Begins With A Single Step Quotes

The journey of a thousand miles begins with a single step.

The journey of a thousand miles begins with a single step. Watch your step.

Every journey begins with a single step.

Do the difficult things while they are easy and do the great things while they are small. A journey of a thousand miles must begin with a single step.

A journey of a thousand miles begins with a single step." Lao Tzu. "Just try to make sure that you step in the right direction.

A journey of a thousand miles begins with a single step.

The most important step is the first step. All those old sayings are really true. Well begun is half done. Don’t get it perfect, get it going. A journey of a thousand miles begins with a single step. Nothing is more exhausting than the task that’s never started, and strangely, starting is often far harder than continuing.

They say a journey of a thousand miles begins with a single step. I took mine and fell flat on my face. As a young woman, I dreamed of changing the world. In my twenties, I went to africa to try and save the continent, only to learn that Africans neither wanted nor needed saving. Indeed, when I was there, I saw some of the worst that good intentions, traditional charity, and aid can produce... I concluded that if I could only nudge the world a little bit, maybe that would be enough. But nudging isn't enough.

There is always a way out for those cleaver enough to find it-Athena When you wake up, you have two choices, to go on dreaming your dreams or get up and chase them. It's not about the destination, it's about the journey. a journey begins with a single step.

In that moment, the moon and the sun shared the sky. For all of eternity, the moon and sun have chased each other around the world. Long into the future, they will continue this chase, merging the days into months into years into centuries, until the day the sun cannot take the separation any longer and she shatters, engulfing the moon and everything else in a burst of light. Most will call it the day of final judgment. The end. To the sun and the moon, it will only be the beginning. For the smallest of instants each day, they pause in this chase. They pause and look back at one another, smiling as if sharing a secret. Two lovers that can never exist as one, except in that single, brief instant. Lying there, Persephone smiled too. And as quickly as a smile parts two lips, the two sky wanderers parted ways. The chase was on again. Night gave way to day. That is true love, she had always thought. No force but love can impel one to step willingly into the shadows so that the other may shine.

Whether you flounder or flourish is always in your hands—you are the single biggest influence in your life. Your journey begins with a choice to get up, step out, and live fully.

Every journey begins with a single step. Clear your mind of can’t. Fear is what stops you; courage is what keeps you going.

How can you come to understand your life when even the beginning is so complicated: a single cell imprinted with the color of your eyes and the shape of your face the pattern on your palm and the moods that will shadow you through your life. How can you be alive when every choice you make breaks the world into a thousand filaments each careless step branching into long tributaries of alternate lives shuddering outward and outward like sheet lightning.

Every big castle was once started with a single block; despise no small beginnings. A little step taken every day builds up the hope of greater accomplishments. Do something every day!

Work at things before they’ve begun and establish order before confusion sets in, for a tree you can barely reach around grows from the tiniest rootlet, a nine-tiered tower starts as a basket of dirt, a thousand-mile journey begins with a single step.

A journey of a million miles, always begins with a single step

But all we need to do is begin. The rest will take care of itself. A journey of a thousand miles starts with a single step.

By the yard it's hard, but inch by inch, anything's a cinch A journey of a thousand leagues begins with a single step In addition, to keep your energy levels at their highest, be careful about what you eat. Start the day with a high protein, low fat and low carbohydrate breakfast. Eat saladswith fish or chicken at lunch. Avoid sugar, salt, white flour products or deserts. Avoid soft drinks and candy bars or pastries. Feed yourself as you would feed a world class athlete before a competition, because in many respects, that’s what you are before starting work each day

A journey to nowhere also begins with a single step

A journey begins with a single step

The Journey of A Thousand Miles begins with a Single Step

A journey of a thousand miles begins with a single step unless you missed it.

A tree too big to embrace Is born from a slender shoot. A nine-storey tower Rises from a pile of earth. A thousand-mile journey Begins with a single step.

When we feel discouraged, it is so easy to feel more discouraged; when we feel dissatisfied, it is only a step to that condition that is practically intolerable. It is therefore necessary to stop all detrimental feeling in the beginning. Do not permit a single adverse feeling to continue for a second. Change the mind at once by turning your attention upon something that will make you feel better. Resolve to feel the way you want to feel under all circumstances, and you will gradually develop the power to do so.

...like that legendary journey that begins with a single step, I had already embarked upon my first resentment. A petty one, but most resentments are. And one that for its smallness I felt obliged to repress.

Conversations are like dances. Two people effortlessly move in step with one another, usually anticipating the other person's next move. If one of the dancers moves in an unexpected direction, the other typically adapts and builds on the new approach. As with dancing, it is often difficult to tell who is leading and who is following in that the two people are constantly affecting each other. And once the dance begins, it is almost impossible for one person to singly dictate the couple's movement.

Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me. Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down. The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway. Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing. And then rising from within me is a single thought: I don’t want to die. All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no. Burning and boiling inside me is the desire to live. I don’t want to die I don’t want to die I don’t want to! Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes. Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live. Jeanine holds my head steady with one hand and inserts the needle into my neck with the other. I’m not done! I shout in my head, and not at Jeanine. I am not done here! She presses the plunger down. Peter leans forward and looks into my eyes. “The serum will go into effect in one minute,” he says. “Be brave, Tris.” The words startle me, because that is exactly what Tobias said when he put me under my first simulation. My heart begins to race. Why would Peter tell me to be brave? Why would he offer any kind words at all? All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move. Then the heart monitor stops beeping.

For Marius to arrive at this flourishing condition had required years. Hard years, and difficult ones; those to get through, these to climb. Marius had never given up for a single day. He had undergone everything, in the shape of privation; he had done everything, except get into debt. He gave himself this credit, that he had never owed a sou to anybody. For him a debt was the beginning of slavery. He felt even that a creditor is worse than a master; for a master owns only your person, a creditor owns your dignity and can belabour that. Rather than borrow, he did not eat. He had had many days of fasting. Feeling that all extremes meet, and that if we do not take care, abasement of fortune may lead to baseness of soul, he watched jealously over his pride. Such a habit or such a carriage as, in any other condition, would have appeared deferential, seemed humiliating and he braced himself against it. He risked nothing, not wishing to take a backward step. He had a kind of stern blush upon his face. He was timid even to rudeness. In all his trials he felt encouraged and sometimes even upborne by a secret force within. The soul helps the body, and at certain moments uplifts it. It is the only bird which sustains its cage.

The path to wisdom does, in fact, begin with a single step. Where people go wrong is in ignoring all the thousands of other steps that come after it.

The journey of a thousand miles begins with a single step.” ​— ​Lao Tzu

The journey of a thousand miles begins with a single step.” ― Lao Tzu

A journey of a thousand miles begins with a single step. —Laozi

The beginning is the most important part of any work,’ while the Chinese say, ‘A journey of a thousand miles begins with a single step.

Chinese proverb says that a journey of a thousand miles begins with a single step. This journey had begun with the coercion of my body, with my own wild hope.

They say “The journey of a thousand miles begins with a single step’” Get up and take that step! Take baby steps if you want but go for it, Wait no longer…START IT!

The journey of a thousand miles begins with a single step.

A journey of a thousand miles begins with a single step

A journey of a thousand miles begins with a single step.

Every change begins with a single step in the right direction.

As the saying goes, a journey of a thousand miles begins with a single step.

1000 mile road begins with a single step, the freedom road begins with a scream that fires the battle, and the greatness road begins with a question that fires the spark of the change.

