Begin Anywhere Quotes

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Wolf, are you asking me to be ... your alpha female?" He hesitated. Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this." Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere." His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers. "Alpha female," he murmured. "I sort of like that." Beaming, Scarlet gave a mild shrug. "It could grow on me.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
To fly as fast as thought, to anywhere that is, you must begin by knowing that you have already arrived.
Richard Bach (Jonathan Livingston Seagull)
Son,'he said,' ye cannot in your present state understand eternity...That is what mortals misunderstand. They say of some temporal suffering, "No future bliss can make up for it," not knowing that Heaven, once attained, will work backwards and turn even that agony into a glory. And of some sinful pleasure they say "Let me have but this and I'll take the consequences": little dreaming how damnation will spread back and back into their past and contaminate the pleasure of the sin. Both processes begin even before death. The good man's past begins to change so that his forgiven sins and remembered sorrows take on the quality of Heaven: the bad man's past already conforms to his badness and is filled only with dreariness. And that is why...the Blessed will say "We have never lived anywhere except in Heaven, : and the Lost, "We were always in Hell." And both will speak truly.
C.S. Lewis (The Great Divorce)
Where, after all, do universal human rights begin? In small places, close to home - so close and so small that they cannot be seen on any maps of the world. Yet they are the world of the individual person; the neighborhood he lives in; the school or college he attends; the factory, farm, or office where he works. Such are the places where every man, woman, and child seeks equal justice, equal opportunity, equal dignity without discrimination. Unless these rights have meaning there, they have little meaning anywhere. Without concerted citizen action to uphold them close to home, we shall look in vain for progress in the larger world.
Eleanor Roosevelt
I begin with the young. We older ones are used up but my magnificent youngsters! Are there finer ones anywhere in the world? Look at all these men and boys! What material! With you and I, we can make a new world.
Adolf Hitler (Hitler's Letters and Notes)
And so now I'd like to say - people can change anything they want to. And that means everything in the world. People are running about following their little tracks - I am one of them. But we've all got to stop just following our own little mouse trail. People can do anything - this is something that I'm beginning to learn. People are out there doing bad things to each other. That's because they've been dehumanised. It's time to take the humanity back into the center of the ring and follow that for a time. Greed, it ain't going anywhere. They should have that in a big billboard across Times Square. Without people you're nothing. That's my spiel.
Joe Strummer
When we read, we decide when, where, how long, and about what. One of the few places on earth that it is still possible to experience an instant sense of freedom and privacy is anywhere you open up a good book and begin to read. When we read silently, we are alone with our own thoughts and one other voice. We can take our time, consider, evaluate, and digest what we read—with no commercial interruptions, no emotional music or special effects manipulation. And in spite of the advances in electronic information exchange, the book is still the most important medium for presenting ideas of substance and value, still the only real home of literature.
Andrew Clements
Do you see the slightest evidence anywhere in the universe that creation came to an end with the birth of man? Do you see the slightest evidence anywhere out there that man was the climax toward which creation had been straining from the beginning? ...Very far from it. The universe went on as before, the planet went on as before. Man's appearance caused no more stir than the appearance of jellyfish.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
Every time you look up at the stars, it’s like opening a door. You could be anyone, anywhere. You could be yourself at any moment in your life. You open that door and you realize you’re the same person under the same stars. Camping out in the backyard with your best friend, eleven years old. Sixteen, driving alone, stopping at the edge of the city, looking up at the same stars. Walking a wooded path, kissing in the moonlight, look up and you’re eleven again. Chasing cats in a tiny town, you’re eleven again, you’re sixteen again. You’re in a rowboat. You’re staring out the back of a car. Out here where the world begins and ends, it’s like nothing ever stops happening.
Bryan Lee O'Malley (Lost at Sea)
Anna Karenina is sheer perfection as a work of art. No European work of fiction of our present day comes anywhere near it. Furthermore, the idea underlying it shows that it is ours, ours, something that belongs to us alone and that is our own property, our own national 'new word'or, at any rate, the beginning of it.
Fyodor Dostoevsky
It’s the intricate details you miss the most. For me, it’s the soft lines around the eyes when he smiles… Or that look he gave me sometimes that I cannot begin to describe - but I would know it if I saw it again. It was the look that gave him away. I’d know that look anywhere… It used to be my everything.
Ranata Suzuki
Begin anywhere.
John Cage
Do you know what it was like kissing Holly and looking up to see you?" "What?" "You said to begin anywhere." But I hadn't expected that as a beginning, middle or end. I felt my cheeks getting warm. "I guess it was pretty embarrassing for both of us," I said, and walked ahead of him so he wouldn't see my face. "I know, I just kept staring at you." "What were you thinking?" "I don't remember." "Don't you start using that line," he chided. "Then don't ask me, Nick." Did he suspect how I felt. He caught me and turned me around to face him. I focused on his shirt. "Okay," he said quietly, "I'll tell you what I was thinking. I couldn't believe that I, who was never going to get hooked, had fallen in love with a girl who didn't want to date, and she was watching me kiss somebody else." I glanced up. "Your turn, brave girl. What were you thinking?" "That Holly looked beautiful in your arms and that you didn't pull away from her the way you had pulled away from me when I kissed you." He drew me to him. "I'm not pulling away again," he said holding me close.
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
If I could live again my life, In the next – I’ll try, - to make more mistakes, I won’t try to be so perfect, I’ll be more relaxed, I’ll be more full – than I am now, In fact, I’ll take fewer things seriously, I’ll be less hygienic, I’ll take more risks, I’ll take more trips, I’ll watch more sunsets, I’ll climb more mountains, I’ll swim more rivers, I’ll go to more places – I’ve never been, I’ll eat more ice creams and less lima beans, I’ll have more real problems – and less imaginary ones, I was one of those people who live prudent and prolific lives - each minute of his life, Of course that I had moments of joy – but, if I could go back I’ll try to have only good moments, If you don’t know – that’s what life is made of, Don’t lose the now! I was one of those who never goes anywhere without a thermometer, without a hot-water bottle, and without an umbrella and without a parachute, If I could live again – I will travel light, If I could live again – I’ll try to work bare feet at the beginning of spring till the end of autumn, I’ll ride more carts, I’ll watch more sunrises and play with more children, If I have the life to live – but now I am 85, - and I know that I am dying …
Jorge Luis Borges
Aubade I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse —The good not done, the love not given, time Torn off unused—nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear—no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anaesthetic from which none come round. And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can’t escape, Yet can’t accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.
Philip Larkin (Collected Poems)
[Wise men] have tried to understand our state of being, by grasping at its stars, or its arts, or its economics. But, if there is an underlying oneness of all things, it does not matter where we begin, whether with stars, or laws of supply and demand, or frogs, or Napoleon Bonaparte. One measures a circle, beginning anywhere.
Charles Fort (Lo! (Cosimo Classics))
Feminism is an endeavor to change something very old, widespread, and deeply rooted in many, perhaps most, cultures around the world, innumerable institutions, and most households on Earth—and in our minds, where it all begins and ends. That so much change has been made in four or five decades is amazing; that everything is not permanantly, definitively, irrevocably changed is not a sign of failure. A woman goes walking down a thousand-mile road. Twenty minutes after she steps forth, they proclaim that she still has nine hundred ninety-nine miles to go and will never get anywhere.
Rebecca Solnit (Men Explain Things to Me)
You're the one who made it seem like we were doing something wrong. Maybe you still feel like that, because for whatever reason, you think I'm not good enough for you. But I like you, okay? I've liked you from the very beginning." "It was never going anywhere" "Because you wouldn't let it go anywhere.
Siobhan Vivian (Not That Kind of Girl)
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
James Joyce (Selected Letters of James Joyce)
Scientifically, I know beginnings don't exist. The world is made of energy, which is neither created or destroyed. Everything she is was here before me. Everything she was will remain. Her existence touches both my past and my future at one point- infinity. Lifelines aren't lines at all. They are more like circles. Its safe to start anywhere and the story will curve its way back to the starting point. Eventually. In other words, it doesn't matter where I begin. It doesn't change the end.
Shannon Lee Alexander (Love and Other Unknown Variables)
It is when one begins to lose the consciousness of freedom, and when the idea of necessity enters the world at all, when there is any hurry or strain anywhere, a letter to be written or a train to catch, when you have got to work, to make the horses of the dream gallop, or to make the rifles go off, that the dream is declining, and turning into the nightmare, which belongs to the poorest and most vulgar class of dreams.
