Beauty Clinic Quotes

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There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Clinical psychology tells us arguably that trauma is the ultimate killer.Memories r not recycled like atoms and particles in quantum physics. they can be lost forever. It’s sort of like my past is an unfinished painting and as the artist of that painting,I must fill in all the ugly holes and make it beautiful again.
Lady Gaga
I can't reconcile the way that the world is jolted by events that are wonderful and terrible, the gorgeous and the tragic. Except that I am beginning to believe that these opposites do not cancel each other out. I see a middle aged woman in the waiting room of the cancer clinic, her arms wrapped around the frail frame of her son. She squeezes him tightly, oblivious to the way he looks down at her sheepishly. He laughs after a minute, a hostage to her impervious love. Joy persists somehow and I soak it in. The horror of cancer has made everything seem like it is painted in bright colors. I think the same thoughts again and again. Life is so beautiful. Life is so hard.
Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
Before you worry about the beauty of your body, worry about the health of your body.
Amit Kalantri (Wealth of Words)
The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
The terrible error in the course of human civilization is undoubtedly the defective judgment that allowed religious authorities usurp the foundation of societal morality, in which all collective ethics of humankind must take a cause. This appalling blunder is comparable only to assigning the leper exclusive franchise to run beauty clinics in the society; this can only lead to cycles upon cycles of common infection syndrome.
Adebowale Ojowuro (Echoes of Common Sense)
I'm sure computers are useful, but next to all these warm, beautiful books they seem so cold and clinical.
J.R. Johansson (Cut Me Free)
It hadn't occurred to me that my mother would die. Until she was dying, the thought had never entered my mind. She was monolithic and insurmountable, the keeper of my life. She would grow old and still work in the garden. This image was fixed in my mind, like one of the memories from her childhood that I made her explain so intricately that I remembered it as if it were mine. She would be old and beautiful like the black-and-white photo of Georgia O'Keeffe I'd once sent her. I held fast to this image for the first couple of weeks after we left the Mayo Clinic, and then, once she was admitted to the hospice wing of the hospital in Duluth, that image unfurled, gave way to the others, more modest and true. I imagined my mother in October; I wrote the scene in my mind. And then the one of my mother in August and another in May. Each day that passed, another month peeled away.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
There is no enough.’ Tarin flicked her indicator on, the clicking noise filling the car as she merged on to the motorway. ‘You seem to be forgetting that she’s in a clinical facility getting professional help. Which is great, obviously. Let them worry about how to deal with depression. You’re going to visit your friend, remember? Yes, she’s a patient, but she’s not your patient. So for God’s sake, don’t treat her like one.
Sara Barnard (Beautiful Broken Things (Beautiful Broken Things, #1))
Which end is nearer to God, if I may use religious metaphor, beauty and hope, or the fundamental laws? I think that the right way of course, is to say that what we have to look at is the whole structural interconnection of the thing;
Diana Fosha (The Healing Power of Emotion: Affective Neuroscience, Development & Clinical Practice (Norton Series on Interpersonal Neurobiology))
The Correspondence-School Instructor Says Goodbye to His Poetry Students Goodbye, lady in Bangor, who sent me snapshots of yourself, after definitely hinting you were beautiful; goodbye, Miami Beach urologist, who enclosed plain brown envelopes for the return of your very “Clinical Sonnets”; goodbye, manufacturer of brassieres on the Coast, whose eclogues give the fullest treatment in literature yet to the sagging breast motif; goodbye, you in San Quentin, who wrote, “Being German my hero is Hitler,” instead of “Sincerely yours,” at the end of long, neat-scripted letters extolling the Pre-Raphaelites: I swear to you, it was just my way of cheering myself up, as I licked the stamped, self-addressed envelopes, the game I had of trying to guess which one of you, this time, had poisoned his glue. I did care. I did read each poem entire. I did say everything I thought in the mildest words I knew. And now, in this poem, or chopped prose, no better, I realize, than those troubled lines I kept sending back to you, I have to say I am relieved it is over: at the end I could feel only pity for that urge toward more life your poems kept smothering in words, the smell of which, days later, tingled in your nostrils as new, God-given impulses to write. Goodbye, you who are, for me, the postmarks again of imaginary towns—Xenia, Burnt Cabins, Hornell— their solitude given away in poems, only their loneliness kept. Galway Kinnell
Galway Kinnell (Three Books: Body Rags; Mortal Acts, Mortal Words; The Past)
To think that melancholy--which seems a natural response to the coexisting realities of beauty and mortality--is the same as clinical depression is tragically mistaken. Words like "sad," "gloomy," and "depressed" leave no room for the rich, dark quality of melancholy, which I've always seen as a sensitive appreciation that change is happening every second of our lives, that everything and everyone we love will die, and that in knowing this we have the opportunity to share our gratitude while we still do have time.
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
Over time, the grueling job of a mother requires one to learn everything from patience to clinical psychology. When you are "in the fire," it is sometimes hard to recognize the value of what you are learning. But the da-to-day refining process--the problem solving, crisis resolution, mental stretching, mess clean-ups, sleep deprivation, and loving more than you thought possible truly makes you into a smart, aware, beautiful refined individual. The great secret is appreciating the refined person you are becoming through your trials.
