Beautiful Clicks Quotes

To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the paving stones, why no one else's heart was wild with the breeze stirred by the sighs of her veils, why everyone did not go mad with the movements of her braid, the flight of her hands, the gold of her laughter. He had not missed a single one of her gestures, not one of the indications of her character, but he did not dare approach her for fear of destroying the spell.

It's true. It's like the hidden secret that no one tells you. we can all be beautiful girls, Colie. it's so easy. it's like Dorothy clicking her heels to go home. You could do it all along.

I thought about my mother, and the words she said to me almost a lifetime ago. That’s when it clicked: she had asked me not to settle, to fight for the person I loved, and for the first time, I did what she expected of me. I had finally lived up to who she wanted me to be.

The way you seem nervous makes me think you don't know that I'm in love with you." I looked up at him, eyes wide and hands froze. Click. "I love you, Petal. I've known it for a while now, but everything changed for me last night.

but I want to tell them that all of this shit is just debris leftover when we finally decide to smash all the things we thought we used to be and if you can’t see anything beautiful about yourself get a better mirror look a little closer stare a little longer because there’s something inside you that made you keep trying despite everyone who told you to quit you built a cast around your broken heart and signed it yourself you signed it “they were wrong” because maybe you didn’t belong to a group or a click maybe they decided to pick you last for basketball or everything maybe you used to bring bruises and broken teeth to show and tell but never told because how can you hold your ground if everyone around you wants to bury you beneath it you have to believe that they were wrong they have to be wrong

And not after, when we’re clinging to each other like the world just fell apart and is slowly clicking back together, piece by piece, breath by breath . . . heartbeat by beautiful heartbeat.

I love you, too." Click. "But I'm terrified." He lowered the camera, eyes on me. "I didn't want to fall in love with you,' I said. He took a step closer. "If it makes you feel any better, you put up a very impressive fight." He didn't put the camera down when he stepped forward again to kiss me. He just moved his hand to the side and cupped my face with the other, pressing his mouth to mine. "I'm scared, too, Sara. I'm scared I'm your rebound. I'm scared we'll cock it up somehow. I'm scared you'll tire of me. But the thing is," he said, smiling, "I don't want anyone else. You've rather ruined me for other women.

For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.

I shook my head, sweeping my lips across hers. Not good enough. “I need to hear you say it. I need to know you’re mine.” “I’ve been yours since the second we met,” she said, begging. I stared into her eyes for a few seconds, and then felt my mouth turn up into a half smile, hoping her words were true and not just spoken in the moment. I leaned down and kissed her tenderly, and then she slowly pulled me into her. My entire body felt like it was melting inside of her. “Say it again.” Part of me couldn’t believe it was all really happening. “I’m yours.” She breathed. “I don’t ever want to be apart from you again.” “Promise me,” I said, groaning with another thrust. “I love you. I’ll love you forever.” She looked straight into my eyes when she spoke, and it finally clicked that her words weren’t just an empty promise.

Some people may opt out. Their child turns out to be whatever it is that they find impossible to face—for some, the wrong religion; for some, the wrong sexuality; for some, a drug addict. They close the door. Click. Like in mafia movies: “I have no son. He is dead to me.” I have a son and he will never be dead to me.

That was the moment I fell in love with Josh Walker. Everything clicked into place, mending the broken parts of my soul enough to finally breathe freely, to soak in everything about him, and the beauty of what we were together.

He handed me a bandana. "Tie that on." "Why?" I said, but I did it anyway. "Norman, you are way too into ceremony." "It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look." I pulled off the blindfold. Beside me, Norman watched me see myself for the first time. And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky. The girl was something else, though. Something I hadn't expected. She was beautiful. Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home. "Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?" "Colie." He was right beside me. "That's how you are.

I heard the click of a shutter followed by Max's deep voice. "The way you seem nervous makes me think you don't know that I'm in love with you.

I want to fly like a butterfly around this beautiful world, till the last frame of my life and the last click of my heart.

The streets you walk, the food you eat, the job you work, the method of transportation you choose, the beauty products you purchase, the shows you watch, the links you click, the way you sit on a train, the way your speak to waiters, the way you take your coffee -- everything affects everyone. Find a way to believe this, even when sober.

There is no enough.’ Tarin flicked her indicator on, the clicking noise filling the car as she merged on to the motorway. ‘You seem to be forgetting that she’s in a clinical facility getting professional help. Which is great, obviously. Let them worry about how to deal with depression. You’re going to visit your friend, remember? Yes, she’s a patient, but she’s not your patient. So for God’s sake, don’t treat her like one.

We aren't able to click backspace or delete. That's the beauty of real life; good or bad we live in the moment.

I love you. I'll love your forever." She looked straight into my eyes when she spoke, and it finally clicked that her words weren't just an empty promise.

To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the pavement,the flight of her hands,the gold of her laughter.

I don’t know what to say. That’s the problem with words. In my head, words are magic. My thoughts are eloquent and fierce. On the page, words are music. In the clicks of my keyboard, in the scratches of pencil meeting paper. In the beauty of the eraser, of the backspace key. On the page, the words in my head sing and dance with the precision of diction and the intricacies of rhythm. Out loud? Words are the worst.

He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy's house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty.

Now we lie here, a decapitated generation, our child-like names vanishing on tombstones, can't you see? Once there was Rock 'n' Roll, freedom of speech, baroque picnics on miraculous boats, there was resurrection on romantic lakes, there were melting kisses under golden trees, there was ticking laughter, clicking metaphors, there were wine and poetic sex, beauty...

I left this morning saying ‘I love you’ as if setting out for some unknown country instead of the corner shop. I wanted you to be sure, in case this time - out of, say, 10,000 departures I never made it back: although after 50 years together, 2 countries, 3 children, and several former journeys that would put this one to shame you’d think there’d be no need to pause on my own doorstep, suddenly afraid of the distance between us, of your absolute beauty, of the growing aloneness when I clicked the latch.

Your beautiful password is dead. It was simply too complex and too damned exquisite to live in your humdrum world, your humdrum mind. Now you must face the ignominy of clicking the password reset button for the 58th time this year. And as you trudge dolefully toward your inbox, waiting for the help letter to arrive, the cruel laughter of His Computerised Majesty rings in your ears. You have failed, human. You have failed.

