Beautiful Creatures Book Quotes

I'm just the librarian. I can only give you the books. I can't give you the answers.

Any book is a Good Book, and wherever they keep the Good Book safe is also the House a the Lord.

The violence of nature masks the beauty and joy that hide just beneath the surface.

A little known fact: I read all the time. books were the one thing that got me out of Gatlin, even if it was only for a little while.

The library was home away from home to my mom, and my family. We had spent every Sunday afternoon there since I was a little boy, wandering around the stacks, pulling out every book with a picture of a pirate ship, a knight, a soldier, or an astronaut. My mom used to say, "This is my church, Ethan. This is how we keep the Sabbath holy in our family.

Hazel Sinnett, you are the most miraculous creature I have ever come across, and I am going to be thinking about how beautiful you are until the day I die.

It smelled like aging wood and creosote, plastic book covers, and old paper. Old paper, which my mom used to say was the smell of time itself.

Jesus didn't speak of hell so that we could study, debate and write books about it. He gave us these passages so that we would live holy lives. Jesus evidently hates it when we tear into our brothers or sisters with demeaning words, words that fail to honor the people around us as the beautiful image-bearing creatures that they are.

Until then, you can do what everyone else your age does. Listen to music. Watch the television. Just keep your nose away from those books.

God created all things. It's men who decide which ones are mistakes.

It’s never the same as it is in the books.

Coming into your powers can be a very confusing time. Perhaps there is a book on the subject. If you like, we can go see Marian." Yeah, right. Choices and Changes. A Modern Girl's Guide to Casting. My Mom Wants to Kill Me: A Self-Help Book For Teens.

I was born mortal, and I have been immortal for a long, foolish time, and one day I will be mortal again; so I know something that a unicorn cannot know. Whatever can die is beautiful--more beautiful than a unicorn, who lives forever, and who is the most beautiful creature in the world.

Life was full for me. There were so many things to find out and a lot I had to prove to myself. The days were quick and challenging and they pressed on me with their very newness. But it all stopped here in the garden. Everything seemed to have stopped here a long time ago. I looked back before going through the door into the yard and it was like suddenly coming across a picture in an old book; the empty, wild garden and the tall, silent house beyond. I could never quite believe it was there and that I was a part of it.

There is great beauty in the notion of desire. Each of us is a child of the desire of our parents for each other. We are creatures of desire because we are creations of desire. The human heart discovers its most touching music when desire and love inform each other. When we love, we leave our separate solitudes and come toward union, where we complement each other. It is this ancient desire in every heart to discover and come home to its lost other half that awakens and activates its capacity for love and belonging. There are certain things that can happen to us only in solitude, and every life needs a rhythm of solitude in order to experience this. However, the experience of self-discovery, psychological integration, and spiritual growth can happen to us only when our desire draws us out of our shells and toward the precarious and life-giving sanctuary of another heart.

Women’s beauty is a sweet coat to something more sinister- a bribe to men to plunge into the unknown

Mermaids were beautiful, and was I not also beautiful? Alluring? A creature of the water? Not of salt like the mermaids in the book, but of chlorine.

Butterflies are the most beautiful creatures ever. They should call them beautiflies, don’t you think?

Just ’cause a book don’t have a title, don’t mean it don’t have a name.

Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. We are all beautiful instruments of God. He created many notes in music so we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.

unlike, say, the sun, or the rainbow, or earthquakes, the fascinating world of the very small never came to the notice of primitive peoples. if you think about this for a minute, it's not really surprising.. they had no way of even knowing it was there, and so of course they didn't invent any myths to explain it. it wasn't until the microscope was invented in the sixteenth century that people discovered that ponds and lakes, soil and dust, even our body, teem with tiny living creatures, too small to see, yet too complicated and, in their own way, beautiful, or perhaps frightening, depending on how you think about them. the whole world is made of incredibly tiny things, much too small to be visible to the naked eye - and yet none of the myths or so-called holy books that some people, even now, think were given to us by an all knowing god, mentions them at all. in fact, when you look at those myths and stories, you can see that they don't contain any of the knowledge that science has patiently worked out. they don't tell us how big or how old the universe is; they don't tell us how to treat cancer; they don't explain gravity or the internal combustion engine; they don't tell us about germs, or nuclear fusion, or electricity, or anaesthetics. in fact, unsurprisingly, the stories in holy books don't contain any more information about the world than was known to the primitive people who first started telling them. if these 'holly books' really were written, or dictated, or inspired, by all knowing gods, don't you think it's odd that those gods said nothing about any of these important and useful things?

Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!

And when I had finished painting & looked at that poor leatherjacket which now lay dead on the table I began to wonder whether, as each fish died, the world was reduced in the amount of love that you might know for such a creature. Whether there was that much less wonder & beauty left to go round as each fish was hauled up in the net. And if we kept on taking & plundering & killing, if the world kept on becoming ever more impoverished of love & wonder & beauty in consequence, what, in the end, would be left?

Beauty is something most beings, human or otherwise, gauge by the outward appearance. However once you see inside of one's heart, the true beauty of a person comes through and many times changes the initial perception. I have seen the most beautiful creatures seem horribly hideous, ugly, in light of their dark hearts. (Acronis)

He was a wanderer by nature, and even if England and the nearer East were closed to him, the world was wide, the sun shone in many places, the stars wheeled over one, books could be read, women had beauty, flowers scent, tobacco its flavour, music its moving power, coffee its fragrance, horses and dogs and birds were the same seductive creatures,

The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off.

The magic of the room waned before her, like the sun at dusk yielding to the stars to let us lowly creatures know that it was time to dream. What was it about the stars that always made us dream? We looked upon the sky every night, and instead of seeing a graveyard of celestial objects, we saw beauty and possibility. Perhaps it was our nature. We were bodies of light, and we couldn’t help but worship the things that guided us through the darkness. So how could I resist? In all my life, I had never seen anything so beautiful. So unreachable. So easy to love and so hard to possess.

The human race will go marching into that conclusive dark, singing our ballads and telling our stories and embellishing our walls with loafing nudes because that is who we really are: creatures who’ve only begun to believe in the scarce beauty of ourselves, and just in time for the point to be moot.

We know him [God] by two means: First, by the creation, preservation, and government of the universe, since that universe is before our eyes like a beautiful book in which all creatures, great and small, are as letters to make us ponder the invisible things of God: his eternal power and his divinity, as the apostle Paul says in Romans 1:20.[28]

He indeed who believes that by studying isolated histories he can acquire a fairly just view of history as a whole, is, as it seems to me, much in the case of one, who, after having looked at the dissevered limbs of an animal once alive and beautiful, fancies he has been as good as an eyewitness of the creature itself in all its action and grace.

They were very bitter tears: everybody in the world seemed so hard and unkind to Maggie: there was no indulgence, no fondness, such as she imagined when she fashioned the world afresh in her own thoughts. In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt: it seemed to be a world where people behaved the best to those they did not pretend to love and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother's narrow griefs - perhaps of her father's heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no super-added life in the life of others; though we who look on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present. Maggie in her brown frock with her eyes reddened and her heavy hair pushed back, looking from the bed where her father lay, to the dull walls of this sad chamber which was the centre of her world, was a creature full of eager, passionate longings for all that was beautiful and glad: thirsty for all knowledge: with an ear straining after dreamy music that died away and would not come near to her: with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life and give her soul a sense of home in it.

Humans are selfish creatures who can always be counted on to do the wrong thing.

Then I understood. There was no book. My father wasn’t a writer. He wasn’t even a vampire. He was a madman.

The society we live in today is just an experiment. Nobody has the answers. Nobody knows where it’s going, or why. We don’t even know where we would like it to go. There’s no grown-up out there, looking out for us. Nobody’s home. It’s just one big, glorious chaos engine; busy, busy spawning all manner of unimaginable creatures, existences, relations, exquisite beauties and excruciating tragedies. When you truly see this, an experimental attitude towards society suddenly seems much less reckless or disrespectful. It is the only appropriate stance.

