Beaten Woman Quotes

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You’ll learn, as you get older, that rules are made to be broken. Be bold enough to live life on your terms, and never, ever apologize for it. Go against the grain, refuse to conform, take the road less traveled instead of the well-beaten path. Laugh in the face of adversity, and leap before you look. Dance as though EVERYBODY is watching. March to the beat of your own drummer. And stubbornly refuse to fit in.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
Here is your flaw, Shaitan, Lord of the Dark, Lord of Envy, Lord of Nothing, here is why you fail. It was not about me. It’s never been about me.” It was about a woman, torn and beaten down, cast from her throne and made a puppet. A woman who had crawled when she had to. That woman still fought. It was about a man that love repeatedly forsook. A man who found relevance in a world that others would have let pass them by. A man who remembered stories and who took fool boys under his wing when the smarter move would have been to keep on walking. That man still fought. It was about a woman with a secret, a hope for the future. A woman who had hunted the truth before others could. A woman who had given her live, then had it returned. That woman still fought. It was about a man whose family was taken from him, but who stood tall in his sorrow and protected those he could. It was about a woman who refused to believe that she could not help, could not heal those who had been harmed. It was about a hero who insisted with every breath that he was anything but a hero. It was about a woman who would not bend her back while she was beaten, and who shown with a light for all who watched, including Rand. It was about them all. ~Rand al Thor
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
If woman had no existence save in the fiction written by men, one would imagine her a person of the utmost importance (...); as great as a man, some think even greater. But this is woman in fiction. In fact, as Professor Trevelyan points out [in his History of England], she was locked up, beaten and flung about the room.
Virginia Woolf (A Room of One’s Own)
All is death, woman. All is pain. Love breeds loss. Isolation breeds resentment. No matter which way we turn, we are beaten. Our only true inheritance is death. And our only legacy, dust.
Clive Barker (The Scarlet Gospels)
That was the real reason abuse was so common, Isra thought for the first time. Not only because there was no government protection, but because women were raised to believe they were worthless, shameful creatures who deserved to get beaten, who were made to depend on the men who beat them.
Etaf Rum (A Woman Is No Man)
But when did you see her, talk to me? When did you see her go into the cave? Why did you threaten to strike a spirit? You still don't understand, do you? You acknowledged her, Broud, she has beaten you. You did everything you could to her, you even cursed her. She's dead, and still she won. She was a woman, and she had more courage than you, Broud, more determination, more self-control. She was more man than you are. Ayla should have been the son of my mate.
Jean M. Auel (The Clan of the Cave Bear (Earth's Children, #1))
People always ask, Why does God allow suffering? Why does He allow a child to be beaten? A woman to cry? A holocaust to happen? A good dog to die painfully? Simple truth is, He wants to see for Himself what we’ll do. He’s stood up the candle, put the devil at the wick, and now He wants to see if we blow it out or let it burn down. God is suffering’s biggest spectator.
Tiffany McDaniel (The Summer that Melted Everything)
Nothing happens in the world? Are you out of your fucking mind? People are murdered every day. There's genocide, war, corruption. Every fucking day, somewhere in the world, somebody sacrifices his life to save someone else. Every fucking day, someone, somewhere makes a conscious decision to destroy someone else. People find love, people lose it. For Christ's sake, a child watches her mother beaten to death on the steps of a church. Someone goes hungry. Somebody else betrays his best friend for a woman. If you can't find that stuff in life, then you, my friend, don't know crap about life. And why the FUCK are you wasting my two precious hours with your movie? I don't have any use for it. I don't have any bloody use for it.
Charlie Kaufman
Time, of course, topples everyone in its path equally- the way that driver beats his old horse until it dies. But the thrashing we receive is one of frightful gentleness. Few of us even realize that we are being beaten.
Haruki Murakami (Blind Willow, Sleeping Woman)
I design clothes because I don’t want women to look all innocent and naïve… I want woman to look stronger… I don’t like women to be taken advantage of… I don’t like men whistling at women in the street. I think they deserve more respect. I like men to keep their distance from women, I like men to be stunned by an entrance. I’ve seen a woman get nearly beaten to death by her husband. I know what misogyny is… I want people to be afraid of the women I dress.
Alexander McQueen
No woman deserves to be disrespected; to be beaten up, to be called bitches or sluts. Assaulted or insulted. Even if she's a hooker.
Imam Shah
When talking about human rights, in truth we’re referring to men’s rights. If a man is beaten and deprived of his freedom, it’s called torture. When a woman endures the same, it’s called domestic violence and is still considered a private matter in most of the world.
Isabel Allende (The Soul of a Woman)
Often, to keep the family together, the woman will accept repeated beatings and rapes, emotional battering and verbal degredation; she will be debased and ashamed but she will stick it out, or when she runs he will kill her. Ask the politicians who exude delight when they advocate for the so-called traditional family how many women are beaten and children raped when there is no man in the family. Zero is such a perfect and encouraging number, but who, among politicians in male-supremacist cultures, can count that high?
Andrea Dworkin (Scapegoat: The Jews, Israel, and Women's Liberation)
The Devil answer'd: bray a fool in a morter with wheat, yet shall not his folly be beaten out of him; if Jesus Christ is the greatest man, you ought to love him in the greatest degree; now hear how he has given his sanction to the law of ten commandments: did he not mock at the sabbath, and so mock the sabbaths God? murder those who were murder'd because of him? turn away the law from the woman taken in adultery? steal the labor of others to support him? bear false witness when he omitted making a defense before Pilate? covet when he pray'd for his disciples, and when he bid them shake off the dust of their feet against such as refused to lodge them? I tell you, no virtue can exist without breaking these ten commandments; Jesus was all virtue, and acted from impulse, not from rules.
William Blake (The Marriage of Heaven and Hell)
In the face of all the dire and often accurate warnings of danger on the road for women, it took modern feminism to ask the rock-bottom question: Compared to what? Whether by dowry murders in India, honor killings in Egypt, or domestic violence in the United States, records show that women are most likely to be beaten or killed at home and by men they know. Statistically speaking, home is an even more dangerous place for women than the road. Perhaps the most revolutionary act for a woman will be a self-willed journey—and to be welcomed when she comes home.
Gloria Steinem (My Life on the Road)
Or this:—that the whole universe, her own sex and yours, and Providence, or Destiny, to boot, make common cause against the woman who swerves one hair's breadth out of the beaten track.
Nathaniel Hawthorne (The Blithedale Romance)
And that was how a great scandal threatened to affect the kingdom of Bohemia, and how the best plans of Mr. Sherlock Holmes were beaten by a woman’s wit. He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.
Arthur Conan Doyle (A Scandal in Bohemia (The Adventures of Sherlock Holmes, #1))
The heart of a woman is the best mirror you can find.
Erin Loechner (Chasing Slow: Courage to Journey Off the Beaten Path)
Ance a man-child has beaten his way to life under the heart of a woman, she is mither to all men, for the hearts of mithers are everywhere the same.
Gene Stratton-Porter (Freckles)
Tanith immediately told them that Valkyrie had beaten up a priest and an old woman.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
... there is nothing stronger than a woman who has beaten her way back from being beaten down in the first place.
Barbara Lieberman (The Playlist Anthology)
If you have people who treat you badly in your life, they will be a human shield against people who will treat you well. If that’s not true then we should apply it to marriage and start saying to woman who are being put down or beaten, “you gotta stay with him because he needs you and he has been your husband for 20 years for heaven sakes. You just have to work to love him more and so on.” This is the advice they gave to woman like 200 fucking years ago and it was abusive advice. I view the parent child relationship (This just not my made up perspective.) it is the least voluntary relationship. At least the woman who got married chose to get married. We don’t choose our parents. The highest standards of behavior are required for parents and no one else. There is no one else whose standards of behavior need be higher than parents and so often parents get away with the lowest possible standards of behavior with regards to their children.
