Bedroom Furniture Quotes

It was what she'd most enjoyed about being married to Jim. It wasn't only the heady flush of emotions when they'd made love that enthralled her; more than that, it was the lazy mornings they'd spent reading the newspaper in bed while drinking coffee, or the cold December mornings they'd planted bulbs in the garden, or the hours they'd spent traipsing through various stores, picking out bedroom furniture, debating cherry or maple. Those were the moments she felt most content, when she finally allowed herself to believe in the impossible. Those were the moments when all seemed right in the world.

[T]hough the darkness sometimes lifted just enough so I could construe my surroundings, familiar shapes solidifying like bedroom furniture at dawn, my relief was never more than temporary because somehow the full morning never came, things always went black before I could orient myself and there I was again with ink poured in my eyes, guttering around in the dark.

Have you ever tried to demarcate the hours between the moment you thought you'd never fall asleep and the instant after opening your eyes, your bedroom flooded with the befuddling, sugary pink of dawn? Between point A and point B you exist, you are alive, your breath slowing, your body temperature dropping, the shadows cast by your furniture elongating and shrinking as the moon revolves through the sky above your flimsy house, if that's even where you really are. Every night, anything could happen, and you would never be the wiser. What I'm trying to say is that day, I learned that time doesn't belong to you. All you have is what you remember. A fraction; less.

Never had he beheld such a magnificent brown skin, so entrancing a figure, such dainty, transparent fingers. He stood gazing in wonder at her work-basket as if it was something extraordinary. What was her name? Where did she live and what sort of life did she lead? What was her past? He wanted to know what furniture she had in her bedroom, the dresses she wore, the people she knew; even his physical desire for her gave way to a deeper yearning, a boundless, aching curiosity.

I hated being around people, couldn’t pay attention to what anyone was saying, couldn’t talk to clients, couldn’t tag my pieces, couldn’t ride the subway, human activity seemed pointless, incomprehensible, some blackly swarming ant hill in the wilderness, there was not a squeak of light anywhere I looked, the antidepressants I’d been dutifully swallowing for eight weeks hadn’t helped a bit, nor had the ones before that (but then, I’d tried them all; apparently I was among the twenty unfortunates who didn’t get the daisy fields and the butterflies but the Sever Headaches and the Suicidal Thoughts); and though the darkness sometimes lifted just enough so I could construe my surroundings, familiar shapes solidifying the bedroom furniture at dawn, my relief was never more than temporary because somehow the full morning never came, things always went black before I could orient myself and there I was again with ink poured in my eyes, guttering around in the dark.

He knew what those jubilant crowds did not know but could have learned from books: that the plague bacillus never dies or disappears for good; that it can lie dormant for years and years in furniture and linen chests; that it bides its time in bedrooms, cellars, trunks, and bookshelves; and that perhaps the day would come when, for the bane and the enlightening of men, it would rouse up its rats again and send them forth to die in a happy city.

I don't know who tried to teach him what to do in the bedroom, but it must have been a furniture salesman.

So with the lamps all put out, the moon sunk, and a thin rain drumming on the roof, a downpouring of immense darkness began. Nothing, it seemed, could survive the flood, the profusion of darkness which creeping in at keyholes and crevices, stole round window blinds, came into bedrooms, swallowed up here a jug and basin, there a bowl of red and yellow dahlias, there the sharp edges and firm bulk of a chest of drawers. Not only was furniture confounded; there was scarcely anything left of body or mind by which one could say, 'This is he,' or, 'This is she.

At night I locked my bedroom door, because [my father] could not sleep and would insist on talking to me, endlessly, without making sense. But there was a small window over the door which could not be locked. One night I woke up to see him slithering through the tiny aperture and jumping nimbly to the floor. But he paid no attention to me. He aimlessly picked up various pieces of heavy mahogany furniture and let them drop with seemingly little effort. In his insanity he had become superhumanly agile and powerful. Staying with him was a nightmare.

Young Anthony had one picture of his father and mother together—so often had it faced his eyes in childhood that it had acquired the impersonality of furniture, but every one who came into his bedroom regarded it with interest.

It was a singular bedroom, with its high walls of brown volumes, but there could be no more agreeable furniture to a bookworm like myself, and there is no scent so pleasant to my nostrils as that faint, subtle reek which comes from an ancient book. I assured him that I could desire no more charming chamber, and no more congenial surroundings.

Ben scooped her up in his arms, holding her high against his chest as he carried her back into the cottage, past the shrouded, familiar shapes of the furniture into the night-dark bedroom. They were alone now for the first time. There was no Emmett, no Harris, no lies or masquerade or motives or revenge. There was just Ben and Rachel, together in the darkness.

though the darkness sometimes lifted just enough so I could construe my surroundings, familiar shapes solidifying like bedroom furniture at dawn, my relief was never more than temporary because somehow the full morning never came, things always went black before I could orient myself and there I was again with ink poured in my eyes, guttering around in the dark.

bedroom and up the side of the compound to the study. Satisfied? he asked when she arrived. Saphira raked him with her sapphire eyes, then proceeded to scrutinize the walls and furniture.

I loved my bedroom... the vanity with the warped mirror, the squat chairs without armrests, the elaborate, oriental dressing screen. I loved curving my body into the velvet sofa, books piled at my feet, the dusty, floor-length curtains pushed back from the windows so I could see the sky. At night the purple-fringed lampshades turned the light a hue somewhere between lilac and dusky plum.

Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves, and not anything else, and by the immobility of our conceptions of them. For it always happened that when I awoke like this, and my mind struggled in an unsuccessful attempt to discover where I was, everything would be moving round me through the darkness: things, places, years. My body, still too heavy with sleep to move, would make an effort to construe the form which its tiredness took as an orientation of its various members, so as to induce from that where the wall lay and the furniture stood, to piece together and to give a name to the house in which it must be living. Its memory, the composite memory of its ribs, knees, and shoulder-blades offered it a whole series of rooms in which it had at one time or another slept; while the unseen walls kept changing, adapting themselves to the shape of each successive room that it remembered, whirling madly through the darkness. And even before my brain, lingering in consideration of when things had happened and of what they had looked like, had collected sufficient impressions to enable it to identify the room, it, my body, would recall from each room in succession what the bed was like, where the doors were, how daylight came in at the windows, whether there was a passage outside, what I had had in my mind when I went to sleep, and had found there when I awoke. The stiffened side underneath my body would, for instance, in trying to fix its position, imagine itself to be lying, face to the wall, in a big bed with a canopy; and at once I would say to myself, "Why, I must have gone to sleep after all, and Mamma never came to say good night!" for I was in the country with my grandfather, who died years ago; and my body, the side upon which I was lying, loyally preserving from the past an impression which my mind should never have forgotten, brought back before my eyes the glimmering flame of the night-light in its bowl of Bohemian glass, shaped like an urn and hung by chains from the ceiling, and the chimney-piece of Siena marble in my bedroom at Combray, in my great-aunt's house, in those far distant days which, at the moment of waking, seemed present without being clearly denned, but would become plainer in a little while when I was properly awake.

At my door, I took off my heels to climb the five flights of stairs to the apartment I shared with Ol’ “Catfish” Nev. I unlocked the door, crept through the living room full of Nev’s beautiful midcentury modern furniture, and went into my bedroom.

Shadows had invaded the vestibule. Hun-Kamé and Casiopea walked into one of the bedrooms, and there were pools of darkness so vivid they looked liquid, as if someone had left a window open and the night had dripped against the wallpaper and elegant furniture, making the bulbs of the lamps dim.

Tsundoku (Japanese) Buying books and not reading them; letting books pile up on shelves or floors or nightstands. My parents used to joke about making furniture out of them; instead of being coffee table books, they could be the coffee table. Ditto on nightstands, counters, roofs. When we were kids, my brother and I, teased about always reading, built a wall. Right through the middle of the neighborhood, protected ourselves with fiction and with facts. I loved the encyclopedias best; the weight of them, how my grandmother made me walk with one on my head to practice being a lady. It wasn’t until college that I built a grand stairway out of them; their glossy blue jackets looked like marble in the moonlight. I climbed it, to the top of the wall. Peering over, I found you, on the other side, alone in your bed, asleep. That was the first time you dreamed me. In your dream, you told me not to jump. But to be patient. (We were young then, it would be years before we’d meet) and then this morning, I found you in my bedroom. In your hands, How to Rope and Tie a Steer, a mug of coffee, a piece of slightly burned toast. I took The Sun Also Rises from the wall, made the first window into your heart.

I call it the Louis XIV test: have a look around your house and imagine what Louis XIV would pay for everything you own. Your house? He wouldn’t keep a horse in it. Your furniture? Complete rubbish. Your car? He’d like your car. But he’d give you half of Burgundy in exchange for the small telly in your bedroom.

It’s one of those Things That Only Happen to Foster,” Keefe jumped in as Sophie tried to calculate the odds of successfully flinging a piece of furniture through one of her bedroom windows, levitating to freedom, and teleporting to a new life—maybe with Silveny, Greyfell, and their twin babies in a nice, peaceful meadow somewhere.

the antidepressants I’d been dutifully swallowing for eight weeks hadn’t helped a bit, nor had the ones before that (but then, I’d tried them all; apparently I was among the twenty percent of unfortunates who didn’t get the daisy fields and the butterflies but the Severe Headaches and the Suicidal Thoughts); and though the darkness sometimes lifted just enough so I could construe my surroundings, familiar shapes solidifying like bedroom furniture at dawn, my relief was never more than temporary because somehow the full morning never came, things always went black before I could orient myself and there I was again with ink poured in my eyes, guttering around in the dark

But gradually, as he tried to inhabit the room presented on the canvas (Van Gogh - The Bedroom), he began to experience it as a prison, an impossible space, an image, not so much of a place to live, but of the mind that has been forced to live there. Observe carefully. The bed blocks one door, a chair blocks the other door, the shutters are closed: you can't get in, and once you are in, you can't get out. Stifled among the furniture and everyday objects of the room, you begin to hear a cry of suffering in this painting, and once you hear it, it does not stop. 'I cried by reason of mine affliction...' But there is no answer to this cry. The man in this painting (and this is a self-portrait, no different from a picture of a man's face, with eyes, nose, lips, and jaw) has been alone too much, has struggled too much in the depthts of solitude. The world ends at that barricaded door. For the room is not a representation of solitude, it is the substance of solitude itself. And it is a thing so heavy, so unbreatheable, that it cannot be shown in any terms other than what it is.

They went up the stairs. The next move was a little like a scene in a farce. Each one of the four stood with a hand on his or her bedroom door handle. Then, as though at a signal, each one stepped into the room and pulled the door shut. There were sounds of bolts and locks, of the moving of furniture. Four frightened people were barricaded in until morning.

I went through a living room crowded with overstuffed furniture in a green-and-white jungle design from which eyes seemed to watch me, down a short hallway past a pink satin bedroom which reminded me of the inside of a coffin in disarray, to the open door of a bathroom. Tom's jacket lay across the threshold like the headless torso of a man, flattened by the passage of some enormous engine.

fresh tear slid down Bella’s cheek. “Mommy’s gone!” A chill crawled over Ellie’s skin. She slipped from beneath the covers and grabbed her robe from the foot of the bed. With the twins clinging to her legs, she crossed the hall to her bedroom. Her sister’s clothes that had been strewn across the furniture were gone, as was her cell phone and purse. After looking in the empty bedrooms for her sister,

  It feels like our indigenous peoples are an old grandmother who lives in a very large house. It is a beautiful house with plenty of rooms and comfortable furniture. But years ago, some people came into her house and locked her upstairs in the bedroom. Today her home is full of people. They are sitting on her furniture. They are eating her food. They are having a party in her house. They have since come upstairs and unlocked the door to her, bedroom but now it is much later, and she is tired, old, weak and sick; so she can't or doesn't want to come out. But what is the most hurtful and what causes her the most pain, is that virtually no one from this party ever comes upstairs to find the grandmother in the bedroom.  No one sits down next to her on the bed, takes her hand, and simply says, "Thank you. Thank you for letting us be in your house.