Karen Blixen (Out of Africa)
Anyone can live anywhere. You think you can't in the beginning, but then you do.
Jamie Zeppa
This boy is not part of the plan. Not the beginning, middle, or anywhere in between.
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
The books were legends and tales, stories from all over the Realm. These she had devoured voraciously – so voraciously, in fact, that she started to become fatigued by them. It was possible to have too much of a good thing, she reflected. “They’re all the same,” she complained to Fleet one night. “The soldier rescues the maiden and they fall in love. The fool outwits the wicked king. There are always three brothers or sisters, and it’s always the youngest who succeeds after the first two fail. Always be kind to beggars, for they always have a secret; never trust a unicorn. If you answer somebody’s riddle they always either kill themselves or have to do what you say. They’re all the same, and they’re all ridiculous! That isn’t what life is like!” Fleet had nodded sagely and puffed on his hookah. “Well, of course that’s not what life is like. Except the bit about unicorns – they’ll eat your guts as soon as look at you. those things in there” – he tapped the book she was carrying – “they’re simple stories. Real life is a story, too, only much more complicated. It’s still got a beginning, a middle, and an end. Everyone follows the same rules, you know. . . It’s just that there are more of them. Everyone has chapters and cliffhangers. Everyone has their journey to make. Some go far and wide and come back empty-handed; some don’t go anywhere and their journey makes them richest of all. Some tales have a moral and some don’t make any sense. Some will make you laugh, others make you cry. The world is a library, young Poison, and you’ll never get to read the same book twice.
Chris Wooding (Poison)
If there is an underlying oneness of all things, it does not matter where we begin, whether with stars, or laws of supply and demand, or frogs, or Napoleon Bonaparte. One measures a circle, beginning anywhere.
Charles Fort (Lo!)
The most beautiful things in all the kingdom often have jagged and uneven lines, scars which intensify the beauty in intricate ways our eyes nor our minds can detect or even begin to understand," the Queen had said as she turned the diamond in her hand, light catching on its irregular dips and peaks. "Without them, they would just be common and ordinary, like all the other smoothly cut diamonds you can find anywhere you look. Beauty, my sweet child, is often broken and barbed, and always unexpected.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Haven't you noticed, too, on the part of nearly everyone you know, a growing rebellion against the present? And an increasing longing for the past? I have. Never before in all my long life have I heard so many people wish that they lived 'at the turn of the century,' or 'when life was simpler,' or 'worth living,' or 'when you could bring children into the world and count on the future,' or simply 'in the good old days.' People didn't talk that way when I was young! The present was a glorious time! But they talk that way now. For the first time in man's history, man is desperate to escape the present. Our newsstands are jammed with escape literature, the very name of which is significant. Entire magazines are devoted to fantastic stories of escape - to other times, past and future, to other worlds and planets - escape to anywhere but here and now. Even our larger magazines, book publishers and Hollywood are beginning to meet the rising demand for this kind of escape. Yes, there is a craving in the world like a thirst, a terrible mass pressure that you can almost feel, of millions of minds struggling against the barriers of time. I am utterly convinced that this terrible mass pressure of millions of minds is already, slightly but definitely, affecting time itself. In the moments when this happens - when the almost universal longing to escape is greatest - my incidents occur. Man is disturbing the clock of time, and I am afraid it will break. When it does, I leave to your imagination the last few hours of madness that will be left to us; all the countless moments that now make up our lives suddenly ripped apart and chaotically tangled in time. Well, I have lived most of my life; I can be robbed of only a few more years. But it seems too bad - this universal craving to escape what could be a rich, productive, happy world. We live on a planet well able to provide a decent life for every soul on it, which is all ninety-nine of a hundred human beings ask. Why in the world can't we have it? ("I'm Scared")
Jack Finney (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
The plague spread and moved on. In the whole world only a few people were able to save themselves: the pure and the chosen, predestined to begin a new race of men and a new life, to renew and purify the earth; but these people were not seen anywhere by anybody, and nobody heard their voices or their words.
Fyodor Dostoevsky (Crime and Punishment)
Love begins when two souls meet together. A soul attracted by another soul. They feel like bind by each other. It’s a powerful addiction. It’s truly said, first love is last love. But it does not said anywhere to stop love if you betrayed by your lover.
Kusum Manjeshri
When I lie by myself and remember I begin to have pains everywhere and I think of things that make me begin to scream because I hate them so. If there was a doctor anywhere who could make you forget you were ill instead of remembering it I would have him brought here.
Frances Hodgson Burnett (The Secret Garden)
As you begin to think like an entrepreneur, you’ll notice that business ideas can come from anywhere.
Chris Guillebeau (The $100 Startup: Fire Your Boss, Do What You Love and Work Better to Live More)
The truth is, I would've felt empty anywhere. I realize now that through a million moments of adventure and excitement, I was only trying to make up for the one moment I wanted to forget.
Melissa Tagg (Here to Stay (Where Love Begins, #2))
She could not understand how she was here, when she had never said yes to being brought anywhere. She could not remember speaking to him, much less agreeing. She was beginning to learn the danger of silence, and that someone who wishes to hear a yes will not go out of his way to listen for a no.
Daniel M. Lavery (The Merry Spinster: Tales of Everyday Horror)
The good man’s past begins to change so that his forgiven sins and remembered sorrows take on the quality of Heaven: the bad man’s past already conforms to his badness and is filled only with dreariness. And that is why, at the end of all things, when the sun rises here and the twilight turns to blackness down there, the Blessed will say “We have never lived anywhere except in Heaven,” and the Lost, “We were always in Hell.” And both will speak truly.
C.S. Lewis (The Great Divorce)
There is, it must be confessed, a curious fascination in hearing deep things talked about, even tho neither we nor the disputants understand them. We get the problematic thrill, we feel the presence of the vastness. Let a controversy begin in a smoking-room anywhere, about free-will or God's omniscience, or good and evil, and see how everyone in the place pricks up his ears. Philosophy's results concern us all most vitally, and philosophy's queerest arguments tickle agreeably our sense of subtlety and ingenuity.
William James (Pragmatism)
You can begin again anywhere you want to in life, but you can’t recreate your past or the way it shaped you.
Kate Stewart (The Brave Line)
Because hearts are meant to be crushed, and you cannot hide them anywhere for love, nor money. Especially not love.
Jen Campbell (The Beginning of the World in the Middle of the Night)
Let's be kind and attentive to the individual man - whether he's a bishop, a peasant, an industrial magnate, a convict in the Sakhalin Islands or a waiter in a restaurant. Let's begin with respect, compassion and love for the individual - or we'll never get anywhere.
Vasily Grossman (Life and Fate)
All down the stone steps on either side were periwinkles in full flower, and she could now see what it was that had caught at her the night before and brushed, wet and scented, across her face. It was wistaria. Wistaria and sunshine . . . she remembered the advertisement. Here indeed were both in profusion. The wistaria was tumbling over itself in its excess of life, its prodigality of flowering; and where the pergola ended the sun blazed on scarlet geraniums, bushes of them, and nasturtiums in great heaps, and marigolds so brilliant that they seemed to be burning, and red and pink snapdragons, all outdoing each other in bright, fierce colour. The ground behind these flaming things dropped away in terraces to the sea, each terrace a little orchard, where among the olives grew vines on trellises, and fig-trees, and peach-trees, and cherry-trees. The cherry-trees and peach-trees were in blossom--lovely showers of white and deep rose-colour among the trembling delicacy of the olives; the fig-leaves were just big enough to smell of figs, the vine-buds were only beginning to show. And beneath these trees were groups of blue and purple irises, and bushes of lavender, and grey, sharp cactuses, and the grass was thick with dandelions and daisies, and right down at the bottom was the sea. Colour seemed flung down anyhow, anywhere; every sort of colour piled up in heaps, pouring along in rivers....
Elizabeth von Arnim (The Enchanted April)
We were anxious to begin our life as people who had no people. And it was easy to find an apartment because we had no standards; we were just amazed that it was *our* door, *our* rotting carpet, *our* cockroach infestation... We were excited about getting jobs; we hardly went anywhere without filling out an application. But once we were hired—as furniture sanders—we could hardly believe this was really what people did all day. Everything we had thought of as The World was actually the result of someone's job. Each line on the sidewalk, each saltine. Everyone had rotting carpet and a door to pay for. Aghast, we quit. There had to be a more dignified way to live. We needed time to consider ourselves, to come up with a theory about who we were and to set it to music.