The path to wisdom does, in fact, begin with a single step. Where people go wrong is in ignoring all the thousands of other steps that come after it. They make the single step of deciding to become one with the universe and for some reason forget to take the logical next step of living for seventy years on a mountain and a daily bowl of rice and yak butter tea that would give it any meaning. While evidence says that the road to Hell is paved with good intentions, they're probably all on first steps.

Bright Jade was waiting in the garden. “It has been a long journey,” she said. “But remember, a journey of a thousand miles begins with a single step.” “And a journey of a thousand years begins with a single dream,” said Jasmine.

... Should I go to graduate school? What if I made the wrong choice? These questions arise not because there is no pat but because we expect there to be a single one. Uncertainty should invite curiosity and reflection, but instead it generates fear. Learn to accept uncertainty as an important step to true self-discovery. To start finding your path, begin listening to that inner voice. Tap into what you think and feel, what you truly care about. Don't worry about finding your passion and life's calling immediately. Those usually takes time. But do avoid becoming a passenger in your own life.

More importantly, I didn’t know then that one day I would genuinely be free. That freedom came out of a thousand small steps of obedience, most of which I took during the waiting or limbo time. The more I learned to lean into Him on a daily basis and simply live out my faith in the everyday elements, the more I was prepared for the bigger steps when they arrived. Not only that, I was given the gift of living my life fully in the present, rather than being fixated and frustrated over some distant time or hope. In the crossroads called limbo, you do arrive at mile markers. You become more mature. More healed. Less surprised by or resistant to or unprepared for the good things God is giving you in the ordinary. Your challenge is to begin to embrace the waiting times as part of the overall journey. Limbo is a key part of the healing process! As you are faithful daily, He is working in you powerfully, and it all counts. Every single moment!

The journey of a thousand miles begins with a single step?” I asked intuitively. “Precisely. And getting good at accomplishing little feats prepares you for realizing the big ones. So, to answer your question squarely, there is nothing wrong with mapping out a full range of smaller goals in the process of planning your bigger ones.

A journey of a thousand miles begin with a single step.

all we need to do is begin. The rest will take care of itself. A journey of a thousand miles starts with a single step.

YOU ARE STRONGER AND BIGGER AND BRAVER THAN WHAT THEY DID, AND YOU DON’T HAVE TO LET IT DEFINE YOU ANY LONGER. FORGIVE. LET GO. MOVE ON. DON’T LOOK BACK. YOUR NEW BEGINNING IS WAITING.

There are perhaps millions who are sitting on the couch saying, “I’m gonna…” They’ll do it when their finances are perfect, when their children are perfectly grown and stable, when they’ve achieved seniority on the job or some other life marker. Your life will never be perfect. Parts of it will be, at times. You will always be juggling and adjusting in some area of your life. Step away from the couch sitters who are awaiting the single perfect day to begin living their dream. You can choose to live your dream every day if you just take the first step.

You can’t begin your journey of a single step if you are too crushed by your feelings to get up off of the floor. All too often, guilt, frustration, and anger from the past keep you held back.

It's hard to believe that this is how it's done. That this is how we get here into the world, by accident or design, the microscopic pieces of ourselves borne by fluids and blood and growing into a tiny kingdom of cells inside someone else's body. It seems so difficult to become alive. So improbable. . . How can it be possible? she wonders. How can you come to understand your life when even the beginning is so complicated: a single cell imprinted with the color of your eyes and the shape of your face, the pattern on your palm and the moods that will shadow you through your life. How can you be alive when every choice you make breaks the world into a thousand filaments, each careless step branching into long tributaries of alternate lives, shuddering outward and outward like sheet lightning.

I believe that good people often do nothing because they cannot do everything. Because we are led to believe that our contribution is insignificant, we fail to contribute at all. But changing the world does not require that you possess the power to halt global injustice at the snap of fingers. Lao Tzu, philosopher and founder of Taoism, said that "a journey of a thousand miles begins with a single step.

Scholar Marilyn Frye uses the metaphor of a birdcage to describe the interlocking forces of oppression.16 If you stand close to a birdcage and press your face against the wires, your perception of the bars will disappear and you will have an almost unobstructed view of the bird. If you turn your head to examine one wire of the cage closely, you will not be able to see the other wires. If your understanding of the cage is based on this myopic view, you may not understand why the bird doesn’t just go around the single wire and fly away. You might even assume that the bird liked or chose its place in the cage. But if you stepped back and took a wider view, you would begin to see that the wires come together in an interlocking pattern—a pattern that works to hold the bird firmly in place. It now becomes clear that a network of systematically related barriers surrounds the bird. Taken individually, none of these barriers would be that difficult for the bird to get around, but because they interlock with each other, they thoroughly restrict the bird. While some birds may escape from the cage, most will not. And certainly those that do escape will have to navigate many barriers that birds outside the cage do not.

The very first day, I came up with an obstacle course that everyone could do. The kids had to pick their way through five hula hoops lying on the ground; cross a mat by stepping on four giant, brightly colored "feet" that I'd cut out of felt; and then pick up an extra-large beanbag (actually a buckwheat neck and shoulder pillow) and bring it back to the group. I'd bought bags of cheap gold medals at Walmart, the kind you'd put in a little kid's birthday part goody bag. I made sure I had enough for everyone. So even when a child stepped on every single hula hoop and none of the giant feet, he or she got a medal. A few weeks in, I noticed that Adam, a nonverbal thirteen-year-old, was always clutching that medal in whichever hand his mom wasn't holding. The medals weren't very study to begin with, and his was beginning to look a bit worse for wear, so after class I slipped a couple of spares into his mom's purse. Turning to thank me, she had tears in her eyes. "You can't imagine how much it means to him to have a medal," she said. "He sleeps with it.

She gives him a hint of a bow as she returns to her feet, a gentle nod of her head, a movement that reminds him of the beginning of the dance. (Even a pirate can recognize the beginning of a dance.) The next night the pirate stays back from the bars, a polite distance that could be closed in a single step, and the girl comes a breath closer. Another night and the dance continues. A step closer. A step back. A movement to the side.

The journey of a thousand miles doesn't begin with a single step but a revolting ambient ancient trance; and your soul has no chance to formulate the known within all touch free forms drifting islands of taste spring from your blood lips before Venus and Jupiter close in a blink.

The gift of deciding to face your mortality without turning away or flinching is the gift of recognizing that because you will die, you must live now. Whether you flounder or flourish is always in your hands—you are the single biggest influence in your life. Your journey begins with a choice to get up, step out, and live fully.

Organisms are Algorithms How can we be sure that animals such as pigs actually have a subjective world of needs, sensations and emotions? Aren’t we guilty of humanising animals, i.e. ascribing human qualities to non-human entities, like children believing that dolls feel love and anger? In fact, attributing emotions to pigs doesn’t humanise them. It ‘mammalises’ them. For emotions are not a uniquely human quality – they are common to all mammals (as well as to all birds and probably to some reptiles and even fish). All mammals evolved emotional abilities and needs, and from the fact that pigs are mammals we can safely deduce that they have emotions.16 In recent decades life scientists have demonstrated that emotions are not some mysterious spiritual phenomenon that is useful just for writing poetry and composing symphonies. Rather, emotions are biochemical algorithms that are vital for the survival and reproduction of all mammals. What does this mean? Well, let’s begin by explaining what an algorithm is. This is of great importance not only because this key concept will reappear in many of the following chapters, but also because the twenty-first century will be dominated by algorithms. ‘Algorithm’ is arguably the single most important concept in our world. If we want to understand our life and our future, we should make every effort to understand what an algorithm is, and how algorithms are connected with emotions. An algorithm is a methodical set of steps that can be used to make calculations, resolve problems and reach decisions. An algorithm isn’t a particular calculation, but the method followed when making the calculation.

