Beach Dunes Quotes

I thought of you and how you love this beauty, And walking up the long beach all alone I heard the waves breaking in measured thunder As you and I once heard their monotone. Around me were the echoing dunes, beyond me The cold and sparkling silver of the sea -- We two will pass through death and ages lengthen Before you hear that sound again with me.

The world to-day is sick to its thin blood for lack of elemental things, for fire before the hands, for water welling from the earth, for air, for the dear earth itself underfoot. In my world of beach and dunes these elemental presences lived and had their being, and under their arch there moved an incomparable pageant of nature and the year.

People sometimes accuse me of knowing a lot. "Stephen," they say, accusingly, "you know a lot." This is a bit like telling a person who has a few grains of sand clinging to him that he owns much sand. When you consider the vast amount of sand there is in the world such a person is, to all intents and purposes, sandless. We are all sandless. We are all ignorant. There are beaches and deserts and dunes of knowledge whose existance we have never even guessed at, let alone visited.

Today, when I meet children on this beach, when I see them running in the dunes, or lying on the hot stone wall that was once a levee, I remember that I was like them once, with their incredible lightness and insouciance, soaking in the sun. You can never really let go of your childhood. Especially when it was happy.

To a person who expects every desert to be barren sand dunes, the Sonoran must come as a surprise. Not only are there no dunes, there's no sand. At least not the sort of sand you find at the beach. The ground does have a sandy color to it, or gray, but your feet won't sink in. It's hard, as if it's been tamped. And pebbly. And glinting with -- what else -- mica.

As soon as she releases me, Galen grabs my hand and I don't even have time to gasp before he snatches me to the surface and pulls me toward shore, only pausing to dislodge his pair of swimming trunks from under his favorite rock, where he had just moments before taken the time to hide them. I know the routine and turn away so he can change, but it seems like no time before he hauls me onto the beach and drags me to the sand dunes in front of my house. "What are you doing?" I ask. His legs are longer than mine so for every two of his strides I have to take three, which feels a lot like running. He stops us in between the dunes. "I'm doing something that is none of anyone else's business." Then he jerks me up against him and crushes his mouth on mine. And I see why he didn't want an audience for this kiss. I wouldn't want an audience for this kiss, either, especially if the audience included my mother. This is our first kiss after he announced that he wanted me for his mate. This kiss holds promises of things to come. When he pulls away I feel drunk and excited and nervous and filled with a craving that I'm not sure can ever be satisfied. And Galen looks startled. "Maybe I shouldn't have done that," he says. "That makes it about fifty times harder to leave, I think.

The morning was fresh from the rain. The smell of the tide pools was strong. Sweet odors came from the wild grasses in the ravines and from the sand plants on the dunes. I sang as I went down the trail to the beach and along the beach to the sandspit. I felt that the day was an omen of good fortune. It was a good day to begin my new home.

As she always did, when she went over the dune and saw the waves crashing on the shore, her heart leapt inside her in excitement. She still had a love affair with the ocean.

My house completed, and tried and not found wanting by a first Cape Cod year, I went there to spend a fortnight in September. The fortnight ending, I lingered on, and as the year lengthened into autumn, the beauty and mystery of this earth and outer sea so possessed and held me that I could not go. The world to-day is sick to its thin blood for lack of elemental things, for fire before the hands, for water welling from the earth, for air, for the dear earth itself underfoot. In my world of beach and dunes these elemental presences lived and had their being, and under their arch there moved an incomparable pageant of nature and the year.

They walked side by side along the dark beach toward Monterey, where the lights hung, necklace above necklace against the hill. The sand dunes crouched along the back of the beach like tired hounds, resting: and the waves gently practiced at striking, and hissed a little. The night was cold and aloof, and its warm life was withdrawn, so that it was full of bitter warnings to man that he is alone in the world, and alone among his fellows; that he has no comfort owing him from anywhere.

I thought of you and how you love this beauty, And walking up the long beach all alone I heard the waves breaking in measured thunder As you and I once heard their monotone. Around me were the echoing dunes, beyond me The cold and sparkling silver of the sea– We two will pass through death and age lengthen Before you hear that sound again with me.

Day vivified the city, and we found a rogue path through the dunes down to the beach, the foam edge of teal sea. The whole sky celestial sapphire.

And as anxious as he was to fulfill this vision, Pug knew that musings were rewarded after patient waiting because things always happen for a reason and not before the time is right.