Miranda July
Or she could return to the beginning, to the first moment she`d started to feel like playing wasn`t for her anymore. But she coudn`t rehash every hurt, every disappointment, every moment that felt like betrayal. And expect to arrive anywhere good.
Sara Zarr (The Lucy Variations)
Nearly everywhere I've been, popular wisdom has it that the location of humanity's original planet is unknown, mysterious. In fact it isn't, as anyone who troubles to read on the subject will discover, but it is very, very, very far away from nearly anywhere, and not a tremendously interesting place. Or at the very least, not nearly as interesting as the enchanting idea that your people are not newcomers to their homes but in fact only recolonized the place they had belonged from the beginning of time. One meets this claim anywhere one finds a remotely human-habitable planet.
Ann Leckie (Ancillary Justice (Imperial Radch, #1))
All I can feel is your cock inside me, as it slides slowly in and then out of me. You are powerful and imposing as you begin to pick up the pace. You have become the centre of my entire universe. You are everything I can feel, everything I can see, hear and smell; all that I know. This is of course, exactly how you like it and exactly as it should be.
Felicity Brandon (Destination Anywhere)
Winter solstice: the darkest time of the year. No sooner has he woken up in the morning than he feels the day beginning to slip away from him. There is no light to sink his teeth into, no sense of time unfolding. Rather, a feeling of doors being shut, of locks being turned. It is a hermetic season, a long moment of inwardness. The outer world, the tangible world of materials and bodies, has come to seem no more than an emanation of his mind. He feels himself sliding through events, hovering like a ghost around his own presence, as if he were living somewhere to the side of himself - not really here, but not anywhere else either. A feeling of having been locked up, and at the same time of being able to walk through walls. He notes somewhere in the margins of a thought: a darkness in the bones.
Paul Auster (The Invention of Solitude)
My mom,Sarah used to tell me that you could be anywhere when you life begins but you wouldn't know it until it changed everything you thought you knew
Shey Stahl (Everything Changes)
My Apprentice is a PathFinder," Septimus said. "I am beginning to realise that means she can go pretty much anywhere she wants to.
Angie Sage (SandRider (TodHunter Moon, #2))
The mountain panorama was the backdrop to every photo taken here, the backdrop to everything. At first Ursula had thought it beautiful, now she was beginning to find its magnificence oppressive. The great icy crags and the rushing waterfalls, the endless pine trees--nature and myth fused to form the Germanic sublimated soul. German Romanticism, it seemed to Ursula, was write large and mystical, the English Lakes seemed tame by comparison. And the English soul, if it resided anywhere, was surely in some unheroic back garden--a patch of lawn, a bed of roses, a row of runner beans.
Kate Atkinson (Life After Life (Todd Family, #1))
The gift list is thinking upon His goodness – and this, this pleases Him most! And most profits my own soul and I am beginning, only beginning, to know it. If clinging to His goodness is the highest form of prayer, then this seeing His goodness with a pen, with a shutter, with a word of thanks, these really are the most sacred acts conceivable. The ones anyone can conceive, anywhere, in the midst of anything. Eucharisteo takes us into His love. Ann Voskamp, one thousand gifts, page 61
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
He realized that all men were like this; that each person was to himself one alone. One oneness, a unit in a society, but always afraid. Like here, standing. If he should scream, if he should holler for help, would it matter? Blackness could come swiftly, swallowing; in one titanically freezing moment all would be concluded. Long before dawn, long before police with flashlights might probe the dark, disturbed pathway, long before men with trembling brains could rustle down the pebbles to his help. Even if they were within five hundred yards of him now, and help certainly was, in three seconds a dark tide could rise to take all ten years from him and— The essential impact of life’s loneliness crushed his beginning-to-tremble body. Mother was alone, too. She could not look to the sanctity of marriage, the protection of her family’s love, she could not look to the United States Constitution or the City Police, she could not look anywhere, in this very instant, save into her heart, and there she would find nothing but uncontrollable repugnance and a will to fear. In this instant it was an individual problem seeking an individual solution. He must accept being alone and work on from there.
Ray Bradbury (Dandelion Wine)
Sometimes as I’m drifting toward sleep, in the beginnings of that dissolution, I wonder where I am, when this is, and realize that at these moments I could be anywhere, anytime, for all I know: eight and napping in the trailer, my broken arm in a cast, or thirteen at night clutching a pillow to my neck, or twenty in the arms of my boyfriend, or twenty-seven in the arms of my husband, or thirty-three next to my imaginary daughter; at every place in the whole spinning shape that is my life, when I am falling asleep, I am the same person, the identical awareness, the same fuzzball of mind, the same muck of nerves, all along the line. I forage through my life and everywhere—there, there, and there—it is only me in it, the very same me, the same harmless lump, the same soggy weirdo, the same sleeping, breathing bun.
Lorrie Moore (Anagrams)
It’s time for me to challenge my imagination and to begin the process of shaping an entirely new life. And the best way to do that anywhere in this whole wide opportunity-filled world is to create an exciting new business.
Michael E. Gerber (The E-Myth Revisited: Why Most Small Businesses Don't Work and What to Do About It)
Lifelines aren’t lines at all. They’re more like circles. It’s safe to start anywhere and the story will curve its way back to the starting point. Eventually. In other words, it doesn’t matter where I begin. It doesn’t change the end.
Shannon Lee Alexander (Love and Other Unknown Variables)
Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.
Kim Addonizio (Tell Me)
Only a handful of people could be saved in all the world; these were the elect and clean, destined to begin a new race of humans and a new life, to renew and clean the earth, but no one saw these people anywhere; no one heard their words and voices.3
Fyodor Dostoevsky (Demons)
Start anywhere, with whatever is in front of you. The key is to begin - and to trust that as long as you’re putting one foot in front of the other, eventually you'll get to where you need to, or at the very least, much farther than you had initially imagined.
Geetanjali Mukherjee (Anyone Can Get An A+: How To Beat Procrastination, Reduce Stress and Improve Your Grades)
jealousies and hatreds; there was no loyalty or decency anywhere about it, there was no place in it where a man counted for anything against a dollar. And worse than there being no decency, there was not even any honesty. The reason for that? Who could say? It must have been old Durham in the beginning; it was a heritage which the self-made merchant had left to his son, along with his millions.
Upton Sinclair (The Jungle)
For ten years, beginning in 2000, Fried asked hundreds of people (mostly designers, programmers, and writers) where they liked to work when they needed to get something done. He found that they went anywhere but their offices, which were too noisy and full of interruptions.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
FAITH IS THE EMPEROR OF DREAMS A great emperor is born from one tiny sperm. A large eagle grows from one small egg. A giant tree grows from one tiny seedling. For the newborn and wise, Everything begins small. However, it is faith that builds the staircase to your dreams. Always have faith in yourself and the universe, For one will not get you anywhere without the other. Both must be equally strong to reach your desires, For they are the wings that will lift you to your dreams. Not a single bird makes its first leap From a tree without faith. And not a single animal in the jungle starts each day without faith. Faith is the flame that eliminates fear, And faith is the true emperor of dreams.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Honestly, I'd rather be anywhere else. Even home, where my dad begins almost every conversation with, "You should lose the black clothes and wear something with color." Puh-lease. Like I want to look like every Barbie clone in Hell High, a.k.a. Oklahoma's insignificant Haloway High School. Ironically, Dad doesn't appreciate the bright blue streaks in my originally blond/now-dyed-black hair. Go figure. That's color, right?
Gena Showalter
No, Mr. Honda, I have forgotten none of the blessings that were mine in the other world. But I fear I have never heard the name Kiyoaki Matsugae. Don’t you suppose, Mr. Honda, that there never was such a person? You seem convinced that there was; but don’t you suppose that there was no such person from the beginning, anywhere? I couldn’t help thinking so as I listened to you.” “Why then do we know each other? And the Ayakuras and the Matsugaes must still have family registers.” “Yes, such documents might solve problems in the other world. But did you really know a person called Kiyoaki? And can you say definitely that the two of us have met before?” “I came here sixty years ago.” “Memory is like a phantom mirror. It sometimes shows things too distant to be seen, and sometimes it shows them as if they were here.” “But if there was no Kiyoaki from the beginning—” Honda was groping through a fog. His meeting here with the Abbess seemed half a dream. He spoke loudly, as if to retrieve the self that receded like traces of breath vanishing from a lacquer tray. “If there was no Kiyoaki, then there was no Isao. There was no Ying Chan, and who knows, perhaps there has been no I.” For the first time there was strength in her eyes. “That too is as it is in each heart.