Stefan Molyneux
He hadn’t hit her in several years, but when you’ve been beaten you never forget it. The bruises go away but the scars remain, deep, hidden, raw. You stay beaten. It takes a real coward to beat a woman.
John Grisham (Sycamore Row)
KAUFMAN Sir, what if a writer is attempting to create a story where nothing much happens, where people don't change, they don't have any epiphanies. They struggle and are frustrated and nothing is resolved. More a reflection of the real world — MCKEE The real world? KAUFMAN Yes, sir. MCKEE The real fucking world? First of all, you write a screenplay without Conflict or Crisis, you'll bore your audience to tears. Secondly: nothing happens in the world? Are you out of your fucking mind? People are murdered every day! There's genocide, war, corruption! Every fucking day somewhere in the world somebody sacrifices his life to save someone else! Every fucking day someone somewhere makes a conscious decision to destroy someone else! People find love! People lose it! For Christ's sake! A child watches her mother beaten to death on the steps of a church! Someone goes hungry! Somebody else betrays his best friend for a woman! If you can't find that stuff in life, then you, my friend, don't know CRAP about life! And WHY THE FUCK are you wasting my two precious hours with your movie? I don't have any use for it! I don't have any bloody use for it! KAUFMAN Okay, thanks.
Charlie Kaufman (Adaptation.: The Shooting Script)
Good job, Big Blue, you’re an advanced alien race and you’ve just beaten a defenseless human woman. Take a bow.
Mara Frost (Captured (Alien Space Pirates, #1))
What you don't know cannot be beaten out of you.
Darlene Deibler Rose (Evidence Not Seen: A Woman's Miraculous Faith in the Jungles of World War II)
It took a while to shoot the scene by the coconut stall at the fun fair, so Michelle (Mary) and I had a competition. I think she beat me 10-1 - she was uncannily good. The crew were very disappointed in me. To be beaten by a woman is bad enough, but one in Edwardian dress is really highlighting something.
Jessica Fellowes (The World of Downton Abbey)
A woman lives under pressure on a daily basis. Nearly every day a woman is being criticized for the way she looks, thinks, acts, how she raises her children and her role in the workplace. She is criticized by other women, her husband and/or significant other, her children, family, and friends. Goodness gracious, when will a woman’s love ever be good enough? She's constantly beaten down by being told what she’s doing wrong, and barely hears what she has done right. Needless to say, she isn’t praised for her accomplishments; often, all she hears is criticism. I would love to see the detractors walk in her shoes for a while.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
To begin with, this case should never have come to trial. The state has not produced one iota of medical evidence that the crime Tom Robinson is charged with ever took place... It has relied instead upon the testimony of two witnesses, whose evidence has not only been called into serious question on cross-examination, but has been flatly contradicted by the defendant. Now, there is circumstantial evidence to indicate that Mayella Ewel was beaten - savagely, by someone who led exclusively with his left. And Tom Robinson now sits before you having taken the oath with the only good hand he possesses... his RIGHT. I have nothing but pity in my heart for the chief witness for the State. She is the victim of cruel poverty and ignorance. But my pity does not extend so far as to her putting a man's life at stake, which she has done in an effort to get rid of her own guilt. Now I say "guilt," gentlemen, because it was guilt that motivated her. She's committed no crime - she has merely broken a rigid and time-honored code of our society, a code so severe that whoever breaks it is hounded from our midst as unfit to live with. She must destroy the evidence of her offense. But what was the evidence of her offense? Tom Robinson, a human being. She must put Tom Robinson away from her. Tom Robinson was to her a daily reminder of what she did. Now, what did she do? She tempted a *****. She was white, and she tempted a *****. She did something that, in our society, is unspeakable. She kissed a black man. Not an old uncle, but a strong, young ***** man. No code mattered to her before she broke it, but it came crashing down on her afterwards. The witnesses for the State, with the exception of the sheriff of Maycomb County have presented themselves to you gentlemen, to this court in the cynical confidence that their testimony would not be doubted, confident that you gentlemen would go along with them on the assumption... the evil assumption that all Negroes lie, all Negroes are basically immoral beings, all ***** men are not to be trusted around our women. An assumption that one associates with minds of their caliber, and which is, in itself, gentlemen, a lie, which I do not need to point out to you. And so, a quiet, humble, respectable *****, who has had the unmitigated TEMERITY to feel sorry for a white woman, has had to put his word against TWO white people's! The defendant is not guilty - but somebody in this courtroom is. Now, gentlemen, in this country, our courts are the great levelers. In our courts, all men are created equal. I'm no idealist to believe firmly in the integrity of our courts and of our jury system - that's no ideal to me. That is a living, working reality! Now I am confident that you gentlemen will review, without passion, the evidence that you have heard, come to a decision and restore this man to his family. In the name of GOD, do your duty. In the name of God, believe... Tom Robinson
Harper Lee (To Kill a Mockingbird)
They were both lean and blond and weather-beaten, and one evening, as they were portaging gear from their respective Zodiacs, Libby unzipped her survival suit and tied the sleeves around her waist so she could move more freely. Nate said, "You look good in that." No one, absolutely no one, looks good in a survival suit (unless a Day-Glo orange marshmallow man is your idea of a hot date), but Libby didn't even make the effort to roll her eyes. "I have vodka and a shower in my cabin," she said. "I have a shower in my cabin, too," Nate said. Libby just shook her head and trudged up the path to the lodge. Over her shoulder she called, "In five minutes, there's going to be a naked woman in my shower. You got one of those?" "Oh," said Nate.
Christopher Moore (Fluke: Or, I Know Why the Winged Whale Sings)
There’s no reason, on paper at least, why I need these pills to get through life. I had a great childhood, loving parents, the whole package. I wasn’t beaten, abused, or expected to get nothing but As. I had nothing but love and support, but that wasn’t enough somehow. My friend Erin says we all have demons inside us, voices that whisper we’re no good, that if we don’t make this promotion or ace that exam we’ll reveal to the world exactly what kind of worthless sacks of skin and sinew we really are. Maybe that’s true. Maybe mine just have louder voices. But I don’t think it’s as simple as that. The depression I fell into after university wasn’t about exams and self-worth, it was something stranger, more chemical, something that no talking cure was going to fix. Cognitive behavioral therapy, counseling, psychotherapy—none of it really worked in the way that the pills did. Lissie says she finds the notion of chemically rebalancing your mood scary, she says it’s the idea of taking something that could alter how she really is. But I don’t see it that way; for me it’s like wearing makeup—not a disguise, but a way of making myself more how I really am, less raw. The best me I can be.
Ruth Ware (The Woman in Cabin 10)
women in the world will have been beaten or raped in their lifetime and everyday violence requires that women always be alert to this possibility. A crone is a woman who has found her voice. She knows that silence is consent. This is a quality that makes older women feared. It is not the innocent voice of a child who says, “the emperor has no clothes,” but the fierce truthfulness of the crone that is the voice of reality. Both the innocent child and the crone are seeing through the illusions, denials, or “spin” to the truth. But the crone knows about the deception and its consequences, and it angers her. Her fierceness springs from the heart, gives her courage, makes her a force to be reckoned with.
Jean Shinoda Bolen (Crones Don't Whine: Concentrated Wisdom for Juicy Women)
The principals are quite simple. We can love people who treat us well. We cannot love people who treat us badly because, treating someone badly is not a virtue and we can only love virtue. I don’t think that’s controversial. I mean, there is no marriage therapist that I can imagine in the world who would say to a woman being beaten, humiliated, verbally abused, or completely ignored by her husband, “You just need to love him more. You need to work at making him happier.” That would be sadistic in the extreme to say to someone. So, in the same way I say, if anyone, I don’t care if they are your priest, god, father, mother, or your Siamese twin cousin coming out of your elbow or ass. I don’t care. If someone is treating you badly, that is not good for you. The solution is not you being so great that you both become better. That’s not a realistic solution.
