Beautiful Islamic Quotes

I challenge anyone to understand Islam, its spirit, and not to love it. It is a beautiful religion of brotherhood and devotion.

When you see a person who has been given more than you in money and beauty, then look to those who have been given less.

Who are your favorite heroines in real life? The women of Afghanistan, Iraq, and Iran who risk their lives and their beauty to defy the foulness of theocracy. Ayaan Hirsi Ali and Azar Nafisi as their ideal feminine model.

Pakistan not only means freedom and independence but the Muslim Ideology which has to be preserved, which has come to us as a precious gift and treasure and which, we hope other will share with us.

People who worry that nuclear weaponry will one day fall in the hands of the Arabs, fail to realize that the Islamic bomb has been dropped already, it fell the day MUHAMMED (pbuh) was born.

With my veil I put my faith on display—rather than my beauty. My value as a human is defined by my relationship with God, not by my looks. I cover the irrelevant. And when you look at me, you don’t see a body. You view me only for what I am: a servant of my Creator. You see, as a Muslim woman, I’ve been liberated from a silent kind of bondage. I don’t answer to the slaves of God on earth. I answer to their King.

Words have power, which is why Imam Ali says, “Speak only when your words are more beautiful than the silence.” After all, everything in existence sprouted from the vibration of the divinely uttered word “Be! And it is” (36:82). So remember, your tongue is like a knife; it can either kill like the sword of a samurai or save like the scalpel of a surgeon.

Spend time beautifying your soul, the rest will simply follow.

You see, Islam is the only religion that gives both husband and wife a true understanding of what love is. The Western “love” concept, you take it apart, it really is lust. But love transcends just the physical. Love is disposition, behaviour, attitude, thoughts, likes, dislikes - these things make a beautiful woman, a beautiful wife. This is the beauty that never fades. You find in your Western civilisation that when a man’s wife’s physical beauty fails, she loses her attraction. But Islam teaches us to look into the woman, and teaches her to look into us.

It occurs to me to wonder: do I believe in any god, or even positively not believe, as James does? I believe in systems and methods. I believe in the beauties of philosophy and poetry. I believe that the work we do and leave behind us is our afterlife; and I believe that history lies, but sometimes so well that I can't bring myself to resent it. I believe that truth is beauty, but not, I'm afraid, the reverse. It doesn't seem sufficient to sustain one in life's rigorous moments. Perhaps I shall embrace Islam. Its standards for poetry seem very high.

Forty is a most beautiful age for both men and women. Did you know that in mystic thought forty symbolizes the ascent from one level to a higher one and spiritual awakening? When we mourn we mourn for forty days. When a baby is born it takes forty days for him to get ready to start life on earth. And when we are in love we need to wait for forty days to be sure of our feelings. The Flood of Noah lasted forty days, and while the waters destroyed life, they also washed all impurity away and enabled human beings to make a new, fresh start. In Islamic mysticism there are forty degrees between man and God. Likewise, there are four basic stages of consciousness and ten degrees in each, making forty levels in total. Jesus went into the wilderness for forty days and nights. Muhammad was forty years old when he received the call to become a prophet. Buddha meditated under a linden tree for forty days. Not to mention the forty rules of Shams. You receive a new mission at forty, a new lease on life! You have reached a most auspicious number. Congratulations! And don’t worry about getting old. There are no wrinkles or gray hair strong enough to defy the power of forty!

What is it about Islam, I thought, that can make a woman so strong that she no longer strives to be noticed by men, no longer needs the admiring gaze to feel attractive, no longer puts herself on display when the rest of the world is doing just that?

Beauty is at once a royal path to God and an impediment to reaching God if it is taken as a god in itself.

Submission, when it is submission to the truth — and when the truth is known to be both beautiful and merciful — has nothing in common with fatalism or stoicism as these terms are understood in the Western tradition, because its motivation is different. According to Fakhr ad-Din ar-RazT, one of the great commentators upon the Quran: The worship of the eyes is weeping, the worship of the ears is listening, the worship of the tongue is praise, the worship of the hands is giving, the worship of the body is effort, the worship of the heart is fear and hope, and the worship of the spirit is surrender and satisfaction in Allah.

When Allah (swt) decrees that a door in your life is to be opened, no matter how hard you try to close it, no matter how far you run away from it, it will remain open until you walk through. When Allah (swt) decrees that a door is to be closed, no matter how many times you knock on that door, try to break it down, or cry on your knees in front of it, begging it to open again, it will never be opened. Grieve in front of that closed door if you must. Stand there for a time and look at it. Hold your hands over your heart and press down to calm it's quickened pained rhythm. Then know- know beyond the shadow of a doubt, know in your heart of hearts- that when you trust Allah and move forward, he will open a more beautiful door for you. You will walk through it and perhaps you will even praise him for having closed the past door you loved so much. He is Al-Fattah, the Opener. May the doors He opens for us always lead us back to him.

The human being is not a fallen being in need of redemption but rather a forgetful being who must be reminded of God and his own nature.

And beautiful, and there the sea I found Calm as a cradled child in dreamless slumber bound.

From my insufficiency to my perfection, and from my deviation to my equilibrium From my sublimity to my beauty, and from my splendor to my majesty From my scattering to my gathering, and from my rejection to my communion From my baseness to my preciousness, and from my stones to my pearls From my rising to my setting, and from my days to my nights From my luminosity to my darkness, and from my guidance to my straying From my perigee to my apogee, and from the base of my lance to its tip From my waxing to my waning, and from the void of my moon to its crescent From my pursuit to my flight, and from my steed to my gazelle From my breeze to my boughs, and from my boughs to my shade From my shade to my delight, and from my delight to my torment From my torment to my likeness, and from my likeness to my impossibility From my impossibility to my validity, and from my validity to my deficiency. I am no one in existence but myself,

The extremists had declared jihad against anyone and anything that challenged their vision of a pure Islamic society, and these artifacts - treatises about logic, astrology, and medicine, paeans to music, poems idealizing romantic love - represented five hundred years of human joy. They celebrated the sensual and the secular, and they bore the explicit message that humanity, as well as God, was capable of creating beauty. They were monumentally subversive.

Behind all created beauty the mystic sees a witness to the source of eternal beauty – the ruby is the heart of the stone, which has been transformed into a priceless jewel through patience and shedding its blood...

Muslims need to wake up. They also need to start drinking wine, embrace any and all homoerotic tendencies, write some poetry and for the most part free themselves from the fundamentalist chains they have created (for themselves and everyone else!). The Muslim world will only be free when bars fill the streets and women show off their natural, feminine beauty. Muslims need to grow up and stop expecting everyone to be mindless sheep before a 1,400-year-old oral tradition. Nakedness will free Dar-el-Islam!

I challenge anyone to understand Islam, its spirit, and not to love it. It is a beautiful religion of brotherhood and devotion. The mosque was truly an open construction, to God and to breeze. We sat cross-legged listening to the imam until the time came to pray. Then the random pattern of sitters disappeared as we stood and arranged ourselves shoulder to shoulder in rows, every space ahead being filled by someone from behind until every line was solid and we were row after row of worshippers. It felt good to bring my forehead to the ground. Immediately it felt like a deeply religious contact.

