Beaten Up Quotes

We've searched our database for all the quotes and captions related to Beaten Up. Here they are! All 200 of them:

No sympathy for the devil; keep that in mind. Buy the ticket, take the ride...and if it occasionally gets a little heavier than what you had in mind, well...maybe chalk it up to forced consciousness expansion: Tune in, freak out, get beaten.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
Witches are naturally nosy,” said Miss Tick, standing up. “Well, I must go. I hope we shall meet again. I will give you some free advice, though.” “Will it cost me anything?” “What? I just said it was free!” said Miss Tick. “Yes, but my father said that free advice often turns out to be expensive,” said Tiffany. Miss Tick sniffed. “You could say this advice is priceless,” she said, “Are you listening?” “Yes,” said Tiffany. “Good. Now...if you trust in yourself...” “Yes?” “...and believe in your dreams...” “Yes?” “...and follow your star...” Miss Tick went on. “Yes?” “...you’ll still be beaten by people who spent their time working hard and learning things and weren’t so lazy. Goodbye.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Its a toss-up when you decide to leave the beaten track. Many are called, few are chosen.
W. Somerset Maugham (The Razor's Edge)
You're going to keep a low profile throughout the entire competition... You're going to stay solidly in the middle, where no one will look your way, because you're not a threat, because they'll think that you'll be eliminated sooner or later, and they should focus their attention on getting rid of bigger, stronger, faster champions like Cain. 'But you're going to outlast them,' Chaol continued. 'And when they wake up the morning of the final duel and find that you are their opponent, and that you have beaten them, the look on their faces will make all of the insults and lack of attention worthwhile.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
With the right reasons, at the right moment, even the most beaten and broken of people could rise up and reclaim themselves.
Samantha Shannon (The Mime Order (The Bone Season, #2))
If you are eager to find the reason I became the Kvothe they tell stories about, you could look there, I suppose." Chronicler's forehead wrinkled. "What do you mean, exactly?" Kvothe paused for a long moment, looking down at his hands. "Do you know how many times I've been beaten over the course of my life?" Chronicler shook his head. Looking up, Kvothe grinned and tossed his shoulders in a nonchalant shrug. "Neither do I. You'd think that sort of thing would stick in a person's mind. You'd think I would remember how many bones I've had broken. You'd think I'd remember the stitches and bandages." He shook his head. "I don't. I remember that young boy sobbing in the dark. Clear as a bell after all these years." Chronicler frowned. "You said yourself that there was nothing you could have done." "I could have," Kvothe said seriously, "and I didn't. I made my choice and I regret it to this day. Bones mend. Regret stays with you forever.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
If woman had no existence save in the fiction written by men, one would imagine her a person of the utmost importance (...); as great as a man, some think even greater. But this is woman in fiction. In fact, as Professor Trevelyan points out [in his History of England], she was locked up, beaten and flung about the room.
Virginia Woolf (A Room of One’s Own)
Someday I'll be a weather-beaten skull resting on a grass pillow, Serenaded by a stray bird or two. Kings and commoners end up the same, No more enduring than last night's dream.
Ryōkan
There are only two ways we can be beaten: we die or we give up. And we're not giving up.
Tom Clancy (Against All Enemies (Max Moore, #1))
THE WEATHER OF LOVE Love Has a way of wilting Or blossoming At the strangest, Most unpredictable hour. This is how love is, An uncontrollable beast In the form of a flower. The sun does not always shine on it. Nor does the rain always pour on it Nor should it always get beaten by a storm. Love does not always emit the sweetest scents, And sometimes it can sting with its thorns. Water it. Give it plenty of sunlight. Nurture it, And the flower of love will Outlive you. Neglect it or keep dissecting it, And its petals will quickly curl up and die. This is how love is, Perfection is a delusional vision. So love the person who loves you Unconditionally, And abandon the one Who only loves you Under favorable Conditions.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
But what he's forgetting," she says. "What he's forgotting is that me and Todd, we ran halfway across this planet together, by ourselves. We beat his craziest preacher. We outran an entire army and survived being shot and beaten and chased and we bloody well stayed alive this whole time without being blown up or tortured to death or dying in battle or anything." She takes her hand of Lee so she's balancing just against me. "Me and Todd? Together against the Mayor?" She smiles. "He doesn't stand a chance.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
Trauma isn’t just the sadness that comes from being beaten, or neglected, or insulted. That’s just one layer of it. Trauma also is mourning the childhood you could have had. The childhood other kids around you had. The fact that you could have had a mom who hugged and kissed you when you skinned your knee. Or a dad who stayed and brought you a bouquet of flowers at your graduation. Trauma is mourning the fact that, as an adult, you have to parent yourself. You have to stand in your kitchen, starving, near tears, next to a burnt chicken, and you can’t call your mom to tell her about it, to listen to her tell you that it’s okay, to ask if you can come over for some of her cooking. Instead, you have to pull up your bootstraps and solve the painful puzzle of your life by yourself. What other choice do you have? Nobody else is going to solve it for you.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
The best time to cry is at night, when the lights are out and someone is being beaten up and screaming for help.
Walter Dean Myers (Monster: A Story About Crime, Justice, and Life on Trial)
You know, I've been thinking: all the women in the books you like -- Sartre and Camus and all that -- they don't really exist. Not as people. They're only there to wait for the men. To love them and be loved back or not -- mostly not; to be beaten up or killed; to appear as a face on the wall of Meurseault's cell--
Ahdaf Soueif (In the Eye of the Sun)
Dixon was alive again. Consciousness was upon him before he could get out of the way; not for him the slow, gracious wandering from the halls of sleep, but a summary, forcible ejection. He lay sprawled, too wicked to move, spewed up like a broken spider-crab on the tarry shingle of morning. The light did him harm, but not as much as looking at things did; he resolved, having done it once, never to move his eyeballs again. A dusty thudding in his head made the scene before him beat like a pulse. His mouth had been used as a latrine by some small creature of the night, and then as its mausoleum. During the night, too, he'd somehow been on a cross-country run and then been expertly beaten up by secret police. He felt bad.
Kingsley Amis (Lucky Jim)
She was battered and beaten up, and not smiling this time. Liesel could see it on her face. Blood leaked from her nose and licked at her lips. Her eyes had blackened. Cuts had opened up and a series of wounds were rising to the surface of her skin. All from the words. From Liesel's words.
Markus Zusak (The Book Thief)
It’s just as easy to be exclusive as it is to be inclusive, just as easy to create an Us as a Them. Benji has never been worried about being beaten up or hated if anyone finds out the truth about him; he’s been hated by every opposing team since he was a child. The only thing he’s scared of is that one day there will be jokes that his teammates and coach won’t tell when he’s in the room. The exclusivity of laughter.
Fredrik Backman (Beartown (Beartown, #1))
She looked up at me with a polite smile, her dark hair long and appealing...I liked the smile. Maybe I didn't look like a beaten-up bum. Maybe on me it just looked ruggedly determined. "I'm sorry, sir," she said, "but the addiction counseling center is on twenty-six." Sigh.
Jim Butcher (Turn Coat (The Dresden Files, #11))
Anybody who thinks that 'it doesn't matter who's President' has never been Drafted and sent off to fight and die in a vicious, stupid war on the other side of the world--or been beaten and gassed by Police for trespassing on public property--or been hounded by the IRS for purely political reasons--or locked up in the Cook County Jail with a broken nose and no phone access and twelve perverts wanting to stomp your ass in the shower. That is when it matters who is President or Governor or Police Chief. That is when you will wish you had voted.
Hunter S. Thompson
People always ask, Why does God allow suffering? Why does He allow a child to be beaten? A woman to cry? A holocaust to happen? A good dog to die painfully? Simple truth is, He wants to see for Himself what we’ll do. He’s stood up the candle, put the devil at the wick, and now He wants to see if we blow it out or let it burn down. God is suffering’s biggest spectator.
Tiffany McDaniel (The Summer that Melted Everything)
If You Have A Lemon, Make A Lemonade That is what a great educator does. But the fool does the exact opposite. If he finds that life has handed him a lemon, he gives up and says: "I'm beaten. It is fate. I haven't got a chance." Then he proceeds to rail against the world and indulge in an orgy of selfpity. But when the wise man is handed a lemon, he says: "What lesson can I learn from this misfortune? How can I improve my situation? How can I turn this lemon into a lemonade?
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry)
Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before. Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen.
F. Scott Fitzgerald
Completely forgetting about dinner, he walked slowly back up to Gryffindor tower. Cho's voice echoing in his ears with every step he took... 'Cedric - Cedric Diggory' . He had been starting to quite like Cedric - prepared to overlook the fact that he had once beaten him at Quidditch, and was handsome, and popular, and nearly everyone's favourite champion. Now he suddenly realised Cedric was in fact a useless pretty-boy who didn't have enough brains to fill an eggcup.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I’m rapidly reaching the point where I’d cut my chest open and dig my heart out just so I can present it to her. What the fuck is wrong with me? She’s leaving. She was always leaving. I never thought she’d take my beaten-up heart with her when she walked away.
Katee Robert (Neon Gods (Dark Olympus, #1))
My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Prim’s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I don’t think I shall ever find peace till I make up my mind about things,’ he said gravely. He hesitated. ‘It’s very difficult to put into words. The moment you try you feel embarrassed. You say to yourself: “Who am I that I should bother myself about this, that, and the other? Perhaps it’s only because I’m a conceited prig. Wouldn’t it be better to follow the beaten track and let what’s coming to you come?” And then you think of a fellow who an hour before was full of life and fun,and he’s lying dead; it’s all so cruel and meaningless. It’s hard not to ask yourself what life is all about and whether there’s any sense to it or whether it’s all a tragic blunder of blind fate.
W. Somerset Maugham (The Razor’s Edge)
No woman deserves to be disrespected; to be beaten up, to be called bitches or sluts. Assaulted or insulted. Even if she's a hooker.
Imam Shah
Don't keep forever on the public road,going only where others have gone, and following one after the other like a flock of sheep. Leave the beaten track occasionally and dive into the woods. 'Every time you do so you will be certain to find something that you have never seen before. Of course it will be a little thing, but do not ignore it. Follow it up, explore all around it; one discovery will lead to another, and before you know it you will have something worth thinking about to occupy your mind. All really big discoveries are the results of thought.
Alexander Graham Bell
I hadn't gotten beaten up twice, shot, and nearly strangled to get taken out by a misguided werewolf bitch.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Trouble follows you like a shadow, Gillian. You're prone to injuries. I swear to God, if a tree decided to fall right now, it would find your head to land on." "Oh, for heaven's sake," she muttered. "I'll admit that I have had a run of bad fortune, but—" He wouldn't let her continue. "A run of bad fortune? Since I've known you, you've been beaten, stabbed and now shot with an arrow. If this keeps up, you'll be dead in another month
Julie Garwood (Ransom (Highlands' Lairds, #2))
...one had to expect very little—almost nothing—from life, Aaron knew, one had to be grateful, not always trying to seize the days like some maniac of living, but to give oneself up, be seized by the days, the months and years, be taken up in the froth of sun and moon, some pale and smoothie-ed river-cloud of life, a long, drawn-out, gray sort of enlightenment, so that when it was time to die, one did not scream swear words and knock things down, did not make a scene, but went easily with understanding and tact, and quietly, in a lightly pummeled way, having been consoled–having allowed to be consoled–by the soft, generous, worthlessness of it all, having allowed to be massaged by the daily beating of life, instead of just beaten.
Tao Lin (Bed)
He paused; a grim silence gripped the whole clearing, broken by a contemptious Rumble from Tigerstar. "Mew away, little kittypet. It won't change anything." Firestar ignored him. "Being deputy wasn't enough," he went on. "Tigerstar wanted to be leader of the clan. He set a trap for Bluestar by the Thunderpath, but my own apprentice strayed into it instead. That's how Cinderpelt came by her crippled leg." A shocked murmer swept through the clearing. Except for Bloodclan, they all knew of Cinderpelt, she was popular even with cats of other clans. Then Tigerstar conspired with Brokentail, the fomer leader of ShadowClan, who was ThunderClan's prisoner," Firestar told the listening cats. "He brought a pack of rogues into ThunderClan camp, and tried to murder Bluestar with his own claws. I stopped him, and when ThunderClan had beaten off the attack we drove him into excile. As a rogue, he slaughtered, Runningwind. Then before we knew what he was up too, he had made himself leader of ShadowClan.
Erin Hunter
...because once you've got one scar on your face or your heart, its only a matter of time before someone gives you another - and another - until a day doesn't go by when you aren't being bashed senseless, nor a town that you haven't been run out of, and you get to be such a goddamn mess that finally it doesn't feel right unless you're getting the Christ beaten out of you - amd within a year of that first damming fall, those first down borne fists, your first run out, you wind up with flies buzzing around your eyes, back at the same place, the same town, deader than when you left, bobbiong around in the swill - a dirty deadbeat whore in a roadside ditch. But a little part of you deosn't die. A little part of you lives on. And you make an orphan of that corrupt and contemtible part, dumping it right smack in the laps of the ones who first robbed you of your sweetness, for it is the wicked fruit of their crimes, it is their blood, their sin, it belongs there, this child of blood, this spawn of sin...
Nick Cave (And the Ass Saw the Angel)
When Scythrop grew up, he was sent, as usual, to a public school, where a little learning was painfully beaten into him, and from thence to the university, where it was carefully taken out of him; and he was sent home like a well-threshed ear of corn, with nothing in his head.
Thomas Love Peacock (Nightmare Abbey)
Life knocks you down. It’s going to, and you got to just turn around and get back up, hold on to me if you have to, but always get back up. People will just walk all over you if you leave yourself beaten on the ground.
Christine Zolendz (Here's to Falling)
I continue to wonder,' he said, glancing down at Min, 'why you all assume that I am too dense to see what you find so obvious. Yes, Nynaeve. Yes, this hardness will destroy me. I know.' ... You all claim that I have grown too hard, that I will inevitably shatter and break if I continue on. But you assume that there needs to be something left of me to continue on. ... That's the key, Nynaeve. I see it now. I will not live through this, and so I don't need to worry about what might happen to me after the Last Battle. I don't need to hold back, don't need to salvage anything of this beaten up soul of mine.
Brandon Sanderson (The Gathering Storm (The Wheel of Time, #12))
Country music was the most segregated kind of music in America, where even whites played jazz and even blacks sang in the opera. Something like country music was what lynch mobs must have enjoyed while stringing up their black victims. Country music was not necessarily lynching music, but no other music could be imagined as lynching’s accompaniment. Beethoven’s Ninth was the opus for Nazis, concentration camp commanders, and possibly President Truman as he contemplated atomizing Hiroshima, classical music the refined score for the high-minded extermination of brutish hordes. Country music was set to the more humble beat of the red-blooded, bloodthirsty American heartland. It was for fear of being beaten to this beat that black soldiers avoided the Saigon bars where their white comrades kept the jukeboxes humming with Hank Williams and his kind, sonic signposts that said, in essence, No Niggers.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
On romance books: We might assume then that men, major consumers of thrillers, westerns, and detective fiction, enjoy being beaten up, tortured, shot, stabbed, dragged by galloping horses, and thrown out of moving vehicles.
Daphne Clair
Yes, I made it through one of the most terrible experiences that can happen to a human being, but most of all, my story is about hope. I might have been chained, starved, and beaten, yet that monster couldn’t totally crush my spirit. Over and over I chose to get back up and keep going. Now I’m going to tell you how I did it.