Stefan Molyneux
Find out his hobbies before dumping him. He may be useful as a friend. Get good at chess; there is nothing more humiliating for a man than to be beaten intellectually by a beautiful woman. You'll be able to cause him physical pain. If he doesn't let you know how he's feeling, call him late. Wake him up. It's hard for him to hide his feelings when he's in love with you and you're speaking softly to him in bed, even if it is only on the phone.
Anonymous (Diary of an Oxygen Thief)
That’s because most gunters are male, and they can’t accept the idea that a woman has beaten and/or outsmarted them.
Ernest Cline (Ready Player One (Ready Player One, #1))
So the men of Bagha Purana did what men do when they're well beaten by a woman and can't find a way to fight fair. They pointed their fingers at her and screamed, Witch!
Soman Chainani (Beasts and Beauty)
And as he went about arranging and as he sat talking there seemed something false about him and out of tune.Watching him unknown she said to herself there was no stability about him. He was when he was in one mood. And now he looked paltry and insignificant. There was nothing stable about him. Her husband had more manly dignity. At any rate he did not waft about with any wind. There was something evanescent about Morel she thought something shifting and false. He would never make sure ground for any woman to stand on. She despised him rather for his shrinking together getting smaller. Her husband at least was manly and when he was beaten gave in. but this other would never own to being beaten. He would shift round and round, get smaller.
D.H. Lawrence (Sons and Lovers)
She cared for nothing and for no one. And then she was beaten in the end. But it wasn't a man, it wasn't a woman. The sea got her. The sea was too strong for her. The sea got her in the end.
Daphne du Maurier (Rebecca)
Just because drivers and cooks in Delhi are reading Murder Weekly, it doesn't mean that they are all about to slit their masters' necks. Of course they’d like to. Of course, a billion servants are secretly fantasizing about strangling their bosses — and that’s why the government of India publishes this magazine and sells it on the streets for just four and a half rupees so that even the poor can buy it. you see, the murdered in the magazine is so mentally disturbed and sexually deranged that not one reader would want to be like him — and in the end he always gets caught by some honest, hardworking police officer (ha!), or goes mad and hangs himself by a bedsheet after writing a sentimental letter to his mother or primary school teacher, or is chased, beaten, buggered, and garroted by the brother of the woman he has done in. So if your driver is busy flicking through the pages of Murder Weekly, relax. No danger to you. Quite the contrary. It’s when your driver starts to read about Gandhi and the Buddha that it’s time to wet your pants.
Aravind Adiga (The White Tiger)
Over the last year, I have thrown myself and every other available woman at that man. But he turned this”—she waved at her spectacular figure—“down. Repeatedly. Pickiest guy ever. Yet now he can’t take his eyes off his new ‘date’. You’ve beaten out millions. Tell me, was it as simple as swallowing?” I snapped my gaze to her. “I met him fifteen minutes ago.” Jessica nodded. “In those fifteen minutes, did you happen to swallow?
Kresley Cole (The Player (The Game Maker, #3))
Time, of course, topples everyone in its path equally—the way that driver beat his old horse until it died on the road. But the thrashing we receive is one of frightful gentleness. Few of us even realize that we are being beaten.
Haruki Murakami (Blind Willow, Sleeping Woman)
And not one of you is to use the N-word that horrid woman said tonight to Sal. I swear I wish people were forced to make a list of names and recite them every time they use that word. "A list of the names of every black man, woman, and child hated,beaten, killed for the color of their flesh. It should be law—by God, it should be law—that if you say that word, you must then say their names. “No one wants to say one word and then realize it means so many more.
Tiffany McDaniel (The Summer that Melted Everything)
Now in my eleven years of conventional life I had learned many things and one of them is what it means to be convicted of rape--I do not mean the man who did it, I mean the woman to whom it was done. Rape is one of the Christian mysteries, it creates a luminous and beautiful tableau in people's minds; and as I listened furtively to what nobody would allow me to hear straight out, I slowly came to understand that I was face to face with one of those feminine disasters, like pregnancy, like disease, like weakness; she was not only the victim of the act but in some strange way its perpetrator; somehow she had attracted the lightening that struck her out of a clear sky. A diabolical chance--which was not chance--had revealed her to all of us as she truly was, in her secret inadequacy, in that wretched guiltiness which she had kept hidden for seventeen years but which now finally manifested in front of everybody. Her secret guilt was this: She was Cunt. She had "lost" something. Now the other party to the incident had manifested his essential nature, too; he was Prick--but being Prick is not a bad thing. In fact, he had "gotten away with" something (possibly what she had "lost"). And there I was at eleven years of age: She was out late at night. She was in the wrong part of town. Her skirt was too short and that provoked him. She liked having her eye blacked and her head banged against the sidewalk. I understood this perfectly. (I reflected thus in my dream, in my state of being a pair of eyes in a small wooden box stuck forever on a grey, geometric plane--or so I thought.) I too had been guilty of what had been done to me, when I came home from the playground in tears because I had been beaten up by bigger children who were bullies. I was dirty. I was crying. I demanded comfort. I was being inconvenient. I did not disappear into thin air.
Joanna Russ (The Female Man)
For reasons neither I nor anyone else could gather, every time I got to the part in Mark’s story about the woman being beaten up, Tommy would laugh warmly before delivering his line. It was unsettling. It was disturbing. Take after take, Tommy/Johnny would react to the story of this imaginary woman’s hospitalization with fond and accepting laughter.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
But I must start at the beginning, if I can find it. Beginnings are elusive things. Just when you think you have hold of one, you look back and see another, earlier beginning, and an earlier one before that. Even if you start with "Chapter One: I am Born," you still have the problem of antecedents, of cause and effect. Why is young David fatherless? Because, Dickens tells us, his father died of a delicate constitution. Yes, but where did this mortal delicacy come from? Dickens doesn't say, so we're left to speculate. A congenital defect, perhaps, inherited from his mother, whose own mother had married beneath her to spite her cruel father, who'd been beaten as a child by a nursemaid who was forced into service when her faithless husband abandoned her for a woman he chanced to meet when his carriage wheel broke in front of the milliner's where she'd gone to have her hat trimmed. If we begin there, young David is fatherless because his great-great-grandfather's nursemaid's husband's future mistress's hat needed adornment.
Hillary Jordan (Mudbound)
A woman is beaten every nine seconds in this country. Just to be clear: not nine minutes, but nine seconds. It’s the number-one cause of injury to American women; of the two million injured annually, more than half a million of those injuries require medical attention while about 145,000 require overnight hospitalizations, according to the Center for Disease Control, and you don’t want to know about the dentistry needed afterwards. Spouses are also the leading cause of death for pregnant women in the United States.
Rebecca Solnit (Men Explain Things to Me)
Many men do not beat their wives, even though the law allows it and the church encourages it, but a man gains no reputation by beating a weaker person. Æthelred had beaten Æthelflaed, but he was a weak man, and it takes a weak man to prove his strength by striking a woman.
Bernard Cornwell (The Empty Throne (The Saxon Stories, #8))
Since when has a man not beaten his wife? If he doesn't beat her, it's either because he doesn't love her or because he isn't a real man. Since when is a man's paycheck or the fruit of the earth or what the chickens lay shared between them, when everybody knows he is the one in charge? Since when has a woman ever done the same things as a man? Besides, she was born with a wound between her legs and without balls, right, Senora Clara?
Isabel Allende (The House of the Spirits)
beaten, buggered, and garroted by the brother of the woman he has done in. So if your driver is busy flicking through the pages of Murder Weekly, relax. No danger to you. Quite the contrary. It’s when your driver starts to read about Gandhi and the Buddha that it’s time to wet your pants, Mr. Jiabao.
