Beauty Perfumes Quotes

If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.

Sweat isn't a bad thing," he said, leaning his head against the wall thoughtfully. "Some of the best things in life happen while your sweating. Yeah, if you get too much of it and it gets old and stale, it turns pretty gross. But on a beautiful women? Intoxicating. If you could smell things like a vampire does, you'd know what I'm talking about. Most people mess it all up and drown themselves in perfume. Perfume can be good...especially if you get one that goes with your chemistry. But you only need a hint. Mix about 20 percent of that with 80 percent of your own perspiration...mmm." He tilted his head to the side and looked at me. "Dead sexy.

She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey smooth and sweet and terribly sticky.

My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.

It's not very easy to grow up into a woman. We are always taught, almost bombarded, with ideals of what we should be at every age in our lives: "This is what you should wear at age twenty", "That is what you must act like at age twenty-five", "This is what you should be doing when you are seventeen." But amidst all the many voices that bark all these orders and set all of these ideals for girls today, there lacks the voice of assurance. There is no comfort and assurance. I want to be able to say, that there are four things admirable for a woman to be, at any age! Whether you are four or forty-four or nineteen! It's always wonderful to be elegant, it's always fashionable to have grace, it's always glamorous to be brave, and it's always important to own a delectable perfume! Yes, wearing a beautiful fragrance is in style at any age!

For people could close their eyes to greatness, to horrors, to beauty, and their ears to melodies or deceiving words. But they couldn't escape scent. For scent was a brother of breath. Together with breath it entered human beings, who couldn't defend themselves against it, not if they wanted to live. And scent entered into their very core, went directly to their hearts, and decided for good and all between affection and contempt, disgust and lust, love and hate. He who ruled scent ruled the hearts of men.

I wish we could see perfumes as well as smell them. I'm sure they would be very beautiful.

You know what I mean? Real and unreal, beautiful and strange, like a dream. It got me high as a kite, but it didn’t last long enough. It ended too soon and left nothing behind.” That’s how it is with dreams,” said Priscilla. “They’re the perfect crime.

You look at me, you look at me closely, each time closer and then we play cyclops, we look at each other closer each time and our eyes grow, they grow closer, they overlap and the cyclops look at each other, breathing confusion, their mouths find each other and fight warmly, biting with their lips, resting their tongues lightly on their teeth, playing in their caverns where the heavy air comes and goes with the scent of an old perfume and silence. Then my hands want to hide in your hair, slowly stroke the depth of your hair while we kiss with mouths full of flowers or fish, of living movements, of dark fragrance. And if we bite each other, the pain is sweet, and if we drown in a short and terrible surge of breath, that instant death is beauty. And there is a single saliva and a single flavour of ripe fruit, and I can feel you shiver against me like a moon on the water.

I understood that every flower created by Him is beautiful, that the brilliance of the rose and the whiteness of the lily do not lessen the perfume of the violet or the sweet simplicity of the daisy. I understood that if all the lowly flowers wished to be roses, nature would no longer be enameled with lovely hues. And so it is in the world of souls, Our Lord's living garden.

And because people are stupid and use their noses only for blowing, but believe absolutely anything they see with their eyes, they will say it is because this is a girl with beauty and grace and charm.

She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instills grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you.

I believe in love. And beauty. I believe that every single person has something they find beautiful and that they truly love. The smell of their child's hair, the silence of a forest, their lover's crooked grin. Their country, their religion, their family. And I believe that if you follow this love all the way to its end, if you start with the thing you find most beautiful and trace it's perfume back to its essence, you will perceive an intangible presence, a swath of stillness that allows the thing you love to be visible like the openness of the sky reveals the presence of the moon.

Only the young and the beautiful should be allowed to fuck.

I believe that because I had obtained a wife who was made up of wife-signs (beauty, charm, softness, perfume, cookery) I had found love.

I can't over-emphasize how important an exquisite perfume is, to be wrapped and cradled in an enchanting scent upon your skin is a magic all on its own! The notes in that precious liquid will remind you that you love yourself and will tell other people that they ought to love you because you know that you're worth it. The love affair created by a good perfume between you and other people, you and nature, you and yourself, you and your memories and anticipations and hopes and dreams; it is all too beautiful a thing!

I who am blind can give one hint to those who see: Use your eyes as if tomorrow you would be stricken blind. And the same method can be applied to the other senses. Hear the music of voices, the song of a bird, the mighty strains of an orchestra, as if you would be stricken deaf tomorrow. Touch each object as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never smell and taste again. make the most of every sense; glory in the beauty which the world in all the facets of pleasure reveals to you through the several means of contact which Nature provides. But of all the senses, I am sure that sight is the most delightful.

A JEWELRY STORE NAMED INDIA If you hold this Dazzling emerald Up to the sky, It will shine a billion Beautiful miracles Painted from the tears Of the Most High. Plucked from the lush gardens Of a yellowish-green paradise, Look inside this hypnotic gem And a kaleidoscope of Titillating, Soul-raising Sights and colors Will tease and seduce Your eyes and mind. Tell me, sir. Have you ever heard A peacock sing? Hold your ear To this mystical stone And you will hear Sacred hymns flowing To the vibrations Of the perfumed Wind.

Go then, a starveling girl With no perfume or pearls, Only your nudity O my beauty!

The warmly cool, clear, ringing, perfumed, overflowing, redundant days, were as crystal goblets of Persian sherbet, heaped up—flaked up, with rose-water snow.

