Beard And Moustache Quotes

Being a woman is worse than being a farmer there is so much harvesting and crop spraying to be done: legs to be waxed, underarms shaved, eyebrows plucked, feet pumiced, skin exfoliated and moisturised, spots cleansed, roots dyed, eyelashes tinted, nails filed, cellulite massaged, stomach muscles exercised. The whole performance is so highly tuned you only need to neglect it for a few days for the whole thing to go to seed. Sometimes I wonder what I would be like if left to revert to nature — with a full beard and handlebar moustache on each shin Dennis Healey eyebrows face a graveyard of dead skin cells spots erupting long curly fingernails like Struwelpeter blind as bat and stupid runt of species as no contact lenses flabby body flobbering around. Ugh ugh. Is it any wonder girls have no confidence?

Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!

[in regards to Chad's Nifty Over Fifty Moustache and Beard Darkener] "'Dark Bravado Blonde, Number 143.' The name alone makes my loins all aquiver." --Amber

It was difficult to see much of his face, since he sported a huge black and grey beard topped with a moustache and his hair stuck out at angles – he looked like he was wearing an enraged skunk.

Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me

This man bore no resemblance to the bearded, grizzled Akeley of the snapshot; but was a younger and more urban person, fashionably dressed, and wearing only a small, dark moustache.

As he watched the captain flash his wink and grin combination at his companion, Nicholas began to notice the worn edges of Ramirez's bravado. Crows feet lined the smiling eyes. Tinges of grey peppered the pointed beard and moustache.

6 p.m. Completely exhausted by entire day of date-preparation. Being a woman is worse than being a farmer—there is so much harvesting and crop spraying to be done: legs to be waxed, underarms shaved, eyebrows plucked, feet pumiced, skin exfoliated and moisturized, spots cleansed, roots dyed, eyelashes tinted, nails filed, cellulite massaged, stomach muscles exercised. The whole performance is so highly tuned you only need to neglect it for a few days for the whole thing to go to seed. Sometimes I wonder what I would be like if left to revert to nature—with a full beard and handlebar moustache on each shin, Dennis Healey eyebrows, face a graveyard of dead skin cells, spots erupting, long curly fingernails like Struwwelpeter, blind as bat and stupid runt of species as no contact lenses, flabby body flobbering around. Ugh, ugh. Is it any wonder girls have no confidence?

The funny thing about having any kind of moustache or beard is it grows on you—in two ways. I mean, it grows on you. It also becomes part of your identity. I've had it for 40 years. I don't think I would recognize the person in the mirror without it.

His short nose, and fair hair, and reddish beard and moustache made him look all the more like a goat because he was small and thin, and his tarnished yellow eyes caught you with that oblique look which Virgil celebrates. How came he, in spite of such obvious disadvantages, to possess really exquisite manners and a distinguished air? The problem is solved partly by the care and elegance of his dress, and partly by the training given him by his mother, a Radziwill. His courage amounted to daring, but his mind was not more than was needed for the ephemeral talk and pleasantry of Parisian conversation. And yet it would have been difficult to find among the young men of fashion in Paris a single one who was his superior.

There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?

Here he became acquainted with an eighteen-year-old schoolgirl named Pelageia Onufrieva, the fiancée of one of his fellow exiles, Petr Chizhikov. The future dictator flirted openly with the girl and gave her a book with the inscription, “To clever, nasty Polya from the oddball Iosif.” When Pelageia left Vologda, Jughashvili sent her facetious cards, such as: “I claim a kiss from you conveyed via Petka [Chizhikov]. I kiss you back, and I don’t just kiss you, but passionately (simple kissing isn’t worth it). Iosif.”7 In his personal files, Stalin kept a photograph of Chizhikov and Onufrieva dating to his time in Vologda: a serious, pretty, round-faced girl in glasses and a serious young man with regular features and a moustache and beard. The jocular cards, presents, and photograph attest to the thirty-three-year-old Jughashvili’s interest in the young woman but do not prove that he was romantically involved with her. We

Pickwick was bought by a man who had an earring and by a man with a luxuriant moustache and by a man who catalogued butterflies and by a man who had bought shark’s fins at the wharf to make soup and by a man with a beard who carried a radical newspaper who attended agitated assemblies and by a man in a scruffy coat, who wrote short pieces for magazines and by a man wheeling a barrow of exotic shrubs he would sell at his nursery. One of these had a brother who was a respectable alderman; the cousin of another was a priest; another played whist with a banker; the buyer of radical literature had a friend in the Whigs; the nurseryman knew a doctor and several lawyers; the man with the moustache had a friend in the senior ranks of the cavalry; the scruffy man knew several editors. There was also a little middle-aged hawker called Knox, recognizable on the city streets by his plaid jacket, though his pinched cheeks, pointed chin and combed red side whiskers ere never conducive to anonymity.