But the truth is that I don’t want to simply offer others a fleeting moment of “inspiration.” I want my story to spark real change. An aha moment becomes most meaningful when it leads us to do more. Dream bigger. Move past our so-called limitations. Defy expectations. Bounce back with the resilience that every single one of us was born with. I didn’t write this book because I want you to say, “Wow, look at what that girl overcame—good for her.” I’m sharing my story because I want you to see what’s possible in your own life. Right here. Right now. Starting the second you pick up your pen and create your own amazing narrative. The words of the Chinese philosopher Lao-tzu have always resonated with me: “A journey of a thousand miles begins with a single step.” What follows is my first step. My first stumble. My first dance. My first dream.

The people are beginning to fear that the Irish Government is merely a, machinery for their destruction; that, for all the usual functions of Government, this Castle-nuisance is altogether powerless; that it is unable, or unwilling, to take a single step for the prevention of famine, for the encouragement of manufactures, or providing fields of industry, and is only active in promoting, by high premiums and bounties, the horrible manufacture of crimes!

The path to wisdom does, in fact, begin with a single step. Where people go wrong is in ignoring all the thousands of other steps that come after it. They make the single step of deciding to become one with the universe, and for some reason forget to take the logical next step of living for seventy years on a mountain and a daily bowl of rice and yak-butter tea that would give it any kind of meaning. While evidence says that the road to Hell is paved with good intentions, they’re probably all on first steps.

Every single pattern asks the journeyer to begin and start some form of inquiry. Next comes a time of trial, often involving pitfalls, and sometimes trickery, but always bringing new and hard-won understanding. The gift of enlarged comprehension, wholeness, and greater perspective is third, sometimes coming suddenly, often with the sense of outside assistance. The fourth step requires actual practice of the wisdom gained, with some component of bringing that knowledge back to the community or those who follow after the journeyer.

When you come to any town And one comes to any town very late When you come very late to any town In case that town happens to be Valjevo Where I also came You'll come by the path you had to come by Which didn't exist before you But was born with you For you to go by your path And meet her whom you must meet On the path you must go by Who was your life Even before you met her Or knew that she existed Both her and the town to which you came. ***** Until she comes into your life And there forever remains She who started towards you From a great distance From somewhere in the Russian Jerusalem From the Caucasus from Pyatigorsk Where she had never been And her name was what it was For instance Vera Pavlodoljska And looked the way she looked The way no one on earth looks anymore. ***** That will be the only town Where you’ve always been And as soon as you heard her name And before you met her You always knew her And already loved her for centuries. When you come to any town And one comes to any town very late When you come very late to any town In case that town happens to be Valjevo You will come stepping to a double echo Yours and the clatter of another Who travels with you And whose voice blows in the wind On an unusual day for that time of year So even you won’t be sure What town that is Nor which are your steps You’ll only know that voice That doesn’t blow in the wind But appears in you ***** When you come very late to any town The world will become a reminder of her And there won’t be a single place on earth Where she won’t be waiting for you Nor a mirror in which she won’t appear Nor blonde hair that isn’t hers Nor a cloud without her silken smile Space, fields and water have remembered her The way she was when you first met her In any town ***** And nothing would be the way that it is If it could have been the way that it couldn’t Because there exists only one town And only one arrival And only one encounter And each is the first and only And it never happened before or after And all towns are one Parts of one single town Of a town above all towns Of a town that is you Towards which everyone goes ***** And as soon as you saw her You loved her from the beginning And in advance rued the parting Which took place Before you met her Because there exists only one town And only one woman And one single day And one song above all songs And one single word And one town in which you heard it And one mouth that said it And from everything about the way it uttered it You knew it was uttering it for the first time And that you could quietly shut your eyes Because you’d already died and already risen And that which never was had repeated itself.

What you are is best left for you to discover. The journey is as important as the destination. The destination itself is of no importance. Everything you are is about what you do to get where you are going. Where you go is nothing more than a place to rest before you begin your next journey. You would do well to remember that. All journeys end, but all you need to do to begin a new journey is to take a single step forward. Death is but the conclusion of one journey and the beginning of the other, as is the End of Days. That end is also another beginning and the first step of a new journey.

At New York City’s Rose Center of Earth and Space, we display a timeline spiral of the Universe that begins at the Big Bang and unfolds 13.8 billion years. Uncurled, it’s the length of a football field. Every step you take spans 50 million years. You get to the end of the ramp, and you ask, where are we? Where is the history of our human species? The entire period of time, from a trillion seconds ago to today, from graffiti-prone cave dwellers until now, occupies only the thickness of a single strand of human hair, which we have mounted at the end of that timeline. You think we live long lives, you think civilizations last a long time, but not from the view of the cosmos itself.

Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on. It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in. As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on. You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked. You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt. Where do you go from here? You do not have a clue. Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.” You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too. You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear: “Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give. Fallen Warrior, I know it’s been a while since you smiled. Fallen Warrior, I see that you are hurting, and I feel your pain. Fallen Warrior, this is not the end. This is the start of your new beginning. Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you. Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name. Fallen Warrior, you are not the victim! You are the victor! You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero. As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate. I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.

When he awakened from sleep, he said, “Surely the Lord is in this place—and I did not know it.... This is none other than the house of God, and this is the gate of heaven” (Genesis 28:16–17). In the Celtic world that gateway is present everywhere. In every place is the immediacy of heaven. In every moment we can glimpse the Light that was in the beginning and from which all things have come. As Oliver says, “The threshold is always near.”3 We can step over this threshold and back again in the fleeting span of a second. In a single step we can find ourselves momentarily in that other world, the world of eternal Light, which is woven inseparably through this world—the world of matter that is forever unfolding like a river in flow.

Do you have a dream? If you do, what is it? Is your dream similar to mine? I hope that even more people dream the same dream as me, because my dream is so big I couldn't handle it by myself. If you are someone who has the same dream as me, this is what I have to say to you. Right now, you are planting a single tree. Right now, you are sowing a single seed. And you are beginning to knit something with one strange of yarn. The first step or two are nothing, but imagine that you continue that work for ten years. One tree becomes a forest, one seed becomes a field, and that single thread becomes a beautiful cloth. Believe in the life inside you, believe in the great and holy mind within you, and push forward with the dream you have chosen until you make it.

So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne

Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.

