Beautiful Thistle Quotes

Some of the most beautiful things worth having in your life come wrapped in a crown of thorns.

The soul grows into lovely habits as easily as into ugly ones, and the moment a life begins to blossom into beautiful words and deeds, that moment a new standard of conduct is established, and your eager neighbors look to you for a continuous manifestation of the good cheer, the sympathy, the ready wit, the comradeship, or the inspiration, you once showed yourself capable of. Bear figs for a season or two, and the world outside the orchard is very unwilling you should bear thistles.

Still must the poet as of old, In barren attic bleak and cold, Starve, freeze, and fashion verses to Such things as flowers and song and you; Still as of old his being give In Beauty's name, while she may live, Beauty that may not die as long As there are flowers and you and song.

For, as in the material world ye find that ye do not gather figs from thistles, neither in the mental world may one think hate and find love in one's bosom; neither in the spiritual realm may one entertain the desire for ego to express irrespective of others and find the beauty of the spiritual thinking life.

Alice reminded me of the woods: vast and beautiful and dark, but overgrown with defence mechanisms; thistles and hogweed, poisonous mushrooms and gnarled roots. Talking to her was like grabbing a fistful of nettles.

Some stories last many centuries, others only a moment. All alter over that lifetime like beach-glass, grow distant and more beautiful with salt. Yet even today, to look at a tree and ask the story Who are you? is to be transformed. There is a stage in us where each being, each thing, is a mirror. Then the bees of self pour from the hive-door, ravenous to enter the sweetness of flowering nettles and thistle. Next comes the ringing a stone or violin or empty bucket gives off -- the immeasurable's continuous singing, before it goes back into story and feeling. In Borneo, there are palm trees that walk on their high roots. Slowly, with effort, they lift one leg then another. I would like to join that stilted transmigration, to feel my own skin vertical as theirs: an ant-road, a highway for beetles. I would like not minding, whatever travels my heart. To follow it all the way into leaf-form, bark-furl, root-touch, and then keep walking, unimaginably further.

So long as Colin shut himself up in his room and thought only of his fears and weakness and his detestation of people who looked at him and reflected hourly on humps and early death, he was a hysterical half-crazy little hypochondriac who knew nothing of the sunshine and the spring and also did not know that he could get well and could stand upon his feet if he tried to do it. When new beautiful thoughts began to push out the old hideous ones, life began to come back to him, his blood ran healthily through his veins and strength poured into him like a flood. His scientific experiment was quite practical and simple and there was nothing weird about it at all. Much more surprising things can happen to any one who, when a disagreeable or discouraged thought comes into his mind, just has the sense to remember in time and push it out by putting in an agreeable determinedly courageous one. Two things cannot be in one place. "Where, you tend a rose, my lad, A thistle cannot grow.

He held a beautiful bouquet of mixed wildflowers and offered them to her. "They missed you." He brushed a kiss on her lips. "Just like me.

Pain told in our small time becomes a windswept seed to providently tend, and less a thistle snared deep between each breath.

The path remained steady for a time before dwindling down to dusty silt. The sky opened above as trees fell away on either side. To their right, the land dipped down into a tiny, almost impossibly beautiful valley. A stream ran through its lowest point, its bank lined in pink lupine. Before that, tall, dark green grass sparkled with white flashes in the sunlight. Late season dandelions and breathy, tiny white flowers on slender stems were avoided by bees, while purple thistles and asters thronged with them. "I could do with a little bit of a break," she said, looking longingly at the soft, moss-covered braes above the tinkling water. The prince made a big show of cautiously surveying the scene. Aurora Rose hid a smile. Nothing seemed harmful. "All right," he finally said. "My face could definitely do with a wash. Feels all dusty." They stepped down into the quiet valley that smelled like all of summer crushed into a single flower.

A charm of Goldfinches swooped in and settled on a stand of thistles, pecking at the down. It was a scene Jejeune had seen a thousand times on calendar pages, one of the most picturesque in nature. It still gave him a frisson of delight and he paused for a moment before speaking. p. 147

Just think! The only reason the world knows anything about them [Jesus’ Apostles] is because having met the Savior, they made Him their guide in life. If they hadn’t, nobody now would know that such men had ever lived. They would have lived and died and been forgotten just as thousands of other men in their day lived and died and nobody knows or cares anything about them; just as thousands and thousands are living today, wasting their time and energy in useless living, choosing the wrong kind of men for their ideals, turning their footsteps into the road of Pleasure and Indulgence instead of the road of Service. Soon they will reach the end of their journey in life, and nobody can say that the world is any better for their having lived in it. At the close of each day such men leave their pathway as barren as they found it—they plant no trees to give shade to others, nor rose-bushes to make the world sweeter and brighter to those who follow—no kind deeds, no noble service—just a barren, unfruitful, desert-like pathway, strewn, perhaps, with thorns and thistles. Not so with the disciples who chose Jesus for their Guide. Their lives are like gardens of roses from which the world may pluck beautiful flowers forever.