If your voice could overwhelm those waters, what would it say? What would it cry of the child swept under, the mother on the beach then, in her black bathing suit, walking straight out into the glazed lace as if she never noticed, what would it say of the father facing inland in his shoes and socks at the edge of the tide, what of the lost necklace glittering twisted in foam? If your voice could crack in the wind hold its breath still as the rocks what would it say to the daughter searching the tidelines for a bottled message from the sunken slaveships? what of the huge sun slowly defaulting into the clouds what of the picnic stored in the dunes at high tide, full of the moon, the basket with sandwiches, eggs, paper napkins, can-opener, the meal packed for a family feast, excavated now by scuttling ants, sandcrabs, dune-rats, because no one understood all picnics are eaten on the grave?

With Kit, Age Seven, at the Beach We would climb the highest dune, from there to gaze and come down: the ocean was performing; we contributed our climb. Waves leapfrogged and came straight out of the storm. What should our gaze mean? Kit waited for me to decide. Standing on such a hill, what would you tell your child? That was an absolute vista. Those waves raced far, and cold. "How far could you swim, Daddy, in such a storm?" "As far as was needed," I said, and as I talked, I swam.

It's hard to explain, but it's related to me know that for every moment of beauty this place gives me, I probably miss a thousand more. And I want them all. I swear I'd live on the dunes if I could. I was born out of my time. I should have been around during the end of the eighteenth century, when the Romantic Era kicked off, and writers and artists were obsessed with nature: the ocean, the mountains, the sky. And they believed in following their own path, experimenting, not blindly obeying rules. I found a quote by Henry David Thoreau- "I wanted to live deep and suck out all the marrow of life"...It made me cry. Urgency is so beautiful.

She walked the spiral corridor, running her hand along the painted horizon - sea, beach, dunes, woods, moors - the journey of her people from over the sea. The story of the Anglisc, woven with Woden back to the dawn of their songs. Ships. Fire. Bright swords. Kin and kine. Woods and wold. Hearth and home. Where was Christ in this? Christ didn't fight. Christ didn't farm.

The house had a private walk down to a private spit of beach, and in the mornings the four of them would troop downhill and swim—even he did, in his pants and undershirt and an old oxford shirt, which no one bothered him about—and then lie on the sand baking, the wet clothes ungluing themselves from his body as they dried. Sometimes Harold would come and watch them, or swim as well. In the afternoons, Malcolm and JB would pedal off through the dunes on bicycles, and he and Willem would follow on foot, picking up bits of shaley shells and the sad carapaces of long-nibbled-away hermit crabs as they went, Willem slowing his pace to match his own. In the evenings, when the air was soft, JB and Malcolm sketched and he and Willem read. He felt doped, on sun and food and salt and contentment, and at night he fell asleep quickly and early, and in the mornings he woke before the others so he could stand on the back porch alone looking over the sea.

They spent most of that first summer in a campground in California, near the town of Oceano, central coast. South of the beach access road, people rode ATVs over the dunes, and the ATV engines sounded like bugs from a distance, a high buzzing whine. Ambulances drove down the beach to collect ATV drivers three or four times a day. But north of the road, the beach was quiet. Leon loved walking north. There wasn’t much between Oceano and Pismo Beach, the next town up the coast. This lonely stretch of California, forgotten shoreline, sand streaked with black.

There’s nothing separating us from the ocean but a sand dune. I love it. As soon as we pass the Stargazer and turn onto 27, I lower the window to let in the thick, salty air. I immediately start to relax. I love the massive old trees lining the lanes and stretching down to that wide expanse of beach—big sky, big ocean, and air. Room.

I walked downstairs, toward the beach, and then through the dunes, feeling the sort of rage that comes with the realization of one's gross inadequacy, of knowing for certain that you are at fault. It was the first time I realized that as much as he was two people around us, so were we two people around him: we saw of him what we wanted, and allowed ourselves not to see anything else. We Were so ill-equipped. Most people are easy: their unhappiness are our unhappiness, their sorrows are understandable, their bouts of self-loathing are fast moving and negotiable. But his were not. We don't know how to help him because we lacked the imagination needed to diagnose the problems. But this is making excuses.

Diana, meanwhile, reads every novel she can find that's set on the Cape, and describes for her father the pristine, golden beaches, sand dunes with cranberry bogs and poets' shacks hidden in their declivities. She conjures the taste of briny oysters and butter-drenched lobsters, fried clams eaten with salt water-pruned fingers, ice-cream cones devoured after a day in the sun.

I remember salt smoke from a beach fire And shadows under the pines— Solid, clean…fixed— Seagulls perched at the tip of land, White upon green… And a wind comes through the pines To sway the shadows; The seagulls spread their wings, Lift And fill the sky with screeches. And I hear the wind Blowing across our beach, And the surf, And I see that our fire Has scorched the seaweed.