Moustaches > Beards

Charlemagne is the first great man of action to emerge from the darkness since the collapse of the Roman world. He became a subject of myth and legend. A magnificent reliquary in Aix-la-Chapelle, made about five hundred years after his death to hold a piece of his skull, expresses what the High Middle Ages felt about him in terms that he himself would have appreciated – gold and jewels. But the real man, about whom we know quite a lot from a contemporary biographer, wasn’t so far from that myth. He was a commanding figure, over six feet tall, with piercing blue eyes – only he had a small squeaky voice and a walrus moustache instead of a beard. He was a tireless administrator. The lands he conquered – Bavaria, Saxony, Lombardy – were organised a good deal beyond the capacities of a semi-barbarous age. His empire was an artificial construction and didn’t survive him. But the old idea that he saved civilisation isn’t so far wrong, because it was through him that the Atlantic world re-established contact with the ancient culture of the Mediterranean world. There were great disorders after his death, but no more skin of our teeth. Civilisation had come through.

He had a moustache-and-beard combination that looked like a skinny white caterpillar taking a lap around his mouth.

Another woman was accompanied by a man with the most unfortunate facial hair Jane had ever seen—a moustache no thicker than dental floss that started under his nose and continued down either side of his mouth to meet on his chin. It looked like someone had circled an area on his face with a marker and said, 'This here is where your moustache and beard should go.

Yaroslav died on February 28, 1054, and was buried in the Cathedral of St. Sophia, which he had built. His earthly remains were placed in a white marble sarcophagus decorated with carvings of the Christian cross and Mediterranean plants, including palms, which were by no means native to Kyivan Rus’. According to one theory, the sarcophagus—a stone embodiment of Byzantine cultural imperialism—had once been the final resting place of a Byzantine notable but was brought to Kyiv either by marauding Vikings or by enterprising Greeks. The sarcophagus is still preserved in the cathedral, but the remains of Yaroslav the Wise disappeared from Kyiv in 1943, during the German occupation of the city. By some accounts, they ended up in the hands of Ukrainian Orthodox hierarchs in the United States and were spotted in Manhattan after the war. Some suspect that they may now be in the Church of the Holy Trinity in Brooklyn. What could account for the transfer of Prince Yaroslav’s remains all the way to the Western Hemisphere? The answer has nothing to do with American cultural imperialism but is closely associated with the Ukrainian claim to the legacy of Kyivan Rus’. Ukrainian clergymen leaving their homeland removed the relics so as to prevent them from falling into the hands of the advancing Soviet army. Concern that if returned to Kyiv, they might end up in Russia explains enough the continuing refusal of the custodians of the Brooklyn church to discuss the issue of Yaroslav’s remains with representatives of the Ukrainian government. Both Ukrainians and Russians claim Yaroslav the Wise as one of their eminent medieval rulers, and his image appears on the banknotes of both countries. The Ukrainian bill depicts Yaroslav with a Ukrainian-style moustache in the tradition of Prince Sviatoslav and the Ukrainian Cossacks. On the Russian note, we see a monument to him as the legendary founder of the Russian city of Yaroslavl, first mentioned in a chronicle seventeen years after his death. The Russian bill shows Yaroslav with a beard in the tradition of Ivan the Terrible and the Muscovite tsars of his era.

Scarface The hair is thinning, At the temples, This moustache of mine, Is growing thicker, Though And this beard of mine, Stronger And Grayer! My face has, Scars now, And so has my soul, Shall I call myself, Scarface Or Scarsoul?

Scarface The hair is thinning, At the forehead This moustache of mine, Is growing thicker Though And this beard of mine, Stronger And Grayer! My face has, Scars now And so has my soul, Shall I call myself Scarface Or Scarsoul? ~Avijeet

Scarface The hair is thinning, At the forehead This moustache of mine, Is growing thicker Though And this beard of mine, Stronger And Grayer! My face has, Scars now And so has my soul, Shall I call myself Scarface Or Scarsoul?

