Battery Dead Quotes

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Books are the perfect entertainment: no commercials, no batteries, hours of enjoyment for each dollar spent. What I wonder is why everybody doesn't carry a book around for those inevitable dead spots in life.
Stephen King
Every time he looked at me I felt like I'd touched my tongue to the tip of a battery. In art class I'd watch him lean back and listen and I was nothing but zing and tingle. After a while, the tingle turned to electricity, and when he asked me out my whole body amped to a level where technically I should have been dead. I had nothing in common with a sheddy like him, but a girl doesn't think straight when she's that close to electrocution.
Cath Crowley (Graffiti Moon)
For your birthday I got you some batteries. They’re dead, just like you’ll soon be.
Jarod Kintz (So many chairs, and no time to sit)
Gemma Davidson,” she answered, her voice as groggy as I felt. “Where are you?” I asked. “Who is this?” “Elvis.” “What time is it?” “Hammer time?” “Charley.” “Did you text me? Did your car break down?” “No and no. Why are you doing this to me?” She was funny. “Check your cell.” I heard a loud, sleepy sigh, some rustling of sheets, then, “It won’t come on.” “Not at all?” “No. What did you do to it?” “I ate it for breakfast. Check the battery compartment.” “Where the hell is that?” “Um, behind the battery door.” “Are you punking me?” I heard her fumbling with the phone. “Gem, if I was going to punk you, I wouldn't simply turn off your phone. I would pour honey in your hair while you slept. Or, you know, something like that.” “That was you?” she asked, appalled.
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
There should be a phone service that turns off your phone between midnight and six A.M. every night. And if you want to make a call, you have to pick up the phone and talk to an operator: Put me through to AAA. My car battery's dead. Yes, ma'am. Put me through to Pink Dot. I need vanilla Häagen-Dazs toute de suite! Yes, ma'am. Put me through to my ex-boyfriend... I'm sorry, ma'am, the operator would say. That would be a bad idea. Now you go to bed before you do anything stupid.
Kim Gruenenfelder (A Total Waste of Makeup (Charlize Edwards, #1))
Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.
David Mitchell (The Bone Clocks)
...A book connects you to the universe like a cell phone connects you to the Internet...But it only work if your battery's not dead. Mr. Nowak
Paul Acampora (I Kill the Mockingbird)
Now, bitterly, with one sweep of the front door, the compassion was spent. To the degree that Lawrence's face was familiar, it was killingly so - as if she had been gradually getting to know him for over nine years and then, bang, he was known. She'd been handed her diploma. There were no more surprises - or only this last surprise, that there were no more surprises. To torture herself, Irina kept looking, and looking, at Lawrence's face, like turning the key in an ignition several times before resigning herself that the battery was dead.
Lionel Shriver (The Post-Birthday World)
I am a battery hen. I live in a cage so small I cannot stretch my wings. I am forced to stand night and day on a sloping wire mesh floor that painfully cuts into my feet. The cage walls tear my feathers, forming blood blisters that never heal. The air is so full of ammonia that my lungs hurt and my eyes burn and I think I am going blind. As soon as I was born, a man grabbed me and sheared off part of my beak with a hot iron, and my little brothers were thrown into trash bags as useless alive. My mind is alert and my body is sensitive and I should have been richly feathered. In nature or even a farmyard I would have had sociable, cleansing dust baths with my flock mates, a need so strong that I perform 'vacuum' dust bathing on the wire floor of my cage. Free, I would have ranged my ancestral jungles and fields with my mates, devouring plants, earthworms, and insects from sunrise to dusk. I would have exercised my body and expressed my nature, and I would have given, and received, pleasure as a whole being. I am only a year old, but I am already a 'spent hen.' Humans, I wish I were dead, and soon I will be dead. Look for pieces of my wounded flesh wherever chicken pies and soups are sold.