God came up and kissed Day on his forehead. When Day looked over at Johnson, who was still slowly sipping his soda, the guy did look lonely as hell. Before Day could say something kind, his other headache strolled in. “Oh hell. What the fuck is going on in here? This must be the officer’s gay alliance club meeting.” Day blew an exasperated breath. “And now that you’re here, Ronowski, all members are present and we can begin.” Day smiled as God and Johnson practically spit their drinks out laughing. Ronowski fumed. “Day, you’re going to stop calling me gay! I have never been gay! I will never be gay, and I don’t like anyone that is gay! So stop saying that before people start believing your bullshit!” Day clapped his hands together once. “Okay everyone those are the notes from last week’s meeting, now on to new business.” Day leveled Ronowski with a stern glare. “Ronowski, you are gay, man. You’re tightly closeted. But you are indeed gay, ultra-gay. You’re fuckin’ Marvin Gay. You crash landed on Earth when your gay planet exploded.” Day moved away from God and stood in front of an openmouthed Ronowski. “Come out of the closet already. It’s so bright and wonderful out here. Dude, I’ve seen Brokeback Mountain too, don’t believe that bullshit. No one cares who you fuck…ya know…like you tell me every. Single. Day. Of. My. Life,” Day said exaggeratedly. He stepped in so close to Ronowski that he could smell the body wash he used. “Let a man bang your back out one time.” Day leaned in to the man’s ear and felt Ronowski’s body give a fierce shutter. “I mean pound your ass so hard that you can’t walk straight for a week, and I guarantee you, you’ll want to march in the next gay pride parade, wearing nothing but a glitter jockstrap and a fuckin’ hot-pink feather boa.” Day stepped back and saw the beads of sweat that had popped up on Ronowski’s forehead. Satisfied he’d proven his point he refilled his coffee and left the break room.

Yes, in the very beginning of her life the girl-child is full of herself. Her days are meaningful and unfold according to a deep wisdom that resides within her. It faithfully orchestrates her movements from crawling to walking to running, her sounds from garbles to single words to sentences, and her knowing of the world through her sensual connection to it. Her purpose is clear: to live fully in the abundance of her life. With courage, she explores her world. Her ordinary life is interesting enough. Every experience is filled with wonder and awe. It is enough to listen to the rain dance and count the peas on her plate. Ordinary life is her teacher, challenge, and delight. She says a big YES to Life as it pulsates through her body. With excitement, she explores her body. She is unafraid of channeling strong feelings through her. She feels her joy, sadness, anger, and fear. She is pregnant with her own life. She is content to be alone. She touches the depths of her uniqueness. She loves her mind. She expresses her feelings. She likes herself when she looks in the mirror. She trusts her vision of the world and expresses it. With wonder and delight, she paints a picture, creates a dance, and makes up a song. To give expression to what she sees is as natural as her breathing. And when challenged, she is not lost for words. She has a vocabulary to speak about her experience. She speaks from her heart. She voices her truth. She has no fear, no sense that to do it her way is wrong or dangerous. She is a warrior. It takes no effort for her to summon up her courage, to arouse her spirit. With her courage, she solves problems. She is capable of carrying out any task that confronts her. She has everything she needs within the grasp of her mind and imagination. With her spirit, she changes what doesn’t work for her. She says “I don’t like that person” when she doesn’t, and “I like that person” when she does. She says no when she doesn’t want to be hugged. She takes care of herself.

By now the window of the bar is visible, glowing ahead of them, but there is no sound, not a single word to be heard, as if the place were deserted, not a soul … but now, someone is playing the harmonica … Irimias scrapes the mud off his lead-heavy shoes, clears his throat, cautiously opens the door, and the rain begins again, while to the east, swift as memory, the sky brightens, scarlet and pale blue and leans against the undulating horizon, to be followed by the sun, like a beggar daily panting up to this spot on the temple steps, full of heartbreak and misery, ready to establish the world of shadows, to separate the trees from one another, to raise, out of the freezing, confusing homogeneity of night in which they seem to have been trapped like flies in a web, a clearly defined earth and sky with distinct animals and men, the darkness still in flight at the edge of things, somewhere on the far side on the western horizon, where its countless terrors vanish one by one like a desperate, confused, defeated army.

Show me what?” My voice was thick with the threat of tears. “That I’ve loved you from the beginning.” He pointed to the drawing I held so protectively against me. “There’s not been one single moment that I’ve known you where I haven’t loved you. And somewhere along the way, that love became something bigger, something so undeniable that the force of it scared me more than anything else ever has.” He took a measured step towards me. “Somewhere along the way I fell in love with you. I think I fell in love with you a long time ago and I was too fucking stupid to admit it, because the thought of loving you and losing you was too painful to contemplate. I would rather have you as a friend than not at all.” Another step. “But I realized something when you walked away from me in the hospital. No matter what, I was still going to lose you, because being your friend isn’t enough anymore, Sadie. I know now that falling in love with you isn’t wrong. It’s the best thing I’ve ever done. And I’m so, so sorry that it took me so long to see that.

Ellie made her way up the familiar twist of Wicker Road. Even with just the porch light on, her house looked inviting and settled. The single oak that took up the majority of her front lawn was already beginning to collect the first measures of snow. She quickly walked up the three steps and went in. There was nothing grandiose about the place, but it was a perfect fit for Ellie. The house looked a little like an old English cottage. It was tiny, reminding her of a dollhouse. Which suited her perfectly. Any bigger and the place would have echoed, and Ellie would have been aware of how acutely alone she was. She filled the walls with various pieces of artwork, and her queen-sized bed with pillows she made from pieces of vintage fabric. There were two fireplaces and wall-to-wall hardwood floors with perfectly worn-in wainscoting. The back rooms were all windows that could be opened up so it seemed almost a part of the garden. Ellie's study was lined with bookshelves on every wall except the alcove, in front of which she had placed an old secretary. She even had a small balcony off the master that looked over the garden and was a wonderful place to read.

What we need,” I said, “are statistics on the amount of sugar cane standing in the field before the hurricanes came through Puerto Rico.” There was a stunned silence, as if they were afraid I had stumbled onto something that could turn out to be embarrassing for the Labor Department. “Well, it’s not that easy,” one of the Labor Department economists said. “We don’t have those statistics.” “I’ll bet the Department of Agriculture has them,” I said. “That’s still not the same as if we had them in the Department of Labor,” I was told. “Why can’t we get them from the Department of Agriculture?” I asked. “That’s easier said than done. First of all, we would have to make a request, going all the way up through channels to the Secretary of Labor. Then he would have to seek approval from the Secretary of Agriculture, who would then have to forward the request down the chain of command in the Department of Agriculture, to see if the data are available and can be released.” “Well,” I said, “John F. Kennedy says that a journey of a thousand miles must begin with a single step. Let me file the request.” That was 1960. I have yet to receive an official reply to my request.

I have never lost the thrill of travel. I still crave the mental and physical jolt of being somewhere new, of descending aeroplane steps into a different climate, different faces, different languages. It’s the only thing, besides writing, that can meet and relieve my ever-simmering, ever-present restlessness. If I have been too long at home, stuck in the routine of school-runs, packed lunches, swimming lessons, laundry, tidying, I begin to pace the house in the evenings. I might start to cook something complicated very late at night. I might rearrange my collections of Scandinavian glass. I will scan the bookshelves, sighing, searching for something I haven’t yet read. I will start sorting through my clothes, deciding on impulse to take armfuls to the charity shop. I am desperate for change, endlessly seeking novelty, wherever I can find it. My husband might return from an evening out to discover that I have moved all the furniture in the living room. I am not, at times like this, easy to live with. He will raise his eyebrows as I single-handedly shove the sofa towards the opposite wall, just to see how it might look. “Maybe,” he will say, as he unlaces his shoes, “we should book a holiday.