The fairy let her go and pulled aside a piece of bright gold-and-pink silk hanging on the wall. Behind it was the fairy's own private room. She had a soft bed of bright green moss with several iridescent feathers for a counterpane. A shelf mushroom served as an actual shelf displaying an assortment of dried flowers and pretty gewgaws the fairy had collected. There was a charming little dining table, somewhat bold in irony: It was the cheery but deadly red-and-white amanita. The wide top was set with an acorn cap bowl and jingle shell charger. In the corner, a beautifully curved, bright green leaf collected drops from somewhere in the celling much like the water barrel did, but this was obviously for discreet fairy bathing. An assortment of tiny buds, rough seeds, and spongy moss were arranged neatly on a piece of gray driftwood nearby to aid in cleansing.

Here, in his hands, is Lispenard Street: their apartment, with its odd proportions and slapdash second bedroom; its narrow hallways and miniature kitchen. He can tell that this is an early piece of Malcolm's because the windows are made of glassine, not vellum or Plexiglas, and the walls are made of cardboard, not wood. And in this apartment Malcolm has placed furniture, cut and folded from stiff paper: his lumpy twin futon bed on its cinder-block base; the broken-springed couch they had found on the street; the squeaking wheeled easy chair given them by JB's aunts. All that is missing is a paper him, a paper Willem. He puts Lispenard Street on the floor by his feet. For a long time he sits very still, his eyes closed, allowing his mind to reach back and wander: there is much he doesn't romanticize about those years, not now, but at the time, when he hadn't known what to hope for, he hadn't known that life could be better than Lispenard Street.

The interior looked like I expected. Two rooms--a main one and a tiny bedroom. Dusty stuffed fish and moth-eaten elk heads on bare walls. A wood plank floor that seemed as if it hadn’t been swept in years. Cobwebs decorating the ceiling. Furniture that would have been rejected by Goodwill. Mouse droppings everywhere. A few dark furry bat forms hung from the upper eaves. In the city, the place would have been condemned as a public health hazard. Here, it was just a typical hunting shack.

There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.

On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.

Will the soft comfy furniture have pink on it?” “Of course.” He made a dissatisfied sound. “What’s the matter with pink?” “I’m a man. That’s what’s the matter.” Her lips curved. “Perhaps I could make some concessions.” “Generous of you.” “How about if I limit pink to the master bedroom only?” “Definitely no pink in the master bedroom.” “No?” “A man shouldn’t sleep under pink covers.” She laughed, but her mind caught on the mental image of him with her under any-colored covers. Her skin flushed. “Well, then how about a pink guest room? Whenever I need a fix, I’ll just go in there and breathe in the pink.” “I’ll agree to that.

They fire lots of bullets very, very quickly. Quicker than anything else.” I looked up and around the bedroom, the mismatched furniture, the weirdly firm light. “Why? What could you hunt with those? What could they have to do with anything?” “I don’t know,” he replied. “That’s what’s so unnerving.” I rubbed a hand to my forehead, feeling an ache beginning to build behind my skull. “Armand.” His eyes went to mine. I had to say this carefully; I had no wish to add to his despair, but I couldn’t let it go. “Do you think…do you suppose it’s possible that your father might…mean to do you any harm?” But I’d actually made him smile. A real one, too, even if it came acerbic and thin. “With a pair of Vickers? Not unless he means to mount them in the hallway and spry me with bullets when I’m not paying attention. Seems like rather a spot of work for him. Surely even an unwelcome heir is better than none.” I returned his smile as I pulled away my hand. “I think we need to teach you how to Turn to smoke, just in case. It’s a handy thing to be able to vanish in a hurry.” His smile widened, but there was no humor left to it. “Handy.” He fell back against the blankets of the bed, his eyes gone shiny and hard. “If I could vanish into smoke, Eleanore, I’d leave this place and never return. That’s a promise.” “Just like Rue,” I said softly.

She sinks into the armchair by the window. It's soft, deep, and striped in her favorite colors: dusty pink and green. Nearly a year and a half after Francois died, Amandine insisted on redesigning the bedroom and, although Heloise protested at the time, she's grateful for it now. The room is a fairy tale, an escape from reality, a reminder of the romance of the past instead of the grief of the present. The bed is wrought-iron with white sheets and a canopy of cream gauze. The desks, bookshelves, and matching wardrobe are all original Victorian antiques painted white. With the touch of a sparkling crystal chandelier, Amandine created a room that gives Heloise a tiny smile of pleasure every time she wakes.

thundering, fulminating sound that penetrated my body as though it were coming from within me. I remember the sound. I remember the blinding flash. Suddenly it was pitch-dark, there was dust everywhere, something was sucking the air out of me, I was suffocating. Abdullah was still on my shoulders, Raffah came running screaming from the kitchen, Mohammed stood frozen at the front door. As the dust began to settle, I realized the explosion had come from my daughters’ bedroom. I put Abdullah down, and Bessan ran ahead of me from the kitchen—we wound up at the bedroom door at the same time. The sight in front of me was something I hope no other person ever has to witness. Bedroom furniture, school books, dolls, running shoes and pieces of wood were splintered in a heap, along with the body parts of my daughters and my niece. Shatha was the only one standing. Her eye was on her cheek, her body covered in bloody puncture wounds, her finger hanging by a thread of skin. I found Mayar’s body on the ground; she’d been decapitated. There was brain material on the ceiling, little girls’ hands and feet on the floor as if dropped there by someone who left too quickly. Blood spattered the entire room, and arms in familiar sweaters and legs in pants that belonged to my children leaned at crazed angles where they had blown off the torsos of my beloved daughters and niece. I ran to the front door for help but realized I couldn’t go

There are a number of advantages to moving yourself, with saving money being number one. I have done professional loading and unloading for countless shippers. Most were looking at savings of approximately fifty percent when all expenses were considered. These were people who were moving mostly 8,000 pound or less of furniture (household goods)-- the weight of the contents of the average small three-bedroom home and the maximum usable (as opposed to advertised) capacity of the largest rental trucks. Moving yourself has other advantages too. Weather and road conditions permitting, the move will go on your schedule. You won’t have to worry about coordinating with your movers for delivery because you are the movers. There is also the security of knowing exactly where your stuff is with no worries about delays, mixed-up shipments or theft.

