Beaded Necklace Quotes

The painful things seemed like knots on a beautiful necklace, necessary for keeping the beads in place.

Just tell me, Percy, do you still have the birthday gift I gave you last summer?" I nodded and pulled out my camp necklace. It had a bead for every summer I'd been at Camp Half-Blood, but since last year I'd also kept a sand dollar on the cord. My father had given it to me for my fifteenth birthday. He'd told me I would know when to "spend it," but so far I hadn't figured out what he meant. All I knew that it didn't fit the vending machines in the school cafeteria.

A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.

Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.

Dee says that phrases in songs are like beads in a necklace – they should stand on their own, but they make the most sense together.

I wear a necklace of hope with pearly beads. When I met you, it broke, and the beads spilled all over the floor, into the gutters.

The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled. "The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.

Annabeth rubbed the clay beads on her necklace, the way she does when she’s thinking. She looked beautiful. But I digress.

Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it. “Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible. “Yet consider. “Consider pain. “Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.

We did make use, from time to time, of candles, neckties, scarves, shoelaces, a little water-color paintbrush, her hairbrush, butter, whipped cream, strawberry jam, Johnson’s Baby Oil, my Swedish hand vibrator, a fascinating bead necklace she had, miscellaneous common household items, and every molecule of flesh that was exposed to air or could be located with strenuous search.

She has that something, like the thread in a crystal-bead necklace. She holds it all together.

A danger of travel is that we may see things at the wrong time, before we have had an opportunity to build up the necessary receptivity, so that new information is as useless and fugitive as necklace beads without a connecting chain.

It’s all as if words, phrases, images, syntax were small glass beads from a necklace which was wrenched from some neck and spilled on the floor and down the sides of sofa cushions and armchairs and under bookshelves and maybe swallowed by the cat. I’ve got to find all the glass pieces before I can even reorder the color sequence, and restring it and tie it tighter than before. There’s always a splendor in beginning all over. Even if it means getting on one’s knees to search beneath that bookshelf or prospecting through years of lint and ashes beneath those cushions. Even if it means breaking open that cat’s shit, which it conveniently has deposited in a plastic box, more orderly than any secretary could ever hope to be. Then I’ll appreciate the value of each bead – rather, each word and image – that much more, never wasting another. And I will, I swear to myself, get it all back in time, string it all together, tighter, as I said, than before.

Because, Seaweed Brain, it’s the first time we really talked, you and me. I told you about my family, and…” She took out her camp necklace, strung with her dad’s college ring and a colorful clay bead for each year at Camp Half-Blood. Now there was something else on the leather cord: a red coral pendant Percy had given her when they had started dating. He’d brought it from his father’s palace at the bottom of the sea. “And,” Annabeth continued, “it reminds me how long we’ve known each other. We were twelve, Percy. Can you believe that?” “No,” he admitted. “So…you knew you liked me from that moment?” She smirked. “I hated you at first. You annoyed me. Then I tolerated you for a few years. Then—” “Okay, fine.

There was an invisible necklace of nows, stretching out in front of her along the crazy, twisting road, each bead a golden second.

She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the pensive, as though it had been looking at the image of its own tenebrous and passionate soul.

She swallowed. “Wear this, at least. For luck.” She took off her necklace, with her five years’ worth of camp beads and the ring from her father, and tied it around my neck. “Reconciliation,” she said. “Athena and Poseidon together.” My face felt a little warm, but I managed a smile. “Thanks.

The slate black sky. The middle step of the back porch. And long ago my mother's necklace, the beads rolling north and south. Broken the rose stem, water into drops, glass knob on the bedroom door. Last summer's pot of parsley and mint, white roots shooting like streamers through the cracks. Years ago the cat's tail, the bird bath, the car hood's rusted latch. Broken little finger on my right hand at birth-- I was pulled out too fast. What hasn''t been rent, divided, split? Broken the days into nights, the night sky into stars, the stars into patterns I make up as I trace them with a broken-off blade of grass. Possible, unthinkable, the cricket's tiny back as I lie on the lawn in the dark, my hart a blue cup fallen from someone's hands.

And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul. Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, halt-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscoutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. She looked at us all as if her life had depended upon the unswerving steadiness of her glance

Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.

Confessions are like the beads of a necklace: if the first bead falls, the rest follow.

The painful things—Werenro’s story, Re-nefer’s choice, even my own loneliness—seemed like the knots on a beautiful necklace, necessary for keeping the beads in place.

Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse. The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.

Linearity is an artificial way of viewing the world. Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.

She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step.