Then Daniel stepped forward and a trumpet sounded, followed by a drum. The dance was beginning. He took her hand. When he spoke, he spoke to her, not to the audience,as the other players did. "The fairest hand I ever touched," Daniel said. "O Beauty, till now I never knew thee." As if the lines had been written for the two of them. They began to dance,and Daniel locked eyes with her the whole time. His eyes were crystal clear and violet, and the way they never strayed from hers chipped away at Luce's heart. She knew he'd loved her always,but until this moment,dancing with him on the stage in front of all these people,she had never really thought about what it meant. It meant that when she saw him for the first time in every life,Daniel was already in love with her. Every time. And always had been. And every time, she had to fall in love with him from scratch.He could never pressure her or push her into loving him. He had to win her anew each time. Daniel's love for her was one long, uninterrupted stream.It was the purest form of love there was,purer even than the love Luce returned. His love flowed without breaking,without stopping. Whereas Luce's love was wiped clean with every death, Daniel's grew over time, across all eternity. How powerfully strong must it be by now? Hundreds of love stacked one on top of the other? It was almost too massive for Luce to comprehend. He loved her that much,and yet in every lifetime,over and over again,he had to wait for her to catch up. All this time,they had been dancing with the rest of the troupe, bounding in and out of the wings at breaks in the music,coming back onstage for more gallantry,for longer sets with more ornate steps,until the whole company was dancing. At the close of the scene,even though it wasn't in the script,even though Cam was standing right there watching,Luce held fast to Daniel's hand and pulled him to her,up against the potted orange trees.He looked at her like she was crazy and tried to tug her to the mark dictated by her stage directions. "What are you doing?" he murmured. He had doubted her before,backstage when she'd tried to speak freely about her feelings.She had to make him believe her.Especially if Lucinda died tonight,understanding the depth of her love would mean everything to him. It would help him to carry on,to keep loving her for hundreds more years, through all the pain and hardship she'd witnessed,right up to the present. Luce knew that it wasn't in the script, but she couldn't stop herself: She grabbed Daniel and she kissed him. She expected him to stop her,but instead he swooped her into his arms and kissed her back.Hard and passionately, responding with such intensity that she felt the way she did when they were flying,though she knew her feet were planted on the ground. For a moment, the audience was silent. Then they began to holler and jeer.Someone threw a shoe at Daniel, but he ignored it. His kisses told Luce that he believed her,that he understood the depth of her love,but she wanted to be absolutely sure. "I will always love you,Daniel." Only, that didn't seem quite right-or not quite enough. She had to make him understand,and damn the consequences-if she changed history,so be it. "I'll always choose you." Yes, that was the word. "Every single lifetime, I'll choose you.Just as you have always chosen me.Forever." His lips parted.Did he believe her? Did he already know? It was a choice, a long-standing, deep-seated choice that reached beyond anything else Luce was capable of.Something powerful was behind it.Something beautiful and- Shadows began to swirl in the rigging overhead. Heat quaked through her body, making her convulse,desperate for the fiery release she knew was coming. Daniel's eyes flashed with pain. "No," he whispered. "Please don't go yet." Somehow,it always took both of them by surprise.

1. Starting with your most important dream in any given area, write a clear and precise description of that dream. This description should be at least a sentence or two, but no more than a single page. If possible, try to draw or find a picture that provides you with an image or symbol of what fulfilling this dream might look like. 2. Create a “Goals Page” for that specific dream. To do this, state the dream at the top of the page. Then make a list of the specific, intermediate “goals” that need to be achieved to fulfill that dream. This step converts your dreams into specific goals. 3. Create a page for each goal and label those pages “Goals to Steps.” On each page, list the intermediate goal you want to achieve, then list the steps that need to be taken to achieve that goal. 4. Next, take any complex step in your list of steps that requires the completion of more than one task, and create a “Steps to Tasks” page. List the specific tasks that need to be completed to take that step. 5. The final step in this process is to assign completion dates to each task and step. Once you’ve done that, you are ready to begin. Now you can work on achieving each goal one task or step at a time. Complete each step, one by one, until you have achieved your dream. This process will likely

Or one might take the tip of a pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil-tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become leagues, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity. [...] “Perhaps you saw what place our universe plays in the scheme of things—as no more than an atom in a blade of grass. Could it be that everything we can perceive, from the microscopic virus to the distant Horsehead Nebula, is contained in one blade of grass that may have existed for only a single season in an alien time-flow? What if that blade should be cut off by a scythe? When it begins to die, would the rot seep into our own universe and our own lives, turning everything yellow and brown and desiccated? Perhaps it’s already begun to happen. We say the world has moved on; maybe we really mean that it has begun to dry up.

Ocean Acidification is sometimes referred to as Global Warming's Equally Evil Twin. The irony is intentional and fair enough as far as it goes... No single mechanism explains all the mass extinctions in the record and yet changes in ocean chemistry seem to be a pretty good predictor. Ocean Acidification played a role in at least 2 of the Big Five Extinctions: the End-Permian and the End-Triassic. And quite possibly it was a major factor in a third, the End-Cretaceous. ...Why is ocean acidification so dangerous? The question is tough to answer only because the list of reasons is so long. Depending on how tightly organisms are able to regulate their internal chemistry, acidification may affect such basic processes as metabolism, enzyme activity, and protein function. Because it will change the makeup of microbial communities, it will alter the availability of key nutrients, like iron and nitrogen. For similar reasons, it will change the amount of light that passes through the water, and for somewhat different reasons, it will alter the way sound propagates. (In general, acidification is expected to make the seas noisier.) It seems likely to promote the growth of toxic algae. It will impact photosynthesis—many plant species are apt to benefit from elevated CO2 levels—and it will alter the compounds formed by dissolved metals, in some cases in ways that could be poisonous. Of the myriad possible impacts, probably the most significant involves the group of creatures known as calcifiers. (The term calcifier applies to any organism that builds a shell or external skeleton or, in the case of plants, a kind of internal scaffolding out of the mineral calcium carbonate.)... Ocean acidification increases the cost of calcification by reducing the number of carbonate ions available to organisms that build shells or exoskeletons. Imagine trying to build a house while someone keeps stealing your bricks. The more acidified the water, the greater the energy that’s required to complete the necessary steps. At a certain point, the water becomes positively corrosive, and solid calcium carbonate begins to dissolve. This is why the limpets that wander too close to the vents at Castello Aragonese end up with holes in their shells. According to geologists who work in the area, the vents have been spewing carbon dioxide for at least several hundred years, maybe longer. Any mussel or barnacle or keel worm that can adapt to lower pH in a time frame of centuries presumably already would have done so. “You give them generations on generations to survive in these conditions, and yet they’re not there,” Hall-Spencer observed.

So now George has arrived. He is not nervous in the least. As he gets out of his car, he feels an upsurge of energy, of eagerness for the play to begin. And he walks eagerly, with a springy step, along the gravel path past the Music Building toward the Department office. He is all actor now—an actor on his way up from the dressing room, hastening through the backstage world of props and lamps and stagehands to make his entrance. A veteran, calm and assured, he pauses for a well-measured moment in the doorway of the office and then, boldly, clearly, with the subtly modulated British intonation which his public demands of him, speaks his opening line: "Go od morning!" And the three secretaries—each one of them a charming and accomplished actress in her own chosen style—recognize him instantly, without even a flicker of doubt, and reply "Good morning!" to him. (There is something religious here, like responses in church—a reaffirmation of faith in the basic American dogma that it is, always, a good morning. Good, despite the Russians and their rockets, and all the ills and worries of the flesh. For of course we know, don't we, that the Russians and the worries are not really real? They can be un-thought and made to vanish. And therefore the morning can be made to be good. Very well then, it is good.)