Size Matters. A lot. How much you have and more importantly how much space it will take up in a movingtruck are the first things you need to know when planning a long distance move. Professional movers charge by weight because it is an easier and more uniform way to determine exactly how much you have. They literally drive the truck onto a large scale before loading your goods to get a light weight and return after loading your stuff to get a heavy weight, with the difference being the weight of your shipment. The moving company’s estimate, however, is based on coming to your home and surveying the total cubic feet, or estimated size of all your household goods. They then convert that figure into a weight estimate by multiplying the cubic feet (cubes) by the average density of 6.5 pounds per cubic foot. A small 2-bedroom house for example might have 1,000 cubic feet which when multiplied by a density of 6.5 (lbs) would equal 6,500 lbs. If this sounds like brain surgery then I would ask you to try and remember the last furniture mover you met who struck you as brain surgeon-ish.

At such a time [at dawn] I would dream of being a baker who delivers bread, a fitter from the electric company, or an insurance man collecting the weekly installments. Or at least a chimney sweep. In the morning, at dawn, I would enter some half-opened gateway, still lighted by the watchman's lantern. I would put two fingers to my hat, crack a joke, and enter the labyrinth to leave late in the evening, at the other end of the city. I would spend all day going from apartment to apartment, conducting one never-ending conversation from one end of the city to the other, divided into parts among the householders; I would ask something in one apartment and receive a reply in another, make a joke in one place and collect the fruits of laughter in the third or fourth. Among the banging of doors I would squeeze through narrow passages, through bedrooms full of furniture, I would upset chamberpots, walk into squeaking perambulators in which babies cry, pick up rattles dropped by infants. I would stop for longer than necessary in kitchens and hallways, where servant girls were tidying up. The girls, busy, would stretch their young legs, tauten their high insteps, play with their cheap shining shoes, or clack around in loose slippers.

If anything, the LAPD had long and famously been guilty of overreaction, as they had shown, for example, during the infamous 1988 raid on two small, adjacent apartment buildings on South Central’s Dalton Avenue. There, eighty LAPD officers had stormed the buildings looking for drugs on a bullshit tip. After handcuffing the terrorized residents—including small children and their grandparents—they then spent the next several hours tearing all the toilets from the floors; smashing in walls, stairwells, bedroom sets, and televisions with sledgehammers; slashing open furniture; and then sending it all crashing through windows into the front yard and arresting anyone who happened by to watch. As they were leaving, the officers spray-painted a large board located down the street with some graffiti. “LAPD Rules,” read one message; “Rolling 30s Die” read another. So completely uninhabitable were the apartments rendered that the Red Cross had to provide the occupants with temporary shelter, as if some kind of natural disaster had occurred. No gang members lived there, no charges were ever filed. In the end, the city paid $3.8 million to the victims of the destruction. A report later written by LAPD assistant chief Robert Vernon called it “a poorly planned and executed field operation [that] involved . . . an improperly focused and supervised aggressive attitude of police officers, supervisors and managers toward being ‘at war’ with gang members.” The

Perhaps the immobility of the things around us is imposed on them by our certainty that they are themselves and not anything else, by the immobility of our mind confronting them. However that may be, when I woke thus, my mind restlessly attempting, without success, to discover where I was, everything revolved around me in the darkness, things, countries, years. My body, too benumbed to move, would try to locate, according to the form of its fatigue, the position of its limbs so as to deduce from this the direction of the wall, the placement of the furniture, so as to reconstruct and name the dwelling in which it found itself. Its memory, the memory of its ribs, its knees, its shoulders, offered in succession several of the rooms where it had slept, while around it the invisible walls, changing place according to the shape of the imagined room, spun through the shadows. And even before my mind, hesitating on the thresholds of times and shapes, had identified the house by reassembling the circumstances, it—my body—would recall the kind of bed in each one, the location of the doors, the angle at which the light came in through the windows, the existence of a hallway, along with the thought I had had as I fell asleep and that I had recovered upon waking. My stiffened side, trying to guess its orientation, would imagine, for instance, that it lay facing the wall in a big canopied bed and immediately I would say to myself: “Why, I went to sleep in the end even though Mama didn’t come to say goodnight to me,” I was in the country in the home of my grandfather, dead for many years; and my body, the side on which I was resting, faithful guardians of a past my mind ought never to have forgotten, recalled to me the flame of the night-light of Bohemian glass, in the shape of an urn, which hung from the ceiling by little chains, the mantelpiece of Siena marble, in my bedroom at Combray, at my grandparents’ house, in faraway days which at this moment I imagined were present without picturing them to myself exactly and which I would see more clearly in a little while when I was fully awake.

After loud overtures from his daughters, Anthony finally left the house and went up the winding path to the “museum,” to the mobile home where he and his parents had lived from 1949 to 1958. It has been left untouched. The furniture, tables, the paint on the walls, the ’50s cabinets, the dressers, the closets, are all unchanged, remaining as they once were. And in her closet in the bedroom, past the nurse’s uniform, far away in the right-hand corner on the top shelf, lies the black backpack that contains Tatiana’s soul. Every once in a while when she can stand it—or when she can’t stand it—she looks through it. Alexander never looks through it. Tatiana knows what Anthony is about to see. Two cans of Spam in the pack. A bottle of vodka. The nurse’s uniform she escaped from the Soviet Union in that hangs in plastic in the museum closet, next to the PMH nurse’s uniform she nearly lost her marriage in. The Hero of the Soviet Union medal in the pack, in a hidden pocket. The letters she received from Alexander—including the last one from Kontum, which, when she heard about his injuries, she thought would be the last one. That plane ride to Saigon in December 1970 was the longest twelve hours of Tatiana’s life. Francesca and her daughter Emily took care of Tatiana’s kids. Vikki, her good and forgiven friend, came with her, to bring back the body of Tom Richter, to bring back Anthony. In the backpack lies an old yellowed book, The Bronze Horseman and Other Poems. The pages are so old, they splinter if you turn them. You cannot leaf, you can only lift. And between the fracturing pages, photographs are slotted like fragile parchment leaves. Anthony is supposed to find two of these photographs and bring them back. It should take him only a few minutes. Cracked leaves of Tania before she was Alexander’s. Here she is at a few months old, held by her mother, Tania in one arm, Pasha in the other. Here she is, a toddler in the River Luga, bobbing with Pasha. And here a few years older, lying in the hammock with Dasha. A beaming, pretty, dark-haired Dasha is about fourteen. Here is Tania, around ten, with two dangling little braids, doing a fantastic one-armed handstand on top of a tree stump. Here are Tania and Pasha in the boat together, Pasha threateningly raising the oar over her head. Here is the whole family. The parents, side by side, unsmiling, Deda holding Tania’s hand. Babushka holding Pasha’s, Dasha smiling merrily in front.