As on Easter Island and at Chaco Canyon, Maya peak population numbers were followed swiftly by political and social collapse. Paralleling the eventual extension of agriculture from Easter Island's coastal lowlands to its uplands, and from the Mimbres floodplain to the hills, Copan's inhabitants also expanded from the floodplain to the more fragile hill slopes, leaving them with a larger population to feed when the agricultural boom in the hills went bust. Like Easter Island chiefs erecting ever larger statues, eventually crowned by pukao, and like Anasazi elite treating themselves to necklaces of 2,000 turquoise beads, Maya kings sought to outdo each other with more and more impressive temples, covered with thicker and thicker plaster-reminiscent in turn of the extravagant conspicuous consumption by modern American CEOs. The passivity of Easter chiefs and Maya kings in the face of the real big threats to their societies completes our list of disquieting parallels.

Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.

Dare I hint at that worse time when, strung together somewhere in great black space, there was a flaming necklace, or ring, or starry circle of some kind, of which I was one of the beads! And when my only prayer was to be taken off from the rest, and when it was such inexplicable agony and misery to be a part of the dreadful thing?

He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.

And now, I think, we can say: a glass bead may flush the world with colour, but it alone makes no necklace. I wanted the necklace.

97. And now, I think, we can say: a glass bead may flush the world with color, but it alone makes no necklace. I wanted the necklace.

Nay, you don't throw away those misplaced beads.. you find them, pick them up and make a new necklace.. probably not as beautiful as you imagined..but wearable nevertheless..

Straight linearity, which we have come to take for granted in everything from physics to fiction, simply does not exist. Linearity is an artificial way of viewing the world. Real life isn't a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way. That's a deep truth about the structure of our universe. But, for some reason, we insist behaving as if it were not true.

.. And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. 'She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.

All of my days in Egypt had been spent in that house, and looking back on them in the night air, I recalled little but good... The painful things... seems like the knots on a beautiful necklace, necessary for keeping the beads in place.

wrapped-in-cloth kind, but a human female body shriveled to a husk. She wore a tie-dyed sundress, lots of beaded necklaces, and a headband over long black hair. The skin of her face was thin and leathery over her skull, and her eyes were glassy white slits, as if the real eyes had been replaced by marbles; she’d been dead a long, long time. Looking at her sent chills up my back. And that was before she sat up on her stool and opened her mouth. A green mist poured from the mummy’s mouth, coiling over the floor in thick tendrils, hissing like twenty thousand snakes. I stumbled over myself trying to get to the trapdoor, but it slammed shut. Inside my head, I heard a voice, slithering into one ear and coiling around my brain: I am the spirit of Delphi, speaker of the prophecies of Phoebus Apollo, slayer of the mighty Python. Approach, seeker, and ask. I wanted to say, No thanks, wrong door, just looking for the bathroom. But I forced myself to take a deep breath. The mummy wasn’t alive. She

Back in Svetlana’s room, we listened to the CDs she had bought—Joni Mitchell’s Blue and Bach’s St. Matthew Passion—and made necklaces, periodically holding up the strands and comparing them. Svetlana explained how her necklace was characteristic of her and mine was characteristic of me, and I thought about how probably, as long as civilization had existed, women had been threading beads onto strings or reeds or whatever. Then I wondered whether it had always been women. Maybe in ancient times men had been into beads. Today, though, it was hard to imagine boys sitting around on beanbags, listening to Joni Mitchell, holding necklaces against each other’s necks, and talking about Svetlana’s sister. Some part of me worried that this was why women would never amount to anything, that we were somehow holding ourselves back.

i said, so what do you want to do? you said paint the sky black, break pearl necklaces and watch the beads dance on the wooden floor, open a bakery and only serve pecan pies, take my dog to church, open windows in the middle of winter, burn the taste of your tongue off of my skin, ask strangers for their laughter, open your neighbors mail, tip the waitress way too much, fly myself to anywhere but here, open doors for all kinds of people, bleed my secrets into your soul, cancel credit cards, watch old couples, young couples, say things like i love you and mean it

This time, I sat next to a pixie girl called Takara, who had pinkish hair and wore a bright pink dress to match. She was the first forest-dweller I had seen wearing jewellery: she was wearing a necklace and bracelet of finely worked crystal beads. When she noticed my interest, she removed her bracelet and held it out to me. “Sophiel, I would be so pleased if you would wear this!” I was surprised by this kind and very selfless gesture; after all, I had not been admiring her jewels with any intention of asking her to part with them! “You’re very kind, Takara, but I was merely admiring your handiwork!” I said, trying politely to refuse her gift. “Mitsuko told me that you make your jewellery yourself. You’re very talented, they’re really lovely pieces, but I wouldn’t want to take them away from you. It’s you that makes these jewels really beautiful!

During the Mardi Gras carnival in New Orleans, drunk and drugged and sleepless for sex-driven nights and days, I saw leering clowns on gaudy floats tossing cheap necklaces to grasping hands that clutched and grabbed and tore them, spilling beads; and revelers crawled on littered streets, wrestling for them, bleeding for them on sidewalks; and beads fell on spattered blood like dirty tears—and I saw costumed revelers turn into angels, angels into demons, demons into clowning angels; and in a flashing moment the night split open into a deeper, darker chasm out of which soared demonic clowning angels laughing.