Karen Davis
And yet the city is not dead: the machines, the engines, the turbines continue to hum and vibrate, every Wheel's cogs are caught in the cogs of other wheels, trains run on tracks and signals on wires; and no human is there any longer to send or receive, to charge or discharge. The machines, which have long known they could do without men, have finally driven them out; and after a long exile, the wild animals have come back to occupy the territory wrested from the forest: foxes and martens wave their soft tails over the control panels starred with manometers and levers and gauges and diagrams; badgers and dormice luxuriate on batteries and magnetos. Man was necessary; now he is useless. For the world to receive information from the world and enjoy it, now computers and butterflies suffice.
Italo Calvino (The Castle of Crossed Destinies)
I rooted through my pocketbook and did a fast paraphernalia inventory. I was carrying defense spray, which was a big no-no in a crowded mall. And I carried a stun gun, which on close examination turned out to need a new battery. My two pairs of cuffs were in working order, and I had an almost full can of hair spray. Okay, probably I wasn't the world's best-equipped bounty hunter. But then what did I really need to bring in an old guy with a nose that looked like a penis and a loser hot dog vendor?
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Tracy looked at me with affectionate pity. "You feel alive. Regular people feel dead." "I have new batteries in.
Cate Tiernan (Darkness Falls (Immortal Beloved, #2))
Of course my battery dies. Fucking figures the only thing dead in this coffin is the one thing that shouldn’t be.
Shaun David Hutchinson (The Past and Other Things That Should Stay Buried)
Honey, have you seen my measuring tape?” “I think it’s in that drawer in the kitchen with the scissors, matches, bobby pins, Scotch tape, nail clippers, barbecue tongs, garlic press, extra buttons, old birthday cards, soy sauce packets thick rubber bands, stack of Christmas napkins, stained take-out menus, old cell-phone chargers, instruction booklet for the VCR, some assorted nickels, an incomplete deck of cards, extra chain links for a watch, a half-finished pack of cough drops, a Scrabble piece I found while vacuuming, dead batteries we aren’t fully sure are dead yet, a couple screws in a tiny plastic bag left over from the bookshelf, that lock with the forgotten combination, a square of carefully folded aluminum foil, and expired pack of gum, a key to our old house, a toaster warranty card, phone numbers for unknown people, used birthday candles, novelty bottle openers, a barbecue lighter, and that one tiny little spoon.” “Thanks, honey.” AWESOME!
Neil Pasricha (The Book of (Even More) Awesome)
When one is undone—sprawled across the cold tile of a public bathroom in a pool of one’s own vomit, or shivering in the back of a taxi in a pair of urine-soaked skinny jeans with no money for cab fare and a dead cell phone battery—much like a wobbly toddler or an unhinged politician, one immediately looks for someone else to blame. God. Your parents. Ex-girlfriends. Undocumented immigrants. Marvin in Human Resources. China.
Aisha Tyler (Self-Inflicted Wounds: Heartwarming Tales of Epic Humiliation)
A brick could be used as a flashlight. What, still dark? Check the batteries, because they may be dead. 

Jarod Kintz (Brick)
And now I’m old. That bus is parked permanently. The battery is dead. And I can’t remember where I put the jumper cables.
Adriana Trigiani (Brava, Valentine)
Yeah, I do. Matthias is right.” Wow. That tasted like battery acid, mixed with jalapeno cyanide and shoved down my throat with a spiked spoon.
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
The battery was almost dead, probably because she had forgotten to turn off the recording after her talk.
Ali Hazelwood (The Love Hypothesis)
Horsfall was fond of practical jokes. He once wired up a toilet seat to a battery and waited for a girlfriend to use it. 'The scream that Kath gave when the magneto was turned on was most satisfying,' he recalled. He even wrote a poem to commemorate the occasion. I gave her time to start her piddle Then gave the thing a violent twiddle Before I could complete a turn She closed the circuit with her stern, And shooting off the wooden seat Emitted a most piercing shriek.