Yukio Mishima (The Decay of the Angel (The Sea of Fertility, #4))
To fly as fast as thought, to anywhere that is,” he said, “you must begin by knowing that you have already arrived.” The trick, according to Chiang, was for Jonathan to stop seeing himself as trapped inside a limited body that had a forty-two-inch wingspan and performance that could be plotted on a chart. The trick was to know that his true nature lived, as perfect as an unwritten number, everywhere at once across space and time.
Richard Bach (Jonathan Livingston Seagull)
In times of old when I was new And Hogwarts barely started The founders of our noble school Thought never to be parted: United by a common goal, They had the selfsame yearning, To make the world’s best magic school And pass along their learning. “Together we will build and teach!” The four good friends decided And never did they dream that they Might someday be divided, For were there such friends anywhere As Slytherin and Gryffindor? Unless it was the second pair Of Hufflepuff and Ravenclaw? So how could it have gone so wrong? How could such friendships fail? Why, I was there and so can tell The whole sad, sorry tale. Said Slytherin, “We’ll teach just those Whose ancestry is purest.” Said Ravenclaw, “We’ll teach those whose Intelligence is surest.” Said Gryffindor, “We’ll teach all those With brave deeds to their name.” Said Hufflepuff, “I’ll teach the lot, And treat them just the same.” These differences caused little strife When first they came to light, For each of the four founders had A House in which they might Take only those they wanted, so, For instance, Slytherin Took only pure-blood wizards Of great cunning, just like him, And only those of sharpest mind Were taught by Ravenclaw While the bravest and the boldest Went to daring Gryffindor. Good Hufflepuff, she took the rest, And taught them all she knew, Thus the Houses and their founders Retained friendships firm and true. So Hogwarts worked in harmony For several happy years, But then discord crept among us Feeding on our faults and fears. The Houses that, like pillars four, Had once held up our school, Now turned upon each other and, Divided, sought to rule. And for a while it seemed the school Must meet an early end, What with dueling and with fighting And the clash of friend on friend And at last there came a morning When old Slytherin departed And though the fighting then died out He left us quite downhearted. And never since the founders four Were whittled down to three Have the Houses been united As they once were meant to be. And now the Sorting Hat is here And you all know the score: I sort you into Houses Because that is what I’m for, But this year I’ll go further, Listen closely to my song: Though condemned I am to split you Still I worry that it’s wrong, Though I must fulfill my duty And must quarter every year Still I wonder whether Sorting May not bring the end I fear. Oh, know the perils, read the signs, The warning history shows, For our Hogwarts is in danger From external, deadly foes And we must unite inside her Or we’ll crumble from within. I have told you, I have warned you. . . . Let the Sorting now begin. The hat became motionless once more;
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
I was asked to talk to a roomful of undergraduates in a university in a beautiful coastal valley. I talked about place, about the way we often talk about love of place, but seldom how places love us back, of what they give us. They give us continuity, something to return to, and offer familiarity that allows some portion of our lives to remain collected and coherent. They give us an expansive scale in which our troubles are set into context, in which the largeness of the world is a balm to loss, trouble, and ugliness. And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite. The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest. Being able to travel in both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that comes literally in a landscape or that tugs you out of yourself in a story..... I told the student that they were at an age when they might begin to choose the places that would sustain them the rest of their lives, that places were much more reliable than human beings, and often much longer-lasting, and I asked each of them where they felt at home. They answered, each of them, down the rows, for an hour, the immigrants who had never stayed anywhere long or left a familiar world behind, the teenagers who'd left the home they'd spent their whole lives in for the first time, the ones who loved or missed familiar landscapes and the ones who had not yet noticed them. I found books and places before I found friends and mentors, and they gave me a lot, if not quite what a human being would. As a child, I spun outward in trouble, for in that inside-out world [of my family], everywhere but home was safe. Happily, the oaks were there, the hills, the creeks, the groves, the birds, the old dairy and horse ranches, the rock outcroppings, the open space inviting me to leap out of the personal into the embrace of the nonhuman world.
Rebecca Solnit (The Faraway Nearby)
The world is so big, so complicated, so replete with marvels and surprises that it takes years for most people to begin to notice that it is, also, irretrievably broken. We call this period of research “childhood.” There follows a program of renewed inquiry, often involuntary, into the nature and effects of mortality, entropy, heartbreak, violence, failure, cowardice, duplicity, cruelty, and grief; the researcher learns their histories, and their bitter lessons, by heart. Along the way, he or she discovers that the world has been broken for as long as anyone can remember, and struggles to reconcile this fact with the ache of cosmic nostalgia that arises, from time to time, in the researcher’s heart: an intimation of vanished glory, of lost wholeness, a memory of the world unbroken. We call the moment at which this ache first arises “adolescence.” The feeling haunts people all their lives. Everyone, sooner or later, gets a thorough schooling in brokenness. The question becomes: What to do with the pieces? Some people hunker down atop the local pile of ruins and make do, Bedouin tending their goats in the shade of shattered giants. Others set about breaking what remains of the world into bits ever smaller and more jagged, kicking through the rubble like kids running through piles of leaves. And some people, passing among the scattered pieces of that great overturned jigsaw puzzle, start to pick up a piece here, a piece there, with a vague yet irresistible notion that perhaps something might be done about putting the thing back together again. Two difficulties with this latter scheme at once present themselves. First of all, we have only ever glimpsed, as if through half-closed lids, the picture on the lid of the jigsaw puzzle box. Second, no matter how diligent we have been about picking up pieces along the way, we will never have anywhere near enough of them to finish the job. The most we can hope to accomplish with our handful of salvaged bits—the bittersweet harvest of observation and experience—is to build a little world of our own. A scale model of that mysterious original, unbroken, half—remembered. Of course the worlds we build out of our store of fragments can be only approximations, partial and inaccurate. As representations of the vanished whole that haunts us, they must be accounted failures. And yet in that very failure, in their gaps and inaccuracies, they may yet be faithful maps, accurate scale models, of this beautiful and broken world. We call these scale models “works of art.
Michael Chabon (The Wes Anderson Collection)
Young girl, don't cry I'll be right here when your world starts to fall Young girl, it's alright Your tears will dry, you'll soon be free to fly When you're safe inside your room, you tend to dream Of a place where nothing's harder than it seems No one ever wants or bothers to explain Of the heartache life can bring and what it means When there's no one else, look inside yourself Like your oldest friend, just trust the voice within Then you'll find the strength that will guide your way You'll learn to begin to trust the voice within Young girl, don't hide You'll never change if you just run away Young girl, just hold tight Soon you're gonna see your brighter day Now in a world where innocence is quickly claimed It's so hard to stand your ground when you're so afraid No one reaches out a hand for you to hold When you look outside, look inside to your soul When there's no one else, look inside yourself Like your oldest friend, just trust the voice within Then you'll find the strength that will guide your way If you will learn to begin to trust the voice within Life is a journey It can take you anywhere you choose to go As long as you're learning You'll find all you'll ever need to know Be strong You'll break it Hold on You'll make it Be strong Just don't forsake it because Hold on No one can tell you what you can't do No one can stop you, you know that I'm talking to you When there's no one else, look inside yourself Like your oldest friend, just trust the voice within Then you'll find the strength that will guide your way You'll learn to begin to trust the voice within Young girl, don't cry, I'll be right here When your world starts to fall
Christina Aguilera
Your current situation fits every one of the criteria for this disorder:   Exposure to a traumatic event. Yes, relationship abuse from someone you love is traumatic and life-altering. Persistent re-experiencing. Yes, through the mean and sweet cycle, you were repeatedly subjected to their abuse. Persistent avoidance and emotional numbing. Yes, this is the coping mechanism you adopted to excuse their behavior. Persistent symptoms of increased arousal not present before. Yes, you begin to feel these during the delayed emotions stage, ultimately manifesting as anxiety and fear. Duration of symptoms for more than 1 month. Yes, most survivors will require anywhere from 12-24 months of recovery before they begin to trust & love again. Significant impairment. You tell me—how do you feel right about now? I’d say impaired is an understatement.