She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.

Sophie tied it around her neck along with her Exillium bead. She was getting quite the necklace collection. “How come Foster’s form says ‘et cetera’ on the line for special abilities?” Keefe asked, making Sophie wonder when he’d grabbed her pages. “On mine it says ‘Empath.’ But on hers it lists the four and then has an ‘et cetera.’ That means she has more hidden abilities, doesn’t it?” “You cannot read too much into a simple ‘etcetera.’ ” Mr. Forkle told him. “Psh, with you guys we can,” Keefe insisted as Sophie snatched her forms back. “And please tell me she’s not a Beguiler—that would get way too complicated.” Keefe kept listing talents he hoped Sophie did or didn’t have

And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. "She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.

The Hope & Glory would carry forty cases of muskets, 32,000 gunflints, coral necklaces, Aphrikan prints, bead jewellery, quills, papyrus, household objects such as kettles and musical instruments such as the talking drum, with which to barter for livestock. My host joked that the guns would encourage the Europanes to start more wars which would result in more prisoners offered up as slaves.

In a moment a fussy-looking woman came down the stairs. Do you know what I mean by fussy? I mean, everything about her was too much and too cute. She was wearing two necklaces, a pin, bracelets on each wrist, rings, earrings, and even an ankle bracelet. Her stockings were lacey, and she was, well, as Claud might have said, overly accessorized. Practically everything she wore had a bow attached. There were bows on her shoes, a bow on her belt, a bow in her hair, and a bow at the neck of her blouse. Her sweater was beaded, and she hadn’t forgotten to pin a fake rose to it. Whew! As for cute, her earrings were in the shape of ladybugs, one of her necklaces spelled her name — Linda — in gold script, her pin was in the shape of a mouse, and the bow in her hair was a ribbon with a print of tiny ducks all over it.

Ma untied the handkerchief and exclaimed at what she found. The beads were even prettier than they had been in the Indian camp. Laura stirred her beads with her finger and watched them sparkle and shine. “These are mine,” she said. Then Mary said, “Carrie can have mine.” Ma waited to hear what Laura would say. Laura didn’t want to say anything. She wanted to keep those pretty beads. Her chest felt all hot inside, and she wished with all her might that Mary wouldn’t always be such a good little girl. But she couldn’t let Mary be better than she was. So she said, slowly, “Carrie can have mine, too.” “That’s my unselfish, good little girls,” said Ma. She poured Mary’s beads into Mary’s hands, and Laura’s into Laura’s hands, and she said she would give them a thread to string them on. The beads would make a pretty necklace for Carrie to wear around her neck. Mary and Laura sat side by side on their bed, and they strung those pretty beads on the thread that Ma gave them. Each wet her end of the thread in her mouth and twisted it tightly. Then Mary put her end of the thread through the small hole in each of the beads, and Laura put her end through her beads, one by one. They didn’t say anything. Perhaps Mary felt sweet and good inside, but Laura didn’t. When she looked at Mary she wanted to slap her. So she dared not look at Mary again.

In seeking these articles, I encountered the beads of a pearl necklace Mr. Rochester had forced me to accept a few days ago. I left that; it was not mine: it was the visionary bride’s who had melted in air. The other articles I made up in a parcel; my purse, containing twenty shillings (it was all I had), I put in my pocket: I tied on my straw bonnet, pinned my shawl, took the parcel and my slippers, which I would not put on yet, and stole from my room.

What happened to us? It was a question that interested her. Most people seemed to believe that they were experts of their own life story. They had a set of memories that they strung like beads, and this necklace told a sensible tale. But she suspected that most of these stories would fall apart under strict examination--that, in fact, we were only peeping through a keyhole of our lives, and the majority of the truth, the reality of what happened to us, was hidden. Memories were no more solid than dreams...What happened to us? She drew smoke, considering the question. Was it possible that we would never really know? What if we were not, actually, the curators of our own lives?

This appeared clearly in one of the earliest burial mounds found on the Hopewell farm. There, archaeologists found a young man and a young woman buried side by side. As Stuart J. Fiedel describes the burial in Prehistory of the Americas, “She was bedecked with, and surrounded by, thousands of pearl beads and buttons made of copper-covered wood and stone; she also wore copper bracelets. Both individuals wore copper earspools, copper breastplates, and necklaces of grizzly bear canines” (Fiedel). The skulls had even been buried with artificial noses made of copper. Their bodies were then surrounded by a line of copper earspools. Archaeologists found more than 100,000 pearls in the Hopewell mounds (Prufer).