Linda Eyre (A Mother's Book of Secrets)
He passed a hair salon called Snip Away, which sounded more like a vasectomy clinic than a beauty parlor.
Harlan Coben (Back Spin (Myron Bolitar, #4))
Logan looked at her and wondered how someone so beautiful could be so oblivious to their own beauty, how someone so smart could be so foolish to the extent of their own intellect and how someone so loving and compassionate could ever think she wasn’t worthy of love? It was like watching a blind man trapped and wandering aimlessly and helplessly in a scorching hot desert unable to see the small puddle of water that lay just a foot away. The only difference was that she had eyes. Two beautiful ones, yet she could not see. Is that what madness was? Was it to be able to view and appreciate every form of beauty but to be blind to the value and exquisiteness of one’s own? Logan believed in many forms of insanity but he knew in that instant watching her trembling frame on the train tracks that hers, that her illness, surpassed any clinical or psychological term known. Maybe she did suffer from depression or bipolar or schizophrenia. Who knew? All he was certain of in that moment that she suffered from no greater illness than the blindness of the heart.
Ali Harper
my eyes make mirrors out of every reflective surface they pass searching for something beautiful looking my ears fish for compliments and praise but no matter how far they go looking nothing is enough for me i go to clinics and department stores for pretty potions and new techniques i've tried the lasers i've tried the facials i've tried the blades and expensive creams for a hopeful minute they fill me make me glow from cheek to cheek but as soon as i feel beautiful their magic disappears suddenly where am i supposed to find it i am willing to pay any price for a beauty that makes heads turn every moment day and night - a never-ending search
Rupi Kaur (The Sun and Her Flowers)
Religion has used ritual forever. I remember a famous study led by psychologist Alfred Tomatis of a group of clinically depressed monks. After much examination, researchers concluded that the group’s depression stemmed from their abandoning a twice-daily ritual of gathering to sing Gregorian chants. They had lost the sense of community and the comfort of singing together in harmony. Creating beautiful music together was a formal recognition of their connection and a shared moment of joy.
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
Erwin Strauss, in his brilliant monograph on obsession, similarly earlier showed how repulsed Swift was by the animality of the body, by its dirt and decay. Straus pronounced a more clinical judgment on Swift's disgust, seeing it as part of the typical obsessive's worldview: "For all obsessives sex is severed from unification and procreation....Through the...isolation of the genitals from the whole of the body, sexual functions are experienced as excretions and as decay." This degree of fragmentation is extreme, but we all see the world through obsessive eyes at least part of the time and to some degree; and as Freud said, not only neurotics take exception to the fact that "we are born between urine and feces." In t his horror of the incongruity of man Swift the poet gives more tormented voice to the dilemma that haunts us all, and it is worth summing it up one final time: Excreting is the curse that threatens madness because it shows man his abject finitude, his physicalness, the likely unreality of his hopes and dreams. But even more immediately, it represents man's utter bafflement at the sheer non-sense of creation: to fashion the sublime miracle of the human face, the mysterium tremendum of radiant female beauty, the veritable goddesses that beautiful women are; to bring this out of nothing, out of the void, and make it shine in noonday; to take such a miracle and put miracles again within it, deep in the mystery of eyes that peer out-the eye that gave even the dry Darwin a chill; to do all this, and to combine it with an anus that shits! It is too much. Nature mocks us, and poets live in torture.
Ernest Becker (The Denial of Death)
Why is the world full of color anyway? Sunlight is white, and when it is reflected, it is still white. And so we should be surrounded by a clinical looking, optically pure landscape. That this is not what we see is because every material absorbs light differently or converts it into other kinds of radiation. Only the wavelengths that remain are refracted and reach our eyes. Therefore, the color of organisms and objects is dictated by the color of the reflected light. And in the case of leaves on trees, this color is green. But why don't we see leaves as black? Why don't they absorb all light? Chlorophyll helps leaves process light. If trees processed light super-efficiently, there would be hardly any left over-and the forest would then look as dark during the day as it does at night. Chlorophyll, however, has one disadvantage. It has a so-called green gap, and because it cannot use this part of the color spectrum, it has to reflect it back unused. This weak spot means that we can see this photosynthetic leftover, and that's why almost all plants look deep green to us. What we are really seeing is waste light, the rejected part that trees cannot use. Beautiful for us; useless for the trees. Nature that we find pleasing because it reflects trash? Whether trees feel the same way about this I don't know, but one thing is for certain: hungry beeches and spruce are as happy to see blue sky as I am.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
It is possible to be indifferent to flowers—possible but not very likely. Psychiatrists regard a patient’s indifference to flowers as a symptom of clinical depression. It seems that by the time the singular beauty of a flower in bloom can no longer pierce the veil of black or obsessive thoughts in a person’s mind, that mind’s connection to the sensual world has grown dangerously frayed.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