Michelle Knight (Finding Me: A Decade of Darkness, a Life Reclaimed: A Memoir of the Cleveland Kidnappings)
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
She had not understood what it had been like for him to live his entire life underground, chained and beaten and crippled—until then. Until she heard that noise of undiluted, unyielding joy. Until she echoed it, tipping her head back to the clouds around them. They sailed over a sea of clouds, and Abraxos dipped his claws in them before tilting to race up a wind-carved column of cloud. Higher and higher, until they reached its peak and he flung out his wings in the freezing, thin sky, stopping the world entirely for a heartbeat. And Manon, because no one was watching, because she did not care, flung out her arms as well and savored the freefall, the wind now a song in her ears, in her shriveled heart.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Let's just say that life has me beaten... So I give up! I admit there's no way I can win..." "What is it you want, Charlie Brown?" "How about two out of three?
Charles M. Schulz (The Complete Peanuts, 1977-1978 (The Complete Peanuts, #14))
I know after all the awful places you've had to go, it's hard to imagine how good heaven can be, but I've seen it, and no words can describe it...It's worth it all. We've both lost a parent, we've been beaten and bruised, and we've done through hell together. I even died. And I can tell you...giving up everything to serve God is worth it all.
Bryan Davis (Tears of a Dragon (Dragons in Our Midst, #4))
Holding my pendant, I lay on my side without moving, noiseless tears streaming down my face until the pillow grew damp beneath my cheek. I didn't want to die. I wanted to live, to be with Alex, to experience so much more than I had so far. But just then, it was Alex I was crying for. All that he'd gone through, all those deaths of people he loved--and now he was having to experience it again, with me. Thinking of what he was going through was like being beaten up inside; it was even worse than imagining whatever might happen the next day. Part of me hoped that he really did hate me now--maybe it would help; maybe it would make it not hurt so much. And more than that, I guess I was crying for both of us...that it hadn't turned out to be always, after all.
L.A. Weatherly (Angel (Angel, #1))
With distaste, Harriet reflected upon how life had beaten down the adults she knew, every single grown-up. Something strangled them as they grew older, made them doubt their own powers-laziness? Habit? Their grip slackened; they stopped fighting and resigned themselves to what happened. "That's Life." That's what they all said. "That's Life, Harriet, that's just how it is, you'll see.
Donna Tartt (The Little Friend)
we do not achieve all upon which we have set our hearts, or are beaten back by headwinds stronger than our desires, we too can lay up a while, watch the glitter on the grass, and renew our strength.
Chloe Dalton (Raising Hare: A Memoir)
Carter may have just beaten the crap out of me, he may have shot me in the back, but he'd bought me Dr. Pepper. I know it was effed up, but somehow, it balanced out.
Emily McKay (The Farm (The Farm, #1))
In my pain and fear, I could no longer see the purpose in continuing, and I felt myself getting tired. I was beginning to give up. I was getting ready to admit that I was beaten.
Anita Moorjani (Dying to Be Me: My Journey from Cancer, to Near Death, to True Healing)
When I started school I thought that people in sixth class were so old and knowledgeable even though they were no older than twelve. When I reached twelve I reckoned the people in sixth year, at eighteen years of age, must have known it all. When I reached eighteen I thought that once I finished college then I would really be mature. At twenty-five I still hadn’t made it to college, was still clueless and had a seven-year-old daughter. I was convinced that when I reached my thirties I was going to have at least some clue as to what was going on. Nope, hasn’t happened yet. So I’m beginning to think that when I’m fifty, sixty, seventy, eighty, ninety years old I still won’t be any closer to being wise and knowledgeable. Perhaps people on their deathbed, who have had long, long lives, seen it all, traveled the world, have had kids, been through their own personal traumas, beaten their demons, and learned the harsh lessons of life will be thinking, “God, people in heaven must really know it all.” But I bet that when they finally do die they’ll join the rest of the crowds up there, sit around, spying on the loved ones they left behind and still be thinking that in their next lifetime, they’ll have it all sussed. But I think I have it sussed Steph, I’ve sat around for years thinking about it and I’ve discovered that no one, not even the big man upstairs has the slightest clue as to what’s going on.
Cecelia Ahern (Love, Rosie)
Unfortunately, we forget the cruel details of the agonizing sacrifice God made on our behalf. Familiarity breeds complacency. Even before his crucifixion, the Son of God was stripped naked, beaten until almost unrecognizable, whipped, scorned and mocked, crowned with thorns, and spit on contemptuously. Abused and ridiculed by heartless men, he was treated worse than an animal. Then, nearly unconscious fromblood loss, he was forced to drag a cumbersome cross up a hill, was nailed to it, and was left to die the slow, excruciating torture of death by crucifixion. While his lifeblood drained out, hecklers stood by and shouted insults, making fun of his pain and challenging his claim to be God.
Rick Warren (The Purpose Driven Life: What on Earth Am I Here for?)
The Quitter When you're lost in the Wild, and you're scared as a child, And Death looks you bang in the eye, And you're sore as a boil, it's according to Hoyle To cock your revolver and . . . die. But the Code of a Man says: "Fight all you can," And self-dissolution is barred. In hunger and woe, oh, it's easy to blow... It's the hell-served-for-breakfast that's hard. "You're sick of the game!" Well, now, that's a shame. You're young and you're brave and you're bright. "You've had a raw deal!" I know — but don't squeal, Buck up, do your damnedest, and fight. It's the plugging away that will win you the day, So don't be a piker, old pard! Just draw on your grit; it's so easy to quit: It's the keeping-your-chin-up that's hard. It's easy to cry that you're beaten — and die; It's easy to crawfish and crawl; But to fight and to fight when hope's out of sight — Why, that's the best game of them all! And though you come out of each gruelling bout, All broken and beaten and scarred, Just have one more try — it's dead easy to die, It's the keeping-on-living that's hard.
Robert W. Service (Rhymes of a Rolling Stone)
I think Henry Kissinger grew up with that odd mix of ego and insecurity that comes from being the smartest kid in the class. From really knowing you're more awesomely intelligent than anybody else, but also being the guy who got beaten up for being Jewish.
Walter Isaacson
I might have been chained, starved, and beaten, yet that monster couldn’t totally crush my spirit. Over and over I chose to get back up and keep going.
Michelle Knight (Finding Me: A Decade of Darkness, a Life Reclaimed: A Memoir of the Cleveland Kidnappings)
There is no defeat when you refuse to lose. We can only be beaten when we give up on ourselves, Coraline.
Monty Jay (The Oath We Give (Hollow Boys, #5))
My name is Cassie Palmer and I’ve cheated death more times than anyone has a right to expect. In the last two months, I’ve been shot, stabbed, beaten and blown up a few dozen times, and that doesn’t count all the magical ways I’ve almost been killed. I’d have been dead a long time ago if not for my friends, one of whom had just jumped off the cliff after me. I’d have been a lot more appreciative if he hadn’t pushed me first.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Stupid is terminal. There is no cure. I know those who've beaten cancer, but not a single individual who's ever been cured of stupid. Fortunately, nature has its own way of thinning the herd. The stupid ultimately don't survive. The antelope that doesn't recognize the lion as predator, winds up inside the lion.
Quentin R. Bufogle (Horse Latitudes)
The people of today would rather stand next to a man with no substance but covered in gold, rather than the man with substance and wisdom of gold. What if God was dressed as a carpenter with dirty nails and beaten boots? Would you recognize your Maker? Would you give him your time? Your vote? A cup of tea or water? Only those with truth in them will recognize truth. And you must learn to recognize all that is untrue to get the truth.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Does the work get easier once you know what you are doing?" "Your lungs grow thick with stone dust and your eyes bleary from the sun and fragments thrown up by the chisel. You pour your lifeblood out into works of stone for Romans who will take your money in taxes to feed soldiers who will nail your people to crosses for wanting to be free. Your back breaks, your bones creak, your wife screeches at you, and your children torment you with open begging mouths, like greedy baby birds in the nest. You go to bed every night so tired and beaten that you pray to the Lord to send the angel of death to take you in your sleep so you don't have to face another morning. It also has its downside.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage... The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything... One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice. Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy? I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know? You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Trauma happens to us, our friends, our families, and our neighbors. Research by the Centers for Disease Control and Prevention has shown that one in five Americans was sexually molested as a child; one in four was beaten by a parent to the point of a mark being left on their body; and one in three couples engages in physical violence. A quarter of us grew up with alcoholic relatives, and one out of eight witnessed their mother being beaten or hit.1
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Oh, come on,” Ronan said. For starters, it was Henrietta. And for finishers, it was Henrietta. No one got burgled, and if they did, they didn’t get beaten up. And if anyone was going to get beaten up, it wouldn’t be the Lynch brothers. There was very little worse than Ronan in Henrietta, and what worse there was was too busy racing around in a little white Mitsubishi to burgle the remaining Lynches.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
A dusty thudding in his head made the scene before him beat like a pulse. His mouth had been used as a latrine by some small creature of the night, and then as its mausoleum. During the night, too, he'd somehow been on a cross-country run and then been expertly beaten up by secret police. He felt bad.
Kingsley Amis (Lucky Jim)
The Germans will be beaten in a few months. And Japan will be beaten a few months after that. If I were to give up my life now, it wouldn't be for my country. It would be for Cathcart and Korn. So I'm turning my bombsight in for the duration. From now on I'm thinking only of me.
Joseph Heller (Catch-22)
George Harrison: The day after the Blue Angel audition, John showed up to rehearsal with a long list of name suggestions, and I remember each and every one of them: the Deads-men, the Deadmen, the Undeads-men, the Undeadmen, the Rots, the Rotters, the Dirts, the Dirty Ones, the Grayboys, the Eaten Brains, the Eating Brains, the Mersey Beaters, the Mersey Beaten, the Bloodless, the Graves, the Headstones, and the Liverpools of Blood. Paul ripped off John's right arm and used it to slap John across the face, then he said, "Those're horrible, mate, just horrible, y'know.
Alan Goldsher
All of these guys have got someone to go home to after the fight. They’ve got their baby, I’ve got mine: Jamie Atwood. That’s who I love. He’s the one I go home to at night, and who patches me up after I get beaten down.
Maris Black (Kage Unmasked (Kage Trilogy #3))
Scott's always been about one thing. Saving his friends. He will do anything and everything to save the people he cares about. When there's no chance of winning, he keeps fighting. When all hope is lost, he finds another way. And when he's beaten down, he stands up again. You want to earn a place in his pack? You want redemption? Find another way to stand and fight.
Derek Hale
But… all I said was that I was scared." After what you got to experience? That's smart, kid," I said. "I'm scared, too. Every time something like this happens, it scares me. But being strong doesn't get you through. Being smart does. I've beaten people and things who were stronger than I was, because they didn't use their heads, or because I used what I had better than they did. It isn't about muscle, kiddo, magical or otherwise. It's about your attitude. About your mind." She nodded slowly and said, "About doing things for the right reasons." You don't throw down like this just because you're strong enough to do it," I said. "You do it because you don't have much choice. You do it because it's unacceptable to walk away, and still live with yourself later." She stared at me for a second, and then her eyes widened. "Otherwise, you're using power for the sake of using power." I nodded. "And power tends to corrupt. It isn't hard to love using it, Molly. You've got to go in with the right attitude or…" Or the power starts using you," she said. She'd heard the argument before, but this was the first time she said the words slowly, thoughtfully, as if she'd actually understood them, instead of just parroting them back to me. Then she looked up. "That's why you do it. Why you help people. You're using the power for someone other than yourself.
Jim Butcher (White Night (The Dresden Files, #9))
Still he plied the lash without stint upon my poor body, until it seemed that the lacerated flesh was stripped from my bones at every stroke. A man with a particle of mercy in his soul would not have beaten even a dog so cruelly.
Solomon Northup (Twelve Years a Slave: Plus Five American Slave Narratives, Including Life of Frederick Douglass, Uncle Tom's Cabin, Life of Josiah Henson, Incidents in the Life of a Slave Girl, Up From Slavery)
What Rangers do, or more correctly, what Rangers’ apprentices do, is the housework.” Will had a sinking feeling as the suspicion struck him that he’d made a tactical error. “The…housework?” he repeated. Halt nodded, looking distinctly pleased with himself. “That’s right. Take a look around.” He paused, gesturing around the interior of the cabin for Will to do as he suggested, then continued, “See ay servants?” “No, sir,” Will said slowly. “No sir indeed!” Halt said. “Because this isn’t a mighty castle with a staff of servants. This is a lowly cabin. And it has water to be fetched and firewood to be chopped and floors to be swept and rugs to be beaten. And who do you suppose might do all those things, boy?” Will tried to think of some answer other than the one which now seemed inevitable. Nothing came to mind, so he finally said, in a defeated tone, “Would that be me, sir?” “I believe it would be,” the Ranger told him, then rattled off a list of instructions crisply. “Bucket there. Barrel outside the door. Water in the river. Ax in the lean-to, firewood behind the cabin. Broom by the door and I believe you can probably see where the floor might be?” “Yes, sir,” said Will, beginning to roll up his sleeves.
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
HOME no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
Maybe that was their magic. Having fun and enjoying one another’s company. Being lifted up even when you were being beaten down.
Quan Barry (We Ride Upon Sticks)
If I lost it wasn't because I was backed into a corner and beaten down. It would be because I'd gone for what I wanted, and simply come up against someone with more skill.
50 Cent (Hustle Harder, Hustle Smarter)
Corruption and brutality are modeled and expected and rewarded. It becomes normal. And anyone who stands up to it, who tells them it’s wrong, is beaten down. Or worse.
Louise Penny (How the Light Gets In (Chief Inspector Armand Gamache, #9))
Why is it deemed justifiable and appropriate for cops/police officers to kill other cops (friendly–fire) and citizens? Why do cops kill? Are they not taught to maim or slow down someone running or reaching for a weapon? If not, why not? Why do cops kill first and ask questions last? Why are police officers being military trained? What can we as citizens, taxpayers, and voters do to stop these killings and beatings of unarmed people? Why do we let this continue? How many more must die or get beat up before we realize something is wrong and needs to be changed? Will you, a friend, or a family member have to be killed or beaten by a cop before we realize that things have to change? Who's here to protect us from the cops when they decide to use excessive force, shoot multiple shells, and/or murder us?
Obiora Embry (Expanding Horizons Through Creative Expressions)
If you have people who treat you badly in your life, they will be a human shield against people who will treat you well. If that’s not true then we should apply it to marriage and start saying to woman who are being put down or beaten, “you gotta stay with him because he needs you and he has been your husband for 20 years for heaven sakes. You just have to work to love him more and so on.” This is the advice they gave to woman like 200 fucking years ago and it was abusive advice. I view the parent child relationship (This just not my made up perspective.) it is the least voluntary relationship. At least the woman who got married chose to get married. We don’t choose our parents. The highest standards of behavior are required for parents and no one else. There is no one else whose standards of behavior need be higher than parents and so often parents get away with the lowest possible standards of behavior with regards to their children.
Stefan Molyneux
The nature of truth always bothered William. He had been brought up to tell it or, more correctly, to “own up” and some habits are hard to break if they’ve been beaten in hard enough.
Terry Pratchett (The Truth)
If you read fairy tales carefully, you’ll notice they are mostly about people who aren’t heroes. They don’t have special powers, or gifts. Often they are despised as stupid, They are bullied, beaten up, robbed, starved. But they find they are stronger than their misfortunes.