But we have soothed ourselves into imagining sudden change as something that happens outside the normal order of things. An accident, like a car crash. Or beyond our control, like a fatal illness. We do not conceive of sudden, radical, irrational change as built into the very fabric of existence. Yet it is. And chaos theory teaches us,” Malcolm said, “that straight linearity, which we have come to take for granted in everything from physics to fiction, simply does not exist. Linearity is an artificial way of viewing the world. Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.

Althea leaned back in her chair and crossed her arms stubbornly. ‘I can’t help it. That’s what I want.’ When Amber said nothing, Althea asked, almost angrily, ‘Don’t try to tell me that that is what love is, giving it all up for someone else!’ ‘But for some people, it is,’ Amber pointed out inexorably. She bound another bead into the necklace, then held it up to look at it critically. ‘Others are like two horses in harness, pulling together towards a goal.’ ‘I suppose that wouldn’t be so bad,’ Althea conceded. Her knitted brows said she did not entirely believe it. ‘Why can’t people love one another and still remain free?’ she demanded suddenly. Amber paused to rub her eyes, then tug thoughtfully at her earring. ‘One can love that way,’ she conceded regretfully. ‘But the price on that kind of love may be the highest of all.’ She strung her words together as carefully as she strung her beads. ‘To love another person like that, you have to admit that his life is as important as yours. Harder still, you have to admit to yourself that perhaps he has needs you cannot fill, and that you have tasks that will take you far away from him. It costs loneliness and longing and doubt and –’ ‘Why must love cost anything? Why does need have to be mixed up with love? Why can’t people be like butterflies, coming together in bright sunshine and parting while the day is still bright?’ ‘Because they are people, not butterflies. To pretend that people can come together, love, and then part with no pain or consequences is more false a role than pretending to be a proper Trader’s daughter.

that’s how things are. A day is like a whole life. You start out doing one thing, but end up doing something else, plan to run an errand, but never get there.… And at the end of your life, your whole existence has that same haphazard quality, too. Your whole life has the same shape as a single day.” “I guess it’s one way to look at things,” Grant said. “No,” Malcolm said. “It’s the only way to look at things. At least, the only way that is true to reality. You see, the fractal idea of sameness carries within it an aspect of recursion, a kind of doubling back on itself, which means that events are unpredictable. That they can change suddenly, and without warning.” “Okay …” “But we have soothed ourselves into imagining sudden change as something that happens outside the normal order of things. An accident, like a car crash. Or beyond our control, like a fatal illness. We do not conceive of sudden, radical, irrational change as built into the very fabric of existence. Yet it is. And chaos theory teaches us,” Malcolm said, “that straight linearity, which we have come to take for granted in everything from physics to fiction, simply does not exist. Linearity is an artificial way of viewing the world. Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.” Malcolm sat back in his seat, looking toward the other Land Cruiser, a few yards ahead. “That’s a deep truth about the structure of our universe. But, for some reason, we insist on behaving as if it were not true.

I remembered the malangs of Shah Jamal, the dirty, shirtless renouncers with ratty beards and dreads and bare chests covered in necklaces of prayer beads, throwing around their arms in Charlie Manson dances and whipping out their old ID cards to say look, I used to be someone and now I'm no one, I'm so lost in Allah that I've thrown away the whole world. Would that qualify them as Sufis? I didin't know how to measure it. Whether the malangs were Sufi saints or just drugged-out bums didn't really matter. The lesson I took from them was that you're never disqualified from loving Allah, never. And I could see again that what I went through was nothing new, not even anything special in the history of Islam, not a clashing of East and West; it was always there. And that made me feel more Muslim than ever, because fuck it all, CNN, this is Islam too.

She sent Amelie to inform Maydrop that she donned an evening dress made of a heavy, supple olive green silk that gleamed under candlelight. It fell from the bodice, but rather than belling out, the silk was cut on the bias and hugged every curve of her body. The bodice was gathered under her breasts and trimmed with dark copper lace that glimmered with shiny black beads. and widened into short sleeves. Her hair was pulled straight back from her forehead without even a wisp floating at her ears, and she waved away the ruby necklace Amelie offered. She wanted no distraction from her face. She did, however, slide a sparkling ruby onto her right hand, a present she had given to herself when Ryburn Weavers made its first thousand guineas in profit. How better to remember that milestone than to wear a sizable percentage it on one's finger? Finally, Amelie drew out a small brush and skillfully applied a few strategic dabs of face paint. The last thing Theo wanted was to try to look conventionally feminine, but she'd discovered that a thin line of kohl made her eyes look deep and mysterious.