For love is more beautiful than rubies, sweeter than honey, finer than the king’s wine. And no one has greater love than he who gives his own life for a friend. My love is like perfume poured out—

She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey, smooth and sweet and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes-and all the while remain as still as the center of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract to themselves the yearnings and the souls of both men and women.

Most people assume that a muse is a creature of perfect beauty, poise and grace. Like the creatures from Greek mythology. They're wrong. In fact, there should be a marked absence of perfection in a muse--a gaping hole between what she is and what she might be. The ideal muse is a woman whose rough edges and contradictions drive you to fill in the blanks of her character. She is the irritant to your creativity. A remarkable possibility, waiting to be formed.

Had I no eyes but ears, my ears would love. That inward beauty and invisible; Or were I deaf, thy outward parts would move each part in me that were but sensible: Though neither eyes nor ears, to hear nor see, yet should I be in love by touching thee. 'Say, that the sense of feeling were bereft me, and that I could not see, nor hear, nor touch, and nothing but the very smell were left me, yet would my love to thee be still as much; for from the stillitory of thy face excelling comes breath perfum'd that breedeth love by smelling.

Love is the only bow on Life’s dark cloud. It is the morning and the evening star. It shines upon the babe, and sheds its radiance on the quiet tomb. It is the mother of art, inspirer of poet, patriot and philosopher. It is the air and light of every heart – builder of every home, kindler of every fire on every hearth. It was the first to dream of immortality. It fills the world with melody – for music is the voice of love. Love is the magician, the enchanter, that changes worthless things to Joy, and makes royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.

Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.

It means you’re beautiful. Desirable. That I can’t keep my hands off you any more than I can tell my heart to stop beating. It means I listen for your voice when I know you’re near and love it when I can smell your perfume on my clothes at the end of the day.

In a way he made me think of a child doll, with briliant faintly red-brown glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him evevn more radiant than he was. "That's what you always want," he said softly... "When you found me under Les Innocents," he said, "you wanted to bathe me with perfume and dress me in velvevt with great embroidered sleeves." "Yes," I said, "and comb your hair, your beautiful russet hair." My tone was angry. "You look good to me, you damnable little devil, good to embrace and good to love.

I recommend readers to be adventurous and to try things they’ve never heard of or considered reading before. Get out of the comfort zone and discover something new and exciting. If you’d never be caught dead in the mystery section go and read some George Pelecanos, Dennis Lehane, Michael Connelly or many others. If you only read thrillers get deep into the literary fiction aisle and let yourself be seduced. If you only read non-fiction pick up a Ian McDonald novel or a Joyce Carol Oates novel. If you only read comic books, get acquainted with the great Charles Dickens or a certain Monsieur Dumas. Pick up something at random and read a page. Feel the texture of the language, the architecture of the imagery, the perfume of the style… There’s so much beauty, intelligence and excitement to be had between the pages of the books waiting for you at your local bookstore the only thing you need to bring is an open mind and a sense of adventure. Disregard all prejudices, all pre-conceived notions and all the rubbish some people try to make you think. Think for yourself. Regarding books or anything in life. Think for yourself.

Girls are the only ones who can really give each other close attention, the kind we equate with being loved. They noticed what we want noticed. And that's what I did for Tamar, I responded to her symbols. To the style of her hair and clothes and the smell of her L'Air Du Temps perfume. Like this was data that mattered. Signs that reflected something of her inner self. I took her beauty personally.

Spring flew swiftly by, and summer came; and if the village had been beautiful at first, it was now in the full glow and luxuriance of its richness. The great trees, which had looked shrunken and bare in the earlier months, had now burst into strong life and health; and stretching forth their green arms over the thirsty ground, converted open and naked spots into choice nooks, where was a deep and pleasant shade from which to look upon the wide prospect, steeped in sunshine, which lay stretched out beyond. The earth had donned her mantle of brightest green; and shed her richest perfumes abroad. It was the prime and vigour of the year; all things were glad and flourishing.

Anyway, those things would not have lasted long. The experience of the years shows it to me. But Destiny arrived in some haste and stopped them. The beautiful life was brief. But how potent were the perfumes, On how splendid a bed we lay, To what sensual delight we gave our bodies. An echo of the days of pleasure, An echo of the days drew near me, A little of the fire of the youth of both of us, Again I took in my hands a letter, And I read and reread till the light was gone. And melancholy, I came out on the balcony Came out to change my thoughts at least by looking at A little of the city that I loved, A little movement on the street and in the shops. Translated by Rae Dalven

Beauty is in the skin! Take care of it, oil it, clean it, scrub it, perfume it, and put on your best clothes, even if there is no special occasion, and you'll feel like a queen. If society is hard on you, fight back by pampering your skin. Skin is political. Otherwise why would the imams order us to hide it?

Rome was mud and smoky skies; the rank smell of the Tiber and the exotically spiced cooking fires of a hundred different nationalities. Rome was white marble and gilding and heady perfumes; the blare of trumpets and the shrieking of market-women and the eternal, sub-aural hum of more people, speaking more languages than Gaius had ever imagined existed, crammed together on seven hills whose contours had long ago disappeared beneath this encrustation if humanity. Rome was the pulsing heart of the world.

You shall suffer for ever the influence of my kiss. You shall be beautiful in my fashion. You shall love that which I love and that which loves me: water, clouds, silence and the night; the immense green sea; the formless and multiform streams; the place where you shall not be; the lover whom you shall not know; flowers of monstrous shape; perfumes that cause delirium; cats that shudder, swoon and curl up on pianos and groan like women, with a voice that is hoarse and gentle! And you shall be loved by my lovers, courted by my courtiers. You shall be the queen of all men that have green eyes, whose necks also I have clasped in my nocturnal caresses; of those who love the sea, the sea that is immense, tumultuous and green, the formless and multiform streams, the place where they are not, the woman whom they do not know, sinister flowers that resemble the censers of a strange religion, perfumes that confound the will; and the savage and voluptuous animals which are the emblems of their dementia.