Peace (Psychopath Free: Recovering from Emotionally Abusive Relationships With Narcissists, Sociopaths, & Other Toxic People)
Once, long ago, Francis Crawford had reduced her to terror and, the episode over, she had suffered to find that for Kate, apparently, no reason suggested itself against making that same Francis Crawford her friend. He was not Philippa’s friend. She had made that clear, and, to be fair, he had respected it. He had even, when you thought of it, curtailed his visits to Kate, although Kate’s studied lack of comment on this served only to make Philippa angrier. He had been nasty at Boghall. He had hit her at Liddel Keep. He had stopped her going anywhere for weeks. He had saved her life. That was indisputable. He had been effective over poor Trotty Luckup, while she had been pretty rude, and he hadn’t forced himself on her; and he had made her warm with his cloak. He had gone to Liddel Keep expressly to warn her, and when she had been pig-headed about leaving (Kate was right) he had done the only thing possible to make her. And then he had come to Flaw Valleys for nothing but to make sure of her safety, and he had been so tired that Kate had cried after he had gone. And then it had suddenly struck her, firmly and deeply in her shamefully flat chest, so that her heart thumped and her eyes filled with tears, that maybe she was wrong. Put together everything you knew of Francis Crawford. Put together what you had heard at Boghall and at Midculter, what you had seen at Flaw Valleys, and it all added up to one enormous, soul-crushing entity. She had been wrong. She did not understand him; she had never met anyone like him; she was only beginning to glimpse what Kate, poor maligned Kate, must have seen all these years under the talk. But the fact remained that he had gone out of his way to protect her, and she had put his life in jeopardy in return.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
Maybe the real problem wasn’t that she had nothing to write about, but that she had too much. Maybe she wasn’t afraid of her finiteness after all, but rather Infinity and how it called her to begin somewhere, anywhere. To begin might be an acceptance that indeed she was some kind of creator, with tremendous powers. It might mean taking people’s lives into her hands–her own life, her friends’, even her father’s or mother’s. And maybe she was afraid they would think she had animated a wandering Frankenstein no one wanted to hold.
L.L. Barkat (The Novelist)
The essential impact of life's loneliness crushed his beginning-to-tremble body. Mother was alone, too. She could not look to the sanctity of marriage, the protection of her family's love, she could not look to the United States Constitution or the City Police, she could not look anywhere, in this very instant, save into her heart, and there she would find nothing but uncontrollable repugnance and a will to fear. In this instant it was an individual problem seeking an individual solution. He must accept being alone and work on from there.
Ray Bradbury (Dandelion Wine)
Let's say a person is down in the dumps, or maybe just lazy, and they stop doing the dishes. Soon the dishes are piled sky-high and it seems impossible to even clean a fork. So the person starts eating with dirty forks out of dirty dishes and this makes the person feel like a homeless person. So they stop bathing. Which makes it hard to leave the house. The person begins to throw trash anywhere and pee in cups because they're closer to the bed. We've all been this person, so there is no place for judgment, but the solution is simple:Fewer dishes.
Miranda July (The First Bad Man)
Hence, it's obvious to see why in AA the community is so important; we are powerless over ourselves. Since we don't have immediate awareness of the Higher Power and how it works, we need to be constantly reminded of our commitment to freedom and liberation. The old patterns are so seductive that as they go off, they set off the association of ideas and the desire to give in to our addiction with an enormous force that we can't handle. The renewal of defeat often leads to despair. At the same time, it's a source of hope for those who have a spiritual view of the process. Because it reminds us that we have to renew once again our total dependence on the Higher Power. This is not just a notional acknowledgment of our need. We feel it from the very depths of our being. Something in us causes our whole being to cry out, “Help!” That's when the steps begin to work. And that, I might add, is when the spiritual journey begins to work. A lot of activities that people in that category regard as spiritual are not communicating to them experientially their profound dependence on the grace of God to go anywhere with their spiritual practices or observances. That's why religious practice can be so ineffective. The real spiritual journey depends on our acknowledging the unmanageability of our lives. The love of God or the Higher Power is what heals us. Nobody becomes a full human being without love. It brings to life people who are most damaged. The steps are really an engagement in an ever-deepening relationship with God. Divine love picks us up when we sincerely believe nobody else will. We then begin to experience freedom, peace, calm, equanimity, and liberation from cravings for what we have come to know are damaging—cravings that cannot bring happiness, but at best only momentary relief that makes the real problem worse.
Thomas Keating (Divine Therapy and Addiction)
In my mind, past, present and future became a blur as I stood in the middle of the celestial room, in the middle of forever. It was as if I were to take a rope that went on forever in both directions and cut it anywhere then the cut would always be exactly in the middle. And if I cut it twice I would have a beginning and an end, but eternity would continue in both directions.
Mike Ericksen (Upon Destiny's Song)
Did you know you can take your bus anywhere you want to go? Say yes three times with me. Yes, yes, yes. You can take it to the movies, the beach or the North Pole. Just say where you want to go and believe that it will be so. Because every journey and ride begins with a desire to go somewhere and do something and if you have a desire then you also have the power to make it happen.
Jon Gordon (The Energy Bus: 10 Rules to Fuel Your Life, Work, and Team with Positive Energy (Jon Gordon))
The human race is an elsewhere race and I am an imposter in a street of imposters. I am nothing and no-one: I was never born. I am a graduate imposter, having applied myself from my earliest years to the study of the development of imposture as practiced in myself and in others around me in street, town, city, country, and on earth. The imposture begins with the first germ of disbelief in being, in self, and this allied to the conviction of the ‘unalterable certainty of truth”, produces the truth of disbelief, of deception of being, of self, of times, places, peoples, of all time and space. The existence of anything, of anywhere and anytime produces an instant denial only in graduates of imposture; in most others who remain unaware of such a state, particularly in themselves, there may be little or no knowledge of their reality, their nonentity…Complete imposture, I repeat, leads to nothingness in which one inhabits all worlds except the world of oneself.
Janet Frame (The Carpathians)
This qualification aside, I shall use the term gathering to refer to any set of two or more individuals whose members include all and only those who are at the moment in one another’s immediate presence. By the term situation I shall refer to the full spatial environment anywhere within which an entering person becomes a member of the gathering that is (or does then become) present. Situations begin when mutual monitoring occurs, and lapse when the second-last person has left. In order to stress the full extent of any such unit, I will sometimes employ the term situation at large.
Erving Goffman (Behavior in Public Places)
Hmmm. Odd. Okay.” He took Nick’s hand. Nick pulled back. “Dude, don’t touch me.” “Why not?” Why not? Really? He had to explain stranger-danger and personal space? Where did this guy live that he didn’t understand grabbing another dude’s body parts without an invitation was a first class ticket to a major butt-whipping event. “Look, I don’t know you, and we’re not dating. So keep your hands off me.” Again with the annoyed noise. “Then how can I lead you if I can’t touch you when you can’t see?” “How ’bout you don’t lead me anywhere?” Nick was beginning to like the darkness. Unlike Asmodeus, it was quiet and rather peaceful. And it definitely didn’t give him a headache. “But you said you couldn’t see.” Nick was aghast at the way this guy’s mind worked. “That doesn’t mean you can touch me.” “I’m so confused.
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
When we call it ‘our’ landscape, we mean it as a physical and intellectual reality. There is nothing chosen about it. This landscape is our home and we rarely stray far from it, or endure anywhere else for long before returning. This may seem like a lack of imagination or adventure, but I don’t care. I love this place; for me it is the beginning and the end of everything, and everywhere else feels like nowhere.
James Rebanks (The Shepherd's Life: A People's History of the Lake District)
It’s not like the movies. There are rarely gunshots or explosions, bad guys hunting you down. You follow a lead to where it takes you. Most times it takes you to a dead end and you have to return to the beginning and follow another. Usually, you have to follow dozens of leads before you get anywhere. But, sometimes, you get lucky, and every door you open leads you to another until, finally, you stumble upon the truth. It’s not about justice, you see, or money—God knows it’s not about money. It’s about bringing the truth to light. It’s not glamorous, but it makes the world a little more truthful a place. That’s enough for me.
Philip Elliott (Porno Valley)
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there. It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town. On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
...when a society or a civilization perishes, one condition may always be found. They forgot where they came from. They lost sight of what brought them along. The hard beginnings were forgotten and the struggles farther along. They became satisfied with themselves. Unity and common understanding there had been, enough to overcome rot and dissolution, enough to break through their obstacles. But the mockers came. And the deniers were heard. And vision and hope faded. And the custom of greeting became "What's the use?" And men whose forefathers would go anywhere, holding nothing impossible in the genius of man, joined the mockers and the deniers. They lost sight of what brought them along.