Ben Macintyre (Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory)
God was dead: to begin with. And romance was dead. Chivalry was dead. Poetry, the novel, painting, they were all dead, and art was dead. Theatre and cinema were both dead. Literature was dead. The book was dead. Modernism, postmodernism, realism and surrealism were all dead. Jazz was dead, pop music, disco, rap, classical music, dead. Culture was dead. Decency, society, family values were dead. The past was dead. History was dead. The welfare state was dead. Politics was dead. Democracy was dead. Communism, fascism, neoliberalism, capitalism, all dead, and marxism, dead, feminism, also dead. Political correctness, dead. Racism was dead. Religion was dead. Thought was dead. Hope was dead. Truth and fiction were both dead. The media was dead. The internet was dead. Twitter, instagram, facebook, google, dead. Love was dead. Death was dead. A great many things were dead. Some, though, weren’t, or weren’t dead yet. Life wasn’t yet dead. Revolution wasn’t dead. Racial equality wasn’t dead. Hatred wasn’t dead. But the computer? Dead. TV? Dead. Radio? Dead. Mobiles were dead. Batteries were dead. Marriages were dead, sex
Ali Smith (Winter (Seasonal #2))
I put the Sonicaid probe onto a mum’s abdomen in antenatal clinic and turn it on, waiting for the familiar SWOOSH SWOOSH SWOOSH of baby’s heartbeat. Nothing. Bloody batteries. I flick the on/off switch a couple more times, then apologize to the patient. ‘Sorry, I think this one’s dead.’ As the mum’s face collapses like a bouncy castle at closing time, I urgently clarify: ‘The Sonicaid! The Sonicaid!
Adam Kay (Twas The Nightshift Before Christmas)
Thus, his ambition led him not to relieve his patients’ madness, but to exasperate it—to let it breathe with a life of its own. And this he did in certain ways that wholly eradicated what human attributes remained in these people. But sometimes that peculiar magic he saw in their eyes would seem to fade, and then he would institute his ‘proper treatment,’ which consisted of putting them through a battery of hellish ordeals intended to loosen their attachment to the world of humanity and to project them further into the realm of the ‘silent, staring universe’ where the insanity of the infinite might work a rather paradoxical cure. The result was something as pathetic as a puppet and as exalted as the stars, something at once dead and never dying, a thing utterly without destiny and thus imperishable, forever consigned to that abysmal vacuity which is the essence of all that is immortal.
Thomas Ligotti (Songs of a Dead Dreamer)
Electricity," Purva said, rolling the strange new word around in her mouth, giving it at once an Australian and a French inflection. "Sir William was playing around with it when we met, do you remember?" Jack said to Clare. "He was storing charges in boxes." "I remember he was blowing things up," Clare replied. "Six of one..." Jack grinned. "Nobody really knows how it works, but down here it powers most of the lights in the big cities and parts of the automobiles and the stoves in the train kitchen. You can store the power in blocks, then hook it up to anything you might otherwise run on a boiler. It's cooler, and the blocks last longer than coal. I think I can reproduce it when we get home, if I can take enough schematics with me." "He is going to kill himself," Purva said, but her tone was casual, not overly worried. "I'm not going to kill myself," Jack answered, equally casual. "Just because it can cause your heart to stop doesn't mean it always does.