If these avatars were real people in a real street, Hiro wouldn't be able to reach the entrance. It's way too crowded. But the computer system that operates the Street has better things to do than to monitor every single one of the millions of people there, trying to prevent them from running into each other. It doesn't bother trying to solve this incredibly difficult problem. On the Street, avatars just walk right through each other. So when Hiro cuts through the crowd, headed for the entrance, he really is cutting through the crowd. When things get this jammed together, the computer simplifies things by drawing all of the avatars ghostly and translucent so you can see where you're going. Hiro appears solid to himself, but everyone else looks like a ghost. He walks through the crowd as if it's a fogbank, clearly seeing The Black Sun in front of him. He steps over the property line, and he's in the doorway. And in that instant he becomes solid and visible to all the avatars milling outside. As one, they all begin screaming. Not that they have any idea who the hell he is -- Hiro is just a starving CIC stringer who lives in a U-Stor-It by the airport. But in the entire world there are only a couple of thousand people who can step over the line into The Black Sun. He turns and looks back at ten thousand shrieking groupies. Now that he's all by himself in the entryway, no longer immersed in a flood of avatars, he can see all of the people in the front row of the crowd with perfect clarity. They are all done up in their wildest and fanciest avatars, hoping that Da5id -- The Black Sun's owner and hacker-in-chief -- will invite them inside. They flick and merge together into a hysterical wall. Stunningly beautiful women, computer-airbrushed and retouched at seventy-two frames a second, like Playboy pinups turned three-dimensional -- these are would-be actresses hoping to be discovered. Wild-looking abstracts, tornadoes of gyrating light-hackers who are hoping that Da5id will notice their talent, invite them inside, give them a job. A liberal sprinkling of black-and-white people -- persons who are accessing the Metaverse through cheap public terminals, and who are rendered in jerky, grainy black and white. A lot of these are run-of-the-mill psycho fans, devoted to the fantasy of stabbing some particular actress to death; they can't even get close in Reality, so they goggle into the Metaverse to stalk their prey. There are would-be rock stars done up in laser light, as though they just stepped off the concert stage, and the avatars of Nipponese businessmen, exquisitely rendered by their fancy equipment, but utterly reserved and boring in their suits.

Sometimes it seems as though we are not going anywhere as we walk through the city, that we are only looking for a way to pass the time, and that it is only our fatigue that tells us where and when we should stop. But just as one step will inevitably lead to the next step, so it is that one thought inevitably follows from the previous thought, and in the event that a thought should engender more than a single thought (say two or three thoughts, equal to each other in all their consequences), it will be necessary not only to follow the first thought to its conclusion, but also to backtrack to the original position of that thought in order to follow the second thought to its conclusion, and then the third thought, and so on, and in this way, if we were to try to make an image of this process in our minds, a network of paths begins to be drawn, as in the image of the human bloodstream (heart, arteries, veins, capillaries), or as in the image of a map (of city streets, for example, preferably a large city, or even of roads, as in the gas station maps of roads that stretch, bisect, and meander across a continent), so that what we are really doing when we walk through the city is thinking, and thinking in such a way that our thoughts compose a journey, and this journey is no more or less than the steps we have taken, so that, in the end, we might safely say that we have been on a journey, and even if we do not leave our room, it has been a journey, and we might safely say that we have been somewhere, even if we don’t know where it is.

Hold Everything Dear for John Berger as the brick of the afternoon stores the rose heat of the journey as the rose buds a green room to breathe and blossoms like the wind as the thinning birches whisper their silver stories of the wind to the urgent in the trucks as the leaves of the hedge store the light that the moment thought it had lost as the nest of her wrist beats like the chest of a wren in the turning air as the chorus of the earth find their eyes in the sky and unwrap them to each other in the teeming dark hold everything dear the calligraphy of birds across the morning the million hands of the axe, the soft hand of the earth one step ahead of time the broken teeth of tribes and their long place steppe-scattered and together clay's small, surviving handle, the near ghost of a jug carrying itself towards us through the soil the pledge of offered arms, the single sheet that is our common walking the map of the palm held in a knot but given as a torch hold everything dear the paths they make towards us and how far we open towards them the justice of a grass that unravels palaces but shelters the songs of the searching the vessel that names the waves, the jug of this life, as it fills with the days as it sinks to become what it loves memory that grows into a shape the tree always knew as a seed the words the bread the child who reaches for the truths beyond the door the yearning to begin again together animals keen inside the parliament of the world the people in the room the people in the street the people hold everything dear 19th May 2005 Gareth Evans

to tease out the fictitious nature of this amiability was to have been what they called well brought up; to believe that amiability to be real was to lack breeding. I received, as it happens, a short time after this, a lesson that finally taught me, with the most perfect exactitude, the extent and limits of certain forms of aristocratic amiability. It was at a matinée given by the Duchesse de Montmorency23 for the Queen of England; a sort of small cortège had formed to go to the buffet, at the head of which walked the sovereign with, on her arm, the Duc de Guermantes. This was the moment of my own arrival. With his free hand, the Duc made, from a good forty meters away, innumerable gestures of summons and of friendship, which seemed to be saying that I could approach without fear, that I would not be eaten alive in place of the sandwiches. But, I, who was beginning to become word perfect in the language of the courts, instead of moving even a single step closer, gave a deep bow from my forty meters of distance, but without smiling, as I would have done faced with someone I hardly knew, then continued on my way in the opposite direction. I might have written a masterpiece, and the Guermantes would have done me less honor than for this bow. It did not go unobserved by the eyes either of the Duc, even though he had to respond to more than five hundred people that day, or of the Duchesse, who, having met my mother, recounted it to her, and, while being careful not to say that I had been in the wrong, that I should have gone up, told her that her husband had marveled at my bow, that it would have been impossible to make it any more expressive

It is conceivable that an interplay of genes and epigenes coordinates human embryogenesis. Let us return, yet again, to Morgan's problem: the creation of a multicellular organism from a one-celled embryo. Seconds after fertilization, a quickening begins in the embryo. Proteins reach into the nucleus of the cell and start flicking genetic switches on and off. A dormant spaceship comes to life. Genes are activated and repressed, and these genes, in turn, encode yet other proteins that activate and repress other genes. A single cell divides to form two, then four, and eight cells. An entire layer of cells forms, then hollows out into the outer skin of a ball. Genes that coordinate metabolism, motility, cell fate, and identity fire "on." The boiler room warms us. The lights flicker on in the corridors. The intercom crackles alive. Now a second code stirs to life to ensure that gene expression is locked into place in each cell, enabling each cell to acquire and fix an identity. Chemical marks are selectively added to certain genes and erased from others, modulating the expression of the genes in that cell alone. Methyl groups are inserted and erased, and histones are modified to repress or activate genes. The embryo unfurls step by step. Primordial segements appear, and cells take their positions along various parts of the embryo. New genes are activated that command subroutines to grow limbs and organs, and more chemical marks are appended on the genomes of individual cells. Cells are added to create organs and structures-forelegs, hind legs, muscles, kidneys, bones, eyes. Some cells die a programmed death. Genes that maintain function, metabolism, and repair are turned on. An organism emerges from a cell.