Aravind Adiga (The White Tiger)
Violence against women is universal and as old as civilization. When talking about human right, in truth we're referring to men's rights. If a man is beaten and deprived of his freedom, it's called torture. When a woman endures the same, it's called domestic violence and is still considered a private matter in most of the world.
Isabel Allende (The Soul of a Woman)
if you happen to live in a country whose leader routinely says things like “Their sacrifice will redeem the purity of our eternal nation,” know that you are in deep trouble. To preserve your sanity, always try to translate such hogwash into real terms: a soldier crying out in agony, a woman beaten and brutalized, a child shaking in fear.
Yuval Noah Harari (21 Lessons for the 21st Century)
And now? Because I’d been hurt, beaten. Normal men didn’t want to fuck a woman like that. I was too broken for rough sex, wasn’t I? If anything, they could make love or cuddle or… No. I didn’t want some diluted version of him. I might be broken, but that didn’t mean I wanted him to hide the worst of him. I craved the worst of him. “Please,
Skye Warren (Don't Let Go (Dark Nights, #2))
loss of self-esteem Beverly Engel, in The Emotionally Abused Woman (1990), describes the effect of emotional abuse on self-esteem: Emotional abuse cuts to the very core of a person, creating scars that may be longer-lasting than physical ones. With emotional abuse, the insults, insinuations, criticism, and accusations slowly eat away at the victim’s self-esteem until she is incapable of judging the situation realistically. She has become so beaten down emotionally that she blames herself for the abuse. Emotional abuse victims can become so convinced that they are worthless that they believe that no one else could want them. They stay in abusive situations because they believe they have nowhere else to go. Their ultimate fear is being all alone.
Paul Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
Don’t use the buckle,” she told him with a laugh, her eyes closed, head bent. “I haven’t beaten a woman with my belt before, Simone. That doesn’t mean I don’t have any clue about how to do it.
Megan Hart (Every Part of You: Taunts Me (Every Part of You, #3))
Catti-brie continued to stare at the drow as the wizards walked up. The woman did not know what to make of Drizzt's cryptic answers. Drizzt had let Tarnheel win, she figured, or at least had allowed the man to fight to a draw. For some reason the young woman did not understand, she didn't want to think that Tarnheel had actually beaten Drizzt; she didn't want to think that anyone could beat Drizzt.
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
A white police officer had entered a black women's home without a warrant, searching for a suspect. When she protested, he beat and arrested her, dragging her from her home though she wasn't fully dressed. When a black soldier saw this and tried to intervene to defend the woman, the white policeman pistol-whipped the black soldier, seriously injuring him. The men of the beaten soldier's regiment, learning no consequences would befall the white policeman, felt abandoned by white police and army officials. They saw the abuse as a last straw in a long string of injustices. So the marched into the city. Soldiers and civilians died in the shooting that followed
Julie Berry (Lovely War)
Eliza has no use for the foolish romantic tradition that all women love to be mastered, if not actually bullied and beaten. "When you go to women," says Nietzsche, "take your whip with you." Sensible despots have never confined that precaution to women: they have taken their whips with them when they have dealt with men, and been slavishly idealized by the men over whom they have flourished the whip much more than by women. No doubt there are slavish women as well as slavish men; and women, like men, admire those that are stronger than themselves. But to admire a strong person and to live under that strong person's thumb are two different things. The weak may not be admired and hero-worshipped; but they are by no means disliked or shunned; and they never seem to have the least difficulty in marrying people who are too good for them. They may fail in emergencies; but life is not one long emergency: it is mostly a string of situations for which no exceptional strength is needed, and with which even rather weak people can cope if they have a stronger partner to help them out. Accordingly, it is a truth everywhere in evidence that strong people, masculine or feminine, not only do not marry stronger people, but do not show any preference for them in selecting their friends. When a lion meets another with a louder roar "the first lion thinks the last a bore." The man or woman who feels strong enough for two, seeks for every other quality in a partner than strength. The converse is also true. Weak people want to marry strong people who do not frighten them too much; and this often leads them to make the mistake we describe metaphorically as "biting off more than they can chew." They want too much for too little; and when the bargain is unreasonable beyond all bearing, the union becomes impossible: it ends in the weaker party being either discarded or borne as a cross, which is worse. People who are not only weak, but silly or obtuse as well, are often in these difficulties.
George Bernard Shaw (Pygmalion)
Isn’t there anything you care about?” “All is death, woman. All is pain. Love breeds loss. Isolation breeds resentment. No matter which way we turn, we are beaten. Our only true inheritance is death. And our only legacy, dust.
Clive Barker (The Scarlet Gospels)
Bet – But how else are we going to be? In Italy there was this women’s art festival. A friend of ours who does performance dressed as a woman and did a performance. Then he revealed he was a man. The women in the festival beat him up and called the police. Michael – The police? Janey – Was he good? Bet – He was the best performer there. Louie – I think calling the police is weird. They should have just beaten him up. Janey – I don’t like the police.
Kathy Acker (New York City in 1979)
How could she make Sarah understand what it was like back home, where no woman would think to call the cops if her husband beat her? And even if she somehow found the strength to stand up for herself, what good would it do when she had no money, no education, no job to fall back on? That was the real reason abuse was so common, Isra thought for the first time. Not only because there was no government protection, but because women were raised to believe they were worthless, shameful creatures who deserved to get beaten, who were made to depend on the men who beat them. Isra wanted to cry at the thought. She was ashamed to be a woman, ashamed for herself and for her daughters.
Etaf Rum (A Woman Is No Man)
Kept in institutions until they die as a punishment for having lived so long, for having outlived their sex-appropriate work, old white women find themselves drugged (6.1 prescriptions for an average patient, more than half the patients given drugs like Thorazine and Mellaril); sick from neglect with bedsores, urinary, eye, and ear infections; left lying in their own filth, tied into so-called geriatric chairs or tied into bed; sometimes not fed, not given heat, not given any nursing care; sometimes left in burning baths (from which there have been drownings); sometimes beaten and left with broken bones. Even in old age, a woman had better have a man to protect her. She has earned no place in society on her own.
Andrea Dworkin (Right-Wing Women)
This was what emigration meant: a young man beaten into submission by his own relatives, the lonely resolve of a young woman and her injured infant riding unaccompanied through the desert, the desperate attempts of family to hang on to them, and the echoing absence they would leave behind them, as though they had died. With each departure, the effect was magnified, all the more in the case of prominent believers like Omar and Uthman, who had been born into the Meccan elite and thus had higher public profiles.
Lesley Hazleton (The First Muslim: The Story of Muhammad)
Women are taught to sacrifice, to play nice, to live an altruistic life because a good girl is always rewarded in the end. This is not a virtue; it is propaganda. Submission gets you a ticket to future prosperity that will never manifest. By the time you realize the ticket to success and happiness you have been sold isn’t worth the paper it was printed on, it will be too late. Go on, spend a quarter of your life, even half of your life, in the service of others and you will realize you were hustled. You do not manifest your destiny by placing others first! A kingdom built on your back doesn’t become your kingdom, it becomes your folly. History does not remember the slaves of Egypt that built the pyramids, they remember the Pharaohs that wielded the power over those laborers. Yet here you are, content with being a worker bee, motivated by some sales pitch that inspires you to work harder for some master than you work for yourself, with this loose promise that one day you will share in his wealth. Altruism is your sin. Selfishness is your savior. Ruthless aggression and self-preservation are not evil. Why aren’t females taught these things? Instead of putting themselves first, women are told to be considerate and selfless. From birth, they have been beaten in the head with this notion of “Don’t be selfish!” Fuck that. Your mother may have told you to wait your turn like a good girl, but I’m saying cut in front of that other bitch. Club Success is about to hit capacity, and you don’t want to be the odd woman out. Where are the powerful women? Those who refuse to play by those rules and want more out of life than what a man allows her to have? I created a category for such women and labeled them Spartans. Much like the Greek warriors who fought against all odds, these women refuse to surrender and curtsy before the status quo. Being
G.L. Lambert (Men Don't Love Women Like You: The Brutal Truth About Dating, Relationships, and How to Go from Placeholder to Game Changer)
You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.
