. And they fished til a traveler passed them and said, "Fools, to catch the moon you must let your women spread their hair on the water — even the wily moon will leap to that bobbing net of shimmering threads, gasp and flop till its silver scales lie black and still at your feet.” And they fished with the hair of their women till a traveler passed them and said, "Fools, do you think the moon is caught lightly, with glitter and silk threads? You must cut out your hearts and bait your hooks with those dark animals; what matter you lose your hearts to reel in your dream?” And they fished with their tight, hot hearts till a traveler passed them and said, "Fools, what good is the moon to a heartless man? Put back your hearts and get on your knees and drink as you never have, until your throats are coated with silver and your voices ring like bells.” And they fished with their lips and tongues until the water was gone and the moon had slipped away in the soft, bottomless mud.

The fact that there were more adults than children at her party didn't seem to faze Dixie. "That child is like a dandelion," Lettie said. "She could grow through concrete." Dixie's birthday party had a combination Mardi Gras/funeral wake feel to it. Mr. Bennett and Digger looped and twirled pink crepe paper streamers all around the white graveside tent until it looked like a candy-cane castle. Leo Stinson scrubbed one of his ponies and gave pony rides. Red McHenry, the florist's son, made a unicorn's horn out of flower foam wrapped with gold foil, and strapped it to the horse's head. "Had no idea that horse was white," Leo said, as they stood back and admired their work. Angela, wearing an old, satin, off-the-shoulder hoop gown she'd found in the attic, greeted each guest with strings of beads, while Dixie, wearing peach-colored fairy wings, passed out velvet jester hats. Charlotte, who never quite grasped the concept of eating while sitting on the ground, had her driver bring a rocking chair from the front porch. Mr. Nalls set the chair beside Eli's statue where Charlotte barked orders like a general. "Don't put the food table under the oak tree!" she commanded, waving her arm. "We'll have acorns in the potato salad!" Lettie kept the glasses full and between KyAnn Merriweather and Dot Wyatt there was enough food to have fed Eli's entire regiment. Potato salad, coleslaw, deviled eggs, bread and butter pickles, green beans, fried corn, spiced pears, apple dumplings, and one of every animal species, pork barbecue, fried chicken, beef ribs, and cold country ham as far as the eye could see.

La femme séduite est "énamourée". Difficile à regarder. C'est comme un animal. J'essaie de séduire. Puis quand c'est fait, je trouve ridicule la personne séduite. Incapable d'en jouir. Je l'ai rendue idiote, la belle affaire. Tour de cartes. Mais je joue avec mes cartes. Quel drôle de prestidigitateur, qui en veut aux spectateurs de croire, de l'applaudir, qui joue sans jouer, qui souffre de tromper sans tromper. Oui quelle drôle de vie.

My person says I don’t understand cause and effect. That’s not true, I get it: roll in the mud, you get the bath. But what she doesn’t understand is, sometimes it’s just plain worth it. - Belle, Dog Only Knows

How do you know there aren't such things as dragons?... What do you think you know about animals and things? I've lived with snakes and things since I was a child. Alone. Have you ever seen a praying mantis eat her husband after they've made love? Have you ever seen the mongoose dance? Or an octopus dance? How long is a hummingbird's tongue? Have you ever had a pet snake that wore a bell round its neck and rang it to wake you? Have you seen a scorpion get sunstroke and kill itself with its own sting Have you seen the carpet of flowers under the sea at night? Do you know that a John Crow can smell a dead lizard a mile away? Oh, you're just city folk like all the rest." -Honeychile Rider

Don Fabrizio remembered a conversation with Father Pirrone some months before in the sunlit observatory. What the Jesuit had predicted had come to pass. But wasn’t it perhaps good tactics to insert himself into the new movement, make at least part use of it for a few members of his own class? The worry of his imminent interview with Don Calogero lessened. “But the rest of his family, Don Ciccio, what are they really like?” “Excellency, no one has laid eyes on Don Calogero’s wife for years, except me. She only leaves the house to go to early Mass, the five o’clock one, when it’s empty. There’s no organ-playing at that hour; but once I got up early just to see her. Donna Bastiana came in with her maid, and as I was hiding behind a confessional I could not see very much; but at the end of Mass the heat was too great for the poor woman and she took off her black veil. Word of honour, Excellency, she was lovely as the sun, one can’t blame Don Calogero, who’s a beetle of a man, for wanting to keep her away from others. But even in the best kept houses secrets come out; servants talk; and it seems Donna Bastiana is a kind of animal: she can’t read or write or tell the time by a clock, can scarcely talk; just a beautiful mare, voluptuous and uncouth; she’s incapable even of affection for her own daughter! Good for bed and that’s all.” Don Ciccio, who, as protégé of queens and follower of princes, considered his own simple manners to be perfect, smiled with pleasure. He had found a way of getting some of his own back on the suppressor of his personality. “Anyway,” he went on, “one couldn’t expect much else. You know whose daughter Donna Bastiana is, Excellency?” He turned, rose on tiptoe, pointed to a distant group of huts which looked as if they were slithering off the edge of the hill, nailed there just by a wretched-looking bell-tower: a crucified hamlet. “She’s the daughter of one of your peasants from Runci, Peppe Giunta he was called, so filthy and so crude that everyone called him Peppe “Mmerda” . . . excuse the word, Excellency.” Satisfied, he twisted one of Teresina’s ears round a finger. “Two years after Don Calogero had eloped with Bastiana they found him dead on the path to Rampinzeri, with twelve bullets in his back. Always lucky, is Don Calogero, for the old man was getting above himself and demanding, they say.” Much of this was known to Don Fabrizio and had already been balanced up in his mind; but the nickname of Angelica’s grandfather was new to him; it opened a profound historical perspective, and made him glimpse other abysses compared to which Don Calogero himself seemed a garden flowerbed. The Prince began to feel the ground giving way under his feet; how ever could Tancredi swallow this? And what about himself? He found himself trying to work out the relationship between the Prince of Salina, uncle of the bridegroom, and the grandfather of the bride; he found none, there wasn’t any. Angelica was just Angelica, a flower of a girl, a rose merely fertilised by her grandfather’s nickname. Non olet, he repeated, non olet; in fact optime foeminam ac contuberninum olet.

