Beam Signing Quotes

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A whizzpopper!" cried the BFG, beaming at her. "Us giants is making whizzpoppers all the time! Whizzpopping is a sign of happiness. It is music in our ears! You surely is not telling me that a little whizzpopping if forbidden among human beans?
Roald Dahl (The BFG)
I am not forgotten, you know, no, I still receive a very great deal of fan mail. . . . Gladys Gudgeon writes weekly. . . . I just wish I knew why. . . .” He paused, looking faintly puzzled, then beamed again and returned to his signing with renewed vigor. “I suspect it is simply my good looks. . . .
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
After Bajju delivered a few beaming salutations, we walked northward up the makeshift, winding path through protruding brush, not much but a few stones placed here and there for balance and leverage upon ascending or descending. Having advanced about hundred steps from the street below, a sharp left leads to Bajju’s property, which begins with his family’s miniature garden – at the time any signs of fertility were mangled by dried roots which flailed like wheat straw, but within the day Bajju’s children vehemently delivered blows with miniature hoes in preparation for transforming such a plot into a no-longer-neglected vegetable garden. A few steps through the produce, or preferably circumventing all of it by taking a few extra steps around the perimeter, leads to the sky-blue painted home. Twisting left, hundreds of miles of rolling hills and the occasional home peeps out, bound below by demarcated farming steppes. If you’re lucky on a clear day and twist to the right, the monstrous, perpetually snow-capped Chaukhamba mountain monopolizes the distance just fifteen miles toward the direction of Tibet in the north.
Colin Phelan (The Local School)
He said focus. The word focus. I hear angels singing. Everything goes dark except for a light that beams down on Sean. It is a God-given sign- like when people see the Virgin Mary in their grilled cheese, except this isn't religious and I'm actually not a big fan of dairy. I stare at the back of his head. His HEAD. Something I see every day but never really see because it's been there forever. Since the first day of third grade. I crumple up my web. I don't need it. Praise be, the Focus Gods have spoken. I am going to write about Sean Griswold's Head.
Lindsey Leavitt (Sean Griswold's Head)
The tone of his voice is like he expects a fight, like he’s challenging me to disagree, and I want to tell him that I don’t care one way or the other. That her blood-relative status makes no difference as long as she loves him. And she does. She wears it, beaming it around like a neon sign.
Brenna Yovanoff (Paper Valentine)
A whizzpopper!’ cried the BFG, beaming at her. ‘Us giants is making whizzpoppers all the time! Whizzpopping is a sign of happiness. It is music in our ears! You surely is not telling me that a little whizzpopping is forbidden among human beans?
Roald Dahl (The BFG)
At any rate, this was the weekend that things started to change, that the dark gaps between the street lamps begin to grow smaller and smaller, and farther apart, the first sign that one's train is approaching familiar territory, and will soon be passing through the well-known, well-lighted streets of town. The house was their trump card, their fondest treasure, and that weekend they revealed it to me slyly, by degrees – the dizzy little turret rooms, the high-beamed attic, the old sleigh in the cellar, big enough to be pulled by four horses, astring with bells.
Donna Tartt (The Secret History)
Have done with learning, And you will have no more vexation. How great is the difference between "eh" and "o"? What is the distinction between "good" and "evil"? Must I fear what others fear? What abysmal nonsense this is! All men are joyous and beaming, As though feasting upon a sacrificial ox, As though mounting the Spring Terrace; I alone am placid and give no sign, Like a babe which has not yet smiled. I alone am forlorn as one who has no home to return to. All men have enough and to spare: I alone appear to possess nothing. What a fool I am! What a muddled mind I have! All men are bright, bright: I alone am dim, dim. All men are sharp, sharp: I alone am mum, mum! Bland like the ocean, Aimless like the wafting gale. All men settle down in their grooves: I alone am stubborn and remain outside. But wherein I am most different from others is In knowing to take sustenance from my Mother!
Lao Tzu (Tao Te Ching)
I would like to request the honor of your daughter's hand in marriage". Olivia gasped, then squealed, then jumped up and down, which turned out to be a bad idea. "Ow!" she yelped smacking her head on the window. She poked her head back out and beamed down at Harry with tears in her eyes. "Oh Harry", she signed.
Julia Quinn (What Happens in London (Bevelstoke, #2))
Aren't you a Republican? Just about everyone is in the whole town of Learning." "No, I'm not a Republican. And I'm not no Democrat. I'm not nothing." "Why not?" "Because I'm not allowed to vote." "Me either. You have to be twenty-one to vote. I'm only twelve." "Reckon I'm soon looking at sixty." "Then why can't you vote? Is it because you're a Shaker?" "No, it's account of I can't read or write. When a man cannot do these things, people think his head is weak. Even when he's proved his back is strong. "Who decides?" "Men who look at me and take me not for what I be. Men who only see my mark, my X, when I can't sign my name. They can't see how I true a beam to build our barn, or see that the rows of corn in my field are straight as fences. They just seem me walk the street in Learning in clothes made me by my own woman. They do not care that my coat is strudy and keeps me warm. They'll not care that I owe no debt and I am beholding to no man.