Result: 325 ccs of water, which weighs 325 grams! Therefore Rocky’s ball also weighs 325 grams. I return to the tunnel to tell Rocky all about how smart I am. He balls a fist at me as I enter. “You left! Bad!” “I measured the mass! I made a very smart experiment.” He holds up a string with beads on it. “Twenty-six.” The beaded string is just like the ones he sent me back when we talked about our atmospheres— “Oh,” I say. It’s an atom. That’s how he talks about atoms. I count the beads. There are twenty-six in all. He’s talking about element 26—one of the most common elements on Earth. “Iron,” I say. I point at the necklace. “Iron.” He points at the necklace and says, “♫♩♪♫♫.” I record the word in my dictionary. “Iron,” he says again, pointing at the necklace. “Iron.” He points to the ball in my hand. “Iron.” It takes a second to sink in. Then I slap my forehead. “You are bad.” It was a fun experiment, but a total waste of time. Rocky was giving me all the information I needed. Or trying to, at least. I know how dense iron is, and I know how to calculate the volume of a sphere. Getting to mass from there is just a little arithmetic.

The word smacked me in the face like Ares’s body odour. I turned to Austin. ‘The Labyrinth? As in Daedalus’s Labyrinth?’ Austin nodded, his fingers worrying the ceramic camp beads around his neck. I had a sudden memory of his mother, Latricia – the way she used to fiddle with her cowry necklace when she lectured at Oberlin. Even I learned things from Latricia Lake’s music theory class, though I had found her distractingly beautiful. ‘During the war with Gaia,’ Austin said, ‘the maze reopened. We’ve been trying to map it ever since.’ ‘That’s impossible,’ I said. ‘Also insane. The Labyrinth is a malevolent sentient creation! It can’t be mapped or trusted.’ As usual, I could only draw on random bits and pieces of my memories, but I was fairly certain I spoke the truth. I remembered Daedalus. Back in the old days, the king of Crete had ordered him to build a maze to contain the monstrous Minotaur. But, oh no, a simple maze wasn’t good enough for a brilliant inventor like Daedalus. He had to make his Labyrinth self-aware and self-expanding. Over the centuries, it had honeycombed under the planet’s surface like an invasive root system. Stupid brilliant inventors.

More Activities to Develop Sensory-Motor Skills Sensory processing is the foundation for fine-motor skills, motor planning, and bilateral coordination. All these skills improve as the child tries the following activities that integrate the sensations. FINE-MOTOR SKILLS Flour Sifting—Spread newspaper on the kitchen floor and provide flour, scoop, and sifter. (A turn handle is easier to manipulate than a squeeze handle, but both develop fine-motor muscles in the hands.) Let the child scoop and sift. Stringing and Lacing—Provide shoelaces, lengths of yarn on plastic needles, or pipe cleaners, and buttons, macaroni, cereal “Os,” beads, spools, paper clips, and jingle bells. Making bracelets and necklaces develops eye-hand coordination, tactile discrimination, and bilateral coordination. Egg Carton Collections—The child may enjoy sorting shells, pinecones, pebbles, nuts, beans, beads, buttons, bottle caps, and other found objects and organizing them in the individual egg compartments. Household Tools—Picking up cereal pieces with tweezers; stretching rubber bands over a box to make a “guitar”; hanging napkins, doll clothes, and paper towels with clothespins; and smashing egg cartons with a mallet are activities that strengthen many skills.

Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.

We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.

From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.

He had brought her to this house, “and,” continued the priest, while genuine tears rose to his eyes, “here, too, he shelters me, his old tutor, and Agnes, a superannuated servant of his father’s family. To our sustenance, and to other charities, I know he devotes three-parts of his income, keeping only the fourth to provide himself with bread and the most modest accommodations. By this arrangement he has rendered it impossible to himself ever to marry: he has given himself to God and to his angel-bride as much as if he were a priest, like me.” The father had wiped away his tears before he uttered these last words, and in pronouncing them, he for one instant raised his eyes to mine. I caught this glance, despite its veiled character; the momentary gleam shot a meaning which struck me. These Romanists are strange beings. Such a one among them—whom you know no more than the last Inca of Peru, or the first Emperor of China—knows you and all your concerns; and has his reasons for saying to you so and so, when you simply thought the communication sprang impromptu from the instant’s impulse: his plan in bringing it about that you shall come on such a day, to such a place, under such and such circumstances, when the whole arrangement seems to your crude apprehension the ordinance of chance, or the sequel of exigency. Madame Beck’s suddenly-recollected message and present, my artless embassy to the Place of the Magi, the old priest accidentally descending the steps and crossing the square, his interposition on my behalf with the bonne who would have sent me away, his reappearance on the staircase, my introduction to this room, the portrait, the narrative so affably volunteered—all these little incidents, taken as they fell out, seemed each independent of its successor; a handful of loose beads: but threaded through by that quick-shot and crafty glance of a Jesuit-eye, they dropped pendent in a long string, like that rosary on the prie-dieu. Where lay the link of junction, where the little clasp of this monastic necklace? I saw or felt union, but could not yet find the spot, or detect the means of connection.