Amanda Craig (In a Dark Wood)
It was clear to her now, Happiness was a seductive illusion. No one as fucked up as her deserved one drop of joy. But oh god was it delicious when it fell into her lap for a little while. (Such a pretty face) she muses (with such a bruised and battered soul). When the dawn of a promise fades into the dusk of reality, all that remains is the nightmare. Sweet, sweet loneliness. Shadows come to play and prey on her beaten mind. Her lovely little dreams of poison.
Solange nicole (Dreams of Poison)
I get it. This won't stop until I die. But when I die, I want it to hurt. When my friends leave, when I have to let go, when this entire town is wiped off the map, I want it to hurt. Bad. I want to lose. I want to get beaten up. I want to hold on until I'm thrown off and everything ends. And you know what? Until that happens, I want to hope again. And I want it to hurt. Because that means it meant something. I means I am something, at least...pretty amazing to be something, at least..." -Mae Borowski, NITW
Mae Borowski, NITW
Defeat is only defeat if we accept it as defeat. Victory often comes after defeat, because one was too stubborn to allow it to be their reality. In the trail of any great conflict you will see the scuff marks, where the one was beaten down, but they could not be taught to stay that way.
Tom Althouse
Wearing a $1,000 suit and driving a Ferrari may be better than riding around in a beaten-up pickup truck, but when it’s all said and done, it’ll be the experiences you remember, not the stuff.
John Hawkins (101 Things All Young Adults Should Know)
I don't think there's anything wrong with the way you are," I said shyly. "I just don't want to mess up, and you're much better at this sort of thing than I am." "Don't worry. You'll enjoy playing along. You'll have to be haughty, and I'll have to act beaten down, when we're in public." "That sounds kind of fun." I said. "Just don't forget that it's a ruse, love," he said. "Because once we're outside the walls again, you'll be entirely in my power. And I'd hate to have to spank you.
Delilah S. Dawson (Wicked as They Come (Blud, #1))
The last clear definite function of man—muscles aching to work, minds aching to create beyond the single need—this is man....For man, unlike any other thing organic or inorganic in the universe, grows beyond his work, walks up the stairs of his concepts, emerges ahead of his accomplishments. This you may say of man—when theories change and crash, when schools, philosophies, when narrow dark alleys of thought, national, religious, economic, grow and disintegrate, man reaches, stumbles forward, painfully, mistakenly sometimes. Having stepped forward, he may slip back, but only half a step, never the full step back. This you may say and know it and know it. This you may know when the bombs plummet out of the black planes on the market place, when prisoners are stuck like pigs, when the crushed bodies drain filthily in the dust. You may know it in this way. If the step were not being taken, if the stumbling-forward ache were not alive, the bombs would not fall, the throats would not be cut. Fear the time when the bombs stop falling while the bombers live—for every bomb is proof that the spirit has not died. And fear the time when the strikes stop while the great owners live—for every little beaten strike is proof that the step is being taken. And this you can know—fear the time when Manself will not suffer and die for a concept, for this one quality is the foundation of Manself, and this one quality is man, distinctive in the universe.
John Steinbeck (The Grapes of Wrath)
no was a bad word in my hone no was met with the lash erased from our vocabulary beaten out of our backs till we became well-behaved kids who obediently nodded to yes to everything when he climbed on top of me every part of my body wanted to reject it but i couldn't say no to save my life when i tried to scream all that escaped me was silence i heard no pounding her fist on the roof of my mouth begging to let her out but i had not put up the exit sign never built the emergency staircase there was no trapdoor for no to escape from i want to ask all the parents and guardians a question what use was obedience then when there were hands that were not mine inside me - how can i verbalize consent as an adult if i was never taught to as a child
Rupi Kaur (The Sun and Her Flowers)
I will not give you up. You are my mate until I take my last breath, and I will follow you to the ends of the earth. You - you are the happiness I never knew i was missing, the heart I didn't know had never beaten.
Lynn Hagen (Paine's Pleasure (Brac Village #18))
Greger gave us a faraway look. 'Now you'rrre getting somewhere, lads! This is Holgerrri.' I turned to Niila and muttered a gruesome premonition: 'By God, but he's going to get beaten up." 'What?' said Greger 'Oh, nothing.
Mikael Niemi (Popular Music from Vittula)
I need you, Teft,” Kaladin said. “I said—” “Not your food. You. Your loyalty. Your allegiance.” The older man continued to eat. He didn’t have a slave brand, and neither did Rock. Kaladin didn’t know their stories. All he knew was that these two had helped when others hadn’t. They weren’t completely beaten down. “Teft—” Kaladin began. “I’ve given my loyalty before,” the man said. “Too many times now. Always works out the same.” “Your trust gets betrayed?” Kaladin asked softly. Teft snorted. “Storms, no. I betray it. You can’t depend on me, son. I belong here, as a bridgeman.” “I depended on you yesterday, and you impressed me.” “Fluke.” “I’ll judge that,” Kaladin said. “Teft, we’re all broken, in one way or another. Otherwise we wouldn’t be bridgemen. I’ve failed. My own brother died because of me.” “So why keep caring?” “It’s either that or give up and die.” “And if death is better?” It came back to this problem. This was why the bridgemen didn’t care if he helped the wounded or not. “Death isn’t better,” Kaladin said, looking Teft in the eyes. “Oh, it’s easy to say that now. But when you stand on the ledge and look down into that dark, endless pit, you change your mind. Just like Hobber did. Just like I’ve done.” He hesitated, seeing something in the older man’s eyes. “I think you’ve seen it too.” “Aye,” Teft said softly. “Aye, I have.” “So, are you with us in this thing?” Rock said, squatting down. Us? Kaladin thought, smiling faintly. Teft looked back and forth between the two of them. “I get to keep my food?” “Yes,” Kaladin said. Teft shrugged. “All right then, I guess. Can’t be any harder than sitting here and having a staring contest with mortality.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
If you have a dream, fight for it. There's a discipline for passion. And it's not about how many times you get rejected or you fall down or you're beaten up. It's about how many times you stand up and are brave and you keep on going.
Lady Gaga
Beaten up by Life, Picked up by Angels
Maria Tammeorg
Someone once told me that just because you’re beat-up…” “Doesn’t mean you’re beaten,
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
Quit, give up, you're beaten, They still shout in my face, But another voice within me says, Get up and win the race
Dee Groberg (The Race: Life's Greatest Lesson)
No sound beating ends where it began. None of the beaten end up how we began.
Jericho Brown (The Tradition)
He is strangely attractive, isn’t he? Bit beaten-up-looking, but I’ve never minded that.
Robert Galbraith (The Ink Black Heart (Cormoran Strike, #6))
Tanith immediately told them that Valkyrie had beaten up a priest and an old woman.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
Standing up for oneself is not always easy but it is often the only way to walk our true life path. The beaten path only gets you where most people go. Be original and explore new roads.
Nanette Mathews
bad for me. I thought I’d made a huge mistake at the time, but I don’t anymore. I would rather be the person who steps in front of a whole gang to defend someone and gets beaten up for it than the person who watches from a safe hiding. There were times I hid, and I think the shame hurts more than the bruises would have.
Jonathan Renshaw (Dawn of Wonder (The Wakening, #1))
He awoke to his alarm the morning of the hunt at four thirty. It was the first time since arriving in Gutshot that he'd beaten the rooster to waking. Immediately, he opened his bedroom window, pressed his face up against the screen, and shouted, "COCK-A-DOODLE DOO! HOW DO YOU LIKE IT FROM THE OTHER END, YOU LITTLE FUGGER?
John Green (An Abundance of Katherines)
Now comes the picture of mass defeat, the most awesome spectacle of the war. It is in the bent bodies of old women who poke among ruins seeking some miserable object that will link their lives with the old days. It is in the shamed darting eyes of the defeated. It is in the faces of the little boys who regard our triumphant columns with fear and fascination. And above all it is in the thousands of beaten, dusty soldiers who stream along the roads towards the stockades. Their feet clump wearily, mechanically, hopelessly on the still endless road of war. They move as haggard, gray masses, in which the individual had neither life nor meaning. It is impossible to see in these men the quality that made them stand up and fight like demons out of hell a few shorts months ago.
Audie Murphy (To Hell and Back)
Instead of glimpsing anonymous individuals hurrying by, I see different archetypal products of bad parenting. That meek old man with the blank stare was probably beaten senseless by his father; the sad-looking obese guy in an undersized T-shirt may have grown up with a mom who expressed love only through her cooking; the uptight businessman was likely raised by strict parents who never allowed him to be imperfect. Suddenly there seem to be very few adults in the world, just suffering children and overcompensating adolescents.
Neil Strauss (The Truth: An Uncomfortable Book about Relationships)
So, what do they pay you for...exactly?" "Slapped around. Tied up. Beaten. Given orders, made to do things." "What kind of things?" "You know." "No, I can't even begin to imagine." "Lick my boots, crawl on floor, eat like dog." "Nothing useful, then, like hoovering?
Kate Atkinson (One Good Turn (Jackson Brodie, #2))
They were both lean and blond and weather-beaten, and one evening, as they were portaging gear from their respective Zodiacs, Libby unzipped her survival suit and tied the sleeves around her waist so she could move more freely. Nate said, "You look good in that." No one, absolutely no one, looks good in a survival suit (unless a Day-Glo orange marshmallow man is your idea of a hot date), but Libby didn't even make the effort to roll her eyes. "I have vodka and a shower in my cabin," she said. "I have a shower in my cabin, too," Nate said. Libby just shook her head and trudged up the path to the lodge. Over her shoulder she called, "In five minutes, there's going to be a naked woman in my shower. You got one of those?" "Oh," said Nate.
Christopher Moore (Fluke: Or, I Know Why the Winged Whale Sings)
My most ardent wish is that you, and everyone like you, will look up. That you’ll do so and never be beaten into the ground again. I write handbills because I can write those words without fear of reprisal—because if I am discovered, the House of Lords will never prosecute me. I write because those words must be written. I write because to not write, to not speak, would be to waste what I have been given.
Courtney Milan (The Duchess War (Brothers Sinister, #1))
I was walking along one day and smacked into this wall called hope deferred and depression and...grief. And it wouldn't budge. After some time, I realized this darkness I'd found myself in was called grief. I'd been through so much trauma, everything about me- including my body, emotions and soul, was shutting down and going into preservation mode. I entered a season where the battle caught up with me and I realized just how badly I'd been beaten and torn up, inside and out.
Ashley Nikole
When you're traumatized, your sense of self, your individuality, is beaten up. Your skin color, your background, your pain, your hope, your gender, your faith, it's all defiled. Those essential pieces of yourself are stolen. You, as a person, are emptied and flattened, and that violence, that theft, keeps you from embodying a life that feels like your own. To continue to exist, as a whole person, you need to re-create, for yourself, an identity untouched by everything that's been used against you. You need to imagine and build a self out of elements that are not tainted. You need to remake yourself on your own terms.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
We have two or three great moving experiences in our lives-experiences so great and moving that it doesn't seem at the time that anyone else has been so caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded in just that way ever before.
F. Scott Fitzgerald
Find out his hobbies before dumping him. He may be useful as a friend. Get good at chess; there is nothing more humiliating for a man than to be beaten intellectually by a beautiful woman. You'll be able to cause him physical pain. If he doesn't let you know how he's feeling, call him late. Wake him up. It's hard for him to hide his feelings when he's in love with you and you're speaking softly to him in bed, even if it is only on the phone.
Anonymous (Diary of an Oxygen Thief)
I tell you, little man, life's fall guys, beaten, fleeced to the bone, sweated from time immemorial, I warn you, that when the princes of this world start loving you, it means they're going to grind you up into battle sausage...
Louis-Ferdinand Céline (Journey to the End of the Night)
Up to this point, all I knew were beaten paths, tattooed with footprints, and I had come to the understanding that they were not much fun to travel because so many people were waiting for you at the end, wondering what took you so long.
Kevin Wilson (Tunneling to the Center of the Earth: Stories (P.S.))
Imagine being beaten up every day for something you didn’t do and yet, when it’s over, you keep on smiling. That’s what every day of Donald’s life was like. His death was a small death. No one mourned his passing; they merely agreed it was for the best that he be forgotten as quickly as possible, since his was a life misspent.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
At some point, to counter the list of the dead, I had begun keeping my own list of the living. It was something I noticed Len Fenerman did too. When he was off duty he would note the young girls and elderly women and every other female in the rainbow in between and count them among the things that sustained him. The young girl in the mall whose pale legs had grown too long for her now too-young dress and who had an aching vulnerability that went straight to both Len's and my own heart. Elderly women, wobbling with walkers, who insisted on dyeing their hair unnatural versions of the colors they had in youth. Middle-aged single mothers racing around in grocery stores while their children pulled bags of candy off the shelves. When I saw them, I took count. Living, breathing women. Sometimes I saw the wounded- those who had been beaten by husbands or raped by strangers, children raped by their fathers- and I would wish to intervene somehow. Len saw these wounded women all the time. They were regulars at the station, but even when he went somewhere outside his jurisdiction he could sense them when they came near. The wife in that bait-'n'-tackle shop had no bruises on her face but cowered like a dog and spoke in apologetic whispers. The girl he saw walk the road each time he went upstate to visit his sisters. As the years passed she'd grown leaner, the fat from her cheeks had drained, and sorrow had loaded her eyes in a way that made them hang heavy and hopeless inside her mallowed skin. When she was not there it worried him. When she was there it both depressed and revived him. ~Len Fenerman on stepping back/letting go/giving up pgs 271-272
Alice Sebold (The Lovely Bones)
I mean, I had seen this happen so many times. Not personally, but on TV. In the news. People getting beaten, and sometimes killed, by the cops, and then there’s all this fuss about it, only to build up to a big heartbreak when nothing happens. The cops get off. And everybody cries and waits for the next dead kid, to do it all over again. That’s the way the story goes. A different kind of Lifetime movie. I didn’t want all that. Didn’t need it.
Jason Reynolds (All American Boys)
The funny thing was that the sisters were hardly nubile, creamy-skinned Lolitas blushing on the bough. In fact, one of them looked like she'd beaten herself with a tire iron during a smallpox-induced hallucination, and the other looked like a close-up photo of a wolf spider.
Diablo Cody
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
David Foster Wallace (Infinite Jest)
A feeling settled over Cora. She had not been under its spell in years, since she brought the hatchet down on Blake's doghouse and sent the splinters into the air. She had seen men hung from trees and left for buzzards and crows. Women carved open to the bones with the cat-o'-nine-tails. Bodies alive and dead roasted on pyres. Feet cut off to prevent escape and hands cut off to stop theft. She had seen boys and girls younger than this beaten and had done nothing. This night the feeling settled on her heart again. It grabbed hold of her and before the slave part of her caught up with the human part of her, she was bent over the boy's body as a shield.