Well, you mind you manners and don't raise your voice. You know what your mamma used to say. Any book is a Good Book, and wherever they keep the Good Book safe is also the House a the Lord

Kant abolished God and made man God in His stead. We are still living in the age of the Kantian man, or Kantian man-god. Kant's conclusive exposure of the so-called proofs of the existence of God, his analysis of the limitations of speculative reason, together with his eloquent portrayal of the dgnity of rational man, has had results which might possibly dismay him. How recognizable, how familiar to us, is the man so beautifully portrayed in the Grundelgung, who confronted even with Christ turns away to consider the judgment of his own conscience and to hear the voice of his own reason. Stripped of the exiguous metaphysical background which Kant was prepared to allow him, this man is with us still, free, independent, lonely, powerful, rational, responsible, brave, the hero of so many novels and books of moral philosophy. The raison d'etre of this attractive but misleading creature is not far to seek. He is the offspring of the age of science, confidently rational and yet increasingly aware of his alienation from the material universe which his discoveries reveal; and since he is not a Hegelian (Kant, not Hegel, has provided Western ethics with its dominating image) his alienation is without cure. He is the ideal citizen of the liberal state, a warning held up to tyrants. He has the virtue which the age requires and admires, courage. It is not such a very long step from Kant to Nietzsche, and from Nietzsche to existentialism and the Anglo-Saxon ethical doctrines which in some ways closely resemble it. In fact Kant's man had already received a glorious incarnation nearly a century earlier in the work of Milton: his proper name is Lucifer.

At any time, and under any circumstances of human interest, is it not strange to see how little real hold the objects of the natural world amid which we live can gain on our hearts and minds? We go to Nature for comfort in trouble, and sympathy in joy, only in books. Admiration of those beauties of the inanimate world, which modern poetry so largely and so eloquently describes, is not, even in the best of us, one of the original instincts of our nature. As children, we none of us possess it. No uninstructed man or woman possesses it. Those whose lives are most exclusively passed amid the ever-changing wonders of sea and land are also those who are most universally insensible to every aspect of Nature not directly associated with the human interest of their calling. Our capacity of appreciating the beauties of the earth we live on is, in truth, one of the civilised accomplishments which we all learn as an Art; and, more, that very capacity is rarely practised by any of us except when our minds are most indolent and most unoccupied. How much share have the attractions of Nature ever had in the pleasurable or painful interests and emotions of ourselves or our friends? What space do they ever occupy in the thousand little narratives of personal experience which pass every day by word of mouth from one of us to the other? All that our minds can compass, all that our hearts can learn, can be accomplished with equal certainty, equal profit, and equal satisfaction to ourselves, in the poorest as in the richest prospect that the face of the earth can show. There is surely a reason for this want of inborn sympathy between the creature and the creation around it, a reason which may perhaps be found in the widely-differing destinies of man and his earthly sphere. The grandest mountain prospect that the eye can range over is appointed to annihilation. The smallest human interest that the pure heart can feel is appointed to immortality.

Settling” is a coarse way of saying “adjusting my expectations,” and I think that gets a bad rap. Dude, I would rather settle than be “chronically unfulfilled due to my outsize desires.” I don’t mean that you should marry someone you hate just because they won’t go away, but I do think it’s worth examining what you actually want while being honest about what is important to you. Then it won’t feel like such a compromise, you know? On top of that, it’s totally unfair to make a flesh-and-bone person compete against an imaginary ideal that was imprinted on you when you were too young to understand what was happening. Shit, growing up I wanted to marry the Beast from Beauty and the Beast. A strong, virile creature who read tons of books and could fuck up a wolf ? Yes please! Sign me up! I could’ve lain awake every night waiting for Mufasa to save me from a wildebeest stampede in a gorge, but do I climb into bed next to a fucking lion? No, bitch, because I am realistic. Instead, I married this person who makes her own kombucha and charges her crystals under the new moon. Girl, adapt!

Once upon a time, in a little green house at the top of the world, there lived a girl who knew that stories didn't stay in their books. She discovered that other people didn't know this, didn't want to know this, and so she hid the things she found. Now the girl was a mother, and she had her very own daughter; a clever, sweet creature who filled her life with color and beauty. And the mother began to show her child the secrets that no one else saw.

Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!

Well, you mind your manners and don’t raise your voice. You know what your mamma used to say. Any book is a Good Book, and wherever they keep the Good Book safe is also the House a the Lord.” Like I said, my mom would have never made it in the DAR.

Humans really can be such curiously artistic creatures. They make unquestionably beautiful things when they put their minds to it. It is an interesting paradox of the species, given the small-mindedness of so many, and their propensity for destruction in all its forms.

I’m sure you understand my meanin’. After all, you’re one of us. Your daddy was born here and your mamma was buried here. You belong here. Not everyone does.” I stared back at her. She was in her van before I could say another word. This time, Mrs. Lincoln was after more than burning a few books.

When Paul says that we should see people through the eyes of Christ, he means for us to have a gospel view of people. So we see people as beautiful, valuable creatures made in the image of God. Each and every one of us carries God’s mark. That is why Christians believe all people have dignity, worth, and value.

Impossible. Sunk on its haunches in a predatory pose, a creature spread its long, curled fingers over the tiles on the roof, sniffing them. Its mottled, olive-grey skin winked in the uncertain March sunlight. Truly, a thing that didn’t belong here in ordinary suburbia, overlooking a garden that burst with beauty and life.

Similarly, Medusa (or Gorgon) was celebrated for her outstanding beauty. She was a daughter of the very wealthy king Phorcys whose large kingdom was surrounded by the sea. This Medusa, according to the ancient stories, was of such striking beauty that not only did she surpass all other women--which was an amazing and supernatural thing--but she also attracted to herself, because of her pleasing appearance--her long and curly blond hair spun like gold, along with her beautiful face and body--every mortal creature upon whom she looked, so that she seemed to make people immovable. For this reason the fable claimed that they had turned to stone.

There is not a creature in all this part of the world who could in the least understand with what heart-beatings I am looking forward to the flowering of these roses, and not a German gardening book that does not relegate all tea-roses to hot-houses, imprisoning them for life, and depriving them for ever of the breath of God.

I don't have any big adventures." "But of course you have big adventures," Papa said. You have adventures of all sorts, all the time." "Not like Radish in the Book of Tales," Geraldine said, scuffing a toe along the ground. "I could never be like Radish." "No, you don't have adventures exactly like Radish," Papa said. "But that's because you're not Radish and you must have your own adventures. All creatures must." "Happy ones?" Geraldine asked. "In the end, yes. But they won't all seem that way at first. They'll have unexpected twists and turns. You must let them play out to the end, like a story in the Book of Tales. Follow God, speak to him and listen to him, and all tales will be beautiful in their time.

An hour later, Cartier returned with a number of beautiful flowering plants, which he placed himself in the jardinieres, covering them with fresh moss. Godefroid paid his bill; also that of the circulating library, which was brought soon after. Books and flowers! — these were the daily bread of this poor invalid, this tortured creature, who was satisfied with so little.

Don Ricardo wanted a successor worthy of himself. Jorge would always be cocooned in the privileges of his class, hiding from his mediocrity in creature comforts. Penelope, the beautiful Penelope, was a woman, and therefore a treasure, not a treasurer. Julian, who had the soul of a poet, and therefore the soul of a murderer, fulfilled all the requirements. It was only a question of time.

I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.

In the distance, the mist parted and a woman slowly rose from the ground. She had creamy white skin and her hair was black as night. Her sheer gown was covered with leaves and ivy. Twigs shimmered and twisted into a high collar which looked as if they had sprouted from her shoulders. With magical grace, as if the woman floated, she made her way forward. “The winter fae queen,” Leana whispered. “What brings such tender creatures to my woods?” the queen asked.

know too well that I am but taking to my arms a variable creature like myself, whose wishes are apt to become insistent and burdensome in proportion to the decrease of her beauty and interest?” These are the men, who, unwilling to risk the manifold contingencies of an authorized connection, are led to consider the advantages of a less-binding union, a temporary companionship. They seek to seize the happiness of life without paying the cost of their indulgence.

Tormenting whispers echoed with the beast's penetrating gaze. 'Back and forth, beautiful creature. Back and forth, Wife.' I pondered the meaning and wondered if the author was speaking of herself in it. Was it a warning about marriage or life in general, or was it simply a statement about the traps we make for ourselves, the walls we build, the prisons we are comfortable within? Was I guilty of choosing safety over happiness and freedom, like the character in the book?