But Cassandra was even more breathtaking than he remembered. Her golden sunstruck beauty illuminated the sterile environment of the clinic. She was wonderfully dressed in a green velvet walking dress and a matching hooded cloak trimmed with white fur. Her hair, so shiny it looked molten, had been pinned up in a complex mass of coils and topped with a flirtatious little excuse for a hat. He felt her presence like a shock, every nerve tingling.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
But another type of life review happens to all of us when we die and our consciousness leaves the physical body at the end of each lifetime. This time it is not done with a therapist, but rather with our spiritual guides or other wise beings; it is not a clinical life review but a karmic one. As we are replenished by the beautiful light, our awareness is directed to review the results of our actions while we were on the physical plane. We see the people we have harmed and we feel their emotional reactions, magnified greatly. Similarly, we feel the emotions, again enhanced, of those we have aided and loved. In this manner, we examine all our relationships, and we deeply experience all the anger, hurt, and despair that we have caused—but also all the gratitude, appreciation, love, and hope that we have elicited. This life review is not done in a spirit of punishment or guilt. By truly understanding the result of our behavior, we learn the importance of loving-kindness and compassion. As
Brian L. Weiss (Miracles Happen: The Transformational Healing Power of Past-Life Memories)
The sixteenth-century artist Albrecht Dürer famously depicted Melancholy as a downcast angel surrounded by symbols of creativity, knowledge, and yearning: a polyhedron, an hourglass, a ladder ascending to the sky. The nineteenth-century poet Charles Baudelaire could “scarcely conceive of a type of beauty” in which there is no melancholy. This romantic vision of melancholia has waxed and waned over time; most recently, it’s waned. In an influential 1918 essay, Sigmund Freud dismissed melancholy as narcissism, and ever since, it’s disappeared into the maw of psychopathology. Mainstream psychology sees it as synonymous with clinical depression.[*1]
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
You’re not selling breath mints, or fresh breath, you’re selling sex appeal, attractiveness—what you become after you take the breath mint. It’s not about the shampoo, it’s about shiny, sexy, vibrant hair that catches the eye of the cute guy who lives across the hall, causing him to turn, pause, then ask you out. It’s not about the shampoo, it’s about the big house and beautiful children you’ll have with that cute guy who finally notices you. And to seal the deal, said shampoo is infused with countless vitamins and minerals, all clinically proven to strengthen dry or damaged hair. Scientific proof breeds confidence. Hit ’em with the science if you have to, but hook ’em with the benefits first, let them know they want what you’re selling.
A.G. Riddle (Departure)
THE BUTT A woman’s posterior is the most grabbable part of her body, but first you must learn to find the right type of ass to grab. There’s a great variety of asses out there, but unfortunately many of them aren’t worth touching even in a clinical setting. The ideal type of woman for groping is a woman blessed with a thick ass. Don’t confuse a “thick” ass for a fat ass (Figure 2). A fat ass is a sad ass. You don’t want anything to do with a fat ass, other than to loathe it. A thick ass, on the other hand, is plump and beautiful; it should make you feel hungry like when you see a glazed ham that you can’t afford in a Christmas catalogue (Figure 3). This is the best-case scenario for ass connoisseurs. You won’t find a butt riper for the picking, so don’t pass that ass.
Maddox (The Alphabet of Manliness)
Toward the end of the three weeks, I have lunch with a representative from the foundation. She wants to know what could be done to make the girls more “confident.” I rattle on, about girl-only classrooms, giving them room away from the boys, time to talk, permission to question and complain without being afraid of being seen as whiners, complainers, bad girls, tough girls. But I know that all of them, boys and girls both, are still only partly formed, soft as Playdoh. They are like golems — their bodies in full flower and everything else a work-in-progress. I don’t dare say there are essential gender differences here, though I wonder more and more. “But girls have so many more role models now,” the foundation representative says. She is a petite, elegant, beautiful woman in a black suit, perfectly coifed. More role models. Which ones, I wonder? An increasingly impossible physical ideal? A clear-cut choice between career and family? They’ve seen their mothers suffer from trying to do both. They know all about the “second shift” of endless work. When I was 15, my role models were burning bras, marching in the street, starting clinics, passing laws and getting arrested. Role models now are selling diet books and making music videos. The simple fact is, I don’t know. I don’t know how to help them. I know that I have to keep checking my watch during lunch and rush off to make the final bell for sixth period, and that all of these children who are almost grown have spent their entire lives ruled by a clock and the demands of strangers. They have grown up in a fragmented and chaotic place over which they have no control. I know they’ve rarely thought about the possibility of getting out; they don’t see any place to get out to, anywhere to go not ruled by bureaucratic entanglements and someone else’s schedule and somebody else’s plans. If girls are somehow wired toward pliancy, then the helpless role of student in the shadow of the institution is the worst place they can be. If we want to teach them independence, the first thing to do would be to give it to them.