Snow White swallows that like a sword. She lets the hammer click back into place. Everything in her that's not nailed down is shaking loose.

We get one chance and that one chance can make or break us. Turn our event into enchantment or one of tragedy. Either tears are shed or the sounds of laughter fill a room. We aren't able to click backspace or delete. That's the beauty of real life; good or bad we live in the moment.

And not after, when we’re clinging to each other like the world just fell apart and is slowly clicking back together, piece by piece, breath by breath . . . heartbeat by beautiful heartbeat.

He began to see a kind of beauty in the strangeness of the field, too. It was quite different from what he had been taught to expect —as he had already discovered, were many of the things in this world—yet there weas pleasure for him now in its alien colors and textures, its new sights and smells. In sounds, too; for his ears were very acute and he heard many strange and pleasant noises in the grass, the diverse rubbings and clickings of those insects that had survived the cold weather of early November; and even, with his head now against the ground, the very small, subtle murmurings in the earth itself.

It seemed like I had completed a task, overcome an obstacle. I thought about my mother, and the words she said to me almost a lifetime ago. That’s when it clicked: she had asked me not to settle, to fight for the person I loved, and for the first time, I did what she expected of me. I had finally lived up to who she wanted me to be.

Every time the telephone rings, my stomach constricts. Long after the euphoria from meth is no longer attainable—Tennessee Williams described the equivalent with alcohol in Cat on a Hot Tin Roof: “I never again could get the click”—addicts are agitated and confused, and most stop eating and sleeping. Parents of addicts don’t sleep, either.

Here's something I still can't get over. Amazes and thrills me every time. I'm sitting here and want a certain book. So I search, click, and then I have the book. Every time, my heart does a little leap of joy. What a beautiful world the market is making.

Peace, he knows, can be shattered in a million variations: great visions of the end, a rain of ash, a disease on the wind, a blast in the distance, the sun dying like a kerosene lamp clicked off. And in smaller ways: an overheard remark, his daughter’s sour mood, his own body faltering. There’s no use in anticipating the mode. He will wait for the hushed spaces in life, for Ellis’s snore in the dark, for Grete’s stealth kiss, for the warm light inside the gallery, his images on the wall broken beyond beauty into blisters and fragments, returning in the eye to beauty again. The voices of women at night on the street, laughing; he has always loved the voices of women. Pay attention, he thinks. Not to the grand gesture, but to the passing breath. He sits. He lets the afternoon sink in. The sweetness of the soil rises to him. A squirrel scolds from high in a tree. The city is still far away, full of good people going home. In this moment that blooms and fades as it passes, he is enough, and all is well in the world.

There are two different kinds of glee club in this world. The first sing barbershop favourites and Gershwin tunes, they swing gently, moving from side to side and sometimes clicking their fingers and winking. Howard could basically deal with that type. He had got through those occasions graced by glee clubs of that type. But these boys were not of that type. Swaying and clicking and winking were just how they got warmed up. Tonight this glee club had chosen as their opener ‘Pride (In the Name of Love)’ by U2, which they had taken the trouble to transform into a samba. They swayed, they clicked, they winked. They did coordinated spins. They switched places with each other. They moved forward, they moved back – always retaining their formation. They smiled the kind of smile you might employ when trying to convince a lunatic to quit holding a gun to your mother’s head.

Everyday I rewrite her name across my ribcage so that those who wish to break my heart will know who to answer to later She has no idea that I’ve taught my tongue to make pennies, and every time our mouths are to meet I will slip coins to the back of her throat and make wishes I wish that someday my head on her belly might be like home like doubt to doubt resuscitation because time is supposed to mean more than skin She doesn’t know that I have taught my arms to close around her clocks so they can withstand the fallout from her Autumn She is so explosive, volcanoes watch her and learn terrorists want to strap her to their chests because she is a cause worth dying for Maybe someday time will teach me to pick up her pieces put her back together and remind her to click her heels but she doesn’t need a wizard to tell her that I was here all along Lady let us catch the next tornado home let us plant cantaloupe trees in our backyard then maybe together we will realize that we don’t like cantaloupe and they don’t grow on trees we can laugh about it then we can plant things we’ve never heard of I’ve never heard of a woman who can make flawed look so beautiful the way you do The word smitten is to how I feel about you what a kiss is to romance so maybe my lips to yours could be the penance to this confession because I am the only one preaching your defunct religion sitting alone at your altar, praising you out of faith I cannot do this hard-knock life alone You are all the softness a rock dreams of being the mistakes the rain makes at picnics when Mother Nature bears witness in much better places So yes I will gladly take on your ocean just to swim beneath you so I can kiss the bends of your knees in appreciation for the work they do keeping your head above water

Biju stepped out of the airport into the Calcutta night, warm, mammalian. His feet sank into dust winnowed to softness at his feet, ad he felt an unbearable feeling, sad and tender, old and sweet like the memory of falling asleep, a baby on his mother's lap. Thousands of people were out though it was almost eleven. He saw a pair of elegant bearded goats in a rickshaw, riding to slaughter. A conference of old men with elegant goat faces, smoking bidis. A mosque and minarets lit magic green in the night with a group of women rushing by in burkas, bangles clinking under the black and a big psychedelic mess of colour from a sweet shop. Rotis flew through the air as in a juggling act, polka-dotting the sky high over a restaurant that bore the slogan "Good food makes good mood". Biju stood there in that dusty tepid soft sari night. Sweet drabness of home - he felt everything shifting and clicking into place around him, felt himself slowly shrink back to size, the enormous anxiety of being a foreigner ebbing - that unbearable arrogance and shame of the immigrant. Nobody paid attention to him here, and if they said anything at all, their words were easy, unconcerned. He looked about and for the first time in God knows how long, his vision unblurred and he found that he could see clearly.

Time and task were both disorienting, for if you were to remove everything from our lives that depends on electricity to function, homes and offices would become no more than the chambers and passages of limestone caves- simple shelter from wind and rain, far less useful than the first homes at Plymouth Plantation or a wigwam. No way to keep out cold, or heat, for long. No way to preserve food, or to cook it. The things that define us, quiet as rock outcrops - the dumb screens and dials, the senseless clicks of on/off switches- without their purpose, they lose the measure of their beauty and we are left alone in the dark with countless useless things.