1. For the space of one entire month (from full moon to full moon), a single leaf from a Mandrake must be carried constantly in the mouth. The leaf must not be swallowed or taken out of the mouth at any point. If the leaf is removed from the mouth, the process must be started again. 2. Remove the leaf at the full moon and place it, steeped in your saliva, in a small crystal phial that receives the pure rays of the moon (if the night is cloudy, you will have to find a new Mandrake leaf and begin the whole process again). To the moon-struck crystal phial, add one of your own hairs, a silver teaspoon of dew collected from a place that neither sunlight nor human feet have touched for a full seven days, and the chrysalis of a Death’s-head Hawk Moth. Put this mixture in a quiet, dark place and do not look at it or otherwise disturb it until the next electrical storm. 3. While waiting for the storm, the following procedure should be followed at sunrise and sundown. The tip of the wand should be placed over the heart and the following incantation spoken: ‘Amato Animo Animato Animagus.’ 4. The wait for a storm may take weeks, months or even years. During this time, the crystal phial should remain completely undisturbed and untouched by sunlight. Contamination by sunlight gives rise to the worst mutations. Resist the temptation to look at your potion until lightning occurs. If you continue to repeat your incantation at sunrise and sunset there will come a time when, with the touch of the wand-tip to the chest, a second heartbeat may be sensed, sometimes more powerful than the first, sometimes less so. Nothing should be changed. The incantation should be uttered without fail at the correct times, never omitting a single occasion. 5. Immediately upon the appearance of lightning in the sky, proceed directly to the place where your crystal phial is hidden. If you have followed all the preceding steps correctly, you will discover a mouthful of blood-red potion inside it.

Prajāpati: the creator god who is not entirely sure he exists. Prajāpati is the god who has no identity, who is the origin of all insoluble paradoxes. All identities arise from him, who himself has none. And so he takes a step back, or to one side, allowing the rush of mortal beings, ready to forget him, to carry on. But they will then return to him, to ask him the wherefore. And the wherefore can only be similar to what made them first emerge: a rite, a composition of elements, of forms, a temporary—the only—guarantee of existence. He never resembled a sovereign who elatedly surveys his dominions. He left that feeling to one of his sons, Indra—and he pitied him for it. He knew that, along with euphoria, and bound up with it, Indra would face mockery and retribution. Since Prajāpati was an amalgam of seven ṛṣis, those “seers” who, in turn, had been seven “vital breaths,” though incapable of existing alone. Asat is therefore a place where at the beginning energy is burning. And so from the vital breaths were born “seven persons (puruṣas).” The first beings with bodily features were therefore the ṛṣis: the Saptarṣis, the original Seven Ṛṣis. But the Saptarṣis were immediately aware of their limited power. Generated by the vital breaths, they themselves could not procreate. Their first desire was therefore to act in concert, transforming themselves into a single person. This had to be their task: to compress themselves, condense themselves into one single body, occupying its various parts: “Two above the navel and two below the navel; one on the right side, one on the left side, one at the base.” There was now a body, but it had no head. Still they worked away. From each of them was extracted essence, sap, taste, rasa. And they concentrated it all into the same place, as if into a jar: that was the head. The person made up from the Seven Seers was now complete. And “that same person became Prajāpati.” This was how the Progenitor was created, he who generated everything, including the vital breaths, Indra, and the Saptarṣis who had laboriously created him.

And today, for the first time, we are given a real recipe: making chocolate pudding from scratch. We stir cocoa and cornstarch and sugar together, then stir in milk. Chef guides us step by step and we all clean our stations as the pudding chills. As I'm putting away my ingredients, a little red bottle in the pantry calls my attention. I snatch it up and sprinkle some on my pudding. When Chef Ayden calls us up to test our dishes, I'm the first student to set my bowl in front of him. He grabs a clean plastic spoon and pulls my dish closer to him, leaning down to inspect it, turning the dish slowly in a circle. "Mmm. Nice chocolate color, smooth texture; you made sure the cream didn't break, which is great. And I'm curious what this is on top." He takes a tiny spoonful and pops it into his mouth, and the moment his mouth closes around the spoon his eyelids close, too. I wonder if my cooking woo-woo will work on him. "What is that?" he asks, his eyes still closed. I assume he means the spice on top and not whatever memory may have been loosened by my pudding. His eyes open and I realize the question was in fact for me. "I used a little smoked paprika," I say. Heat creeps up my neck. I hadn't even thought about what would happen if I used an ingredient that wasn't in the original recipe. "You trying to show off, Emoni?" Chef Ayden asks me very, very seriously. "No, Chef. I wasn't." "The ancient Aztecs too would pair chocolate with chipotle and cayenne and other spices, although it is not so common now. Why'd you add it?" "I don't know. I saw it in the pantry and felt the flavors would work well together." He takes another spoonful. Chef told us from the beginning that since every student is evaluated, he would very rarely take more than one bite of any single dish. I'm surprised he does so now, but he closes his eyes again as if the darkness behind his lids will help him better taste the flavors. His eyes pop open. "This isn't bad." He drops his spoon. "Emoni, I think creativity is good. And this, this..." He gives a half laugh like he's surprised he doesn't know what to say. He clears his throat and it seems almost like a memory has him choked up.

CHANGING YOUR LIFE TO ACCOMMODATE THE SIXTH SECRET The sixth secret is about the choiceless life. Since we all take our choices very seriously, adopting this new attitude requires a major shift. Today, you can begin with a simple exercise. Sit down for a few minutes and reassess some of the important choices you’ve made over the years. Take a piece of paper and make two columns labeled “Good Choice” and “Bad Choice.” Under each column, list at least five choices relating to those moments you consider the most memorable and decisive in your life so far—you’ll probably start with turning points shared by most people (the serious relationship that collapsed, the job you turned down or didn’t get, the decision to pick one profession or another), but be sure to include private choices that no one knows about except you (the fight you walked away from, the person you were too afraid to confront, the courageous moment when you overcame a deep fear). Once you have your list, think of at least one good thing that came out of the bad choices and one bad thing that came out of the good choices. This is an exercise in breaking down labels, getting more in touch with how flexible reality really is. If you pay attention, you may be able to see that not one but many good things came from your bad decisions while many bad ones are tangled up in your good decisions. For example, you might have a wonderful job but wound up in a terrible relationship at work or crashed your car while commuting. You might love being a mother but know that it has drastically curtailed your personal freedom. You may be single and very happy at how much you’ve grown on your own, yet you have also missed the growth that comes from being married to someone you deeply love. No single decision you ever made has led in a straight line to where you find yourself now. You peeked down some roads and took a few steps before turning back. You followed some roads that came to a dead end and others that got lost at too many intersections. Ultimately, all roads are connected to all other roads. So break out of the mindset that your life consists of good and bad choices that set your destiny on an unswerving course. Your life is the product of your awareness. Every choice follows from that, and so does every step of growth.

But Christianity has protected itself from the beginning. It begins with the teaching about sin. The category of sin is the category of individuality. Sin cannot be thought speculatively at all. The individual human being lies beneath the concept; an individual human being cannot be thought, but only the concept "man." —That is why speculation promptly embarks upon the teaching about the predominance of the generation over the individual, for it is too much to expect that speculation should acknowledge the impotence of the concept in relation to actuality. —But just as one individual person cannot be thought, neither can one individual sinner; sin can be thought (then it becomes negation), but not one individual sinner. That is precisely why there is no earnestness about sin if it is only to be thought, for earnestness is simply this: that you and I are sinners. Earnestness is not sin in general; rather, the accent of earnestness rests on the sinner, who is the single individual. With respect to "the single individual," speculation, if it is consistent, must make light of being a single individual or being that which cannot be thought. If it cares to do anything along this line, it must say to the individual: Is this anything to waste your time on? Forget it! To be an individual human being is to be nothing! Think—then you are all mankind: cogito ergo sum [I think therefore I am]. But perhaps that is a lie; perhaps instead the single individual human being and to be a single human being are the highest. Just suppose it is. To be completely consistent, then, speculation must also say: To be an individual sinner is not to be something; it lies beneath the concept; do not waste any time on it etc. [. . .] Sin is a qualification of the single individual; it is irresponsibility and new sin to pretend as if it were nothing to be an individual sinner—when one himself is this individual sinner. Here Christianity steps in, makes the sign of the cross before speculation; it is just as impossible for speculation to get around this issue as for a sailing vessel to sail directly against a contrary wind. The earnestness of sin is its actuality in the single individual, be it you or I. Speculatively, we are supposed to look away from the single individual; therefore, speculatively, we can speak only superficially about sin. The dialectic of sin is diametrically contrary to that of speculation

you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control?