Sallie Tisdale (Violation: Collected Essays)
The slim chestnut-haired woman had been battering an assailant twice her size with precisely aimed strikes of her cane. Ethan had loved the way she'd done it, as if attending to some necessary task, like carrying a household bin out to the rubbish carter. Her face had been unexpectedly young, her complexion clean-scrubbed and as smooth as a tablet of white soap. All cheekbones and cool green eyes, with a sharp little rampart of a chin. But amidst the elegant angles and edges of her features, there was a valentine of a mouth, tender and vulnerable, the upper lip nearly as full as the lower. A mouth with such pretty curves that it did something to Ethan's knees every time he saw it. After that first encounter, Ethan had taken care to avoid Garrett Gibson, knowing she would be trouble for him, possibly even worse than he would be for her. But last month he'd gone to visit her at the medical clinic where she worked, for information concerning one of her patients, and his fascination had ignited all over again. Everything about Garrett Gibson was... delicious. The dissecting gaze, the voice as crisp as the icing on a lemon cake. The compassion that drove her to treat the undeserving poor as well as the deserving. The purposeful walk, the relentless energy, the self-satisfaction of a woman who neither concealed nor apologized for her own intelligence. She was sunlight and steel, spun into a substance he'd never encountered before. The mere thought of her left him like a stray coal on the hearth.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
The truth is technical, clinical, not well understood. Essentially, somewhere behind my overactive, often dysfunctional frontal lobe, my hippocampus is getting hot, and in the back of my brain, deep inside the little, almond-shaped amygdala, flashes of light are igniting a fire that burns through my memory like a box of random photos left for too long in a dusty firetrap of an attic. Some are vivid, bright, resplendent in the superior technology that preserves their detail, context, meaning. Truth. Others, many in fact, are so faded I can hardly see the contrast of negative on positive. I can barely remember the incidents, events, places, and people that were, for whatever reason, worth recording. Where does the brain stop and the mind begin? Which part of my movie is merely mechanical, chemical? And how do fantasy, fear, desire, joy, loss emerge to become the story? If there is an answer, it’s all in the editing. For most of my life, my memories have been cut together, if not perfectly, then according to some system that has allowed me reasonable access to my story. To what I wanted to remember and how I chose to remember it. I had final cut. Now they are a mess. A beautiful mess, cut and recut, and playing in no particular order across the insides of my eyelids, running both forward and backward in time as the electrical fire in my brain chases them down and ignites them. I want to reach out my hand. I want to salvage one or two of my favorite frames. But memory is fast and my hands are strapped to this table.
Juliann Garey (Too Bright to Hear Too Loud to See)
What did you hope to get out of killing Win’s doctor?” “Enjoyment.” “No doubt you would have. Win didn’t seem to be enjoying it, however.” “Why is Harrow here?” Kev asked fiercely. “I can answer that one,” Leo said, leaning a shoulder against the wall with casual ease. “Harrow wants to become better acquainted with the Hathaways. Because he and my sister are … close.” Kev abruptly felt a sickening weight in his stomach, as if he’d swallowed a handful of river stones. “What do you mean?” he asked, even though he knew. No man could be exposed to Win and not fall in love with her. “Harrow is a widower,” Leo said. “A decent enough fellow. More attached to his clinic and patients than anything else. But he’s a sophisticated man, widely traveled, and wealthy as the devil. And he’s a collector of beautiful objects. A connoisseur of fine things.” Neither of the other men missed the implication. Win would indeed be an exquisite addition to a collection of fine things. It was difficult to ask the next question, but Kev forced himself to. “Does Win care for him?” “I don’t believe Win knows how much of what she feels for him is gratitude, and how much is true affection.” Leo gave Kev a pointed glance. “And there are still a few unresolved questions she has to answer for herself.” “I’ll talk to her.” “I wouldn’t, if I were you. Not until she cools a bit. She’s rather incensed with you.” “Why?” Kev asked, wondering if she had confided to her brother about the events of the previous night. “Why?” Leo’s mouth twisted. “There’s such a dazzling array of choices, I find myself in a quandary about which one to start with. Putting the subject of this morning aside, what about the fact that you never wrote to her?” “I did,” Kev said indignantly. “One letter,” Leo allowed. “The farm report. She showed it to me, actually. How could one forget the soaring prose you wrote about fertilizing the field near the east gate? I’ll tell you, the part about sheep dung nearly brought a tear to my eye, it was so sentimental and—” “What did she expect me to write about?” Kev demanded. “Don’t bother to explain, my lord,” Cam interceded as Leo opened his mouth. “It’s not the way of the Rom to put our private thoughts on paper.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Beauty Junkies is the title of a recent book by New York Times writer Alex Kuczynski, “a self-confessed recovering addict of cosmetic surgery.” And, withour technological prowess, we succeed in creating fresh addictions. Some psychologists now describe a new clinical pathology — Internet sex addiction disorder. Physicians and psychologists may not be all that effective in treating addictions, but we’re expert at coming up with fresh names and categories. A recent study at Stanford University School of Medicine found that about 5.5 per cent of men and 6 per cent of women appear to be addicted shoppers. The lead researcher, Dr. Lorrin Koran, suggested that compulsive buying be recognized as a unique illness listed under its own heading in the Diagnostic and Statistical Manual of Mental Disorders, the official psychiatric catalogue. Sufferers of this “new” disorder are afflicted by “an irresistible, intrusive and senseless impulse” to purchase objects they do not need. I don’t scoff at the harm done by shopping addiction — I’m in no position to do that — and I agree that Dr. Koran accurately describes the potential consequences of compulsive buying: “serious psychological, financial and family problems, including depression, overwhelming debt and the breakup of relationships.” But it’s clearly not