Bears Den Quotes

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See the bear in his own den before you judge of his conditions.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
First time I told my dad I liked a girl, he slathered me in honey and sealed me in a bear den for a night. Haven’t liked one since.” “First time I told my mother I fancied someone, she baked me in an oven for an hour,” Mona agreed, green skin paling. “I never think about boys now.” “First time I liked a boy, my dad killed him.” The group stopped and stared at Arachne. “Maybe Sophie just had bad parents,” she said.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
You’re just like the rest of them,’ he says, ‘all the twinks and the art fags and the motherfucking bears. You guys, you go on about your rights and your freedoms, you cheer at all the parades, but all you really want’s the right to fuck some leatherman in a den on Folsom or spew your shit all over a bathhouse. You want the right to be as careless as any other white guy – any straight one. But you’re not any other white guy. And that’s why this place is so dangerous: because it lets you forget that.
Chloe Benjamin (The Immortalists)
I came across many more such examples of bottom-up threats, endangering the youngest members of species ranging from wolverine cubs (whose parents are having trouble storing food in ice) to peregrine falcon chicks (which are catching hypothermia and drowning in unusual downpours) to Arctic ring seal pups (whose snowy birthing dens, like those of polar bears, are threatened).
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
The girl's life had been squandered in the streets, and among the most noisome of the stews and dens of London, but there was something of the woman's original nature left in her still; and when she heard a light step approaching the door opposite to that by which she had entered, and thought of the wide contrast which the small room would in another moment contain, she felt burdened with the sense of her own deep shame: and shrunk as though she could scarcely bear the presence of her with whom she had sought this interview.
Charles Dickens (Oliver Twist)
Foxes were dreaded animals. They were not large or fierce, like the bears and tigers that roamed the mountains, but they were known to be fiendishly clever. some people even believed that foxes possessed evil magic. It was said that a fox could lure a man to his doom, tricking him into coming to its den, where somehow he would be fed to its offspring. "Even to say the word made a trickle of fear run down Tree-Ear's spine... "'So it was dusk, and I was still a good distance away. Suddenly, a fox appeared before me. It stopped there, right in the middle of the path, grinning with all its teeth shining white, licking its lips, its eyes glowing, its broad tail swishing back and forth slowly, back and forth-' "'Enough!' Tree-Ear's eyes were wide with horror. 'What happened?' "Crane-man picked up the last morsel of rice with his chopsticks and popped it into his mouth. 'Nothing,' he said. 'I have come to believe that foxes could not possibly be as clever as we think them. There I was, close enough to touch one, with a bad leg as well - and here I still am today.
Linda Sue Park (A Single Shard)
Russia [10w] A bear sleeps in the den of winter; tread lightly.
Beryl Dov
I didn't want to view nature as something out there. Instead, like a bear denning for winter, I wanted to climb inside.
Karen Auvinen (Rough Beauty: Forty Seasons of Mountain Living)
If you don’t mind.’ ‘I do,’ said Kate. ‘I don’t care to have my second-best bedroom looking like the den of a hibernating bear.
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
But a time came when her patience gave out; and wearying of being a lion, she became a bear in nature as in name, and returning to her den, growled awfully when ordered out.
Louisa May Alcott (Jo's Boys (Little Women, #3))
Humanity is as much lacking as decency. Blood, suffering, does not move them. The court frequents bull and bear baitings; Elizabeth beats her maids, spits upon a courtier’s fringed coat, boxes Essex’s ears; great ladies beat their children and their servants. “The sixteenth century,” he says, “is like a den of lions. Amid passions so strong as these there is not one lacking. Nature appears here in all its violence, but also in all its fullness. If nothing has been softened, nothing has been mutilated. It is the entire man who is displayed, heart, mind, body, senses, with his noblest and finest aspirations, as with his most bestial and savage appetites, without the preponderance of any dominant passion to cast him altogether in one direction, to exalt or degrade him. He has not become rigid as he will under Puritanism.