The siren soared again, closer at hand, and then, with no anticipatory roar and clamour, a dark and sinuous body curved into view against the shadows far down the high-banked track, and with no sound but the rush of the cleft wind and the clock like tick of the rails, moved towards the bridge - it was an electric train. Above the engine two vivid blurs of blue light formed incessantly a radiant crackling bar between them, which, like a spluttering flame in a lamp beside a corpse, lit for an instant the successive rows of trees and caused Gloria to draw back instinctively to the far side of the road. The light was tepid - the temperature of warm blood... The clicking blended suddenly with itself in a rush of even sound, and then, elongating in sombre elasticity, the thing roared blindly by her and thundered onto the bridge, racing the lurid shaft of fire it cast into the solemn river alongside. Then it contracted swiftly, sucking in its sound until it left only a reverberant echo, which died upon the farther bank.

What can one do with beauty after the eye of the camera has clicked?

You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation. Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams. Like the spaces between our fingers, in the spaces between I, love, and you, we wait. The in-betweens have always been my favorite.

My biggest discovery was that you can literally re-create your life. You can redefine it. You don’t have to live in the past. I found that not only did I have fight in me, I had love. By the time we clicked, I had had enough therapy and enough friendship and enough beautiful moments in my life to know what love is and what I wanted my life to feel and look like. When I got on my knees and I prayed to God for Julius, I wasn’t just praying for a man. I was praying for a life that I was not taught to live, but for something that I had to learn. That’s what Julius represented.

Nala pushed her lithe body from the desk and swept across the room, her stilettos clicking against the tiled floor. Her movements were as fluid and elegant as the gazelles that inhabited the grassy savannas in Africa. She stood silently in front of the open window, the chiffon curtains floating in the breeze around her. She presented an ethereal vision, which held Abayomi spellbound. Beautiful on the outside. Lethal on the inside, he thought to himself.

I discovered another analogy in the legacy of Prophet Muhammad that immediately clicked with me: that the angels put down their wings in humility for a person who seeks knowledge, and that all living things, even the ants in their anthill and the fish in the sea, pray for a person who teaches people good things. When I read this, I literally felt the goodness flow out of my heart for all creatures. The beautiful mental image it evoked resonated with my concept of the universe as one unit, and of all living things seeking to live together in peace and harmony, and being grateful when humans tried to fit into the circle of life, instead of working so hard to disrupt its equilibrium

Painful sunlight spilled into Darcy’s bedroom. He groaned and buried his head beneath his pillow. “Good morning, Master Darcy,” called Niles’s cheerful voice. “Nice day out; just a few clouds. Might have some rain later today. What would you like for your breakfast?” “Darkness,” Darcy growled into his pillow. “And more sleep.” Niles clicked his tongue and walked over to his master’s bed. “You’ve got a town to rule and a castle to mope around. And it’s a bright, beautiful day!

Something clicked . Like watching her through the lens , the aperture flicked and the light hit her face differently. She glowed. So goddamn beautiful , it hurt to look at her. Like and eclipse , I knew the longer I stared , the more fucked I'd be.

And I thought, I am in love. For the first time I am in love. And loved. Someone loves me. And I love them. And within me things clicked and whirled like the insides of some gigantic clock, cog against wheel, spring against spiral, tick against tock, and I knew that nothing would ever be the same again. I had shown someone what I really was. I had shown someone my truth, my secret. Out there, beyond the walls of the Castle, there was a boy who had seen inside my chrysalis. And I would never be safe again.

Something inside me clicks. It's like I've spent my whole life fiddling with a complicated combination only to discover I was toying with the wrong lock. And now, the vault inside of me that contains all my secrets is swinging open and I feel that rush of blood swell in my chest.

I walk into the moonlit room and hear the click of the door behind me. A heartbeat later his presence is at my back. He stands there, hovering, the only contact the heat that simmers off his body onto mine. Then I feel it—a fingertip, or perhaps the back of his finger, moving slowly up and down my spine.

The trees in wind, the streetlights on, the click and flash of cigarettes being smoked on the lawn, and just a little kiss before we say goodnight. It spins like a wheel inside you: green-yellow, green-blue, green beautiful green. It's simple: it isn't over, it's just begun. It's green. It's still green.

The flickering flames serve a fair match for the sun as the golden globe dips low behind Dove Mountain. In response the earth sings out in passionate notes, morphing from a timid silence into an aria of melon, tangerine, and pomegranate. Foraging bats add their faint, rhythmic clicks, and my heart hums in response.

To honour its first creation, no sound was permitted within the home of Muse for a full year, no sound save that of its Art: the slow, crisp, click of polished brass gears, the sensual hiss of pneumatic release, the insidious sibilance and decisive thud of a withdrawing and thrusting piston, and the soft groan of the boy held within the cube as each rod ran him through, over and over and over. Powered by this action, the music box played. Ashes, ashes, we all fall down... And another piston rammed home. A mechanism of intricate complexity exchanging great pain for a little beauty. This, here, then, was Life. Muse was fulfilled.

Kenji goes suddenly still. At the creak of the door Kenji’s eyebrows shoot up; a soft click and his eyes widen; a muted rustle of movement and suddenly the barrel of a gun is pressed against the back of his head. Kenji stares at me, his lips making no sound as he mouths the word psychopath over and over again. The psychopath in question winks at me from where he’s standing, smiling like he couldn’t possibly be holding a gun to the head of our mutual friend. I manage to suppress a laugh. “Go on,” Warner says, still smiling. “Please tell me exactly how she’s failed you as a leader.” “Hey—“ Kenji’s arms fly up in mock surrender. “I never said she failed at anything, okay? And you are clearly over-react—“ Warner knocks Kenji on the side of the head with the weapon. “Idiot.” Kenji spins around. Yanks the gun out of Warner’s hand. “What the hell is wrong with you, man? I thought we were cool.” “We were,” Warner says icily. “Until you touched my hair.” “You asked me to give you a haircut—“ “I said nothing of the sort! I asked you to trim the edges!” “And that’s what I did.” “This,” Warner says, spinning around so I might inspect the damage, “is not trimming the edges, you incompetent moron—“ I gasp. The back of Warner’s head is a jagged mess of uneven hair; entire chunks have been buzzed off. Kenji cringes as he looks over his handiwork. Clears his throat. “Well,” he says, shoving his hand in his pockets. “I mean—whatever, man, beauty is subjective—“ Warner aims another gun at him. “Hey!” Kenji shouts. “I am not here for this abusive relationship, okay?” He points to Warner. “I did not sign up for this shit!” Warner glares at him and Kenji retreats, backing out of the room before Warner has another chance to react; and then, just as I let out a sign of relief, Kenji pops his head back into the doorway and says “I think the cut looks cute, actually” and Warner slams the door in his face.