We found many ways to pass the time. Some of the prisoners became excellent craftsmen, using spoons or their fingernails to carve date pits into miniature roses and faces and animals, then stringing the beads into rosaries and necklaces, using thread they’d pulled from their blankets. They found rocks in the yard and carved and polished them into tigers and squirrels and soaring birds.

He unstrapped his axe and swung it around. It was beautiful in a harsh I’m-going-to-gut-you-like-a-fish kind of way. Each of its twin blades was shaped like an omega: Ω—the last letter of the Greek alphabet. Maybe that was because the axe would be the last thing his victims ever saw. The shaft was about the same height as the Minotaur, bronze wrapped in leather. Tied around the base of each blade were lots of bead necklaces. I realized they were Camp Half-Blood beads—necklaces taken from defeated demigods.

It wasn't that Nina didn't make equally tasty buns, but Zod, her rogue apprentice, had refined the dough to a featherlight brioche with a subtle tang. He filled the pockets not just with beef and onions, but peach jam, saffron rice pudding, smoked sturgeon, potatoes and dill, cabbage and caraway apples, duck confit and chopped orange peel, and, once, even a pearl that fell into the lemon custard when Nina's necklace snapped, beads hitting the counter like hailstones.

the Mediterranean region’s climate started to warm and become wetter starting 18,000 years ago, archaeological sites become more numerous and widespread, creeping into areas now occupied by the desert. The culmination of this population boom was a period called the Natufian, dated to between 14,700 and 11,600 years ago.7 The early Natufian was a sort of golden era of hunting and gathering. Thanks to a benevolent climate and many natural resources, the Natufians were fabulously wealthy by the standards of most hunter-gatherers. They lived by harvesting the abundant wild cereals that naturally grow in this region, and they also hunted animals, especially gazelle. The Natufians evidently had so much to eat that they were able to settle permanently in large villages, with as many as 100 to 150 people, building small houses with stone foundations. They also made beautiful art objects, such as bead necklaces and bracelets and carved figurines, they exchanged with distant groups for exotic shells, and they buried their dead in elaborate graves. If there ever was a Garden of Eden for hunter-gatherers, this must have been it. But then crisis struck 12,800 years ago. All of a sudden, the world’s climate deteriorated abruptly, perhaps because an enormous glacial lake in North America emptied suddenly into the Atlantic, temporarily disrupting the Gulf Stream and wreaking havoc with global weather patterns.8 This event, called the Younger Dryas,9 effectively plunged the world back into Ice Age conditions for hundreds of years. Imagine

Brown birds lined up on telephone wires like beads on a cheap Tijuana necklace.

Sand shall melt when glass beads are in the jeweler's box ready for the necklace.

a cute jean miniskirt, a fitted scoop-neck white tee, and gladiator sandals that Mom almost refused to buy. (“Why do you want to look like Roman soldier?”) I twist my hair into a loose bun, with a few strands poking out artfully here and there. Putting it up makes room for a silk cord necklace with multicolored glass beads that look good against my skin.

Requiem for Geel Piet is not my music, it is the music of the people. The necklace is only mine because I strung the beads.

Come Neti, my chief keeper of the gates of Kur, and listen carefully to what I say: Lock up and bolt the seven gates of Kur, then, one by one, open each gate and let Innana enter through the crack. Bring her down. But as she enters, take her regal costume from her, take the crown, the necklace, and the beads that fall across her breast, the golden breastplate on her chest, the bracelet and the rod and line. Strip her of everything, even the royal robe, and let the holy priestess of the earth, the queen of heaven, enter here bowed low.

While George fell asleep in the back of the bus, I examined his outfit, noting that my strange American friend had now got his ‘world traveller’ apparel down to a fine art. His compact munchkin figure wore a short-cropped jeans jacket from Nepal over a ratty pink T-shirt he’d picked up in Bangkok which was decorated with the simple message, ‘Fuck You.’ Beneath a pair of worn out, fashionably torn Levis from Dharamsala poked a brace of dusty hiking boots obtained second-hand from a hill porter in Manali. All this was topped by an expandable Afghani hat, into which he tucked his long, matted dreadlocks. As for his bespectacled features, these were rendered quite dwarfish by a wispy little beard, cut short at the cheeks and running wild below the chin. A glittering array of chunky ethnic rings adorned each finger. He actually had an extra one—fortunately out of sight—which had been inserted into his penis during his last foray into Paharganj. Around his neck hung a final touch: a valuable Zzi-bead necklace purchased from a Tibetan family in Ladakh for the considerable sum of 1600 dollars. Nobody looking at him would have guessed that this was the foremost wholesaler of hippy goods into America.

The Rapper from Dallas Words are the beads I string on my necklace, Each mornin' in Texas, right before breakfast. I go down my checklist, y'all must respect this, I love cruisin' reckless the I-35 in my Lexus. I'm The Rapper from Dallas, yo, I wish you no malice, I bust rhymes with my phallus in my Texas dream palace.