Wolfgang Borchert
shake tonight, quake and burn with every inch of her. My dick never felt like this in my entire fucking life. It was like I'd downed a handful of the blue shit, and the bastard in my pants was so strong he'd beaten my brain into a coma, taking full control of everything. Bad analogy, though, because I knew I'd need my pulse checked if it ever took a fucking pill to get hard for this woman. “Fuck, baby. You wanna get fucked right here, don't you? No bullshitting, girl.” I scraped my stubble across her neck and sucked the spot beneath her ear.
Nicole Snow (Outlaw's Obsession (Grizzlies MC, #2))
She isn’t just any woman. She’s different.” “So every man has said since time immemorial.” “Yes, that’s true. I’ve met plenty of women, Mr. Sutton. From a young age, I have had mistresses whose beauty and skills would astound you. Skills they taught to a young man, because I was ever so rich. I also got to know them—courtesans are living, breathing women, you might be surprised to learn. With dreams and ambitions, some longing for a better life, one in which they won’t have to rely on wealthy men’s sons for survival. I became quite good friends with some of the ladies and am still. And then I met Violet.” Mr. Sutton was listening but striving to look uninterested. “Another courtesan?” “She’s neither one thing nor the other. Which is why I say she’s different. She’s not from the upper-class families whose mothers throw their daughters at me with alarming ruthlessness. She’s not a courtesan, selling her body and skills in exchange for diamonds and riches. She’s not a street girl from the gutter, selling her body to survive. She’s not a middle-class daughter, striving to live spotlessly and not shame her parents. Violet faces the world on her own terms, making a living the best she can with the skills she has. And everywhere, everyone has tried to stop her. They’ve used her body to pay their debts. They’ve used her cleverness to bring them clients. They’ve used her skills at understanding people to make them money. Everyone in her entire life has used her in every capacity she has, and yet, she still stands tall and faces the world. They’ve beaten her down at every turn, and still she rises. This is a woman of indomitable spirit. And I want to set her free.
Jennifer Ashley (The Wicked Deeds of Daniel Mackenzie (MacKenzies & McBrides, #6))
Miss Mitford was slowly, was heavily, was reluctantly descending the stairs. And as she went, as he heard her footsteps fade, panic seized upon him. Door after door shut in his face as Miss Mitford went downstairs; they shut on freedom; on fields; on hares; on grass; on his adored, his venerated mistress—on the dear old woman who had washed him and beaten him and fed him from her own plate when she had none too much to eat herself—on all he had known of happiness and love and human goodness! There! The front door slammed. He was alone. She had deserted him.
Virginia Woolf (Flush)
Wyatt Earp had been born, and born again, and now there would be a third life, for the iron fist that had seized his soul in childhood had lost its grip at last. The long struggle for control was over, and in its place, he found a wordless acceptance of a truth he'd always known. He was bred to this anger. It had been in him since the cradle. He'd never bullied neighbors or beaten a horse. He'd never punched the front teeth out of a six-year-old's mouth or hit a woman until she begged. But he was no better than his father, and never had been. He was far, far worse.
Mary Doria Russell (Epitaph)
And all the while the four men lay beside me and watched and made no move. Nor did I move, and without shame I say it; though my reason was compelled to struggle hard against my natural impulse to rise up and interfere. I knew life. Of what use to the woman, or to me, would be my being beaten to death by five men there on the bank of the Susquehanna? I once saw a man hanged, and though my whole soul cried protest, my mouth cried not. Had it cried, I should most likely have had my skull crushed by the butt of a revolver, for it was the law that the man should hang. And here, in this gypsy group, it was the law that the woman should be whipped. Even so, the reason in both cases that I did not interfere was not that it was the law, but that the law was stronger than I. Had it not been for those four men beside me in the grass, right gladly would I have waded into the man with the whip. And, barring the accident of the landing on me with a knife or a club in the hands of some of the various women of the camp, I am confident that I should have beaten him into a mess. But the four men were beside me in the grass. They made their law stronger than I.
Jack London (The Road)
But the people. The normal people. They were far worse. With no rule and no law, it became every man, woman, and child for themselves. There were no repercussions for crimes or violence—no one to run to if you were beaten or robbed. No police. No prisons. Not legitimate ones, anyway. Neighbors stole from neighbors. Stores were looted and supplies were hoarded, leaving children to starve in the gutters. It became the strong against the weak, and, as it turns out, the strong were usually jerks. Humanity loses faith in times like that. With no one to look up to, no one to believe in, we all became rats scrounging in the sewers.
Marissa Meyer (Renegades (Renegades, #1))
In Minneapolis, tires were slashed and windows smashed. A high school student getting off a bus was hit in the face and told to “go back to China.” A woman was kicked in the thighs, face, and kidneys, and her purse, which contained the family’s entire savings of $400, was stolen; afterwards, she forbade her children to play outdoors, and her husband, who had once commanded a fifty-man unit in the Armée Clandestine, stayed home to guard the family’s belongings. In Providence, children walking home from school were beaten. In Missoula, teenagers were stoned. In Milwaukee, garden plots were vandalized and a car was set on fire. In Eureka, California, two burning crosses were placed on a family’s front lawn. In a random act of violence near Springfield, Illinois, a twelve-year-old boy was shot and killed by three men who forced his family’s car off Interstate 55 and demanded money. His father told a reporter, “In a war, you know who your enemies are. Here, you don’t know if the person walking up to you will hurt you.
Anne Fadiman (The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures)
Blood for honor. That was the price then, as it was the price now. It was always the price of honor. Always blood. Always pain. And as the queen was scourged, he wondered if such a thing as honor really existed at all. For what was honor if it could not strip the pride from a barbarian woman even as she was beaten before her people? What was honor if he could only defend his own by doing this to her? Honor, Decianus thought, was just an excuse for war and mayhem. An excuse for taking. Whether the taking of a woman or the taking of one tribe against another, one empire over another, one emperor over the world. An emperor like the one he served . . . If this was honor, he wanted no part in it.
Ruth Downie (A Year of Ravens)
And that was how a great scandal threatened to affect the kingdom of Bohemia, and how the best plans of Mr. Sherlock Holmes were beaten by a woman’s wit. He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
At last a woman who admits it! Who admits what? Something that women have always refused till now to admit (and today more than ever before). Something that men have always reproached them with: that they never cease obeying their nature, the call of their blood, that everything in them, even their minds, is sex. That they have constantly to be nourished, constantly washed and made up, constantly beaten. That all they need is a good master, one who is not too lax or kind: for the moment we make any show of tenderness they draw upon it, turning all the zest, joy, and character at their command to make others love them. In short, that we must, when we go to see them, take a whip along. Rare is the man who has not dreamed of possessing Justine.
Pauline Réage (Story of O)
Things were different back then. Today if a woman was asked to do the things we did back then, she would revolt, declare that she wasn’t anyone’s slave, wouldn’t be put upon in that fashion. But you have to remember that this was before automatic washers and dishwashers, before blenders and electric knives. If the carpet was going to get cleaned, someone, usually a woman, would have to take a broom to it, or would have to haul it on her shoulders to the yard and beat the dirt out of it. If the wet clothes were going to get dry, someone had to hang them in the yard, take them down from the yard, heat the iron on the fire, press them, and finally fold or hang them. Food was chopped by hand, fires were stoked by hand, water was carried by hand, anything roasted, toasted, broiled, dried, beaten, pressed, packed, or pickled, was done so by hand. Our version of a laborsaving device was called a spouse. If a man had a woman by his side, he didn’t have to clean and cook for himself. If a woman had a man by her side, she didn’t have to go out, earn a living, then come home and wrestle the house to the ground in the evening.