La monotonia, un lavoro fisso che non portava a niente, anime che cercavano altre anime per sfuggire ad imbarazzanti silenzi ed una città senza stimoli che cercava di camuffare la noia dietro falsi sorrisi, musica assordante e belle gambe inavvicinabili. Niente di buono. Ma era incredibile come la gente riusciva ad adattarsi

As Loretta drew near the door, Tom cried, “No! You miserable coward, Henry. You send that girl out there, and you’ll never sleep a whole night through the rest of your life.” Loretta touched the door planks and froze. Through the cracks she heard bells tinkling, a merry sound, as out of place as cheerful music at a funeral. She made the sign of the cross and squeezed her eyes closed, trying to remember how to make an act of contrition, but the words jumbled in her head. “Henry, no,” Rachel pleaded. “Loretta, don’t open that door. If they want a woman, I’ll go.” “It’s not you they’re wantin’,” Henry snapped. “One of ’em spotted Loretta down by the river the other day, and he’s come back for her. They’ll shoot ya down where ya stand.” Rachel whirled on her husband. “That girl’s my sister’s daughter. I’ll never forgive you if you let her go out there!” “Ya don’t have to do it, Loretta,” Tom argued. “There’s some things worse than dyin’, and this is one of ’em.” Loretta hesitated. Then the door squeaked on its leather hinges, swinging open a crack. A shaft of light fell across her face. She stepped across the threshold. Better just me than everyone. Another step. Better the Comanches take me than Amy. It wasn’t so hard, now that she was doing it. She took a deep breath and walked out onto the porch. The door slammed shut behind her, and the bar thudded home with an echo of finality. Staring at her with impenetrable blue-black eyes, the warrior on the black nudged the animal a pace forward. With that relentless eye-to-eye contact, he held her pinioned where she stood. For what seemed a lifetime, he studied her, not moving, not speaking, his lance still held aloft. Loretta’s courage disintegrated, and a violent tremor swept the length of her. He noted the shudder, and his observant gaze trailed up her body in its wake. His attention fell to her hips, lingered there with an insulting contempt, then traveled upward to her breasts. Humiliation scorched her cheeks.

We stole the sky from the birds, with clouds that cache fly ash from the coal. Spoiled the waters with spilled oil, now the fish wish to live in a bowl. Beheaded the trees in the name of growth; concrete roads erode the soil from its soul. Poached and piled animals like wild animals, and forgot to realize the rise in their death toll. Flogged the icebergs down with the whip of heat, and rang hell's bells from pole to pole. We are already sinners against nature, is reaching the sinners by nature stature our ultimate goal?

With him all the broken pieces of my heart get mended, put back together again bit by bit. He can always tell when I am sad. He will ask me What have they been doing to you now. He knows that I am a wounded animal, that they pour salt on the open sores just to hear me moan. He tells me that in the end it will come out all right. He tells me Blessed are they that mourn for they shall be comforted...I need his presence in my life to learn that all men are not terrible, are not to be feared.

Did you know that attack dogs are often female? Did you know that women protect with the most ferocity in most animal kingdoms, that our teeth are for more than smiling? Us girls are many things, and weak has never been one of them.

Did you know that attack dogs are often female? Did you know that women protect with the most ferocity in most animal kingdoms, that our teeth are for more than smiling? Us girls are many things, and weak has never been one of them.

To live in a nonsensical system is to constantly try to make things make sense, but sense is not profitable either. It is not profitable for the stream to flow, for the tree to stand, for the animals to prance and sit and be. We have been conditioned to prioritize what is profitable, and we all walk around with a hole in our heart because being is not profitable. Only wanting is.