Sam Starbuck (The Dead Isle)
Warning: “Good Intentions” contains violence, explicit sex, nudity, inappropriate use of church property, portrayals of beings divine and demonic bearing little or no resemblance to established religion or mythology, trespassing, bad language, sacrilege, blasphemy, attempted murder, arguable murder, divinely mandated murder, justifiable murder, filthy murder, sexual promiscuity, kidnapping, attempted rape, arson, dead animals, desecrated graves, gang activity, theft, assault and battery, panties, misuse of the 911 system, fantasy depictions of sorcery and witchcraft, multiple references to various matters of fandom, questionable interrogation tactics, cell phone abuse, reckless driving, consistent abuse of vampires (because they deserve it), even more explicit sex, illegal use of firearms within city limits, polyamory, abuse of authority, hit and run driving, destruction of private property, underage drinking, disturbances of the peace, disorderly conduct, internet harassment, bearers of false witness, mayhem, dismemberment, falsification of records, tax evasion, an uncomfortably sexy mother, bad study habits, and a very silly white guy inappropriately calling another white guy “nigga” (for which he will surely suffer). All characters depicted herein are over the age of 18, with the exception of one little girl who merely needs to get her cat out of a tree. Don’t worry, nothing bad happens to her. She makes it through the story just fine.
Elliott Kay (Good Intentions (Good Intentions, #1))
His forehead, however, was disfigured by what looked like a haphazard assortment of eyes, eight in number, of different sizes and shapes. They went in pairs, and whenever two were in use, it was indicated by a peculiar shining - the rest remained dull, until their turn came. In addition to the upper eyes he had the two lower ones, but they were vacant and lifeless. This extraordinary battery of eyes, alternatively alive and dead, gave the young man an appearance of almost alarming mental activity.
David Lindsay (A Voyage to Arcturus)
Speak to me about power. What is it?” I do believe I’m being out-Cambridged. “You want me to discuss power? Right here and now?” Her shapely head tilts. “No time except the present.” “Okay.” Only for a ten. “Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.” Immaculée Constantin is unreadable. “How?” “By coercion and reward. Carrots and sticks, though in bad light one looks much like the other. Coercion is predicated upon the fear of violence or suffering. ‘Obey, or you’ll regret it.’ Tenth-century Danes exacted tribute by it; the cohesion of the Warsaw Pact rested upon it; and playground bullies rule by it. Law and order relies upon it. That’s why we bang up criminals and why even democracies seek to monopolize force.” Immaculée Constantin watches my face as I talk; it’s thrilling and distracting. “Reward works by promising ‘Obey and benefit.’ This dynamic is at work in, let’s say, the positioning of NATO bases in nonmember states, dog training, and putting up with a shitty job for your working life. How am I doing?” Security Goblin’s sneeze booms through the chapel. “You scratch the surface,” says Immaculée Constantin. I feel lust and annoyance. “Scratch deeper, then.” She brushes a tuft of fluff off her glove and appears to address her hand: “Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
David Mitchell (The Bone Clocks)
Chicago is in the Midwest, and yes, we’re probably way nicer than New Yorkers, but don’t get it twisted—we are still not making eye contact and saying hi to you while you measure out your buckwheat groats in the bulk section of the health food store. Lots of people are theoretically nice, but when you need them to jump your car’s dead battery they act like the text didn’t go through. And that’s fine. We big-city folk understand that “Call me if you need help moving next week” loosely translates to “BITCH, I DARE YOU.” But I might need a hand getting my firewood into the house, and it would be amazing to shout over the fence for Bill and his unironic cargo shorts to come over and give me one.
Samantha Irby (We Are Never Meeting in Real Life.)
It was about practice, practice, practice (for they knew not what). Then, on the day, it was about the constant monitoring of data–glide paths, magnetic compass deviations, dead reckoning pinpoints, calculations of fuel according to atmosphere and so on. These men were not just beefy brave chaps; they had real brains. Lancasters cannot take off at night in formation and fly low for hundreds of miles, drop an enormous bomb that is spinning at 500 revolutions per minute from exactly the right height and then move on to another target before returning home–all the time under fire from enemy anti-aircraft batteries–without a particular kind of steady, unblinking courage, tenacity and will that is out of the ordinary.