Robert Newton Peck (A Day No Pigs Would Die)
One afternoon, Reeves and a colleague were having lunch in Central Park. On the way back to their Madison Avenue office, they encountered a man sitting in the park, begging for money. He had a cup for donations and beside it was a sign, handwritten on cardboard, that read: I AM BLIND. Unfortunately for the man, the cup contained only a few coins. His attempts to move others to donate money were coming up short. Reeves thought he knew why. He told his colleague something to the effect of: “I bet I can dramatically increase the amount of money that guy is raising simply by adding four words to his sign.” Reeves’s skeptical friend took him up on the wager. Reeves then introduced himself to the beleaguered man, explained that he knew something about advertising, and offered to change the sign ever so slightly to increase donations. The man agreed. Reeves took a marker and added his four words, and he and his friend stepped back to watch. Almost immediately, a few people dropped coins into the man’s cup. Other people soon stopped, talked to the man, and plucked dollar bills from their wallets. Before long, the cup was running over with cash, and the once sad-looking blind man, feeling his bounty, beamed. What four words did Reeves add?   It is springtime and   The sign now read:   It is springtime and I am blind.   Reeves won his bet. And we learned a lesson. Clarity depends on contrast.
Daniel H. Pink (To Sell is Human: The Surprising Truth About Persuading, Convincing, and Influencing Others)
What does a sign on an out-of-business brothel say?” He beamed. “Beat it, we’re closed.
Jill Shalvis (Rainy Day Friends (Wildstone, #2))
It was a day, God knows, not only of rampant signs and symbols but of wildly extensive communication via the written word.
J.D. Salinger (Raise High the Roof Beam, Carpenters and Seymour: An Introduction)
On this spot, on the night of 31 October 1981, Lily and James Potter lost their lives. Their son, Harry, remains the only wizard ever to have survived the Killing Curse. This house, invisible to Muggles, has been left in its ruined state as a monument to the Potters and as a reminder of the violence that tore apart their family. And all around these neatly lettered words, scribbles had been added by other witches and wizards who had come to see the place where the Boy Who Lived had escaped. Some had merely signed their names in Everlasting Ink; others had carved their initials into the wood, still others had left messages. The most recent of these, shining brightly over sixteen years’ worth of magical graffiti, all said similar things. Good luck, Harry, wherever you are. If you read this, Harry, we’re all behind you! Long live Harry Potter. “They shouldn’t have written on the sign!” said Hermione, indignant. But Harry beamed at her. “It’s brilliant. I’m glad they did.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
God still speaks to us. He speaks not from a life of ease, far removed from our suffering. He speaks from the cross, the same place of agony where we live. He speaks as one who joins our suffering wherever we are. He blesses us as he says, “I am with you now in your suffering. Take courage. Soon you will be with me in Paradise.” So we realize that from the cross Jesus enacts the words of Aaron’s benediction. Lifted on the rough beams, Jesus is yet God shining on us in favor. Even when we killed him, Jesus was gracious to us. Lined with pain, cut and bleeding, his countenance yet radiated love. The most shameful thing human beings have ever done, putting the incarnate Son of God to death, has become the greatest sign of his blessing grace.
Gerrit Scott Dawson (The Blessing Life: A Journey to Unexpected Joy)
Homer's Hymn to the Moon Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818. Daughters of Jove, whose voice is melody, Muses, who know and rule all minstrelsy Sing the wide-winged Moon! Around the earth, From her immortal head in Heaven shot forth, Far light is scattered—boundless glory springs; Where'er she spreads her many-beaming wings The lampless air glows round her golden crown. But when the Moon divine from Heaven is gone Under the sea, her beams within abide, Till, bathing her bright limbs in Ocean's tide, Clothing her form in garments glittering far, And having yoked to her immortal car The beam-invested steeds whose necks on high Curve back, she drives to a remoter sky A western Crescent, borne impetuously. Then is made full the circle of her light, And as she grows, her beams more bright and bright Are poured from Heaven, where she is hovering then, A wonder and a sign to mortal men. The Son of Saturn with this glorious Power Mingled in love and sleep—to whom she bore Pandeia, a bright maid of beauty rare Among the Gods, whose lives eternal are. Hail Queen, great Moon, white-armed Divinity, Fair-haired and favourable! thus with thee My song beginning, by its music sweet Shall make immortal many a glorious feat Of demigods, with lovely lips, so well Which minstrels, servants of the Muses, tell.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then. 'I do,' she said. 'I do,' he said. They did. They would. Our children will be so fucking beautiful, he thought, looking at her. Home, she thought, looking at him. 'You may kiss,' said the officiant. They did, would. Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness. The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared. Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard. Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him. These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...