The streets you walk, the food you eat, the job you work, the method of transportation you choose, the beauty products you purchase, the shows you watch, the links you click, the way you sit on a train, the way you speak to waiters, the way you take your coffee—everything affects everyone. Find a way to believe this, even when sober.

She’d never really existed to him. She was of no consequence in his life. He was married to a beautiful woman. Jane was pornography. Jane was the adult movie that didn’t appear on his hotel bill. Jane was Internet porn, where every fetish can be fulfilled. You have a fetish for humiliating fat girls? Enter your credit card number and click right here.

I could hear the *click clack* of my heels on the brick walkway. *click* A boy starts a ballet class and doesn’t worry about what his friends will say. *clack* A college student reads Judith Butler. *click* A transgender person understands that, while they have a difficult life to face, they will not be alone. *clack* A sex worker reclaims her dignity and autonomy from a world that says she’s worthless. *click* A woman finds freedom from her abusive husband. *clack* A friend, struggling with bulimia, realizes that she is beautiful. *click* All people, man and woman, realize that in some small way, they have not been true to themselves, and the bonds of gender stereotypes and heterosexism dissolve into truth.

Above the engine two vivid blurs of blue light formed incessantly a radiant crackling bar between them, which, like a spluttering flame in a lamp beside a corpse, lit for an instant the successive rows of trees and caused Gloria to draw back instinctively to the far side of the road. The light was tepid, the temperature of warm blood…. The clicking blended suddenly with itself in a rush of even sound, and then, elongating in sombre elasticity, the thing roared blindly by her and thundered onto the bridge, racing the lurid shaft of fire it cast into the solemn river alongside. Then it contracted swiftly, sucking in its sound until it left only a reverberant echo, which died upon the farther bank. Silence crept down again over the wet country;

I am scared of snapping. That something, some random day, it will simply make ‘click’ in my mind and all of the sudden I will absolutely lose my mind. In other words having gazed into the abyss for too long. Go completely and totally insane! How does one decent into madness? What makes one click so all of the sudden life is upside down and people don’t know themselves anymore?

I found the world of the Little House books to be so much less confusing, not just because it was "simpler," as plenty of people love to insist, but because it reconciled all the little contradictions of my modern girlhood. On the Banks of Plum Creek clicked with me especially, with its perfect combination of pinafores and recklessness. (I will direct your attention to the illustration on page 31 of my Plum Creek paperback, where you will note how fabulous Laura looks as she pokes the badger with a stick; her style is casual yet feminine, perfect for precarious nature adventures!) At an age when I found myself wanting both a Webelos uniform and a head of beautiful Superstar Barbie hair, On the Banks of Plum Creek was a reassuring book. Being a girl sometimes made more sense in Laura World than it did in real life.

I helped Master Crawford, the watchmaker, now that his sight had gone and faded to a thin pinpoint of light. That were my favorite time. I loved the beauty of all them parts working perfectly together, a little world that could be put to rights with the click of gears, like time itself answered to your fingers. “There is a beauty to the way things work. Remove one part, add another, you’ve changed the mechanism

Lord, what will I be? Where will the careless conglomeration of environment, heredity and stimulus lead me? Someday I may say: It was of great significance that I sat and laughed at myself in a convertible with the rain coming down in rattling sheets on the canvas roof. It influenced my life that I did not find content immediately and easily - - and now I am I because of that. It was inestimably important for me to look at the lights of Amherstn town in the rain, with the wet black tree-skeletons against the limpid streetlights and gray November mist, and then look at the boy beside me and feel all the hurting beauty go flat because he wasn't the right one - not at all. And I may say that my philosophy has been deeply affected by the fact that windshield wipers ticked off seconds too loudly and hopelessly, that my clock drips loud sharp clicks too monotonously on my hearing. I can hear it even through the pillow I muffle it with - the tyrannical drip drip drip drip of seconds along the night. And in the day, even when I'm not there, the seconds come out in little measured strips of time. And I wind the clock. And I look at the windshield wipers cutting an arch out of the sprinkled raindrops on the glass. Click-click. Clip-clip. Tick-tick. snip-snip. And it goes on and on. I could smash the measured clicking sound that haunts me - draining away life, and dreams, and idle reveries. Hard, sharp, ticks. I hate them. Measuring thought, infinite space, by cogs and wheels. Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.

Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.

How strangely, how inconceivably our fate plays with us! Do we ever get what we desire? Do we ever achieve that for which our powers seem purposely to prepare us? Everything happens in a contrary way. To this one fate gave wonderful horses, and he drives around indifferently without ever noticing their beauty—while another, whose heart burns with the horse passion, goes on foot and contents himself with merely clicking his tongue as a trotter is led past him.

Beauty isn’t an arrangement of features, even features as perfect as Finlay Hart’s, it’s a feeling. This is how it feels in the split second you suddenly become aware that you’re falling in love with someone. The click of a jigsaw’s last piece, the rainfall of coins in a jackpot slot machine, the right song striking up and your being swept away by its opening bars. That conviction of making complete sense of the universe, in one moment. Of course. You’re where I should be. You’re here.

The best thing I have always liked about photographers is that they perceive beauty in everything. Beautify everything with clicks; Sonam was that way, looking for beauty everywhere in every place, in every person, may be it was just a practice of photographers. What if all people really appreciate beauty in the world, themselves and other people, the beauty which makes them fall in love with who they truly are, when love of beauty arouses from hearts even the toughest dreams softens their way.