At first she tried to account for it by saying that she came of an ancient and civilized race, whereas these gypsies were an ignorant people, not much better than savages. One night when they were questioning her about England she could not help with some pride describing the house where she was born, how it had 365 bedrooms and had been in the possession of her family for four or five hundred years. Her ancestors were earls, or even dukes, she added. At this she noticed again that the gypsies were uneasy; but not angry as before when she had praised the beauty of nature. Now they were courteous, but concerned as people of fine breeding are when a stranger has been made to reveal his low birth or poverty. Rustum followed her out of the tent alone and said that she need not mind if her father were a Duke, and possessed all the bedrooms and furniture that she described. They would none of them think the worse of her for that. Then she was seized with a shame that she had never felt before. It was clear that Rustum and the other gypsies thought a descent of four or five hundred years only the meanest possible. Their own families went back at least two or three thousand years. To the gypsy whose ancestors had built the Pyramids centuries before Christ was born, the genealogy of Howards and Plantagents was no better and no worse than that of the Smiths and the Jonses; both were negligible. Moreover, where the shepherd boy had a lineage of such antiquity, there was nothing specially memorable or desirable in ancient birth; vagabonds and beggars all shared it. And then, though he was too courteous to speak openly, it was clear that the gypsy thought that there was no more vulgar ambition than to possess bedrooms by the hundred... when the whole earth is ours. Looked at from the gypsy point of view, a Duke, Orlando understood, was nothing but a profiteer or robber who snatched land and money from people who rated these things of little worth, and could think of nothing better to do than to build three hundred and sixty-five bedrooms when one was enough, and none was even better than one. She could not deny that her ancestors had accumulated field after field; house after house; honour after honour; yet had none of them been saints or heroes, or great benefactors of the human race. Nor could she counter the argument... that any man who did now what her ancestors had done three or four hundred years ago would be denounced - and by her own family most loudly - for a vulgar upstart, an adventurer, a nouve riche,

Aaron Levie, the CEO of Box, was always careful to pay himself less than everyone else in the company—four years after he started Box, he was still living two blocks away from HQ in a one-bedroom apartment with no furniture except a mattress

Muffled voices filtered through the closed door as Edmund greeted his wife. When less than a minute later, a very male groan accompanied the rhythmic creaking of a piece of furniture, she gaped. Not much for preliminaries, sixteenth century Scotsmen. Ignoring the sharp grunts of a male engaged in intercourse and the unsurprising lack of happy female noises, she retreated to the farthest place in the cottage from that door, which happened to be the workbench and raised stone hearth that formed the kitchen. She wasn’t about to waste an opportunity to study a late-medieval Scottish cottage. Just as she held up to the lantern light a sharp cleaver with a wooden handle polished from years of regular use, Darcy ducked in the front door. At the same time, Edmund shouted, “Aye! Christ, Fran, take my seed, lass. Take it. Aaarrghhhhh!” Then barely audible, “Glorious, woman. Ye’re glorious.” Darcy paled as his wide eyes jumped from the closed bedroom door to her. “If I had to listen to them go at it for another second, I was going to put myself out of my misery,” she quipped, wagging the cleaver. When his eyes went even wider, she said, “Joking, Darcy. I was joking.” She put down the cleaver and raised her hands. His eyes relaxed and the corner of his mouth lifted. He came to the workbench and picked up the enormous blade. “Well, so long as ye arena using it, mayhap I’ll carve the roast.

already put me in quite a position. ‘I’ve put you in a position? Just give me the damned divorce and let’s have done with it.’ Before he could answer there was a rustling just inside the house, and our houseboy, Barasa, came onto the veranda, ducking his head to show us he’d not meant to disturb us. ‘Does bwana want the evening meal served here?’ ‘No, in the house, Barasa. We’ll be in directly.’ When the boy had gone, Jock looked at me pointedly. ‘What?’ I asked. ‘The servants won’t tell tales.’ ‘No,’ he said. ‘Usually not. But they always know the score, don’t they?’ ‘I don’t care what anyone knows.’ ‘Maybe not, but you should.’ We ate our meal in strained silence, all of the furniture seeming to lean heavily in from the walls. The servants were very quiet as they came and went, and it was awful to sit there, wanting to scream but saying nothing. Jock was terrified I was going to embarrass him – or embarrass him further. That was all he seemed to think of now as he flexed and cautioned me, running thick strands of wire around the charade of our life together. He’d always been good at fences. I had known that from the beginning, but I hadn’t guessed how desperate I could feel bound up inside one. When I could finally excuse myself to the small guest bedroom where I was sleeping, I felt chapped and raw and prodded at. I barely slept at all that night, and the next morning, though I generally stayed for lunch, I bolted for the wagon at first light.   Back at Soysambu, Jock’s warnings and expectations continued to wear on me, but only in weak moments, when I let myself think of him.