When we are young, we yearn for battle. In the firelit halls we listen to the songs of heroes; how they broke the foemen, splintered the shield wall, and soaked their swords in the blood of enemies. As youngsters we listen to the boast of warriors, hear their laughter as they recall battle, and their bellows of pride when their lord reminds them of some hard-won victory. And those youngsters who have not fought, who have yet to hold their shield against a neighbour's shield in the wall, are despised and disparaged. So we practise. Day after day we practise, with spear, sword, and shield. We begin as children, learning blade-craft with wooden weapons, and hour after hour we hit and are hit. We fight against men who hurt us in order to teach us, we learn not to cry when the blood from a split skull sheets across the eyes, and slowly the skill of the sword-craft builds. Then the day comes when we are ordered to march with the men, not as children to hold the horses and to scavenge weapons after the battle, but as men. If we are lucky we have a battered old helmet and a leather jerkin, maybe even a coat of mail that hangs like a sack. We have a sword with a dented edge and a shield that is scored by enemy blades. We are almost men, not quite warriors, and on some fateful day we meet an enemy for the first time and we hear the chants of battle, the threatening clash of blades on shields, and we begin to learn that the poets are wrong and that the proud songs lie. Even before the shield walls meet, some men shit themselves. They shiver with fear. They drink mead and ale. Some boast, but most are quiet unless they join a chant of hate. Some men tell jokes, and the laughter is nervous. Others vomit. Our battle leaders harangue us, tell us of the deeds of our ancestors, of the filth that is the enemy, of the fate our women and children face unless we win, and between the shield walls the heroes strut, challenging us to single combat, and you look at the enemy's champions and they seem invincible. They are big men; grim-faced, gold hung, shining in mail, confident, scornful, savage. The shield wall reeks of shit, and all a man wants is to be home, to be anywhere but on this field that prepares for battle, but none of us will turn and run or else we will be despised for ever. We pretend we want to be there, and then the wall at last advances, step by step, and the heart is thumping fast as a bird's wing beating, the world seems unreal. Thought flies, fear rules, and then the order to quicken the charge is shouted, and you run, or stumble, but stay in your rank because this is the moment you have spent a lifetime preparing for, and then, for the first time, you hear the thunder of shield walls meeting, the clangour of battle swords, and the screaming begins. It will never end. Till the world ends in the chaos of Ragnarok, we will fight for our women, for our land, and for our homes. Some Christians speak of peace, of the evil of war, and who does not want peace? But then some crazed warrior comes screaming his god's filthy name into your face and his only ambitions are to kill you, to rape your wife, to enslave your daughters, and take your home, and so you must fight.

Reader's Digest (Reader's Digest USA) - Clip This Article on Location 56 | Added on Friday, May 16, 2014 12:06:55 AM Words of Lasting Interest Looking Out for The Lonely One teacher’s strategy to stop violence at its root BY GLENNON DOYLE MELTON  FROM MOMASTERY.COM PHOTOGRAPH BY DAN WINTERS A few weeks ago, I went into my son Chase’s class for tutoring. I’d e-mailed Chase’s teacher one evening and said, “Chase keeps telling me that this stuff you’re sending home is math—but I’m not sure I believe him. Help, please.” She e-mailed right back and said, “No problem! I can tutor Chase after school anytime.” And I said, “No, not him. Me. He gets it. Help me.” And that’s how I ended up standing at a chalkboard in an empty fifth-grade classroom while Chase’s teacher sat behind me, using a soothing voice to try to help me understand the “new way we teach long division.” Luckily for me, I didn’t have to unlearn much because I’d never really understood the “old way we taught long division.” It took me a solid hour to complete one problem, but I could tell that Chase’s teacher liked me anyway. She used to work with NASA, so obviously we have a whole lot in common. Afterward, we sat for a few minutes and talked about teaching children and what a sacred trust and responsibility it is. We agreed that subjects like math and reading are not the most important things that are learned in a classroom. We talked about shaping little hearts to become contributors to a larger community—and we discussed our mutual dream that those communities might be made up of individuals who are kind and brave above all. And then she told me this. Every Friday afternoon, she asks her students to take out a piece of paper and write down the names of four children with whom they’d like to sit the following week. The children know that these requests may or may not be honored. She also asks the students to nominate one student who they believe has been an exceptional classroom citizen that week. All ballots are privately submitted to her. And every single Friday afternoon, after the students go home, she takes out those slips of paper, places them in front of her, and studies them. She looks for patterns. Who is not getting requested by anyone else? Who can’t think of anyone to request? Who never gets noticed enough to be nominated? Who had a million friends last week and none this week? You see, Chase’s teacher is not looking for a new seating chart or “exceptional citizens.” Chase’s teacher is looking for lonely children. She’s looking for children who are struggling to connect with other children. She’s identifying the little ones who are falling through the cracks of the class’s social life. She is discovering whose gifts are going unnoticed by their peers. And she’s pinning down—right away—who’s being bullied and who is doing the bullying. As a teacher, parent, and lover of all children, I think this is the most brilliant Love Ninja strategy I have ever encountered. It’s like taking an X-ray of a classroom to see beneath the surface of things and into the hearts of students. It is like mining for gold—the gold being those children who need a little help, who need adults to step in and teach them how to make friends, how to ask others to play, how to join a group, or how to share their gifts. And it’s a bully deterrent because every teacher knows that bullying usually happens outside her eyeshot and that often kids being bullied are too intimidated to share. But, as she said, the truth comes out on those safe, private, little sheets of paper. As Chase’s teacher explained this simple, ingenious idea, I stared at her with my mouth hanging open. “How long have you been using this system?” I said. Ever since Columbine, she said. Every single Friday afternoon since Columbine. Good Lord. This brilliant woman watched Columbine knowing that all violence begins with disconnection. All

A journey of a thousand miles begins with a single step.” -Lao Tzu

Tao Te Ching: “The journey of a thousand miles begins with a single step.

This book will show you how to harness the power of kaizen: using small steps to accomplish large goals. Kaizen is an ancient philosophy captured in this powerful statement from the Tao Te Ching: “The journey of a thousand miles begins with a single step.” Though it is rooted in ancient philosophy, it is just as practical and effective when applied to our hectic modern lives. Kaizen has two definitions: using very small steps to improve a habit, a process, or product using very small moments to inspire new products and inventions I’ll show you how easy change can be when the brain’s preference for change is honored. You’ll discover many examples of how small steps can achieve your biggest dreams. Using kaizen, you can change bad habits, like smoking or overeating, and form good ones, like exercising or unlocking creativity. In business, you’ll learn how to motivate and empower employees in ways that will inspire them. But first, let’s examine some common beliefs about change, and how kaizen dismantles all the obstacles we may have spent years putting in our way.

The journey of a thousand miles begins with a single step. And how can you go wrong when you have chocolate to take on the journey?