William Shakespeare (Complete Works of William Shakespeare)
The animals in the zoo-those that had not been stolen in previous administrations-were slain or left to starve. One zealous, perhaps mad, Taliban jumped into a bear’s cage and cut off his nose, reputedly because the animal’s “beard” was not long enough. Another fighter, intoxicated by events and his own power, leaped into the lion’s den and cried out, “I am the lion now!” The lion killed him. Another Taliban solider threw a grenade into the den, blinding the animal. These two, the noseless bear and the blind lion, together with two wolves, were the only animals that survived Taliban rule.
Lawrence Wright (The Looming Tower: Al-Qaeda and the Road to 9/11)
Uncle Wiggens ain't really my uncle, everyone just calls him that. He's over eighty and fought in the War Between the States. He only has one leg and one hero, General Robert E. Lee. Uncle Wiggens manages to work Lee's name into pretty much any old conversation. You might say, 'My, it's cold today,' and he'd reply, 'You think this is cold? General Lee said it didn't even qualify as chill till your breath froze on your nose and made a little icicle.' He had about five different stories of how he lost his leg, every one of them entertaining. That night I was listening to the version that involved him running five Yankees into a bear's den.
Kristin Levine (The Best Bad Luck I Ever Had)
When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.
Robert Burton (The Anatomy of Melancholy: What It Is, with All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It; In Three Partitions; With Their Several Sections, Members, and Subsections, Philosophically, Medicinally, Historically Opened and Cut Up, V)
The Arcades Project further elaborates the relation of the dialectical image to history as it emerges in the scene of reading. As Benjamin tells us: What distinguishes images from the ‘essences’ of phenomenology is their historical index. (Heidegger seeks in vain to rescue history for phenomenology abstractly through ‘historicity’.) These images are to be thought of entirely apart from the categories of the ‘human sciences,’ from so-called habitus, from style, and the like. For the historical index of the images not only says that they belong to a particular time; it says, above all, that they attain to legibility only at a particular time. And, indeed, this acceding ‘to legibility’ constitutes a specific critical point in the movement at their interior. Every present day is determined by the images that are synchronic with it: each ‘now’ is the now of a particular recognizability. In it, truth is charged to the bursting point with time. (This point of explosion, and nothing else is the death of the intentio, which thus coincides with the birth of authentic historical time, the time of truth.) It is not that what is past casts its light on what is present, or what is present its light on what is past; rather, image is that wherein what has been comes together in a flash with the now to form a constellation. In other words: image is dialectics at a standstill. For while the relation of the present to the past is purely temporal, the relation of what-has-been to the now is dialectical: not temporal in nature but figural [bildlich]. Only dialectical images are genuinely historical – that is, not archaic – images. The image that is read – which is to say, the image in the now of its recognizability – bears to the highest degree the imprint of that critical, dangerous moment that lies at the ground of all reading [den Stempel des kritischen, gefährlichen Momentes, welcher allem Lesen zugrunde liegt].51
Beatrice Hanssen (Walter Benjamin and the Arcades Project (Walter Benjamin Studies))
You’re the only person who doesn’t see the advantage in such a match.” “That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.” She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?” “Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?” “I didn’t mean any such thing,” he said sharply. But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“ “Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.” That seemed to draw her up short. “Wh-What?” Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…” But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore. He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her. She tore her lips from his. “Mr. Pinter-“ she began in a whisper. “Jackson,” he growled. “Let me hear you say my name.” Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“ “I’m not pretending anything, damn it!” Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted. When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“ “Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.” Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…” His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman. He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room. So when she pulled out of his arms to back away, he walked after her. She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.” “I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more. When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting. With a shiver, she slid her hands up his chest. “Why are you doing this?” “Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.” Then he covered her mouth with his once more.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
I soon found my feet, and was much less homesick than I was at prep school. Thank God. I learned that with plenty of free time on our hands, and being encouraged to fill the time with “interests,” I could come up with some great adventures. A couple of my best friends and I started climbing the huge old oak trees around the grounds, finding monkey routes through the branches that allowed us to travel between the trees, high up above the ground. It was brilliant. We soon had built a real-life Robin Hood den, with full-on branch swings, pulleys, and balancing bars high up in the treetops. We crossed the Thames on the high girders above a railway bridge, we built rafts out of old Styrofoam and even made a boat out of an old bathtub to go down the river in. (Sadly this sank, as the water came in through the overflow hole, which was a fundamental flaw. Note to self: Test rafts before committing to big rivers in them.) We spied on the beautiful French girls who worked in the kitchens, and even made camps on the rooftops overlooking the walkway they used on their way back from work. We would vainly attempt to try and chat them up as they passed. In between many of these antics we had to work hard academically, as well as dress in ridiculous clothes, consisting of long tailcoats and waistcoats. This developed in me the art of making smart clothes look ragged, and ever since, I have maintained a lifelong love of wearing good-quality clothes in a messy way. It even earned me the nickname of “Scug,” from the deputy-headmaster. In Eton slang this roughly translates as: “A person of no account, and of dirty appearance.