Here is something I have learned the hard way, but which a lot of well-meaning people in the West have a hard time accepting: All human beings are equal, but all cultures and religions are not. A culture that celebrates femininity and considers women to be the masters of their own lives is better than a culture that mutilates girls’ genitals and confines them behind walls and veils or flogs or stones them for falling in love. A culture that protects women’s rights by law is better than a culture in which a man can lawfully have four wives at once and women are denied alimony and half their inheritance. A culture that appoints women to its supreme court is better than a culture that declares that the testimony of a woman is worth half that of a man. It is part of Muslim culture to oppress women and part of all tribal cultures to institutionalize patronage, nepotism, and corruption. The culture of the Western Enlightenment is better. In the real world, equal respect for all cultures doesn’t translate into a rich mosaic of colorful and proud peoples interacting peacefully while maintaining a delightful diversity of food and craftwork. It translates into closed pockets of oppression, ignorance, and abuse. Many people genuinely feel pain at the thought of the death of whole cultures. I see this all the time. They ask, “Is there nothing beautiful in these cultures? Is there nothing beautiful in Islam?” There is beautiful architecture, yes, and encouragement of charity, yes, but Islam is built on sexual inequality and on the surrender of individual responsibility and choice. This is not just ugly; it is monstrous.

Can I aske forgiveness for someone else, someone whose already dead? Yes, you can. Of course you can. And you can give charity in their name and you can recite the Qur'an for their sake. All these things will reach them, your prayers will ease the hardship and loneliness of their grave or it will reach them in bright, beautiful gifts. Gifts to unwrap and enjoy and they will know that this gift is from you.

What it is about Islam, I thought, that can make a woman so strong that she no longer strives to be noticed by men, no longer needs the admiring gaze to feel attractive, no longer puts herself on display when the rest of the world is doing just that?

The force that played havoc with the cortisol in my blood was the same force that helped my body recover; if I felt better one day and worse the next, it was unchanged. It chose no side. It gave the girl next to me in the hospital pneumonia; it also gave her white blood cells that would resist the infection. And the atoms in those cells, and the nuclei in those atoms, the same bits of carbon that were being spun into new planets in some corner of space without a name. My insignificance had become unspeakably beautiful to me. That unified force was a god too massive, too inhuman, to resist with the atheism in which I had been brought up. I became a zealot without a religion.

God delights in beauty, Islam teaches at its core, and is beauty. Beauty is in creation, not destruction, and in balance. It is in the human intellect and the human heart and in their powers to apply sacred text towards creation and knowledge that edifies and enlivens.

Pain in the heart increases its beauty.

Love is cure, love is power,love is magic of changes,love is the mirror of divine beauty

Civilization is built by the artist, by the literary exponent, by the ability to generate beauty and music and new methods of expression.

But the most catastrophic display of misogyny in all religion lies at the very heart of Christianity—in the story of the Virgin Mary. That Jesus was born of a virgin is a fundamental narrative upon which all Christianity is based. It is one that is carried through to Islam, where the Quran holds Mary in great esteem. The implications of this have historically been devastating to women. ...Mary gave birth to Jesus Christ as a virgin, with no man ever having touched her. She is therefore described as pure, chaste, undefiled, innocent—being the product of an “immaculate conception” herself (as per Catholic doctrine), and now hosting God’s immaculate son in her unblemished womb. What does this mean for women who are touched by men? Are their conceptions corrupted? Are their characters and bodies now impure or unchaste? Have they been “defiled”? ...Was all of Mary’s beauty, sanctity, chastity, and innocence confined to her vagina? Fetishizing Mary’s virginity—as Christians and Muslims both do—is a sickness that directly leads to a dangerous, unnatural glamorization of celibacy and sexual repression.” Excerpt From: Ali A. Rizvi. “The Atheist Muslim.” iBooks.

Festivals and fasts are unhinged, traveling backward at a rate of ten days per year, attached to no season. Even Laylat ul Qadr, the holiest night in Ramadan, drifts--its precise date is unknown. The iconclasm laid down by Muhammed was absolute: you must resist attachment not only to painted images, but to natural ones. Ramadan, Muharram, the Eids; you associate no religious event with the tang of snow in the air, or spring thaw, or the advent of summer. God permeates these things--as the saying goes, Allah is beautiful, and He loves beauty--but they are transient. Forced to concentrate on the eternal, you begin to see, or think you see, the bones and sinews of the world beneath its seasonal flesh. The sun and moon become formidable clockwork. They are transient also, but hint at the dark planes that stretch beyond the earth in every direction, full of stars and dust, toward a retreating, incomprehensible edge

I wanted to change the system I grew in; hated it so much. A system of the people (some selected people) made and govern by the people (some selected people), for the people (some selected people).

„God is beautiful and He loves beauty. When you are true in your relationship with God, you take on that beauty in you. You become virtuous, just and balanced. Everything you do is graceful and beautiful. Every thought you think, every word you say and every action you take. Anything you weave, make, carve or cook with your hands, it all becomes beautiful.

If you ask today what art is, what its function is, what the meaning of art is and why one should create art, the answer given oftentimes by Western philosophers of art and those who special- ize in modern aesthetics is ‘‘art for art’s sake.’’ The modern response is that you just create art for the sake of art; but this was never the answer of traditional civilizations where one created art for both the sake of attainment of inner perfection and for human need in the deepest sense—because the needs of man are not only physical, they are also spiritual. We are as much in need of beauty as of the air that we breathe.

[…] I began to see Algiers as one of the most fascinating and dramatic places on earth. In the small space of this beautiful but congested city intersected two great conflicts of the contemporary world. The first was the one between Christianity and Islam (expressed here in the clash between colonizing France and colonized Algeria). The second, which acquired a sharpness of focus immediately after the independence and departure of the French, was a conflict at the very heart of Islam, between its open, dialectical — I would even say “Mediterranean” — current and its other, inward-looking one, born of a sense of uncertainty and confusion vis-à-vis the contemporary world, guided by fundamentalists who take advantage of modern technology and organizational principles yet at the same time deem the defense of faith and custom against modernity as the condition of their own existence, their sole identity. […] In Algiers one speaks simply of the existence of two varieties of Islam — one, which is called the Islam of the desert, and a second, which is defined as the Islam of the river (or of the sea). The first is the religion practiced by warlike nomadic tribes struggling to survive in one of the world's most hostile environments, the Sahara. The second Islam is the faith of merchants, itinerant peddlers, people of the road and of the bazaar, for whom openness, compromise, and exchange are not only beneficial to trade, but necessary to life itself.

My mother, my grandmother and my great-grandmother all told me it was right, that without it a woman wouldn’t be able to control herself, that she would end up a prostitute,” said Aset, a beautiful twenty-eight-year-old whose own genitals had been mutilated when she was about seven years old.

The Now is also central to the teaching of Sufism, the mystical branch of Islam. Sufis have a saying: “The Sufi is the son of time present.” And Rumi, the great poet and teacher of Sufism, declares: “Past and future veil God from our sight; burn up both of them with fire.” Meister Eckhart, the thirteenth-century spiritual teacher, summed it all up beautifully: “Time is what keeps the light from reaching us. There is no greater obstacle to God than time.

When man penetrates the mysteries of Nature, the "facts of Nature" become transparent symbols, revealing the "divine energies" and the "angelic" state which fallen man has lost, and which he may recover only for a moment, as when he is enraptured by the beauty of music or of a lovely face. At such moments man forgets his limited self, his individualistic dream, and participates in the cosmic dream, thus becoming freed from the prison of his own carnal soul.