Lauren Groff (Fates and Furies)
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?” Still no response. “Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.” Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate. And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood. That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle. “You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!” A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?” He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . . His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman. Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.” And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink. “What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?” Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable. She grimaced, then said, “I’ll be fine.” Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?” She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.” “Are you faint? Dizzy? Weak?” She shook her head. “Just in pain. What are you doing here?” He smiled through his tears. “I came to find you.” “You did?” she whispered. He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.” Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
I really doubt my parents are going to let me stay the night in a remote cabin with a bunch of boys.” “Oh, please, Snow White, Mike’s dad’ll be there. He’s actually kinda funny…you know, in a weird dad kind of way. Don’t worry, your purity will remain intact. Scout’s honor.” She made some sort of gesture with her fingers that Violet assumed was supposed to be an oath, but since Chelsea had never actually been a Girl Scout, it ended up looking more like a peace sign. Or something. Violet maintained her dubious expression. But Chelsea wasn’t about to be discouraged, and she tried to be the voice of reason. “Come on, I think Jay’s checking to see if he can get the time off work. The least you can do is ask your parents. If they say no, then no harm, no foul, right? If they say yes, then we’ll have a kick-ass time. We’ll go hiking in the snow and hang out in front of the fireplace in the evening. We’ll sleep in sleeping bags and maybe even roast some marshmallows. It’ll be like we’re camping.” She beamed a superfake smile at Violet and clasped her hands together like she was begging. “Do it for me. Ple-eease.” Jules came back with their milk shake. It was strawberry, and Chelsea flashed Violet an I-told-you-so grin. Violet finished her tea, mulling over the idea of spending the weekend in a snowy cabin with Jay and Chelsea. Away from town. Away from whoever was leaving her dead animals and creepy notes. It did sound fun, and Violet did love the snow. And the woods. And Jay. She could at least ask. Like Chelsea said, No harm, no foul.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
A good question is like the one Albert Einstein asked himself as a small boy—“What would you see if you were traveling on a beam of light?” That question launched the theory of relativity, E=MC2, and the atomic age. A good question is not concerned with a correct answer. A good question cannot be answered immediately. A good question challenges existing answers. A good question is one you badly want answered once you hear it, but had no inkling you cared before it was asked. A good question creates new territory of thinking. A good question reframes its own answers. A good question is the seed of innovation in science, technology, art, politics, and business. A good question is a probe, a what-if scenario. A good question skirts on the edge of what is known and not known, neither silly nor obvious. A good question cannot be predicted. A good question will be the sign of an educated mind. A good question is one that generates many other good questions. A good question may be the last job a machine will learn to do. A good question is what humans are for.
Kevin Kelly (The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future)
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel. Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest. JACKSONVILLE FLA OR BUST I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust. The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
Charles Portis (The Dog of the South)
I looked up to see the sun struggling behind a gray mass of snow clouds. I could relate. And then a beam of sunlight found a way through. A sign? Maybe. But what was this? I gasped. The bakery esters had refracted into visible bands of flavor. Red raspberry, orange, and the yellow of lemon and butter. Pistachio, lime, and mint green. The deepest indigo of a fresh blueberry The violet that blooms when crushed blackberries blend into buttercream. The Roy G. Biv that a baker loves. And then the darkness: chocolate, spice, coffee, and burnt-sugar caramel.
Judith M. Fertig (The Cake Therapist)
The crowd wasn’t huge that night, maybe a couple hundred people. But as soon as she stepped onto the stage, Greta saw that her mom was right. There she was, right up front, with her thin glasses and short gray hair and sensible shoes, beaming amid a sea of college kids and hipsters dressed mostly in black. When their eyes met, Helen smiled and lifted a small white sign. Greta was in the middle of a complicated riff, but when the song came to an end, she took a few steps forward and squinted at it, trying to make out the words. GRETA’S MOM, it said in simple block lettering.
Jennifer E. Smith (The Unsinkable Greta James)
It is not, as somebody once wrote, the smell of corn bread that calls us back from death; it is the lights and signs of love and friendship. Gil Bucknam called me the next day and said that the old man was dying and would I come back to work? I went to see him, and he explained that it was the old man who was after my skin, and, of course, I was glad to come home to parablendeum. What I did not understand, as I walked down Fifth Avenue that afternoon, was how a world that had seemed so dark could, in a few minutes, become so sweet. The sidewalks seemed to shine, and, going home on the train, I beamed at those foolish girls who advertise girdles on the signboards in the Bronx.
John Cheever (The Stories of John Cheever)
Not everyone is as honest as Freud was when he said that he cured the miseries of the neurotic only to open him up to the normal misery of life. Only angels know unrelieved joy-or are able to stand it. Yet we see the books by the mind-healers with their garish titles: "Joy!" "Awakening," and the like; we see them in person in lecture halls or in groups, beaming their particular brand of inward, confident well-being, so that it communicates its unmistakable message: we can do this for you, too, if you will only let us. I have never seen or heard them communicate the dangers of the total liberation that they claim to offer; say, to put up a small sign next to the one advertising joy, carrying some inscription like "Danger: real probability of the awakening of terror and dread, from which there is no turning back." It would be honest and would also relieve them of some of the guilt of the occasional suicide that takes place in therapy.
Ernest Becker (The Denial of Death)
Don’t be obtuse,” he snarls, swinging back full Jonathan. “I’m not being obtuse. You’re being evasive.” “Well, what am I supposed to say? That living with you is—that you are—that I can’t.” He tries again. “That this is—” And promptly gives up. I turn to stare at him, not quite incredulous but near enough you can see it on sign posts. “Jonathan, are trying to say that you’re into me?” “How can I not be?” He flops forward with his elbows on his knees and his brow against his fingertips. “You’ve come into my life like a beam of very annoying sunshine. You talk so much that I miss it when you’re not. You try to fix things I didn’t even realise were broken. You have a dreadful sense of humour to which I’ve somehow become habituated. You care about people so effortlessly it makes me able to put up with them. And then you kissed me and now I…” He lets his head slip further down into his hands. “…I don’t know how I’m supposed to go the rest of my life without being kissed by you again.