Let me show you something.” Baird caught him by the arm and stopped his frantic pacing. “What?” Reluctantly, Sylvan allowed himself to be dragged down the hallway to the far bedroom. “What is it?” “This.” Baird threw open the door to the room and pulled Sylvan in. “What?” Sylvan asked again. “Look,” Baird said quietly. “Just look.” Taking a deep breath, Sylvan forced himself to do as his half brother asked. The room had one long window with no shades on it. Sunshine poured through it in a brilliant flood. There was no furniture anywhere—just an artist’s easel in the center of the room. Finished and half-finished canvases were stacked against the walls. “Paintings,” Sylvan said, frowning. “Yes, Sophia’s an artist. She told me so.” “Look,” Baird said again. “All these paintings are of you, Brother.” Sylvan looked around in wonder. It was true—from every painting and canvas, he saw a piece of himself. Ice blue eyes, blond hair, stern mouth…Does she really see me this way? “She told me she had painted me,” he said aloud, still looking. “And I saw it in a dream, too. I just didn’t know she’d done so many.” “There’s enough to fill a museum in here.” Baird sounded amused. “The Sylvan Vii museum of fine art. We could sell tickets.” “Very funny,” Sylvan said sourly. “I don’t see your point.” “The point is that the female who painted these pictures, cares for you,” Baird said earnestly. “Cares very much, I believe. And I can see you care for her as well. Just give her time to collect herself and tell her so, Sylvan. Apologize for frightening her and declare your love. Then when you get back to the ship, go to the sacred grove and ask to be released of your vow.” “I’m

Ashley sat in the bar of the boutique hotel, admiring the gorgeous tiled light fixtures hanging from the high ceiling above, the colorful Mexican plates displayed on shelves, the framed chalkboard on the wall indicating live music later that night. Being in Tulum made her feel so far away from her five-bedroom mid-century modern house in Santa Monica, with its floor-to-ceiling windows facing west, and sleek but slightly uncomfortable gray furniture. With its closets full of more shoes than she could ever wear—the garage boasting designer cars and every toy and gadget her two daughters could ever want—its backyard home to a pool and hot tub she hadn’t so much as dipped a toe in for months.

furniture should never be positioned so that anyone has to sit with their back to the door or that the head of the bed should never be at the door end of the bedroom.

She smiled up at him and put her arms around his waist. “I’ve had some special pieces of furniture in storage. The movers are coming tomorrow. Will you stay with me when the bed’s made up?” “I will gladly stay with you in your flowery bedroom. And if I ever get rid of my houseful of offspring, you will stay with me in my bold and manly master bedroom with convenient master bath and big doorless shower.” “I will.” She grinned. “Muriel,

The rest of the house had a casual California boho-beach vibe, with its distressed wood floors, ivory furniture, and gauzy curtains, but the bedroom was very Zen. Decorated in a cool palette of sage greens and charcoal grays, with a floor-to-ceiling window along one wall that looked over a tiny tranquility garden of stones and succulents, it was my little oasis.

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I lie splayed out on the bed, staring numbly at the world's most beautiful bedroom. I've been given the Duchess Suite, a relic from the days when husbands and wives slept in separate rooms. The bedroom's damask walls are painted robin's-egg blue, the same shade as Tiffany's famous little boxes, with matching curtains framing the French windows. The ceiling above my bed is gilded in a mosaic pattern, and impressionist paintings grace the walls. Delicate white-and-gold furniture softens the room's edges, and the freshly cut peonies in a vase on my bedside table lend the air a sweet smell.

That console was in my bedroom from the time I was born until I left for college,” Aunt Nina says. “By any decent standard of justice, that console is mine.” “Well, that brings me to the breakthrough that Randy and Tom and Geoff and I finally came up with at about two A.M., namely that the perceived economic value of each item, as complicated as that is in and of itself, viz the Knapsack Problem, is only one dimension of the issues that have got us all on such a jagged emotional edge. The other dimension—and here I really do mean dimension in a Euclidean geometry sense—is the emotional value of each item. That is, in theory we could come up with a division of the set of all pieces of furniture that would give you, Nina, an equal share. But such a division might leave you, love, just deeply, deeply unsatisfied because you didn’t get that console, which, though it’s obviously not as valuable as say the grand piano, has much greater emotional value to you.” “I don’t think it’s out of the question that I would commit physical violence in order to defend my rightful ownership of that console,” Aunt Nina says, suddenly reverting to a kind of dead-voiced frigid calm.

Letting your child choose his own bedroom furniture is like letting your dog choose his own veterinarian.

My body used to belong to me. When I was a little girl, my favorite part of the day was when we got home from errands or preschool. I would push the front door open with both small hands and run—through the living room filled with plastic-wrapped furniture, past the washer dryer that made funny sounds that I liked, past my bedroom filled with a growing collection of Winnie the Pooh toys—into the bathroom.

Crate Training The key to training Kitty to accept the carrier is creating familiarity. You do that by introducing him to this new situation in a series of non-threatening, gradual steps. Begin by making the carrier (crate) a part of the furniture. In other words, set it on the floor in the corner of Kitty’s room, and let him explore at his leisure. Don’t make a big deal out of it. Simply allow the kitten to approach, cheek-rub the outside so it smells like him, and explore the inside on his own. Location Is Key. While well-adjusted kittens tend to be curious, some tend toward shyness. Anything new prompts suspicion. So make the crate or carrier “part of the furniture” and set it out in a safe, familiar place like your bedroom or the family room for

[As] he listened to the cries of joy rising from the town, Rieux remembered that such joy is always imperiled. He knew what those jubilant crowds did not know but could have learned from books: that the plague bacillus never dies or disappears for good; that it can lie dormant for years and years in furniture and linen chests; that it bides its time in bedrooms, cellars, trunks, and bookshelves; and that perhaps the day would come when, for the bane and the enlightening of men, it would rouse up its rats again and send them forth to die in a happy city. ALBERT CAMUS, The Plague

By the end of the 1990s, my relationship was ending with the mom of my son, Little Ice. So I just picked up and left everything I had in L.A. and transitioned to New York. I went from that big-ass house in Hollywood Hills and got a one-bedroom apartment with no furniture

The bedroom was larger than our entire cottage. Its walls were pale green, delicately sketched with patterns of gold, and the mouldings were golden as well. I might have thought it tacky had the ivory furniture and rugs not complemented it so well. The gigantic bed was of a similar colour scheme, and the curtains that hung from the towering headboard drifted in the faint breeze from the open windows. My dressing gown was of the finest silk, edged with lace- simple and exquisite enough that I ran a finger along the lapels.