a distinct entity — only another manifestation of addiction tendencies that run through our culture, and of the fundamental addiction process that varies only in its targets, not its basic characteristics. In his 2006 State of the Union address, President George W. Bush identified another item of addiction. “Here we have a serious problem,” he said. “America is addicted to oil.” Coming from a man who throughout his financial and political career has had the closest possible ties to the oil industry. The long-term ill effects of our society’s addiction, if not to oil then to the amenities and luxuries that oil makes possible, are obvious. They range from environmental destruction, climate change and the toxic effects of pollution on human health to the many wars that the need for oil, or the attachment to oil wealth, has triggered. Consider how much greater a price has been exacted by this socially sanctioned addiction than by the drug addiction for which Ralph and his peers have been declared outcasts. And oil is only one example among many: consider soul-, body-or Nature-destroying addictions to consumer goods, fast food, sugar cereals, television programs and glossy publications devoted to celebrity gossip—only a few examples of what American writer Kevin Baker calls “the growth industries that have grown out of gambling and hedonism.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
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We didn’t believe when we first heard because you know how church folk can gossip. Like the time we all thought First John, our head usher, was messing around on his wife because Betty, the pastor’s secretary, caught him cozying up at brunch with another woman. A young, fashionable woman at that, one who switched her hips when she walked even though she had no business switching anything in front of a man married forty years. You could forgive a man for stepping out on his wife once, but to romance that young woman over buttered croissants at a sidewalk café? Now, that was a whole other thing. But before we could correct First John, he showed up at Upper Room Chapel that Sunday with his wife and the young, hip-switching woman—a great-niece visiting from Fort Worth—and that was that. When we first heard, we thought it might be that type of secret, although, we have to admit, it had felt different. Tasted different too. All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn’t. We shared this sour secret, a secret that began the spring Nadia Turner got knocked up by the pastor’s son and went to the abortion clinic downtown to take care of it. She was seventeen then. She lived with her father, a Marine, and without her mother, who had killed herself six months earlier. Since then, the girl had earned a wild reputation—she was young and scared and trying to hide her scared in her prettiness. And she was pretty, beautiful even, with amber skin, silky long hair, and eyes swirled brown and gray and gold. Like most girls, she’d already learned that pretty exposes you and pretty hides you and like most girls, she hadn’t yet learned how to navigate the difference. So we heard all about her sojourns across the border to dance clubs in Tijuana, the water bottle she carried around Oceanside High filled with vodka, the Saturdays she spent on base playing pool with Marines, nights that ended with her heels pressed against some man’s foggy window. Just tales, maybe, except for one we now know is true: she spent her senior year of high school rolling around in bed with Luke Sheppard and come springtime, his baby was growing inside her. — LUKE SHEPPARD WAITED TABLES at Fat Charlie’s Seafood Shack, a restaurant off the pier known for its fresh food, live music, and family-friendly atmosphere. At least that’s what the ad in the San Diego Union-Tribune said, if you were fool enough to believe it. If you’d been around Oceanside long enough, you’d know that the promised fresh food was day-old fish and chips stewing under heat lamps, and the live music, when delivered, usually consisted of ragtag teenagers in ripped jeans with safety pins poking through their lips.
Brit Bennett (The Mothers)
who could have dreamed that in this blind, palsied woman, hidden away, inactivated, over-protected all her life, there lay the germ of an astonishing artistic sensibility (unsuspected by her, as by others) that would germinate and blossom into a rare and beautiful reality, after remaining dormant, blighted, for sixty years? Postscript
Oliver Sacks (The Man Who Mistook His Wife For A Hat: And Other Clinical Tales)
Not all areas of medicine were created equal. In my humble (and extremely biased) opinion, ophthalmology is definitely the coolest. However, it is also (again, in my view) one of the more challenging ones to learn. It is neat to reflect on the variety of skills that we learn during our training, most of which demand exceptional hand-eye coordination. To excel, we require a very delicate and nuanced touch and a sophisticated appreciation of subtle alterations in the anatomy of the most beautiful organ in the body. From the different lasers to the assortment of minor and major procedures, there is definitely a lot to learn and then master. Even in our clinics, we make use of so many instruments that it’s almost like being in surgery but without the incisions!
R. Rishi Gupta (Reflections of a Pupil: What Your Med School and Ophthalmology Textbooks Can’t Teach You (But What Your Mentors, Colleagues and Patients Will))
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he was so astounded by the beauty and complexity of the universe itself, that he saw no need to go seeking gods or goddesses to explain it. His philosophy was that no concept of a creator or overseer could possibly match the awe-inspiring grandeur of nature itself. This is the way the Pagan atheist views the world, and the universe at large. It’s not some dry, clinical and bitter philosophy. It’s a vibrant, dynamic view of life and the environment that births and sustains it. In fact, many Pagans view the universe as a sort of living organism—either metaphorically or in actual terms. The parallels are, indeed, fascinating. And, in fact, many Pagans believe that the distinction between natural and supernatural is a false one—that nature is the totality of all there is, and that it’s meaningless to speak of anything being somehow outside of nature.
John Halstead (Godless Paganism: Voices of Non-theistic Pagans)
Writing itself provided a means of overcoming isolation, of advancing mutual understanding: “Writing is certainly the most beautiful discovery, since it allows man to remember, to present things that have happened in order and above all to communicate with others, even when they are absent.