We want to look desirable. We want others to want to mate with us. No different than a colorful peacock. When girls dress up for their night out at the club, they are doing what all animals do when they try to make themselves desirable for a potential mate. That's the whole point behind the fashion, perfume, cosmetics, diet, and plastic surgery industries.

And the forest perfume — trees and earth — it's like incense in a shrine. You fall into a state of... prayer.

I wish some man or other would take me sometime when hes there and kiss me in his arms theres nothing like a kiss long and hot down to your soul almost paralyses you...I love flowers Id love to have the whole place swimming in roses God of heaven theres nothing like nature the wild mountains then the sea and waves rushing then the beautiful country with the fields of oats and wheat and all kinds of things and all the fine cattle going about that would do your heart good to see rivers and lakes and flowers all sorts of shapes and smells and colours...after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes...then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will yes.

The odors of perfume were fanned out on the summer air by the whirling vents of the grottoes where the women hid like undersea creatures, under electric cones, their hair curled into wild whorls and peaks, their eyes shrewd and glassy, animal and sly, their mouths painted a neon red.

He dreams he is happy; that his corporeal nature has changed; or at least that he has flown off upon a purple cloud of another sphere peopled by beings of the same kind as himself. Alas! May his illusion last till dawn’s awakening! He dreams the flowers dance round him in a ring like immense demented garlands, and impregnate him with their balmy perfumes while he sings a hymn of love, locked in the arms of a magically beautiful human being. But it is merely twilight mist he embraces, and when he wakes their arms will no longer be entwined. Awaken not, hermaphrodite. Do not wake yet, I beg you. Why will you not believe me? Sleep … sleep forever. May your breast heave while pursuing the chimerical hope of happiness — that I allow you; but do not open your eyes. Ah! do not open your eyes.

The oyster was an animal worthy of New Orleans, as mysterious and private and beautiful as the city itself. If one could accept that oysters build their houses out of their lives, one could imagine the same of New Orleans, whose houses were similarly and resolutely shuttered against an outside world that could never be trusted to show proper sensitivity toward the oozing delicacies within.

Perfume is the scent that pours out of a flower's soul when crushed.

We choose perfumes for ourselves so we can tell the stories inside of us— the ones that we can't possibly put into words.

I didn't process it then, but I look back now in awe that this man wearing eyeliner, heels, and ladies’ perfume somehow managed to be more masculine than the burly bodyguard.

For people could close their eyes to greatness, to horrors, to beauty, and their ears to melodies or deceiving words. But they couldn't escape scent.

…a negligée of robin's-egg blue laid out upon the bed diffused a faint perfume, elusive and familiar. On a chair were a pair of stockings and a street dress; an open powder box yawned upon the bureau. She had gone out.

You posses a quality which can never belong to Mademoiselle Danglars. It is that indefinable charm which is to a woman what perfume is to the flower and flavor to the fruit, for beauty of either is not the only quality we seek.

Even though she had an overbite and the shakes, she was six feet tall and beautiful, and not like a statue or a perfume advertisement, but in a realistic way, like how a truck or a pizza is beautiful at the moment you want it most.

The works of Jesus and Mary can also be called wonderful flowers; but their perfume and beauty can only be appreciated by those who study them carefully—and who open them and drink in their scent by diligent and sincere meditation.

And suddenly she was at him, after him with her fists, her struggling weight; he squeezed her against him, regretfully conscious even now, as her pinned fists flailed his shoulders and her face crumpled into contorted weeping and the sharp smell of perfume was scalded from her, that the expression, of serene superiority, of a beautiful secret continually tasted, was still on his face.

But I can think of nothing on earth so beautiful as the final haul on Halloween night, which, for me, was ten to fifteen pounds of candy, a riot of colored wrappers and hopeful fonts,snub-nosed chocolate bars and SweeTARTS, the seductive rattle of Jujyfruits and Good & Plenty and lollipopsticks all akimbo, the foli ends of mini LifeSavers packs twinkling like dimes, and a thick sugary perfume rising up from the pillowcase.

What a happy woman I am living in a garden, with books, babies, birds, and flowers, and plenty of leisure to enjoy them! Yet my town acquaintances look upon it as imprisonment, and I don't know what besides, and would rend the air with their shrieks if condemned to such a life. Sometimes I feel as if I were blest above all my fellows in being able to find my happiness so easily. I believe I should always be good if the sun always shone, and could enjoy myself very well in Siberia on a fine day. And what can life in town offer in the way of pleasure to equal the delight of any one of the calm evenings I have had this month sitting alone at the foot of the verandah steps, with the perfume of young larches all about, and the May moon hanging low over the beeches, and the beautiful silence made only more profound in its peace by the croaking of distant frogs and hooting of owls?

She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush!

And the purple parted before it, snapping back like skin after a slash, and what it let out wasn't blood but light: amazing orange light that filled her heart and mind with a terrible mixture of joy, terror, and sorrow. No wonder she had repressed this memory all these years. It was too much. Far too much. The light seemed to give the fading air of evening a silken texture, and the cry of a bird struck her ear like a pebble made of glass. A cap of breeze filled her nostrils with a hundred exotic perfumes: frangipani, bougainvillea, dusty roses, and oh dear God, night-blooming cereus... And rising above one horizon came the orange mansion of the moon, bloated and burning cold, while the sun sank below the other, boiling in a crimson house of fire. She thought that mixture of furious light would kill her with its beauty.