Andrew Roberts (The Storm of War: A New History of the Second World War)
you’re dead set on creating explosions that a crematory operator would hear and would definitely be freaked out by, don’t leave unpopped popcorn in your body. Instead, try leaving a pacemaker in your body. (Note: I one-thousand-percent do not recommend doing this. I’m making a joke. See, I can make jokes too, Tim.) A pacemaker helps living people control their heartbeat, speeding up the heart if needed, slowing the heart down if needed. It’s a cute lil’ thing, the size of a small cookie, that is basically a battery, generator, and some wires implanted (through surgery) into the body. It can save your life if your heart is misfiring. But if a pacemaker is not removed from a dead body before the cremation, it can turn into a tiny bomb.
Caitlin Doughty (Will My Cat Eat My Eyeballs?: And Other Questions About Dead Bodies)
If we were going to determine what was broken in the radios, we needed a power source. With no electricity, this meant batteries. [...] we'd walk to the trading center and look for used cells that had been tossed in the waste bins. [...] First we'd test the battery to see if any juice was left in it. We'd attach two wires to the positive and negative ends and connect them to a torch bulb. The brighter the bulb, the stronger the battery. Next we'd flatten the Shake Shake carton and roll it into a tube, then stack the batteries inside, making sure the positives and negatives faced in the same direction. Then we'd run wires from each end of the stack to the positive and negative heads inside the radio, where the batteries normally go. Together, this stack of dead batteries usually contained enough juice to power a radio.
William Kamkwamba (The Boy Who Harnessed the Wind: Creating Currents of Electricity and Hope)
You called?" Sounding casual is difficult when it feels like you're heart's river-dancing in your rib cage. "Yes. I just wondered where you were. You didn't answer your cell. Is everything okay?" She sighs, but I can't tell if it's in relief or parental aggravation. "Everything's fine. My battery is dead, but Galen bought me a charger to keep over here, so it's charging." "How sweet of him," she says, knowing good and well she instructed him to do so. "Well, just wanted to check in. Should I wait up for you? I don't appreciate you missing curfew the last few nights. Technically, staying over there until four in the morning is a coed sleepover, which I don't allow, or had you forgotten? Your trip to Florida with Galen's family was a special circumstance." "I stayed the night at Chloe's all the time with JJ there." JJ is Chloe's eight-year-old brother. Not a great comeback, but it will have to do.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Eric Steele utilized the Mark XI’s voice command function by saying, “Nav,” and a map appeared in the upper-right quadrant of the visor. The yellow blinking arrow told him that he needed to come left, so he lowered his shoulder and banked gently until he was locked on the correct glide path. This thing is legit. Steele had grown up on James Bond and thought being a spy was all about the gadgets. But in the real world batteries failed and an operator lived and died by making a plan and sticking to it. One of the main reasons Steele was still alive while so many of his friends were dead was because he didn’t leave anything to chance. He carefully brought his left arm up to eye level and double-checked the Mark XI’s readings with the GPS/altimeter combo strapped to his forearm. Once he was sure that he knew exactly where he was, he snapped his arms tight and accelerated to 200 miles per hour.
Sean Parnell (Man of War (Eric Steele #1))
From Dad to Dr. Janelle Kurtz, a shrink at Madrona Hill Dear Dr. Kurtz, My friend Hannah Dillard sang your praises regarding her husband, Frank’s, stay at Madrona Hill. From what I understand, Frank was struggling with depression. His inpatient treatment at Madrona Hill, under your supervision, did him wonders. I write you because I too am deeply concerned about my spouse. Her name is Bernadette Fox, and I fear she is very sick. (Forgive my shambolic penmanship. I’m on an airplane, and my laptop battery is dead so I’ve taken up a pen for the first time in years. I’ll press on, as I think it’s important to get everything down while it’s fresh in the memory.) I’ll begin with some background. Bernadette and I met about twenty-five years ago in Los Angeles, when the architecture firm for which she worked redesigned the animation house for which I worked. We were both from the East Coast and had gone to prep school. Bernadette was a rising star. I was taken by her beauty, gregariousness, and insouciant charm.