Susan Lynn Peterson (Clare)
The mass media causes sexual misdirection: It prompts us to need something deeper than what we want. This is why Woody Allen has made nebbish guys cool; he makes people assume there is something profound about having a relationship based on witty conversation and intellectual discourse. There isn’t. It’s just another gimmick, and it’s no different than wanting to be with someone because they’re thin or rich or the former lead singer of Whiskeytown. And it actually might be worse, because an intellectual relationship isn’t real at all. My witty banter and cerebral discourse is always completely contrived. Right now, I have three and a half dates worth of material, all of which I pretend to deliver spontaneously. This is my strategy: If I can just coerce women into the last half of that fourth date, it’s anyone’s ball game. I’ve beaten the system; I’ve broken the code; I’ve slain the Minotaur. If we part ways on that fourth evening without some kind of conversational disaster, she probably digs me. Or at least she thinks she digs me, because who she digs is not really me. Sadly, our relationship will not last ninety-three minutes (like Annie Hall) or ninety-six minutes (like Manhattan). It will go on for days or weeks or months or years, and I’ve already used everything in my vault. Very soon, I will have nothing more to say, and we will be sitting across from each other at breakfast, completely devoid of banter; she will feel betrayed and foolish, and I will suddenly find myself actively trying to avoid spending time with a woman I didn’t deserve to be with in the first place.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
Domestic abuse is not just the bruise, black eyes of a woman who has been beaten. It's the small cuts that occur daily from which their life eventually bleeds out. It is the isolation they endure and the words that, one by one, strip away human dignity. It's the intimidation of continual threats to take away the children or to leave the victim in the streets. It's power and control over another human being.
Pamela Lombana (Full Circle: A Memoir)
At one point in the book, Susi says that, in Australia, one woman dies every week because of domestic violence. In the United States, more than three women are murdered by their husbands or boyfriends every day. Every nine seconds in the United States a woman is assaulted or beaten. Domestic violence is the leading cause of injury to women—more than that caused by car accidents, muggings, and rapes combined.
Liane Moriarty (Big Little Lies)
I always imagined rape as this violent scene of a woman walking alone down a dark alley and getting mugged and beaten by some masked criminal. Rape was an angry man forcing himself inside a damsel in distress. I would not carry the trauma of a cliché rape victim. I would not shriek in the midst of my slumber with night terrors. I would not tremble at the sight of every dark haired man or the mention of Number 1’s name. I would not even harbor ill will towards him. My damage was like a cigarette addiction- subtle, seemingly innocent, but everlasting and inevitably detrimental. Number 1 never opened his screen door to furious crowds waving torches and baseball bats. Nobody punched him out in my honor. The Nightfall crowd never socially ostracized him. Even the ex-boyfriend who’d second handedly fused the entire fiasco continued to mingle with him in drug circles. Everybody continued with business as usual. And when I told my parents I lost my virginity against my will, unconscious on a bathroom floor, Carl did not erupt in fury and demand I give him all I knew about his whereabouts so he could greet him with a rifle. Mom blankly shrugged and mumbled, “Oh, that’s too bad,” and drifted into the kitchen as if I’d received a stubbed toe rather than a shredded hymen. Everyone in my life took my rape as lightly as a brief thunderstorm that might have been frightening when it happened, but was easy to forget about. I adopted that mentality as the foundation of my sex life. I would, time and time again, treat sex as flimsily as it started. I would give it away as if it was cheap, second hand junk, rather than a prize that deserved to be earned.
Maggie Georgiana Young (Just Another Number)
This was not what Europe or Prussia had expected. In his childhood, Frederick had been a dreamy, delicate boy, often beaten by his father, King Frederick William I, for being unmanly. As an adolescent, he wore his hair in long curls hanging down to his waist, and costumed himself in embroidered velvet. He read French writers, wrote French poetry, and performed chamber music on the violin, the harpsichord, and the flute.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
He squinted at her. He recalled the tears in her eyes that had not fallen into her teacup. No, it wasn’t a revelation. Not even to him. Yet, this was the same woman who had stolen a camel right out from under the Anti-Zionist army’s nose. She’d taken his hand, thrown herself down a sand dune on a dare, and then beaten him back up it. She’d glared at him and refused to part from his side. A coward? “Never,” he said again.
V.S. Carnes
I hate your kind." "Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?" Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first." The old gaijin laughs. "That would have been exciting." "We would have beaten you. Just like the cheshires." "You may yet." He shrugs. "You do not fear cibiscosis or blister rust." "No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont." He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility. . ." He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals." Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?" The old man exchanges a glance with his ladyboy. "Can you do it?" Emiko presses. He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented." Emiko slumps. The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your children—in genetic terms, if not physical ones—they can be made fertile, a part of the natural world." Emiko feels her heart pounding. "You can do this, truly?" "Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more.
Paolo Bacigalupi (The Windup Girl)
God entered the yellow church on the disabled ramp. He was in a wheelchair too; He had once lost a woman too. He was silvery. Not the cheap, glittery silver of a banker’s BMW, but a muted, matte silver. Once, as He was gliding among the silvery stars with his silvery beloved, a gang of golden gods attacked them. When they were kids, God had once beaten one of them up, a short, skinny golden god who had now grown up and returned with his friends. The golden gods beat Him with golden clubs of sunlight and didn’t stop until they’d broken every bone in His divine body. It took Him years to recuperate. His beloved never did. She remained a vegetable. She could see and hear everything, but she couldn’t say a word. The silvery God decided to create a species in His own image so she could watch it to pass the time. That species really did resemble Him: battered and victimized like Him. And His silvery beloved stared wide-eyed at the members of that species for hours, stared and didn’t even shed a tear. 'What do you think,' the silvery God asked the yellow priest in frustration, 'that I created all of you like this because it's what I wanted? Because I'm some kind of pervert or sadist who enjoys all this suffering? I created you like this because this is what I know. It's the best I can do.
Etgar Keret (פתאום דפיקה בדלת)
I have lived recklessly, gambled my income away at the horse races, gone whoring, have been more drunk than sober, beaten men to a pulp with my hands, have had a man’s nose cut off for insulting my father and have been indebted to villains more times than I care to say. But, I do not want to live like this anymore. I want a quiet life with a good woman who will care and love me – not for being the Duke of Monmouth, but for me, Jemmy.
Andrea Zuvich (His Last Mistress)
Immanuelle stared at him—this man who’d used his lies to make himself a martyr. He thought he was the one who made the true sacrifice, but he couldn’t be more wrong. It was not the Prophet who bore Bethel, bound to his back like a millstone. It was all of the innocent girls and women—like Miriam and Leah—who suffered and died at the hands of men who exploited them. They were Bethel’s sacrifice. They were the bones upon which the Church was built. Their pain was the great shame of the Father’s faith, and all of Bethel shared in it. Men like the Prophet, who lurked and lusted after the innocent, who found joy in their pain, who brutalized and broke them down until they were nothing, exploiting those they were meant to protect. The Church, which not only excused and forgave the sins of its leaders but enabled them: with the Protocol and the market stocks, with muzzles and lashings and twisted Scriptures. It was the whole of them, the heart of Bethel itself, that made certain every woman who lived behind its gate had only two choices: resignation, or ruin. No more, Immanuelle thought. No more punishments or Protocols. No more muzzles or contrition. No more pyres or gutting blades. No more girls beaten or broken silent. No more brides in white gowns lying like lambs on the altar for slaughter. She would see an end to all of it.