Adam Shatz (The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon)
NARCISSISTIC PERSONALITY DISORDER According to James Masterson in The Narcissistic and Borderline Disorders, the main clinical characteristics of the narcissistic personality disorder are: Grandiosity, extreme self-involvement, and lack of interest and empathy for others, in spite of the pursuit of others to obtain admiration and approval. The narcissist is endlessly motivated to seek perfection in everything he does. Such a personality is driven to the acquisition of wealth, power and beauty and the need to find others who will mirror and admire his grandiosity. Underneath this external facade there is an emptiness filled with envy and rage. The core of this emptiness is internalized shame.
John Bradshaw (Healing the Shame that Binds You)
This idealization of clinical perfection prevents us from being in the moment. It stops us from appreciating our experience as beautiful despite the “flaws” because, deep down, we are so ashamed of ourselves for not living up to these expectations of perfection that we can barely breathe. In
Robin Elizabeth (Confessions of a Mad Mooer: Postnatal Depression Sucks)
Slendershape is one amongst the best and fastest growing chains of slimming and beauty clinics in Ludhiana. We are the only Slimming Centers in Ludhiana, India with wellness evaluation, body fat, metabolic rate,suggest alterations in lifestyle/eating habbits.
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ourselves with is an opportunity to create the cultural climate that we want. We can create a climate of compassion or one of fear, depending on what we do with our mistakes and our judgments of ourselves and others. Because I wanted to create a climate of compassion in the microcosm of my couplehood, I hunted in my memory for the tools with which to accomplish this. I remembered what Dr. Marshall Rosenberg said: “All judgments are the tragic expressions of pain and unmet needs.” Perhaps this might even apply to my oh so right, sophisticated, clinical judgments? So I started to look for the pain in my body. Oh, there it is! Outrage! And what is the universal human need underneath the outrage? The need for respect, gentleness and safety. What else is in there?—because I know that anger never comes alone. There is always hurt or fear or something under it. Now I can feel it: Devastating hurt. A need for reassurance that I am valued. -§ I may be the detonator but I am never the dynamite. I may be the trigger for another’s pain but the cause is their unmet needs. -§ As I lay there giving myself empathy, (i.e. paying attention to, and feeling into, what my reaction was all about) I start to feel a relieving shift in my body. The shift came as I allowed my awareness of my feelings to lead me into a reconnection with the life force within me. As soon as I am fully in touch with my true need, like the need to feel valued, I immediately feel the beautiful strength of it. (This is much different than staying up in my head meditating on images of the ‘lack’ or the hunger to feel valued. This only produces more fear and pain.) I began to wonder if my friend was experiencing the same thing—hurt, and the need for reassurance that she is valued. I know that if I had tried to play lifeguard earlier, attempting to save her from drowning in her distress, it would have been a double drowning. I know that the undertow of my own unconscious reactions from my unhealed past would have prevented me from really being present. I had been drowning and needed to get myself to shore first before trying to throw her a line. Or as a wise man from the Middle East once said, -§ When I am in pain I want to wait till I am clear what I want back from you before I speak. -§ “Get the dirt out of your eye first, so you can see clearly to help someone else do the same.” After giving myself empathy, I was moved by compassion to go to my friend and see if I could offer her the understanding that would restore our connection. I am glad that I waited until my desire to connect with her came from my need to understand and reconnect, instead of from fear of abandonment, or guilt about abandoning her. I am glad I remembered the first commandment of nurturing relationships: Me first and only. I waited until my giving came simply from my heart, without any fear, shame, or guilt. Once this shift happens, the energy I give from is the same joy and innocence a child has when it feeds bread to a hungry duck. “When I heard you call me a jackass a while ago, were you feeling angry and hurt because you were needing reassurance that your need to be heard mattered?” Her eyes started to fill with tears and a faint outline of a smile started to creep across her lips as she said “It’s about time, jackass.” “Yes, I’m guessing that was painful for you, and you would have liked this quality of listening earlier.” I said. “Yes” she said, the tears now flowing freely. “But I am also relieved that you waited till you were really in a position to do so instead of trying to give me empathy
Kelly Bryson (Don't Be Nice, Be Real)
Three days later, I popped two ludes, three black beauties, smoked a joint, drank four beers, and then drove to the clinic and had the abortion.
Cupcake Brown
A medical student is sent for training at a clinic specializing in sexual disorders. The head of the clinic takes the student on a tour. In the first room they enter, there’s a patient masturbating. “What’s his diagnosis?” the student asks. “He has a severe case of Semen Buildup Disorder. If he doesn’t ejaculate multiple times a day, he becomes disoriented and nauseated.” In the second room they find a patient with his pants down around his ankles, receiving oral sex from a beautiful nurse. “What about his diagnosis?” the student asks. “Same condition. He just has better health insurance.