When new beautiful thoughts begin to push out the old hideous ones, life begins to come back... Much more surprising things can happen to anyone who, when a disagreeable or discouraged thought comes into his mind, just has the sense to remember in time and push it out by putting in an agreeable, determinedly courageous one. Two things cannot be in one place: 'Where you tend a rose, my lad, A thistle cannot grow.

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

The tailor sidled forward, his long, multi-joined fingers caressing the dress form closest to me. "Ah, yes," he said. "Beautiful, isn't it? The color of storms and oceans, or so we've been told. This dress," he continued, "belonged to Magdalena. She was beautiful- the way you mortals reckon, anyhow- beautiful, but stupid. Oh ho, we had fun with this one, we did, but we used her up too soon. Her fire died, leaving us cold and dark." The dress form beneath the gown was tall and well-formed, the bosom and hips generous, the waist tiny. The dress, a robe à la française, was made from a deep, jewel-toned blue silk, and I could imagine the dramatic coloring of the woman who had worn it: pale skin, dark hair, and blue eyes to match her gown. A breathless beauty, a glittering jewel, and I imagined the Goblin King partaking of her loveliness over and over again, biting the sweet peaches of her cheeks until she was gone. "And this one," Thistle chimed in, pointing to another dress form, "belonged to Maria Emmanuel. Prissy, she was. Refused to do her duty by her lord. She was consecrated to someone else- a carpenter? Something like that. Don't know what the king saw in her, but they were both possessed of a strange devotion to a figure nailed to a wooden cross. She lasted the longest, this prudish nun, not having given herself to king and land, and during her rule, our kingdom suffered. Yet she lasted the longest for that, although she too died in the end, pining for the world above she could see but not touch." This dress form was slim, the gown that hung on it made of an austere gray wool. I could imagine the woman who wore this dress- a pious creature, veiled like a bride of Christ. No beauty, but her eyes would be a clear, luminous gray, shining with the fervor of her passion and faith. Not like Magdalena, whose loveliness would have been carnal and earthly; Maria Emmanuel would have glowed with an inner light, the beauty of a saint or a martyr. The Goblin King was a man of varied tastes, it seemed.

To The Lilies among Thistles, Just like a lily, a beautiful life does not just happen overnight. It is built daily through informed choices, commitment, faith and prayer. The journey towards becoming A Proverbs 31 Lady cannot therefore be taken lightly. It is a difficult, challenging journey filled with both laughter and tears, but a fulfilling one as you will soon find out. If you commit to becoming this woman just one day at a time, it will change not just your relationships but also your whole life.Consider it as a challenge, from one virtuous woman to the other.

Milk Thistle teaches guerilla warfare. Adaptogen milagrosa, Milk Thistle works with what is here, the yellow layers of toxins, the charcoal grit, the green bile slow as crude oil pooling in the liver's reservoirs, waiting to learn to flow. Milk Thistle says take what you are and use it. She's a junkyard artist, crafting beauty out of the broken. She's a magician, melting scar tissue into silk. She's a miner, fingering greasy lumps of river clay for emeralds. She can enter the damaged cells of your life and recreate your liver from a memory of health. She can pass her hands over this torn and stained tapestry of memory and show us beauty, make the threads gleam with the promise of something precious gained. She will not flinch from anything you have done to keep yourself alive. Give it to me, she will say. I will make it into something new. She will show you your courage, hammered to a dappled sheen by use. She will remind you that you took yourself over and over to the edge of what you knew. She will remind you that the world placed limits on your powers. That you were not omnipotent. That some of the choices you made were not choices. Use what you are, she says again and again, insistent. You are every step of your journey, you are everything that has touched you, you are organic and unexpected. Use what you are.

She brushed against him, then her cheeks flushed pink. Beneath the sunlight, with the grasses of the glen waving around her, cradling her lush curves, Lady Honor's beauty amazed him.