I do have a strong faith in humanity that the day will come when good Muslims will stand up collectively against bad Muslims and say, "That is not Islam", and good Christians will stand up against bad Christians and say, "That is not how Christ would behave", and good Jews will take a stand against bad Jews and say, "That is not true Judaism", and good Hindus, Buddhists and Sikhs will stand up against bad Hindus, Buddhists and Sikhs and do the same — and so on. The day will come when the genuinely 'Truthful and Beautiful' will stand up against the 'Untruthful and Ugly', and the conscience will overpower the ego, and substance will reign over the superficial. This day will come before my generation is buried 6 feet deep, but not before the storm passes, and not before all races and religions of the world recognize that we all share a common enemy, and that the sum of us all is ONE. This day will come. I promise it will come. But it starts now with me, you and everyone. And do remember, dark clouds always eventually scatter after every storm to make way for the majestic rays of the beautiful sun. There is hope over the horizon. Truth always rises with Time.

O Woman - Allah has made you the Queen of Piety and Modesty, Don't belittle yourself to be the slave of unlawful admiration and mortal fame & fortune.

I challenge anyone to understand Islam, its spirit, and not to love it. It is a beautiful religion of brotherhood and devotion.

Soar on to the King, the crown jewel, And then you'll truly see That nothing is as beautiful As His grand Majesty.

I've always believed that Islam on its own is beautiful. Islam in the hands of people who are determined to tear others down---not as beautiful. It's the same way with any culture, any religion. There will always be people who carry out beliefs without stopping to think of the meaning behind them, who follow without question, who don't think about who they might hurt in the process." (67)

Israel is beautiful. Israel is vibrant. But Israel isn't clean -- far from it. Israel is sin, redemption, passion and blood. ... At its very foundation, Israel is the story of God's interaction with mankind.

This was before the importance of set and setting was understood. I was brought to a basement room, given an injection, and left alone.” A recipe for a bad trip, surely, but Richards had precisely the opposite experience. “I felt immersed in this incredibly detailed imagery that looked like Islamic architecture, with Arabic script, about which I knew nothing. And then I somehow became these exquisitely intricate patterns, losing my usual identity. And all I can say is that the eternal brilliance of mystical consciousness manifested itself. My awareness was flooded with love, beauty, and peace beyond anything I ever had known or imagined to be possible. ‘Awe,’ ‘glory,’ and ‘gratitude’ were the only words that remained relevant.” Descriptions of such experiences always sound a little thin, at least when compared with the emotional impact people are trying to convey; for a life-transforming event, the words can seem paltry. When I mentioned this to Richards, he smiled. “You have to imagine a caveman transported into the middle of Manhattan. He sees buses, cell phones, skyscrapers, airplanes. Then zap him back to his cave. What does he say about the experience? ‘It was big, it was impressive, it was loud.’ He doesn’t have the vocabulary for ‘skyscraper,’ ‘elevator,’ ‘cell phone.’ Maybe he has an intuitive sense there was some sort of significance or order to the scene. But there are words we need that don’t yet exist. We’ve got five crayons when we need fifty thousand different shades.” In

By AD 800, so redeemed was Arabic from the contempt in which it had once been held that its sound had come to rank as the very music of power, and its cursives as things of pure beauty, refined to a rare and exquisite perfection by the art of its calligraphers. Among the Arabs, the written word was on the verge of becoming a mania. One scholar, when he died in 822, left behind him a library that filled a whole six hundred trunks.

Life is an unforgettable journey. A journey where you plan things but the timings are planned by someone else. A journey where you set the goals but the day you achieve them are planned by the best of the planners. So we need to keep our dreams and passion alive. If they stay alive one day we will get them in the best of ways. Then when we will look back and search it will be revealed that every stupid move was a step forward, every tough time was a preparation and every delay was an attempt to fine tune the results.

On behalf of those you killed, imprisoned, tortured, you are not welcome, Erdogan! No, Erdogan, you’re not welcome in Algeria. We are a country which has already paid its price of blood and tears to those who wanted to impose their caliphate on us, those who put their ideas before our bodies, those who took our children hostage and who attempted to kill our hopes for a better future. The notorious family that claims to act in the name of the God and religion—you’re a member of it—you fund it, you support it, you desire to become its international leader. Islamism is your livelihood Islamism, which is your livelihood, is our misfortune. We will not forget about it, and you are a reminder of it today. You offer your shadow and your wings to those who work to make our country kneel down before your “Sublime Door.” You embody and represent what we loathe. You hate freedom, the free spirit. But you love parades. You use religion for business. You dream of a caliphate and hope to return to our lands. But you do it behind the closed doors, by supporting Islamist parties, by offering gifts through your companies, by infiltrating the life of the community, by controlling the mosques. These are the old methods of your “Muslim Brothers” in this country, who used to show us God’s Heaven with one hand while digging our graves with the other. No, Mr. Erdogan, you are not a man of help; you do not fight for freedom or principles; you do not defend the right of peoples to self-determination. You know only how to subject the Kurds to the fires of death; you know only how to subject your opponents to your dictatorship. You cry with the victims in the Middle East, yet sign contracts with their executioners. You do not dream of a dignified future for us, but of a caliphate for yourself. We are aware of your institutionalized persecution, your list of Turks to track down, your sinister prisons filled with the innocent, your dictatorial justice palaces, your insolence and boastful nature. You do not dream of a humanity that shares common values and principles, but are interested only in the remaking of the Ottoman Empire and its bloodthirsty warlords. Islam, for you, is a footstool; God is a business sign; modernity is an enemy; Palestine is a showcase; and local Islamists are your stunned courtesans. Humanity will not remember you with good deeds Humanity will remember you for your machinations, your secret coups d’état, and your manhunts. History will remember you for your bombings, your vengeful wars, and your inability to engage in constructive dialogue with others. The UN vote for Al-Quds is only an instrument in your service. Let us laugh at this with the Palestinians. We know that the Palestinian issue is your political capital, as it is for many others. You know well how to make a political fortune by exploiting others’ emotions. In Algeria, we suffered, and still suffer, from those who pretend to be God and act as takers and givers of life. They applaud your coming, but not us. You are the idol of Algerian Islamists and Populists, those who are unable to imagine a political structure beyond a caliphate for Muslim-majority societies. We aspire to become a country of freedom and dignity. This is not your ambition, nor your virtue. You are an illusion You have made beautiful Turkey an open prison and a bazaar for your business and loved ones. I hope that this beautiful nation rises above your ambitions. I hope that justice will be restored and flourish there once again, at least for those who have been imprisoned, tortured, bombed, and killed. You are an illusion, Erdogan—you know it and we know it. You play on the history of our humiliation, on our emotions, on our beliefs, and introduce yourself as a savior. However, you are a gravedigger, both for your own country and for your neighbors. Turkey is a political miracle, but it owes you nothing. The best thing you can do

The God who made the stars, the seas, the mountains and its peaks, the universe and its galaxies felt this world would be incomplete without you and without me. Do you see how you are a puzzle piece in the whole—how without you here, there would be a hole? Your body is not just a clay tent that you live in, it’s a piece of the universe you have been given. You are not a small star, you are a reflection of the entire cosmos. Can you hear the big bang in your heart? Eighty times a minute God knocks on the doors of your chest, to remind you that He has never left, and that He is closer to you than the jugular vein in your neck (50:16). Every moment is divinely blessed, for this very moment God is blowing the breath of life through eight billion different human chests. You are not just star dust and dirt, you are a reflection of God’s beauty on Earth. You are not this mortal body that death will one day take. You are an everlasting spirit held in the mortal embrace of clay. You are not a human being meant to be spiritual, you are a spiritual being living this human being miracle.” ARU BARZAK, POET

Yet the freedom of the artist, the pure beauty of nature, and the liberty of each of us to live our lives as we choose are still under threat—and despite all our progress, this threat may be greater now than in many years. The slave religions have used the weapons of fear, guilt, superstition, greed, terror and paranoia to achieve significant gains in political, ideological, and cultural power during recent decades, notably in the forms of militant Islamic fundamentalism and Christian dominionism. It takes strength to stand in defense of beauty, truth and freedom, and strength requires unity. Even while we celebrate our diversity and individuality with justified exuberance, it is critical that we remember those principles we hold in common, and those things we owe to each other as brothers and sisters of this, our Holy Order.