How recognisable, how familiar to us, is the man so beautifully portrayed in the 'groundwork', who confronted even with Christ turns away to consider the judgement of his own conscience and to hear the voice of his own reason...This man is with us still, free, independent, lovely, powerful, rational, responsible, brave, the hero of so many novels and books of moral philosophy. The raison detre of this attractive but misleading creature is not far to seek. He is the offspring of the age of science, confidently rational, and yet increasingly aware of his alienation from the material universe which his discoveries reveal... his alienation from the material universe which his discoveries reveal..his alienation is without cure... It is not such a long step from Kant to Neitzsche to existentialism, and the Anglo-Saxon ethical doctrines which in some ways closely resemble it.... In fact, Kant's man had already received a glorious incarnation nearly a century earlier in the work of Milton: his proper name is Lucifer.

Albert Einstein said: A human being is part of a whole, called by us the “Universe,” a part limited in time and space. He experiences himself, his thoughts and feelings, as something separated from the rest—a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest us. Our task must be to free ourselves from this prison by widening our circles of compassion to embrace all living creatures and the whole of nature in its beauty.24

And on the night before he suffers the worst that wayward human culture can do, this is what he does: he takes bread and wine into his hands, lifts them up, and blesses them. Bread and wine, not wheat and grapes. Bread and wine are culture, not just nature. They are good for food and a delight to the eyes. Jesus takes culture, blesses it, breaks it, and gives it to his friends. Taken, broken, blessed, and given, these cultural goods, these “creatures of bread and wine” as the old prayer book had it, become sign and presence of God in the world.

There was movement in the mists. The valley below them was full of creatures of myth, impossible creatures from the stories Nikias had told Merikh as a child. Pale dogs the size of ponies, hairless and covered in spines, snarled at the shambling corpses of mortohas. Red-eyed leopards disappeared into the mists and reappeared on the opposite side of the valley whenever they wished. Within the center, regarded warily by the rest of the creatures, were creatures of unnatural beauty. Rakshasas. Undead blood drinkers that could hide in humanoid form.

There was a man in Florence, a friar, Fra Savonarola, he induced all the people to think beauty was a sin. Some people think he was a magician and they fell under his spell for a season, they made fires in the streets and they threw in everything they liked, everything they had made or worked to buy, bolts of silk, and linen their mothers had embroidered for their marriage beds, books of poems written in the poet's hand, bonds and wills, rent-rolls, title deeds, dogs and cats, the shirts from their backs, the rings from their fingers, women their veils, and do you know what was worst, Johane – they threw in their mirrors. So then they couldn't see their faces and know how they were different from the beasts in the field and the creatures screaming on the pyre. And when they had melted their mirrors they went home to their empty houses, and lay on the floor because they had burned their beds, and when they got up next day they were aching from the hard floor and there was no table for their breakfast because they'd used the table to feed the bonfire, and no stool to sit on because they'd chopped it into splinters, and there was no bread to eat because the bakers had thrown into the flames the basins and the yeast and the flour and the scales. And you know the worst of it? They were sober. Last night they took their wine-skins …’ He turns his arm, in a mime of a man lobbing something into a fire. ‘So they were sober and their heads were clear, but they looked around and they had nothing to eat, nothing to drink and nothing to sit on.’ ‘But that wasn't the worst. You said the mirrors were the worst. Not to be able to look at yourself.’ ‘Yes. Well, so I think. I hope I can always look myself in the face. And you, Johane, you should always have a fine glass to see yourself. As you're a woman worth looking at.’ You

I bet whatever you keep hidden in the pages of those books is absolutely beautiful, Aly .” He swallowed, diverting his gaze to the far wall before he dropped it to meet mine. A tender palm came to rest on the side of my face. He caressed his thumb over the apple of my cheek. “How could it not be? Look at you . . . you have to be the most beautiful creature I’ve ever seen.” Pain reverberated in his words. Still they wrapped around me like the warmest embrace. My fingers ventured to his chest, twisting in his shirt. The strong throb of his pulse thundered under them. “Everything I love is in the pages of those books, Jared.

So here we find that the animals, and the plants, the vegetation, became living souls, and were created spiritually before they were naturally upon the earth. These are very significant expressions, and I am stressing them as evidence that contradicts and confutes the organic theory of evolution. . . . Evolution teaches production and development of all things by chance, development of the smallest germ to a man created in the image of God, requiring several billions of years for that development. Moreover, this process would, if true, produce on other earths, passing through similar conditions, beings of a most hideous and dreadful nature imaginable. As they teach it has produced some very hideous beings on this earth. There could be no intelligence in a Supreme Being who had each time an earth is formed to leave everything to chance hoping that in some great period of time from an amoeba, creatures would be developed, fit to possess an eternal spirit in his image. I want you to get that! The idea, for us, sons and daughters of God, to be led astray by these theories of men into thinking that things began way back in that far distant time by some chance, suddenly appearing. Why, conditions today are far more favorable to spontaneous life than they were according to the teachings of science, millions of years ago, and have not men struggled and done everything that they knew how to do to find spontaneous life, and in searching for it they have always been defeated. So I state, and have the evidence in this book. They have never found life coming only from antecedent life. God is the author of life, and that is one secret he has not revealed to man. . . . We are transplanted beings. Adam was transplanted. I do not want to get a misunderstanding when I say that. He did not come here a resurrected being. He did not die on some other earth and then come here to die again, to be changed to mortality again, for the resurrected being cannot die. . . . So, Adam was the first man upon the earth, according to the Lord's statement, and the first flesh also. That needs a little explanation. Adam did not come to this earth until it was prepared for him. The animals were here. Plants were here. The Lord did not bring him to a desolate world, and then bring other creatures. It was all prepared for him, just according to the order that is written in our scriptures, and when it was all ready for Adam he was placed upon the earth. Then what is meant by the "first flesh"? It is simple when you understand it. Adam was the first of all creatures to fall and become flesh, and flesh in this sense means mortality, and all through our scriptures the Lord speaks of this life as flesh, while we are here in the flesh, so Adam became the first flesh. There was no other mortal creature before him, and there was no mortal death until he brought it, and the scriptures tell you that. It is here written, and that is the gospel of Jesus Christ. . . . Here the Lord says to Adam that through the fall came death, and other statements of that kind are given in these scriptures. . . . Now, evolution leads men away from God. Men who have had faith in God, when they have become converted to that theory, forsake him. Charles Darwin was a religious man when he started out. I have told in this book something about what happened to him, and how his feelings changed, and what was beautiful to him in the beginning ceased to be beautiful to him thereafter. [Seek Ye Earnestly, 277-283]

The conduct and manners of women, in fact, evidently prove, that their minds are not in a healthy state; for, like the flowers that are planted in too rich a soil, strength and usefulness are sacrificed to beauty; and the flaunting leaves, after having pleased a fastidious eye, fade, disregarded on the stalk, long before the season when they ought to have arrived at maturity. One cause of this barren blooming I attribute to a false system of education, gathered from the books written on this subject by men, who, considering females rather as women than human creatures, have been more anxious to make them alluring mistresses than rational wives; and the understanding of the sex has been so bubbled by this specious homage, that the civilized women of the present century, with a few exceptions, are only anxious to inspire love, when they ought to cherish a nobler ambition, and by their abilities and virtues exact respect.

Nettie turned her eyes toward me. "Bookworm, are you?" The way she said that word absolutely made my skin crawl. She made me sound like I was some spineless, mindless creature living on mold underground. I do love books, but there is nothing wormy about it. I would much prefer to be called a bat than a worm any day of the week. Just that afternoon at the library storytime, Nancy had read a beautiful poem about a baby bat being born. It described the bats' "sharp ears, their sharp teeth, their quick sharp faces." It told how they soared and looped through the night, how they listened by sending out what the poet called "shining needlepoints of sound." Bats live by hearing. I realized, standing in front of Nettie right then, that when I read I am like a bat soaring and swooping through the night, skimming across the treetops to find my way through the densest forest in the darkest night. I listen to the shining needlepoints of sound in every book I read. I am no bookworm. I am the bookbat.

In other words, is it better to live than not to live? His answer is negative: existence has no value in itself. A “life, by its whole tendency and disposition, is not capable of any true bliss or happiness, but is essentially suffering in many forms and a tragic state in every way.” Living creatures oscillate between painful desire and striving and boredom. It may seem that happiness is achieved when one gains what one desires, but, according to Schopenhauer, what that achieves is merely the cessation of the painful desire. “Happiness” is merely the negative state of the removal of pain. This “happiness” does not remain long, however. We become bored, and our painful wants propel us forward again to some other goal. How can we relieve ourselves of boredom and suffering, apart from simply committing suicide? One temporary respite from the suffering that is “the essence” of life is the aesthetic experience of beauty and the arts. It lifts us away from the striving of the will, releasing us from its painful effects, and leading to something like a tranquil state. Art can help us escape from the “essence of life,” “the suffering of the ever-striving will.