So this funny incident happened a week ago. I was in a Departmental Store, and I couldn't find what I was looking for. So I went to the shop assistants who were two girls. Me: Is Moustache and Beard Wax available in this store? The two girls looked at me with surprise and asked: to remove your moustache and beard?

So this funny incident happened a week ago. I was in a Departmental Store and I couldn't find what I was looking for and so went to the shop assistants who were two girls. Me: Is Moustache and Beard Wax available at this store? The two girls looking at me with surprise and asked: To remove your moustache and beard?

So this funny incident happened a week ago. I was in a Departmental Store and I couldn't find what I was looking for and so went to the shop assistants who were two girls. Me: Is Moustache and Beard Wax available at this store? The two girls looked at me with surprise and asked: To remove your moustache and beard?

Et plus haut encore, surplombant tout le défilé, incroyablement énormes face aux minuscules visages des minuscules manifestants du bas (que, ou plutôt dont l'une d'eux, Petworth regarde), se trouvent les plus grands visages, certains barbichés et d'autres lorgnonnés, certains moustahus et d'autres barbus, certains austères et glabres, de Marx, Lénine, Engels et Grigoric, Brejnev et Vulcani, ceux qui ont écrit l'histoire, sans qui l'occasion présente ne se serait pas présentée. [And higher still, over the whole display, unbelievably big against the tiny faces of the marchers down below (at whom, or rather at one of whom, Petworth is looking), are the greater faces, some goatee-ed and some pince-nez-ed, some moustached and some bearded, some stern and clean-shaven, of Marx and Lenin, Engels and Grigoric, Brezhnev and Vulcani, those writers of history without whom the present occasion would not have been possible.]

Tancred drinks deeply and drags a hand across his neat beard and moustaches. ‘The emperor always needs good fighters.’ Godfrey grunts. ‘The emperor needs soldiers to die for him.’ Murmurs of agreement at this. ‘What about the king?’ Evelina suggests, leaning in while Ancel tries to pull her into the throng to dance. ‘He’ll pay well to ensure he becomes emperor when the old man croaks his last.’

Both Ukrainians and Russians claim Yaroslav the Wise as one of their eminent medieval rulers, and his image appears on the banknotes of both countries. The Ukrainian bill depicts Yaroslav with a Ukrainian-style moustache in the tradition of Prince Sviatoslav and the Ukrainian Cossacks. On the Russian note, we see a monument to him as the legendary founder of the Russian city of Yaroslavl, first mentioned in a chronicle seventeen years after his death. The Russian bill shows Yaroslav with a beard in the tradition of Ivan the Terrible and the Muscovite tsars of his era.

What could account for the transfer of Prince Yaroslav’s remains all the way to the Western Hemisphere? The answer has nothing to do with American cultural imperialism but is closely associated with the Ukrainian claim to the legacy of Kyivan Rus’. Ukrainian clergymen leaving their homeland removed the relics so as to prevent them from falling into the hands of the advancing Soviet army. Concern that if returned to Kyiv, they might end up in Russia explains enough the continuing refusal of the custodians of the Brooklyn church to discuss the issue of Yaroslav’s remains with representatives of the Ukrainian government. Both Ukrainians and Russians claim Yaroslav the Wise as one of their eminent medieval rulers, and his image appears on the banknotes of both countries. The Ukrainian bill depicts Yaroslav with a Ukrainian-style moustache in the tradition of Prince Sviatoslav and the Ukrainian Cossacks. On the Russian note, we see a monument to him as the legendary founder of the Russian city of Yaroslavl, first mentioned in a chronicle seventeen years after his death. The Russian bill shows Yaroslav with a beard in the tradition of Ivan the Terrible and the Muscovite tsars of his era.

As another year went by And a new year came to greet us I got up in the morning to take my class And in the afternoon, while sauntering down the road I saw a hairdresser's place inviting me in And so I met the hairdresser A fine young lad, and I told him to get my hair and beard trimmed if he may please But for some reason I decided to keep the moustache without any trims Life makes us poets, with a love for poetry.

As another year went by And a new year came to greet us I got up in the morning to take my class And in the afternoon, while sauntering down the road I saw a hairdresser's saloon inviting me in And so I met the hairdresser A fine young lad, and I told him to get my hair and beard trimmed if he may please But for some reason I decided to keep the moustache without any trims Life makes us poets, with a love for poetry.