Bear Grylls (Mud, Sweat and Tears)
As we pulled up at the big school gates, I saw tears rolling down my dad’s face. I felt confused as to what part of nature or love thought this was a good idea. My instinct certainly didn’t; but what did I know? I was only eight. So I embarked on this mission called boarding school. And how do you prepare for that one? In truth, I found it really hard; there were some great moments like building dens in the snow in winter, or getting chosen for the tennis team, or earning a naval button, but on the whole it was a survival exercise in learning to cope. Coping with fear was the big one. The fear of being left and the fear of being bullied--both of which were very real. What I learned was that I couldn’t manage either of those things very well on my own. It wasn’t anything to do with the school itself, in fact the headmaster and teachers were almost invariably kind, well-meaning and good people, but that sadly didn’t make surviving it much easier. I was learning very young that if I were to survive this place then I had to find some coping mechanisms. My way was to behave badly, and learn to scrap, as a way to avoid bullies wanting to target me. It was also a way to avoid thinking about home. But not thinking about home is hard when all you want is to be at home. I missed my mum and dad terribly, and on the occasional night where I felt this worst, I remember trying to muffle my tears in my pillow while the rest of the dormitory slept. In fact I was not alone in doing this. Almost everyone cried, but we all learned to hide it, and those who didn’t were the ones who got bullied. As a kid, you can only cry so much before you run out of tears and learn to get tough. I meet lots of folks nowadays who say how great boarding school is as a way of toughening kids up. That feels a bit back-to-front to me. I was much tougher before school. I had learned to love the outdoors and to understand the wild, and how to push myself. When I hit school, suddenly all I felt was fear. Fear forces you to look tough on the outside but makes you weak on the inside. This was the opposite of all I had ever known as a kid growing up. I had been shown by my dad that it was good to be fun, cozy, homely--but then as tough as boots when needed. At prep school I was unlearning this lesson and adopting new ways to survive. And age eight, I didn’t always pick them so well.
Bear Grylls (Mud, Sweat and Tears)
In 1995, the gray wolf was reintroduced to Yellowstone National Park after a seventy-year hiatus. Scientists expected an ecological ripple effect, but the size and scope of the trophic cascade took them by surprise.7 Wolves are predators that kill certain species of animals, but they indirectly give life to others. When the wolves reentered the ecological equation, it radically changed the behavioral patterns of other wildlife. As the wolves began killing coyotes, the rabbit and mouse populations increased, thereby attracting more hawks, weasels, foxes, and badgers. In the absence of predators, deer had overpopulated the park and overgrazed parts of Yellowstone. Their new traffic patterns, however, allowed the flora and fauna to regenerate. The berries on those regenerated shrubs caused a spike in the bear population. In six years’ time, the trees in overgrazed parts of the park had quintupled in height. Bare valleys were reforested with aspen, willow, and cottonwood trees. And as soon as that happened, songbirds started nesting in the trees. Then beavers started chewing them down. Beavers are ecosystem engineers, building dams that create natural habitats for otters, muskrats, and ducks, as well as fish, reptiles, and amphibians. One last ripple effect. The wolves even changed the behavior of rivers—they meandered less because of less soil erosion. The channels narrowed and pools formed as the regenerated forests stabilized the riverbanks. My point? We need wolves! When you take the wolf out of the equation, there are unintended consequences. In the absence of danger, a sheep remains a sheep. And the same is true of men. The way we play the man is by overcoming overwhelming obstacles, by meeting daunting challenges. We may fear the wolf, but we also crave it. It’s what we want. It’s what we need. Picture a cage fight between a sheep and a wolf. The sheep doesn’t stand a chance, right? Unless there is a Shepherd. And I wonder if that’s why we play it safe instead of playing the man—we don’t trust the Shepherd. Playing the man starts there! Ecologists recently coined a wonderful new word. Invented in 2011, rewilding has a multiplicity of meanings. It’s resisting the urge to control