Colson Whitehead (The Underground Railroad)
His thoughts churned up inside him, silt clouding a pool of water. Humans were so circular; they lived the same slow cycles of joy and misery over and over, never learning. Every lesson in the universe had to be taught billions of times, and it never stuck. How arrogant we are, Adam thought, to deliver babies who can’t walk or talk or feed themselves. How sure we are that nothing will destroy them before they can take care of themselves. How fragile they were, how easily abandoned and neglected and beaten and hated. Prey animals were born afraid. He had not known to be born afraid, but he’d learned. Maybe it was good that the world forgot every lesson, every good and bad memory, every triumph and failure, all of it dying with each generation. Perhaps this cultural amnesia spared them all. Perhaps if they remembered everything, hope would die instead.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Now in my eleven years of conventional life I had learned many things and one of them is what it means to be convicted of rape--I do not mean the man who did it, I mean the woman to whom it was done. Rape is one of the Christian mysteries, it creates a luminous and beautiful tableau in people's minds; and as I listened furtively to what nobody would allow me to hear straight out, I slowly came to understand that I was face to face with one of those feminine disasters, like pregnancy, like disease, like weakness; she was not only the victim of the act but in some strange way its perpetrator; somehow she had attracted the lightening that struck her out of a clear sky. A diabolical chance--which was not chance--had revealed her to all of us as she truly was, in her secret inadequacy, in that wretched guiltiness which she had kept hidden for seventeen years but which now finally manifested in front of everybody. Her secret guilt was this: She was Cunt. She had "lost" something. Now the other party to the incident had manifested his essential nature, too; he was Prick--but being Prick is not a bad thing. In fact, he had "gotten away with" something (possibly what she had "lost"). And there I was at eleven years of age: She was out late at night. She was in the wrong part of town. Her skirt was too short and that provoked him. She liked having her eye blacked and her head banged against the sidewalk. I understood this perfectly. (I reflected thus in my dream, in my state of being a pair of eyes in a small wooden box stuck forever on a grey, geometric plane--or so I thought.) I too had been guilty of what had been done to me, when I came home from the playground in tears because I had been beaten up by bigger children who were bullies. I was dirty. I was crying. I demanded comfort. I was being inconvenient. I did not disappear into thin air.
Joanna Russ (The Female Man)
I had once tried to write, had once reveled in feeling, had let m crude imagination roam, but the impulse to dream had been slowly beaten out of me by experience. Now it surged up again and i hungered for books, new ways of looking and seeing. It was not a matter of believing or disbelieving what I read, but of feeling something new, of being affected by something that made the look of the world different.
Richard Wright (Black Boy)
This silk tassel tree has grown up from his spine, the indigenous plants have flourished and died here around his ankles, the fox, sparrows and meadowlarks have nested in his hair, the rains and wind and sun have beaten down across the rigid expanse of his shoulders, and Luca has never moved. We are rocks.
Jeanine Cummins (American Dirt)
As an empath, you are part of a countercultural revolution to put what is humane back into humanity. I applaud you for being a path-forger, willing to venture off the beaten track. I applaud your courage to face yourself, to express your authentic needs, and not to give up on the world, with its many failings.
Judith Orloff (The Empath's Survival Guide: Life Strategies for Sensitive People)
How could someone feel that being beaten does not justify leaving? Being struck and forced not to resist is a particularly damaging form of abuse because it trains out of the victim the instinctive reaction to protect the self. To override that most natural and central instinct, a person must come to believe that he or she is not worth protecting. Being beaten by a “loved one” sets up a conflict between two instincts that should never compete: the instinct to stay in a secure environment (the family) and the instinct to flee a dangerous environment. As if on a see-saw, the instinct to stay prevails in the absence of concrete options on the other side. Getting that lop-sided see-saw off the ground takes more energy than many victims have. No
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Grover blushed right down to his Adam’s apple. ‘Look, Percy, the truth is, I – I kind of have to protect you.’I stared at him. All year long, I’d gotten in fights keeping bullies away from him. I’d lost sleep worrying that he’d get beaten up next year without me. And here he was acting like he was the one who defended me
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
He didn’t scream hysterically or stand up and kick the headstone or any of that. He put his face on his knees and listened as the wind from the mountains mercilessly leveled everything in its path. He remembered the person who had helped him fly with the wind instead of being beaten down by it, and he cried quietly into his knees, finally knowing how the big of the sky could make a person feel as alone as a heartbeat in space.
Amy Lane (Dex in Blue (Johnnies, #2))
How Did You Die? Did you tackle that trouble that came your way With a resolute heart and cheerful? Or hide your face from the light of day With a craven soul and fearful? Oh, a trouble's a ton, or a trouble's an ounce, Or a trouble is what you make it. And it isn't the fact that you're hurt that counts, But only how did you take it? You are beaten to earth? Well, well what's that? Come up with a smiling face. It's nothing against you to fall down flat, But to lie there - that's disgrace. The harder you're thrown, why the higher you bounce; Be proud of your blackened eye! It isn't the fact that you're licked that counts; It's how did you fight and why? And though you be done to death, what then? If you battled the best you could; If you played your part in the world of men, Why the critic will call it good. Death comes with a crawl, or comes with a pounce, And whether he's slow or spry, It isn't the fact that you're dead that counts, But only, how did you die?
Edmund Vance Cooke
But what might be written in the book which had rounded its edges off in his pocket, she did not know. What he thought they none of them knew. But he was absorbed in it, so that when he looked up, as he did now for an instant, it was not to see anything; it was to pin down some thought more exactly. That done, his mind flew back again and he plunged into his reading. He read, she thought, as if he were guiding something, or wheedling a large flock of sheep, or pushing his way up and up a single narrow path; and sometimes he went fast and straight, and broke his way through the bramble, and sometimes it seemed a branch struck at him, a bramble blinded him, but he was not going to let himself be beaten by that; on he went, tossing over page after page.
Virginia Woolf (To the Lighthouse)
I want to tell you a story. I'm going to ask you all to close your eyes while I tell you the story. I want you to listen to me. I want you to listen to yourselves. Go ahead. Close your eyes, please. This is a story about a little girl walking home from the grocery store one sunny afternoon. I want you to picture this little girl. Suddenly a truck races up. Two men jump out and grab her. They drag her into a nearby field and they tie her up and they rip her clothes from her body. Now they climb on. First one, then the other, raping her, shattering everything innocent and pure with a vicious thrust in a fog of drunken breath and sweat. And when they're done, after they've killed her tiny womb, murdered any chance for her to have children, to have life beyond her own, they decide to use her for target practice. They start throwing full beer cans at her. They throw them so hard that it tears the flesh all the way to her bones. Then they urinate on her. Now comes the hanging. They have a rope. They tie a noose. Imagine the noose going tight around her neck and with a sudden blinding jerk she's pulled into the air and her feet and legs go kicking. They don't find the ground. The hanging branch isn't strong enough. It snaps and she falls back to the earth. So they pick her up, throw her in the back of the truck and drive out to Foggy Creek Bridge. Pitch her over the edge. And she drops some thirty feet down to the creek bottom below. Can you see her? Her raped, beaten, broken body soaked in their urine, soaked in their semen, soaked in her blood, left to die. Can you see her? I want you to picture that little girl. Now imagine she's white.
John Grisham (A Time to Kill (Jake Brigance, #1))
191    Conquer yourself each day from the very first moment, getting up on the dot, at a set time, without granting a single minute to laziness. If, with the help of God, you conquer yourself in that moment, you’ll have accomplished a great deal for the rest of the day. It’s so discouraging to find yourself beaten in the first skirmish!
Josemaría Escrivá (The Way)
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
For reasons neither I nor anyone else could gather, every time I got to the part in Mark’s story about the woman being beaten up, Tommy would laugh warmly before delivering his line. It was unsettling. It was disturbing. Take after take, Tommy/Johnny would react to the story of this imaginary woman’s hospitalization with fond and accepting laughter.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made (A Gift for Film Buffs))
I'm going to need help, and I need someone who is fearless. Someone who isn't afraid to stand up to dragons and battle them day after day. Our results may not show promise for years. Our patients will die. There will be days when you feel so beaten down you'll want to crawl home and give up. But I'll need you to get up, dust yourself off, and be ready to wage battle the next day." He locked eyes with her. "I need someone who wants to win as badly as I do. That is why I want you for this job.
Elizabeth Camden (With Every Breath)
If Muslim immigrants lagged so far behind even other immigrant groups, then wasn’t it possible that one of the reasons could be Islam? Islam influences every aspect of believers’ lives. Women are denied their social and economic rights in the name of Islam, and ignorant women bring up ignorant children. Sons brought up watching their mother being beaten will use violence. Why was it racist to ask this question? Why was it antiracist to indulge people’s attachment to their old ideas and perpetuate this misery? The passive, Insh’Allah attitude so prevalent in Islam—“if Allah wills it”—couldn’t this also be said to affect people’s energy and their will to change and improve the world? If you believe that Allah predestines all, and life on earth is simply a waiting room for the Hereafter, does that belief have no link to the fatalism that so often reinforces poverty?
Ayaan Hirsi Ali (Infidel)
The constantly being beaten down so much makes you begin to feel that you’re wrong. Not that you did wrong, but you were wrong. It makes you so angry at your abuser, the one that you’re too afraid to confront, so you confront the easiest target. Those you can. Until your heart gets tired. No one ever, up until that point, talked to us, asked us what our dreams were, asked us how we were feeling. It was on us to figure it out. There is an emotional abandonment that comes with poverty and being Black. The weight of generational trauma and having to fight for your basic needs doesn’t leave room for anything else. You just believe you’re the leftovers.
Viola Davis (Finding Me)
I don’t give a rat’s warty ass she’s dead. It only means she’s a dead cunt.” “That’s a strong opinion.” “And the only kind worth having. I threatened to shove a stick up her twat and light it on fire just yesterday. Maybe the day before. I lose track as there was rarely a day that went by she didn’t make me want to strangle her with my bare hands after I’d beaten her in the face with a rusty shovel.
J.D. Robb (Celebrity in Death (In Death, #34))
Shut up,” he rasped. “We were never worlds apart. If we were, you wouldn’t be everywhere inside of me. When I look at you, my chest feels like it’s about to crack open, and all the emotions I’ve beaten down to submission come roaring back with a fucking vengeance.” The power beneath his voice shook her. “For every scar visible on your body, I have to prevent myself from seeking out your assailants and slashing each one of their throats. I’ve watched you fight through every battle, despite the trials and tragedies you’ve faced, and it never ceases to astound me. Just staring at you right now makes me want to take you every way imaginable, and nothing about it is innocent.
Alexis Patton (Us Dark Few (Us Dark Few, #1))
[The]...feeling for what one should want, in contrast with actual desire, is stronger in the unthinking than in those sophisticated by education. It is the later who argues into the ‘tolerant’ (economic) attitude of de gustibus non est disputandum [in matters of taste, there can be no disputes]; the man in the street is more likely to view the individual whose tastes are ‘wrong’ as a scurvy fellow who ought to be despised if not beaten up or shot.
Frank H. Knight (Ethics of Competition and Other Essays)
Our textbooks were ridiculous propaganda. The first English sentence we learned was "Long live Chairman Mao!" But no one dared to explain the sentence grammatically. In Chinese the term for the optative mood, expressing a wish or desire, means 'something unreal." In 1966 a lecturer at Sichuan University had been beaten up for 'having the audacity to suggest that "Long live Chairman Mao!" was unreal!" One chapter was about a model youth hero who had drowned after jumping into a flood to save an electricity pole because the pole would be used to carry the word of Mao. With great difficulty, I managed to borrow some English language textbooks published before the Cultural Revolution from lecturers in my department and from Jin-ming, who sent me books from his university by post. These contained extracts from writers like Jane Austen, Charles Dickens, and Oscar Wilde, and stories from European and American history. They were a joy to read, but much of my energy went toward finding them and then trying to keep them. Whenever someone approached, I would quickly cover the books with a newspaper. This was only partly because of their 'bourgeois' content. It was also important not to appear to be studying too conscientiously, and not to arouse my fellow students' jealousy by reading something far beyond them. Although we were studying English, and were paid par fly for our propaganda value by the government to do this, we must not be seen to be too devoted to our subject: that was considered being 'white and expert." In the mad logic of the day, being good at one's profession ('expert') was automatically equated with being politically unreliable ('white').
Jung Chang (Wild Swans: Three Daughters of China)
Someone asked me recently, what it is like to live with OCD. I paused for a while and said, imagine watching your sibling getting run over by a truck in front of your eyes, not once, not twice, but repeatedly like in a looped video, or your child getting beaten up at school, or your partner getting abused by strangers on the street - and the only way you can stop that event from happening is to keep on repeating the task that you were carrying out when the vision first appeared in your mind, until some other less emotionally agonizing thought breaks the loop of that particular vision and replaces it - and though you know, it's just a thought and not the destiny of the people you love, you feel it excruciatingly necessary to keep repeating the task until the thought passes, so that nothing bad happens to your loved ones - and that's what it is like inside the head of a person with OCD, every moment of their life.
Abhijit Naskar
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. “I’m cold,” Snowden had whimpered. “I’m cold.” “There, there,” Yossarian had tried to comfort him. “There, there.” They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
Joseph Heller (Catch-22)
The tents were being let down, the banners waved. The cheers which now began, round after round, were like drumfire or thunder, rolling around the turrets of Carlisle. All the field, and all the people in the field, and all the towers of the castle, seemed to be jumping up and down like the surface of a lake under rain. In the middle, quite forgotten, her [Gueneviere's] lover was kneeling by himself. This lonely and motionless figure knew a secret which was hidden from the others. The miracle was that he had been allowed to do a miracle. "And ever," says Malory, "Sir Lancelot wept, as he had been a child that had been beaten.
T.H. White (The Ill-Made Knight)
[The skeet tournament] It's a competition that I've entered – and won – every year since I was thirteen. And here's the thing – it really pisses them off. All these hunting boys and their daddies show up decked out in camo gear, determined to beat the girl who has the audacity to challenge their masculinity. And, okay, I'll admit it … I like to needle 'em just a bit. I purposely wear the girliest outfit possible – little flowery sundresses with cowboy boots, most years. Drives 'em nuts. If they're going to be beaten by a girl, they'd rather it be some tomboy wearing overalls and a flannel shirt, you know? Stupid sexist pigs.---(Jenna Cafferty)
Kristi Cook (Magnolia (Magnolia Branch, #1))
I often ask myself is how on earth is it that we empaths can survive under the domination of a narcissist? How is it that we do not become bitter and cruel as adults, with the role models we survived under? How is it that being an empath stays with us and cannot be beaten down? We always get up again and keep on going, being an empath still. I also wonder, if I had not been so tightly wrapped up in my mother’s web and she had let me fly instead, what kind of person would I have been, then?
Donna G. Bourgeois (Life with Ollie: The story of an only child of a single narcissistic parent)
If we want to We will become a people, if we want to, when we learn that we are not angels, and that evil is not the prerogative of others We will become a people when we stop reciting a prayer of thanksgiving to the sacred nation every time a poor man finds something to eat for his dinner We will become a people when we can sniff out the sultan’s gatekeeper and the sultan without a trial We will become a people when a poet writes an erotic description of a dancer’s belly We will become a people when we forget what the tribe tells us, when the individual recognizes the importance of small details We will become a people when a writer can look up at the stars without saying: ‘Our country is loftier and more beautiful!’ We will become a people when the morality police protect a prostitute from being beaten up in the streets We will become a people when the Palestinian only remembers his flag on the football pitch, at camel races, and on the day of the Nakba We will become a people, if we want to, when the singer is allowed to chant a verse of Surat al-Rahman at a mixed wedding reception We will become a people when we respect the right, and the wrong.