If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.

All this emphasis on youth - I don’t buy it. Listen, I know what a misery being young can be, so don’t tell me it’s so great. All these kids who came to me with their struggles, their strife, their feelings of inadequacy, their sense that life was miserable, so bad they wanted to kill themselves... and in addition to all the miseries, the young are not wise. They have very little understanding about life. Who wants to live everyday when you don’t know what’s going on? When people are manipulating you, telling you to buy this perfume and you’ll be beautiful, or this pair of jeans and you’ll be sexy - and you believe them! It’s such nonsense.

Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love

Meanwhile, in the expansiveness of her joy, the Moon filled all of the room like a phosphoric atmosphere, like a luminous poison; and all of that living light thought and said: “You will be eternally subject to the influence of my kiss. You will be beautiful in my manner. You will love what I love and who loves me: water, the clouds, silence, and the night; the immense, green sea; formless and multiform water; the place where you will not be; the lover you will not know; monstrous flowers; perfumes that make you delirious; cats who swoon on pianos, and who moan like women, with a hoarse, gentle voice!

Have you any unfulfilled dreams, Anne?” asked Gilbert. Something in his tone—something she had not heard since that miserable evening in the orchard at Patty’s Place—made Anne’s heart beat wildly. But she made answer lightly. “Of course. Everybody has. It wouldn’t do for us to have all our dreams fulfilled. We would be as good as dead if we had nothing left to dream about. What a delicious aroma that low-descending sun is extracting from the asters and ferns. I wish we could see perfumes as well as smell them. I’m sure they would be very beautiful.” Gilbert was not to be thus sidetracked. “I have a dream,” he said slowly. “I persist in dreaming it, although it has often seemed to me that it could never come true. I dream of a home with a hearth-fire in it, a cat and dog, the footsteps of friends— and YOU!” Anne wanted to speak but she could find no words. Happiness was breaking over her like a wave. It almost frightened her. “I asked you a question over two years ago, Anne. If I ask it again today will you give me a different answer?” Still Anne could not speak. But she lifted her eyes, shining with all the love-rapture of countless generations, and looked into his for a moment. He wanted no other answer.

Life isn’t worth living unless you are young and surrounded by other young people in a beautiful cold garden perfumed by dirt and flowers and fallen leaves, gleaming in the string of lights, listening to the quiet city on the last fine night of the year.

A world without death would have no beauty, no yellow leaves in the autumn. It would be boring. There would be no change because change implies death. A world without death would be a frozen world. The fact is that we want to make the world better than God does.

And here’s what I realize: she would never wear mittens shaped like kittens or a dress with a Peter Pan collar. She would never say, Love your dress, if she fucking hated your dress. She would never say, How are you? if she didn’t care how you were. She would never eat a lavender cupcake that tasted like perfume or wear a perfume that made her smell like a cupcake. She would never wear lip balm for cosmetic purposes. She would never wear it unless her lips were seriously, seriously cracked. And even if they were, she’d still put Lady Danger on them, which is the name of her lipstick, this bright blue-red that looks surreally beautiful on her but when I tried it on once made me look insane. Her perfume smells like rain and smoke and her eye makeup scares small children and she wears pumps even though she’s at least two inches taller than I am and I’m a freak.

Why do you weep, child? We of the Floating World live only for the moment, giving all our time to the pleasures of cherry blossoms and snow and maple leaves, the calling of a cricket, the beauty of the moon, waning and growing and being reborn, singing our songs and drinking cha and saké, knowing perfumes and the touch of silks, caressing for pleasure, and drifting, always drifting. Listen, child: never sad, always drifting as a lily on the current in the stream of life. How lucky you are, Kiku-chan, you’re a Princess of Ukiyo, the Floating World, drift, live for the moment. . . .

The estate grounds, like the surrounding farmland, were beautifully maintained, with deep mature hedges and old stone walls covered with climbing roses and soft, fluttery bursts pf purple wisteria. Jasmine and honeysuckle perfumed the air where the carriages came to a slow halt in front of the portico.

Ah, Iokanaan, Iokanaan, thou wert the man that I loved alone among men! All other men were hateful to me. But thou wert beautiful! Thy body was a column of ivory set upon feet of silver. It was a garden full of doves and lilies of silver. It was a tower of silver decked with shields of ivory. There was nothing in the world so white as thy body. There was nothing in the world so black as thy hair. In the whole world there was nothing so red as thy mouth. Thy voice was a censer that scattered strange perfumes, and when I looked on thee I heard a strange music. Ah! wherefore didst thou not look at me, Iokanaan?

As you set out on your journey to Ithaca, pray that your journey be a long one, filled with adventure, filled with discovery. Laestrygonians and Cyclopes, the angry Poseidon--do not fear them: you'll never find such things on your way unless your sight is set high, unless a rare excitement stirs your spirit and your body. The Laestrygonians and Cyclopes, the savage Poseidon--you won't meet them so long as you do not admit them to your soul, as long as your soul does not set them before you. Pray that your road is a long one. May there be many summer mornings when with what pleasure, with what joy, you enter harbors never seen before. May you stop at Phoenician stations of trade to buy fine things, mother of pearl and coral, amber and ebony, and voluptuous perfumes of every kind-- buy as many voluptuous perfumes as you can. And may you go to many Egyptian cities to learn and learn from those who know. Always keep Ithaca in your mind. You are destined to arrive there. But don't hurry your journey at all. Far better if it takes many years, and if you are old when you anchor at the island, rich with all you have gained on the way, not expecting that Ithaca will give you wealth. Ithaca has given you a beautiful journey. Without her you would never have set out. She has no more left to give you. And if you find her poor, Ithaca has not mocked you. As wise as you have become, so filled with experience, you will have understood what these Ithacas signify.