nature. It’s the restoration of wilderness. It’s the reintroduction of animals back into their natural habitat. It’s an ecological term, but rewilding has spiritual implications. As I look at the Gospels, rewilding seems to be a subplot. The Pharisees were so civilized—too civilized. Their religion was nothing more than a stage play. They were wolves in sheep’s clothing.8 But Jesus taught a very different brand of spirituality. “Foxes have dens and birds have nests,” said Jesus, “but the Son of Man has no place to lay his head.”9 So Jesus spent the better part of three years camping, fishing, and hiking with His disciples. It seems to me Jesus was rewilding them. Jesus didn’t just teach them how to be fishers of men. Jesus taught them how to play the man! That was my goal with the Year of Discipleship,
Mark Batterson (Play the Man: Becoming the Man God Created You to Be)
But a surprising hero arose out of the calamity. A ghost, a savior, a bear of pure white, Came roaring from his den to help them smite.
Eve Langlais (Polar Bared (Kodiak Point, #3))
There you are at last, girl,” said Great Aunt Sullana. “Your hair looks as though beavers had abandoned a dam there. Your face is smudged. Did you spend the morning rolling in dust? Never mind, Zavaedi Abiono is doing us the great honor of a visit. Comb your hair and wash your face before you join us. This is a kitchen, not a den of bears.
Tara Maya (Initiate (The Unfinished Song, #1))
The Branch From Jesse 11 A shoot will come up from the stump of Jesse; from his roots a Branch will bear fruit. 2 The Spirit of the Lord will rest on him— the Spirit of wisdom and of understanding, the Spirit of counsel and of might, the Spirit of the knowledge and fear of the Lord— 3 and he will delight in the fear of the Lord. He will not judge by what he sees with his eyes, or decide by what he hears with his ears; 4 but with righteousness he will judge the needy, with justice he will give decisions for the poor of the earth. He will strike the earth with the rod of his mouth; with the breath of his lips he will slay the wicked. 5 Righteousness will be his belt and faithfulness the sash around his waist. 6 The wolf will live with the lamb, the leopard will lie down with the goat, the calf and the lion and the yearling[f] together; and a little child will lead them. 7 The cow will feed with the bear, their young will lie down together, and the lion will eat straw like the ox. 8 The infant will play near the cobra’s den, and the young child will put its hand into the viper’s nest. 9 They will neither harm nor destroy on all my holy mountain, for the earth will be filled with the knowledge of the Lord as the waters cover the sea. 10 In that day the Root of Jesse will stand as a banner for the peoples; the nations will rally to him, and his resting place will be glorious. 11 In that day the Lord will reach out his hand a second time to reclaim the surviving remnant of his people from Assyria, from Lower Egypt, from Upper Egypt, from Cush,[g] from Elam, from Babylonia,[h] from Hamath and from the islands of the Mediterranean. 12 He will raise a banner for the nations and gather the exiles of Israel; he will assemble the scattered people of Judah from the four quarters of the earth. 13 Ephraim’s jealousy will vanish, and Judah’s enemies[i] will be destroyed; Ephraim will not be jealous of Judah, nor Judah hostile toward Ephraim. 14 They will swoop down on the slopes of Philistia to the west; together they will plunder the people to the east. They will subdue Edom and Moab, and the Ammonites will be subject to them. 15 The Lord will dry up the gulf of the Egyptian sea; with a scorching wind he will sweep his hand over the Euphrates River. He will break it up into seven streams so that anyone can cross over in sandals. 16 There will be a highway for the remnant of his people that is left from Assyria, as there was for Israel when they came up from Egypt. Songs of Praise 12 In that day you will say: “I will praise you, Lord. Although you were angry with me, your anger has turned away and you have comforted me. 2 Surely God is my salvation; I will trust and not be afraid. The Lord, the Lord himself, is my strength and my defense[j]; he has become my salvation.” 3 With joy you will draw water from the wells of salvation. 4 In that day you will say: “Give praise to the Lord, proclaim his name; make known among the nations what he has done, and proclaim that his name is exalted. 5 Sing to the Lord, for he has done glorious things; let this be known to all the world. 6 Shout aloud and sing for joy, people of Zion, for great is the Holy One of Israel among you.