Shattered furniture; shredded bedding; clothes strewn about as if he'd gone looking for me inside the armoire. No one, it seemed, had been allowed in to clean. But it was the vines- the thorns- that had made it unliveable. My old bedroom had been overrun with them. They'd curved and slithered over the walls, entwined themselves amongst the debris. As if they'd crawled off the trellises beneath my windows, as if a hundred years had passed and not months. The bedroom was now a tomb.

My father slept here for years, letting us have the bedroom. That bed in there... I was born in that bed. My mother died in that bed. I hate that bed.' She ran a hand over the cracking wood of the cot's frame. Splinters snagged at her fingertips. 'But I hate this cot even more. He'd drag it in front of the fire every night and curl up there, huddling under the blankets. I always thought he looked so... so weak. Like a cowering animal. It enraged me. 'Does it enrage you now?' A casual, but careful question. 'It...' Her throat worked. 'I thought him sleeping here was a fitting punishment while we got the bed. It never occurred to me that he wanted us to have the bed, to keep warm and be as comfortable as we could. That we'd only been able to take a few items of furniture from our former home and he'd chosen the bed as one of them. For our comfort. So we didn't have to sleep on cots, or on the floor.' She rubbed at her chest. 'I wouldn't even let him sleep in the bed when the debtors shattered his leg. I was so lost in my grief and rage and... and sorrow, that I wanted him to feel a fraction of what I did.' Her stomach churned. He squeezed her shoulder, but said nothing. 'He had to have known that,' she said hoarsely. 'He had to have known how awful I was, and yet... he never yelled. That enraged me, too. And then he named a ship after me. Sailed it into battle. I just... I can't understand why.' 'You were his daughter.' 'And that's an explanation?' She scanned his face, the sadness etched there. Sadness- for her. For the ache in her chest and the stinging in her eyes. 'Love is complicated.

The Home as a Hobby,” Mr. Bennett writes, “The home exists. The home is accepted. Life can be, and is, lived in it. That vase does not suit that mantelpiece. That carpet will not go with that wallpaper… The foot of the bed interferes with the swinging of the bedroom door. The whole of the dining-room furniture is seen to have been a mistake. The hall has a poverty-stricken aspect. The two principal pictures in the drawing-room are too high on the wall. A hundred things are just a little wrong and a few things dreadfully wrong! But no matter. The apparatus somehow works. The desire after perfection has failed. The home has become immutable. There the home is! It will do. It must do.

As a child she had imagined workarounds for stories where maidens needed rescue, had never understood why Rapunzel, for instance, didn’t engineer her own escape. If Rapunzel’s hair was capable of sustaining a man on the ascent, then surely she could have cut herself free from her hair with utensils or sewing implements or broken-off bedroom furniture and then used it to rappel herself down from the tower. Helen had even drawn up several viable contingency options for Rapunzel, should things not go as planned.

In the middle of April 1945, we paid for three spaces on a truck, that would take a few families to the border. The night before we left, all three knapsacks ready, we looked around the house: the furniture in the dining room and bedroom, all brought by the parents from Vienna, the beautiful grandfather clock that had to be wound once a month - all these were part of our lives. Father, without saying a word, opened the clock, cut through the spring, took the two beautifully engraved, gilded weights and threw them in the garbage. He did not want anybody to enjoy that clock, that was brought from Vienna in 1918 and was chiming the quarter, half and the hours for our entire life, in good times and bad. It was the only spiteful act that I ever saw him perform, this quiet, gentle man.

I’m trying,” he calls after me, and I want to say, Yes, you are. He’ll get up in a few minutes, put his clothes on, and get in his car and head to his apartment a mile from here, the two-bedroom on the East Side that I helped him pick out, near the lake and full of light, newly decorated with inexpensive but decent furniture and blue rugs and lots of pillows, and far too cozy to be as temporary as we agreed it was.

We’ll fix it,” he said, tipping her chin up so he could see her eyes. “Your conservatory was going in on that side, and this will just speed up construction. Dare, get my crews over here to clear this mess. Nick, we’ll be needing the team for sure. Day and Phil can go through the outbuildings and find a suite of bedroom furniture, then pick out a room in the house that’s close enough to done we can move Ellen into it.” He braced a hand on either side of Ellen’s neck. “You are going to let me take care of this and no argument, please. God”—he hugged her to him—“if you’d been home, puttering at your embroidering, putting up jam…” She nodded, eyes teary, and let him hold her. “Ah, look there.” Val pointed to the base of the fallen tree. “Your greatest treasure is unscathed.” Marmalade sat on his fluffy orange backside, washing a front paw as if he hadn’t a care in the world. “I want…” Ellen stretched out a hand toward the cat, who pretended not to notice. “I’ll fetch him for you.” Val kissed her nose and made for the cat, who strolled back a few paces closer to what had been the bottom of the tree. Val reached for the beast then froze and looked more closely at the tree. He tucked the cat against his middle and stole another glance around at the surrounding trees before taking Marmalade back to Ellen. Val handed her the cat. “He says you have abandoned him shamelessly, and for your sins, you must allow him to accompany you up to the manor, where all his friends, the mice, are waiting to welcome him.” “Oh, Val.” Ellen managed a watery smile but leaned against him as she clutched her purring cat. “I’m so glad he’s unharmed. You’re a good kitty, Marmie. A very good, brave kitty.” “He’s also a very heavy kitty.” Val said, taking him from her grasp. “Let’s move him up to the manor, where I’m sure we can find him a dish of cream and you a cup of tea.

When at last we arrived in Mannheim, I found that my apartment had been rented to a family whose young son was an amputee. I had conscientiously paid our landlady the entire time we were gone and now that I returned and needed my apartment I couldn’t do anything about it. I felt upset that these people usurped what was ours and I didn’t find much comfort when they offered us one of the bedrooms to live in. Frustrated as I was, there was nobody I could turn to. The rule of law had been suspended, so the only thing I could do was accept their offer. As I moved into what had been my bedroom, they reluctantly agreed that I could share the kitchen and use one of the burners on the stove. Climbing up into the attic, I found a bed that my husband Richard had used when he was a student. Now I had to cram onto it with the children every night and it always became a contest as to who got the pillow. None of us got much rest but the experience did bring us closer together. Frequently I wound up on the floor. Somehow I found a vicarious joy in seeing that my furniture, which the other family had been using, was becoming warped from moisture damage. It had been in a room where the window was blown out during one of the air raids. Of course this exposed everything to the weather, and so the frequent rains ruined the table and much of the other furniture. I really grew to dislike these people and with each passing day things became worse. One day while trying to balance three pots on one burner, I got an idea as to what I would do next….