He could still remember how breathtakingly beautiful Eleanor was that day. He'd have been content to gaze into her eyes for hours, trying to decide if they were green with gold flecks or gold with green flecks. She had high, finely sculpted cheekbones, soft, flawless skin he'd burned to touch, and lustrous dark braids entwined with gold-threaded ribbons he yearned to unfasten; he'd have bartered his chances of salvation to bury his face in that glossy, perfumed hair, to wind it around his throat and see it spread out on his pillow. He'd watched, mesmerized, as a crystal raindrop trickled toward the sultry curve of her mouth and wanted nothing in his life so much, before or since, as he wanted her.

We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.

For people could close their eyes to greatness, to horrors, to beauty, and their ears to melodies or deceiving words. But they could not escape scent. For scent was a brother of breath. Together with breath it entered human beings, who could not defend themselves against it, not if they wanted to live. And scent entered into their very core, went directly to their hearts, and decided for good and all between affection and contempt, disgust and lust, love and hate. He who ruled scent ruled the hearts of men.

The ideal has many names and beauty is but one of them... Beauty is an ecstasy; it is as simple as hunger. There is really nothing to be said about it. It is like the perfume of a rose: you can smell it and that is all: that is why the criticism of art, except in so far as it is unconcerned with beauty and therefore with art, is tiresome... Beauty is that which satisfies the aesthetic instinct. But who wants to be satisfied? It is only the dullard that enough is as good as a feast. Let us face it: beauty is but a bore.

She is a mortal danger to all men. She is beautiful without knowing it, and posses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instils grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you.

Roses, wild roses, everywhere! So plentiful were they, they were not only perfumed the air, they seemed to dye it a faint rose-hue. The colour floated abroad with the scent, and clomb, and spread, until the whole wesr blushed and glowed with the gathered incense of roses. And my heart fainted with longing in my bosom. Could I but see the spirit of the Earth, as I saw once the in dwelling woman of the beech-tree, and my beauty of the pale marble, I should be content. Content! -Oh, how gladly would I die of the light of her eyes! Yea, I would cease to be, if that would bring me one word of love from the one mouth. The twilight sand around, and infolded me with sleep. I slept as I had not slept for months. I did not awake till late in the morning; when, refreshed in body and mind I rose as from the death that wipes out the sadness of life, and then dies itself in the new morrow.

They ask me what kind of perfume I wear or how I choose a signature scent or what to wear to what occasion. The truth is, I just go into the perfumery and pick out the most beautiful smell. I sniff the scent and then see with my mind’s eye the vision that it brings to my heart. If I want to wear that vision with me every day until the bottle is all used-up, then that’s the perfume I’ll purchase. And I do use it up until there’s nothing left and only then do I go out to buy another one. Another vision for another year or two. Fragrance, to me, is about wearing a perspective on your skin. The scent itself is the vehicle by which you can be reminded of those pictures that those notes have opened in your soul.

She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush. Anyone who has seen her smile has known perfection. She instills grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you,” I whispered. Lifting my head up, I looked deep into her eyes.

The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.

It was wonderful, Pris." "What was, honey? The meeting? The champagne?" "The eclipse," said Ricki. "It was probably the most real thing I've ever seen, but it was also like a dream. You know what I mean? Real and unreal, beautiful and strange, like a dream. It got me high as a kite, but it didn't last long enough. It ended too soon and left nothing behind." "That's how it is with dreams," said Priscilla. "They're the perfect crime.

Luckily Shasta had lived all his life too far south in Calormen to have heard the tales that were whispered in Tashbaan about a dreadful Narnian demon that appeared in the form of a lion. And of course he knew none of the true stories about Aslan, the great Lion, the son of the Emperor-beyond-the-Sea, the HIgh King above all high kings in Narnia. But after one glance at the Lion's face he slipped out of the saddle and fell at its feet. He couldn't say anything but then he didn't want to say anything, and he knew he needn't say anything. The High King above all kings stooped towards him. Its mane, and some strange and solemn perfume that hung about the mane, was all round him. It touched his forehead with its tongue. He lifted his face and their eyes met. Then instantly the pale brightness of the mist and fiery brightness of the Lion rolled themselves together into a swirling glory and gathered themselves up and disappeared. He was alone with the horse on a grassy hillside under a blue sky. And there were birds singing.

Ethanol is a volatile, flammable, colourless liquid with a slight chemical odour. It is used as an antiseptic, a solvent, in medical wipes and antibacterial formulas because it kills organisms by denaturing their proteins. Ethanol is an important industrial ingredient. Ethanol is a good general purpose solvent and is found in paints, tinctures, markers and personal care products such as perfumes and deodorants. The largest single use of ethanol is as an engine fuel and fuel additive. In other words, we drink, for fun, the same thing we use to make rocket fuel, house paint, anti-septics, solvents, perfumes, and deodorants and to denature, i.e. to take away the natural properties of, or kill, living organisms. Which might make sense on some level if we weren’t a generation of green minded, organic, health-conscious, truth seeking individuals. But we are. We read labels, we shun gluten, dairy, processed foods, and refined sugars. We buy organic, we use natural sunscreen and beauty products. We worry about fluoride in our water, smog in our air, hydrogenated oils in our food, and we debate whether plastic bottles are safe to drink from. We replace toxic cleaning products with Mrs. Myers and homemade vinegar concoctions. We do yoga, we run, we SoulCycle and Fitbit, we go paleo and keto, we juice, we cleanse. We do coffee enemas and steam our yonis, and drink clay and charcoal, and shoot up vitamins, and sit in infrared foil boxes, and hire naturopaths, and shamans, and functional doctors, and we take nootropics and we stress about our telomeres. These are all real words. We are hyper-vigilant about everything we put into our body, everything we do to our body, and we are proud of this. We Instagram how proud we are of this, and we follow Goop and Well+Good, and we drop 40 bucks on an exercise class because there are healing crystals in the floor. The global wellness economy is estimated to be worth $4 trillion. $4 TRILLION DOLLARS. We are on an endless and expensive quest for wellness and vitality and youth. And we drink fucking rocket fuel.