Attar knew—like Sana'i and Rumi—that this constant movement is not peculiar to the human soul; it goes through the whole created world (U 63). Endless periods of development are necessary before the one beautiful flower, the one Perfect Man, can come into existence—periods marked by the death and annihilation of hundreds of thousands of lower existences, which, in turn, may one day reach the state from which their upward movement can start (cf. MT 234), for Everyone's journey is toward his perfection— Everyone's proximity is according to his "state." (MT 232)

One thing about Islam is that paradise always beckons. Life is oriented toward the afterlife. Whatever pleasures you miss out on in this world, whatever comfort or richness or beauty is absent from your days and years, you will find it upon entering paradise, where pain, grit, and war disappear altogether.

The beauty of Islamic System is that in contrast to the current international judicial systems, it involves the victims or their heirs in the process of deciding the quantum of the punishment. The responsibility of the court is to examine the charges, decide the nature of the crime and the involvement of the accused persons and then announce the Maximum Permissible Punishment available under Islamic law. Following that, it is the right of the victims or their heirs to either allow the maximum punishment or to reduce or pardon it, in return or not of an adequate compensation, to be decided through mutual understanding.

On the Churchgate train, past Charni Road station as it sees the sea, past the gymkhanas—Islam, Catholic, Hindu, Parsi—as the shacks fade away, Bombay becomes a different city, an earlier city, a beautiful city. All of a sudden there is the blue sky and the clear water of Marine Drive, and everybody looks toward the bay and starts breathing.

The universe and the events in it are thus perfect examples to imitate. However, no matter how perfect the example is, everyone will draw and interpret objects according to their abilities. Charles Lako, commenting on aesthetics once said, that the magnificent scene at sunset would remind a farmer of the rather unaesthetic thought of dinner; the physicist, not of beauty or ugliness, but of the rightness or wrongness of the analysis of a matter. Thus, for Lalo, the sunset is beautiful only for those who are aware of beauty. Therefore, only those who see with God and hear with God can appreciate the beauty that spreads throughout existence as their senses are tuned to the spiritual realms.

God is beautiful and He loves beauty. When you are true in your relationship with God, you take on that beauty in you. You become virtuous, just and balanced. Everything you do is graceful and beautiful. Every thought you think, every word you say and every action you take. Anything you weave, make, carve or cook with your hands, it all becomes beautiful.

The onus is on us as a community to really put forward a different face for our religion, for our community, and for our Lord, and for our Prophet, peace be upon him, because it's really unacceptable that a religion with all of this beauty should be painted with such ugly strokes. So we're really here trying to paint a beautiful picture of our faith in action.

It was the beauty of the liturgy in St. Sophia that converted Russia to Orthodoxy after a fact-finding mission from Kiev in the tenth century experienced the service and reported back: “we knew not whether we were in Heaven or earth. For on earth there is no such splendour and beauty, and we are at a loss how to describe it. We only know that there God dwells among men.

The eye of the mystic who is enraptured in love sees traces of eternal beauty everywhere and listens to the mute eloquence of everything created. Whatever he mentions, his goal is the essence of the beloved—like Zulaykha, who, longing for Joseph's beauty, applied to him "the name of every thing, from rue-seed to aloes-wood." If she piled up a hundred thousand names— her meaning and intention was always Joseph. (M 6:4022-37)

I wrestled with myself in prayer, trying to force my mind to encounter God, but he remained a stern taskmaster who observed my every infringement of the Rule, or tantalizingly absent. The more I read about the raptures of the saints, the more of a failure I felt. I was unhappily aware that what little religious experience I had, had somehow been manufactured by myself as I worked upon my own feelings and imagination. Sometimes a sense of devotion was an aesthetic response to the beauty of the Gregorian chant and the liturgy. But nothing had actually happened to me from a source beyond myself. I never glimpsed the God described by the prophets and mystics. Jesus Christ, about whom we talked far more than about “God,” seemed a purely historical figure, inextricably embedded in late antiquity. I also began to have grave doubts about some of the doctrines of the Church. How could anybody possibly know for certain that the man Jesus had been God incarnate and what did such a belief mean?

The differences between religions are reflected very clearly in the different forms of sacred art: compared with Gothic art, above all in its “flamboyant” style, Islamic art is contemplative rather than volitive: it is “intellectual” and not “dramatic”, and it opposes the cold beauty of geometrical design to the mystical heroism of cathedrals. Islam is the perspective of “omnipresence” (“God is everywhere”), which coincides with that of “simultaneity” (“Truth has always been”); it aims at avoiding any “particularization” or “condensation”, any “unique fact” in time and space, although as a religion it necessarily includes an aspect of “unique fact”, without which it would be ineffective or even absurd. In other words Islam aims at what is “everywhere center”, and this is why, symbolically speaking, it replaces the cross with the cube or the woven fabric: it “decentralizes” and “universalizes” to the greatest possible extent, in the realm of art as in that of doctrine; it is opposed to any individualist mode and hence to any “personalist” mysticism. To express ourselves in geometrical terms, we could say that a point which seeks to be unique, and which thus becomes an absolute center, appears to Islam—in art as in theology—as a usurpation of the divine absoluteness and therefore as an “association” (shirk); there is only one single center, God, whence the prohibition against “centralizing” images, especially statues; even the Prophet, the human center of the tradition, has no right to a “Christic uniqueness” and is “decentralized” by the series of other Prophets; the same is true of Islam—or the Koran—which is similarly integrated in a universal “fabric” and a cosmic “rhythm”, having been preceded by other religions—or other “Books”—which it merely restores. The Kaaba, center of the Muslim world, becomes space as soon as one is inside the building: the ritual direction of prayer is then projected toward the four cardinal points. If Christianity is like a central fire, Islam on the contrary resembles a blanket of snow, at once unifying and leveling and having its center everywhere.

Devotees of these two spiritual paths of experience—oneness and goodness—have been at odds for centuries. Proponents of the oneness path have insisted that the goal of spirituality is to reconnect with everlasting eternity. They yearn to taste the quintessence of their being, to transcend time and space, to be unified with the one. In the other camp, advocates of the goodness path have traditionally seen stark choices in the world. They believe we should choose love, compassion, beauty, truth, and altruism over hatred, fear, anger, judgment, and other opposites of goodness. To them, there are constructive forces in the world that are being challenged by destructive ones. Their goal has been to stand their ground and choose to be good above all else. Even with those apparent differences, both paths have found homes within each of the world’s religions. As noted earlier, Hinduism offers the oneness path of Yoga, Judaism offers Kabbalah, Islam offers Sufism, Christianity offers Mysticism, and so on. Whatever the arrangement, the two paths have historically found ways to co-exist.