Building with Its Face Blown Off How suddenly the private is revealed in a bombed-out city, how the blue and white striped wallpaper of a second story bedroom is now exposed to the lightly falling snow as if the room had answered the explosion wearing only its striped pajamas. Some neighbors and soldiers poke around in the rubble below and stare up at the hanging staircase, the portrait of a grandfather, a door dangling from a single hinge. And the bathroom looks almost embarrassed by its uncovered ochre walls, the twisted mess of its plumbing, the sink sinking to its knees, the ripped shower curtain, the torn goldfish trailing bubbles. It's like a dollhouse view as if a child on its knees could reach in and pick up the bureau, straighten a picture. Or it might be a room on a stage in a play with no characters, no dialogue or audience, no beginning, middle, and end– just the broken furniture in the street, a shoe among the cinder blocks, a light snow still falling on a distant steeple, and people crossing a bridge that still stands. And beyong that–crows in a tree, the statue of a leader on a horse, and clouds that look like smoke, and even farther on, in another country on a blanket under a shade tree, a man pouring wine into two glasses and a woman sliding out the wooden pegs of a wicker hamper filled with bread, cheese, and several kinds of olives.

She lives in the coolest house. It’s really big and super modern. They even have a spa bath in the bathroom as well as a jacuzzi out by the pool. We talked about spending time sunbathing in her backyard as soon as the weather was warm enough. The lounge chairs that were scattered around the sides of the pool were so inviting that I had to try them out. Then when I found that they reclined right back, I lied there picturing myself during the summer months, just relaxing by that beautiful sparkling pool. Sara is so lucky! She seems to have pretty much everything a girl could wish for. Her bedroom has the prettiest pink wallpaper with a gorgeous white flower print as a feature wall. And her furniture is all white. She has a huge comfy bed with matching bedside tables. I’ve never known a girl our age to have a queen sized bed though. Even my parents only have a double bed and Sara’s bed seems enormous in comparison. The two hot pink chrome lamps that sit on her bedside tables are the coolest design and I just love the fluffy pink rug that spreads across the middle of her floor. And she even has

Have you ever tried to demarcate the hours between the moment you thought you’d never fall asleep and the instant after opening your eyes, your bedroom flooded with the befuddling, sugary pink of dawn? Between point A and point B you exist, you are alive, your breath slowing, your body temperature dropping, the shadows cast by your furniture elongating and shrinking as the moon revolves through the sky above your flimsy house, if that’s even where you really are. Every night, anything could happen, and you would never be the wiser. What I’m trying to say is that day, I learned that time doesn’t belong to you. All you have is what you remember. A fraction; less.

My bedroom looked very different the morning of my eighteenth birthday. It looked lonely. I opened my eyes just as the sun started creeping through the window, and I stared at the white chest of drawers that had greeted me every morning since I could remember. Maybe it’s stupid to think that a piece of furniture had feelings, but then again, I’m the same girl who kept my tattered old baby doll dressed in a sweater and knitted cap so she wouldn’t get cold sitting on the top shelf of my closet. And this morning that chest of drawers was looking sad. All the photographs and trophies and silly knickknacks that had blanketed the top and told my life story better than any words ever could were gone, packed in brown cardboard boxes and neatly stacked in the cellar. Even my pretty pink walls were bare. Mama picked that color after I was born, and I’ve never wanted to change it. Ruthis Morgan used to try to convince me that my walls should be painted some other color. ‘Pink’s just not your color, Catherine Grace. You know as well as I do that there’s not a speck of pink on the football field.’ There was nothing she could say that was going to change my mind of the color on my walls. If I had I would have lost another piece of my mama. And I wasn’t letting go of any piece of her, pink or not. Daddy insisted on replacing my tired, worn curtains a while back, but I threw such a fit that he spent a good seven weeks looking for the very same fabric, little bitsy pink flowers on a white -and-pink-checkered background. He finally found a few yards in some textile mill down in South Carolina. I told him there were a few things in life that should never be allowed to change, and my curtains were one of them. So many other things were never going to stay the same, and this morning was one of them. I’d been praying for this day for as long as I could remember, and now that it was here, all I wanted to do was crawl under my covers and pretend it was any other day. . . . I know that this would be the last morning I would wake up in this bed as a Sunday-school-going, dishwashing, tomato-watering member of this family. I knew this would be the last morning I would wake up in the same bed where I had calculated God only knows how many algebra problems, the same bed I had hid under playing hide-and-seek with Martha Ann, and the same bed I had lain on and cried myself to sleep too many nights after Mama died. I wasn’t sure how I was going to make it through the day considering I was having such a hard time just saying good-bye to my bed.

Penny’s house was a standard three-bedroom postwar suburban home. The décor wasn’t what I would call gaudy, but it was definitely froofy. Kind of like a ten-year-old had been allowed to order anything she wanted from the Sears catalog. Everything had a damn ruffle on it. It didn’t suit my idea of Penny. When we got to the doorway of her room, I noticed how dramatically different it was from the rest of the house. Her bed was covered in a simple black comforter, and everything projected a modern aesthetic—sharp angles, cold, and minimalist. “Do you live in here with a vampire?” “Ha-ha, very funny. You can sit there and wait for me.” I sat at her glass desk in an office-style chair as she tossed clothes out of her bag and into a hamper. “Some of this furniture is from my dad’s old office, so it’s pretty sterile.” “Seems like you have different tastes from the rest of your family. No ruffles and flowers?” “I like flowers,” she said absently. “What, like Venus flytraps?” “If you grew up with all this frilly shit, you’d be over it, too. I mean, do you know any other families who still use doilies? Every surface is literally covered in them.