Beach Shack Quotes

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As distasteful as it is to decline your invitation, I'm afraid that it is preferable to attending yet another half-assed weekend eating gunky canapes in that cesspool of a shack you call a beach cottage.
A.C. Kemp (The Perfect Insult for Every Occasion)
What most people find festive—a weekend at a beach shack with friends, a boat trip down a river, a crackling bonfire on a summer night—I see as a bleak nightmare to be grimly endured. I would sooner put lit cigarettes in my eyes than share a vacation house with a crowd.
Jancee Dunn
A women living alone in a big ole house almost always invites the question of how she's going to fill it. Partner, kids, multiple rescue dogs, each with its own Instagram account. But a five-million-dollar shack in the most expensive beach destination in the country answers that question with gorgeous restraint. A woman in a home only big enough for herself is the ultimate fuck you to patriarchal society. It says, 'I am enough for me'.
Jessica Knoll (The Favorite Sister)
More than our old house, or our Wildflower Ridge place, the beach shack was my dad. I knew if he was haunting any place, it would be there, and for that reason I’d stayed away.
Sarah Dessen (The Truth About Forever)
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Surely Ma would come back for her birthday, so the morning after the harvest moon she put on the calico dress and stared down the lane. Kya willed Ma to be walking toward the shack, still in her alligator shoes and long skirt. When no one came, she got the pot of grits and walked through the woods to the seashore. Hands to her mouth, she held her head back and called, “Kee-ow, kee-ow, kee-ow.” Specks of silver appeared in the sky from up and down the beach, from over the surf. “Here they come. I can’t count as high as that many gulls are,” she said. Crying and screeching, the birds swirled and dived, hovered near her face, and landed as she tossed grits to them. Finally, they quieted and stood about preening, and she sat on the sand, her legs folded to the side. One large gull settled onto the sand near Kya. “It’s my birthday,” she told the bird.
Delia Owens (Where the Crawdads Sing)
Her eyes rounded. “They don’t open until eleven.” “Unless you’re me, and you strike up a conversation with the prep cook who starts work at seven.” “Ah.” “Get your mind out of the gutter,” he said, uncurling his forefinger from around his own cup to point it at her. “His name is George and he has a wife and three kids.” “My mind’s not in the gutter!” Well, not since she woke from a twenty-minute midnight doze during which she’d imagined herself stretched out on her bed, Gage standing at its foot, slowing stripping off his clothes. He grinned at her, then reached into his front pocket to pull free a slim camera. Still juggling his coffee, he managed to bring the viewfinder to his eye and snap a shot. “I’ll call it ‘Guilty as Charged.’” “That’s an invasion of privacy,” she said, frowning at him. “I think that blush indicates that you’ve been mentally invading mine.” “Gage!
Christie Ridgway (The Love Shack (Beach House No. 9, #3))
Her collections matured, categorized methodically by order, genus, and species; by age according to bone wear; by size in millimeters of feathers; or by the most fragile hues of greens. The science and art entwined in each other’s strengths: the colors, the light, the species, the life; weaving a masterpiece of knowledge and beauty that filled every corner of her shack. Her world. She grew with them—the trunk of the vine—alone, but holding all the wonders together. But just as her collection grew, so did her loneliness. A pain as large as her heart lived in her chest. Nothing eased it. Not the gulls, not a splendid sunset, not the rarest of shells. Months turned into a year. The lonely became larger than she could hold. She wished for someone’s voice, presence, touch, but wished more to protect her heart. Months passed into another year. Then another. PART 2 The Swamp 22. Same Tide 1965 Nineteen years old, legs longer, eyes larger and seemingly blacker, Kya sat on Point Beach, watching sand crabs bury themselves backward into the swash.
Delia Owens (Where the Crawdads Sing)
So even though she couldn’t remember the date of her birth, one evening when the moon rose swollen and golden from the lagoon, Kya said to herself, “I reckon I’m seven.” Pa never mentioned it; certainly there was no cake. He didn’t say anything about her going to school either, and she, not knowing much about it, was too afraid to bring it up. Surely Ma would come back for her birthday, so the morning after the harvest moon she put on the calico dress and stared down the lane. Kya willed Ma to be walking toward the shack, still in her alligator shoes and long skirt. When no one came, she got the pot of grits and walked through the woods to the seashore. Hands to her mouth, she held her head back and called, “Kee-ow, kee-ow, kee-ow.” Specks of silver appeared in the sky from up and down the beach, from over the surf. “Here they come. I can’t count as high as that many gulls are,” she said. Crying and screeching, the birds swirled and dived, hovered near her face, and landed as she tossed grits to them. Finally, they quieted and stood about preening, and she sat on the sand, her legs folded to the side. One large gull settled onto the sand near Kya. “It’s my birthday,” she told the bird.