Mahmoud Darwish (A River Dies of Thirst: Journals)
You had my son. I had nothing else but you, and how you walked with me through Leningrad, across the Neva and Lake Ladoga and held my open back together and clotted my wounds, and washed my burns, and healed me, and saved me. I was hungry and you fed me. I had nothing but Lazarevo.” Alexander’s voice broke. “And your immortal blood. Tatiana, you were my only life force. You have no idea how hard I tried to get to you again. I gave myself up to the enemy, to the Germans for you. I got shot at for you and beaten for you and betrayed for you and convicted for you. All I wanted was to see you again. That you came back for me, it’s everything, Tatia. Don’t you understand? The rest is nothing to me. Germany, Kolyma, Dimitri, Nikolai Ouspensky, the Soviet Union, all of it, nothing. Forget them all, let them all go. You hear?” “I hear,” Tatiana said. We walk alone through this world, but if we’re lucky, we have a moment of belonging to something, to someone, that sustains us through a lifetime of loneliness.” .
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
When I don't sleep, it's not that I feel tired so much as assaulted. In the morning after a night of no sleep my eyes are sore and tender and can barely open. My joints ache. There's a taste in my mouth which isn't like any other taste, only a feeling, and that feeling is defeat. My skull aches evenly across its hemisphere. [...] I go to bed at night, I get beaten up, come downstairs in the morning. Then I go about the day as if things were normal and I hadn't been beaten up, and everyone else treats me as if I hadn't been beaten up, and that way I survive, but no more than that. If somebody willed your destruction they could do it this way, by taking away your sleep. Of course, it's tried and tested
Samantha Harvey (The Shapeless Unease)
We know better than to compare ourselves with others online. We know a Facebook feed, for most, is a glorified highlights reel, a round-up of our best moments, our funniest selves, our greatest champions. We know not to compare our worst with someone else’s best. But
Erin Loechner (Chasing Slow: Courage to Journey Off the Beaten Path)
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
It was a lie, of course, and she was prepared to confess it to her priest. But she’d be damned if she’d tell him she’d been playing with his music. Her pride was worth the penance. He felt a quiver in his heart that he took for sympathy. “There, Brenna darling. Have you gone and fallen in love on me?” She jerked, whirled, gaped at him. He was watching her with such—such bloody affection, such patience and sympathy. She could have beaten him black and blue. Instead, she just shoved clear of him and snatched up her toolbox. “Shawn Gallagher, you are truly a great idiot of a man.” With her nose in the air and her tools clanking, she stalked out. He only shook his head, then went back to his cleaning up. With that little quiver around his heart again, he wondered who it was that O’Toole had set her sights on. Whoever, Shawn thought, slamming a cupboard door just a little too forcefully, the man had better be worthy of her.
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
I dive down into the depth of the ocean of forms, hoping to gain the perfect pearl of the formless. No more sailing from harbour to harbour with this my weather-beaten boat. The days are long passed when my sport was to be tossed on waves. And now I am eager to die into the deathless. Into the audience hall by the fathomless abyss where swells up the music of toneless strings I shall take this harp of my life. I shall tune it to the notes of forever, and when it has sobbed out its last utterance, lay down my silent harp at the feet of the silent.
Rabindranath Tagore (Gitanjali)
Islam influences every aspect of believers’ lives. Women are denied their social and economic rights in the name of Islam, and ignorant women bring up ignorant children. Sons brought up watching their mother being beaten will use violence. Why was it racist to ask this question? Why was it antiracist to indulge people’s attachment to their old ideas and perpetuate this misery? I read the works of the great thinkers of the Enlightenment—Spinoza, Locke, Kant, Mill, Voltaire—and the modern ones, Russell and Popper, with my full attention, not just as a class assignment. All life is problem solving, Popper says. There are no absolutes; progress comes through critical thought. Popper admired Kant and Spinoza but criticized them when he felt their arguments were weak. I wanted to be like Popper: free of constraint, recognizing greatness but unafraid to detect its flaws. Spinoza was clear-minded and fearless. He was the first modern European to state clearly that the world is not ordained by a separate God. Nature created itself, Spinoza said. Reason, not obedience, should guide our lives. Though it took centuries to crumble, the entire ossified cage of European social hierarchy—from kings to serfs, and between men and women, all of it shored up by the Catholic Church—was destroyed by this thought. Now, surely, it was Islam’s turn to be tested.
Ayaan Hirsi Ali (Infidel)
As we strolled into the hospital, I couldn’t help thinking about Maroon 5’s “Harder to Breathe” because I was having a difficult time staying calm. I had been kidnapped and beaten senseless by an agent of Lucifer, and yet the white coats the doctors wore scared me just as badly. The men who had taken me from my mother wore those same damned lab coats. Every time I saw one, it awakened a dormant fear inside me—fear that I’d be dragged away from someone I loved again, fear that I’d be placed into the waiting hands of another horrible person. It would never truly go away. Michael’s shoulder bumped mine, which shook me out of my thoughts. I glanced at him. “What?” “You’re frowning.” “Am I supposed to be smiling right now?” He faced forward, looking at our reflection in the elevator doors. “No, but you look like you’re about to bolt at any second.” I watched the digital numbers change one by one as we rose up to the right floor, fiddling with the rosary in the pocket of my leather jacket. Somehow, the beads had a calming effect on me. “I’m fine.” “Hard ass.” A tiny smirk touched my lips. “Stop thinking about my butt. You’re an archangel.” He grinned, but didn’t reply.
Kyoko M. (The Black Parade (The Black Parade, #1))
Diggory's Dyke was a deep cut between two chalk downs-high, green hills, where a thin layer of green grass and reddish earth covered the chalk, and there was scarcely soil enough for trees. The Dyke looked, from a distance, like a white chalk gash on a green velvet board. Local legend had it that the cut was dug, in a day and a night, by one Diggory, using a spade that had once been a sword blade before Wayland Smith had melted it down and beaten it out, on his journey into Faerie from the Wall. There was those who said the sword had once been Flamberge, and others, that it was one the sword Balmung; but there was none who claimed to know just who Diggory had been, and it might all have been stuff and nonsense. Anyway, the path to Wall went through Diggory's Dyke, and any foot-traveler or any person going by any manner of wheeled vehicle went through the Dyke, where the chalk rose on either side of you like thick white walls, and the Downs rose up above them like green pillows of a giant's bed.
Neil Gaiman (Stardust)
I Not my best side, I'm afraid. The artist didn't give me a chance to Pose properly, and as you can see, Poor chap, he had this obsession with Triangles, so he left off two of my Feet. I didn't comment at the time (What, after all, are two feet To a monster?) but afterwards I was sorry for the bad publicity. Why, I said to myself, should my conqueror Be so ostentatiously beardless, and ride A horse with a deformed neck and square hoofs? Why should my victim be so Unattractive as to be inedible, And why should she have me literally On a string? I don't mind dying Ritually, since I always rise again, But I should have liked a little more blood To show they were taking me seriously. II It's hard for a girl to be sure if She wants to be rescued. I mean, I quite Took to the dragon. It's nice to be Liked, if you know what I mean. He was So nicely physical, with his claws And lovely green skin, and that sexy tail, And the way he looked at me, He made me feel he was all ready to Eat me. And any girl enjoys that. So when this boy turned up, wearing machinery, On a really dangerous horse, to be honest I didn't much fancy him. I mean, What was he like underneath the hardware? He might have acne, blackheads or even Bad breath for all I could tell, but the dragon-- Well, you could see all his equipment At a glance. Still, what could I do? The dragon got himself beaten by the boy, And a girl's got to think of her future. III I have diplomas in Dragon Management and Virgin Reclamation. My horse is the latest model, with Automatic transmission and built-in Obsolescence. My spear is custom-built, And my prototype armour Still on the secret list. You can't Do better than me at the moment. I'm qualified and equipped to the Eyebrow. So why be difficult? Don't you want to be killed and/or rescued In the most contemporary way? Don't You want to carry out the roles That sociology and myth have designed for you? Don't you realize that, by being choosy, You are endangering job prospects In the spear- and horse-building industries? What, in any case, does it matter what You want? You're in my way. - Not My Best Side
U.A. Fanthorpe
For man, unlike any other thing organic or inorganic in the universe, grows beyond his work, walks up the stairs of his concepts, emerges ahead of his accomplishments. This you may say of man when theories change and crash, when schools, philosophies, when narrow dark alleys of thought, national, religious, economic, grow and disintegrate, man reaches, stumbles forward, painfully, mistakenly sometimes. Having stepped forward, he may slip back, but only half a step, never the full step back. This you may say and know it and know it. This you may know when the bombs plummet out of the black planes on the market place, when prisoners are stuck like pigs, when the crushed bodies drain filthily in the dust. You may know it in this way. If the step were not being taken, if the stumbling-forward ache were not alive, the bombs would not fall, the throats would not be cut. Fear the time when the bombs stop falling while the bombers live- for every bomb is proof that the spirit has not died. And fear the time when the strikes stop while the great owners live- for every little beaten strike is proof that the step is being taken. And this you can know- fear the time when Manself will not suffer and die for a concept, for this one quality is the foundation of Manself, and this one quality is man, distinctive in the universe.
John Steinbeck (The Grapes of Wrath)
If you can’t find good in your own country, you won’t find it anywhere else.” The words slipped out from Zaki Bey, but he felt that they were ungracious so he smiled to lessen their impact on Busayna, who had stood up and was saying bitterly, “You don’t understand because you’re well-off. When you’ve stood for two hours at the bus stop or taken three different buses and had to go through hell every day just to get home, when your house has collapsed and the government has left you sitting with your children in a tent on the street, when the police officer has insulted you and beaten you just because you’re on a minibus at night, when you’ve spent the whole day going around the shops looking for work and there isn’t any, when you’re a fine sturdy young man with an education and all you have in your pockets is a pound, or sometimes nothing at all, then you’ll know why we hate Egypt.
Alaa Al Aswany (The Yacoubian Building)
Like the rest of Holy Week, Easter is also a terrific story. It starts as tragedy: the hero broken and bloody, against all expectation dead, his followers' joyful hope in him entombed with his corpse, the rock rolled into place, sealing their despair. But the curtain doesn't fall there. The next morning at dawn they discover the rock has been rolled back. The tomb is empty, the body's gone! A missing corpse? Great stuff. A whisper of comedy. Now a touch of farce as Mary Magdalen and the guys chase frantically around looking for help, or the corpse, when suddenly, out of nowhere, up it pops—alive! Of course it's Jesus, who's done the impossible and beaten death. And they're so amazed they think he's the gardener! It's a payoff way beyond the Hollywood ending: all the flooding emotion and uplift of a tragedy followed by all the bubbling joy and optimism of a comedy. Is that possible? Not just to live happily ever after but to die—and still live happily ever after? It's the most audacious claim of Christianity, the one element that marks the brand indelibly, that trumps the claims of all other major faiths.
Tony Hendra (Father Joe: The Man Who Saved My Soul)
For as the same fire causes gold to glow brightly, and chaff to smoke; and under the same flail the straw is beaten small, while the grain is cleansed; and as the lees are not mixed with the oil, though squeezed out of the vat by the same pressure, so the same violence of affliction proves, purges, clarifies the good, but damns, ruins, exterminates the wicked. and thus it is that in the same affliction the wicked detest God and blaspheme, while the good pray and praise. So material a difference does it make, not what ills are suffered, but what kind of man suffers them. For stirred up with the same movement, mud exhales a horrible stench, and ointment emits a fragrant odor.
Augustine of Hippo (City of God)
How could she make Sarah understand what it was like back home, where no woman would think to call the cops if her husband beat her? And even if she somehow found the strength to stand up for herself, what good would it do when she had no money, no education, no job to fall back on? That was the real reason abuse was so common, Isra thought for the first time. Not only because there was no government protection, but because women were raised to believe they were worthless, shameful creatures who deserved to get beaten, who were made to depend on the men who beat them. Isra wanted to cry at the thought. She was ashamed to be a woman, ashamed for herself and for her daughters.
Etaf Rum (A Woman Is No Man)
-- They must go on, said Msimangu gravely. You cannot stop the world from going on. My friend, I am a Christian. It is not in my heart to hate a white man. It was a white man who brought my father out of darkness. But you will pardon me if I talk frankly to you. The tragedy is not that things are broken. The tragedy is that they are not mended again. The white man has broken the tribe. And it is my belief -- and again I ask your pardon -- that it cannot be mended again. But the house that is broken, and the man that falls apart when the house is broken, these are the tragic things. That is why children break the law, and old white people are robbed and beaten. He passed his hand across his brown. -- It suited the white man to break the tribe, he continued gravely. But it has not suited him to build something in the place of what is broken. I have pondered this for many hours, and I must speak it, for it is the truth for me. They are not all so. There are some white men who give their lives to build up what is broken. --But they are not enough, he said. They are afraid, this is the truth. It is fear that rules this land.
Alan Paton (Cry, the Beloved Country)
But this was not enough on its own to generate the kind of terror that Mao wanted. On 18 August, a mammoth rally was held in Tiananmen Square in the center of Peking, with over a million young participants. Lin Biao appeared in public as Mao's deputy and spokesman for the first time. He made a speech calling on the Red Guards to charge out of their schools and 'smash up the four olds' defined as 'old ideas, old culture, old customs, and old habits." Following this obscure call, Red Guards all over China took to the streets, giving full vent to their vandalism, ignorance, and fanaticism. They raided people's houses, smashed their antiques, tore up paintings and works of calligraphy. Bonfires were lit to consume books. Very soon nearly all treasures in private collections were destroyed. Many writers and artists committed suicide after being cruelly beaten and humiliated, and being forced to witness their work being burned to ashes. Museums were raided. Palaces, temples, ancient tombs, statues, pagodas, city walls anything 'old' was pillaged. The few things that survived, such as the Forbidden City, did so only because Premier Zhou Enlai sent the army to guard them, and issued specific orders that they should be protected. The Red Guards only pressed on when they were encouraged. Mao hailed the Red Guards' actions as "Very good indeed!" and ordered the nation to support them. He encouraged the Red Guards to pick on a wider range of victims in order to increase the terror. Prominent writers, artists, scholars, and most other top professionals, who had been privileged under the Communist regime, were now categorically condemned as 'reactionary bourgeois authorities." With the help of some of these people's colleagues who hated them for various reasons, ranging from fanaticism to envy, the Red Guards began to abuse them. Then there were the old 'class enemies': former landlords and capitalists, people with Kuomintang connections, those condemned in previous political campaigns like the 'rightists' and their children.
Jung Chang (Wild Swans: Three Daughters of China)
I want to celebrate my homecoming, not my funeral. I still have so much I want to say and do. Life is too short not to live it right … from this day forward I will embrace everything good and desecrate all that is evil. I’ve seen enough evil to last a lifetime now. I want the good in life without worrying. To be with people who are caring, smiles that last for miles, and love that’s forever lasting, a home that I call my own, not a prison. I may be defeated and beaten down, only to get back up again, to stand tall with head held high and my pride not shaken. Only to survive this horrible nightmare with my heart still attached and my soul not stolen and walk away without a scar on me.