Logos
the only opinion that really matters when it comes to your life is yours.
Amy Lamont (Bear to Love: Kodiak Den #3 (Alaskan Den Men Book 8))
If, for example, you and I were anteaters, rather than two people sitting in the corner of a bar, I might feel more comfortable with your silence, with your motionless hands holding your glass, with your glazed fish eyes fixing now on my balding head and now on my navel, we might be able to understand each other better in a meeting of restless snouts sniffing halfheartedly at the concrete for nonexistent insects, we might come together, under cover of darkness, in acts of sexual coitus as sad as Lisbon nights, when the Neptunes in the lakes slough off the mud and slime and scan the deserted squares with blank, eager, rust-colored eyes. Perhaps you would finally tell me about yourself. Perhaps behind your Cranach brow there lies sleeping a secret fondness for rhinoceroses. Perhaps, if you felt my body, you would discover that I had been suddenly transformed into a unicorn, and I would embrace you, and you would flap startled arms, like a butterfly transfixed by a pin, your voice grown husky with desire. We would buy tickets for the train that travels around the zoo, from creature to creature, with its clockwork engine, an escapee from some provincial haunted castle, and we would wave, as we passed, at the grotto-cum-crib of those recycled carpets—the polar bears. We would observe with an ophthalmological eye the baboons' anal conjunctivitis, like eyelids inflamed with combustible hemorrhoids. We would kiss outside the lions' den, where the lions—moth-eaten old overcoats—would curl their lips to reveal toothless gums. I would stroke your breasts in the oblique shade cast by the foxes, you would buy me an ice cream on a stick from the clowns' enclosure, where they, eyebrows permanently arched, exchanged blows to the tragic accompaniment of a saxophone. And that way we would have recovered a little of the childhood that belongs to neither of us and that insists on whizzing down the children's slide with a laugh that reaches us now as an occasional faint, almost angry echo.
António Lobo Antunes (Os Cus de Judas)
38 Then the Lord spoke to Job out of the storm. He said: 2 “Who is this that obscures my plans with words without knowledge? 3 Brace yourself like a man; I will question you, and you shall answer me. 4 “Where were you when I laid the earth’s foundation? Tell me, if you understand. 5 Who marked off its dimensions? Surely you know! Who stretched a measuring line across it? 6 On what were its footings set, or who laid its cornerstone— 7 while the morning stars sang together and all the angels[a] shouted for joy? 8 “Who shut up the sea behind doors when it burst forth from the womb, 9 when I made the clouds its garment and wrapped it in thick darkness, 10 when I fixed limits for it and set its doors and bars in place, 11 when I said, ‘This far you may come and no farther; here is where your proud waves halt’? 12 “Have you ever given orders to the morning, or shown the dawn its place, 13 that it might take the earth by the edges and shake the wicked out of it? 14 The earth takes shape like clay under a seal; its features stand out like those of a garment. 15 The wicked are denied their light, and their upraised arm is broken. 16 “Have you journeyed to the springs of the sea or walked in the recesses of the deep? 17 Have the gates of death been shown to you? Have you seen the gates of the deepest darkness? 18 Have you comprehended the vast expanses of the earth? Tell me, if you know all this. 19 “What is the way to the abode of light? And where does darkness reside? 20 Can you take them to their places? Do you know the paths to their dwellings? 21 Surely you know, for you were already born! You have lived so many years! 22 “Have you entered the storehouses of the snow or seen the storehouses of the hail, 23 which I reserve for times of trouble, for days of war and battle? 24 What is the way to the place where the lightning is dispersed, or the place where the east winds are scattered over the earth? 25 Who cuts a channel for the torrents of rain, and a path for the thunderstorm, 26 to water a land where no one lives, an uninhabited desert, 27 to satisfy a desolate wasteland and make it sprout with grass? 