When Adrian’s father opened certain books with illustrations in colour of exotic lepidoptera and sea creatures, we looked at them, his sons and I, Frau Leverkühn as well, over the back of his leather-cushioned chair with the ear-rests; and he pointed with his forefinger at the freaks and fascinations there displayed in all the colours of the spectrum, from dark to light, mustered and modelled with the highest technical skill: genus Papilio and genus Morpho, tropical insects which enjoyed a brief existence in fantastically exaggerated beauty, some of them regarded by the natives as evil spirits bringing malaria. The most splendid colour they displayed, a dreamlike lovely azure, was, so Jonathan instructed us, no true colour at all, but produced by fine little furrows and other surface configurations of the scales on their wings, a miniature construction resulting from artificial refraction of the light rays and exclusion of most of them so that only the purest blue light reached the eyes. “Just think,” I can still hear Frau Leverkühn say, “so it is all a cheat?” “Do you call the blue sky a cheat?” answered her husband looking up backwards at her. “You cannot tell me the pigment it comes from.

Lava is best. It’d certainly help in this situation. WAIT, I HAVE SOME IN MY BACKPACK!” “NOOOO!” we all cried out. But of course, it was too late. The Head Admin emptied the bucket as we ran, and although it did a fantastic job in cooking the giant zombie, it also did a fantastic job in setting fire to the forest around us. “YOU DOLT!” I screamed, as we accelerated our speed, “DO YOU REALIZE WHAT YOU’VE DONE!?” “ALL HAIL THE LAVA GODS!” I’m starting to think he may have hit his head on the way down here. To prevent any further incidents, I grabbed a roll of duct tape and buried him in the stuff. “HAVE MERCY!” With the Head Admin unable to inflict any more trouble, I threw him over my shoulder and ran with the others to safety. And whilst I can’t say I enjoy fleeing for my life, being chased by boiling flames, I will say it did look quite pretty. Oh, and as a plus, it took out all the evil creatures following us. I guess that’s a bonus. “The lava gods are pleased,” the Head Admin grinned, before I stuck duct tape over his mouth as well. That would keep him quiet, I hoped to myself. “OVER THERE!” Dinnerbone shouted, pointing forward to what looked like a mountain. “IT’S A MOUNTAIN!” Charles cried. “A BEAUTIFUL MOUNTAIN!” Dr. Boom looked like he was going to cry out of happiness, “WE’RE SAVED!” “MMMMPHPHPHPHPH!” I could only assume the Head Admin was glad as well. I later found out he had a fear of mountains, and was begging to be left to the lava instead. Oh well.

You may not recognize the name Steven Schussler, CEO of Schussler Creative Inc., but you are probably familiar with his very popular theme restaurant Rainforest Café. Steve is one of the scrappiest people I know, with countless scrappy stories. He is open and honest about his wins and losses. This story about how he launched Rainforest Café is one of my favorites: Steve first envisioned a tropical-themed family restaurant back in the 1980s, but unfortunately, he couldn’t persuade anyone else to buy into the idea at the time. Not willing to give up easily, he decided to get scrappy and be “all in.” To sell his vision, he transformed his own split-level suburban home into a living, mist-enshrouded rain forest to convince potential investors that the concept was viable. Yes, you read that correctly—he converted his own house into a jungle dwelling complete with rock outcroppings, waterfalls, rivers, and layers of fog and mist that rose from the ground. The jungle included a life-size replica of an elephant near the front door, forty tropical birds in cages, and a live baby baboon named Charlie. Steve shared the following details: Every room, every closet, every hallway of my house was set up as a three-dimensional vignette: an attempt to present my idea of what a rain forest restaurant would look like in actual operation. . . . [I]t took me three years and almost $400,000 to get the house developed to the point where I felt comfortable showing it to potential investors. . . . [S]everal of my neighbors weren’t exactly thrilled to be living near a jungle habitat. . . . On one occasion, Steve received a visit from the Drug Enforcement Administration. They wanted to search the premises for drugs, presuming he may have had an illegal drug lab in his home because of his huge residential electric bill. I imagine they were astonished when they discovered the tropical rain forest filled with jungle creatures. Steve’s plan was beautiful, creative, fun, and scrappy, but the results weren’t coming as quickly as he would have liked. It took all of his resources, and he was running out of time and money to make something happen. (It’s important to note that your scrappy efforts may not generate results immediately.) I asked Steve if he ever thought about quitting, how tight was the money really, and if there was a time factor, and he said, “Yes to all three! Of course I thought about quitting. I was running out of money and time.” Ultimately, Steve’s plan succeeded. After many visits and more than two years later, gaming executive and venture capitalist Lyle Berman bought into the concept and raised the funds necessary to get the Rainforest Café up and running. The Rainforest Café chain became one of the most successful themed restaurants ever created, and continues that way under Landry’s Restaurants and Tilman Fertitta’s leadership. Today, Steve creates restaurant concepts in fantastic warehouses far from his residential neighborhood!

Monday, January 26 Be Strong and Courageous “So be strong and courageous! Do not be afraid and do not panic before them! For the LORD your God will personally go ahead of you. He will neither fail you nor abandon you.” DEUTERONOMY 31:6 NLT In The Horse and His Boy, one of the books in the Narnia series by C. S. Lewis, we see a beautiful picture of how the Lord gives us strength and courage to do His will. The boy, Shasta, runs away from home. Along the way he meets up with a talking horse from Narnia and a nobly born girl, Aravis, with her talking horse. They decide to take their horses to Narnia, but their plans fall apart when they have to go through the Calormene capitol city, Tashbaan. Several times as they travel, they are chased by lions, harassed by cats, and generally persecuted by various members of the cat family. Finally, on one particularly dark night, Shasta crosses over a mountain pass alone. In the dark and fog Shasta senses rather than sees a creature walking along beside him. And he’s terrified. Later, when he meets Aslan, Shasta learns that all the cats were Aslan, guiding them, pushing them, and yes, terrifying them into doing what they needed to do. Aslan was also his protector as he crossed the steep and dangerous mountain pass in the dark. Shasta is angry until he realizes that Aslan did everything out of love, even hurting Aravis when her pride was keeping them from the mission they’d been given. Father, thank You for the beautiful picture of Your protection and courage to those who are Yours.

Their mother came in now, and Maggie rushed away, that her burst of tears, which she felt must come, might not happen till she was safe upstairs. They were very bitter tears; everybody in the world seemed so hard and unkind to Maggie; there was no indulgence, no fondness, such as she imagined when she fashioned the world afresh in her own thoughts. In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt; it seemed to be a world where people behaved the best to those they did not pretend to love, and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother’s narrow griefs, perhaps of her father’s heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no superadded life in the life of others; though we who looked on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present. Maggie, in her brown frock, with her eyes reddened and her heavy hair pushed back, looking from the bed where her father lay to the dull walls of this sad chamber which was the centre of her world, was a creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it. No wonder, when there is this contrast between the outward and the inward, that painful collisions come of it.