Alexis Hall (10 Things That Never Happened (Material World, #1))
The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch. Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack. And it was always the same little kid, over and over. All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
I threw my binder of materials down on our apartment’s floral couch. “Seriously, pink is a neutral color! And what’s elegant about navy blue? No one ever says, ‘Hey, you know what’s elegant? The Navy!’” Arianna rolled her dead guys. “There is nothing neutral about pink. They need a color that looks good as a background to any shade of dress.” “What color clashes with pink?” “Orange?” “Well, if anyone shows up in an orange dress, she deserves to clash. Yuck.” “Chill out. You can do a lot with navy.” I sank down into the couch next to her. “I guess. I could do navy with silver accents. Stars?” “Yawn.” “Snowflakes?” “Gee, now you’re getting creative for a winter formal.” I ignored her tone, as usual. I was just glad she was here. She’d been gone a lot lately. “Hmm . . . maybe something softer. Like a water and mist theme?” I asked. “I . . . actually kind of like that.” “Wanna help me with the sketches?” She leaned forward and turned on Easton Heights. “Decorating a stupid dance is all yours. You’re the one who decided to be more involved in your ‘normal life.’ I’d prefer to be sleeping six feet under.” “This is probably a bad time to mention I also might have signed up to help with costumes for the spring play. And since I know nothing about sewing, I kind of maybe signed you up as a volunteer aide.” She sighed, running one glamoured corpse hand through her spiky red and black hair. “I am going to kill you in your sleep.” “As long as it doesn’t hurt.” We hummed along to the opening theme, which ended when the door banged open and my boyfriend walked through, shrugging out of his coat and beaming as he dropped a duffel bag. “Free! What did I miss?” Lend asked, his cheeks rosy from the cold and his smile lighting up his watery eyes beneath his dark glamour ones. “I lost the vote on color schemes for the dance, the last episode of Easton Heights before they go into reruns is back on in three minutes, and Arianna is going to murder me in my sleep.” “As long as it doesn’t hurt.” “That’s what I said!
Kiersten White (Endlessly (Paranormalcy, #3))
Ove kept exactly to every speed limit, even on that 35 mph road where the recently arrived idiots in suits came tanking along at 55. Among their own houses they put up speed bumps and damnable numbers of signs about “Children Playing,” but when driving past other people’s houses it was apparently less important. Ove had repeated this to his wife every time they drove past over the last ten years. “And it’s getting worse and worse,” he liked to add, just in case by some miracle she hadn’t heard him the first time. Today he’d barely gone a mile before a black Mercedes positioned itself a forearm’s length behind his Saab. Ove signaled with his brake lights three times. The Mercedes flashed its high beams at him in an agitated manner. Ove snorted at his rearview mirror. As if it was his duty to fling himself out of the way as soon as these morons decided speed restrictions didn’t apply to them. Honestly. Ove didn’t move. The Mercedes gave him a burst of its high beams again. Ove slowed down. The Mercedes sounded its horn. Ove lowered his speed to 15 mph. When they reached the top of a hill the Mercedes overtook him with a roar. The driver, a man in his forties in a tie and with white cables trailing from his ears, held up his finger through the window at Ove. p. 28
Fredrik Backman
As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath. “Happy wedding,” he said sweetly, leaning against the wall of the barn and motioning toward the center with his eyes. My eyes adjusted to the light…and slowly focused on what was before me. It wasn’t a pug. It wasn’t a diamond or a horse or a shiny gold bangle…or even a blender. It wasn’t a love seat. It wasn’t a lamp. Sitting before me, surrounded by scattered bunches of hay, was a bright green John Deere riding lawn mower--a very large, very green, very mechanical, and very diesel-fueled John Deere riding lawn mower. Literally and figuratively, crickets chirped in the background of the night. And for the hundredth time since our engagement, the reality of the future for which I’d signed up flashed in front of me. I felt a twinge of panic as I saw the tennis bracelet I thought I didn’t want go poof, disappearing completely into the ether. Would this be how presents on the ranch would always be? Does the world of agriculture have a different chart of wedding anniversary presents? Would the first anniversary be paper…or motor oil? Would the second be cotton or Weed Eater string? I would add this to the growing list of things I still needed to figure out.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
You said she works at an ice-cream shop around here, right?” He made a big show of wiping the sweat off his brow. “Come to think of it, a nice double cone would really hit the spot in this heat.” Zach’s expression was one of pure teenage mortification. “Yeah, because that’s exactly what will help my inability to talk to her—my older brother watching and critiquing all my moves.” “I thought we’d already established that you don’t have any moves.” “Now that’s funny. Picking on someone half your age. Hey, here’s an idea: I’ll introduce you to Paige as soon as I meet this so-called smart, witty, and hot woman you’re supposedly seeing. Sounds a lot like one of those made-up girlfriends who live in Niagara Falls.” “She’s real. I’m seeing her tonight, in fact.” They hadn’t decided their specific plans yet, but Brooke had texted him last night, asking if he was free. “Wow. You actually, like, beamed when you said that.” “Get out of here,” Cade scoffed. “I did not.” “What’s her name?” Cade opened his mouth to answer, then paused. Zach grinned. “Worried you can’t say it without beaming again?” Ridiculous. “Her name is Brooke.” He deliberately maintained a straight face Zach made a big show of studying him, presumably looking for any sign of this alleged “beaming.” He stepped closer and then, with a comically scrutinizing face, slowly looked at one side of Cade’s face, and then the other. Cade never cracked once. Finally, Zach gave up. “Dude, I’m impressed. You need to show me that trick.