CORPUS CHRISTI Oh God! Yesterday when I returned of bloom, i read in the eyes of a different woman, hat the galaxies dissipate with the rapidity of a serpent towards the interior of every grain of sand. How can you allow that, God! I just wanted enjoy in my long hair of the summer swallows. And from your slight sources in the thistles .. Now, each grain of sand gets excited with your beauty ... Now, the news of enlightenment It will spread to all corners of my party dress! Now, who but my mother, will be able to embrace me when I faint of love in your presence ... like a galaxy?

We see the mortal form of the immortal healer climbing along the jutting cornice of some cliff, in search for the simples of life; and as the zephyrs waft his long ashen locks around his furrowed brow, his trembling hand clutches some rugged crag, more perhaps from joy than fear. And so, as we now open the works of Aleister Crowley, we are filled with an exhilarating chain of pangs; mortal-like we are never sated, and as our lips taste the nectar of true poetry we tremblingly clutch the crags of Parnassus in search for the Asphodel of Love, Wisdom, and Beauty. Here, as we turn some beetling height, the dying rays of the Swinburnian sun sink, those rays that ruffled the vestal purity of the clouds to the rosy blush of a lover’s kiss, and in the departing light we again find the mystic Trinity midst the hellebore and thistles of existence, enthroned, eternal. The sun sinks, and the last notes of the nightingale die into the stillness of falling night. The emerald sky like the robe of some car-borne Astarté, slashed with an infinite orange and red, fades into the sombre garment of night; and above silently breaks a primal sea gemmed with all the colours of the opal, deepening into a limitless amethyst, darkens, and the sun goes out. The spangled pall of Night is drawn, and the lull of death is o’er us; but no, hark! the distant boom of a beetle is carried across the still glowing welkin, it is the signal drum announcing the marriage of Night and Day. The crescent moon rises, diaphanous and fair, and the world wakes to a chant.

And I always was the very worst sucker for a beautifully sculpted forearm.

My grandfather seemed to have found a way to endure it through enjoying the wild things around him, and in taking pride at doing things right. He seemed to be saying to me: learn to see the beauty in mowing thistles, learn to enjoy the skill of the scythe, learn to tell stories or make people laugh so that even the toughest working days won’t break you.

Dreaming Of Hair" Ivy ties the cellar door in autumn, in summer morning glory wraps the ribs of a mouse. Love binds me to the one whose hair I've found in my mouth, whose sleeping head I kiss, wondering is it death? beauty? this dark star spreading in every direction from the crown of her head. My love's hair is autumn hair, there the sun ripens. My fingers harvest the dark vegtable of her body. In the morning I remove it from my tongue and sleep again. Hair spills through my dream, sprouts from my stomach, thickens my heart, and tangles from the brain. Hair ties the tongue dumb. Hair ascends the tree of my childhood--the willow I climbed one bare foot and hand at a time, feeling the knuckles of the gnarled tree, hearing my father plead from his window, _Don't fall!_ In my dream I fly past summers and moths, to the thistle caught in my mother's hair, the purple one I touched and bled for, to myself at three, sleeping beside her, waking with her hair in my mouth. Along a slippery twine of her black hair my mother ties ko-tze knots for me: fish and lion heads, chrysanthemum buds, the heads of Chinamen, black-haired and frowning. Li-En, my brother, frowns when he sleeps. I push back his hair, stroke his brow. His hairline is our father's, three peaks pointing down. What sprouts from the body and touches the body? What filters sunlight and drinks moonlight? Where have I misplaced my heart? What stops wheels and great machines? What tangles in the bough and snaps the loom? Out of the grave my father's hair bursts. A strand pierces my left sole, shoots up bone, past ribs, to the broken heart it stiches, then down, swirling in the stomach, in the groin, and down, through the right foot. What binds me to this earth? What remembers the dead and grows towards them? I'm tired of thinking. I long to taste the world with a kiss. I long to fly into hair with kisses and weeping, remembering an afternoon when, kissing my sleeping father, I saw for the first time behind the thick swirl of his black hair, the mole of wisdom, a lone planet spinning slowly. Sometimes my love is melancholy and I hold her head in my hands. Sometimes I recall our hair grows after death. Then, I must grab handfuls of her hair, and, I tell you, there are apples, walnuts, ships sailing, ships docking, and men taking off their boots, their hearts breaking, not knowing which they love more, the water, or their women's hair, sprouting from the head, rushing toward the feet.