Twenty, thirty, forty feet. The pressure wasn’t uncomfortable. I’d never tried to push it—to see if there was a limit to how deep I could dive. I knew most regular humans couldn’t go past two hundred feet without crumpling like an aluminum can. I should’ve been blind, too, this deep in the water at night, but I could see the heat from living forms, and the cold of the currents. It’s hard to describe. It wasn’t like regular seeing, but I could tell where everything was. As I got closer to the bottom, I saw three hippocampi—fish-tailed horses—swimming in a circle around an overturned boat. The hippocampi were beautiful to watch. Their fish tails shimmered in rainbow colors, glowing phosphorescent. Their manes were white, and they were galloping through the water the way nervous horses do in a thunderstorm. Something was upsetting them. I got closer and saw the problem. A dark shape—some kind of animal—was wedged halfway under the boat and tangled in a fishing net, one of those big nets they use on trawlers to catch everything at once. I hated those things. It was bad enough they drowned porpoises and dolphins, but they also occasionally caught mythological animals. When the nets got tangled, some lazy fishermen would just cut them loose and let the trapped animals die. Apparently this poor creature had been mucking around on the bottom of Long Island Sound and had somehow gotten itself tangled in the net of this sunken fishing boat. It had tried to get out and managed to get even more hopelessly stuck, shifting the boat in the process. Now the wreckage of the hull, which was resting against a big rock, was teetering and threatening to collapse on top of the tangled animal. The hippocampi were swimming around frantically, wanting to help but not sure how. One was trying to chew the net, but hippocampi teeth just aren’t meant for cutting rope. Hippocampi are really strong, but they don’t have hands, and they’re not (shhh) all that smart. Free

Anne, did you ever get on a street car and then discover that you hadn’t any money with you to pay your fare? I did, the other day. It’s quite awful. I had a nickel with me when I got on the car. I thought it was in the left pocket of my coat. When I got settled down comfortably I felt for it. It wasn’t there. I had a cold chill. I felt in the other pocket. Not there. I had another chill. Then I felt in a little inside pocket. All in vain. I had two chills at once. “I took off my gloves, laid them on the seat, and went over all my pockets again. It was not there. I stood up and shook myself, and then looked on the floor. The car was full of people, who were going home from the opera, and they all stared at me, but I was past caring for a little thing like that. “But I could not find my fare. I concluded I must have put it in my mouth and swallowed it inadvertently. “I didn’t know what to do. Would the conductor, I wondered, stop the car and put me off in ignominy and shame? Was it possible that I could convince him that I was merely the victim of my own absentmindedness, and not an unprincipled creature trying to obtain a ride upon false pretenses? How I wished that Alec or Alonzo were there. But they weren’t because I wanted them. If I HADN’T wanted them they would have been there by the dozen. And I couldn’t decide what to say to the conductor when he came around. As soon as I got one sentence of explanation mapped out in my mind I felt nobody could believe it and I must compose another. It seemed there was nothing to do but trust in Providence, and for all the comfort that gave me I might as well have been the old lady who, when told by the captain during a storm that she must put her trust in the Almighty exclaimed, ‘Oh, Captain, is it as bad as that?’ “Just at the conventional moment, when all hope had fled, and the conductor was holding out his box to the passenger next to me, I suddenly remembered where I had put that wretched coin of the realm. I hadn’t swallowed it after all. I meekly fished it out of the index finger of my glove and poked it in the box. I smiled at everybody and felt that it was a beautiful world.

The birds had multiplied. She'd installed rows upon rows of floating melamine shelves above shoulder height to accommodate the expression of her once humble collection. Though she'd had bird figurines all over the apartment, the bulk of her prized collection was confined to her bedroom because it had given her joy to wake up to them every morning. Before I'd left, I had a tradition of gifting her with bird figurines. It began with a storm petrel, a Wakamba carving of ebony wood from Kenya I had picked up at the museum gift shop from a sixth-grade school field trip. She'd adored the unexpected birthday present, and I had hunted for them since. Clusters of ceramic birds were perched on every shelf. Her obsession had brought her happiness, so I'd fed it. The tiki bird from French Polynesia nested beside a delft bluebird from the Netherlands. One of my favorites was a glass rainbow macaw from an Argentinian artist that mimicked the vibrant barrios of Buenos Aires. Since the sixth grade, I'd given her one every year until I'd left: eight birds in total. As I lifted each member of her extensive bird collection, I imagined Ma-ma was with me, telling a story about each one. There were no signs of dust anywhere; cleanliness had been her religion. I counted eighty-eight birds in total. Ma-ma had been busy collecting while I was gone. I couldn't deny that every time I saw a beautiful feathered creature in figurine form, I thought of my mother. If only I'd sent her one, even a single bird, from my travels, it could have been the precursor to establishing communication once more. Ma-ma had spoken to her birds often, especially when she cleaned them every Saturday morning. I had imagined she was some fairy-tale princess in the Black Forest holding court over an avian kingdom. I was tempted to speak to them now, but I didn't want to be the one to convey the loss of their queen. Suddenly, however, Ma-ma's collection stirred. It began as a single chirp, a mournful cry swelling into a chorus. The figurines burst into song, tiny beaks opening, chests puffed, to release a somber tribute to their departed beloved. The tune was unfamiliar, yet its melancholy was palpable, rising, surging until the final trill when every bird bowed their heads toward the empty bed, frozen as if they hadn't sung seconds before. I thanked them for the happiness they'd bestowed on Ma-ma.

From an essay on early reading by Robert Pinsky: My favorite reading for many years was the "Alice" books. The sentences had the same somber, drugged conviction as Sir John Tenniel's illustrations, an inexplicable, shadowy dignity that reminded me of the portraits and symbols engraved on paper money. The books were not made of words and sentences but of that smoky assurance, the insistent solidity of folded, textured, Victorian interiors elaborately barricaded against the doubt and ennui of a dreadfully God-forsaken vision. The drama of resisting some corrosive, enervating loss, some menacing boredom, made itself clear in the matter-of-fact reality of the story. Behind the drawings I felt not merely a tissue of words and sentences but an unquestioned, definite reality. I read the books over and over. Inevitably, at some point, I began trying to see how it was done, to unravel the making--to read the words as words, to peek behind the reality. The loss entailed by such knowledge is immense. Is the romance of "being a writer"--a romance perhaps even created to compensate for this catastrophic loss--worth the price? The process can be epitomized by the episode that goes with one of my favorite illustrations. Alice has entered a dark wood--"much darker than the last wood": [S]he reached the wood: It looked very cool and shady. "Well, at any rate it's a great comfort," she said as she stepped under the trees, "after being so hot, to get into the--into the--into what?" she went on, rather surprised at not being able to think of the word. "I mean to get under the--under the--under this, you know!" putting her hand on the trunk of the tree. "What does it call itself, I wonder? I do believe it's got no name--why to be sure it hasn't!" This is the wood where things have no names, which Alice has been warned about. As she tries to remember her own name ("I know it begins with L!"), a Fawn comes wandering by. In its soft, sweet voice, the Fawn asks Alice, "What do you call yourself?" Alice returns the question, the creature replies, "I'll tell you, if you'll come a little further on . . . . I can't remember here". The Tenniel picture that I still find affecting illustrates the first part of the next sentence: So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arm. "I'm a Fawn!" it cried out in a voice of delight. "And dear me! you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed. In the illustration, the little girl and the animal walk together with a slightly awkward intimacy, Alice's right arm circled over the Fawn's neck and back so that the fingers of her two hands meet in front of her waist, barely close enough to mesh a little, a space between the thumbs. They both look forward, and the affecting clumsiness of the pose suggests that they are tripping one another. The great-eyed Fawn's legs are breathtakingly thin. Alice's expression is calm, a little melancholy or spaced-out. What an allegory of the fall into language. To imagine a child crossing over from the jubilant, passive experience of such a passage in its physical reality, over into the phrase-by-phrase, conscious analysis of how it is done--all that movement and reversal and feeling and texture in a handful of sentences--is somewhat like imagining a parallel masking of life itself, as if I were to discover, on reflection, that this room where I am writing, the keyboard, the jar of pens, the lamp, the rain outside, were all made out of words. From "Some Notes on Reading," in The Most Wonderful Books (Milkweed Editions)

Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. Transformations are an integral part of life. Just look at the seasons or the weather.

Thunderbolts," Beatrix exclaimed, entering the library where Leo had been waiting, "I can't go with you to the ruins after all. I've just checked on Lucky, and she's about to have her babies. I can't leave her at such a time." Leo smiled quizzically, replacing a book on a shelf. "Who's Lucky?" "Oh, I forgot you hadn't met her. She's a three-legged cat who used to belong to the cheesemaker in the village. The poor thing got her paw caught in a rat trap, and it had to be amputated. And now that she's no longer a good mouser, the cheesemaker gave her to me. He never even named her, can you imagine?" "Given what happened to her, the name 'Lucky' is something of a misnomer, isn't it?" "I thought it might improve her fortunes." "I'm sure it will," Leo said, amused. Beatrix's passion for helping vulnerable creatures had always worried and touched the Hathaways in equal measure. They all recognized that Beatrix was the most unconventional person in the family. Beatrix was always sought after at London social events. She was a pretty girl, if not classically beautiful, with her blue eyes, dark hair, and tall, slender figure. Gentlemen were attracted by her freshness and charm, unaware that she showed the same patient interest to hedgehogs, field mice, and misbehaving spaniels. And when it came time for active courtship, men reluctantly left Beatrix's engaging company and turned to more conventional misses. With each successive season, her chances at marriage diminished. Beatrix didn't seem to care. At the age of nineteen- nearly twenty- she had yet to fall in love. It was universally agreed among the Hathaways that few men would be able to understand or handle her. She was a force of nature, unhampered by conventional rules.