Maria Semple (Where'd You Go, Bernadette)
God was dead: to begin with. And romance was dead. Chivalry was dead. Poetry, the novel, painting, they were all dead, and art was dead. Theatre and cinema were both dead. Literature was dead. The book was dead. Modernism, postmodernism, realism and surrealism were all dead. Jazz was dead, pop music, disco, rap, classical music, dead. Culture was dead. Decency, society, family values were dead. The past was dead. History was dead. The welfare state was dead. Politics was dead. Democracy was dead. Communism, fascism, neoliberalism, capitalism, all dead, and marxism, dead, feminism, also dead. Political correctness, dead. Racism was dead. Religion was dead. Thought was dead. Hope was dead. Truth and fiction were both dead. The media was dead. The internet was dead. Twitter, instagram, facebook, google, dead. Love was dead. Death was dead. A great many things were dead. Some, though, weren’t, or weren’t dead yet. Life wasn’t yet dead. Revolution wasn’t dead. Racial equality wasn’t dead. Hatred wasn’t dead. But the computer? Dead. TV? Dead. Radio? Dead. Mobiles were dead. Batteries were dead. Marriages were dead, sex lives were dead, conversation was dead. Leaves were dead. Flowers were dead, dead in their water. Imagine being haunted by the ghosts of all these dead things. Imagine being haunted by the ghost of a flower. No, imagine being haunted (if there were such a thing as being haunted, rather than just neurosis or psychosis) by the ghost (if there were such a thing as ghosts, rather than just imagination) of a flower. Ghosts themselves weren’t dead, not exactly. Instead, the following questions came up: “are ghosts dead are ghosts dead or alive are ghosts deadly” but in any case forget ghosts, put them out of your mind because this isn’t a ghost story, though it’s the dead of winter when it happens, a bright sunny post-millennial global-warming Christmas Eve morning (Christmas, too, dead), and it’s about real things really happening in the real world involving real people in real time on the real earth (uh huh, earth, also dead):
Ali Smith (Winter (Seasonal, #2))
Deprived of all forms of memory, people would act only to satiate the immediacy of their base cravings. Without past memories acting as guidepost, humankind’s dynamics diminish to the entropy of commission and reaction. The desire to achieve lastingness would be frivolous without appreciation of our joint history. In absence of historical awareness, there could be no culture dialogue or community inwardness. Absent historical awareness, there would be no evolving community consciousness and there would be no social engine capable of generating any communities’ battery of self-determinacy. Self-improvement would be frivolous without forging an intimate relationship with our historiology as well as familiarity with the account of select people’s exhibited character traits that we might wish to emulate. Notions of personal pliancy and individual lability would lose its root structure without the prongs of memory to provide the necessary griddle and supporting trusses to configure and provide cohesion for our developing sense of selfhood.