The beard is a male prerogative. It must be the object of scrupu­lous and continuous attention. Indeed five things are defined as 'natural' (mianl fiṭra): circumcision, mourning, shaving of the armpits, cutting of the fingernails and wearing a beard. Another hadith adds shaving of the pubic hair and the trimming of the moustache. On the other hand, men must not have tattoos.

I missed the rest of the conversation because, while the good actor was carefully cooking his sentences with criticisms spiced with kindness, another member of the group, a young man who looked Chinese, with a face like raspberry jelly, stumbled up to me. His naturally yellow complexion was complemented by bright threads of broken veins, more purple than red. He had thick hair, a receding brow, jutting cheekbones, narrow eyes whose dark pupils seemed more polished than alive, a barely visible moustache the color of dead leaves, a little salt and pepper beard that was worn out like an old carpet, a long neck with an Adam’s apple stuck in it like a huge walnut, and shoulders like a scrawny old horse which did not fit with his thick, short chest and his pot belly. He was knock-kneed and bowed legged, with kneecaps shaped like coconuts. He also borrowed Doctor Magne’s chair, blew cigarette smoke out his nose, and took his turn to tackle me. His language was less elegant than the other two; it was hard for him to speak, which you could put down to shyness. He was dull and awkward. He seemed horribly unhappy and sorry to have come over, but there he was. He had to march on—and he did so heroically!—death in his soul. “Monsieur—finally yes!... Monsieur… I don’t like to jaw about brothers… absolutely not! But I have to tell you that Desbosquets is a lot more… absolutely… oh, I’ll blurt it out… a lot more… absolutely cracked than our friend Magne. Absolutely yes!” He wanted to be frank, to open up, which he constantly regretted, because he knew that he would be clumsy and mocked; he felt ridiculous and it was killing him. But his need for some honest self-indulgence gnawed at him, and he spit out his slang and his absolutelys—‘absolutely yes!’ and ‘absolutely no!’— which made him think he was revealing the deepest depths of his soul. He continued. “Maybe they told you about me—yes! I know: bing, bang —mechanics! Absolutely yes! A hack, they must have told you…” (Aha! I thought. So it’s my colleague the poet!) “…and the worst trouble, right? That’s Leonard—yes! Ah! When I’m a little…bing, bang…mechanics! I guess—grumpy—I don’t say… but there’s not an ounce of meanness in me! Disgusting, this awful problem with talking, but the mechanics, you know—because it’s the mechanics—no way! Do you want me to tell you my name? Ah! Totally unknown, my name, but don’t want them to mangle it mechanically when quoting it to you: Oswald Norbert Nigeot. Don’t say Numskull—no!—Although my verses!... Ah! Damned mechanics!... A bonehead, a stupid bonehead, bitten by the morbid mania to write—and the slander of the old students of the Polytechnic! Oh! To write! Terrible trade for the poorly gifted like me who are… bing, bang, not mechanics! And angry at the mechanics of words. Polytechnic pigs manufacture words; so, poor hacks can’t use them. Ah! Even this is mechanics!... And drunk on it, Desbosquets too, very drunk! Obviously you see it: Cusenier, Noilly-Prat, why not Pernod? It’s awful for people like him and me! See, you know— liquids are scarce—but thanks to the guards’ hatred of Bid’homme… and thanks to old Froin, too good, don’t believe in any bad—but can you call that bad? He lives with the Heaven of…mechanics…of…bang…of derangements, no! I want arrangements, not derangements!” Mr. Nigeot seemed very proud of having successfully (?) completed such a long sentence propped up by only one “bang” and one “mechanics,” but in spite of his satisfaction, he was scared of continuing less elegantly and he got all tangled up in a run of bizarre expressions in which the hated Polytechnicians and the bings and bangs (not to mention the absolutelys) got so out of hand that I could not understand a word of what he said.

Even his moustache—teased into the shape of a wide up-thrusting “w”—was so famous it acquired a name: Er ist erreicht! “It is achieved!” Manipulated through the miracle of pomade—its key ingredient the remarkable new product, petroleum jelly—it was the very model of a modern moustache, a controlled riposte to the great bushy, biblical patriarch beards and side-whiskers of the previous generation.*