Michelle Knight (Finding Me: A Decade of Darkness, a Life Reclaimed: A Memoir of the Cleveland Kidnappings)
The medicine-man, having given him the once-over, had ordered him to abstain from all alcoholic liquids, and in addition to tool down the hill to the Royal Pump-Room each morning at eight-thirty and imbibe twelve ounces of warm crescent saline and magnesia. It doesn't sound much, put that way, but I gather from contemporary accounts that it's practically equivalent to getting outside a couple of little old last year's eggs beaten up in sea-water. And the thought of Uncle George, who had oppressed me sorely in my childhood, sucking down that stuff and having to hop out of bed at eight-fifteen to do so was extremely grateful and comforting of a morning. At four in the afternoon he would toddle down the hill again and repeat the process, and at night we would dine together and I would loll back in my chair, sipping my wine, and listen to him telling me what the stuff had tasted like. In many ways the ideal existence.
P.G. Wodehouse
There were little girls who would snuggle up to any grown man and try to guide his hand inside their underwear, and there were kids who compulsively bit their own arms. Kids who would suddenly start twitching and banging their heads against a wall, not even stopping when the blood ran down their faces. Kids who waddled around oblivious to the stinking load in their own pants. Watching children like this, it was all too easy to see why their parents beat them. It was only natural to hate such kids, to ignore them and shower only your other children with love. Who wouldn't? But of course that wasn't the way it really worked. Such behaviors weren't the reasons parents abused children, but the results of abuse. Children are powerless. No matter how viciously they're beaten, children were powerless to do anything about it. Even if Mother hit them with a shoehorn or the hose of a vacuum cleaner or the handle of a kitchen knife, or strangled them or poured boiling water on them, they couldn't escape her; they couldn't even truly despise her. Children would struggle desperately to feel love for their parents. Rather than hate a parent, in fact, they'd choose to hate themselves. Love and violence became so intertwined for them that when they grew up and got into relationships, only hysteria could set their hearts at ease. Kindness, gentleness - anything along those lines just caused tension, since there was no telling when it would turn to overt hostility.
Ryū Murakami
I do not know where Viktor and Rudolf were taken. I cannot find the records. I never Elisabeth or Iggie. It is possible that they were taken to the Hotel Metropole, which has been sequestered as the headquarters of the Gestapo. There are many other lock-ups for this flood of Jews. They are beaten, of course; but they are also forbidden to shave or wash so that they look even more degenerate. This because it is important to address the old affront of Jews not looking like Jews. This processing of stripping away your respectability, taking away your watch-chain, or your shoes or your belt, so that you stumble to hold up your trousers with one hand, is a way of returning everyone to the shtetl, stripping you back to your essential character - wandering, unshaven, bowed with your possessions on your back. You are supposed to end up looking like a cartoon from Der Stuermer, Streicher's tabloid that is now sold on the streets of Vienna. They take away your reading glasses.
Edmund de Waal (The Hare With Amber Eyes: A Family's Century of Art and Loss)
He could tell when the bullying, the relentless sarcasm, the constant, all-encompassing vigilance had become too exhausting. When one of his people was fed up with staying awake at night anticipating his likes and dislikes, was sick of charting his mood swings, was tired of feeling demeaned and beaten down after being asked, for instance, to clean out the grease trap, was ready to burst into tears and quit, then suddenly Bigfoot would appear with court side seats for a play-off game, a restaurant warm-up jacket (given out only to Most Honored Veterans), or a present for the wife or girlfriend — something thoughtful like a Movado watch. He always waited until the last possible second, when you were ready to shave your head, climb a tower and start gunning down strangers, when you were ready to strip off your clothes and run barking into the street, to scream to the world that you'd never never never again work for that manipulative, Machiavellian psychopath. And he'd get you back on the team, often with a gesture as simple and inexpensive as a baseball cap or a T-shirt. The timing was what did it, that he knew. He knew just when to apply that well-timed pat on the back, the strangled and difficult-for-him 'Thank you for your good work' appreciation of your labors.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Rules only have meaning as long as you're abiding by them. As soon as you start ignoring them, it turns out that you don't owe anyone anything, you're not obligated to make up all kinds of silly stories about things you actually know nothing about. Then it turns out that you can get by just fine without all those made-up stories, and there aren't any rules - what they're showing you doesn't exist anymore, so there's nothing to say. It's all a sham, they're just trying to use you... and it's all perfectly legal, of course. It's like school all over again. The thing is that we all grew up a long time ago, but we're still being treated like kids, like unintelligent, deceitful, irrational bastards who need to be coerced and corrected and have the right answers beaten out of them.
Serhiy Zhadan (Ворошиловград)
The Republican Party spent the year of the liberal apotheosis enacting the most unlikely political epic ever told: a right-wing fringe took over the party from the ground up, nominating Barry Goldwater, the radical-right senator from Arizona, while a helpless Eastern establishment-that-was-now-a-fringe looked on in bafflement. Experts, claiming the Republican tradition of progressivism was as much a part of its identity as the elephant, began talking about a party committing suicide. The Goldwaterites didn’t see suicide. They saw redemption. This was part and parcel of their ideology—that Lyndon Johnson’s “consensus” was their enemy in a battle for the survival of civilization. For them, the idea that calamitous liberal nonsense—ready acceptance of federal interference in the economy; Negro “civil disobedience”; the doctrine of “containing” the mortal enemy Communism when conservatives insisted it must be beaten—could be described as a “consensus” at all was symbol and substance of America’s moral rot. They also believed the vast majority of ordinary Americans already agreed with them, whatever spake the polls—“crazy figures,” William F. Buckley harrumphed, doctored “to say, ‘Yes, Mr. President.’” It was their article of faith. And faith, and the uncompromising passions attending it, was key to their political makeup.
Rick Perlstein (Nixonland: America's Second Civil War and the Divisive Legacy of Richard Nixon 1965-72)
You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.
Wolfgang Borchert
The Quitter When you're lost in the Wild, and you're scared as a child, And Death looks you bang in the eye, And you're sore as a boil, it's according to Hoyle To cock your revolver and . . . die. But the Code of a Man says: "Fight all you can," And self-dissolution is barred. In hunger and woe, oh, it's easy to blow . . . It's the hell-served-for-breakfast that's hard. "You're sick of the game!" Well, now, that's a shame. You're young and you're brave and you're bright. "You've had a raw deal!" I know -- but don't squeal, Buck up, do your damnedest, and fight. It's the plugging away that will win you the day, So don't be a piker, old pard! Just draw on your grit; it's so easy to quit: It's the keeping-your-chin-up that's hard. It's easy to cry that you're beaten -- and die; It's easy to crawfish and crawl; But to fight and to fight when hope's out of sight -- Why, that's the best game of them all! And though you come out of each gruelling bout, All broken and beaten and scarred, Just have one more try -- it's dead easy to die, It's the keeping-on-living that's hard.
Robert W. Service
THE UNOFFICIAL AND UNWRITTEN (but you better follow them or you’re going to get beaten twice as hard) SPOKANE INDIAN RULES OF FISTICUFFS: 1. IF SOMEBODY INSULTS YOU, THEN YOU HAVE TO FIGHT HIM. 2. IF YOU THINK SOMEBODY IS GOING TO INSULT YOU, THEN YOU HAVE TO FIGHT HIM. 3. IF YOU THINK SOMEBODY IS THINKING ABOUT INSULTING YOU, THEN YOU HAVE TO FIGHT HIM. 4. IF SOMEBODY INSULTS ANY OF YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY’RE GOING TO INSULT YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY’RE THINKING ABOUT INSULTING YOUR FAMILY OR FRIENDS, THEN YOU HAVE TO FIGHT HIM. 5. YOU SHOULD NEVER FIGHT A GIRL, UNLESS SHE INSULTS YOU, YOUR FAMILY, OR YOUR FRIENDS, THEN YOU HAVE TO FIGHT HER. 6. IF SOMEBODY BEATS UP YOUR FATHER OR YOUR MOTHER, THEN YOU HAVE TO FIGHT THE SON AND/OR DAUGHTER OF THE PERSON WHO BEAT UP YOUR MOTHER OR FATHER. 7. IF YOUR MOTHER OR FATHER BEATS UP SOMEBODY, THEN THAT PERSON’S SON AND/OR DAUGHTER WILL FIGHT YOU. 8. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY INDIANS WHO WORK FOR THE BUREA OF INDIAN AFFAIRS. 9. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY WHITE PEOPLE WHO LIVE ANYWHERE ON THE RESERVATION. 10. IF YOU GET IN A FIGHT WITH SOMEBODY WHO IS SURE TO BEAT YOU UP, THEN YOU MUST THROW THE FIRST PUNCH, BECAUSE IT’S THE ONLY PUNCH YOU’LL EVER GET TO THROW. 11. IN ANY FIGHT, THE LOSER IS THE FIRST ONE WHO CRIES.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
And all the while the four men lay beside me and watched and made no move. Nor did I move, and without shame I say it; though my reason was compelled to struggle hard against my natural impulse to rise up and interfere. I knew life. Of what use to the woman, or to me, would be my being beaten to death by five men there on the bank of the Susquehanna? I once saw a man hanged, and though my whole soul cried protest, my mouth cried not. Had it cried, I should most likely have had my skull crushed by the butt of a revolver, for it was the law that the man should hang. And here, in this gypsy group, it was the law that the woman should be whipped. Even so, the reason in both cases that I did not interfere was not that it was the law, but that the law was stronger than I. Had it not been for those four men beside me in the grass, right gladly would I have waded into the man with the whip. And, barring the accident of the landing on me with a knife or a club in the hands of some of the various women of the camp, I am confident that I should have beaten him into a mess. But the four men were beside me in the grass. They made their law stronger than I.
Jack London (The Road)
If the intellectuals in the plays of Chekhov, who spent all their time guessing what would happen in twenty, thirty, or forty years, had been told that in forty years interrogation by torture would be practiced in Russia; that prisoners would have their skulls squeezed with iron rings; that a human being would be lowered into an acid bath; that they would be trussed up naked to be bitten by ants and bedbugs; that a ramrod heated over a primus stove would be thrust up their anal canal (the ‘secret brand’); that a man’s genitals would be slowly crushed beneath the toe of a jackboot; and that, in the luckiest possible circumstances, prisoners would be tortured by being kept from sleeping for a week, by thirst, and by being beaten to a bloody pulp, not one of Chekhov’s plays would have gotten to its end because all the heroes would have gone off to insane asylums.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
By the time Mitch got out of jail, he looked more the part than ever. The imposing teen had graduated into a towering adult, flecked with the first of many tattoos. Once out, he lasted a month and a half before the curse caught back up with him. He’d gotten a job in food distribution, mostly because he could unload four times the weight of any other guy on the truck, and because he liked physical work. He might be mentally cut out for a desk job, but he doubted he’d fit behind most desks. And everything was going smoothly—shitty apartment and shitty pay but all legally valid—until a man was beaten to death a few blocks from where his crew was unloading peaches. The cops took one look at Mitch and booked him. No bloody knuckles, and two coworkers to swear he had his arms full of fruit the whole time, and none of it mattered. Mitch went straight back to prison.
Victoria Schwab (Vicious (Villains, #1))
If you in fact had no gold, then your situation was hopeless. You would be beaten, burned, tortured, and steamed to the point of death or until they finally came to believe you. But if you had gold, you could determine the extent of your torture, the limits of your endurance, and your own fate. Psychologically, this situation was, incidentally, not easier but more difficult, because if you made an error you would always be ridden by a guilty conscience. Of course, anyone who had already mastered the rules of the institution would yield and give up his gold—that was easier. But it was a mistake to give it up too readily. They would refuse to believe you had coughed it all up, and they would continue to hold you. But you'd be wrong, too, to wait too long before yielding: you'd end up kicking the bucket or they'd paste a term on you out of meanness. One of the Tatar draymen endured all the tortures: he had no gold! They imprisoned his wife, too, and tortured her, but the Tatar stuck to his story: no gold! Then they arrested his daughter: the Tatar couldn't take it any more. He coughed up 100,000 rubles. At this point they let his family go, but slapped a prison term on him.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
But creativity, she doesn’t fit in a box. She’s a wild, fluid, uncontrollable energy that spreads out sensuously from a curious, wide open mind in large expanses of aimless time on dreamy liminal train journeys or in subtle moments between waking and sleep. She can’t be pushed, or coughed up, or beaten into submission by a brutal and unmerciful regime. She needs light, and breath, and space and then, maybe, if the mood takes her, she’ll unfurl her wings and let her colors run into the atmosphere. And this energy, this wild, fun, unpredictable magic that I’d played with so happily as a child, that had flowed through me like it was my very life force up until this point; I didn’t understand it anymore. Creativity was this swirling wild mysterious language, but now I lived in a colorless angular world that promised me a certainty I valued above all else. And where before, I was just scribbling, writing, moving for the mere joy of it, now I tried to commodify my creativity. I tried to squeeze it out and make it do something worthwhile, be special, be important, be good. I could no longer see the point of art if it wasn’t good. But that’s the tricky thing about art, it’s never strictly good or bad, it’s just expression, or excretion. It couldn’t be measure by scales or charts, or contained in small manageable segments in the day. It was always, by its very nature, so imperfect. And the imperfections drove me mad. The anxiety and frustration with my creative endeavors turned into an actual fear of blank pages and pallets of paint. There was too much potential and too much room to fail so day by day, I chose perfection over creativity. I chose no more creativity, and no more mistakes. There are things that eating disorders takes from you that are more important, much greater and more profound a loss, and much much more difficult to recover and restore completely than body fat. And that reckless urge to create, just for the pure, senseless joy of it, would become the one I missed the most.
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and The Glory of Growing Up (A Memoir))
That would make it easy for Amara. Not having a choice was always easy. It was always safer. However bad things were, you kept your head down and did as you were told in order to avoid worse. The world always wanted people like her to believe those lies. You were never safe as long as you were at someone else’s whim. Amara’s eyes met Cilla’s, dark and beaten and haunted. Not having a choice was the worst thing in the world. Amara pushed the knife down. Nolan didn’t stop her. And in that moment, with her enemy’s knife in her own hand, a point pressing on Cilla’s arm, Cilla’s skin familiar against hers, relief sneaked up on her and refused to let go. Because what she’d told Cilla wasn’t true. It wasn’t that she couldn’t go back to her old life; she could. If she went back, she’d hate herself, but it meant survival. It might be worth it or it might not be, and she’d never have to find out because it would never happen. She wasn’t going back. It wasn’t because of what Maart wanted, or because of what Cilla asked, or because of what Jorn said. She’d made the choice. It was hers alone. This or nothing. Blood welled up from Cilla’s arm. Amara let the knife clatter to the ground. She reached for the cut. She was almost smiling now, a desperate smile that had her lips trembling, that came with tears burning her eyes. This or nothing.
Corinne Duyvis (Otherbound)
In Minneapolis, tires were slashed and windows smashed. A high school student getting off a bus was hit in the face and told to “go back to China.” A woman was kicked in the thighs, face, and kidneys, and her purse, which contained the family’s entire savings of $400, was stolen; afterwards, she forbade her children to play outdoors, and her husband, who had once commanded a fifty-man unit in the Armée Clandestine, stayed home to guard the family’s belongings. In Providence, children walking home from school were beaten. In Missoula, teenagers were stoned. In Milwaukee, garden plots were vandalized and a car was set on fire. In Eureka, California, two burning crosses were placed on a family’s front lawn. In a random act of violence near Springfield, Illinois, a twelve-year-old boy was shot and killed by three men who forced his family’s car off Interstate 55 and demanded money. His father told a reporter, “In a war, you know who your enemies are. Here, you don’t know if the person walking up to you will hurt you.