I went up above the quay past the steps to the hotel. I saw a man through the window with a beer in his hand, and another man with a basket full of eggs. I was feeling heavy now, and tired, and I stood there leaning backwards with my hands crossed behind my back at the end of the breakwater before I walked on to the beach on the other side and some way along on the hard-frozen white sand. It had started to blow a bit, and it was still cold with no snow, so I took off my scarf and tied it round my head and ears and sat down in the shelter of a dune and blew into my hands to warm them before I lit a cigarette. Poker ran along the edge of the water with a seagull’s wing in his mouth, and I was so young then, and I remember thinking: I’m twenty-three years old, there is nothing left in life. Only the rest.

island’s handful of cops can’t enforce it when people ignore the signs and stroll the three miles up from the public beach. Connor is rumored to have set his dogs on such trespassers, even to have chased them off in his dune buggy. When we climb the last dune, I’m pleasantly distracted by the scene before us—the sun a few degrees above the water, miles of deserted sand in either direction, the crashing of the waves. Indeed, it has

As soon as she releases me, Galen grabs my hand and I don’t even have time to gasp before he snatches me to the surface and pulls me toward shore, only pausing to dislodge his pair of swimming trunks from under his favorite rock, where he had just moments before taken the time to hide them. I know the routine and turn away so he can change, but it seems like no time before he hauls me onto the beach and drags me to the sand dunes in front of my house. “What are we doing?” I ask. His legs are longer than mine so for every two of his strides I have to take three, which feels a lot like running. He stops us in between the dunes. “I’m doing something that is none of anyone else’s business.” Then he jerks me up against him and crushes his mouth on mine. And I see why he didn’t want an audience for this kiss. I wouldn’t want an audience for this kiss, either, especially if the audience included my mother. This is our first kiss after he announced that he wanted me for his mate. This kiss holds promises of things to come. When he pulls away I feel drunk and excited and nervous and filled with a craving that I’m not sure can ever be satisfied. And Galen looks startled. “Maybe I shouldn’t have done that,” he says. “That makes it about fifty times harder to leave, I think.” He tucks my head under his chin and I wrap my arms around him until both our breathing returns to normal. I take the time to soak in his scent, his warmth, the hard contours of his-well, his everything. It’s really not fair that he has to leave when he’s only just gotten back. We didn’t have much time to talk on the way back home. We haven’t had much time for anything. “Emma,” he murmurs. “The water isn’t safe for you right now. Please don’t get in it. Please.” “I won’t.” I really won’t. He said please, after all. He lifts my chin with the crook of his finger. His eyes hold all the gentleness and love in the world, with a pinch of mischief. “And take good notes in calculus, or I’ll be forced to cheat off you and for some weird reason that makes me feel guilty.” I wonder what Grom the Triton king would think of that. That Galen basically just stated his intention to keep doing human things. Galen pushes his lips against my forehead, then disentangles himself from me and leads me back toward the water. My body feels ten degrees cooler when his arms fall, and it’s got nothing to do with the temperature outside. We reach the others just in time to see Rayna all but throw herself at Toraf. I can’t help but smile as they kiss. It’s like watching Beauty and the Beast. And Toraf’s not the Beast.

Pedaling down Dune Drive on a red beach cruiser, Dani ahead of her and Vanessa behind her, is a transporting experience. The night is quiet; the air on her face is soft; her hair streams behind her; the stars above are as brilliant as stars in a children's book. They could be nine years old, or fifteen, or twenty-one; they've ridden bikes down Dune Drive at all of those ages and all of the ones in between. There must have been so much more to those summers, but what she remembers are the two weeks she spent in Avalon with Dani and Vanessa—two weeks that always went by too quickly, but that in memory stretch to fill an entire season.

Bethany stands in the middle of the enormous, apparently endless beach surrounded by square miles of damp sand, the surf still some hundred yards off, the light pearly and uniform, the horizon a blurry, darker grey line shading into the clouds. Turning, she sees the black-green jagged stripe of the pines behind the dunes and, beyond that, more unchanging grey sky. A kind of dizziness afflicts her – she senses her insignificance, a small two-legged homunculus in the midst of all this space, a mere speck, a tiny crawling gnat in this elemental simplicity of sand, water and sky. She squats on her haunches, worried she might fall over, and to distract herself takes out her camera and frames a shot of the beach, the sea and the packed clouds – it looks like an abstract painting. Click. It looks like an abstract painting by – what was his name? Colour-field paintings they are called, the three layers of colour-fields in this case being broad, horizontal bands of dark taupe, slate grey, nebulous tarnished silver. It is rather beautiful. She stands up, feeling equilibrium return – maybe she was hungry, and felt faint for a second or two or maybe, she wonders, maybe she has experienced an actual existential moment – an epiphany – and has seen clearly the reality of her place in the world and has felt the nothingness, the vast indifference of the universe…

