Beast Bike Quotes

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Nearly everyone who has ridden a bike for any length of time will agree. The highways are crowded with people who drive as if their sole purpose in getting behind the wheel is to avenge every wrong ever done them by man, beast or fate.
Hunter S. Thompson (Hell's Angels)
The best bike is the one you're on, The best road is the one you're traveling, The best destination is wherever you're headed, The best time to get there is whenever you arrive.
Foster Kinn (Freedom's Rush II: More Tales from the Biker and the Beast)
They were twin beasts in the night, swift and sleek and growling. With her body arched over the moonlight-soaked motorcycle, her thighs welded to metal and leather, Elise felt like she and the bike had become a single animal—another member of Rylie’s pack, restricted only to where the wheels could take her.
S.M. Reine (Sacrificed in Shadow (Ascension #1))
Saw about a dozen and a half bikers pull into a gas station. After watching them stop at the pumps, start up their bikes and ride to the front of the convenience store, stop, then fire up their bikes again and take off, I’ve come to conclusion that the most time consuming activity bikers engage in is finding neutral.
Foster Kinn (Freedom's Rush II: More Tales from the Biker and the Beast)
And what about this. When we’re thrust into it, we anxious folk can often deal with the present really rather well. It’s worth remembering this. As real, present-moment disasters occur, we invariably cope, and often better than others. The day after no sleep, I get on with things. At funerals, or when I’ve fallen off my bike, or the time I had to attend to my grandmother when she stopped breathing, or whenever a major work disaster plays out leaving my team in a panic, I’m a picture of calm. Dad used to call me “the tower of strength” in such moments. I also don’t tend to have a lot of bog-standard fear (as opposed to anxiety). In fact, I relish real, present-moment fear and actively seek it out.
Sarah Wilson (First, We Make the Beast Beautiful: A New Story About Anxiety)
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
Rey thought you’d like the pink ones better, seeing as you stole her ‘Barbie bike,’ as she calls it.” Rey
Milana Jacks (Wild Beast Mate (Beast Mates, #2))
Through the kitchen window, I could see the backyard. The boost bike lay opened on the back patio. Sean was elbow deep in it, while the Ku, whose name was Wing, of all things, pranced around him. Beast cavorted around them, gathering sticks and spitting them at Sean’s feet.
Ilona Andrews (One Fell Sweep (Innkeeper Chronicles, #3))
They say he averaged 507 watts for the Hour so he just beasted it out for the 60 minutes. With what we know now about aerodynamics and the power Miguel could produce it’s frightening to think what he could have done for an Hour if he had sat a little bit better on his bike.
Bradley Wiggins (My Hour)
Denny’s chick is getting restless,” Fuckwad said. “Shut up, Tucker,” Cooper muttered while gesturing for me to follow him. “Watch Bailey and make sure these assholes didn’t roofie her.” Arriving at his motorcycle, I avoided Cooper’s angry glare. “You need to be more careful,” he said, studying me. “College is full of perverted shits.” “I was never going to drink it. You didn’t save me from anything.” Cooper glared at me then snorted. “Denny’s chick,” he said, climbing on his bike. “My brother’s a turd.” “No comment.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
Arriving at my apartment, Cooper not only parked, but turned off his bike. “Invite me in,” he said softly while glancing around as if the place was beneath him. “I’m not having sex with you,” I said, getting off the Harley. “Tonight? Oh, yeah, I know,” he said, giving nearby voices a dark glare. “If you meant ever, we’re not on the same page.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
Laughing behind my hand, I followed him out to his motorcycle. “I like to think I’m hot enough that I don’t need to flirt well.” “Do you? Fortunately, I agree. In fact, this time when you walk in front of me and think I’m checking out your ass, it’ll be true.” “Cooper, you have such a way with words. A real poet.” “Don’t I know it,” he said, sliding on his bike.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
That was his number-one reason for hating sport bikes. They had no throat at all. When he opened the throttle, he wanted a roar, a rumble, something that would make a civilian quiver in fear, thinking a beast was on his tail, ready to eat him, not swat at his neck, expecting to be stung by a bug.   Not
Susan Fanetti (Crash (Brazen Bulls MC, #1))
She stopped at the foot of the trio of beach chairs and smiled down at Richter and his men. Richter was in the middle. The one on the left was a hairy beast of a man with the fat-over-muscle build of someone who’d earned their conditioning from life experience, not a gym bike. Someone who possessed the brute core strength to physically break you. The man on the right was younger and leaner, but still carried plenty of brawn. It squared with Isaiah’s story—these weren’t techie savants hired to pull a sophisticated vault break. Richter was lining up big scary men to storm a hotel room and take down an army of casino thugs by force.
Blake Crouch (Good Behavior)
The ability to make a choice that she’d treasured moments ago strangled her. She wanted to choose to get on the back of that bike, not in the driver’s seat. She didn’t know how to drive it, didn’t know how to control the beast, didn’t know where to guide it. And she could feel herself heading for the collision, feel the inevitability of breaking everything inside on the impact.
RuNyx . (The Reaper (Dark Verse #2))