Delia Owens (Where the Crawdads Sing)
LATE ONE AFTERNOON, after watching for Chase Andrews, Kya walks from her shack and lies back on a sliver of beach, slick from the last wave. She stretches her arms over her head, brushing them against the wet sand, and extends her legs, toes pointed. Eyes closed, she rolls slowly toward the sea. Her hips and arms leave slight indentions in the glistening sand, brightening and then dimming as she moves. Rolling nearer the waves, she senses the ocean’s roar through the length of her body and feels the question: When will the sea touch me? Where will it touch me first? The foamy surge rushes the shore, reaching toward her. Tingling with expectancy, she breathes deep. Turns more and more slowly. With each revolution, just before her face sweeps the sand, she lifts her head gently and takes in the sun-salt smell. I am close, very close. It is coming. When will I feel it? A fever builds. The sand wetter beneath her, the rumble of surf louder. Even slower, by inches she moves, waiting for the touch. Soon, soon. Almost feeling it before it comes. She wants to open her eyes to peek, to see how much longer. But she resists, squinting her lids even tighter, the sky bright behind them, giving no hints. Suddenly she shrieks as the power rushes beneath her, fondles her thighs, between her legs, flows along her back, swirling under her head, pulling her hair in inky strands. She rolls faster into the deepening wave, against streaming shells and ocean bits, the water embracing her. Pushing against the sea’s strong body, she is grasped, held. Not alone. Kya sits up and opens her eyes to the ocean foaming around her in soft white patterns, always changing.
Delia Owens (Where the Crawdads Sing)
Two days later, on August 17, Smith’s Cove was abuzz with activity. The bulldozer was scraping a deep pathway from the beach, past the beach shack, heading up toward the Cave-In Pit, and the pump was pulling water from the bottom of the freshly-dug shaft located partly up the hill. Bobby was working near the beach shack with Andrew Demont, Leonard Kaizer, and Cyril Hiltz--young, local men who were helping Bobby to clear brush and burn it in an empty 50-gallon drum that sat on the shoreline. Both Dunfield and Karl Graeser were also on site. The air was electric with optimism and urgency. My father needed to take the boat over to mainland so he could visit his bank in Chester before closing time--papers had to be signed before Dunfield’s funds could be released. Dad was running late, but before he went up to the cabin to change his clothes for the trip ashore, he decided to take one last look in the new shaft to see how well the pump was getting rid of water. This newest shaft was behind the beach shack at a point where the land had started to rise to go up to the clearing. The shaft was large and deep (10 feet by 30 feet by 27 feet deep) and had three or four feet of water in the bottom. Dad peered down into the shaft, and without a sound, he tumbled in. Bobby saw it happen, dropped the bushes he had in his hands, and raced over to help. Others did, too. Bobby started down the ladder, but suddenly fell into the shaft. Karl Graeser was right behind Bobby, and began to climb down, but he lost consciousness and slid into the shaft, too. Cyril Hiltz followed Karl, and Cyril’s cousin, Andrew Demont, was close behind. Leonard Kaizer was the last man to rush in to help the others. One-by-one, as each man tried to climb down the ladder into the shaft, he lost consciousness and fell in. Ed White, a fireman from Buffalo, was visiting the island that day with a group of friends. He heard the cries for help and rushed to the shaft. His wife pleaded with him not to go down, but White tied a handkerchief around his face and had someone lower him into the shaft. He was able to get a rope around Leonard Kaizer, so that those at the top could pull him out. Then White went after Andrew Demont, who was unconscious with his arms locked around a steel pipe, which supported him above water. Even in his unconscious state, Demont lashed out and punched White. But the fireman prevailed and got the rope harness around him so that he could be pulled from the shaft. Ed White was a hero. He saved Leonard Kaizer and Andy Demont that day. But he could do no more. By then, he, too, was feeling the effects of the invisible gas. On that fateful day, August 17, 1965, Cyril Hiltz, Karl Graeser, Bob Restall, Sr., and Bob Restall, Jr. all lost their lives. The coroner’s ruling was “death by drowning.
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
It does, however, have bathrooms. South Shore Surfside Beach was my beach of choice for my first three summers. In fact, I don’t think I went anywhere else. It’s wide. There’s plenty of space. It also has the Surfside Beach Shack. It’s not an exaggeration to say that if I could, I would eat lunch at the Surfside Shack every day of the summer, and so would my kids. The food is delicious.
Elin Hilderbrand (The Hotel Nantucket)
on the island where the drunken and brokenhearted typically washed ashore after a night of debauchery. A red-faced Swede at Le Select claimed to have bought Spider a Heineken that very morning. Someone else said he saw him stalking the beach at Colombier, and there was a report, never confirmed, of an inconsolable creature baying at the moon in the wilds of Toiny. The gendarmes faithfully followed each lead. Then they scoured the island from north to south, stem to stern, all to no avail. A few minutes after sundown, Reginald Ogilvy informed the crew of the Aurora that Spider Barnes had vanished and that a suitable replacement would have to be found in short order. The crew fanned out across the island, from the waterside eateries of Gustavia to the beach shacks of the Grand Cul-de-Sac. And by nine that evening, in the unlikeliest of places, they had found their man. He had arrived on the island at the height of hurricane season and settled into the clapboard cottage at the far end of the beach at Lorient. He had no possessions other than a canvas duffel bag, a stack of well-read books, a shortwave radio, and a rattletrap motor scooter that he’d acquired in Gustavia for a few grimy banknotes and a smile. The books were thick, weighty, and learned; the radio was of a quality
Daniel Silva (The English Spy (Gabriel Allon, #15))
I follow the path we’ve taken so many times this summer – across the front, down the street, cut back through a neighbor’s yard, down the stairs to the beach, past the pier, through the campfire labyrinth, up to the deck of the Shack, and straight into Sam’s arms. Without speaking, he kisses me hard on the mouth and I kiss him back, sobbing and crumpling into his chest like a broken puppet.