Lily liked the fog, and didn't even mind the cold wind. She reckoned that Ocean Beach, the dunes there, and the Sunset were the closest San Francisco was going to come to the foreboding, wind-swept moors of England, where she had aspired to suffer romance and heartache when she was a kid. The foghorn, however, rather than a lonesome lament that conjured images of Heathcliff's dark figure, waiting with clenched jaw on the moor for her to bring light and warmth into his life, sounded like a distressed moose tied up in her neighbor's garage, having his nut sack singed with jumper cables at a precise interval calculated to keep her from falling asleep. Which, in turn, made her think of what complete douche bags people could be when all you wanted to do was borrow a defibrillator. Then she was awake and angry.

It is not easy to live alone, for man is a gregarious creature; especially in his youth, powerful instincts offer battle to such a way of life, and in utter solitude odd things may happen to the mind. I lived as a solitary, yes, but I made no pretence of acting the conventional hermit of the pious tract and the Eighteenth Century romance. With my weekly trips to Orleans to buy fresh bread and butter, my frequent visits to the Overlook, and my conversations with the men on night patrol, a mediaeval anchorite would have probably regarded me as a dweller in the market place. It was not this touch with my fellows, however, which alone sustained me. Dwelling thus upon the dunes, I lived in the midst of an abundance of natural life which manifested itself every hour of the day, and from being thus surrounded, thus enclosed within a great whirl of what one may call the life force, I felt that I drew a secret and sustaining energy. There were times, on the threshold of spring, when the force seemed as real as heat from the sun. A sceptic may smile and ask me to come to his laboratory and demonstrate; he may talk as he will of the secret workings of my own isolated and uninfluenced flesh and blood, but I think that those who have lived in nature, and tried to open their doors rather than close them on her energies, will understand well enough what I mean. Life is as much a force in the universe as electricity or gravitational pull, and the presence of life sustains life. Individuals may destroy individuals, but the life force may mingle with the individual life as a billow of fire may mingle for a moment with a candle flame.

The archaeologist attached to the Bayard Dominick’s Marquesan team had reported in 1925 that the Marquesas offered “few opportunities for archaeological research.” But in 1956, a new expedition set out to reexamine the possibilities in these islands at the eastern edge of the Polynesian Triangle. An energetic Columbia University graduate student named Robert Suggs was sent ahead to reconnoiter, and he quickly discovered that the previous generation had gotten it all wrong. Everywhere he looked, he saw archaeological potential. “We were seldom out of sight of some relic of the ancient Marquesan culture,” he writes. “Through all the valleys were scattered clusters of ruined house platforms. . . . Overgrown with weeds, half tumbled down beneath the weight of toppled trees and the pressure of the inexorable palm roots, these ancient village sites were sources of stone axes, carved stone pestles, skulls, and other sundry curios.” There were ceremonial plazas “hundreds of feet long” and, high on the cliffs above the deep valleys, “burial caves containing the remains of the population of centuries past.” The coup de grâce came when Suggs and his guide followed up on a report of a large number of “pig bones” in the dunes at a place called Ha‘atuatua. This windswept expanse of scrub and sand lies on the exposed eastern corner of Nuku Hiva. A decade earlier, in 1946, a tidal wave had cut away part of the beach, and since then bones and other artifacts had been washing out of the dunes. Not knowing quite what to expect, Suggs and his guide rode over on horseback. When they came out of the “hibiscus tangle” at the back of the beach and “caught sight of the debris washing down the slope,” he writes, “I nearly fell out of the saddle.” The bones that were scattered all along the slope and on the beach below were not pig bones but human bones! Ribs, vertebrae, thigh bones, bits of skull vault, and innumerable hand and foot bones were everywhere. At the edge of the bank a bleached female skull rested upside down, almost entirely exposed. Where the bank had been cut away, a dark horizontal band about two feet thick could be seen between layers of clean white sand. Embedded in this band were bits of charcoal and saucers of ash, fragments of pearl shell, stone and coral tools, and large fitted stones that appeared to be part of a buried pavement. They had discovered the remains of an entire village, complete with postholes, cooking pits, courtyards, and burials. The time was too short to explore the site fully, but the very next year, Suggs and his wife returned to examine it. There

So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.

Again, this was an area of the beach that was mostly abandoned. Because of its location and the ample amount of pristine beach to enjoy, it was often ignored.