Anne Fadiman (The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures)
You are real," she said to herself. "Aye." His voice was deep and resonant, a caress in her ears. But then it cracked, as if he were in pain. "And you are with young." "I am." He closed his eyes again, but now it was as if he'd been struck by a body blow. "I saw you." "When?" "At the clinic. Nights and nights ago. I thought they had beaten you." "The Brotherhood? Why ever - " "Because of me." His eyes opened, and there was such anguish in them, she wanted to comfort him in some way. "I would never have chosen for you to be in this position. You are not of the war, and my lieutenant should never, ever have brought you into it." His voice grew deeper and deeper. "You are an innocent. Even I, who have no honor, recognized that instantly." If he had no honor, why had he disarmed himself just now, she thought. "Are you mated?" he said roughly. "No." Abruptly, his upper lip peeled back from tremendous fangs. "If you were raped - " "No. No, no - I chose this for myself. For the male." Her hand went to her abdomen. "I wanted a young. My needing came, and all I could think of was how much I wanted to be a mahmen to something that was mine." Those narrowed eyes closed again, and he brought up a callused hand to his face. Hiding his irregular mouth, he said, "I wish that I..." "What?" "...I were worthy to have given you what you desired." Layla again felt an unholy need to reach out and touch him, to ease him in some way. His reaction was so raw and honest, and his suffering seemed rather like her own whenever she thought of him.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
The United States is extremely lucky that no honest, charismatic figure has arisen. Every charismatic figure is such an obvious crook that he destroys himself, like McCarthy or Nixon or the evangelist preachers. If somebody comes along who is charismatic and honest this country is in real trouble because of the frustration, disillusionment, the justified anger and the absence of any coherent response. What are people supposed to think if someone says ‘I have got an answer, we have an enemy’? There it was the Jews. Here it will be the illegal immigrants and the blacks. We will be told that white males are a persecuted minority. We will be told we have to defend ourselves and the honor of the nation. Military force will be exalted. People will be beaten up. This could become an overwhelming force. And if it happens it will be more dangerous than Germany. The United States is the world power. Germany was powerful but had more powerful antagonists. I don’t think all this is very far away. If the polls are accurate it is not the Republicans but the right-wing Republicans, the crazed Republicans, who will sweep the next election. [from interview with Chris Hedges in 2010]
Noam Chomsky
Old Time heaved a moldy sigh from tomb and arch and vault; and gloomy shadows began to deepen in corners; and damps began to rise from green patches of stone; and jewels, cast upon the pavement of the nave from stained glass by the declining sun, began to perish. Within the grill-gate of the chancel, up the steps surmounted loomingly by the fast darkening organ, white robes could be dimly seen, and one feeble voice, rising and falling in a cracked monotonous mutter, could at intervals be faintly heard. In the free outer air, the river, the green pastures, and the brown arable lands, the teeming hills and dales, were reddened by the sunset: while the distant little windows in windmills and farm homesteads, shone, patches of bright beaten gold. In the Cathedral, all became gee, murky, and sepulchral, and the cracked monotonous mutter went on like a dying voice, until the organ and the choir burst forth, and drowned it in a sea of music. Then, the sea fell, and the dying voice made another feeble effort, and then the sea rose high, and beat its life out, and lashed the roof, and surged among the arches, and pierced the heights of the great tower; and then the sea was dry, and all was still.
Charles Dickens (The Mystery of Edwin Drood)
Had Stella been named anything else, and/or had we lived in any other city besides New Orleans, my desperate call would have been just my desperate call. In that alternate universe the neighbors might have peeked from behind the curtains but they wouldn't have laughed or, worse, joined in. But you simply cannot shout the name Stella while standing under a window in New Orleans and hope for anything like an authentic or even mildly earnest moment. Literature had beaten me to this moment, had staked its flag here first, and there was nothing I could do outside in that soupy, rain-drenched alleyway that could rise above sad parody. Perhaps if she'd been named Beatrice, or Katarzyna-maybe then my life would have turned out differently. Maybe then my voice would have roused her to the window, maybe then I could have told her that I was sorry, that I could be a better man, that I couldn't promise I knew everything it meant but I loved her. Instead I stared up at that black window, shutmouthed and impotent, blinking and reblinking my eyes to flush out the rainwater. "Stella," I whispered. The French have an expression: "Without literature life is hell." Yeah, well. Life with it bears its own set of flames.
Jonathan Miles (Dear American Airlines)
I know it's rough. My husband tried to kill himself to save the pack, you know. And earlier today, he faced down a fae he knew nothing about -- and some of the fae are forces of nature." "My wife was going to fight him" explained Adam. "I had to protect him from that." I laughed. "You know what Jesse's mother would have done if the feds came and took the pack while she was my wife?" he asked. "Filed for divorce," I hypothesized. It was his turn to laugh. "Point to you. And then she would go to everyone she knew and tell them how awful her life was, how people expected too much of her. Do you know what my second wife did?" "Got beaten up and ran in circles mostly while you saved yourself," I told him. "She cared for the pack that was left," he said. "She got my child to safety. She got word to Bran -- who sent help. She stepped between my child and those who would harm her." I snorted. "Sounds like a paragon." "She saved my life and gave me strength to save the rest of the pack." He heaved a sigh and pulled back so he could look at me. "And I have this urge to turn you over my knee and bruise your butt so that you do exactly what my first wife did." I narrowed my eyes at him. "You ever lay a hand of me and you better never go to sleep again.
Patricia Briggs (Frost Burned (Mercy Thompson, #7))
What did you do that for?” I asked curiously. “What?” he said, straightening up and wiping his face on his sleeve. He felt the split lip gingerly, wincing slightly. “Offer to take that girl’s punishment for her. Do you know her?” I felt a certain diffidence about asking, but I really wanted to know what lay behind that quixotic gesture. “I ken who she is. Havena spoken to her, though.” “Then why did you do it?” He shrugged, a movement that also made him wince. “It would have shamed the lass, to be beaten in Hall. Easier for me.” “Easier?” I echoed incredulously, looking at his smashed face. He was probing his bruised ribs experimentally with his free hand, but looked up and gave me a one-sided grin. “Aye. She’s verra young. She would ha’ been shamed before everyone as knows her, and it would take a long time to get over it. I’m sore, but no really damaged; I’ll get over it in a day or two.” “But why you?” I asked. He looked as though he thought this an odd question. “Why not me?” he said. Why not? I wanted to say. Because you didn’t know her, she was nothing to you. Because you were already hurt. Because it takes something rather special in the way of guts to stand up in front of a crowd and let someone hit you in the face, no matter what your motive.
Diana Gabaldon (Outlander (Outlander, #1))
God entered the yellow church on the disabled ramp. He was in a wheelchair too; He had once lost a woman too. He was silvery. Not the cheap, glittery silver of a banker’s BMW, but a muted, matte silver. Once, as He was gliding among the silvery stars with his silvery beloved, a gang of golden gods attacked them. When they were kids, God had once beaten one of them up, a short, skinny golden god who had now grown up and returned with his friends. The golden gods beat Him with golden clubs of sunlight and didn’t stop until they’d broken every bone in His divine body. It took Him years to recuperate. His beloved never did. She remained a vegetable. She could see and hear everything, but she couldn’t say a word. The silvery God decided to create a species in His own image so she could watch it to pass the time. That species really did resemble Him: battered and victimized like Him. And His silvery beloved stared wide-eyed at the members of that species for hours, stared and didn’t even shed a tear. 'What do you think,' the silvery God asked the yellow priest in frustration, 'that I created all of you like this because it's what I wanted? Because I'm some kind of pervert or sadist who enjoys all this suffering? I created you like this because this is what I know. It's the best I can do.
Etgar Keret (פתאום דפיקה בדלת)
His hand caressed her back. “You know what saved me through my years in the battalion and in prison?” he said. “You. I thought, if you could get out of Russia, through Finland, through the war, pregnant, with a dying doctor, with nothing but yourself, I could survive this. If you could get through Leningrad, as you every single morning got up and slid down the ice on the stairs to get your family water and their daily bread, I thought, I could get through this. If you survived that I could survive this.” “You don’t even know how badly I did the first years. You wouldn’t believe it if I told you.” “You had my son. I had nothing else but you, and how you walked with me through Leningrad, across the Neva and Lake Ladoga and held my open back together and clotted my wounds, and washed my burns, and healed me, and saved me. I was hungry and you fed me. I had nothing but Lazarevo.” Alexander’s voice broke. “And your immortal blood. Tatiana, you were my only life force. You have no idea how hard I tried to get to you again. I gave myself up to the enemy, to the Germans for you. I got shot at for you and beaten for you and betrayed for you and convicted for you. All I wanted was to see you again. That you came back for me, it’s everything, Tatia. Don’t you understand? The rest is nothing to me. Germany, Kolyma, Dimitri, Nikolai Ouspensky, the Soviet Union, all of it, nothing. Forget them all, let them all go. You hear?” “I hear,” Tatiana said. We walk alone through this world, but if we’re lucky, we have a moment of belonging to something, to someone, that sustains us through a lifetime of loneliness. For an evening minute I touched him again and grew red wings and was young again in the Summer Garden, and had hope and eternal life.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
You seem surprised to find us here,’ the man said. ‘I am,’ I said. ‘I wasn’t expecting to find anyone.’ ‘We are everywhere,’ the man said. ‘We are all over the country.’ ‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’ ‘Jewish refugees.’ [...] ‘Is this your land?’ I asked him. ‘Not yet,’ he said. ‘You mean you are hoping to buy it?’ He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’ ‘So where do you go from here?’ I asked him. ‘You and all your orphans?’ ‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’ ‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’ He smiled again, presumably at the naïvety of my questions. ‘No,’ the man said, ‘I do not think we will become Palestinians.’ ‘Then what will you do?’ ‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’ ‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip. ‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’ ‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’ ‘That is a very small problem,’ the man said. ‘Ours is much bigger.’ I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him. ‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’ ‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours. I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’ ‘You mean the Jews have no country?’ ‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’ ‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’ ‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us. ‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’ ‘We don’t want Germany,’ the man said. ‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever. ‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
The builders did not know the uses to which their work would descend; they made a new house with the stones of the old castle; year by year, generation after generation, they enriched and extended it; year by year the great harvest of timber in the park grew to ripeness; until, in sudden frost, came the age of Hooper; the place was desolate and the work all brought to nothing; Quomodo sedet sola civitas. Vanity of vanities, all is vanity. ‘And yet,’ I thought, stepping out more briskly towards the camp, where the bugles after a pause had taken up the second call and were sounding ‘Pick-em-up, pick-em-up, hot potatoes’, ‘and yet that is not the last word; it is not even an apt word; it is a dead word from ten years back. ‘Something quite remote from anything the builders intended, has come out of their work, and out of the fierce little human tragedy in which I played; something none of us thought about at the time; a small red flame - a beaten-copper lamp of deplorable design relit before the beaten-copper doors of a tabernacle; the flame which the old knights saw from their tombs, which they saw put out; that flame burns again for other soldiers, far from home, farther, in heart, than Acre or Jerusalem. It could not have been lit but for the builders and the tragedians, and there I found it this morning, burning anew among the old stones.
Evelyn Waugh (Brideshead Revisited)
I only wanted books—nothing more—only books, only words, it was never anything but words—give them to me, I don’t have any! Look, see, I don’t have any! Look, I’m naked, barefoot, I’m standing before you—nothing in my pants pockets, nothing under my shirt or under my arm! They’re not stuck in my beard! Inside—look—there aren’t any inside either—everything’s been turned inside out, there’s nothing there! Only guts! I’m hungry! I’m tormented!... What do you mean there’s nothing? Then how can you talk and cry, what words are you frightened with, which ones do you call out in your sleep? Don’t nighttime cries roam inside you, a thudding twilight murmur, a fresh morning shriek? There they are words—don’t you recognize them? They’re writhing inside you, trying to get out! There they are! They’re yours! From wood, stone, roots, growing in strength, a dull mooing and whining in the gut is trying to get out; a piece of tongue curls, the torn nostrils swell in torment. That’s how the bewitched, beaten, and twisted snuffle with a mangy wail, their boiled white eyes locked up in closets, their vein torn out, backbone gnawed; that’s right, that’s how your pushkin writhe, or mushkin—what is in my name for you?—pushkin-mushkin, flung upon the hillock like a shaggy black idol, forever flattened by fences, up to his ears in di, the pushkin-stump, legless, six-fingered, biting his tongue, nose in his chest—and his head can’t be raised!—pushkin, tearing off the poisoned shirt, ropes, chains, caftan, noose, that wooden heaviness: let me out, let me out! What is in my name for you? Why does the wind spin in the gully? How many roads must a man walk down? What do you want, old man? Why do you trouble me? My Lord, what is the matter? Ennui, oh, Nin! Grab the inks and cry! Open the dungeon wide! I’m here! I’m innocent! I’m with you! I’m with you!
Tatyana Tolstaya (The Slynx)
They [the dying in hospitals] did not blow up in mid-air like Kraft or the dead man in Yossarian's tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. […] They didn't take it out on the lam weirdly inside a cloud the way Clevinger had done. They didn't explode into blood and clotted matter. They didn't drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn't get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, bludgeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don't business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain't. There were no famines or floods. Children didn't suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn't stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh! accelerating at the rate of thirty-two feet per second to land with hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hair strawberry ice cream, bleeding, pink toes awry
Joseph Heller (Catch-22)
But even though I loved being in water, I never enjoyed swim meets. It always seemed like they were imposing structure and stress on something that should have been freeing and fun. For example, going down a slide is awesome. But if you had to show up every day for slide practice at 7 A.M. and then compete against your best friend in slide competitions, while grown-ups screamed at you to slide better, until your friend won and you cried, slides would seem a lot less awesome. And yes, I cried after the 1994 breaststroke finals when the official said I lost even though technically I had a faster time. And yes, I was beaten by Steve Deppe. And yes, I just googled Steve Deppe and discovered he now runs a successful wealth management business in San Diego. And yes, his online corporate profile says, “As a former athlete, Steve continues to exercise daily, whether it’s lifting weights, running, swimming, or playing sports.” And yes, the fourth example he gave of “exercise” was “sports.” And yes, I just went out and bought goggles and a Speedo and went down to my local pool and didn’t leave until I “just went out and bought goggles and a Speedo and went down to my local pool and didn’t leave until I swam a hundred laps, hoping that would be more laps than Steve Deppe swam today. BUT REALLY, WHO EVEN CARES ANYMORE, RIGHT??? NOT ME!!! IT’S NOT A COMPETITION, EVEN THOUGH I’M NOT EVEN MARRIED YET AND STEVE IS ALREADY “THE PROUD FATHER OF HIS DAUGHTER, CAMRYN.” PLUS, HE’S “AN AVID SPORTS FAN, WHO NEVER MISSES HIS FAVORITE TV SHOW, SPORTSCENTER.” WE GET IT STEVE, YOU FUCKING LOVE SPORTS!” Anyway.