We dare not be original; our American Pine must be cut to the trim pattern of the English Yew, though the Pine bleed at every clip. This poet tunes his lyre at the harp of Goethe, Milton, Pope, or Tennyson. His songs might better be sung on the Rhine than the Kennebec. They are not American in form or feeling; they have not the breath of our air; the smell of our ground is not in them. Hence our poet seems cold and poor. He loves the old mythology; talks about Pluto—the Greek devil,—— the Fates and Furies—witches of old time in Greece,—-but would blush to use our mythology, or breathe the name in verse of our Devil, or our own Witches, lest he should be thought to believe what he wrote. The mother and sisters, who with many a pinch and pain sent the hopeful boyto college, must turn over the Classical Dictionary before they can find out what the youth would be at in his rhymes. Our Poet is not deep enough to see that Aphrodite came from the ordinary waters, that Homer only hitched into rhythm and furnished the accomplishment of verse to street talk, nursery tales, and old men’s gossip, in the Ionian towns; he thinks what is common is unclean. So he sings of Corinth and Athens, which he never saw, but has not a word to say of Boston, and Fall River, and Baltimore, and New York, which are just as meet for song. He raves of Thermopylae and Marathon, with never a word for Lexington and Bunkerhill, for Cowpens, and Lundy’s Lane, and Bemis’s Heights. He loves to tell of the Ilyssus, of “ smooth sliding Mincius, crowned with vocal reeds,” yet sings not of the Petapsco, the Susquehannah, the Aroostook, and the Willimantick. He prates of the narcissus, and the daisy, never of American dandelions andbue-eyed grass; he dwells on the lark and the nightingale, but has not a thought for the brown thrasher and the bobolink, who every morning in June rain down such showers of melody on his affected head. What a lesson Burns teaches us addressing his “rough bur thistle,” his daisy, “wee crimson tippit thing,” and finding marvellous poetry in the mouse whose nest his plough turned over! Nay, how beautifully has even our sweet Poet sung of our own Green river, our waterfowl,of the blue and fringed gentian, the glory of autumnal days.

Black-Eyed Susans, Cosmos, Globe Amaranth, Phlox, Daylilies, and Shasta Daisies Daylilies, Taro, Coneflower, Black-Eyed Susan, Yarrow, and Lavender Global Thistle, Silver Sage, Columbine, and Bee Balm Tulips, Daffodils, Hosta, Grape Hyacinth, and Asters

Things in life can hurt us; circumstances we wouldn’t wish on anyone. They cause us to say with the Apostle Paul, “our bodies had no rest, but we were afflicted at every turn—fighting without and fear within” (2 Cor. 7:5). Within a community of shrieking circumstances survivors howl with rationality. A voice was heard in Ramah, weeping and loud lamentation, Rachel weeping for her children; she refused to be comforted, because they are no more. (Matt. 2:18) Even the beauty of wonder like childbirth can originate words that can’t get out of bed, words such as “post-partum.” “Who is there of our race that is quite free from sorrows?” Charles asks us. “Search the whole earth through, and everywhere the thorn and thistle will be found.”2

I couldn’t see any remnant of the beautiful boy I’d made Callie with. His insides were finally becoming his outsides.

An ugly flower is still worth more than a beautiful thistle.

A beautiful flower is worth more than an ugly thistle.

I suppose I had not been particularly subtle. For the first time, I had taken care with my appearance; after the encounter by the Underground lake, I had forced Twig and Thistle to take me to the tailor to stitch me a new gown. To stitch me some armor. I had had the tailor modify a gown made of a beautiful cream and gold silk taffeta. It was fashioned like a chemise, the skirt gathered beneath what little bosom I had before flowing out behind me in a train. The entire construction was held together by diaphanous straps at my shoulders, leaving my arms bare. Diamonds were craftily sewn into the bodice- hundreds, thousands, a myriad- twinkling like stars in a night sky. Twig and Thistle arranged my hair into a coronet of braids about my head, fitted with more little diamonds that sparkled brightly against my dark locks.

The sun struck off the water with brilliant glints, while tiny black beetles crawled along stalks of spiny gorse. The pungency of sun-warmed thistle and marsh marigold mingled with the fecund smell of the river. Numbly she stared at the water, tracking the progress of a crested grebe as it paddled by industriously with a slimy clump of weed clamped in its beak.