28 Does the rain have a father? Who fathers the drops of dew? 29 From whose womb comes the ice? Who gives birth to the frost from the heavens 30 when the waters become hard as stone, when the surface of the deep is frozen? 31 “Can you bind the chains[b] of the Pleiades? Can you loosen Orion’s belt? 32 Can you bring forth the constellations in their seasons[c] or lead out the Bear[d] with its cubs? 33 Do you know the laws of the heavens? Can you set up God’s[e] dominion over the earth? 34 “Can you raise your voice to the clouds and cover yourself with a flood of water? 35 Do you send the lightning bolts on their way? Do they report to you, ‘Here we are’? 36 Who gives the ibis wisdom[f] or gives the rooster understanding?[g] 37 Who has the wisdom to count the clouds? Who can tip over the water jars of the heavens 38 when the dust becomes hard and the clods of earth stick together? 39 “Do you hunt the prey for the lioness and satisfy the hunger of the lions 40 when they crouch in their dens or lie in wait in a thicket? 41 Who provides food for the raven when its young cry out to God and wander about for lack of food?
?
Don’t worry about it, Arianna. I’ve been waiting for you for five years. Ever since that kiss you’ve dominated my thoughts. My world. My bear was determined to find you. Your fire, loyalty, and passion called to us both. Your wolf has always been a den mate to my bear.” He caressed my face with his hand. “We will be mated.
Jaymin Eve (Queen Alpha (NYC Mecca, #2))
It was for that reason that the temple was about to be destroyed, “not one stone left upon another.” It had become a den of thieves.[62] The holy city Jerusalem had become an unholy Babylon, her religious leaders an unfaithful spiritual harlot, her people idol worshippers bearing the mark of the Beast for damnation. This coming war and its destruction would mark the end of the old covenant age and the death of its people.[63]
Brian Godawa (Resistant: Revolt of the Jews (Chronicles of the Apocalypse Book 3))
Come out of your den o lions and lionesses of the world and roar to awaken everyone. Mind not your scars, for your scars will leave a sacred trail which will bear testimony to your voyage.
Abhijit Naskar (Every Generation Needs Caretakers: The Gospel of Patriotism)
dens of polar bears are collapsing in the thawing permafrost, which leaves tiny cubs dangerously exposed.25
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
The wolf will live with the lamb, the leopard will lie down with the goat, and the calf and the lion and the yearling together; and a little child will lead them. The cow will feed with the bear, their young will lie down together, and the lion will eat straw like the ox. The infant will play near the cobra’s den, the young child will put its hand into the viper’s nest. They will neither harm nor destroy on all my holy mountain; for the earth will be filled with the knowledge of the Lord as the waters cover the sea. (Isa. 11:6–9 NIV)
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
As the noise of the firebeast faded, there was a thundering of paws, and Toklo realized that both white bears had followed him after all. Kallik and Taqqiq ran into the trees and collapsed beside a clump of leafy bushes. Toklo spun around, looking anxiously for Ujurak. There was no sign of the other brown bear. He peered out between the bushes and saw flat-faces running around the den with the dogs, pointing at the big firebeast and shouting. But they weren’t looking toward the trees. Perhaps they hadn’t
Erin Hunter (Smoke Mountain (Seekers, #3))
His Sons, the fairest of her Daughters Eve. Under a tuft of shade that on a green Stood whispering soft, by a fresh Fountain side They sat them down, and after no more toil Of thir sweet Gardning labour then suffic’d To recommend coole Zephyr, and made ease More easie, wholsom thirst and appetite More grateful, to thir Supper Fruits they fell, Nectarine Fruits which the compliant boughes Yeilded them, side-long as they sat recline On the soft downie Bank damaskt with flours: The savourie pulp they chew, and in the rinde Still as they thirsted scoop the brimming stream; Nor gentle purpose, nor endearing smiles Wanted, nor youthful dalliance as beseems Fair couple, linkt in happie nuptial League, Alone as they. About them frisking playd All Beasts