Sarah Ockler (Twenty Boy Summer)
Spence beached the boat and strutted up to where Denny and Mr. Jones were working. He stared at Denny and smiled. “You got enough of that shit on your face?” he asked. Mr. Jones look up sharply. “What’s the matter with you?” he said. “You don’t talk to a lady like that.” Spence laughed. “What lady?” he said. Denny blushed. She could see the anger building in Mr. Jones’s eyes. “It’s all right,” she said quickly. “I don’t care.” Mr. Jones turned to her. “Well, you should,” he told her, his eyes flashing, “and Mr. Spencer here would respect you more if you did, whether he realizes it or not.” Spence snorted derisively. “Well, like it or not, you keep a civil tongue while you’re working for me, mister, understand?” said Mr. Jones. Spence shrugged. “You’re the boss,” he said, and started walking up toward the shack. Mr. Jones picked up a nail. “You kids today use too darn much profanity anyway,” he yelled. He banged the nail into the brace. “You use it anytime, anyplace. It’s not right.” He banged another nail. “Shows a lack of respect, not to mention a deficient vocabulary.” He slammed another nail into the wood. “There’s a time and a place for profanity.” He held another nail and smashed the hammer down. “Aagh! Like now! Dammit!” He dropped the hammer and grabbed his thumb. Denny covered her mouth and turned away so he wouldn’t see her laugh, but he saw anyway. “Oh, very funny, huh?” said Mr. Jones. Denny couldn’t stop giggling. Soon she had Mr. Jones laughing too. “That’s what I get for trying to defend your honor,” he said. “Sorry,” said Denny. She looked up the hill and saw Spence duck into the shed. There was a burst of loud, muffled laughter, and she started giggling all over again. “All right, all right,” said Mr. Jones. “Are you going to go get me a Band-Aid or do I have to stand here and bleed to death while you and your friend up there make sport of me?
Jackie French Koller (The Last Voyage of the Misty Day)
Thirty minutes later, we reached the rocky Anjuna beach and parked the bike. We walked for five minutes and reached a shack called Curlies. We sat on adjacent easy chairs, both of us facing the Arabian Sea. I removed my sneakers to rest my feet on the sandy floor of Curlies. ‘Beer?’ Brijesh said. ‘Sure,’ I said. He asked a waiter to bring us two Kingfishers. Two tables away, I saw another Indian couple. The girl wore red and white bangles on both hands, a wedding chudaa; they had just gotten married. Must be their honeymoon. They held hands, but it seemed a little awkward. Arranged marriage, maybe. I looked at Brijesh. We would be a married couple too by this weekend. Brijesh smiled as he handed me a half-pint Kingfisher bottle. ‘What did you tell your folks?’ Brijesh said. ‘I told Aditi didi that I am going for a walk with you.’ ‘They don’t know you are at Anjuna?’ ‘No,’ I said, ‘mom will freak out.’ I sipped my beer. We watched the sun go down. A young singer at Curlies sang and played the guitar. The Goan sunset became even more poignant with the music. The singer sang Justin Bieber’s song, Sorry. Is it too late now to say sorry? Yeah, I know that I let you down
Chetan Bhagat (One Indian Girl)
They slept the first night on the beach, and he moved into the shack with her the next day. Packing and unpacking within a single tide. As sand creatures do.
Delia Owens, Where The Crawdads Sing
We drove away from Las Olindas through a series of little dank beach towns with shack-like houses built down on the sand close to the rumble of the surf and larger houses built back on the slopes behind. A yellow window shone here and there, but most of the houses were dark. A smell of kelp came in off the water and lay on the fog. The tires sang on the moist concrete of the boulevard. The world was a wet emptiness.
Raymond Chandler (The Big Sleep (Philip Marlowe #1))
preeminently powerful country upended by fear that their toy vineyards and hobby stables, their world-class beaches and lavishly funded public schools, would be inundated by rivers of mud, the community as thoroughly ravaged as the sprawling camps of temporary shacks housing Rohingya refugees from Myanmar in the monsoon region of Bangladesh. It was. More than a dozen died, including a toddler swept away by mud and carried miles down the mountainslope to the sea; schools closed and highways flooded, foreclosing the routes of emergency vehicles and making the community an inland island, as if behind a blockade, choked off by a mud noose.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
Diana, meanwhile, reads every novel she can find that's set on the Cape, and describes for her father the pristine, golden beaches, sand dunes with cranberry bogs and poets' shacks hidden in their declivities. She conjures the taste of briny oysters and butter-drenched lobsters, fried clams eaten with salt water-pruned fingers, ice-cream cones devoured after a day in the sun.
Jennifer Weiner (That Summer)