Carl Sandburg
Home" It would take forever to get there but I would know it anywhere: My white horse grazing in my blossomy field. Its soft nostrils. The petals falling from the trees into the stream. The festival would be about to begin in the dusky village in the distance. The doe frozen at the edge of the grove: She leaps. She vanishes. My face— She has taken it. And my name— (Although the plaintive lark in the tall grass continues to say and to say it.) Yes. This is the place. Where my shining treasure has been waiting. Where my shadow washes itself in my fountain. A few graves among the roses. Some moss on those. An ancient bell in a steeple down the road making no sound at all as the monk pulls and pulls on the rope.
Laura Kasischke (Space, in Chains)
There was a time—the year after leaving, even five years after when this homely street, with its old-fashioned high crown, its sidewalk blocks tugged up and down by maple roots, its retaining walls of sandstone and railings of painted iron and two-family brickfront houses whose siding imitates gray rocks, excited Rabbit with the magic of his own existence. These mundane surfaces had given witness to his life; this cup had held his blood; here the universe had centered, each downtwirling maple seed of more account than galaxies. No more. Jackson Road seems an ordinary street anywhere. Millions of such American streets hold millions of lives, and let them sift through, and neither notice nor mourn, and fall into decay, and do not even mourn their own passing but instead grimace at the wrecking ball with the same gaunt facades that have outweathered all their winters. However steadily Mom communes with these maples—the branches’ misty snake-shapes as inflexibly fixed in these two windows as the leading of stained glass—they will not hold back her fate by the space of a breath; nor, if they are cut down tomorrow to widen Jackson Road at last, will her staring, that planted them within herself, halt their vanishing. And the wash of new light will extinguish even her memory of them. Time is our element, not a mistaken invader. How stupid, it has taken him thirty-six years to begin to believe that.
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
Maybe that’s why we’ve never heard a peep from anywhere. It’s not just that the universe is too big. Which it is. That’s the main reason. But then also, life is a planetary thing. It begins on a planet and is part of that planet. It’s something that water planets do, maybe. But it develops to live where it is. So it can only live there, because it evolved to live there. That’s its home. So, you know, Fermi’s paradox has its answer, which is this: by the time life gets smart enough to leave its planet, it’s too smart to want to go. Because it knows it won’t work. So it stays home. It enjoys its home. As why wouldn’t you? It doesn’t even bother to try to contact anyone else. Why would you? You’ll never hear back. So that’s my answer to the paradox. You can call it Euan’s Answer.” Later: “So, of course, every once in a while some particularly stupid form of life will try to break out and move away from its home star. I’m sure it happens. I mean, here we are. We did it ourselves. But it doesn’t work, and the life left living learns the lesson, and stops trying such a stupid thing.” Later: “Maybe some of them even make it back home. Hey—if I were you, Freya? I would try to get back home.” Later: “Maybe.
Kim Stanley Robinson (Aurora)
Just try it once — a tree, or at least a considerable section of sky, is to be seen anywhere. It does not even have to be blue sky; in some way or another the light of the sun always makes itself felt. Accustom yourself every morning to look for a moment at the sky and suddenly you will be aware of the air around you, the scent of morning freshness that is bestowed on you between sleep and labor. You will find every day that the gable of every house has its own particular look, its own special lighting. Pay it some heed if you will have for the rest of the day a remnant of satisfaction and a touch of coexistence with nature. Gradually and without effort the eye trains itself to transmit many small delights, to contemplate nature and the city streets, to appreciate the inexhaustible fun of daily life. From there on to the fully trained artistic eye is the smaller half of the journey; the principal thing is the beginning, the opening of the eyes.
Hermann Hesse
After Jurgis had been there awhile he would know that the plants were simply honeycombed with rottenness of that sort—the bosses grafted off the men, and they grafted off each other; and some day the superintendent would find out about the boss, and then he would graft off the boss. Warming to the subject, Tamoszius went on to explain the situation. Here was Durham's, for instance, owned by a man who was trying to make as much money out of it as he could, and did not care in the least how he did it; and underneath him, ranged in ranks and grades like an army, were managers and superintendents and foremen, each one driving the man next below him and trying to squeeze out of him as much work as possible. And all the men of the same rank were pitted against each other; the accounts of each were kept separately, and every man lived in terror of losing his job, if another made a better record than he. So from top to bottom the place was simply a seething caldron of jealousies and hatreds; there was no loyalty or decency anywhere about it, there was no place in it where a man counted for anything against a dollar. And worse than there being no decency, there was not even any honesty. The reason for that? Who could say? It must have been old Durham in the beginning; it was a heritage which the self-made merchant had left to his son, along with his millions.
Upton Sinclair (The Jungle)
The modern mind is like the eye of a man who is too tired to see the difference between blue and green. It fails in the quality that is truly called distinction; and,being incapable of distinction, it falls back on generalisation. The man, instead of having the sense to say he is tired, says he is emancipated and enlightened and liberal and universal.... ...we find it less trouble to let in a jungle of generalisations than to keep watch upon a logical frontier. But this shapeless assimilation is not only found in accepting things in the lump; it is also found in condemning them in the lump. When the same modern mind does begin to be intolerant, it is just as universally intolerant as it was universally tolerant. It sends things in batches to the gallows just as it admitted them in mobs to the sanctuary. It cannot limit its limitations any more than its license....There are...lunatics now having power to lay down the law, who have somehow got it into their heads that any artistic representation of anything wicked must be forbidden as encouraging wickedness. This would obviously be a veto on any tragedy and practically on any tale. But a moment's thought...would show them that this is simply an illogical generalisation from the particular problem of sex. All dignified civilisations conceal sexual things, for the perfectly sensible reason that their mere exhibition does affect the passions. But seeing another man forge a cheque does not make me want to forge a cheque. Seeing the tools for burgling a safe does not arouse an appetite for being a burglar. But the intelligence in question cannot stop itself from stopping anything. It is automatically autocratic; and its very prohibition proceeds in a sort of absence of mind. Indeed, that is the most exact word for it; it is emphatically absence of mind. For the mind exists to make those very distinctions and definitions which these people refuse. They refuse to draw the line anywhere; and drawing a line is the beginning of all philosophy, as it is the beginning of all art. They are the people who are content to say that what is sauce for the goose is sauce for the gander, and are condemned to pass their lives in looking for eggs from the cock as well as the hen.
G.K. Chesterton
He closed his eyes. This bed was a wedding gift from friends he had not seen in years. He tried to remember their names, but they were gone. In it, or on it, his marriage had begun and, six years later, ended. He recognized a musical creak when he moved his legs, he smelled Julie on the sheets and banked-up pillows, her perfume and the close, soapy essence that characterized her newly washed linen. Here he had taken part in the longest, most revealing, and, later, most desolate conversations of his life. He had had the best sex ever here, and the worst wakeful nights. He had done more reading here than in any other single place - he remembered Anna Karenina and Daniel Deronda in one week of illness. He had never lost his temper so thoroughly anywhere else, nor had been so tender, protective, comforting, nor, since early childhood, been so cared for himself. Here his daughter had been conceived and born. On this side of the bed. Deep in the mattress were the traces of pee from her early-morning visits. She used to climb between then, sleep a little, then wake them with her chatter, her insistence on the day beginning. As they clung to their last fragments of dreams, she demanded the impossible: stories, poems, songs, invented catechisms, physical combat, tickling. Nearly all evidence of her existence, apart from photographs, they had destroyed or given away. All the worst and the best things that had ever happened to him had happened here. This was where he belonged. Beyond all immediate considerations, like the fact that his marriage was more or less finished, there was his right to lie here now in the marriage bed.