Almost as soon as we got our baby home, we packed her up to leave. Bindi was six days old when she embarked on her first film shoot (actually, her second, if you count filming her birth). Steve, Bindi, and I headed off for the United States, with a stop first at Australia’s Double Island to film turtles. We drove through the Double Island sand dunes, spending a day filming on the area’s spectacular beaches. Bindi did marvelously. Some of the four-wheel driving was a bit rough, so I would lean over her capsule in the back of the four-wheel drive, helping to hold her head, so that the bouncing of the truck wouldn’t jostle her around too much. Once we arrived on location, she was absolutely content. Fraser, one of the assistants on the shoot, stayed with Bindi while Steve and I filmed. Then we’d walk around behind the camera to hug and kiss her, and I could feed her. She didn’t squeak or squawk. I swear she seemed to keep quiet when John called out “Rolling!

Not yet.” “Have you talked to Andrea’s neighbors to see if they’ve seen him around?” “No. We came here right after the salon.” Russell Morrison considered what he’d been told. “Just because he ran doesn’t mean he’s the one who assaulted Andrea. Neither does anything you’ve learned about him.” “But—” Morrison held up his hands to cut her off. “I’m not saying I think he’s innocent. Hell, he tried to kill an officer, and that doesn’t happen on my watch.” He glanced at Pete. “You sure you’re okay?” “Yeah. Pissed off, but I’m okay.” “Good. You’re the lead on this investigation, but I’m going to put everyone on it.” Pete nodded as they were interrupted by a shout from Fred Burris, one of the officers who’d been in the house. He was approaching them rapidly. “Captain?” he called out. Morrison turned toward him. “Yeah?” “I think we’ve got something,” he announced. “What is it?” “Blood,” he said simply. Henry’s beach house was on Topsail Island, a slit of land half a mile offshore, about forty minutes from Swansboro. Covered by rolling dunes speckled with sawgrass and white sand, the island was popular with families during the summer, though few people lived there year-round. During spring, visitors seemed to have the island all to themselves. Like all homes there, the main floor of the house had been

As I sat through the summer days, listening and watching, I saw what an illusion this security of the dune seemed; even on a windless day at ebb tide, the dune was receding through the accumulation of thousands of tiny losses. The sand on the seaward edge of the dune banked at a sharp angle, running to the beach on one sweep from just below the dune’s peak. Sitting close, I heard this face whisper, a sibilant hesitation, only audible when the seethe of distant wavelets quieted for a few moments. The sound came from liquefied sand, patches of the slope that suddenly lost their grip and turned, in a instant, to fluid from granular solid. The sand hissed as it raced down the slope in narrow chutes. As the flows hit the beach, the sand huffed as it fanned. The slope looked uniform and solid, but gravity spoke otherwise and unlocked one cluster of grains then another. A beetle struggling up the slope unleashed dozens of slippages and a dangling blade of dune grass incised an arc below which the sand was all fallen away. In one afternoon, along a two meter stretch of beach front, the North American continent lost a bucketful of land to the action of beetle feet, grass blades and the fickle grip of sand grains. It took one year for storms and beetle feet to remove the dune. The sabal palm now stood at the top of the beach, still firmly planted among its companions, with just a few of its easternmost roots exposed.

A graph of seal levels over the past five million years looks like a cross section through choppy surf. In yet deeper time, more than seventy million years ago, the height of this surf was magnificent. All of Florida and half of Georgia were shallow seas dotted with islands. The sabal palm’s ancestors likely grew on the sand of these beaches and islands with dinosaurs nibbling on their fruits. On the scale of thousands of years, sand behaves like water. A dune is a ripple. An island is a cresting wave. The sand water rolls, churns, and streams under the power of ocean and wind. Sabal palm is a surfer on those waves.

As a counterpoint to all the staleness, there were the salty, biting North Sea breezes, the slightly fishy sweetness of cold damp sand and the sharp grass that grows in it. In summer the manicured grass of quad lawns and night-time bonfires on the beach. A kiss in the dunes from a dashing young chap with beer and ciggies on his breath, and a faint whiff of horse on his shirt. My scents for university days are: Anaïs Anaïs by Cacharel Lily of the Valley by Yardley Obsession by Calvin Klein Sel Marin by Heeley Wood Sage and Sea Salt Cologne by Jo Malone London Bas de Soieby Serge Lutens Cuir de Russie by Chanel Peau de Bête by Liquides Imaginaires

What do you think? There, isn’t that the finest of negative landscapes? Look, on the left we have that pile of ashes they call a dune here, with the grey dyke on our right, the pallid beach at our feet and, in front of us, the sea, the colour of diluted washing powder, it’s pale waters reflected in the vast sky above. A soft hell, it really is! Nothing but horizontals, no brightness: colourless space and dead life. Is it not universal obliteration, a void perceptible to the eyes? No men, above all, no men! Just you and I, only us, face-to-face with a planet that is finally empty. The sky is alive? You’re right, dear friend. It thickens then sinks back, opens up airy staircases, then closes its doors of cloud.

Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than with night. Primitive folk, gathered at a cave mouth round a fire, do not fear night; they fear, rather, the energies and creatures to whom night gives power; we of the age of the machines, having delivered ourselves of nocturnal enemies, now have a dislike of night itself. With lights and ever more lights, we drive the holiness and beauty of night back to the forests and the sea; the little villages, the crossroads even, will have none of it. Are modern folk, perhaps, afraid of night? Do they fear that vast serenity, the mystery of infinite space, the austerity of stars? Having made themselves at home in a civilization obsessed with power, which explains its whole world in terms of energy, do they fear at night for their dull acquiescence and the pattern of their beliefs? Be the answer what it will, to-day’s civilization is full of people who have not the slightest notion of the character or the poetry of night, who have never even seen night. Yet to live thus, to know only artificial night, is as absurd and evil as to know only artificial day. Night is very beautiful on this great beach. It is the true other half of the day’s tremendous wheel; no lights without meaning stab or trouble it; it is beauty, it is fulfilment, it is rest. Thin clouds float in these heavens, islands of obscurity in a splendour of space and stars: the Milky Way bridges earth and ocean; the beach resolves itself into a unity of form, its summer lagoons, its slopes and uplands merging; against the western sky and the falling bow of sun rise the silent and superb undulations of the dunes.

Ortega 12th April, 2014 I am writing this as fast as I can. The doors on the Phaedra don’t lock, and Mom could walk in any moment. I have no privacy. I am the only twelve-year-old girl I know who has to share a room with her mom. I have pointed out how unfair it is, the way the jellyfish equipment takes up the whole front of the boat, but Mom won’t listen. Typical – the jellyfish get their own room and I don’t. I’m not trying to make excuses for my handwriting or anything, but if it is all scrawly that’s because my arm’s so trembly I can hardly hold the pen. I think it’s from gripping on to the tractor for so long. The entire way home I had to cling to the wheel arch, sitting up there behind Annie like a parrot perched on a pirate’s shoulder. The way she drove along those rutted jungle tracks, I was petrified I was going to lose hold and fall beneath the wheels. By the time we reached the bay and I could see the Phaedra, my body had been shaken up like a can of fizzy drink. There was no sign of Mom as the tractor lumbered over the dunes and down the beach towards the sea. I was kind of relieved, to tell the truth. The whole time at Annie’s house I had been desperate to get back to the boat, but now that I was home I felt sick at the thought of facing Mom. She would be furious with me. I had been gone for two whole days…

Holly was grateful for the shelter of the dunes. The wind had a habit of rattling along the coastline, sweeping across the flatlands and cutting through even the hardiest of winter clothing. Where they were sitting, beyond the thick pine forests of the Holkham estate, there was shelter of sorts. She watched the others building a fire on the beach below, gathering driftwood and any fallen branches scavenged from the nearby woods. In the summertime, the estate routinely sent groundskeepers out to ensure open fires were not set but not at this time of year. Early spring could be lovely on the Norfolk coast, bright sunshine, warming on the skin. As long as the prevailing wind wasn’t whipping in off the North Sea, at least. The sun had long since set and the chill of the evening was beginning to bite.

As he struggled to handle the vehicle, his instructor patiently explaining how to accelerate and steer, he found himself wishing he were back home, reading a book about detectives that drive around in dune buggies and solve mysteries on the beach. Once he flipped the dune buggy and was kicked off the course, he went back to his hotel room and wrote the article in less than an hour and then smoked pot until he fell asleep. He had assumed the same thing would happen with the potato gun story, a few hours of boring explanations of how the cannons were built and what principles they operated on before he watched them fire off a few rounds of potatoes.

I sat up a bit and looked out over the railing toward the ocean. The sight always took my breath away. The dark green velvet of the front yard contrasted with the radiant white of the sand dunes that separated the family’s property from the beach. The white mounds cut a wavy line across the deep blue of the Atlantic, like the finger paint of a child in his first attempt to create something beautiful. Feathery sea oats grew in clumps across their tops. The water glistened and the sun danced on the phosphorus. An illusory field of diamonds.

The children ran ahead. A white trail of sand cut through the scrub pine and the yellowing beach grass, rising across the dunes and then dropping down again to the wide white beach that then itself dropped down again, sharply, a kind of cliff, a kind of collapse—the way the children felt their breaths collapse, coming to its edge, to the terrific thunderclap of the ocean.

beach. They were perfectly safe. Michael’s head crested the dune again. Then his shoulders, the rump of his blue jeans, the short barrel of his machine gun. He was crawling on his belly along the top of the dune, crushing the sea grass, filling his shirt and the pockets of his pants with sand. She would have to remember to shake him out before he got into the car.