Kilroy J. Oldster (Dead Toad Scrolls)
Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
David Mitchell (The Bone Clocks)
Engine room fire alarm’?” Rusty said. There was a moment of confusion before it kicked in. “ENGINE ROOM FIRE ALARM?” * * * “What the hell is that sound?” Harvey Tharpe said, rubbing his eyes as he opened the cabin door. Being on this yacht was better than being on the lifeboat but not much. They were packed in like sardines. There was food but being woken up in the middle of the night by a blaring “Squeee! Squeee! ” was not his idea of fun. The former businessman had been “robust” before being cast adrift on a lifeboat in a zombie apocalypse. He still had his height and some solidity. So he was more than a bit surprised when the short, blonde skipper of the boat, wearing not much more than a camisole and panties smashed him out of the way like an NFL linebacker on her way aft. “MOVE PEOPLE!” the boat captain shouted, continuing to hammer her way through the crowd of refugees. * * * “Fuck a freaking duck,” Sophia said, opening the door to the engine compartment. The smoke wasn’t so bad she needed a respirator but it was bad. And they were dead in the water. All the power except the shrieking alarm was out. She threw the main battery disconnect, then picked up one of the industrial fire extinguishers and played it over the exterior of the main breakers which were the source of the fire. “Skipper?” Paula said, picking another one up. “We need to get it open before we use them all up,” Sophia said, putting her hand on the extinguisher. “Get Rusty to get all the passengers up, out and on the sundeck.” She slid one hand into a rubber glove and popped open the main breaker panel. The whole thing was smoldering so she played the rest of the fire extinguisher over it until it was cold. A tick checker showed that the whole thing was electrically cold as well. Now if only the batteries hadn’t discharged their whole load into the panel and killed themselves as well. “What can I do, Skipper?” Patrick said groggily. The “engineer” was wearing not much more than the skipper. “Get a hand-held,” Sophia said. “See if there’s a sub in range. Tell them we had a major electrical fire. Fire is under control. No power at this time. May be repairable but we may need assistance. Don’t at this time but may. Got it? Do not call mayday or PON-PON. Do not.” “Got it, Skipper,” Patrick said. “And get these people the HELL OUT OF MY ENGINE COMPARTENT!
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
back. She knew she was lucky to have a job but she didn’t feel lucky. She felt depressed. Sad. Tired. And most of all, confused. She knew this was the week of Ruth Ann’s trial. There hadn’t been any press coverage yet, but she remembered the date. She had wanted to call Rick and wish him luck. In fact, she had picked up the phone several times and started to dial the number, but she just couldn’t go through with it. Not after all the things they had said to each other. She opened the back door to the office and stepped out into the night. The parking lot was barren except for her white Mustang, and the only sounds she heard were the passing of cars on Greensboro a few blocks up. She shut the door behind her, putting the key in the dead bolt and twisting it. “Kinda late for a pretty girl like you to be out.” Dawn turned to the sound of the voice, her stomach tightening into a knot. The lot was sparsely lit, and for a moment she didn’t see him. Then, standing by her Mustang, she saw a tall man dressed in khaki pants and a golf shirt. As he stepped toward her, she noticed that his hair was sandy blond and he had a patch of stubble on his face. “Can I help you?” Dawn asked, her voice shaky. She reached into her pocket for her cell phone but then remembered that the battery was dead. Damn, damn, damn. The man was in front of her now. He had continued to approach as if his appearance were completely natural.
Robert Bailey (The Professor (McMurtrie and Drake, #1))
think of violence in relative terms. “The An Lushan Revolt in China in the eighth century killed thirty-six million people,” continued Seeker. “Greater than ten percent of the world’s population at the time. This would equate to almost a billion deaths today. The Mongol conquests of China in the thirteenth century killed over half a billion by today’s standards. The Fall of Rome, hundreds of millions. “Going back even further, on a per capita basis, early tribal warfare was nine times as deadly as the wars and genocide of the twentieth century. The murder rate in medieval Europe was more than thirty times what it is today. Wars between modern, westernized countries have all but vanished, and even in the developing world, these wars kill only a fraction of what they did before. Rape, battery, and child abuse are all markedly lower than in earlier times.” Seeker paused. “I could go on, but I think you get the point.” “I’ll be damned,” said Ella in wonder. “This sort of analysis never occurred to me.” “Me either,” said Kagan. “You make a surprisingly compelling case.” “I didn’t invent these arguments,” said Seeker. “Others of your species did. But based on my own reading and analysis, I find them valid. And humanity isn’t just better off in terms of the reduction in violence, but in nearly every other measurable way. Far better off. “Ironically,” continued the AI, “once again, most of you believe the opposite.  In an international poll, ninety percent of respondents said that worldwide poverty has gotten worse in the past thirty years, when, in fact, it has fallen by more than half. Not that your