Cyrus floats away from the glowing entrada entrance; there's a swooshing sound like an invisible rocket just blew past and then a flood of old African souls comes surging forth. They pour out into the tunnel, thousands and thousands of them, and barrel through the COD goons without stopping. They're wearing head scarves and raggedy clothes, carved jewelry and beaded necklaces; a few even have chain links around their arms and legs. I feel the wind of hundreds of years of pent up rage and frustration release across my face. Riley's screaming as loud as he can beside me and we're both laughing hysterically and crying at the same time. Everything

To me, the best part about opening yourself up to hearing from Spirit is that you can do it just by being yourself. You don’t need tarot cards or crystals. You don’t even need to hold or wear an object with your family member’s energy, like a lot of people think. When I mention a necklace or ring during a session that you’ve brought with you, it’s not because I’m drawn to that energy like a magnet. It’s because Spirit tells me to reference it. In fact, I once did a phone reading for a woman who had a lot of female energy around her that had passed on, including a mom, grandmother, aunt, and cousin. She also had a grandfather and father on the Other Side. Anyway, Spirit showed me a picture I have of Victoria, wearing the most random clothes—a baseball cap, sunglasses, Rug Rat pajamas, holding the pet parakeet that Gram got her, and Mardi Gras beads. So I said, “This is going to sound bizarre, but I feel like you’re wearing a strange mix of items: pajamas, a silk scarf, a man’s hat, gloves, rosary beads, and jewelry that doesn’t match. Are you wearing an article from every dead person you want to hear from?” There was total silence on the phone. I think she was a little embarrassed, but I have to admit that I was actually relieved she didn’t dress like that all the time!

Her hair was in two French braids, and she was wearing a blue-and-white flowered cotton pajama top, a necklace of large red beads, yellow denim shorts, yellow-and-mint green argyle socks, and pink flip-flops.

This is where the prayer beads around my neck come in,” Julian added with rising enthusiasm. “Every time I catch myself thinking a negative thought, I take this necklace off and remove another bead. These beads of worry go into a cup I keep in my knapsack. Together they serve as gentle reminders that I still have a distance to travel on the road to mental mastery and responsibility over the thoughts that fill my mind.

Words are beads on the strings of sentences. So make a beautiful necklace!

Back to 1992 and seeing this oaf saunter down the White House hallway with his beaded necklace. Mr. Mardi Gras had only just begun having his tall, young sidekick slap Gay Pride stickers on the walls and furniture, yes, the priceless historical furniture and walls of the White House. “Sir! Sir!” Careers were on the line, so I needed backup. The duo pivoted toward me and got the fracas they wanted, a pointless quarrel with those whose job it was to protect them. “I don’t care what’s on the stickers! Do not disrespect, disregard, or vandalize the White House! This isn’t your dorm room. It’s a living monument to the greatest leaders this country’s ever had!” “Oh no, this is our house now!” they squawked. They accused us of homophobia. We focused on decorum, protocol—and vandalism. I never expected such behavior from anyone capable of even potentially being appointed to work in the White House. Imagine that after clearing every background check they’d demonstrate such willful, unthinkable incompetence, unprofessionalism, and contempt.

 He sometimes thought he didn’t live one life but several, all strung together like beads on a necklace, separate but connected if only by his name.

The cornbread necklace is a traditional piece of Cherokee jewelry. It is made of teardrop-shaped beads that are believed to be a gift from the Great Spirit. The Cherokee believe the corn crops watched the Cherokee as they walked along the Trail of Tears. The corn cried and drooped as it watched the Cherokee leave their land. Cherokee women strung the corn’s teardrops to create cornbeads, which were worn around the neck. This jewelry is worn as a reminder of this sad time in Cherokee history.

A hag–old and powerful enough that the air around her seems to crackle with the force of her magic. Her fingers are twiggy, her hair the colour of smoke, and her nose like the blade of a scythe. Around her throat, she wears a necklace of rocks, each bead carved with whorls that seem to catch and puzzle the eye. When she moves, the heavy robes around her ripple, and I spy clawed feet, like those of a bird of prey.

In the YouTube video, I am talking about my middle school English teacher. I am doing so with a level of zeal that I now recognize is mortifying. My English teacher was a quirky woman in her late twenties who had short hair that she wore butterfly clips in. She wore overalls, beaded necklaces, and colorful eye shadow. It is painfully obvious in retrospect that I was in love with her.