Place Message Here" I knew that somewhere Jesus wept. --Larry Brown, Dirty Work That was when our love began for me, though late, the way a flock of darkness settles over your shoulders. I remember the muted reflections that smudged the water prowling among the lingering rocks, a snail crawling out of its shell, the drizzle of light, the blackened windows. It was when that the sun peeled away the dark from the air, the surface of the water, then the soul. It was only then that I could read the shadows that followed our words. It seemed that the whole planet was taking aim at our future. I thought, then, that I could see your own soul in the constant waves tearing unconcerned at the impenetrable dunes. I wanted, then, to believe the moon is a flower, fragrant, its stem tossed across the water. It was then that I entered some other world, the way your life wakes suddenly in the middle of the night to find your own worn-out dreams lying in sheets around you, an empty bottle on the table, and yet some voice stumbling down the hallway of the wind trying the locked doors of the heart, calling out your name. It was then on that shore after I heard the news of my friend's heart tearing open like a wet paper bag. I was standing where Marconi sent his messages which seemed to fill the air, still, like swallows. There is always another life in the corner of our eyes, one that begins because our poor words have never said what we meant at the time. Today, here, ladybugs fill my porch screen trying to reach the early sun that radiates through the fine mesh. They halt there like messages never received, empty husks of some abandoned future we can never know. Why is it we love so fully what has washed up on the beaches of our hearts, those lost messages, lost friends, the daylight stars we never get to see? Bad luck never takes a vacation, my friend once wrote. It lies there among the broken shells and stones we collect, a story he would say begins with you, with me, a story that is forever lost among the backwaters of our lives, our endless fear of ourselves, and our endless need for hope, a story, perhaps an answer, a word suddenly on wing, the simple sound of a torn heart, or the unmistakable scent of the morning's fading moon. Richard Jackson, The Cortland Review. Spring 2005.

Listen close—my previous life was good. My mind has many pleasant memories: Camping on the Wensome’s chalk river shores, Running in green fields, picking spring flowers, Exploring the sand dunes and pine forests, A picnic on the mud flats, carefree days At home with my family in the village, Watching the terns, sedge warblers and swallows, Lessons in cooking and animal care, Untamed rivers and lakes, games with my friends, Sandy beaches, marshes, fens, and reed beds, The barn owl who liked to sing every night, Stirring conversations with my husband, Mundane chores alongside both my daughters, Magical countryside, large gray stone blocks, Tall flint walls in a nearby Roman town, Spongy saltmarsh, woodlands, and butterflies. It was all a gift, all blessed—and now I feel an unexpected clarity.

Steps Beach has, quite possibly, the most beautiful approach of any beach in the world. You descend forty-three steps into sand dunes covered by rosa rugosa, which in the height of summer blooms with pink and white flowers. Dionis Beach is where Richie is found asleep in his car in this novel. In the book, I say that Dionis has public showers—this is fiction. It does not have showers.

What are the chances that two people end up on the same beach on the same day, who have a hidden past?

The morning was fresh from the rain. The smell of the tide pools was strong. Sweet odors came from the wild grasses in the ravines and from the sand plants on the dunes. I sang as I went down the trail to the beach and along the beach to the sandspit. I felt that the day was an omen of good fortune.

Paradise Isle by Stewart Stafford In superstitious guidance, I discovered your shallows, Ingénues' on naked dunes, Edenites of Paradise Isle. Tragedy and chance are but pirates; One welcome, both shocking rogues, Am I a castaway or a sleepwalker? Let motivations as explorers gather. Leaving footprints only we can see, The wet sand, a camouflage ally, We quit the beach and head inland, As crabs in shade to the waterline crawl. © Stewart Stafford, 2023. All rights reserved.

Some critics claim that scientists, in their desire to explain everything, reduce the wonders of the universe to little more than equations and chemical reactions. To which I say, stand on a beach one day and look at the waves and the patterns of sand dunes through the fingers of your hand. Consider that all these phenomena are connected by the same underlying principles of nature. Consider that all these beautiful patterns emerge from the dissipation of free energy and all start as tiny imperfections.

Storm Island is a little south of here,” explained Frank, opening a chart. “It’s nothing but a pile of rocks in the sea, according to Worth. The light hasn’t been used in years, since there’s no more shipping from Larchmont.” They left the harbor and headed the boat south on the blue-green sea. The white dunes of the beach were far over to their right. The horizon was a line where the powder-blue sky met the darker hue of the ocean. Then a pile of jumbled rocks came into view. “Must be Storm Island,” Frank said briefly. As they came closer, they saw that the islet was indeed nothing but a mass of rock, about a hundred yards long. From its center rose a conical wooden tower with a black roof and gaping windows. They landed at a little stone jetty and tied up the boat, then mounted some stone steps that apparently led to a path to the lighthouse. Quickly the boys looked around for the gangling figure of the professor. No one was in sight.