A rainbow is a storm’s masterpiece. A seed is a flower’s masterpiece. A rock is a diamond’s masterpiece. A butterfly is a caterpillar’s masterpiece. A flame is a spark’s masterpiece. A drop is an ocean’s masterpiece. A brick is a mansion’s masterpiece. A cell is a body’s masterpiece. A nest is a bird’s masterpiece. A flame is a spark’s masterpiece. A note is a symphony’s masterpiece. A flower is a garden’s masterpiece. Herbs are a plant’s masterpiece. Honey is a bee’s masterpiece. Silk is a spider’s masterpiece. Wool is a sheep’s masterpiece. Perfume is a flower’s masterpiece. Syrup is a tree’s masterpiece. Wine is a grape’s masterpiece. Fruit is a seed’s masterpiece. Pearls are an oyster’s masterpiece. Beauty is a sky’s masterpiece. Charm is a star’s masterpiece. Spring is nature’s masterpiece. Time is eternity’s masterpiece. Energy is light’s masterpiece. Heat is fire’s masterpiece. Knowledge is truth’s masterpiece. Thoughts are the mind’s masterpiece. Desires are the heart’s masterpiece. Experiences are the soul’s masterpiece. Intelligence is nature’s masterpiece. Enlightenment is wisdom’s masterpiece. The world is the universe’s masterpiece. Life is the Divine One’s masterpiece. Awareness is life’s masterpiece.

Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home. Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India.

…….one horizon always hides another and it goes on like that into infinity, to the unspeakable beauty of renewal, to intangible rapture. As for me, it is true all the way to the possibility of this book, to the moment when my words glide across the curve of your lips, to the sheets of white paper that put up with my trail, or rather the trail of those who have walked before me, for me. I moved forward in the trace of their footsteps as in a waking dream where the scent of a newly blown poppy is no longer a perfume but a blossoming: where the deep red of a maple leaf in autumn is no longer a colour but a grace; where a country is no longer a place but a lullaby.

Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.

Sunlight’s warmth on my face awoke me in the morning. I didn’t remember falling asleep or how I came to be in my own bed. But I did recall nightmares. Awful nightmares featuring Gwen. I turned my head to stare out an open window where the sun shone in full splendor, bleaching a clear sky enough to tell it was going to be a beautiful spring day. The air smelled of rain from overnight showers, mixed with a strong floral scent. A large lilac bush outside was responsible for the perfume. I breathed in the clean and fragrant air. My eyelids fluttered, blinking at a stunning reflection of daylight off the glass. The blue beyond gave an exquisite glow to my room. All of it was an invitation to bask in a new day—an invitation I declined because none of that mattered to me. The world might as well come to a dark and ugly end. I saw no reason for beauty or life to go on so long as Gwen was lost. Rolling over in bed, I felt the vice grips wrench at my heart again as I cried myself back to sleep. from Phantom's Veil

A peach, slightly unbalanced, so that it listed to one side, its hue the color of an early sunrise. Had George remembered their conversation at the party and left the peach for her to eat? Strange. For a moment she thought it might be a trompe l'oeil work of art, some fantastic piece of glass. She leaned over and sniffed. The blooming perfume was unmistakable. She touched it with the tip of her finger. The peach was not quite ripe, but it was real. The next day, she checked the kitchen as soon as she arrived. The peach lay there still, blushing deeper in the window light. She bent to smell, and the perfume was headier then before, a scent of meadows and summers home from school. Still unripe. Was George waiting to eat this beauty?

As we have seen, prayer, celebration of the religious offices, alms, consoling the afflicted, the cultivation of a little piece of ground, fraternity, frugality, hospitality, self-sacrifice, confidence, study, and work, filled up each day of his life. Filled up is exactly the phrase; and in fact, the Bishop's day was full to the brim with good thoughts, good words, and good actions. Yet it was not complete if cold or rainy weather prevented him from passing an hour or two in the evening, when the two women had retired, in his garden before going to sleep. It seemed as though it were a sort of rite with him, to prepare himself for sleep by meditating in the presence of the great spectacle of the starry firmament. Sometimes late at night, if the two women were awake, they would hear him slowly walking the paths. He was out there alone with himself, composed, tranquil, adoring, comparing the serenity of his heart with the serenity of the skies, moved in the darkness by the visible splendors of the constellations, and the invisible splendor of God, opening his soul to the thoughts that fall from the Unknown. In such moments, offering up his heart at the hour when the flowers of night emit their perfume, lit like a lamp in the center of the starry night, expanding his soul in ecstasy in the midst of creation’s universal radiance, perhaps he could not have told what was happening in his own mind; he felt something depart from him, and something descend upon him; mysterious exchanges of the depths of the soul with the depths of the universe. He contemplated the grandeur, and the presence of God; the eternity of the future, that strange mystery; the eternity of the past, a stranger mystery; all the infinities hidden deep in every direction; and, without trying to comprehend the incomprehensible, he saw it. He did not study God; he was dazzled by Him. He reflected upon the magnificent union of atoms, which give visible forms to Nature, revealing forces by recognizing them, creating individualities in unity, proportions in extension, the innumerable in the infinite, and through light producing beauty. These unions are forming and dissolving continually; from which come life and death. He would sit on a wooden bench leaning against a decrepit trellis and look at the stars through the irregular outlines of his fruit trees. This quarter of an acre of ground, so sparingly planted, so cluttered with shed and ruins, was dear to him and satisfied him. What more was needed by this old man, who divided the leisure hours of his life, where he had so little leisure, between gardening in the day time, and contemplation at night? Was this narrow enclosure, with the sky for a background not space enough for him to adore God in his most beautiful, most sublime works? Indeed, is that not everything? What more do you need? A little garden to walk in, and immensity to reflect on. At his feet something to cultivate and gather; above his head something to study and meditate on; a few flowers on earth and all the stars in the sky.