And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. “She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent;

I passed Sam and Josie and Marnie, seated in chairs tied with white silk bows, then Hillary and George and a few of Richard’s other partners. And up front, by the rose-draped archway, Maureen stood next to Richard in her capacity as maid of honor. She wore the glass-bead necklace I’d given her

I know why my dad hated it now. It looks like our Exillium necklaces, doesn’t it? That’s why my mom must’ve liked it. She knew I was meant to be the outcast. You keep trying to fix everything, Sophie. You even fixed Exillium. But you can’t fix me.” His eyes met hers then, and they held some sort of plea. He glanced to his left, and she followed his gaze, spotting the faintest trace of a light path, glinting out of the tiny crystal on the new bead he’d painted for her. “You understand, right?” Keefe asked. “No.” But she did. Sort of. Come with me, she transmitted. “I have to do this,” he said. “Please don’t hate me.” Their eyes met again and he nodded toward the faint trail of light he was still holding in place. Sophie swallowed hard, wishing there was something—anything—she could do to take him with her. But her only choice was to channel the full force of her mental strength and twist free of Fintan’s iron grasp. She fell toward the path, taking one last look at Keefe’s anguished face as the light he’d created for her pulled her away.

THE STONES WERE putting out a new edition of Exile on Main Street, which was another excuse for a party at our house. It’s always fun to watch Keith arrive anywhere, never a quiet entrance. He’s just got so much in motion on him: earrings, bracelets, rings; things twisted into his hair, headband, and hat; shirt unbuttoned; scarves, beads, and necklaces, plus a belt with a skull or something similar

He closed his eyes against his pounding headache, but the blackness engulfed him again. A familiar vision materialized—the statuesque, veiled woman with the amulet and silver hair in ringlets. As before, she was on the banks of a bloodred river and surrounded by writhing bodies. She spoke to Langdon, her voice pleading. Seek and ye shall find! Langdon was overcome with the feeling that he had to save her … save them all. The half-buried, upside-down legs were falling limp … one by one. Who are you!? he called out in silence. What do you want?! Her luxuriant silver hair began fluttering in a hot wind. Our time grows short, she whispered, touching her amulet necklace. Then, without warning, she erupted in a blinding pillar of fire, which billowed across the river, engulfing them both. Langdon shouted, his eyes flying open. Dr. Brooks eyed him with concern. “What is it?” “I keep hallucinating!” Langdon exclaimed. “The same scene.” “The silver-haired woman? And all the dead bodies?” Langdon nodded, perspiration beading on his brow. “You’ll be okay,” she assured him, despite sounding shaky herself. “Recurring visions are common with amnesia. The brain function that sorts and catalogs your memories has been temporarily shaken up, and so it throws everything into one picture.” “Not a very nice picture,” he managed. “I know, but until you heal, your memories will be muddled and uncataloged—past, present, and imagination all mixed together. The same thing happens in dreams.

I could see the bumps of her spine like beads on a necklace, stretched across her back.

I'm six. 1974. Somebody's New York apartment, white rug, many people. They say “schmatte.” They say “schmooze,” they say “schwarze.” They wear bead necklaces, interesting belts, plastic white sunglasses propped on their heads. Nixon's resigning on black-and-white TV. He says nobody gave him anything except a dog.

The following, from Sir John F. Davis, will show how it is employed in China: "From the Tartar religion of the Lamas, the rosary of 108 beads has become a part of the ceremonial dress attached to the nine grades of official rank. It consists of a necklace of stones and coral, nearly as large as a pigeon's egg, descending to the waist, and distinguished by various beads, according to the quality of the wearer. There is a small rosary of eighteen beads, of inferior size, with which the bronze count their prayers and ejaculations exactly as in the Romish ritual. The laity in China sometimes wear this at the wrist, performed with musk, and give it the name of Heang-choo, or fragrant beads.

Confessions are like the beads of a necklace: if the first bead falls, the rest follow .

Every time Amazons swarmed beneath them, demanding their surrender, Hazel made a crate of jewelry explode, burying their enemies in a Niagara Falls of gold and silver. When they got to the bottom of the ladder, they found a scene that looked like Mardi Gras Armageddon—Amazons trapped up to their necks in bead necklaces, several more upside down in a mountain of amethyst earrings, and a battle forklift buried in silver charm bracelets.

But we have soothed ourselves into imagining sudden change as something that happens outside the normal order of things. An accident, like a car crash. Or beyond our control, like a fatal illness. We do not conceive of sudden, radical, irrational change as built into the very fabric of existence. Yet it is. And chaos theory teaches us,” Malcolm said, “that straight linearity, which we have come to take for granted in everything from physics to fiction, simply does not exist. Linearity is an artificial way of viewing the world. Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.” Malcolm sat back in his seat, looking toward the other Land Cruiser, a few yards ahead. “That’s a deep truth about the structure of our universe. But, for some reason, we insist on behaving as if it were not true.

between about 50,000 to 10,000 years ago, the period scholars call the Upper Paleolithic, artistic expression burst forth in many parts of the world. Humans began to produce not only paintings and carvings but also necklaces, bracelets, pendants, beads, and ornamental headgear.