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Two men were advancing towards the car along the cross track. One man carried a short wooden bench on his back, the other a big wooden object about the size of an upright piano. Richard hailed them, they greeted him with every sign of pleasure. Richard produced cigarettes and a cheerful party spirit seemed to be developing. Then Richard turned to her. “Fond of the cinema? Then you shall see a performance.” He spoke to the two men and they smiled with pleasure. They set up the bench and motioned to Victoria and Richard to sit on it. Then they set up the round contrivance on a stand of some kind. It had two eye-holes in it and as she looked at it, Victoria cried: “It’s like things on piers. What the butler saw.” “That’s it,” said Richard. “It’s a primitive form of same.” Victoria applied her eyes to the glass-fronted peephole, one man began slowly to turn a crank or handle, and the other began a monotonous kind of chant. “What is he saying?” Victoria asked. Richard translated as the singsong chant continued: “Draw near and prepare yourself for much wonder and delight. Prepare to behold the wonders of antiquity.” A crudely coloured picture of Negroes reaping wheat swam into Victoria’s gaze. “Fellahin in America,” announced Richard, translating. Then came: “The wife of the great Shah of the Western world,” and the Empress Eugénie simpered and fingered a long ringlet. A picture of the King’s Palace in Montenegro, another of the Great Exhibition. An odd and varied collection of pictures followed each other, all completely unrelated and sometimes announced in the strangest terms. The Prince Consort, Disraeli, Norwegian Fjords and Skaters in Switzerland completed this strange glimpse of olden far-off days. The showman ended his exposition with the following words: “And so we bring to you the wonders and marvels of antiquity in other lands and far-off places. Let your donation be generous to match the marvels you have seen, for all these things are true.” It was over. Victoria beamed with delight. “That really was marvellous!” she said. “I wouldn’t have believed it.” The proprietors of the travelling cinema were smiling proudly. Victoria got up from the bench and Richard who was sitting on the other end of it was thrown to the ground in a somewhat undignified posture. Victoria apologized but was not ill pleased. Richard rewarded the cinema men and with courteous farewells and expressions of concern for each other’s welfare, and invoking the blessing of God on each other, they parted company. Richard and Victoria got into the car again and the men trudged away into the desert. “Where are they going?” asked Victoria. “They travel all over the country. I met them first in Transjordan coming up the road from the Dead Sea to Amman. Actually they’re bound now for Kerbela, going of course by unfrequented routes so as to give shows in remote villages.” “Perhaps someone will give them a lift?
Agatha Christie (They Came to Baghdad)
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
Lord, end my winter, and let my spring begin. I cannot with all my longings raise my soul out of her death and dulness, but all things are possible with thee. I need celestial influences, the clear shinings of thy love, the beams of thy grace, the light of thy countenance, these are the Pleiades to me. I suffer much from sin and temptation, these are my wintry signs, my terrible Orion. Lord, work wonders in me, and for me. Amen. __________________________________________________________________
Charles Haddon Spurgeon (Morning and Evening)
As he stood at the lectern beaming, delegates from the various chapters of Americans for Prosperity reported in, one by one, describing how they had organized “dozens of tea parties” in their regions as they stood beside oversized vertical signs marking their states. Strobe lights crisscrossed the auditorium as excitement surged. It was hard not to notice that twenty-nine years after David Koch left the national political stage in utter defeat, he had succeeded in financing something that looked a lot like a presidential nominating convention, with himself as the winner.
Jane Mayer (Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right)
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marshichampi
Barney drew a flashlight from his belt and flicked it on. The beam reflected off the display window of Healthful Possibilities. He had to step close to see inside. His gaze landed first on a bottle of berries sporting a label that read LOSE WEIGHT FAST. A sign over a collection of boxed items promised FIVE SUPPLEMENTS TO CURE ERECTILE DYSFUNCTION. Barney blinked and read the advertisement again. He couldn’t imagine any male in Mystic Creek, no matter how desperate, walking into Taffeta Brown’s shop and having the nerve to take one of those boxes up to the cash register.
Catherine Anderson (New Leaf (Mystic Creek, #2))
There is another extreme to be wary of, I remind myself. Behind my desk I have a good library and a philosophy degree on the wall. I appreciate solid research and reasoned conclusions, but I get impatient when academicians limit the boundaries of truth within the five senses and the bicameral brain. At that point I put aside the book and step outside. There, with the warm colors of a sunset or the pastels of a rainbow, I breathe in the clear air and sense again my own Self. A bird chirps, a squirrel scurries up a tree. This divine Essence is greater than my body and utilizes more senses than my physical limitations. Scientists know that colors vibrate at a particular frequency, but there is much more going on; sentient beings delight in the pulsating rhythmic waves and lovers swoon in romantic locales. My own inner barometer senses a higher Order. A hawk or eagle catches my eye. It majestically circles above me, high in the blue sky, then it shoots off towards the west, where rain clouds gather. The sun is setting, light beams through, and a rainbow forms. Thank you Hawk. I get a thrill, my hair stands on end. Something else is here. Signs in the sky. Auspicious. Yes. The mysteries are still here, and we are being called.
Stephen Poplin (Inner Journeys, Cosmic Sojourns: Life transforming stories, adventures and messages from a spiritual hypnotherapist's casebook (VOLUME1))
And yet, as a Red Army officer, she was heading into a new battle. History was pivoting around her. Before the war, she had spied against fascists and anti-communists, Chinese, Japanese, and German; during the conflict, she had spied against both the Nazis and the Allies; after it, and henceforth, she would be spying against the West, the new enemies in a Cold War. A photograph of the Summertown neighborhood victory party includes a beaming Ursula, happily celebrating Hitler’s downfall. One man is wearing an army uniform. Another raises two fingers in the V for Victory sign. But behind the image of shared relief, triumph, and optimism lay a hidden ideological divergence that would soon erupt in a new conflict. “Everyone hoped for a better world,” she wrote. “But here our visions of the future differed.” — TWO MONTHS LATER, in the remote deserts of New Mexico, scientists of the Manhattan Project detonated the first nuclear device, in a test code-named “Trinity,” releasing a blast equivalent to twenty thousand tons of TNT.