I think of a line from my all-time favorite book, Jane Eyre by Charlotte Brontë. There is a part in the book when Mr. Rochester is speaking to Jane very passionately, and he says, “Whatever I do with its cage, I cannot get at it—the savage, beautiful creature! If I tear, if I rend the slight prison, my outrage will only let the captive loose. Conqueror I might be of the house; but the inmate would escape to heaven before I could call myself possessor of its clay dwelling-place. And it is you … I want: not alone your brittle frame.

Like most Christians, I have my own canon, in which I hear God speaking most directly to me, but I also like the parts in which God sounds like an alien, since those parts remind me that God does not belong to me. I do not pretend to read the Bible any more objectively than those who wrote it for me. To read it literally strikes me as a terrible refusal of their literary gifts. I will keep the Bible, which remains the Word of God for me, but always the Word as heard by generations of human beings as flawed as I. As beautifully as these witnesses write, their divine inspiration can never be separated from their ardent desires; their genuine wish to serve God cannot be divorced from their self-interest. That God should use such blemished creatures to communicate God's reality so well makes the Bible its own kind of miracle, but I hope never to put the book ahead of the people whom the book calls me to love and serve. I will keep the Bible as a field guide, which was never intended to be a substitute for the field.

Even when they were very small Eliza had known that Sammy needed her more than she needed him, even before he caught the fever and was nearly lost to them. Something in his manner left him vulnerable. Other children had known it when they were small, grown-ups knew it now. They sensed somehow that he was not really one of them. And he wasn't, he was a changeling. Eliza knew all about changelings. She'd read about them in the book of fairy tales that had sat for a time in the rag and bottle shop. There'd been pictures, too. Fairies and sprites who looked just like Sammy, with his fine strawberry hair, long ribbony limbs and round blue eyes. The way Mother told it, something had set Sammy apart from other children ever since he was a babe: an innocence, a stillness. She used to say that while Eliza had screwed up her little red face and howled for a feeding, Sammy had never cried. He used to lie in his drawer, listening, as if to beautiful music floating on the breeze that no one but he could hear.

Technically, Sheena predates even Superman, having first appeared in the primordial dawn of comic books in 1937. But her true origins are older than that. Sheena is often described as the female version of Edgar Rice Burroughs’ 1912 creation, Tarzan. The majority of Burroughs’ popular works revolves around a tension between the savage and the civilized, also seen in Sheena’s adventures. Burroughs’ work, like that of fellow adventure writer H. Rider Haggard, came out of the colonial era, and was written for men and boys who yearned for an escape from stifling modern life, through tales of dangerous worlds and exotic women. The common theme of these stories is that a man from the civilized world finds his way to a fantastic, often barbaric, world of adventure, where he falls in love with an intoxicating savage princess. While most of Burroughs’ heroines, like Dejah Thoris or Dian the Beautiful, were in need of rescuing, Haggard’s 1886 novel She introduced a stronger heroine. The novel’s English protagonist encounters the beautiful queen Ayesha, the ruler of a lost city in Africa. Ayesha is referred to as “she who must be obeyed,” and is a creature that provokes both fear and lust. Ayesha was the ultimate fantasy of civilized man: the beautiful, savage white queen, ruling a kingdom unhindered by the laws of modern morality. This brand of men’s fiction produced the swirling foam of exotic and erotic fantasy from which rose the jungle Venus known as Sheena. (...) Now that we have some historical context on these female monarchs, let’s talk about their specific origins. In the 1930s, there were several studios that produced art and stories for the various publishers who were getting into the new field of comic books. One of the most successful and prolific was the Universal Phoenix Studio, operated by two young artists named Will Eisner and Jerry Iger. In 1937, they created a female Tarzan-type character named Sheena for the British tabloid Wags. The strip was credited to the pseudonym W. Morgan Thomas, and the heroine’s name was meant to remind readers of H. Rider Haggard’s She. Demand for new comic book material was growing in the United States, and American pulp magazine publisher Fiction House was looking for material for a new comic book. Sheena made her American debut in 1938’s Jumbo Comics #1, just three months after Superman’s now legendary first appearance. She was the first female adventure character in comic books. This would be just one of her claims to fame.

Despite mournful envy and Dejected wrath, We bask under blue skies, Bewitching stars, And mystical moons, Loving rumbles of thunder, Glistening raindrops, And a hazy peaceful sunrise. In the face of Sorrowful greed, We delight in magnificent mountains, Bountiful oceans, Turquoise lagoons, Beautiful blossoms, And the green, green grass Of springtime. Through raging anger, Aching sadness, We treasure radiant sunsets, Seek marble courtyards, Ancient architecture, And splendid arched bridges. We sing the praises of Breathtaking falls. Even crushed And bewildered, We are captivated by Exquisite winged creatures, Tropical forests, And the critters we nurture. We embrace the power in our divinity And the superb magic of everything. With every threat to the world We belong to And embrace, We revel in books and dreams. We’re mesmerized by Otherworldly visions And plentiful hues. We cherish The light in ever-curious Truth seekers, And are ever grateful For smiles, Rapturous affection, Laughter, And love.

There is an enormous amount that we still don’t understand—because, as always, what we don’t know is vastly greater than what we know. But we are learning. Perhaps in a curious way, transporting ourselves back to our natural reality, which for Price has its roots in pragmatism and in a respect for what we have learned about reality thanks to scientific rationalism, ends up bringing us closer to the intuitions of Nietzsche, which along a different route have led to the excesses of postmodernism: before being a rational animal, man is a vital animal—“It is our needs that interpret the world . . . Every instinct has its thirst for dominion.” True, but our reason also emerges from this magma, and emerges as our most effective weapon. Price’s book argues with strength and rigor for a humble and complete naturalism: we are natural creatures in a natural world, and these terms give us the best conceptual framework for understanding both ourselves and the world. We are part of this tremendous and incredibly rich nature about which we still understand little, albeit enough to know that it is sufficiently complex to have given rise to all that we are, including our ethics, our capacity for knowledge, our sense of beauty and our ability to experience emotions. Outside of this there is nothing. For a theoretical physicist such as myself, for an astronomer accustomed to thinking about the endless expanse of more than a hundred billion galaxies, each one consisting of more than a hundred billion stars, each one with its garland of planets, on one of which we dwell for a brief and fugitive moment, like specks of infinitesimal dust lost in the endlessness of the cosmos, this seems no more than obvious. Every anthropocentrism pales into insignificance in the face of this immensity. This is naturalism. Emptiness Is Empty: Nāgārjuna December 8, 2017 We rarely come across a book with the capacity to influence our way of thinking.

As Mrs. Crawley said to Mr. Birkett she was afraid they might all have been had up before Convocation for lése-episcopacy, if there was such a phrase, in which case her husband would probably be ungaitered and turned into a perpetual curate. To which Mrs. Morland, who had been getting her hair tidy again after her ecclesiastical excursion, said it must be exactly like being sent to the galleys for life to be a perpetual curate and she never could understand how the Dean’s grandfather, who was perpetual curate of Hogglestock, managed to escape and be Vicar of St. Ewold’s. But a judgment fell upon her for such ignorance, for the School Chaplain who had been rather afraid of joining in the foregoing conversation in case the Bishop came to hear of it, made up for his silence by giving Mrs. Morland a great deal of information about the various kinds of living in the Church of England, very little of which that worthy creature could understand, but somehow it all seeped through into the writing part of her mind and was used with great effect in her next but one book where Madame Koska was abducted by a Russian disguised as a commercial traveller for a French silk firm and rescued by a perpetual curate who married one of her beautiful but pure mannequins: and the Guardian and the Church Times applauded the deep moral lesson of Mrs. Morland’s new book and her profound knowledge of church matters, so rare among even the most intelligent of the laity in these troublous times.

Love was the same way. The higher the stakes, the more impossible the odds, the more eager she was to up the ante. It was the one thing the two sisters had in common. “That gold is as good as mine,” Death said. “Humans are selfish creatures who can always be counted on to do the wrong thing. Shall I tell you how the story ends? The Beast is horrible to Belle, she abandons him, the last petal falls. Fini.” Love jutted her chin. “You have no idea how the story ends. You’re not its author. Sometimes kindness and gentleness win.