Ian McEwan (The Child in Time)
Depression goes through stages, but if left unchecked and not treated, this elevator ride will eventually go all the way to the bottom floor. And finally you find yourself bereft of choices, unable to figure out a way up or out, and pretty soon one overarching impulse begins winning the battle for your mind: “Kill yourself.” And once you get over the shock of those words in your head, the horror of it, it begins to start sounding appealing, even possessing a strange resolve, logic. In fact, it’s the only thing you have left that is logical. It becomes the only road to relief. As if just the planning of it provides the first solace you’ve felt that you can remember. And you become comfortable with it. You begin to plan it and contemplate the details of how best to do it, as if you were planning travel arrangements for a vacation. You just have to get out. O-U-T. You see the white space behind the letter O? You just want to crawl through that O and be out of this inescapable hurt that is this thing they call clinical depression. “How am I going to do this?” becomes the only tape playing. And if you are really, really, really depressed and you’re really there, you’re gonna find a way. I found a way. I had a way. And I did it. I made sure Opal was out of the house and on a business trip. My planning took a few weeks. I knew exactly how I was going to do it: I didn’t want to make too much of a mess. There was gonna be no blood, no drama. There was just going to be, “Now you see me, now you don’t.” That’s what it was going to be. So I did it. And it was over. Or so I thought. About twenty-four hours later I woke up. I was groggy; zoned out to the point at which I couldn’t put a sentence together for the next couple of days. But I was semifunctional, and as these drugs and shit that I took began to wear off slowly but surely, I realized, “Okay, I fucked up. I didn’t make it.” I thought I did all the right stuff, left no room for error, but something happened. And this perfect, flawless plan was thwarted. As if some force rebuked me and said, “Not yet. You’re not going anywhere.” The only reason I could have made it, after the amount of pills and alcohol and shit I took, was that somebody or something decided it wasn’t my time. It certainly wasn’t me making that call. It was something external. And when you’re infused with the presence of this positive external force, which is so much greater than all of your efforts to the contrary, that’s about as empowering a moment as you can have in your life. These days we have a plethora of drugs one can take to ameliorate the intensity of this lack of hope, lack of direction, lack of choice. So fuck it and don’t be embarrassed or feel like you can handle it yourself, because lemme tell ya something: you can’t. Get fuckin’ help. The negative demon is strong, and you may not be as fortunate as I was. My brother wasn’t. For me, despair eventually gave way to resolve, and resolve gave way to hope, and hope gave way to “Holy shit. I feel better than I’ve ever felt right now.” Having actually gone right up to the white light, looked right at it, and some force in the universe turned me around, I found, with apologies to Mr. Dylan, my direction home. I felt more alive than I’ve ever felt. I’m not exaggerating when I say for the next six months I felt like Superman. Like I’m gonna fucking go through walls. That’s how strong I felt. I had this positive force in me. I was saved. I was protected. I was like the only guy who survived and walked away from a major plane crash. I was here to do something big. What started as the darkest moment in my life became this surge of focus, direction, energy, and empowerment.
Ron Perlman (Easy Street: The Hard Way)
It was around the time of the divorce that all traces of decency vanished, and his dream of being the next great Southern writer was replaced by his desire to be the next published writer. So he started writing these novels set in Small Town Georgia about folks with Good American Values who Fall in Love and then contract Life-Threatening Diseases and Die. I'm serious. And it totally depresses me, but the ladies eat it up. They love my father's books and they love his cable-knit sweaters and they love his bleachy smile and orangey tan. And they have turned him into a bestseller and a total dick. Two of his books have been made into movies and three more are in production, which is where his real money comes from. Hollywood. And, somehow, this extra cash and pseudo-prestige have warped his brain into thinking that I should live in France. For a year.Alone.I don't understand why he couldn't send me to Australia or Ireland or anywhere else where English is the native language.The only French word I know is oui, which means "yes," and only recently did I learn it's spelled o-u-i and not w-e-e. At least the people in my new school speak English.It was founded for pretentious Americans who don't like the company of their own children. I mean, really. Who sends their kid to boarding school? It's so Hogwarts. Only mine doesn't have cute boy wizards or magic candy or flying lessons. Instead,I'm stuck with ninety-nine other students. There are twenty-five people in my entire senior class, as opposed to the six hundred I had back in Atlanta. And I'm studying the same things I studied at Clairemont High except now I'm registered in beginning French. Oh,yeah.Beginning French. No doubt with the freshman.I totally rock.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
This would not have come as news to Jason Fried, cofounder of the web application company 37signals. For ten years, beginning in 2000, Fried asked hundreds of people (mostly designers, programmers, and writers) where they liked to work when they needed to get something done. He found that they went anywhere but their offices, which were too noisy and full of interruptions. That’s why, of Fried’s sixteen employees, only eight live in Chicago, where 37signals is based, and even they are not required to show up for work, even for meetings. Especially not for meetings, which Fried views as “toxic.” Fried is not anti-collaboration—37signals’ home page touts its products’ ability to make collaboration productive and pleasant. But he prefers passive forms of collaboration like e-mail, instant messaging, and online chat tools. His advice for other employers? “Cancel your next meeting,” he advises. “Don’t reschedule it. Erase it from memory.” He also suggests “No-Talk Thursdays,” one day a week in which employees aren’t allowed to speak to each other.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Here’s what I know about Cole,” Jeremy said. Punctuated by the silence, it sounded like he was in a pulpit. “Cole’s religion is debunking the impossible. He doesn’t believe in impossible. He doesn’t believe in no. Cole’s religion is waiting for someone to tell him it can’t be done so he can do it. Anything. Doesn’t matter what that something is, so long as it can’t be done. Here’s an origin story for you. In the beginning of time there was an ocean and a void, and God made the ocean into the world and he made the void into Cole.” Victor laughed. “I thought you said you were a Buddhist,” Jan said. “Part-time,” Jeremy replied. Debunking the impossible. Now, the pines stretched up so high on either side of the road that it felt like I was tunneling to the middle of the world. Mercy Falls was an unnumbered stretch of miles behind me. I was sixteen again, and the road unwound in front of me, endless possibilities. I felt wiped clean, empty, forgiven. I could drive forever, anywhere. I could be anyone. But I felt the pull of Boundary Wood around me and, for once, the business of being Cole St. Clair no longer felt like such a curse. I had a purpose, a goal, and it was the impossible: finding a cure. I was so close.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
And do ye know what “the universe” is to my mind? Shall I show it to you in my mirror? This universe is a monster of energy, without beginning or end; a fixed and brazen quantity of energy which grows neither bigger nor smaller, which does not consume itself, but only alters its face; as a whole its bulk is immutable, it is a household without either losses or gains, but likewise without increase and without sources of revenue, surrounded by nonentity as by a frontier. It is nothing vague or wasteful, it does not stretch into infinity; but is a definite quantum of energy located in limited space, and not in space which would be anywhere empty. It is rather energy everywhere, the play of forces and force-waves, at the same time one and many, agglomerating here and diminishing there, a sea of forces storming and raging in itself, for ever changing, for ever rolling back over incalculable ages to recurrence, with an ebb and flow of its forms, producing the most complicated things out of the most simple structures; producing the most ardent, most savage, and most contradictory things out of the quietest, most rigid, and most frozen material, and then returning from multifariousness to uniformity, from the play of contradictions back into the delight of consonance, saying yea unto itself, even in this homogeneity of its courses and ages; for ever blessing itself as something which recurs for all eternity, — a becoming which knows not satiety, or disgust, or weariness: — this, my Dionysian world of eternal self-creation, of eternal self-destruction, this mysterious world of twofold voluptuousness; this, my “Beyond Good and Evil,” without aim, unless there is an aim in the bliss of the circle, without will, unless a ring must by nature keep goodwill to itself, — would you have a name for my world? A solution of all your riddles? Do ye also want a light, ye most concealed, strongest and most
Friedrich Nietzsche (Complete Works of Friedrich Nietzsche)
Of the natural conditions of man is his search after an Exalted Being towards Whom he has an inherent attraction. This is manifested by an infant from the moment of its birth. As soon as it is born, it displays a spiritual characteristic that it inclines towards its mother and is inspired by love of her. As its faculties are developed and its nature begins to display itself openly, this inherent quality is displayed more and more strongly. It finds no comfort anywhere except in the lap of its mother. If it is separated from her and finds itself at a distance from her, its life becomes bitter. Heaps of bounties fail to beguile it away from its mother in whom all its joy is concentrated. It feels no joy apart from her. What, then, is the nature of the attraction which an infant feels so strongly towards its mother? It is the attraction which the True Creator has implanted in the nature of man. The same attraction comes into play whenever a person feels love for another. It is a reflection of the attraction that is inherent in man's nature towards God, as if he is in search of something that he misses, the name of which he has forgotten and which he seeks to find in one thing or another which he takes up from time to time. A person's love of wealth or offspring or wife or his soul being attracted towards a musical voice are all indications of his search for the True Beloved.