Ben Macintyre (Agent Sonya: Moscow's Most Daring Wartime Spy)
Facing the couple, Cardinal Fitzroy said, “My dear friends, you have come together in this place so that the Lord may seal and strengthen your love in the presence of the Church’s minister and this gathering of friends. Christ abundantly blesses this love. Since it is your intention to enter into marriage, join your hands, and declare your consent. Byron, do you take Jean to be your wife, to be true to her in good times and bad, to love and honor her in all the days of your life?” “I do,” he said. Jean made the same promises to Byron. Knowing that standing was still a challenge for the groom, Fitzroy had kept things short and cut to the quick. He said, “You have both declared your consent. May the Lord in his goodness strengthen your consent and fill you both with His blessings. Frank stepped forward and handed a ring to Byron. In a clear, evenly paced voice, the groom put the ring on Jean’s finger, saying, “Jean, take this ring as a sign of my love and fidelity.” Frank gave his sister a second ring. She placed it on her groom’s finger. “Byron, take this ring as a sign of my love and fidelity.” Fitzroy concluded, “Lord, grant that those who wear these rings may always have a deep faith in each other. May they always live together in peace, good will and love.” Beaming now, the Cardinal added, “And as we in the Church are wont to say, ‘Amen.’ Kiss your beautiful wife, lad.
Joseph Flynn (The Last Chopper Out (Jim McGill #10))
her.     “I was cold,” Michelle drawled, fully equipped with a Georgian drip. “And I wanted to hear the radio.”     In no mood for a fight, Benny said nothing. His face tightened.     “Do you want me to drive you home or not?” Michelle asked.     “Yes, please drive me home, rookie.” Benny relaxed as he decided it wouldn’t have mattered if she had honked the horn to the beat of the radio songs while flashing the high beams on and off. The guy he was looking for didn’t show. Nobody was out in this rain.     “Do you want to go to your house or the boat?”     “The boat.”     The beat of the windshield wipers hypnotized Benny. The rain frizzled in his ears. He snapped out of it as they rode over the speed bump that accompanied the thirteen mile an hour sign at the entrance of the marina. “Do you want me to come in tonight?” Michelle asked.     “Not tonight, I’m beat,” Benny answered. Jesus Christ, I only slept with you once. It was a mistake. Can’t we just forget it?     Once home, Benny’s eyes found the clock on the microwave as he dropped his umbrella and shoes inside the door. His pupils narrowed in surprise as he realized it was past two o’clock in the morning. The
Jason Deas (Birdsongs (Benny James Mystery #1))
Then he turned to Rosemary Barr. “Meanwhile we’ll put you somewhere safe,” he told her. “Your tutorials will start as soon as the soldier is buried.” The outer western suburbs were bedroom communities for people who worked in the city, so the traffic stayed bad all the way out. The houses were much grander than in the east. They were all two-story, all varied, all well maintained. They all had big lots and pools and ambitious evergreen landscaping. With the last of the sunset behind them they looked like pictures in a brochure. “Tight-ass middle class,” Reacher said. “What we all aspire to,” Yanni said. “They won’t want to talk,” Reacher said. “Not their style.” “They’ll talk,” Yanni said. “Everyone talks to me.” They drove past the Archer place slowly. There was a cast-metal sign on thin chains under the mailbox: Ted and Oline Archer. Beyond it, across a broad open lawn, the house looked closed-up and dark and silent. It was a big Tudor place. Dull brown beams, cream stucco. Three-car garage. Nobody home, Reacher thought. The neighbor they were looking for lived across the street and one lot to the north. Hers was a place about the same size as the Archers’ but done in an Italianate style. Stone accents, little crenellated towers, dark green sun awnings on the south-facing ground-floor windows. The evening light was fading away to darkness and lamps were coming on behind draped windows. The whole street looked warm and rested and quiet and very satisfied with itself. Reacher said, “They sleep safely in their beds because rough men stand ready in the night to visit violence on those who would do them harm.” “You know George Orwell?” Yanni asked. “I went to college,” Reacher said. “West Point is technically a college.” Yanni said, “The existing social order is a swindle and its cherished beliefs mostly delusions.” “It is not possible for any thinking person to live in such a society as our own without wanting to change it,” Reacher said. “I’m sure these are perfectly nice people,” Helen said. “But will they talk to us?” “They’ll talk,” Yanni said. “Everyone talks.” Helen pulled into a long limestone driveway and parked about twenty feet behind an imported SUV that had big chrome wheels. The front door of the house was made of ancient gray weathered oak with iron banding that had nail heads as big as golf balls. It felt like you could step through it straight into the Renaissance. “Property is theft,” Reacher said. “Proudhon,” Yanni said. “Property is desirable, is a positive good in the world.” “Abraham Lincoln,” Reacher said. “In his first State of the Union.” There was an iron knocker shaped like
Lee Child (One Shot (Jack Reacher, #9))
Ah, she knows the same signs every other hearing kindergartner learns. She's looking for her gold star, no doubt. I beam at her, and sign back happily, "Bitch. You don't. Know me." She gives me a thumbs-up and goes back to her work.