I am some kind of terrifying creature. Who ciuld love such a thing? All I want to do is tear you limb from limb and drink you dry." "Then I'll be a beautiful corpse loving you as I'm bleeding out.

By the grace of the Mother, she was paranoid enough about any new allies or companions that she hid the Horn and Harp. She created a pocket of nothingness, she told me, and stashed them there. Only she could access that pocket of nothingness—only she could retrieve the Horn and Harp from its depths. But she remained unaware that Pelias had already told the Daglan of their presence. She had no idea that she was allowed to live, if only for a time, so they might figure out where she’d concealed them. So Pelias, under their command, might squeeze their location out of her. Just as she had no idea that the gate she had left open into our home world … the Daglan had been waiting a long, long time for that, too. But they were patient. Content to let more and more of Theia’s forces come into the new world—thus leaving her own undefended. Content to wait to gain her trust, so she might hand over the Horn and Harp. It was a trap, to be played out over months or years. To get the instruments of power from Theia, to march back into our home world and claim it again … It was a long, elegant trap, to be sprung at the perfect moment. And, distracted by the beauty of our new world, we did not consider that it all might be too easy. Too simple. Midgard was a land of plenty. Of green and light and beauty. Much like our own lands—with one enormous exception. The memory spanned to a view from a cliff of a distant plain full of creatures. Some winged, some not. We were not the only beings to come to this world hoping to claim it. We would learn too late that the other peoples had been lured by the Daglan under similarly friendly guises. And that they, too, had come armed and ready to fight for these lands. But before conflict could erupt between us all, we found that Midgard was already occupied. Theia and Pelias, with Helena and Silene trailing, warriors ten deep behind them, stood atop the cliff, surveying the verdant land and the enormous walled city on the horizon. Bryce’s breath caught. She’d spent years working in the company of the lost books of Parthos, knowing that a great human civilization had once flourished within its walls, but here, before her, was proof of the grandeur, the human skill that had existed on Midgard. And had been entirely wiped away.

The music of the Lyre, in Greek legend, cast such a spell that Orpheus charmed every living creature with it, even persuading the grim guardians of the Underworld to allow him to rescue his beautiful wife Eurydice from the Land of the Dead. Having been warned to cast no glance upon her until the couple had safely reached the upper world, Orpheus unfortunately lost Eurydice at the last moment by disobeying the fateful order. The story is one of the most popular of the Greek legends, and was the subject of the opera Orpheo ed Euridice by Gluck in 1762, and a ballet by Stravinsky in 1947.

So beautiful,” he murmured to himself as though the merits of her body still astounded him. Because they did. Kara was, undeniably, the most tantalizing creature he’d ever entangled with, and he had every aim to keep her.

God is our Creator. He is loving, holy, and just. One day he will execute perfect justice against all sin. People are made in the image of God. We are beautiful and amazing creatures with dignity, worth, and value. But through our willful, sinful rebellion against God, we have turned from being his children to his enemies. Still, all people have the capacity to be in a restored loving relationship with the living God. Christ is the Son of God, whose sinless life gave him the ability to become the perfect sacrifice. Through his death on the cross, he ransomed sinful people. Christ’s death paid for the sins of all who come to him in faith. Christ’s resurrection from the dead is the ultimate vindication of the truth of these claims. The response God requires from us is to acknowledge our sin, repent, and believe in Christ. So we turn from sin, especially the sin of unbelief, and turn to God in faith, with the understanding that we will follow him the rest of our days.

Real Fact about Angles: Angels are material but ethereal (Latif), more ethereal than the gaseous phase of matter. They are Nurani( Luminous, Spiritual). They are alive. They have reason ( ). Evils peculiar to human beings do not exist of angles. They can take any shape. As gases turn into liquid and solid and take any shape when becoming solid, likewise angles can form beautiful shapes, Angles are not souls that have parted from the bodies of great men. Christians presume that the angles are such spirits. Unlike energy and power, they are not immaterial. Some ancient philosophers supposed so. all of them are called Malaika "Malak" (angel) means 'envoy, messenger' or 'power.' Angles were created before all other living creatures. Therefore, we were commanded to believe in them before believing in the heavenly books, which come before belief in prophets; and in the Holly Quran the names of these tenets of belief are given in thes succession. Belief in angles has to be as follows: angels are creatures of Allahu Talal (God). They are not His Partners, nor are they His daughters as disbelievers and polytheists suppose. They Obey His Commands (God's Commands) and never commit sins or disobey the commands. They are neither male or Female. They are do not get married. They do not have children. They have life; that is, they are alive. When Allah (the God) announced the He was going to create human beings, angels asked, "Ya Rabbi! (Oh God) Are You going to create creatures who will corrupt the world and shed blood?" Such questions, called Dhella, from angles do not changes the fact the they are innocent. Of all creatures, angels are the most plentiful. No one but Allah (the God) knows their number. There is no empty space in the skies where angels do not worship. Every place in the skies is occupied by angels in Ruku (blowing during Namaz) " a kind of worship or pray" or in the Sujda (Prostrating) " a kind of worship or pray to God". In the skies, on the earth, in grass, on stars, in every living and lifeless creature, in every rain-drop, plant leaf, atom molecule, in every reaction, motion, in everything, angels have duties. They carry out Allahu Tala's (the God) commands everywhere. They are intermediaries between Allahu tala (The God) and creatures. Some of them are the commanders of other angels. Some of them brought messages to Prophets among human beings. Some angels bring good thoughts, called "Ilham" (inspiration), to the human heart. Some others are unaware of all human beings and creatures and have lost consciousness upon feeling Allah Tala's (The God) beauty. Each of theses angels stays in a certain place and connot leave its place. Some angels have two wings and some have four or more. Angels belonging in Paradise stay in Paradise. Their superior is Ridwan. Angels of Hell, Zabanis carry out in Hell what they are commanded. The fire of Hell does not harm them, as the sea is not harmful to fish. There are nineteen leading Zabanis. Their chief Is Malik. For each human being, there are four angels who record all their good and bad acts. Two of them come at night and the other two come during the day. They are called Kiram Katibin or angels or Hafaza. There is another scholarly report stating that the on one’s right side is superior to the one on the left and records the good deeds. The one on the left writes down the evil deeds. There are angels who will torment disbelievers and disobedient Muslims in their graves, and angels who will ask questions in graves. The questioning angles are called Munkar and Nakir. Angels who will question Muslims are also Called mubashshir and Bashir. At the first sound of the “Sur”, all angels except the Hamalat al-Arsh and the four archangel’s will be annihilated. Then the Hamalat al-Arsh and then the four archangels will be annihilated. At the second sound all angels will be annihilated after all the living creatures, as they were created before all.

I’m the Gatlin County Head Librarian, same as I’ve been since I moved here, same as I always will be. I’m not a Caster. I just keep the records. I just keep the books.” Marian smoothed her hair. “I’m the Keeper, just one in a long line of Mortals entrusted with the history and the secrets of a world we can never entirely be a part of. There must always be one, and now that one is me.

Women know that we each have our moment. Clothed and out in the world, I was a discreet woman, just the sort you'd imagine behind the reference desk of your local library. But take off my clothes in the safety of my own apartment and I changed into a glittering, gleaming creature with white, silky skin, hair tumbling around my shoulders, and my taut body like the spine of a beautiful book with gold-embossed lettering. Only I saw this other creature and I couldn't pretend that I truly believed in her. She was my fantasy.