But the importance of language in Islam went far beyond the production of a telling slogan. Eloquence, the sheer power of the word, as dictated by God and declaimed to all who would listen, played the first role in winning converts for Islam, leaving hearers no explanation for the beauty of Muhammad's words but divine inspiration. The classic example is 'Umar ibn al-Khattab, a contemporary of Muhammad and acknowledged authority on oral poetry, determined to oppose, perhaps even to assasinate, him. Exposed directly to the prophet's words, he could only cry out: 'How fine and noble this speech!' And he was converted.

The Muslim sees the Koran as the perfect and final revelation of Allah. Allah was the revealer, and Mohammed was the receptor. The very words were dictated to him. He, to them, is the last and the greatest prophet. The proof of his supremacy is the beauty of the Koran. It is the book that is considered to be the ultimate expression of perfection and the repository of truth. The difficulty here is manifold. How does one sustain that this written text is perfect? Let us consider just one troublesome aspect, the grammatical flaws that have been demonstrated. Ali Dashti, an Iranian author and a committed Muslim, commented that the errors in the Koran were so many that the grammatical rules had to be altered in order to fit the claim that the Koran was flawless. He gives numerous examples of these in his book, Twenty-Three Years: The Life of the Prophet Mohammed. (The only precaution he took before publishing this book was to direct that it be published posthumously.) A further problem facing the early compilers of the Koran was the number of variant readings of some of the important texts. Now, in recent times, scholars have begun to look at the Koran and have raised some very serious questions regarding its origin and compilation. This has sent many Islamic scholars scrambling for a response.5

For the first time in my life, I felt I could truly see through God’s eyes and feel what He felt. I could see the homeless and feel the sting of reproach in which they lived their lives. I could see my brother striving for acceptance and love from my father and feeling the pain of his constant rejection. I could see the popular girls at school and feel their emptiness and desire to have more than outward beauty. I could see creation—the flowers, the birds in the air, the smell of the morning dew—and feel the joy of my Father in heaven delighting in His creation. This compassion was definitely something I had never experienced before until my commitment to follow Christ.

People were patient with each other in the Grand Mosque, and communal—everyone washing his or her feet in the same fountain, with no shoving or prejudice. We were all Muslims in God’s house, and it was beautiful. It had a quality of timelessness. I think this is one reason Muslims believe that Islam means peace: because in a large, cool place full of kindness you do feel peaceful. But as soon as we left the mosque, Saudi Arabia meant intense heat and filth and cruelty. People had their heads cut off in public squares. Adults spoke of it. It was a normal, routine thing: after the Friday noon prayer you could go home for lunch, or you could go and watch the executions. Hands were cut off. Men were flogged. Women were stoned.

Yet my study of the history of religion has revealed that human beings are spiritual animals. Indeed, there is a case for arguing that Homo sapiens is also Homo religiosus. Men and women started to worship gods as soon as they became recognizably human; they created religions at the same time as they created works of art. This was not simply because they wanted to propitiate powerful forces; these early faiths expressed the wonder and mystery that seem always to have been an essential component of the human experience of this beautiful yet terrifying world. Like art, religion has been an attempt to find meaning and value in life, despite the suffering that flesh is heir to. Like any other human activity, religion can be abused, but it seems to have been something that we have always done.

Himmler left the Catholic Church in 1936, and as the war later raged he sometimes reflected on Islam’s supposed advantages in motivating soldiers. “Mohammed knew that most people are terribly cowardly and stupid,” he told Kersten in 1942. “That is why he promised every warrior who fights courageously and falls in battle two [ sic ] beautiful women. . . . You may call this primitive and laugh about it . . . but it is based on deeper wisdom. A religion must speak a man’s language.” These reflections have a crackpot quality, as did much of the rest of Himmler’s thinking about the spiritual world, which included an interest in mysticism and the occult. It is, of course, no reflection on the Islamic faith that Himmler read its sacred text so shallowly or that he subscribed to the hoary cliché about Islam’s supposed martial character.

On August 10, 1984, my plane landed in Kabul, the capital of Afghanistan. There were no skyscrapers here. The blue domes of the mosques and the faded mountains were the only things rising above the adobe duvals (the houses). The mosques came alive in the evening with multivoiced wailing: the mullahs were calling the faithful to evening prayer. It was such an unusual spectacle that, in the beginning, I used to leave the barracks to listen – the same way that, in Russia, on spring nights, people go outside to listen to the nightingales sing. For me, a nineteen-year-old boy who had lived his whole life in Leningrad, everything about Kabul was exotic: enormous skies – uncommonly starry – occasionally punctured by the blazing lines of tracers. And spread out before you, the mysterious Asian capital where strange people were bustling about like ants on an anthill: bearded men, faces darkend by the sun, in solid-colored wide cotton trousers and long shirts. Their modern jackets, worn over those outfits, looked completely unnatural. And women, hidden under plain dull garments that covered them from head to toe: only their hands visible, holding bulging shopping bags, and their feet, in worn-out shoes or sneakers, sticking out from under the hems. And somewhere between this odd city and the deep black southern sky, the wailing, beautifully incomprehensible songs of the mullahs. The sounds didn't contradict each other, but rather, in a polyphonic echo, melted away among the narrow streets. The only thing missing was Scheherazade with her tales of A Thousand and One Arabian Nights ... A few days later I saw my first missile attack on Kabul. This country was at war.

In short, an idea like Beauty has much in common with what many theists would call “God.” Yet despite its transcendence, the ideas were to be found within the mind of man. We moderns experience thinking as an activity, as something that we do. Plato envisaged it as something which happens to the mind: the objects of thought were realities that were active in the intellect of the man who contemplated them. Like Socrates, he saw thought as a process of recollection, an apprehension of something that we had always known but had forgotten. Because human beings were fallen divinities, the forms of the divine world were within them and could be “touched” by reason, which was not simply a rational or cerebral activity but an intuitive grasp of the eternal reality within us. This notion would greatly influence mystics in all three of the religions of historical monotheism.

At least since the first petals of the counterculture bloomed across Europe and the United States in the 1960s, it has been fashionable to affirm that all religions are beautiful and all are true. This claim, which reaches back to All Religions Are One (1795) by the English poet, printmaker, and prophet William Blake, is as odd as it is intriguing.¹ No one argues that different economic systems or political regimes are one and the same. Capitalism and socialism are so obviously at odds that their differences hardly bear mentioning. The same goes for democracy and monarchy. Yet scholars continue to claim that religious rivals such as Hinduism and Islam, Judaism and Christianity are, by some miracle of the imagination, essentially the same, and this view resounds in the echo chamber of popular culture, not least in Dan Brown's multi-million-dollar Da Vinci Code franchise.

The cure for hatred is straightforward. One should pray for the person toward whom he feels hatred; make specific supplication mentioning this person by name, asking God to give this person good things in this life and the next. When one does this with sincerity, hearts mend. If one truly wants to purify his or her heart and root out disease, there must be total sincerity and conviction that these cures are effective. Arguably, the disease of hatred is one of the most devastating forces in the world. But the force that is infinitely more powerful is love. Love is an attribute of God; hate is not. A name of God mentioned in the Quran is al-Wadud, the Loving one. Hate is the absence of love, and only through love can hatred be removed from the heart. In a profound and beautiful hadith, the Prophet said, "None of you has achieved faith until he loves for his brother what he loves for himself.