Whitney Gardner (You're Welcome, Universe)
vice president, and secretary of the treasury beam down from the walls. Visitors pass a sequence of photographs and paintings detailing the history of paper money in the United States and culminating with a life-size re-creation of President Lincoln signing the legislation authorizing the federal government to print money. At the end of the long corridor, visitors watch a short video on the history of paper money, after which guides divide them into small groups before they enter the work area. These small groups wend their way through the carefully marked visitors’ corridors past glass-enclosed galleries from which they can watch the sheets of dollars being printed, examined, cut, and stacked as the guides dispense a constant flow of facts about America’s money: The dollar is printed on textile paper made by the Crane Company using a mixture of 75 percent cotton and 25 percent linen with a polyester security thread. The printing machines are made by Germans and Italians. Nearly half of the bills printed in a day are one-dollar notes, and 95 percent of the bills are used to replace worn-out bills. The average life span of a bill varies from eighteen months for the one-dollar note to an ancient nine years for a one-hundred-dollar note. A bill can be folded four thousand times before it tears.
Jack Weatherford (The History of Money)
It was three weeks later that the letter from Rose’s publisher arrived. He had written to say that he loved the idea of a book about herbal remedies for humans. The letter contained an advance that would tide her over until well after the baby was due. “We’re going to be all right, aren’t we?” She passed the check to Lola, who passed it on to Nieve. They beamed at each other as the child read the amount out loud. “What’s that funny squiggle in front of the number?” She thrust the check up to Rose’s face. “It’s a pound sign—in England we have pounds instead of pesetas.” “How much is it—in pesetas?” When Rose told her, Nieve gasped. “Just for writing a book?” “It’s going to take me quite a long time.” Rose smiled. “And when she’s finished it, she’s going to need a rest.” Lola scooped Nieve up and sat her on her lap. “Why?” “Because next year—in the spring—Auntie Rose is going to have a baby.” Nieve turned to Rose, her mouth open. “Will it be a girl or a boy?” Rose laughed. “I don’t know! We’ll have to wait and see.” “Can I choose its name?” “Well, if it’s a girl, yes, you can—but if it’s a boy . . .” Rose glanced at Lola. “I already have a boy’s name.” “I think I can guess,” Lola said. “Nathan.
Lindsay Jayne Ashford (The Snow Gypsy)
Jean, take this ring as a sign of my love and fidelity.” Frank gave his sister a second ring. She placed it on her groom’s finger. “Byron, take this ring as a sign of my love and fidelity.” Fitzroy concluded, “Lord, grant that those who wear these rings may always have a deep faith in each other. May they always live together in peace, good will and love.” Beaming now, the Cardinal added, “And as we in the Church are wont to say, ‘Amen.’ Kiss your beautiful wife, lad.” Byron
Joseph Flynn (The Last Chopper Out (Jim McGill #10))
Endiro Giansante, owner of Fawn Street Florists, descended from the store's attic where he was drying pink larkspur to find his new deliveryman, Ludis Lanka, standing near the register holding two ten-dollar bills upright in his hand. "A man came in, you were upstairs, so I took the order," he beamed proudly. "Ludis, you're a nice fellow but you're never to deal with a customer. Unless they're Latvian," he added with a smile, "in which case I'd ask you to translate." By way of confession, Ludis added, "He gave me a two-dollar tip, and reached to his pocket as if he might have to split it with Endiro. "No, keep the two dollars, but you're a delivery boy, not a salesman. Delivery man," he corrected himself, for Ludis was surely in his twenties or early thirties. He'd only been working there a few days, answering a sign in the window. God knows how the sweet fellow would survive on what he paid him, thought Endiro. He must surely live with relatives. "Es biju citur," said Ludis, which means "I was elsewhere." Not quite apropos but it was the first Latvian phrase Cliff had learned at McMasters and he'd been told he'd pronounced it well.