Scott McNeely (Ultimate Book of Jokes: The Essential Collection of More Than 1,500 Jokes)
Dr Hanson, located on Harley Street, London, specialises in non-surgical aesthetic treatments like Botox and Endolift. Led by Dr. Hanson, a highly qualified doctor with a family tradition of medical excellence, the clinic focuses on enhancing natural beauty and reversing signs of ageing. Known for artistry in aesthetics, Dr. Hanson provides results that are striking yet natural-looking. The clinic promises personalised care and a range of treatments to preserve youthfulness and boost confidence.
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When it comes to beauty clinics, there's a lot of competition out there. Clients can choose between aesthetic clinics, beauty clinics, cosmetic clinics, skin care , salons and basically everything in between. Unfortunately, the industry is largely unregulated, so ANYONE can administer injectable procedures leading to an influx of untrained and uncertified self-styled practitioners delivering aesthetic treatments. Ifemi Clinic is manned by a trusted team lead by a practicing pharmacist with the appropriate skills, professionalism, experience operating in a clinically suitable premises.
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Consider a report from the British newspaper The Observer three years ago: in the Ukraine, suffering so long under the atheist Soviet foot, pregnant women were being paid about $180 for their fetuses, which the abortion clinics turned around and sold for about $9,000. Why? The tissue was being used for beauty treatments. Pregnant women were and still are being paid to kill their babies so aging Russian women can rejuvenate their skin with fetal cosmetics.
Benjamin Wiker (10 Books That Screwed Up the World: And 5 Others That Didn't Help)
Dr. Amen Dhyllon, a pioneer in dentistry, is committed to pushing the boundaries of oral healthcare. With a wealth of experience and a passion for innovation, he's constantly seeking new ways to improve patient outcomes. As a member of various professional associations and with a track record of research awards, his expertise is widely recognized. When he's not in the clinic or the lab, he finds joy in the rhythm of his runs and the beauty of artistic expression.
Amen Dhyllon
Good boy,” she crooned against his hair. “You’re cumming so much for me. Such a good boy.” This is how I want to die. It was a thought he’d had previously. Then, he’d thought the best circumstances of expiration would have been in what had been his favorite sexual position — the filling a threesome sandwich, his cock buried balls-deep in a beautiful girl, with someone else’s cock kissing his prostate, everyone paying attention to him, the center of everything, exactly where he was meant to be — getting his pleasure from every side. He was forced to amend that now. He disliked words like straight or anything that indicated the contrary of whatever that meant; he liked feeling good, and sex felt good, regardless of with whom he had it . . . but his heart was rarely ever a factor. You could fall in love with this girl.
C.M. Nascosta (Moon Blooded Breeding Clinic (Cambric Creek, #3) (Hemming Brothers, #1))
The Allure of Impeccable Skin Across continents and cultures, from ancient civilisations to today’s digital age, our desire for flawless skin remains as strong as ever. It serves not merely as an emblem of one's outer beauty, but also as a reflection of one's health, vitality, and inner harmony. Although some are fortunate to possess naturally pristine complexions, many of us are in a constant battle with blemishes, each imperfection eroding our confidence and well-being. So today, journey with us as we delve into the timeless beauty standards that have shaped our perceptions of flawless skin, the modern remedies at our disposal, and one woman's gorgeous transformative experience. And if you're wondering where the best place is to achieve such results? Look no further than the exceptional Healand Clinic, a hub for these and many other treatments. Through Time’s Lens Historically, human beings have always been in pursuit of perfect beauty. The Ancient Egyptians, with their kohl-lined eyes and exquisite jewellery, weren't just embracing fashion; they were symbolising societal stature and their adoration of the divine. Similarly, Greeks cherished clear skin, turning to nature's gifts like honey and olive oil to retain youthfulness and fight off skin ailments. Fast forward to today, and with the flood of beauty influencers, trends, and products, the narrative is more nuanced than ever. We've started celebrating 'flaws' be it freckles, scars, or birthmarks. They’re seen as unique identifiers, personal badges of one’s journey. Yet, for some, blemishes become profound sources of insecurity, impacting their daily interactions, self-worth, and even mental health.
William Llewellyn (Anabolics)
He passed a hair salon called Snip Away, which sounded more like a vasectomy clinic than a beauty parlor. The Snip Away beauticians were either reformed mall girls or guys named Mario whose fathers were named Sal. Two patrons sat in a window - one getting a perm, the other a bleach job. Who wanted that? Who wanted to sit in a window and have the whole world watch you get your hair done?
Harlan Coben (Back Spin (Myron Bolitar, #4))
clinically lacked empathy and emotion beyond the need for adrenaline.
Jaime Ellis (Beautiful Storm (Westlake Royals #1))
The Clinic Beautylosophy menghadirkan sumber daya manusia seperti misalnya dokter-dokter yang memang sudah berpengalaman, berkompeten dan tersertifikasi baik dari dalam atau luar negeri khususnya dibidang kecantikan, kulit, rambut, gigi dan bedah plastic sehingga anda akan selalu merasa aman dan nyaman ketika melakukan perawatan disini.
Beauty (Beauty Secret: The Ultimate Guide To Anti-Aging, Advices Of Natural & Beautiful Makeup, Hair And Fashion To Be The Most Attractive Woman At All Times.)
Mollie sat up in bed looking paper-thin and fragile. She was beautiful and vulnerable.