JANUARY 10 Akiba When Akiba was on his deathbed, he bemoaned to his rabbi that he felt he was a failure. His rabbi moved closer and asked why, and Akiba confessed that he had not lived a life like Moses. The poor man began to cry, admitting that he feared God's judgment. At this, his rabbi leaned into his ear and whispered gently, “God will not judge Akiba for not being Moses. God will judge Akiba for not being Akiba.” —FROM THE TALMUD We are born with only one obligation—to be completely who we are. Yet how much of our time is spent comparing ourselves to others, dead and alive? This is encouraged as necessary in the pursuit of excellence. Yet a flower in its excellence does not yearn to be a fish, and a fish in its unmanaged elegance does not long to be a tiger. But we humans find ourselves always falling into the dream of another life. Or we secretly aspire to the fortune or fame of people we don't really know. When feeling badly about ourselves, we often try on other skins rather than understand and care for our own. Yet when we compare ourselves to others, we see neither ourselves nor those we look up to. We only experience the tension of comparing, as if there is only one ounce of being to feed all our hungers. But the Universe reveals its abundance most clearly when we can be who we are. Mysteriously, every weed and ant and wounded rabbit, every living creature has its unique anatomy of being which, when given over to, is more than enough. Being human, though, we are often troubled and blocked by insecurity, that windedness of heart that makes us feel unworthy. And when winded and troubled, we sometimes feel compelled to puff ourselves up. For in our pain, it seems to make sense that if we were larger, we would be further from our pain. If we were larger, we would be harder to miss. If we were larger, we'd have a better chance of being loved. Then, not surprisingly, others need to be made smaller so we can maintain our illusion of seeming bigger than our pain. Of course, history is the humbling story of our misbegotten inflations, and truth is the corrective story of how we return to exactly who we are. And compassion, sweet compassion, is the never-ending story of how we embrace each other and forgive ourselves for not accepting our beautifully particular place in the fabric of all there is. Fill a wide bowl with water. Then clear your mind in meditation and look closely at your reflection. While looking at your reflection, allow yourself to feel the tension of one comparison you carry. Feel the pain of measuring yourself against another. Close your eyes and let this feeling through. Now, once again, look closely at your reflection in the bowl, and try to see yourself in comparison to no one.

I jumped to my feet, watching the blue creature rise from the floor. His ivory skin nearly shone in the flicker of the flames. He looked mortal, and yet not. His body glowed with that peculiar light, and his beauty was captivating. Jet-black hair was tied back in a long ponytail that swayed behind him. The sides were cut in a few zigzag patterns, highlighting the silver earrings lining both ears. He was gorgeous, in a wants-me-dead kind of way. He stood a foot taller than me, but it wasn’t his height that I found intimidating. It was that light and the blade he twirled in his hand. Those made my skin crawl.

He met my gaze and held it, and I watched with fascination as the color of his irises seemed to swirl and ripple like ink in water. He was truly a beautiful creature, even more so with his skin glowing from the barest sheen of sweat. But the thought struck me then that he was as much something else as he was a man.

Jeff’s quarters were small, but he’d done a lot with it over the last year and a half. The wall above his bed was covered with sheets of paper that he’d taped together, upon which he’d drawn an elaborate mural. Here was the Mars over which the Emperor had reigned: boat-like aircraft hovering above great domed cities, monstrous creatures prowling red wastelands, bare-chested heroes defending beautiful women with rapiers and radium pistols, all beneath twin moons that looked nothing like the Phobos and Deimos we knew. The mural was crude, yet it had been rendered with painstaking care, and was nothing like anything we’d ever seen before. That wasn’t all. On the desk next to the comp was the original Phoenix disk, yet Jeff hadn’t been satisfied just to leave it behind. A wire-frame bookcase had been built beside the desk, and neatly stacked upon its shelves were dozens of sheaves of paper, some thick and some thin, each carefully bound with hemp twine. Books, handwritten and handmade. I carefully pulled down one at random, gazed at its title page: EDISON’S CONQUEST OF MARS by Garrett P. Serviss. I put it back on the shelf, picked up another: OMNILINGUAL by H. Beam Piper. I placed it on the shelf, then pulled down yet another: THE MARTIAN CROWN JEWELS, by Poul Anderson. And more, dozens more… This was what Jeff had been

Oh, Jet, you’ve cut your hair,” Franny said when she witnessed what her sister had done. Jet was still in her nightgown, barefoot. She resembled a cat, with a cat’s suspicion and mistrust, a gorgeous creature despite her attempt to ruin herself. Jet had already decided she would not be finishing high school. She felt far too old for that, and from that day forward, she wore only black. She rid herself of the girlish clothing she’d favored in the past—frilly, floaty dresses in shades of pink and violet—giving it all to Goodwill. Her clothes no longer suited her, for she wasn’t the same person she’d been before her birthday. That girl was gone forever. Sometimes she went back to the scene of the accident. She could no longer hear other people’s thoughts and was so alone she felt like a moth in a jar. She sat on the curb, like a beggar woman, but no one passing by could grant her forgiveness and that was something she certainly couldn’t allow herself. Her one salvation was the novels she read. On nights when she thought it might be better not to be alive without Levi in the world, she opened a book and was therefore saved, discovering that a novel was as great an escape as any spell. She favored Jane Austen and the Brontës and Virginia Woolf, reading one book after another. On most days, she was happy not to leave home. She, who was once the most beautiful girl in two states, who had inherited their mother’s gorgeous features, now seemed mousy and unremarkable, a bookworm who could hardly be convinced to look away from the page. Boys no longer noticed her, and if they did, she made it clear she wasn’t interested. She walked late at night, when the avenues were deserted, as if tempting fate. She felt a kinship with the lonely, forsaken people drifting through the streets at that blue hour.

A person with a taste for paradox (if any such shameless creature could exist) might with some plausibility maintain concerning all our expansion since the failure of Luther’s frank paganism and its replacement by Calvin’s Puritanism, that all this expansion has not been an expansion, but the closing in of a prison, so that less and less beautiful and humane things have been permitted.

AYA HAD TOLD OF the beginning of the world. She had been as fire in the void, twisting, churning, wanting to form. Over time she had taken shape, and it had hurt. Nemours knew how much, but Mother described it also as a joy. To become. From particles burning and melding she had grown into a great dragon, rough-hewn by the collisions of time. Sharp eyes watching the darkness, fire now her breath. The fire, raging alone, had made clouds, and the clouds made rain. The rain had fallen, sweet, and made a sea. The rain had turned salty with her tears and made more seas. And from that fire and rain and the very dust of stars Father had formed. Or so she liked to say. She described Virso coming together, shaped already like a man. The most beautiful of creatures, with the coldness of the moon on his skin, asleep still in the ether. So enamored was she that she had retreated into her own body and remade herself in his likeness. The dragon had hardened and cracked, and she had emerged from it with long limbs, awkward for a while, and reached for him. The body, empty, had fallen from her and into the sea. Aya had taken Virso by the hand and breathed fire and life into him. Their passion had begun. Beneath them, the gigantic dragon body in the water had petrified and become the world. Or so she liked to tell. It had always been difficult to catch Mother out of a poetic mood. She was magic, and she liked illusion.

At the very beginning of the poetic argument, we entered the world of Job’s inner torment through the great death wish poem that takes up all of Chapter 3. These first thirty seven lines of God’s response to Job constitute a brilliantly pointed reversal, in structure, image, and theme, of that initial poem of Job’s. Perhaps the best way to sense the special weight of disputation over theodicy is to observe that it is cast in the form of a clash between two modes of poetry, one kind spoken by man and, however memorable, appropriate to the limitations of his creaturely condition, the other kind of verse a poet of genius could persuasively imagine God speaking…. Perhaps the finest illustration of this nice match of meaning and imagery between the two poems is the beautiful counterbalance between the most haunting of Job’s lines wishing for darkness and the most exquisite of God’s lines affirming light. Job, one recalls, tried to conjure up an eternal starless night: “Let its twilight stars go dark, / let it hope for light in vain, / and let it not see the eyelids of the dawn” (3:9). God, near the beginning of His first discourse, evokes the moment when creation was completed in an image that has become justly famous in its own right but that is also, it should be observed, a counterimage to 3:9: “When the morning stars sang together, / and all the sons of God shouted for joy” (verse 7). That is, instead of a night with no twilight stars, with no glimmer of dawn, the morning stars of creation exult. The emphasis in this line on song and shouts of joy also takes us back to the poem of Chapter 3, which began with a triumphant cry on the night of conception—a cry Job wanted to wish away—and proceeded to a prayer that no joyous exclamation come into that night (3:7).

There was one my dad told me, setting down the book, since he knew the story by heart, about a fairy queen who lived in the center of the marsh. She was both beautiful and terrible, angry at times and kind at others, and rarely seen by mortals. Mostly she took the form of a great blue heron, surveying her kingdom and all the creatures in it. She disdained most humans, except those she helped make the passage into the next world. But if a living person had a sincere wish and she deemed it noble, she would rise up out of the swamp in her true form, with her Spanish-moss hair and her eyes like the sharpest sunbeams, and she would ask the human to perform a nearly impossible task. If they did, she would grant the wish.