Bethany stands in the middle of the enormous, apparently endless beach surrounded by square miles of damp sand, the surf still some hundred yards off, the light pearly and uniform, the horizon a blurry, darker grey line shading into the clouds. Turning, she sees the black-green jagged stripe of the pines behind the dunes and, beyond that, more unchanging grey sky. A kind of dizziness afflicts her – she senses her insignificance, a small two-legged homunculus in the midst of all this space, a mere speck, a tiny crawling gnat in this elemental simplicity of sand, water and sky. She squats on her haunches, worried she might fall over, and to distract herself takes out her camera and frames a shot of the beach, the sea and the packed clouds – it looks like an abstract painting. Click. It looks like an abstract painting by – what was his name? Colour-field paintings they are called, the three layers of colour-fields in this case being broad, horizontal bands of dark taupe, slate grey, nebulous tarnished silver. It is rather beautiful. She stands up, feeling equilibrium return – maybe she was hungry, and felt faint for a second or two or maybe, she wonders, maybe she has experienced an actual existential moment – an epiphany – and has seen clearly the reality of her place in the world and has felt the nothingness, the vast indifference of the universe…

But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.

As soon as I got an editor title I was met with raised eyebrows from peers and people older than me. I don’t think that men face this challenge; what I’ve observed is that men in my industry who get ahead early are called trailblazers, while women who get ahead early are simply not taken seriously. The messaging is confusing: we’re repeatedly told we should want to look young. Our culture is, in fact, obsessed with it; the global antiaging industry was valued at 250 billion dollars in 2016 and has grown year over year ever since. But if we do look young, and furthermore if we are young, we’re treated like we don’t know anything. For a culture that is so preoccupied with maintaining female youth, we certainly have quite a few parameters around what kind of power that youth is allowed to access.

The nurse brought out some knitting, and clicked her needles sharply. She turned to me, very bright, very cheerful. “How are you liking Manderley, Mrs. de Winter?” “Very much, thank you,” I said. “It’s a beautiful spot, isn’t it?” she said, the needles jabbing one another. “Of course we don’t get over there now, she’s not up to it. I am sorry, I used to love our days at Manderley.” “You must come over yourself sometime,” I said. “Thank you, I should love to. Mr. de Winter is well, I suppose?” “Yes, very well.” “You spent your honeymoon in Italy, didn’t you? We were so pleased with the picture-postcard Mr. de Winter sent.” I wondered whether she used “we” in the royal sense, or if she meant that Maxim’s grandmother and herself were one. “Did he send one? I can’t remember.” “Oh, yes, it was quite an excitement. We love anything like that. We keep a scrapbook you know, and paste anything to do with the family inside it. Anything pleasant, that is.

He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy's house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty. He left feeling that if he had searched harder he might have found her—that he was leaving her behind. The day-coach—he was penniless now—was hot. He went out to the open vestibule and sat down on a folding-chair, and the station slid away and the backs of unfamiliar buildings moved by. Then out into the spring fields, where a yellow trolley raced them for a minute with people in it who might once have seen the pale magic of her face along the casual street. The track curved and now it was going away from the sun which, as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.

A young woman stepped in front of the dais and cleared her throat. She had reddish-brown hair that hung in loose waves down her back. Her figure was slender and regal, and Ian could have easily drowned in her emerald eyes. But what captured his attention the most was the way the lass carried herself—confident, yet seemingly unaware of her true beauty. She wore a black gown with hanging sleeves, and the embroidered petticoat under her skirts was lined in gray. With the added reticella lace collar and cuffs dyed with yellow starch, she looked as though she should have been at the English court rather than in the Scottish Highlands. “Pardon me, Ruairi. Ravenna wanted me to tell you that we’re taking little Mary to the beach. We won’t be long. We’ll be in the garden until the mounts are readied, if you need us.” When the woman’s eyes met Ian’s, something clicked in his mind. His face burned as he remembered. He shifted in the seat and pulled his tunic away from his chest. Why was the room suddenly hot? He felt like he was suffocating in the middle of the Sutherland great hall. God help him. This was the same young chit who had pined after him, following him around the castle and nipping at his heels like Angus, Ruairi’s black wolf. But like everything else that had transformed around here, so had she. She was no longer a girl but had become an enchantress—still young, but beautiful nevertheless. His musings were interrupted by a male voice. “Munro, ye do remember Lady Elizabeth, eh?” How could he forget the reason why he’d avoided Sutherland lands for the past three years?

At the top of Anonybitch’s feed, there is a video of a boy and a girl making out in a hot tub. Anonybitch is particularly famous for her hot tub videos. She tags them #rubadub. This one’s a little grainy, like it was zoomed in from far away. I click play. The girl is sitting in the boy’s lap, her body draped over his, legs hooked around his waist, arms around his neck. She’s wearing a red nightgown, and it billows in the water like a full sail. The back of her head obscures the boy. Her hair is long, and the ends dip into the hot tub like calligraphy brushes in ink. The boy runs his hands down her spine like she is a cello and he is playing her. I’m so entranced I don’t notice at first that Kitty is watching with me. Both of our heads are tilted, trying to suss out what it is we’re looking at. “You shouldn’t be looking at this,” I say. “Are they doing it?” she asks. “It’s hard to say because of her nightgown.” But maybe? Then the girl touches the boy’s cheek, and there is something about the movement, the way she touches him like she is reading braille. Something familiar. The back of my neck goes icy cold, and I am hit with a gust of awareness, of humiliating recognition. That girl is me. Me and Peter, in the hot tub on the ski trip. Oh my God. I scream. Margot comes racing in, wearing one of those Korean beauty masks on her face with slits for eyes, nose, and mouth. “What? What?” I try to cover the computer screen with my hand, but she pushes it out of the way, and then she lets out a scream too. Her mask falls off. “Oh my God! Is that you?” Oh my God oh my God oh my God. “Don’t let Kitty see!” I shout. Kitty’s wide-eyed. “Lara Jean, I thought you were a goody-goody.” “I am!” I scream.

I might be a shameless flirt, but at least I don't have a horrible temper. You should come tend to my wounds from our squabble in the snow. I'm bruised all over thanks to you. Something clicked against the nightstand, and a pen rolled across the polished mahogany. Hissing, I snatched it up and scribbed: Go lick your wounds and leave me be. The paper vanished. It was gone for a while- far longer than it should have taken to write the few words that appeared on the paper when it returned. I'd much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where exactly? The paper vanished before I'd even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. I'd like to start with "Everywhere," but I can choose, if necessary. I wrote back, Let's hope my licking is better than yours. I remember how horrible you were at it Under the Mountain. Lie. He'd licked away my tears when I'd been a moment away from shattering. He'd done it to keep me distracted- keep me angry. Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking. Lucien had come to patch me up a few times, but no one risked quite so much in keeping me not only alive, but as mentally intact as I could be considering the circumstances. Just as he'd been doing these past few weeks- taunting and teasing me to keep the hollowness at bay. Just as he was doing now. I was under duress, his next note read. If you want, I'd be more than happy to prove you wrong. I've been told I'm very, very good at licking. I clenched my knees together and wrote back, Good night. A heartbeat later, his note said, Try not to moan too loudly when you dream about me. I need my beauty rest. I got up, chucked the letter in the burbling fire, and gave it a vulgar gesture. I could have sworn laughter rumbled down the hall.

Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.

this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no

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245I want to fly like a butterfly around this beautiful world, ‘til the last frame of my life and the last click of my heart.” -Biju Karakkonam

I want to fly like a butterfly around this beautiful world, ‘til the last frame of my life and the last click of my heart.” -Biju Karakkonam

Spoon smiled and held up a palm. I high-fived him. I clicked the link for student files and then typed in the name: Kent, Ashley. When her photograph came up—the one we’d both taken for student IDs the first day of school—I felt a hand reach into my chest and squeeze my heart. “Man,” Spoon said, “no wonder you want to find her.” If you were creating a graphic dictionary and needed a definition of demure, you would use her expression in this picture. She looked pretty, sure, beautiful even, but what you really felt was that she was quiet and shy and somewhat uncomfortable posing. Something about it—something about her, really—called out to me.

A woman I have never seen before Steps from the darkness of her town-house door At just that crux of time when she is made So beautiful that she or time must fade. What use to claim that as she tugs her gloves A phantom heraldry of all the loves Blares from the lintel? That the staggered sun Forgets, in his confusion, how to run? Still, nothing changes as her perfect feet Click down the walk that issues in the street, Leaving the stations of her body there Like whips that map the countries of the air.

cooking with mud was rolling around in it until only our eyes weren’t caked with brown sludge. I loved him on our hour-long bike rides when we played Would You Rather until we had to pull off to the side of the road because we were laughing so hard. I loved him through high school when he was the obsession of almost every girl at our school, but he always put me first. I loved him when he became my first boyfriend and showed me what it felt like to be cherished. I loved him over our long-distance relationship when receiving his text messages would make my day. And I love him now as he gets ready to commit his life to another woman. I will love him forever, and no amount of time or varying circumstances are going to change that. Jax is my best friend. He will always hold the other half of my heart in the figurative BFF necklace that we share. He will be my friend forever. I hop onto my bed and lie back as I click my phone screen, pulling up my Favorites list. My thumb hovers over his name. I take a deep breath and touch his name. My heart thrums wildly as his phone rings twice on the other end. His voice comes through my earpiece, and I almost cry from happiness. I can move to New York tomorrow with no regrets because the world is right as long as Jax and I are friends again. “Little Love.” His voice sounds anxious, hesitant. “Hey, mister.” Another rogue tear escapes, but this tear is full of happiness.

This is what people used to do, when they fell in love with a thing or place, knowing they could only live the moment once. Pictures take the pressure off experience: one click and we would possess those things forever. When someone takes lots of pictures, it means they have a huge appetite for beauty, and an equal fear of losing it.

The dolphin songs were like Gabriel's poetry: beautiful, ethereal, too sweet for this world. After all this time, Malachy had met very few people who could hear it, truly get the magic. Most folks heard clicks, trills, crooning, keening. Only the emotionally intense, the spiritually advanced, the madly in love, the truly insane, the terminally foolish, the grief-stricken, the guilty, the enlightened, the people with souls of poets and hearts of children, could hear the dolphins sing their songs of love.

This is a book about what happens when you put your own well-being on hold to achieve a version of success that you think you’re supposed to want, and how I finally was able to see—and then escape—the confines of perfection.

The term Impressions or People reached upon one's writing, and subject at the social media execute nothing if no one reads and clicks the like button since that waves the baseless and false business, in-other-words, the idiocy within the beautiful and attractive insight.

With a curt nod, Vane strode in. And stopped dead. Patience was in the hall, waiting- the sight literally stole his breath. As his gaze, helplessly, slid over her, over the soft green merino pelisse, severely cut and snugly fitted, its upstanding collar framing her face, over the tan gloves and half boots, over the pale green skirts peeking beneath the pelisse's hem, Vane felt something inside him tighten, click, and lock. Breathing was suddenly more difficult than if someone had buried a fist in his gut. Her hair, glinting in the light streaming in through the door, was coiffed differently, to more artfully draw attention to her wide golden eyes, to the creaminess of her forehead and cheeks, and the delicate yet determined line of her jaw. And the soft vulnerability of her lips.

Under the pink wash of dawn, an unexpected foot of snow suffocates the landscape. The sight of so much transcendent white causes me to stare for minutes on end, mesmerized. More than mesmerized. In absolute awe. I've experienced this one other time: freshman year of high school, a ten-day trip to Italy with my school.... It was the first and only time I've seen Michelangelo's -La Pietà-. It took a moment to realize what it was, but then it clicked. This was Mary holding the body of her son. I had seen a thousand images of Jesus on the trip, but this sculpture grabbed my heart and squeezed so hard I stopped breathing. At that age, I cared little for art and had no connection with Jesus, but in that moment, I was so transfixed by this sculpture -- -how could it be so smooth?- --that I began to weep. Right there. Tears fell, and I thought I was having some kind of religious experience. But it wasn't that. It was the combination of profound beauty and sadness at such an exquisite level that it left me no option other than to cry. I hadn't experienced anything like that again. Until now. This snowfall. The beauty enveloping the sadness. With the tears welling in my eyes, I think once again about death. The rainbow in the cornfield. It's all so gorgeous, and it's all so tragic. The extremes of human emotion and how ironic that thoughts of dying fill me with such life. I'm still staring transfixed at the world outside when my father's voice resonates behind me. 'What a fuckhole of a mess out there.' And the beauty is gone. The sadness, however, remains. [Rose Yates]

Jonathan walked over to me, "What are you doing?" he said. "I'm tucking her in". I could feel a mix of fear and embarrassment rising inside me but I didn't know why. "You're making the bed" he said, "not tucking in your daughter for bed". In that moment something clicked, deeply. I stared at Jonathan. "I don't know what tucking in means,'' I said quietly. "I don't know how to do that".  Finally, we both understood what was happening. Jonathan gently taught me how to circle my daughter with loving tucks of the blanket. As we moved around the bed together I was hit by a flood of grief. I don't recall ever being tucked in. I never felt anyone place a blanket on me with that kind of loving intention. That must be what a mothers love is, I thought.  Years later I was in the kitchen with my friend Urania and her young daughter Kylie. Urania asked Kylie if she'd like something to eat. "Yes please!" Kylie said. Urania went to the refrigerator and took out some strawberries. She washed them, took a knife and began slicing. I could see she had done this many times before. As the knife moved around the berry, the shape of a delicate rose began to emerge. "A strawberry rose!" I marvelled. Urania carefully placed the beautiful berries on a plate and handed them to her daughter. Watching, my eyes filled with tears. The tenderness with which she did it seared my soul. Again I said to myself - that must be what a mothers love is. 