Islamic art in its many forms is of the greatest import for the understanding of the essence of Islam and a central means of transmitting its message to the contemporary world. When one thinks of Islam, one should go beyond the repetitive scenes on television of wars and battles, which unfortunately abound in today’s world, to behold the peace and harmony of Islamic art seen in the great mosques, traditional urban settings and gardens, and the rhythm and geometry of calligraphy and arabesque designs; read in the poems that sing of the love that permeates all of God’s creation and binds creatures to God; and heard in the strains of melodies that echo what we had experienced in that primordial morn preceding creation and our descent into this lowly world. Today more than ever before, the understanding of Islamic art is an indispensable key for the comprehension of Islam itself. Those who are sensitive to the language of traditional art and the beauty of a paradisal order that emanates from it as well as the intellectual principles conveyed through it can learn much from this art.

Social life was similarly affected by the teachings of the Koran. At a time when in Christian Europe an epidemic was regarded as a scourge of God to which man had but to submit meekly - at that time, and long before it, the Muslims followed the injunction of their Prophet which directed them to combat epidemics by segregating the infected towns and areas. And at a time when even the kings and nobles of Christendom regarding bathing as an almost indecent luxury, even the poorest of Muslim houses had at least one bathroom, while elaborate public baths were common in every Muslim city (in the ninth century, for instance, Córdoba had three hundred of them): and all this in response to the Prophet’s teaching that ‘Cleanliness is part of faith’. A Muslim did not come into conflict with the claims of spiritual life if he took pleasure in the beautiful things of material life, for, according to the Prophet, ‘God loves to see on His servants an evidence of His bounty’. In short, Islam gave a tremendous incentive to cultural achievements which constitute one of the proudest pages in the history of mankind; and it gave this incentive by saying Yes to the intellect and No to obscurantism, Yes to action and no to quietism, Yes to life and No to ascetism. Little wonder, then, that as soon as it emerged beyond the confines of Arabia, Islam won new adherents by leaps and bounds. Born and nurtured in the world-contempt of Pauline and Augustinian Christianity, the populations of Syria and North Africa, and a little layer of Visigothic Spain, saw themselves suddenly confronted with a teaching which denied the dogma of Original Sin and stressed the inborn dignity of earthly life: and so they rallied in ever-increasing numbers to the new creed that gave them to understand that man was God’s vicar on earth. This, and not a legendary ‘conversion at the point of the sword’, was the explanation of Islam’s amazing triumph in the glorious morning of its history. It was not the Muslims that had made Islam great: it was Islam that had made the Muslims great. But as soon as their faith became habit and ceased to be a programme of life, to be consciously pursued, the creative impulse that underlay their civilisation waned and gradually gave way to indolence, sterility and cultural decay.

Yet my study of the history of religion has revealed that human beings are spiritual animals. Indeed, there is a case for arguing that Homo sapiens is also Homo religiosus. Men and women started to worship gods as soon as they became recognizably human; they created religions at the same time as they created works of art. This was not simply because they wanted to propitiate powerful forces; these early faiths expressed the wonder and mystery that seem always to have been an essential component of the human experience of this beautiful yet terrifying world. Like art, religion has been an attempt to find meaning and value in life, despite the suffering that flesh is heir to. Like any other human activity, religion can be abused, but it seems to have been something that we have always done. It was not tacked on to a primordially secular nature by manipulative kings and priests but was natural to humanity. Indeed, our current secularism is an entirely new experiment, unprecedented in human history. We have yet to see how it will work. It is also true to say that our Western liberal humanism is not something that comes naturally to us; like an appreciation of art or poetry, it has to be cultivated. Humanism is itself a religion without God—not all religions, of course, are theistic. Our ethical secular ideal has its own disciplines of mind and heart and gives people the means of finding faith in the ultimate meaning of human life that were once provided by the more conventional religions.

the Pilgrim of the Way rises first of all to a degree corresponding to that of a star. The effulgence of that star's light appears to him., It is disclosed to him that the entire world beneath adores its influence and the effulgence of its light. And so, because of the very beauty and superbness of the thing, he is made aware of something which cries aloud saying, "This is my Lord?"[1] He passes on; and as he be. comes conscious of the light-degree next above. it, namely, that symbolized by the moon, lo! in the aerial canopy he beholds that star set, to wit, in comparison with its superior; and he saith, "Nought that setteth do I adore!" And so he rises till he arrives at last at the degree symbolized by the sun. This, again, he sees is greater and higher than the former, but nevertheless admits of comparison therewith, in, [1. See for this whole passage S. 6, 75-8.] {p. 128} virtue of a relationship between the two. [31] But to bear relationship to what is imperfect carries with it imperfection-the "setting" of our allegory. And by reason thereof he saith: "I have turned my face unto That Who made the heavens and the earth! I am a true believer, and, not of those who associate other gods with Allah!" Now what is meant to be conveyed by this "THAT WHO" is the vaguest kind of indication, destitute of all relation or comparison. For, were anyone to ask, "What is the symbol comparable with or corresponding to this That?' no answer to the question could be conceived. Now He Who transcends all relations is ALLAH, the ONE REALITY.

As everyone knows, Islam set up a social order from the outset, in contrast, for example, to Christianity. Islamic social teachings are so basic to the religion that still today many people, including Muslims, are completely unaware of Islam's spiritual dimensions. Social order demands rules and regulations, fear of the king, respect for the police, acknowledgement of authority. It has to be set up on the basis of God's majesty and severity. It pays primary attention to the external realm, the realm of the body and the desires of the lower soul, the realm where God is distant from the world. In contrast, Islamic spiritual teachings allow for intimacy, love, boldness, ecstatic expressions, and intoxication in the Beloved. All these are qualities that pertain to nearness to God. (...) In short, on the social level, Islam affirms the primacy of God as King, Majestic, Lord, Ruler. It establishes a theological patriarchy even if Muslim theologians refuse to apply the word father (or mother) to God. God is yang, while the world, human beings, and society are yin. Thereby order is established and maintained. Awe and distance are the ruling qualities. On the spiritual level, the picture is different. In this domain many Muslim authorities affirm the primacy of God as Merciful, Beautiful, Gentle, Loving. Here they establish a spiritual matriarchy, though again such terms are not employed. God is yin and human beings are yang. Human spiritual aspiration is accepted and welcomed by God. Intimacy and nearness are the ruling qualities. This helps explain why one can easily find positive evaluations of women and the feminine dimension of things in Sufism. (...) Again, this primacy of yin cannot function on the social level, since it undermines the authority of the law. If we take in isolation the Koranic statement, "Despair not of God's mercy surely God forgives all sins" (39:53), then we can throw the Sharia out the window. In the Islamic perspective, the revealed law prevents society from degenerating into chaos. One gains liberty not by overthrowing hierarchy and constraints, but by finding liberty in its true abode, the spiritual realm. Freedom, lack of limitation and constraint, bold expansivenessis achieved only by moving toward God, not by rebelling against Him and moving away. Attar (d. 618/1221) makes the same point more explicitly in an anecdote he tells about the great Sufi shaykh, Abu'l- Hasan Kharraqani (d. 425/1033): It is related that one night the Shaykh was busy with prayer. He heard a voice saying, "Beware, Abu'l-Hasan! Do you want me to tell people what I know about you so that they will stone you to death?" The Shaykh replied, "O God the Creator! Do You want me to tell the people what I know about Your mercy and what I see of Your generosity? Then no one will prostrate himself to You." A voice came, "You keep quiet, and so will I." Sufism is concerned with "maintaining the secret" (hifz al-sirr) for more reasons than one. The secret of God's mercy threatens the plain fact of His wrath. If "She" came out of the closet, "He" would be overthrown. But then She could not be found, for it is He who shows the way to Her door.