Rupert Holmes (Murder Your Employer: The McMasters Guide to Homicide)
NOTE: The character of Aoleon is deaf. This conversation takes place in the book via sign language... “Feeling a certain kind of way Aoleon?” She snapped-to and quickly became defensive. “What in the name of the Goddess are you on about?” Shades of anger and annoyance. The old Aoleon coming out. “I’m sorry. I shouldn’t poke at you like that. It’s okay you know. There’s nothing wrong about the way you feel.” As if suddenly caught up in a lie, Aoleon cleared her throat and ran her fingers absentmindedly over her ear and started to fidget with one of the brass accents in her snowy hair. A very common nervous reaction. “No…I mean…well I was…uh...” “Aoleon, I know about you and Arjana.” he admitted outrightly as he pointed at the drawing. She coughed, stuttered, smiled, but could bring herself to fully say nothing. Words escaped her as she looked about the room for answers. “My sight is Dįvįnë, lest we forget. I knew you were growing close.” “Yes. Well…she’s…something else.” “Indeed?” he responded. Images flashed briefly in Aoleon’s head of her father’s old friend. Verging on her fiftieth decade of life. She was a fierce woman by all accounts. One who’d just as soon cut you with words as she would a blade. Yet, she was darling and caring towards those she held close to her. Lovely to a fault; in a wild sort of way. Dark skin, the colour of walnut stained wood. Thick, kinky hair fashioned into black locs that faded into reddish-brown tips that were dyed with Assamian henna; the sides of her head shaved bare in an undercut fashion. Tattoos and gauged ears. Very comfortable with her sexuality. Dwalli by blood, but a native of the Link by birth although she wasn’t a Magi. Magick was her mother’s gift. “I heard her say something very much the same about you once Aoleon.” “Really?” Aoleon perked up right away. “Did she?” “Yes. After she first met you in fact. Nearly exactly.” Aoleon’s smile widened and she beamed happiness. She sat up assertively and gave a curt nod. “Well, of course she did.” “She’s held such a torch for you for so long that I was starting to wonder if anything would actually come of it.” “Yeah. Both you and Prince Asshole.” Aoleon exclaimed with a certainty that was absolute as she once again tightened up with defensiveness. Samahdemn walked his statement back. “Peace daughter. I didn't know your brother had been giving you a row about her. Then again, he is your brother. So anything is possible.” Aoleon sighed and nodded. “Not so much problems as he’s been giving me the silent treatment over it. Na’Kwanza. It’s always Na’ Kwanza.” Samahdemn nodded knowingly and waived a dismissive hand. “He’s just jealous. He always has been.” “So I’ve noticed.” “Why would you hide it? Why not tell me?” “I don’t know.” she said; shrugging her shoulders. “I didn’t know how you’d take it I suppose.” “Seriously? You were afraid of rejection? From me? Love, have I ever held your individuality against you? Have I ever not supported you or your siblings?” She shook her head; a bit embarrassed that she hadn't trusted him. "No, I suppose not." -Reflections on the Dįvonësë War: The Dįvįnë Will Bear Witness to Fate
S.H. Robinson
I take in what I ran over, and my lungs lose breath again. Two wooden beams stick up from the snow, a piece of crushed wood barely hanging on between them. Directly beneath is a smattering of jagged splinters, a puzzle of red-painted words I piece together with what’s left of the sign: REED FAMILY TREE FARM, A FERN FALLS TRADITION! I crashed right into the Reeds’ sign. Rachel’s sign. I force myself to breathe through the panic and take in more of my surroundings.
Courtney Kae (In the Event of Love (Fern Falls, #1))
Hiro looked me in the eye and said, “I’m his bitch.” “Yep,” Eli signed, beaming. “He’s my bitch.
Ruby Vincent (The End (Raven River Academy, #3))
So, Emma. Where are we on the ranch project?” “We’re signing tomorrow. Things couldn’t be running any more smoothly.” “Ranch project?” I asked. Emma beamed at me. “It’s a coup.” 4. “What kind of coup, exactly?” I asked, though part of me thought I might be happier not knowing. Damn my curiosity.
Craig Schaefer (Redemption Song (Daniel Faust, #2))
Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.
Alice McDermott (After This)
A good question is worth a million good answers. A good question is like the one Albert Einstein asked himself as a small boy—“What would you see if you were traveling on a beam of light?” That question launched the theory of relativity, E=MC2, and the atomic age. A good question is not concerned with a correct answer. A good question cannot be answered immediately. A good question challenges existing answers. A good question is one you badly want answered once you hear it, but had no inkling you cared before it was asked. A good question creates new territory of thinking. A good question reframes its own answers. A good question is the seed of innovation in science, technology, art, politics, and business. A good question is a probe, a what-if scenario. A good question skirts on the edge of what is known and not known, neither silly nor obvious. A good question cannot be predicted. A good question will be the sign of an educated mind. A good question is one that generates many other good questions. A good question may be the last job a machine will learn to do. A good question is what humans are for.
Kevin Kelly (The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future)
understand the extent of my neurosis before this book, he sure as hell does now. Few authors are as lucky as I am to have an editor like Mike. He’s humble, patient, and diligent, even when I’m not. That this book was brought to you only a year after Golden Son is a miracle of his making. I doff my cap to you, my goodman. And to each and every reader, thank you. Your passion and excitement have allowed me to live my life on my own terms, and for that I am ever grateful and humbled. Your creativity, humor, and support come through in every message, tweet, and comment. Getting to meet you and hear your stories at conventions and signings is one of the perks of being an author. Thank you, Howlers, for all that you do. Hopefully we’ll have a chance to howl together soon. Once I thought that writing this book would be impossible. It was a skyscraper, massive and complete and unbearably far off. It taunted me from the horizon. But do we ever look at such buildings and assume they sprung up overnight? No. We’ve seen the traffic congestion that attends them. The skeleton of beams and girders. The swarm of builders and the rattle of cranes… Everything grand is made from a series of ugly little moments. Everything worthwhile by hours of self-doubt and days of drudgery. All the works by people you and I admire sit atop a foundation of failures.
Pierce Brown (Morning Star (Red Rising, #3))
Through the glare of the firstlight beams atop the remote submersible, more fleshy white bits floated by. This was what the wraith Viktoria had been damned by Micah to endure. The former Archangel had shoved her essence into a magically sealed box while the wraith remained fully conscious despite having no corporeal form, and dropped her to the floor of the Melinoë Trench. That the trench’s bottom was another fifteen miles deeper than the seafloor before them sent a shiver along Tharion’s tiger-striped forearms. The wraith’s shoebox-sized Helhole had been bespelled against the pressure. And Viktoria, not needing food or water, would live forever. Trapped. Alone. No light, nothing but silence, not even the comfort of her own voice. A fate worse than death. With Micah now sitting in a trash bag in some city dump, would anyone dare retrieve the wraith? Athalar had shown no signs of rebellion, and Bryce Quinlan, the last Tharion had heard, was content to return to a normal life.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))