Alexis Henderson (The Year of the Witching (Bethel, #1))
When his lips landed to hers, his hand raced over the curves of her body. Jocelyn whimpered to his searing lips. His tongue plunged over her lips. Feeling his heat blast into her. Her tongue swirled, and laced to his as he pulled her aching frame into him. Her breasts mashed to his thick chest. Nipple burst into shards of stones. The fingers that had held his neck, curled into his dark hair. She bordered on being out of control. Igider's, kiss was magnetic to her darkest layers of passion. Tonight, she didn't want to be beaten, spanked or bound. She wanted to be made love to you. To be treated like a woman that mattered, not a toy. For once, she wanted to feel the deepest pleasure of a man and woman without all the pain. Yes, he could flog her senseless but this time it was going to be different. Jocelyn knew this wasn't love, but her mind and soul craved the need to be loved, even if it was carnal. Frozen Sin coming December 28th
Lisette Kristensen
In the time of slavery, black women were often sexually exploited by white men. (Read up on Thomas Jefferson and Sally Hemings.) Now, imagine you were a black man and the woman you’d claimed as your wife (legal marriages between slaves weren’t allowed) was raped by your white master or overseer. Not only was she raped but she was impregnated and gave birth to the master’s child, and there was nothing you could do about it. Try to imagine the kind of hurt and anger you’d feel if this happened to you once, twice; if it happened to your children; if you suspected it had and would go on for generations. On the other hand, imagine that if you so much as looked sideways at a white woman, if you did nothing but were accused of violating her respect and/or chastity, you could be captured, beaten, and lynched by a posse of white men. And when it was all over, that there would be nothing your people could do lest they suffer the same fate as you. And no consequences for the white people who murdered you. If that were your reality, if that were the history of your forebears, how angry would you be?
Emmanuel Acho (Uncomfortable Conversations with a Black Man)
I understand, intellectually, that the death of a parent is a natural, acceptable part of life. Nobody would call the death of a very sick eighty-year-old woman a tragedy. There was soft weeping at her funeral and red watery eyes. No wrenching sobs. Now I think that I should have let myself sob. I should have wailed and beaten my chest and thrown myself over her coffin. I read a poem. A pretty, touching poem I thought she would have liked. I should have used my own words. I should have said: No one will ever love me as fiercely as my mother did. I should have said: You all think you’re at the funeral of a sweet little old lady, but you’re at the funeral of a girl called Clara, who had long blond hair in a heavy thick plait down to her waist, who fell in love with a shy man who worked on the railways, and they spent years and years trying to have a baby, and when Clara finally got pregnant, they danced around the living room but very slowly, so as not to hurt the baby, and the first two years of her little girl’s life were the happiest of Clara’s life, except then her husband died, and she had to bring up the little girl on her own, before there was a single mother’s pension, before the words “single mother” even existed. I should have told them about how when I was at school, if the day became unexpectedly cold, Mum would turn up in the school yard with a jacket for me. I should have told them that she hated broccoli with such a passion she couldn’t even look at it, and that she was in love with the main character on the English television series Judge John Deed. I should have told them that she loved to read and she was a terrible cook, because she’d try to cook and read her latest library book at the same time, and the dinner always got burned and the library book always got food spatters on it, and then she’d spend ages trying to dab them away with the wet corner of a tea towel. I should have told them that my mum thought of Jack as her own grandchild, and how she made him a special racing car quilt he adored. I should have talked and talked and grabbed both sides of the lectern and said: She was not just a little old lady. She was Clara. She was my mother. She was wonderful.
Liane Moriarty (The Hypnotist's Love Story)
It isn't a matter of what's rational or justified, it is a matter of signals. It was the wrong signal to give me. The reason wolves don't kill each other off is that the smaller and weaker wolf always surrenders. It rolls over, bares its throat and puts its paws in the air to signal that it is beaten. When that happens the winner is physically unable to attack anymore. If it were not that way, there wouldn't be any wolves left. For the same reason men don't usually kill women, or not by beating them to death. They can't. However much he wants to hit her, his internal machinery vetoes it. But if the woman makes the mistake of giving him a different signal by hitting him first.
Frederik Pohl
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!" Carlyle waited and her words came with a rush. “Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?" He handed one over and held a match for her silently. "Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?" "Sort of. You never were beaten and you never apologized." "Never!" She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below. Her voice floated up to him again. "And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things." She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level. "All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless." She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock. "I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male." "But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?" Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above. "Why," she called back, "then I'd have won!
F. Scott Fitzgerald (The Offshore Pirate)
As for us, we saw the police as a natural catastrophe— like floods, fires, earthquakes. There was nothing you could do about these things except to try and escape them. We had no analysis, no understanding that society could be changed. We simply tried to survive, as ourselves, as kamp girls, natural rebels. We did not feel that the police might not be entitled to hunt us, but accepted them as inevitable. I was beaten up for suggesting that a woman ask for a lawyer. It was seem as a stupid— even dangerous— suggestion. Fighting back with threats of lawyers would only make the police even angrier at us. But part of me felt that what was happening was unfair and unjust, though I had no idea how things could ever be different. Melbourne and Adelaide were exactly the same. The public lesbian scene was dangerous and difficult. There were many other New Zealand lesbians around, too. In spite of everything, I loved it. The “mateship” was amazing and close, important enough for any risk. And the freedom to be ourselves, to be real, to be queer, affirmed us. There were private, closeted scenes too, but they were hard to find and cliquey. They were fearful of being “sprung” by kamps who were too obvious. They were mainly older middle-class women. I knew some of them, learnt many things from them— like how to behave in a nice restaurant if you are taken to dinner. But they too had no sense of anything being able to change— except for the one strange woman who danced naked to Beethoven and lent me de Beauvoir’s The Second Sex. She sowed some wild ideas, more than a decade too early for them to make any sense.
Julia Penelope (Finding the Lesbians: Personal Accounts from Around the World)
An ugly woman, very poorly clothed, hurried in while I was glancing at them, and coming straight up to the mother, said, “Jenny! Jenny!” The mother rose on being so addressed and fell upon the woman’s neck. She also had upon her face and arms the marks of ill usage. She had no kind of grace about her, but the grace of sympathy; but when she condoled with the woman, and her own tears fell, she wanted no beauty. I say condoled, but her only words were “Jenny! Jenny!” All the rest was in the tone in which she said them. I thought it very touching to see these two women, coarse and shabby and beaten, so united; to see what they could be to one another; to see how they felt for one another, how the heart of each to each was softened by the hard trials of their lives. I think the best side of such people is almost hidden from us. What the poor are to the poor is little known, excepting to themselves and God.
Charles Dickens (The Complete Works of Charles Dickens)
The racist conscience of America is such that murder does not register as murder, really, unless the victim is white. And it was only when the newspapers and magazines started carrying pictures and stories of white demonstrators being beaten and maimed by mobs and police that the public be-gan to protest. Negroes have become so used to this double stan-dard that they, too, react differently to the death of a white. When white freedom riders were brutalized along with blacks, a sigh of relief went up from the black masses, because the blacks knew that white blood is the coin of freedom in a land where for four hundred years black blood has been shed unremarked and with impunity. America has never truly been outraged by the murder of a black man, woman, or child. White politicians may, if Negroes are aroused by a particular murder, say with their lips what they know with their minds they should feel with their hearts-but don't.