The truth was, Ive had been slipping out of focus for years. Apple was no longer his beautiful creation. He was no longer the star of the show. The cameras no longer clicked for him, and news anchors no longer invited him to wax poetically about design. The outside world wanted to know what the company was going to do about tariffs, immigration, and privacy. They wanted Cook. The creative soul of Apple had been eclipsed by the machine.

The belt clicked around my belly and he started the engine with a roar. Why he roared, I’ll never know and I came within a whisker of wetting myself. I felt how I imagined I’d feel if someone locked me in a cage with a tiger, except tigers are beautiful.

The word reality is also beautiful to understand. It comes from the root, res; it means thing or things. Truth is not a thing. Once interpreted, once the mind has grabbed it, defined it, demarked it, it becomes a thing. When you fall in love with a woman there is some truth – if you have fallen absolutely unaware, if you have not “done” it in any way, if you have not acted, managed, if you have not even thought about it. Suddenly you see a woman, you look into her eyes, she looks into your eyes, and something clicks. You are not the doer of it, you are simply possessed by it, you simply fall into it. It has nothing to do with you. Your ego is not involved, at least not in the very, very beginning, when love is virgin. In that moment there is truth, but there is no interpretation. That’s why love remains indefinable. Soon the mind comes in, starts managing things, takes possession of you. You start thinking about the girl as your girlfriend, you start thinking of how to get married, you start thinking about the woman as your wife. Now these are things; the girlfriend, the wife – these are things. The truth is no longer there, it has receded. Now things are becoming more important. The definable is more secure, the indefinable is insecure. You have started killing, poisoning the truth. Sooner or later there will be a wife and a husband, two things. But the beauty is gone, the joy has disappeared, the honeymoon is over. The honeymoon is over at that exact moment when truth becomes reality, when love becomes a relationship. The honeymoon is very short, unfortunately – I’m not talking about the honeymoon that you take. The honeymoon is very short. Maybe for a single moment it was there, but the purity of it, the crystal purity of it, the divinity of it, the beyondness of it – it is from eternity, it is not of time. It is not part of this mundane world, it is like a ray coming into a dark hole. It comes from the transcendental. It is absolutely appropriate to call love God, because love is truth. The closest that you come to truth in ordinary life is love.

I remember Marco saying, “I can’t be alone. You know I hate being alone,” as if that was a justification for him continuing his affair. The article concludes by saying that a sociopath will repeat the same relationship cycle over and over again; lather, rinse, repeat. I Google “sociopath relationship cycle.” I click a link that leads to a page with a shadowy figure wearing a mask with the words “Idealize, Devalue, Discard” on it. I have not even read what this means and chills creep all over my body. Idealize, devalue, discard.

To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the paving stones, why no one else's heart was wild with the breeze stirred by the sighs of her veils, why everyone did not go mad with the movements of her braid, the flight of her hands, the gold of her laughter. He had not missed a single one of her gestures, not one of the indications of her character, but he did not dare approach her for fear of destroying the spell.” ― Gabriel García Márquez, Love in the Time of Cholera

Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)

Suddenly everything her grandfather had been saying about God made sense, as if the pieces were waiting for her to click into place. This beautiful mother’s very life was constantly flowing into her baby. The baby didn’t have to do anything to get it. It was already his. He possessed her very life. He didn’t have to do anything to activate it. It was already active inside him. Apart from her, he had no life. But being joined to her, he had her life. All he had to do was be

Who knows? Tyler’s hot. Did you see those abs?” I nodded, biting my lip to hold back my laughter. “He’d be a solid eight without those frosted tips. He looks like a nineties boyband member.” “I hope you’re not talking about me,” Seth’s voice made my heart nearly stop. I looked up, finding him standing at the end of the tunnel. Caleb stepped up beside him and they both started smiling. Like actually smiling. Before I answered, Seth broke into song, “You are...my fire, the one...desire, believe...when I say, I want it that waaay.” Caleb picked up the Backstreet Boys classic on cue. “Tell me why!” “Ain’t nothing but a heart ache,” Seth sang, clicking his fingers. “Tell me why!” Caleb started dancing. “Ain’t nothing but a mistake.” “Tell me why!” “I never wanna hear you say.” Seth looked to Caleb and they both belted out the last line together with their hands on their hearts. “I want it that waaaay.” “Oh my god, puke,” Tory said and I blew out a laugh. “If you keep singing at us I’ll throat punch you like I did to Max.” Caleb shot to her side in a blur of motion, slinging his arm around her shoulders. “Ohh what beautiful poetry you weave for me, sweetheart. Gets me so hard.” (darcy)

The key with wildlife especially is to take a lot of shots. You never know which moment is going to be the special one that stands out, so I click like mad,” she explained as she did just that. “This is the perfect time of day. We call it the golden hour. It refers to the two windows of time just after the sun rises and before the sun sets, when there’s this soft, beautiful, golden wash over everything…like nature’s filter, if you will.