Beauty Void lay the world, in nothingness concealed, Without a trace of light or life revealed, Save one existence which second knew- Unknown the pleasant words of We and You. Then Beauty shone, from stranger glances free, Seen of herself, with naught beside to see, With garments pure of stain, the fairest flower Of virgin loveliness in bridal bower. No combing hand had smoothed a flowing tress, No mirror shown her eyes their loveliness No surma dust those cloudless orbs had known, To the bright rose her cheek no bulbul flown. No heightening hand had decked the rose with green, No patch or spot upon that cheek was seen. No zephyr from her brow had fliched a hair, No eye in thought had seen the splendour there. Her witching snares in solitude she laid, And love's sweet game without a partner played. But when bright Beauty reigns and knows her power She springs indignant from her curtained bower. She scorns seclusion and eludes the guard, And from the window looks if doors be barred. See how the tulip on the mountain grown Soon as the breath of genial Spring has blown, Bursts from the rock, impatient to display Her nascent beauty to the eye of day. When sudden to thy soul reflection brings The precious meaning of mysterious things, Thou canst not drive the thought from out thy brain; Speak, hear thou must, for silence is such pain. So beauty ne'er will quit the urgent claim Whose motive first from heavenly beauty came When from her blessed bower she fondly strayed, And to the world and man her charms displayed. In every mirror then her face was shown, Her praise in every place was heard and known. Touched by her light, the hearts of angels burned, And, like the circling spheres, their heads were turned, While saintly bands, whom purest at the sight of her, And those who bathe them in the ocean sky Cries out enraptured, "Laud to God on high!" Rays of her splendour lit the rose's breast And stirred the bulbul's heart with sweet unrest. From her bright glow its cheek the flambeau fired, And myriad moths around the flame expired. Her glory lent the very sun the ray Which wakes the lotus on the flood to-day. Her loveliness made Laila's face look fair To Majnún, fettered by her every hair. She opened Shírín's sugared lips, and stole From Parvíz' breast and brave Farhád's the soul. Through her his head the Moon of Canaan raised, And fond Zulaikha perished as she gazed. Yes, though she shrinks from earthly lovers' call, Eternal Beauty is the queen of all; In every curtained bower the screen she holds, About each captured heart her bonds enfolds. Through her sweet love the heart its life retains, The soul through love of her its object gains. The heart which maidens' gentle witcheries stir Is, though unconscious, fired with love of her. Refrain from idle speech; mistake no more: She brings her chains and we, her slaves, adore. Fair and approved of Love, thou still must own That gift of beauty comes from her alone. Thou art concealed: she meets all lifted eyes; Thou art the mirror which she beautifies. She is that mirror, if we closely view The truth- the treasure and the treasury too. But thou and I- our serious work is naught; We waste our days unmoved by earnest thought. Cease, or my task will never end, for her Sweet beauties lack a meet interpreter. Then let us still the slaves of love remain For without love we live in vain, in vain. Jámí, "Yúsuf and Zulaikha". trans. Ralph T. H. Griffith. Ballantyne Press 1882. London. p.19-22

Elephanta caves, Mumbai-- I entered a world made of shadows and sudden brightness. The play of the light, the vastness of the space and its irregular form, the figures carved on the walls: all of it gave the place a sacred character, sacred in the deepest meaning of the word. In the shadows were the powerful reliefs and statues, many of them mutilated by the fanaticism of the Portuguese and the Muslims, but all of them majestic, solid, made of a solar material. Corporeal beauty, turned into living stone. Divinities of the earth, sexual incarnations of the most abstract thought, gods that were simultaneously intellectual and carnal, terrible and peaceful. ............................................................................ Gothic architecture is the music turned to stone; one could say that Hindu architecture is sculpted dance. The Absolute, the principle in whose matrix all contradictions dissolve (Brahma), is “neither this nor this nor this.” It is the way in which the great temples at Ellora, Ajanta, Karli, and other sites were built, carved out of mountains. In Islamic architecture, nothing is sculptural—exactly the opposite of the Hindu. The Red Fort, on the bank of the wide Jamuna River, is as powerful as a fort and as graceful as a palace. It is difficult to think of another tower that combines the height, solidity, and slender elegance of the Qutab Minar. The reddish stone, contrasting with the transparency of the air and the blue of the sky, gives the monument a vertical dynamism, like a huge rocket aimed at the stars. The mausoleum is like a poem made not of words but of trees, pools, avenues of sand and flowers: strict meters that cross and recross in angles that are obvious but no less surprising rhymes. Everything has been transformed into a construction made of cubes, hemispheres, and arcs: the universe reduced to its essential geometric elements. The abolition of time turned into space, space turned into a collection of shapes that are simultaneously solid and light, creations of another space, made of air. There is nothing terrifying in these tombs: they give the sensation of infinity and pacify the soul. The simplicity and harmony of their forms satisfy one of the most profound necessities of the spirit: the longing for order, the love of proportion. At the same time they arouse our fantasies. These monuments and gardens incite us to dream and to fly. They are magic carpets. Compare Ellora with the Taj Mahal, or the frescoes of Ajanta with Mughal miniatures. These are not distinct artistic styles, but rather two different visions of the world.

AN ANSWER TO OUR QUESTION Places of worship embody the aspirations of their architects, and the communities they represent, to ideal beauty. Their chosen means of expression feature color, geometry, and symmetry. Consider, in particular. the magnificent plate HH. Here the local geometry of the ambient surfaces and the local patterns of their color change as our gaze surveys them. It is a vibrant embodiment of anamorphy and anachromy-the very themes that our unveiling of Nature's deep design finds embodied at Nature's core. Does the world embody beautiful ideas? There is our answer, before our eyes: Yes. Color and geometry, symmetry, anachromy, and anamorphy, as ends in themselves, are only one branch of artistic beauty. Islam's injunction against representational art played an important part in bringing these forms of beauty to the fore, as did the physical constraint of structural stability (we need columns to support the weight of ceilings, and the arches and domes to distribute tension). Depictions of human faces, bodies, emotions, landscapes, historic scenes, and the like, when they are allowed, are far more common subjects for art than those austere beauties. The world does not, in its deep design, embody all forms of beauty, nor the ones that people without special study, or very unusual taste, find most appealing. But the world does, in its deep design, embody some forms of beauty that have been highly prized for their own sake, and have been intuitively associated with the divine.

In 2004, the inhabitants of Fallujah and the local insurgents who represented them were among the first to resist al-Qaeda, which controlled much of the city. Among their list of complaints were al-Qaeda’s religious requirements that were at odds with local Islamic customs, such as full-body veiling.19 Beatings and broken bones brought reluctant citizens into line but bred resentment. The same happened a year later in 2005 in the city of Qaim on the border of Syria. Islamic State fighters burned down a beauty parlor and torched stores selling music; men who drank alcohol were lashed.20 By September 2006, Iraqi prime minister Nuri al-Maliki had received pledges of support from over a dozen Sunni tribal leaders, prompting al-Qaeda to issue a statement threatening their lives.21 In October 2006, just days before the establishment of the Islamic State, a masked jihadist going by the name Abu Usama al-Iraqi released a video addressed to Bin Laden.

The Egyptian populace lived outdoors, in a state of excitement and nonchalance. Every one of life’s scenes was an excuse for communication. Butchers cut their meat on the sidewalk, women peeled vegetables in front of their houses, bread was sold in the street, right from the ground. Sharko felt like he was moving through a living tableau when, in the midst of the chaotic traffic, he was dazzled by the perfect movement of a cotton galabia, swaying to its owner’s regal gait. He felt the breath of Islam in the overheated streets; the mosques were ablaze with beauty, and in their excess they aimed an eye at their single god. There is no other god than God.