Our elders say that ceremony is the way we can remember to remember. In the dance of the giveaway, remember that the earth is a gift that we must pass on, just as it came to us. When we forget, the dances we’ll need will be for mourning. For the passing of polar bears, the silence of cranes, for the death of rivers and the memory of snow. When I close my eyes and wait for my heartbeat to match the drum, I envision people recognizing, for perhaps the first time, the dazzling gifts of the world, seeing them with new eyes, just as they teeter on the cusp of undoing. Maybe just in time. Or maybe too late. Spread on the grass, green over brown, they will honor at last the giveaway from Mother Earth. Blankets of moss, robes of feathers, baskets of corn, and vials of healing herbs. Silver salmon, agate beaches, sand dunes. Thunderheads and snowdrifts, cords of wood and herds of elk. Tulips. Potatoes. Luna moths and snow geese. And berries. More than anything, I want to hear a great song of thanks rise on the wind. I think that song might save us. And then, as the drum begins, we will dance,

Chaos awaited him on the beaches near Arzew. An unanticipated westerly set had pushed the transports and landing craft off course. Dozens of confused coxswains tacked up and down the coast in the dark, looking for the right beaches. Most of the soldiers carried more than 100 pounds of equipment; one likened himself to a medieval knight in armor who had to be winched into the saddle. Once ashore, feeling the effect of weeks aboard ship with a poor diet and little exercise, they staggered into the dunes, shedding gas capes, goggles, wool undershirts, and grenades. Landing craft stranded by an ebb tide so jammed the beaches that bulldozers had to push them off, ruining their propellers and rudders. The

trained and ready to fight. “I now have a really intensive faith in the First Division. They are 1,000 percent better than they were…. They are young but are hard and fit. Please remember that I am thinking of you and Sonny all the time.” He swung a leg over the side of the Reina del Pacifico and with a gymnast’s grace scrambled down the net to the waiting boat below.   Chaos awaited him on the beaches near Arzew. An unanticipated westerly set had pushed the transports and landing craft off course. Dozens of confused coxswains tacked up and down the coast in the dark, looking for the right beaches. Most of the soldiers carried more than 100 pounds of equipment; one likened himself to a medieval knight in armor who had to be winched into the saddle. Once ashore, feeling the effect of weeks aboard ship with a poor diet and little exercise, they staggered into the dunes, shedding gas capes, goggles, wool undershirts, and grenades. Landing craft stranded by an ebb tide so jammed the beaches that bulldozers had to push them off, ruining their propellers and rudders. The flat-bottomed oil tankers that were supposed to haul light tanks onto the beach instead ran aground 300 feet from shore; engineers spent hours building a causeway through the surf.

Rising after a few moments onto my elbows, I looked, for the first - and probably last - time in my life, at something I'd never seriously imagined I'd cast my eyes upon: a hundred miles of sand in every direction, a hundred miles of absolutely gorgeous, unspoiled nothingness. I wiggled my bare toes in the sand and lay there for a long time, watching the sun drop slowly into the dunes like a deflating beach ball, the color of the desert quickly transforming from red to gold to yellow ochre to white, the sky changing, too. I was wondering how a miserable, manic-depressive, overage, undeserving hustler like myself - a utility chef from New York City with no particular distinction to be found in his long and egregiously checkered career - on the strength of one inexplicably large score, could find himself here, seeing this, living the dream. I am the luckiest son of a bitch in the world, I thought, contentedly staring out at all that silence and stillness, feeling, for the first time in a while, able to relax, to draw a breath unencumbered by scheming and calculating and worrying. I was happy just sitting there enjoying all that harsh and beautiful space. I felt comfortable in my skin, reassured that the world was indeed a big and marvelous place.

Gaffer’s torch powers on and then it is turned off again. It is then the sea is visible, the sound of the ocean woven with the racing breeze as they cross a road and follow a sandy path through dunes onto a beach and she knows the name of this beach, she has been here so many times before, and there is a man standing in a pale anorak with his hood pulled up texting into a phone and she sees two inflatable boats by the water’s edge and something inside her is flung when she sees the ocean dark and barren but for the rollers breaking whitely by the headland.

Mahabalipuram, Celeste leads Digby through the dunes. Ahead of them, the milky white ribbon of beach is interrupted by dark rock shapes, like the wrecked hulls of ships.