White of snow or white of page is not" the white of your skin, for skin, except when truly albino, always has some other color sleeping within it—a hint of red maple leaf, a touch of the blue ice at the edge of a melting stream, a richness implied of its many layers, the deltas of cells and blood, that deep fecundity that lies within and makes the skin shed, not like a snake, but as a tree (one of those golden cottonwoods flaring just now at the edge of the river) that sheds its leaves each moment while an eternity of leaf remains. Oh, nothing seems to me as white as your skin, all your languid ease of being—one resting upon the other, the sliver of your shoulder against the black fabric—reminds me so of the lost realm of beauty that I am afraid of nothing, and only dazed (as I was that day at the aquarium when the beluga whales came swimming toward me—how white they were, slipping out of the darkness, radiant and buoyant as silence and snow, incandescent as white fire, gliding through the weight of water, and when they sang in that chamber as small as the chambers of the human heart, murky with exhaustion and captivity and the fragments of what they had consumed, I was almost in love with them; they seemed the lost children of the moon, carrying in their milky mammalian skins a hint of glacial ice and singing to each other of all the existences they had left behind, their fins like the wings of birds or angels, clicking and whistling like canaries of the sea: there was no darkness in their bodies, like clouds drifting through unkempt skies, they illuminated the room). So I did not think of you so much as I felt you drifting through my being, in some gesture that held me poised like a hummingbird above the scarlet blossoms of the trumpet vine, I kissed you above the heart, and by above I mean there, not that geometric center, the breastbone that so many use to divide the body in half and so mistake for the place where the heart lies, but the exact location, a little to the left, just on the crescent where the breast begins to rise; oh, I know all that drift of white implies, the vanished clothing, the disappearing room, that landscape of the skin and night that opens in imagination and in feeling upon a sea of snow, so that just one kiss above the heart is a kiss upon the heart, as if one could kiss the very pulse of being, light upon the head of that pin that pins us here, that tiny disk where angels were once believed to dance, and all that nakedness without could not have been except for all that burning deep within

Every time I close my eyes I can still see her--- beaming up at the camera in that flimsy excuse for clothing, her hair a golden halo around her head, her body backlit and glorious. I am filled with rage. At the photographer for taking that picture. At Cassie for allowing so many others to see her practically naked. At all seven billion people on this planet who have the theoretical ability to see that picture of her with a few simple clicks of a button. At myself. As I sit hunched over my desk I try desperately to ignore the urgent, now-familiar ache in my loins. As Cassie sleeps innocently, unknowingly in the next room, I clutch at what remains of my sanity and of my self-control. Because God's thumbs--- when I saw that picture of her all I could think was how badly I want Cassie to wear that "bathing suit" of hers for me. If I had been there when it was taken, it would have been all I could do to keep myself from easing those delicate little straps of fabric off her shoulders and baring the rest of her beautiful body to my eyes.

Nothing but the sound of my feet on the stones and the crisp click of my Master’s boots behind me.

I stare at Finlay and he stares back. We’re both fixed on each other, and as seconds pass, I realize neither of us is trying to pretend it’s anything other than a heart-struck gaze of mutual longing. Everything about his face is so ridiculously, staggeringly lovely to me, in this moment, I’m unable to speak. Beauty isn’t an arrangement of features, even features as perfect as Finlay Hart’s, it’s a feeling. This is how it feels in the split second you suddenly become aware that you’re falling in love with someone. The click of a jigsaw’s last piece, the rainfall of coins in a jackpot slot machine, the right song striking up and your being swept away by its opening bars. That conviction of making complete sense of the universe, in one moment. Of course. You’re where I should be. You’re here. “How are you?” Fin says to me, eventually, and we both break into broad smiles at the ludicrousness of having declared our feelings without saying a word. I can’t wait to talk to him properly, after we leave here. I can’t wait, full stop.

Part: 1 July This one more of how where I remember these days. Photos online, and cam videos all that are my memories- of me to others. Part: 2 August Compare… them then and now- naked slut girl or 1940s modesty. I remember having the old photo album spread out on the bedroom floor. Oh! Wow! Look at this one… do you like how she was remembered better than me? (Photo) Part: 3 It's- September More of the same- I have become a cam-whore!!! Nothing more… Part: 4 OCTOBER …And yah- a, ah- pics that would make you blush, and hard, you boys would love to see me, now, wouldn’t you? Part: 5 NOVEMBER Making cummie videos is my life. Part: 6 DECEMBER Coming 7 hours out of the day is taking time away from other things. Part: 7 WAKING UP …After fraping till- I passed out all hot gross and sweaty, I did not remember falling asleep- with mom and dad- sis and the world seeing me as my door to my trashed bedroom- all jammed open- and’s- and’s- AND’S- did not care at this point. (SAY IT WITH exhausted SLURRING.) JANUARY yet how- ga-gives- a ________. Ef… E- un- mm- ah- in-n… Whatever… I am making 50 G’s in a night… so that makes it okay. (A photo of me lying in bed with all this money!) Part: 8 TIME PASSES Craziness… look at my life here… all board… ‘I am home,’ I mumbled, confused- not even more. ‘What did I do?’ I felt my face wrinkle. It was so unfair. My behavior… here is wow… After that first week… of doing this… How do I look… which neither of us ever mentioned what we do? I hadn't missed a day of school or work. My grades were perfect. Yet this show is all going to shit- no? This is what I did here… showing everything that makes me a girl! Now I am passing down- to her- yah me- is it wrong? I must live with it. #- A cam video and all these photos of her online now are worth 1,000 words! #-0-okay then what does this one says then? My little sis- and she is frapping harder than I do- in this- damn, she is my Minnie me! She started younger than me even- yet that is all girls, her age. Here is one with her dressed wow seem weird to see her with something on anymore- (Swipe- and the phone in your hand would make a click sound…) Oh, this one- She loves these beautiful white lace kid’s girls’ shorts- so girlie- girly- from Wal-Mart, yet she was banned from wearing them in school without anything under them, yet I look around and all other girls do it. Yet, on Facebook- and Instagram 1, you get one persona and on Google images a whole other- just like Snapchat you have her as your girlfriend for the night yet have- yet she is your striptease only- and the other Instagram- that grammar should never- ever see- yet this is how to get popular- and stay popular. Besides then there is the community of internet nudists- on MFC. And the profile- she now has too, a legacy to be remembered by, no? Yet, when you have no education to speak of and working for some d*ck head is just out of the question, over they think you’re not worthy of their time- were you're not making anything, and at this point in Pa she too young to work, yet is old enough to have unprotected sex… Um- and then I wonder- yet she needs the money- for school coming up because your mommy and daddy don’t have it, and all for fun, boys, and a girl's night of fun- and partying- and being crazy. Money is everything… and why girls do what they must do…