Allah has revealed (from time to time) the most beautiful Message in the form of a Book, consistent with itself, (yet) repeating (its teaching in various aspects): the skins of those who fear their Lord tremble thereat; then their skins and their hearts do soften to the celebration of Allah's praises. Such is the guidance of Allah: He guides therewith whom He pleases, but such as Allah leaves to stray, can have none to guide.

Qur'an 22:5: O mankind! if ye have a doubt about the Resurrection, (consider) that We created you out of dust, then out of sperm, then out of a leech-like clot, then out of a morsel of flesh, partly formed and partly unformed, in order that We may manifest (our power) to you; and We cause whom We will to rest in the wombs for an appointed term, then do We bring you out as babes, then (foster you) that ye may reach your age of full strength; and some of you are called to die, and some are sent back to the feeblest old age, so that they know nothing after having known (much), and (further), thou seest the earth barren and lifeless, but when We pour down rain on it, it is stirred (to life), it swells, and it puts forth every kind of beautiful growth (in pairs).

The beauty of the business is, you don’t need to think about the eligibility.

The fragrance of the Beloved permeates every passage of this magnificent book, gently opening the gates of the heart and inviting the reader into a direct experience of that which the author so beautifully evokes. Whether you identify as a Muslim whose faith has perhaps grown weary or as someone who would like to taste of the essence of a tradition you do not understand, Secrets of Divine Love is a masterful map of the landscape of the soul on its journey home to the One who both transcends and dwells within all that is.

the Qur’an with reflection and discussion prompts for the reader. One regularly is flushed with examples of God’s compassion, kindness, forgiveness, patience, and comfort. This is simply a wonderful book, written with care and precision, weaving us into God’s beautiful tapestry.” —

Down the road the voice of a child called out the adhan from the megaphone of a mosque’s citadel, and even with the static and the echo and the cracking of his pitch, it sounded so sweet in the fading light, with the fields darkening, and the crickets chirping their songs.

From the Islamic point of view, the question of the equality of men and women is meaningless. It is like discussing the equality of a rose and a jasmine. Each has its own perfume, colour, shape and beauty.

remember sitting silently still, wishing I could transport myself home. This very same feeling is triggered again, when I see a mob of white supremacists storm the Capitol building, unhinged with racist rage. American terrorists in normcore who’d attack a Sikh or Muslim, totally ignorant of how the turban or hijab are symbols of devotion, marking a person as a believer, as equal under a higher power. Beauty that evades the white supremacist. Back then, my parents told me: Don’t tell anyone your last name is Islam.

It is the pain in the heart that brings the most beautiful smile on the face.

Cuanto más materialmente inexplicables resultan la propia devoción y compromiso por una causa sagrada -es decir, cuanto más absurdas son-, mayor es la fe que otros depositan en ella y más compromiso genera esta fe por parte de ellos.

As Rumi beautifully says, “Sell your cleverness and buy bewilderment”—for at the end of all you know is the beginning of your journey to Allah.

I’ve always yearned to be a black man, to have a black man’s soul, a black man's laughter. You know why? Because I thought you were diflFerent from us. Yes, I thought you were something special, something difiFerent on this sad earth of ours. I wanted to escape with you from the white man’s hollow materialism, from his lack of faith, his humble and frustrated sexuality, from his lack of joy, of laughter, of magic, of faith in the richness of after-life. encouragement and signs of gratitude or recognition have been very few, if any, along my road. If humanity can be compared to a tribe, then you may say I’m completely de-tribalized. You love Negroes out of sheer misanthropy, because you think they aren’t really men. in the end all human faces look alike with nothing bright or hopeful around me, except those distant stars— and even there, let’s be frank: it’s only their distance that gives them that purity and beauty ideals don't die— obliged to live on shit sometimes, but don’t die! the company a great cause always keeps: men of good will and those who exploit them your skin, you know, is worth no more than the elephants’ hide. In Gennany, at Belsen, during the war, it seems we used to make lampshades out of human skin— for your information. And don’t forget, Monsieur Saint- Denis, that we Germans have always been forerunners in everything ‘Women,’ I concluded rather bitterly, ‘have at their command certain means of persuasion which the best- organized police forces do not possess.’ The number of animals who lived in cruel suffering, sometimes for years, with bullets in their bodies, wounds growing deeper and deeper, gangrenous and swarming with ticks and flies, could not be estimated to change species, to come over to the elephants and live in the wilds among honest animals Always cheerful, with the cheerfulness of a man who has gone deep down into things and come back reassured. No one knew the desert better than Scholscher, who had spent so many nights alone there on the starlit dunes, and no one understood better than he did that need for protection which sometimes grips men’s hearts and drives them to give a dog the affection they dream so desperately of receiving themselves. by ‘defending the splendors of nature . . .’ He meant liberty.” Islam calls that ’the roots of heaven.’ and to the Mexican Indians it is of life’— the thing that makes both of them fall on their knees and raise their eyes and beat their tormented breasts. A need for protection and company, from which obstinate people like Morel try to escape by means of petitions, fighting committees, by trying to take the protection of species in their own hands. Our needs- for justice, for freedom and dignity— are roots of heaven that are deeply imbedded in our hearts, but of heaven itself men know nothing but the gripping roots ...” . . . And that girl sitting there in front of him with her legs crossed, with her nylon stockings and cigarette and that silent gaze, in which could be read that stubborn need, not so different from what Morel had seen in the eyes of the stray dogs at the pound. but not even all that was comic and childish about him could deprive him of the dignity conferred upon him by his love for his Maker. that human mass whose physical strength was nothing compared to the faith and spirit that dwelt in him. Three quarters of the Oul6 traditions and magic rites had to do with war or hunting while it's easy to suppress a magic tradition it's difficult to fill up the strange voids which it leaves in what you call the primitive psychology and what I call the human soul The roots of heaven are forever planted in their hearts, yet of heaven itself they seem to know nothing but the gripping roots It must be very consoling to take refuge in cynicism and to try and drown your own remorse in a consoling vision of universal swinishness, and you can always

Speak only when your words are more beautiful than the silence.

While marriage is a sunnah, and Islam propagates early marriages to protect us from immorality, society must be more kind and stop pressurising those who haven’t been successful despite trying. You’ve discussed topics including self exploration, and girls these days must be aware of it. Marriage will happen when it has to, but they need to introspect and pursue the talents they’ve been blessed with too. I like how you portrayed marriage as a beautiful part of the journey, and we need to stop treating it like a destination.

upon me, so that my eyes can awaken to Your truth and so that my heart can be illuminated by the reflection of Your beauty. In Your sublime Names I pray, Ameen.

Rhetoric is not a substitute for image but it is the most flawless way of expressing meaning or truth. Through it the meaning of beauty and the aesthetic values of Islam are revealed. What is beautiful in Islam is what cannot be represented. It is what escapes the sensual and what transcends sensory perception. Beauty is lofty and supreme; it cannot be contained in a sensory form, nor can it be evaluated by the senses. Artistically, this means that aesthetic value is not contained in the ‘image’ or ‘form’ but in its meaning, and that beauty can be found only in infinity, which cannot be represented or in what cannot be ‘given form’.

Your action is pure when your intention is pure, your intention is pure when your heart is pure. So keep your heart pure and your life beautiful.