of th’ Earth, since wilde, and of all chase In Wood or Wilderness, Forrest or Den; Sporting the Lion rampd, and in his paw Dandl’d the Kid; Bears, Tygers, Ounces, Pards Gambold before them, th’ unwieldy Elephant To make them mirth us’d all his might, & wreathd His Lithe Proboscis; close the Serpent sly Insinuating, wove with Gordian twine His breaded train, and of his fatal guile Gave proof unheeded; others on the grass Coucht, and now fild with pasture gazing sat, Or Bedward ruminating: for the Sun Declin’d was hasting now with prone carreer To th’ Ocean Iles, and in th’ ascending Scale Of Heav’n the Starrs that usher Evening rose: When Satan still in gaze, as first he stood, Scarce thus at length faild speech recoverd sad. O Hell! what doe mine eyes with grief behold, Into our room of bliss thus high advanc’t Creatures of other mould, earth-born perhaps, Not
John Milton (Paradise Lost (Unexpurgated Start Publishing LLC))
The bear is above ground in spring and summer and below ground, hibernating, in fall and winter -- and she emerges with young by her side. I think that's a wonderful model for us, particularly as women. And it's one I've tried to adopt. If we choose to follow the bear, we will be saved from a distracted and domesticated life. The bear becomes our mentor. We must journey out, so that we might journey in. The bear mother enters the earth before snowfall and dreams herself through winter, emerging with young by her side. She not only survives the barren months, she gives birth. She is the caretaker of the unseen world. As a writer and a woman with obligations to both family and community, I have tried to adopt this ritual of balancing public and private life. We are at home in the deserts and mountains, as well as in our dens. Above ground in the abundance of spring and summer, I am available. Below ground in the deepening of autumn and winter, I am not. I need hibernation in order to create.
Terry Tempest Williams (A Voice in the Wilderness: Conversations with Terry Tempest Williams)
I know you must be eager to return to Boston, and as much as I'd like to take you back there myself, I just can't leave my flock, I can't spare my son, and it is, of course, unthinkable that I allow my two daughters to bring you . . . though if you're determined to go, I suppose I could always send Amy." The captain, still staring straight ahead, finally spoke.  "Is Amy not your daughter also?" he asked flatly. "Er — well, uh . . . she bears my name, yes.  But she doesn't have a reputation to consider, as do Ophelia and Mildred." "All young women have reputations to consider." "Yes, but Amy is — well, never mind, Captain.  Suffice it to say that, unlike her sisters, Amy's reputation does not demand careful care and protection." Amy wanted to die. The captain's jaw hardened. And Amy, seeing it, quietly stirred the stew in its big black kettle.  "Papa, if Lord Charles wants to go to Boston, I can take him anytime he wants to go —" "No!" barked their guest, startling her with the vehemence of his tone.  He glared sightlessly into the flames, his fists clenched.  "I will not allow it." Sylvanus began, "Really, Captain, Amy's a very capable young woman —" "Precisely that, she is a young woman, and Boston is a den of rascals, sailors, blackguards and scum.  It is no place for her, and since I've been rendered useless in my ability to protect her, I will remain here until someone can come up from Boston to collect me.  I will not see her life or virtue risked on my account.  By God, I will not!" Sylvanus's
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Learn my voice, my scent, the shape of my soul. I may not be as bright as your mother, but you will find safety in my shadow.” The baby uttered a sleepy squeak. Argent answered with a low thrum and promised, “You will learn the stories of my clan. You will bear the crest of my den. You will know the care of a father and mother, of a brother and friends. Learn my voice, my scent, the shape of my soul, little one, for I am your home.
Forthright . (Tsumiko and the Enslaved Fox (Amaranthine Saga #1))
The female does not lie prone in the den. Most of the time she reclines, in the position of an ailing Victorian dowager propped up in bed to receive visitors for tea.
Fred Bruemmer (Polar Dance: Born of the North Wind)