My soul will not sleep For want of my sister The river runs between us And I am sick with loss. My pool is broken By ripples unending, For the wind has blown her far away, The wind has blown her far away. Oh, sister, your perfume Is like honey dropped in water. Like spices and pomegranates, You stain my mouth with longing. My pool is broken By ripples unending; The wind has blown your odor far away, The wind has blown your odor far away. The gods have made your love Like the advance of flames on straw, My longing like the downward stoop Of the falcon in bright flight. My pool is broken By ripples unending. I will fly to you on wind far away, I will fly to you on wind far away. I am a hunted goose, a hunted one; The beauty of your shining hair Is a bait to trap me in your net; Your eyes, a snare of meryu-wood. Gratefully I fall Into ripples unending. Hunt me, sister, far away. Hunt me, sister, far away.

By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.

If you would only be willing to take the time to truly get to know me. I know that we would spawn beautiful offspring together, my lovely Jazz.I could give you riches you can only imagine. I have much to offer a beauty like you.” She felt her smile tremble on her lips, then lost her hard-won control. “I would rather eat dead rotting flesh,” she replied, her disgust winning out over her fear of insulting him. His eyes lit up at her words and bright-red gas literally crawled up his back making the dead fish scent of the wharves smell like French perfume. “You do not know my kind as well as you pretend to, my sexy Jazz. You just spoke of our most popular aphrodisiac.

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

But it's all a matter of taste, you say. It's true that among the perfumes reckoned good or great, there are some that will move you more than others, and some that will leave you entirely cold or even sickened, because either they won't say what you're longing to hear or they say what you never want to hear again. All the same, when considering perfume as an art, it's possible to appreciate when something is done exceptionally well. If you've tried several perfumes, you know things can go wrong. Many compositions smell great in the first few minutes, then fade rapidly to a murmur or an unpleasant twang you can never quite wash off. Some seem to attack with what feels like an icepick in the eye. Others smell nice for an hour in the middle but boring at start and finish. Some veer uncomfortably sweet, and some fall to pieces, with various parts hanging there in the air but not really cooperating in any useful way. Some never get around to being much of anything at all. The way you can love a person for one quality despite myriad faults, you can sometimes love a perfume for one particular moment or effect, even if the rest is trash. Yet in the thousands of perfumes that exist, some express their ideas seamlessly and eloquently from top to bottom and give a beautiful view from any angle. A rare subset of them always seem to have something new and interesting to say, even if you encounter them daily. Those are the greats. By these criteria, one can certainly admire a perfume without necessarily loving it. Love, of course, is personal (but best when deserved).

[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.

He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene, behind her back. Helene moved forward so as to make room and, smiling, glanced around. As always at soirees, she was wearing a gown in the fashion of the time, quite open in front and back. Her bust, which had always looked like marble to Pierre, was now such a short distance from him that he could involuntarily make out with his nearsighted eyes the living loveliness of her shoulders and neck, and so close to his lips that he had only to lean forward a little to touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of her corset as she breathed. He saw not her marble beauty, which made one with her gown, he saw and sensed all the loveliness of her body, which was merely covered by clothes. And once he had seen it, he could not see otherwise, as we cannot return to a once-exposed deception.

I smelt him, smelt Johnny; for a second I thought - what? That he was there, was with me, that he wasn't...But I realised it was his perfume, the one I'd had made specially for him by an artisan perfumer in New York, his own custom-made one-off blend. It had been hideously expensive but I hadn't cared as long as it had pleased him. It was all intense essential oils, layer upon layer of labdanum, patchouli, vanilla, vetiver, ambrette, frankincense, myrrh, amber, Bulgarian rose absolute, Oud wood - the list was endless and beautiful, like a scented prayer. The woman had said some of the ingredients would keep their fragrance for a hundred years, would never die. Like me, he'd said, like us. I'd put some drops of the heavy dark oil on a couple of cotton wool pads and put them in the box when we got it, now the fragrance - strange, narcotic, archaic - filled the room like his ghost, embracing me in memories.