Colin Jost (A Very Punchable Face)
Yes. Do you remember?” Once more a shrug of the shoulders. “How should I remember? We have questioned thousands—” “Questioned! Beaten into unconsciousness, kidneys crushed, bones broken, thrown into cellars like sacks, dragged up again, faces torn, testicles crushed—that was what you called questioning! The hot frightful moaning of those who were no longer able to cry—questioned! The whimpering between unconsciousness and consciousness, kicks in the belly, rubber clubs, whips—yes, all that you innocently called ‘questioning’!” “Don’t move your hands! Or I’ll shoot you down! Do you remember little Max Rosenberg who lay beside me in the cellar with his torn body and who tried to smash his head on the cement wall to keep from being questioned again—questioned, why? Because he was a democrat! And Willmann who passed blood and had no teeth and only one eye left after he had been questioned by you for two hours—questioned, why? Because he was a Catholic and did not believe your Fuehrer was the new Messiah. And Riesenfeld whose head and back looked like raw lumps of flesh and who implored us to bite open his arteries because he was toothless and no longer able to do it himself after he had been questioned by you—questioned, why? Because he was against war and did not believe that culture is most perfectly expressed by bombs and flame throwers. Questioned! Thousands have been questioned, yes—don’t move your hands, you swine! And now finally I’ve got you and we are driving to a house with thick walls and we will be all alone and I’ll question you—slowly, slowly, for days, the Rosenberg treatment
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
I understand, intellectually, that the death of a parent is a natural, acceptable part of life. Nobody would call the death of a very sick eighty-year-old woman a tragedy. There was soft weeping at her funeral and red watery eyes. No wrenching sobs. Now I think that I should have let myself sob. I should have wailed and beaten my chest and thrown myself over her coffin. I read a poem. A pretty, touching poem I thought she would have liked. I should have used my own words. I should have said: No one will ever love me as fiercely as my mother did. I should have said: You all think you’re at the funeral of a sweet little old lady, but you’re at the funeral of a girl called Clara, who had long blond hair in a heavy thick plait down to her waist, who fell in love with a shy man who worked on the railways, and they spent years and years trying to have a baby, and when Clara finally got pregnant, they danced around the living room but very slowly, so as not to hurt the baby, and the first two years of her little girl’s life were the happiest of Clara’s life, except then her husband died, and she had to bring up the little girl on her own, before there was a single mother’s pension, before the words “single mother” even existed. I should have told them about how when I was at school, if the day became unexpectedly cold, Mum would turn up in the school yard with a jacket for me. I should have told them that she hated broccoli with such a passion she couldn’t even look at it, and that she was in love with the main character on the English television series Judge John Deed. I should have told them that she loved to read and she was a terrible cook, because she’d try to cook and read her latest library book at the same time, and the dinner always got burned and the library book always got food spatters on it, and then she’d spend ages trying to dab them away with the wet corner of a tea towel. I should have told them that my mum thought of Jack as her own grandchild, and how she made him a special racing car quilt he adored. I should have talked and talked and grabbed both sides of the lectern and said: She was not just a little old lady. She was Clara. She was my mother. She was wonderful.
Liane Moriarty (The Hypnotist's Love Story)
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
They destroyed all the equipment, all the medicines. The Harijans – the people we used to call Untouchables – used to come a hundred miles for treatment.’ ‘But I thought Untouchability was outlawed at independence,’ I said. ‘Technically it was,’ replied Tyagi. ‘But do you know the saying “Dilli door ast”? It means “Delhi is far away.” The laws they pass in the Lok Sabha [Indian parliament] make little difference in these villages. Out here it will take much more than a change in the law to alleviate the lot of the Dalits [the oppressed castes, i.e. the former Untouchables].’ ‘But I still don’t understand why the Rajputs did this. What difference does it make to them if you educate the Untouchables?’ ‘The lower castes have always been the slaves of the higher castes,’ replied Tyagi. ‘They work in their fields for low wages, they sweep their streets, clean their clothes. If we educate them, who will do these dirty jobs?’ Dr Tyagi waved his hands at me in sudden exasperation: ‘Don’t you see?’ he said. ‘The Rajputs hate this place because it frees their slaves.’ ‘And what did you do,’ I asked, ‘while the Rajputs were beating the place up?’ Dr Tyagi made a slight gesture with his open palm: ‘I was just sitting,’ he said. ‘What could I do? I was thinking of Gandhiji. He was also beaten up – many times. He said you must welcome such attacks because it is only through confrontation that you can go forward. An institution like ours needs such incidents if it is to regenerate itself. It highlights the injustice the Harijans are facing.’ He paused, and smiled. ‘You yourself would not have come here if this had not happened to us.’ ‘What will you do now?’ I asked. ‘We will start again. The poor of this desert still need us.’ ‘And if the higher castes come for you again?’ ‘Then we will welcome them. They are also victims of their culture.
William Dalrymple (The Age of Kali: Indian Travels and Encounters)
Screams died in them and floated belly up, like dead fish. Cowering on the floor, rocking between dread and disbelief, they realized that the man being beaten was Velutha. Where had he come from? What had he done? Why had the policemen brought him here? They heard the thud of wood on flesh. Boot on bone. On teeth. The muffled grunt when a stomach is kicked in The muted crunch of skull on cement. The gurgle of blood on a man's breath when his lung is torn by the jagged end of a broken rib. Blue-lipped and dinner-plate-eyed, they watched, mesmerized by something that they sensed but didn't understand: the absence of caprice in what the policemen did. The abyss where anger should have been. The sober, steady brutality, the economy of it all. They were opening a bottle. Or shutting a tap. Cracking an egg to make an omelette. The twins were too young to know that these were only history’s henchmen. Sent to square the books and collect the dues from those who broke its laws. Impelled by feelings that were primal yet paradoxically wholly impersonal. Feelings of contempt born of inchoate, unacknowledged fear — civilization’s fear of nature, men’s fear of women, power’s fear of powerlessness. Man’s subliminal urge to destroy what he could neither subdue nor deify. Men’s Needs. What Esthappen and Rahel witnessed that morning, though they didn’t know it then, was a clinical demonstration in controlled conditions (this was not war after all, or genocide) of human nature’s pursuit of ascendancy. Structure. Order Complete monopoly. It was human history, masquerading as God’s Purpose, revealing herself to an under-age audience. There was nothing accidental about what happened that morning. Nothing incidental. It was no stray mugging or personal settling of scores. This was an era imprinting itself on those who lived in it. History in live performance.
Arundhati Roy (The God of Small Things)
They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
When he was twenty-three years old, he (George Fox) saw the inner light in a vision. For him it symbolized the spirit against the letter, silence against chatter, experience against dogma, and equality against all who build inequality on authority and power, be it of the state or religion. His mistrust of the official Anglican Church was immense. He spoke with disdain of the "towered houses" and was tormented by the ringing of church bells. He frequently interrupted preachers, standing in the church's doorway, a hat covering his head, and uttering threatening words toward the pulpit, causing great excitement in the gathered congregation. It often resulted in Fox being beaten up, banished, and, later on, jailed for years. What aroused his ire, above all, were the priests who, without ever having experienced or even looked for illumination, presented themselves as servants of God but, in truth, comprised a "society of cannibals." It is "not enough to have been educated in Oxford or Cambridge in order to become capable for and efficient in the service of Christ. To this day it is difficult for many Friends to speak of "Quaker theology." The Friends believe in Scripture - George Fox knew it by heart - but they also believe that the Spirit transcends Scripture and that the inner light is experienced by all human beings without human mediation. "The inner light," "the inward teacher" are names that the early Quakers gave to their experiences of the Spirit. They believe that everyone can meet the "Christ within," even though he has different names in different ages and places and is not tied to any form of religion. This light is open to everyone and, yet, it is not simply the natural light of reason. In a conversation that Fox had with Lord Protector Oliver Cromwell, he vigorously resisted this rational interpretation. In every human being is "that of God," hidden, eclipsed, often forgotten. Linguistically a clumsy expression at best, "that of God in everyone" is the foundation of human dignity. In addition, it is the admonition to believe in it, to discover it in each and everyone and to respond to it. Fox said, "Walk joyfully on the earth and respond to that of God in every human being.
Dorothee Sölle (Silent Cry: Mysticism And Resistance)
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!" Carlyle waited and her words came with a rush. “Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?" He handed one over and held a match for her silently. "Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?" "Sort of. You never were beaten and you never apologized." "Never!" She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below. Her voice floated up to him again. "And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things." She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level. "All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless." She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock. "I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male." "But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?" Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above. "Why," she called back, "then I'd have won!
F. Scott Fitzgerald (The Offshore Pirate)
Weak and trembling from passion, Major Flint found that after a few tottering steps in the direction of Tilling he would be totally unable to get there unless fortified by some strong stimulant, and turned back to the club-house to obtain it. He always went dead-lame when beaten at golf, while Captain Puffin was lame in any circumstances, and the two, no longer on speaking terms, hobbled into the club-house, one after the other, each unconscious of the other's presence. Summoning his last remaining strength Major Flint roared for whisky, and was told that, according to regulation, he could not be served until six. There was lemonade and stone ginger-beer. You might as well have offered a man-eating tiger bread and milk. Even the threat that he would instantly resign his membership unless provided with drink produced no effect on a polite steward, and he sat down to recover as best he might with an old volume of Punch. This seemed to do him little good. His forced abstemiousness was rendered the more intolerable by the fact that Captain Puffin, hobbling in immediately afterwards, fetched from his locker a large flask of the required elixir, and proceeded to mix himself a long, strong tumblerful. After the Major's rudeness in the matter of the half-crown, it was impossible for any sailor of spirit to take the first step towards reconciliation. Thirst is a great leveller. By the time the refreshed Puffin had penetrated half-way down his glass, the Major found it impossible to be proud and proper any longer. He hated saying he was sorry (no man more) and he wouldn't have been sorry if he had been able to get a drink. He twirled his moustache a great many times and cleared his throat--it wanted more than that to clear it--and capitulated. "Upon my word, Puffin, I'm ashamed of myself for--ha!--for not taking my defeat better," he said. "A man's no business to let a game ruffle him." Puffin gave his alto cackling laugh. "Oh, that's all right, Major," he said. "I know it's awfully hard to lose like a gentleman." He let this sink in, then added: "Have a drink, old chap?" Major Flint flew to his feet. "Well, thank ye, thank ye," he said. "Now where's that soda water you offered me just now?" he shouted to the steward. The speed and completeness of the reconciliation was in no way remarkable, for when two men quarrel whenever they meet, it follows that they make it up again with corresponding frequency, else there could be no fresh quarrels at all. This one had been a shade more acute than most, and the drop into amity again was a shade more precipitous.
Edward Frederic Benson
Can't you just let it go? Move on?" His face darkened. His eyes glared in response and he was silent a long time while his jaw worked over a toothpick. She'd used the same line that the prophet and his representatives had been using for years. Even if these things did happen, there is no point in being bitter. You should forgive and forget and let bygones be bygones. Kind of galling, considering the insistence upon forgiveness was being made by the people who had done the hurting and done nothing to make up for it. But then, that was the standard 'blame the victim' abuser mentally, and to be expected. Gideon seemed to work through this slap in the face and let it slide. He said, "For a while I thought maybe, you know, if I could talk to the people responsible. If I could show them how difficult life has been because of them, that maybe they would care. I don't know. I thought maybe if they apologized, it would be so much easier to forget this shit. You know? To do what they say and 'let it go'. But nobody will take any personal responsibility. My own parents have nothing to offer but a bunch of whiny excuses. They try to convince me that my life wasn't as bad as I remember it." "Fuck that," he said, "They weren't even there. They don't even know what went on with me. I just..." He paused and pulled his fingers through his hair. "Christ," he said. He paused again, eyes to the sky, and then back to her. "Even the people who never personally raised a hand against me still propped up the regime that made it happen. They stood by and allowed it. Played a part. All of them. Every single one was a participant. Either directly or by looking away. Institutionally, doctrinally, they abused us. Sent us into the streets to beg, denied us an education, had us beaten, starved, exorcised, and separated from our parents. They broke up our families, gave our bodies to perverts, and stole our future. And then they turn around and say we're supposed to just forget it happened and move on from it. If instead we bring up the past, then they'll call us liars. Say we're exaggerating or making it up completely. Why the hell would be make any of this shit up? What's the point in that? To make our lives seem worse than they were? Not that I would, but do you have any idea how much exaggeration it would take for the average person to even begin to grasp how fucking miserable it was? And then, if they ever do admit to any of it, they say that 'mistakes were made'. " "Mistakes." he said. He was leaning forward again, punctuating the air with his finger. "Michael, they commit crimes against children. You know, those things people in society go to jail for when they're caught. And then to the public they do what they always do. Deny. Deny. Deny. And we're left more raped than ever. Victimized first by what they did, and again by their refusal to admit that it happened. They paint us as bitter apostates and liars to a world that not only doesn't give a shit, but also couldn't possibly understand even if it did." "I do," Munroe said. And Gideon stopped.
Taylor Stevens (The Innocent (Vanessa Michael Munroe, #2))
The DUCE diverted funds intended for the Fiume adventure, and used them for His own election campaign. He was arrested for the illegal possession of arms, sent parcel bombs to the Archbishop of Milan and its mayor, and after election was, as is well-known, responsible for the assassination of Di Vagno and Matteoti. Since then He has been responsible for the murders of Don Mizzoni Amendola, the Rosselli brothers, and the journalist Piero Gobetti, quite apart from the hundreds who have been the victims of His squadistri in Ferrara, Ravenna and Trieste, and the thousands who have perished in foreign places whose conquest was useless and pointless. We Italians remain eternally grateful for this, and consider that so much violence has made us a superior race, just as the introduction of revolvers into Parliament and the complete destruction of constitutional democracy have raised our institutions to the greatest possible heights of civilisation. Since the illegal seizure of power, Italy has known an average of five acts of political violence per diem, the DUCE has decreed that 1922 is the new Annus Domini, and He was pretended to be a Catholic in order to dupe the Holy Father into supporting Him against the Communists, even though He really is one Himself. He has completely suborned the press by wrecking the premises of dissident newspapers and journals. In 1923 he invaded Corfu for no apparent reason, and was forced to withdraw by the League of Nations. In 1924 He gerrymandered the elections, and He has oppressed minorities in the Tyrol and the North-East. He sent our soldiers to take part in the rape of Somalia and Libya, drenching their hands in the blood of innocents, He has doubled the number of the bureaucracy in order to tame the bourgeoisie, He has abolished local government, interfered with the judiciary, and purportedly has divinely stopped the flow of lava on Mt Etna by a mere act of will. He has struck Napoleonic attitudes whilst permitting Himself to be used to advertise Perugina chocolates, He has shaved his head because He is ashamed to be seen to be going bald, He has been obliged to hire a tutor to teach Him table manners, He has introduced the Roman salute as a more hygienic alternative to the handshake, He pretends not to need spectacles, He has a repertoire of only two facial expression, He stands on a concealed podium whilst making speeches because He is so short, He pretends to have studied economics with Pareto, and He has assumed infallibility and encouraged the people to carry His image in marches, as though He were a saint. He is a saint, of course. He has (and who are we to disagree?) declared Himself greater than Aristotle, Kant, Aquinas, Dante, Michelangelo, Washington, Lincoln, and Bonaparte, and He has appointed ministers to serve Him who are all sycophants, renegades, racketeers, placemen, and shorter than He is. He is afraid of the Evil Eye and has abolished the second person singular as a form of address. He has caused Toscanini to be beaten up for refusing to play 'Giovinezza', and He has appointed academicians to prove that all great inventions were originally Italian and that Shakespeare was the pseudonym of an Italian poet. He has built a road through the site of the forum, demolishing fifteen ancient churches, and has ordered a statue of Hercules, eighty metres high, which will have His own visage, and which so far consists of a part of the face and one gigantic foot, and which cannot be completed because it has already used up one hundred tons of metal.
Louis de Bernières (Corelli’s Mandolin)