Mirza Ghulam Ahmad (The Philosophy of the Teachings of Islam)
What the most advanced researchers and theoreticians in all of science now comprehend is that the Newtonian concept of a universe driven by mass force is out of touch with reality, for it fails to account for both observable phenomena and theoretical conundrums that can be explained only by quantum physics: A quantum view explains the success of small efforts quite differently. Acting locally allows us to be inside the movement and flow of the system, participating in all those complex events occurring simultaneously. We are more likely to be sensitive to the dynamics of this system, and thus more effective. However, changes in small places also affect the global system, not through incrementalism, but because every small system participates in an unbroken wholeness. Activities in one part of the whole create effects that appear in distant places. Because of these unseen connections, there is potential value in working anywhere in the system. We never know how our small activities will affect others through the invisible fabric of our connectedness. In what Wheatley calls “this exquisitely connected world,” the real engine of change is never “critical mass”; dramatic and systemic change always begins with “critical connections.”14 So by now the crux of our preliminary needs should be apparent. We must open our hearts to new beacons of Hope. We must expand our minds to new modes of thought. We must equip our hands with new methods of organizing. And we must build on all of the humanity-stretching movements of the past half century: the Montgomery Bus Boycott; the civil rights movement; the Free Speech movement; the anti–Vietnam War movement; the Asian American, Native American, and Chicano movements; the women’s movement; the gay and lesbian movement; the disability rights/pride movement; and the ecological and environmental justice movements. We must find ourselves amid the fifty million people who as activists or as supporters have engaged in the many-sided struggles to create the new democratic and life-affirming values that are needed to civilize U.S. society.
Grace Lee Boggs (The Next American Revolution: Sustainable Activism for the Twenty-First Century)
Nevertheless they come up with their own history of creation, the Dreaming. The first man was Ber-rook-boorn. He was made by Baiame, the uncreated, who was the beginning of everything, and who loved and took care of all living things. In other words, a good man, this Baiame. Friends called him the Great Fatherly Spirit. After Baiame established Ber-rook-boorn and his wife in a good place, he left his mark on a sacred tree—yarran—nearby, which was the home of a swarm of bees. “ ‘You can take food from anywhere you want, in the whole of this country that I have given you, but this is my tree,’ he warned the two people. ‘If you try to take food from there, much evil will befall you and those who come after you.’ Something like that. At any rate, one day Ber-rook-boorn’s wife was collecting wood and she came to the yarran tree. At first she was frightened at the sight of the holy tree towering above her, but there was so much wood lying around that she did not follow her first impulse—which was to run away as fast as her legs could carry her. Besides, Baiame had not said anything about wood. While she was gathering the wood around the tree she heard a low buzzing sound above her head, and she gazed up at the swarm of bees. She also saw the honey running down the trunk. She had only tasted honey once before, but here there was enough for several meals. The sun glistened on the sweet, shiny drops, and in the end Ber-rook-boorn’s wife could not resist the temptation and she climbed up the tree. “At that moment a cold wind came from above and a sinister figure with enormous black wings enveloped her. It was Narahdarn the bat, whom Baiame had entrusted with guarding the holy tree. The woman fell to the ground and ran back to her cave where she hid. But it was too late, she had released death into the world, symbolized by the bat Narahdarn, and all of the Ber-rook-boorn descendants would be exposed to its curse. The yarran tree cried bitter tears over the tragedy that had taken place. The tears ran down the trunk and thickened, and that is why you can find red rubber on the bark of the tree nowadays.” Andrew puffed happily on his cigar.
Jo Nesbø (The Bat (Harry Hole, #1))
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest. “Forever. Nearly as long as I did about you.” “God, Jesse. Why didn’t you say anything?” “He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.” “Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.” “Do you mean…I did it?” I asked. “I made him figure it out? What he is?” Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.” “I don’t want to separate from you,” I said. “No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.” Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…” But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin. Skin that was marble-pale, I realized. Just like mine. “Yes?” I said, more gently than I’d intended. “Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.” “Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.” He dropped his arm. “You got that from the diary.” “No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.” “Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?” “Jesse is a star.” The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.” I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.” “Aye.” A single blue eye blinked open between Armand’s fingers. “Show me what?
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.
Theodore Roethke (The Collected Poems)
Gary Hallet is getting leg cramps sitting in the Honda, but he’s not going anywhere yet. His grandfather used to tell him that most folks had it all wrong: The truth of the matter was, you could lead a horse to water, and if the water was cool enough, if it was truly clear and sweet, you wouldn’t have to force him to drink. Tonight Gary feels a whole lot more like the horse than the rider. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything too badly. Well, he does now. He looks out at the parking lot. By afternoon he’ll be back where he belongs; his dogs will go crazy when they see him, his mail will be waiting outside his front door, the milk in his refrigerator will still be fresh enough to use in his coffee. The hitch is, he doesn’t want to go. He’d rather be here, crammed into this tiny Honda, his stomach growling with hunger, his desire so bad he doesn’t know if he could stand up straight. His eyes are burning hot, and he knows he can never stop himself when he’s going to cry. He’d better not even try. “Oh, don’t,” Sally says. She moves closer to him, pulled by gravity, pulled by forces she couldn’t begin to control. “I just do this,” Gary says in that sad, deep voice. He shakes his head, disgusted with himself. This time he’d prefer to do almost anything but cry. “Pay no attention.” But she does. She can’t help herself. She shifts toward him, meaning to wipe at his tears, but instead she loops her arms around his neck, and once she does that, he holds her closer. “Sally,” he says. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None of it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She’s halfway onto his lap, facing him, and when he touches her, his hands are so hot on her skin she can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
Alice Hoffman (Practical Magic (Practical Magic, #1))
You seem surprised to find us here,’ the man said. ‘I am,’ I said. ‘I wasn’t expecting to find anyone.’ ‘We are everywhere,’ the man said. ‘We are all over the country.’ ‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’ ‘Jewish refugees.’ [...] ‘Is this your land?’ I asked him. ‘Not yet,’ he said. ‘You mean you are hoping to buy it?’ He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’ ‘So where do you go from here?’ I asked him. ‘You and all your orphans?’ ‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’ ‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’ He smiled again, presumably at the naïvety of my questions. ‘No,’ the man said, ‘I do not think we will become Palestinians.’ ‘Then what will you do?’ ‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’ ‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip. ‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’ ‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’ ‘That is a very small problem,’ the man said. ‘Ours is much bigger.’ I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him. ‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’ ‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours. I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’ ‘You mean the Jews have no country?’ ‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’ ‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’ ‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us. ‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’ ‘We don’t want Germany,’ the man said. ‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever. ‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
DAYS ONE THROUGH SIX, ETC. You keep on asking me that – “Which day was the hardest?” Blockheads! They were all hard – And of course, since I’m omnipotent, they were all easy. It was Chaos, to begin with. Can you imagine Primeval Chaos? Of course you can’t. How long had it been swirling around out there? Forever. How long had I been there? Longer than that. It was a mess, that’s what it was. Chaos is Rocky. Fuzzy. Slippery. Prickly. As scraggly and obstreperous as the endless behind of an infinite jackass. Shove on it anywhere, it gives, then slips in behind you, like smog, like lava, like slag. I’m telling you, chaos is – chaotic. You see what I was up against. Who could make a world out of that muck? I could, that’s who – land from water, light from dark, and so on. It might seem like a piece of cake now that it’s done, but back then, without a blueprint, without a set of instructions, without a committee, could you have created a firmament? Of course there were bugs in the process, grit in the gears, blips, bloopers – bringing forth grass and trees on Day Three and not making sunlight until Day Four, that, I must say, wasn’t my best move. And making the animals and vegetables before there was any rain whatsoever – well, anyone can have a bad day. Even Adam, as it turned out, wasn’t such a great idea – those shifty eyes, the alibis, blaming things on his wife – I mean, it set a bad example. How could he expect that little toddler, Cain, to learn correct family values with a role model like him? And then there was the nasty squabble Over the beasts and birds. OK, I admit I told Adam to name them, but – Platypus? Aardvark? Hippopotamus? Let me make one thing perfectly clear – he didn’t get that gibberish from Me. No, I don’t need a planet to fall on Me, I know something about subtext. He did it to irritate Me, just plain spite – and did I need the aggravation? Well, as you know, things went from bad to worse, from begat to begat, father to son, the evil fruit of all that early bile. So next there was narcissism, then bigotry, then jealousy, rage, vengeance! And finally I realized, the spawn of Adam had become exactly like – Me. No Deity with any self-respect would tolerate that kind of competition, so what could I do? I killed them all, that’s what! Just as the Good Book says, I drowned man, woman, and child, like so many cats. Oh, I saved a few for restocking, Noah and his crew, the best of the lot, I thought. But now you’re back to your old tricks again, just about due for another good ducking, or maybe a giant barbecue. And I’m warning you, if I have to do it again, there won’t be any survivors, not even a cockroach! Then, for the first time since it was Primeval Chaos, the world will be perfect – nobody in it but Me.
Philip Appleman