The Yamato spirit is not a tame, tender plant, but a wild--in the sense of natural--growth; it is indigenous to the soil; its accidental qualities it may share with the flowers of other lands, but in its essence it remains the original, spontaneous outgrowth of our clime. But its nativity is not its sole claim to our affection. The refinement and grace of its beauty appeal to our æsthetic sense as no other flower can. We cannot share the admiration of the Europeans for their roses, which lack the simplicity of our flower. Then, too, the thorns that are hidden beneath the sweetness of the rose, the tenacity with which she clings to life, as though loth or afraid to die rather than drop untimely, preferring to rot on her stem; her showy colours and heavy odours--all these are traits so unlike our flower, which carries no dagger or poison under its beauty, which is ever ready to depart life at the call of nature, whose colours are never gorgeous, and whose light fragrance never palls. Beauty of colour and of form is limited in its showing; it is a fixed quality of existence, whereas fragrance is volatile, ethereal as the breathing of life. So in all religious ceremonies frankincense and myrrh play a prominent part. There is something spirituelle in redolence. When the delicious perfume of the sakura quickens the morning air, as the sun in its course rises to illumine first the isles of the Far East, few sensations are more serenely exhilarating than to inhale, as it were, the very breath of beauteous day.

Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.

A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.

I like big men,” she said. Her voice was raspy, like she had a cold. She came up to me and grabbed my arm. Her fingers hurt the muscles. I could smell her perfume. She came close to me. I thought I knew what she wanted. I tried to kiss her. She jerked away. “No.” “I’m sorry.” She slapped me. She was strong, my cheek stung. She moved in, swinging both arms. Now she had her fists closed. She hit my arms and my chest. I tried to hold her. “Hit me!” she said. It was goddam queer. I held her arms, but she got loose. She struck my chest. She said: “Hit me.” I hit her easy on the ribs. “That’s right! That’s right!” She hit me a couple of hard blows. Her eyes were wild. She hit me a hard punch on the neck. I hit her in the belly. I heard the breath go out: ouf! It didn’t stop her. She kept coming in, punching hard. I gave her one over the kidneys. She grunted and clinched with me. She bit my arm until the blood came. I slapped her. She put her knee in my groin. It hurt. I lost my balance, grabbed for her, and we both went down. We rolled around on the dirty floor of the shack, both panting. She was hard to hold, and every time she got loose she’d hit or kick or bite me. I got over her, holding her down on the floor. She looked beautiful and wild. She bit my arm again and I slugged her in the ribs. She moaned, and then struggled free. My hand caught in the scarlet shirt. The silk tore to her navel. “Yes,” she said. I got the idea. I ripped the shirt off her, she fighting all the time and liking it. I ripped at her clothes, not caring how much I hurt her. She squirmed on the dirty floor, panting. There was blood on her mouth. I don’t know if it was mine or hers. It tasted sweet. Suddenly she stopped moving. “Now,” she said. “Now, goddam you. Now!” Later we lay on the floor. “I don’t understand you,” I said. “It’s fun, isn’t it?” “Yes.” “Then what do you care?

In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances. “Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.” She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves. Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.” Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn. “My heart is happy when I see you,” she whispered in Lakota. He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English. She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch. He frowned slightly at her expression. “What is it?” he asked softly. “I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously. He smiled back. “And now you’re covered in real ones,” he discerned. She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.” Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.

few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.

Moving on, while he wondered, the dark through which Mr. Lecky's light cut grew more beautiful with scents. Particles of solid matter so minute, gases so subtle, that they filtered through stopping and sealing, hung on the unstirred air. Drawn in with Mr. Lecky's breath came impalpable dews cooked out of disintegrating coal. Distilled, chemically split and reformed, they ended in flawless simulation of the aromas of gums, the scent of woods and the world's flowers. The chemists who made them could do more than that. Loose on the gloom were perfumes of flowers which might possibly have bloomed but never had, and the strong-smelling saps of trees either lost or not yet evolved. Mixed in the mucus of the pituitary membrane, these volatile essences meant more than synthetic chemistry to Mr. Lecky. Their microscopic slime coated the bushed-out ends of the olfactory nerve; their presence was signaled to the anterior of the brain's temporal lobe. At once, thought waited on them, tossing down from the great storehouse of old images, neglected ideas - sandalwood and roses, musk and lavender. Mr. Lecky stood still, wrung by pangs as insistent and unanswerable as hunger. He was prodded by the unrest of things desired, not had; the surfeit of things had, not desired. More than anything he could see, or words, or sounds, these odors made him stupidly aware of the past. Unable to remember it, whence he was, or where he had previously been, all that was sweet, impermanent and gone came back not spoiled by too much truth or exact memory. Volatile as the perfumes, the past stirred him with longing for what was not - the only beloved beauty which you will have to see but which you may not keep. Mr. Lecky's beam of light went through glass top and side of a counter, displayed bottles of colored liquid - straw, amber, topaz - threw shadows behind their diverse shapes. He had no use for perfume. All the distraction, all the sense of loss and implausible sweetness which he felt was in memory of women. Behind the counter, Mr. Lecky, curious, took out bottles, sniffed them, examined their elaborately varied forms - transparent squares, triangles, cones, flattened ovals. Some were opaque, jet or blue, rough with embedded metals in intricate design. This great and needless decoration of the flasks which contained it was one strange way to express the inexpressible. Another way was tried in the names put on the bottles. Here words ran the suggestive or symbolic gamut of idealized passion, or festive night, of desired caresses, or of abstractions of the painful allure yet farther fetched. Not even in the hopeful, miracle-raving fancy of those who used the perfumes could a bottle of liquid have any actual magic. Since the buyers at the counters must be human beings, nine of every ten were beyond this or other help. Women, young, but unlovely and unloved, women, whatever they had been, now at the end of it and ruined by years or thickened to caricature by fat, ought to be the ones called to mind by perfume. But they were not. Mr. Lecky held the bottle in his hand a long while, aware of the tenth woman.