Eldridge Cleaver (Soul on Ice)
Couldn't I come along with you? I've been trapped inside for days now and I need some sunshine and exercise. If you're really busy today, maybe I could hhelp. It's not as if I'm a greenhorn who'd get in your way." "This isn't a good idea, Freckles, and you know it." The feisty redhead grinned. "I admit I'm somewhat ignorant on the subject, but I've never heard of doing "it" on the back of a horse." A roguish grin dangled from the corner of his mouth. "Sweetheart, you'd be surprised where...Never mind." Though he'd tried to sound gruff, Willow detected a slight wavering in his determination. "I'll promise not to attack your body, if that's what you're worried about." She started laughing. Moving closer, she backed him against the door. Then tilting her head, she hit him full force with her big blue-green sparklers. Her lips parted in a very seductive, very naughty smile. "Please, just a short ride?" She toyed with the edge of his black leather vest, the backs of her fingers sliding up and down his chest. Rider sucked in a gulp of air. "Dammit, woman,what's Mrs. Brigham been teaching you? Stop that!" He batted her hand away, laughing despite himself. He was beaten and he knew it. "Well?" She smiled slyly. He grasped her arms and set her away to a safer distance. "All right, all right. I give up. I'll take you for a ride." When her face lit up,he raised a cautioning finger and hastened to add, "On one condition. You have to keep yours hands to yourself. No touching!" "Yes! I promise!" Willow threw herself into his arms and pulled his face close for a brisk buss on the cheek. Then she sprang free and skipped past him to the door. "I kow, no touching. That was just a thank you. Hurry up, I'm all ready to go." Following in her wake, Rider groaned, "Yeah,so am I-in more ways than one." "What did you say?" she called back. "I said you were a little flirt!" She gave him an innocent smile over her shoulder and sprinted off to saddle Sugar.
Charlotte McPherren (Song of the Willow)
The instruments of murder are as manifold as the unlimited human imagination. Apart from the obvious—shotguns, rifles, pistols, knives, hatchets and axes—I have seen meat cleavers, machetes, ice picks, bayonets, hammers, wrenches, screwdrivers, crowbars, pry bars, two-by-fours, tree limbs, jack handles (which are not “tire irons;” nobody carries tire irons anymore), building blocks, crutches, artificial legs, brass bedposts, pipes, bricks, belts, neckties, pantyhose, ropes, bootlaces, towels and chains—all these things and more, used by human beings to dispatch their fellow human beings into eternity. I have never seen a butler use a candelabrum. I have never seen anyone use a candelabrum! Such recherché elegance is apparently confined to England. I did see a pair of sneakers used to kill a woman, and they left distinctive tread marks where the murderer stepped on her throat and crushed the life from her. I have not seen an icicle used to stab someone, though it is said to be the perfect weapon, because it melts afterward. But I do know of a case in which a man was bludgeoned to death with a frozen ham. Murderers generally do not enjoy heavy lifting—though of course they end up doing quite a bit of it after the fact, when it is necessary to dispose of the body—so the weapons they use tend to be light and maneuverable. You would be surprised how frequently glass bottles are used to beat people to death. Unlike the “candy-glass” props used in the movies, real glass bottles stand up very well to blows. Long-necked beer bottles, along with the heavy old Coca-Cola and Pepsi bottles, make formidable weapons, powerful enough to leave a dent in a wooden two-by-four without breaking. I recall one case in which a woman was beaten to death with a Pepsi bottle, and the distinctive spiral fluting of the bottle was still visible on the broken margins of her skull. The proverbial “lead pipe” is a thing of the past, as a murder weapon. Lead is no longer used to make pipes.
William R. Maples (Dead Men Do Tell Tales: Strange and Fascinating Cases of a Forensic Anthropologist)
You seem surprised to find us here,’ the man said. ‘I am,’ I said. ‘I wasn’t expecting to find anyone.’ ‘We are everywhere,’ the man said. ‘We are all over the country.’ ‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’ ‘Jewish refugees.’ [...] ‘Is this your land?’ I asked him. ‘Not yet,’ he said. ‘You mean you are hoping to buy it?’ He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’ ‘So where do you go from here?’ I asked him. ‘You and all your orphans?’ ‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’ ‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’ He smiled again, presumably at the naïvety of my questions. ‘No,’ the man said, ‘I do not think we will become Palestinians.’ ‘Then what will you do?’ ‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’ ‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip. ‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’ ‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’ ‘That is a very small problem,’ the man said. ‘Ours is much bigger.’ I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him. ‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’ ‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours. I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’ ‘You mean the Jews have no country?’ ‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’ ‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’ ‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us. ‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’ ‘We don’t want Germany,’ the man said. ‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever. ‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
What it like to sail?" she asked. His gaze shifted, and he stared into the distance. "It's freedom. Like riding a powerful horse with a gait like silk. You speed over the waves, carried on the wind, held up over an unknowable depth of water beneath you, with the entire sky above. And that sky is a different color depending on where on earth you are. There are a thousand shades of blue. You can look up and know where you are, just by the color. And the stars at night - there's indescribable beauty in the stars, like a woman's eyes, flashing, shining... And yet, they are tools, enabling navigation, a map to follow..." She stared at his profile as he spoke, at the scars that marred his brow and cheeks, the crooked line of his broken nose, the elegant, aristocratic line of his jaw, half-hidden under the shadow of stubble, and the soft, sensual curve of his mouth. She saw the sea in his eyes, smelled the wind, tasted the salt, and she felt her chest tighten with a longing to sail, to experience speed and adventure. Breathless, she felt the presence of the man in the portrait, the rogue, the bold captain. Her heart twisted as she imagined him in prison, beaten, chained, tormented to madness. He was still a prisoner, trapped inside the cage of his injured flesh, his damaged bones, his memories of unspeakable horrors. What would it take to set him free?
Lecia Cornwall (Beauty and the Highland Beast (Highland Fairy Tales #1))
By becoming the aggressor in sharing the good news of Christ with everyone in earshot, I became the one doing the influencing for good rather than the one being influenced for evil. I deduced that my Christianity is not about me but about Christ living through me. Jesus Christ represents everything that is truly good about me. Oddly enough, it started with a prank telephone call when I was seventeen. As I was studying the Bible one night, I had just said a prayer in which I asked God for the strength to be more vocal about my faith. All of a sudden, the phone rang and I answered. “Hello?” I asked. No one answered. “Hello?” I asked again. There was still silence on the other end. I started to hang up the phone, but then it hit me. “I’m glad you called,” I said. “You’re just the person I’m looking for.” Much to my surprise, the person on the other end didn’t hang up. “I want to share something with you that I’m really excited about,” I said. “It’s what I put my faith in. You’re the perfect person to hear it.” So then I started sharing the Gospel, and whoever was on the other end never said a word. Every few minutes, I’d hear a little sound, so I knew the person was still listening. After several minutes, I told the person, “I’m going to ask you a few questions. Why don’t you do one beep for no and two beeps for yes? We can play that game.” The person on the other end didn’t say anything. Undaunted by the person’s silence, I took out my Bible and started reading scripture. After a few minutes, I heard pages rustling on the other end of the phone. I knew the person was reading along with me! After a while, every noise I heard got me more excited! At one point, I heard a baby crying in the background. I guessed that the person on the phone was a mother or perhaps a babysitter. I asked her if she needed to go care for her child. She set the phone down and came back a few minutes later. I figured that once I started preaching, she would hang up the phone. But the fact that she didn’t got my adrenaline flowing. For three consecutive hours, I shared the message of God I’d heard from my little church in Luna, Louisiana, and what I’d learned by studying the Bible and listening to others talk about their faith over the last two years. By the time our telephone call ended, I was out of material! “Hey, will you call back tomorrow night?” I asked her. She didn’t say anything and hung up the phone. I wasn’t sure she would call me back the next night. But I hoped she would, and I prepared for what I was going to share with her next. I came across a medical account of Jesus’ death and decided to use it. It was a very graphic account of Jesus dying on a cross. Around ten o’clock the next night, the phone rang. I answered it and there was silence on the other end. My blood and adrenaline started pumping once again! Our second conversation didn’t last as long because I came out firing bullets! I worried my account of Jesus’ death was too graphic and might offend her. But as I told her the story of Jesus’ crucifixion--how He was sentenced to death by Pontius Pilate, beaten with leather-thonged whips, required to strip naked, forced to wear a crown of thorns on His head, and then crucified with nails staked through His wrists and ankles--I started to hear sobs on the other end of the phone. Then I heard her cry and she hung up the phone. She never called back. Although I never talked to the woman again or learned her identity, my conversations with her empowered me to share the Lord’s message with my friends and even strangers. I came to truly realize it was not about me but about the power in the message of Christ.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))