Tanya Byron (The Skeleton Cupboard: Stories From a Clinical Psychologist)
If Jimmie was briefly ‘held’ by a task or puzzle or game or calculation, held in the purely mental challenge of these, he would fall apart as soon as they were done, into the abyss of his nothingness, his amnesia. But if he was held in emotional and spiritual attention—in the contemplation of nature or art, in listening to music, in taking part in the Mass in chapel—the attention, its ‘mood’, its quietude, would persist for a while, and there would be in him a pensiveness and peace we rarely, if ever, saw during the rest of his life at the Home. I have known Jimmie now for nine years—and neuropsychologically, he has not changed in the least. He still has the severest, most devastating Korsakov’s, cannot remember isolated items for more than a few seconds, and has a dense amnesia going back to 1945. But humanly, spiritually, he is at times a different man altogether—no longer fluttering, restless, bored, and lost, but deeply attentive to the beauty and soul of the world. He liked gardening, and had taken over some of the work in our garden. At first he greeted the garden each day as new, but for some reason this had become more familiar to him than the inside of the Home. He almost never got lost or disoriented in the garden now; he patterned it, I think, on loved and remembered gardens from his youth in Connecticut.
Oliver Sacks (The Man Who Mistook His Wife for a Hat and Other Clinical Tales)
Revelation Massage Therapy & Wellness is a uniquely modern massage therapy clinic nestled in beautiful downtown Port Perry. We are located in a newly
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i was created to create beautiful smiles
Mosman Dental Clinic
But whether the death is that of a tubercular husband in "The Moon on the Water," a mystical figure such as Yōko in Snow Country, or the drugged girl lying beside an old man in House of the Sleeping Beauties, death always has richly poetic implications in Kawabata's work, in contrast to the meticulously clinical deteriorations in Tanizaki's novels and the murderous destruction in Mishima's.
Gwenn Boardman Petersen (The Moon in the Water: Understanding Tanizaki, Kawabata, and Mishima)
We may also struggle with what could be considered justifiable fears. We have fears of loss, pain, disability, and death. These can be transformed only by the human being who has come to know what it means to „die before you die“. In the discipline of transformation, this expression means coming to know our spiritual home, our eternal Self. It is not a metaphor but an accurate description of a psycho-spiritual truth. Many of those who have lived through the experience of a clinical death and have returned to life know that death is not something to fear and that life is an immeasurable gift. These people return to their lives with less fear because they have experienced their true metaphysical home. At the same time they have known that this physical body is important as a means of contact with their fellow human beings. Against the backdrop of eternity this transient human life has acquired a new beauty. To die before death is to detach from our physical body, our thinking, and our emotions at will, as a conscious choice. This is the aim of certain forms of spiritual training. Through control of the breath, fasting, and sustained awareness it becomes possible to separate from our coarser bodies – physical, emotional, mental – and to mount the steed of pure consciousness. When consciousness is separated from the conditioned intellect and desire, it makes direct contact with the electromagnetic field of Love. The soul comes to know a different relationship to all the beings within this electromagnetic field. When we are connected with this Love, we are free of fear and of the domination of the lower self and the thoughts it generates. As Rumi said: „Thinking is powerless in the expression of love.“ Love is reckless and does not count the cost; it expresses itself through courage and self-sacrifice. Often our fear is a lack of love. To be free of fear we must love very much. (p. 159)
Kabir Helminski (Living Presence: A Sufi Way to Mindfulness & the Essential Self)
Nature was beautiful, but mute. It was not enough. She needed the world re-presented to her in verbal images, in language, and seemed to have little difficulty following the metaphors and symbols of even quite deep poems, in striking contrast to her incapacity with simple propositions and instructions. The language of feeling, of the concrete, of image and symbol, formed a world she loved and, to a remarkable extent, could enter.
Oliver Sacks (The Man Who Mistook His Wife for a Hat and Other Clinical Tales)
Shea took another deep breath and looked around, determined to find what was making her so uneasy. A man lounged lazily in the shade of a tree. He was tall, dark, and motionless, like a hunter. She felt the impact of his eyes as his gaze casually found her. Her heart jumped. Who was he? Had Wallace found her so soon? Shea turned away. First, before anything, she had to complete her business. She dragged out her laptop computer and typed in the commands to access the clinic’s blood bank. If she had to move Jacques, they would need supplies desperately. In another moment, Shea felt silly. The door to the small general store across the street swung open. The short, stooped owner emerged, apron tied around his ample middle, a broom in his hand. He waved openly at the motionless figure beneath the tree. “Byron. Good morning to you. Bit early, isn’t it?” She recognized the local dialect. The tall, dark-haired man replied in the same language, but his voice was low, a beautiful tone. He stepped out of the shadows, young, good-looking. He flashed a quick, friendly smile at the grocer approaching him. Clearly they knew one another, were friendly. The dark-haired man was obviously no stranger to the area. Neither exhibited the least interest in Shea. She watched as Byron bent his head solicitously down to the older man, listening intently, his arm circling the shopkeeper’s shoulders. Shea breathed a soft sigh of relief. The feeling of being stalked was gone, and she couldn’t be certain if it had been real or imagined.
Christine Feehan (Dark Desire (Dark, #2))