Douglas E. Richards (Seeker)
Roger snapped on the large, battery-powered radio. He rolled the dial around, but all he got was static. Finally, he heard a signal, and he tuned it in. A badly modulated voice droned through the interference. It sounded as if it were a war correspondent sending a signal from very far away. Steve clicked off the TV set so that they would better be able to hear the announcer: “. . . Reports that communications with Detroit have been knocked out along with Atlanta, Boston and certain sections of Philadelphia and New York City . . .” “Philly . . .” Roger said almost to himself. “I know WGON is out by now,” Steve said with animation. “It was a madhouse back there . . . people are crazy . . . if they’d just organize. It’s total confusion. I don’t believe it’s gotten this bad. I don’t believe they can’t handle it.” He looked around the room proudly. “Look at us. Look at what we were able to do today.” A few feet away, still in a slumped position by the pyramid of cartons, Peter’s eyes blinked open. He had been listening to what he wanted to hear, and now this statement by the kid really made him take notice. His eyes moved slightly to the side so that he could watch Stephen. The young man was gesturing wildly with his hands, going on and on about their exploits as a team. The other two didn’t realize Peter was awake. Roger nodded his head, but it didn’t seem as if he were really listening to Steve’s ramblings. “We knocked the shit out of ’em, and they never touched us,” Steve exclaimed. “Not really,” he said in a quieter tone. The rumbling voice erupted from the other side of the room. “They touched us good, Flyboy. We’re lucky to get out with our asses. You don’t forget that!
George A. Romero (Dawn of the Dead)
They passed each other at the door, she going out, and he returning from work. Unselfconsciously she put one hand up to his left cheek and, in passing, kissed him on the other. He was astonished, and, by the time that she reached the entrance to the yard, so wass she, because it was not until then that she suddenly realized what she had done. She stopped dead, as though having walked straight into a metaphysical but palpable stone wall. She felt her blood rising to the roots of her hair, and realised that she did not dare look back at him. Undoubtedly he too would be rooted to the spot. She could almost feel his eyes travelling from her feet to her head, finally settling upon the back of her head in the expectation that she would turn around. He called out, as she knew he would, 'Kyria Pelagia.' 'What?' she demanded curtly, as though an effort to be short with him could cancel out the hideously simple way in which she had betrayed her affection without even thinking about it. 'What's for dinner?' 'Don't tease me.' 'Would I tease you?' 'Don't make anything of it. I thought you were my father. I always kiss him like that when he comes in.' 'Very understandable. We are both old and small.' 'If you are going to tease me, I shall never speak to you again.' He came up behind her and around her, and threw himself upon his knees before her. 'O no,' he cried, 'anything but that.' He bowed his head to the ground and moaned piteously, 'Have mercy. Shoot me, flog me, but don't say you'll never speak to me.' He grasped her abou the knees and pretended to weep. 'The whole village is looking,' she protested, 'stop it at once. You are so embarrassing, get off me.' 'My heart is broken,' he wailed, and he grasped her hand and began to smatter it with kisses. 'Stupid goat, you are deranged.' 'I am tormented, I am burning, I am broken into pieces, my eyes spout forth with tears.' He leaned back and gestured poetically with his fingers to portray the extraordinary cascade of invisible tears that he intended her to envisage. 'Don't laugh at me,' he continued, having struck upon a new tack. 'O, light of my eyes, do not mock poor Antonio in his affliction.' 'Are you drunk again?' 'Drunk with sorrow, drunk with agony. Speak to me.' 'Did your battery win another football match?
Louis de Bernières (Corelli’s Mandolin)
They passed each other at the door, she going out, and he returning from work. Unselfconsciously she put one hand up to his left cheek and, in passing, kissed him on the other. He was astonished, and, by the time that she reached the entrance to the yard, so was she, because it was not until then that she suddenly realized what she had done. She stopped dead, as though having walked straight into a metaphysical but palpable stone wall. She felt her blood rising to the roots of her hair, and realised that she did not dare look back at him. Undoubtedly he too would be rooted to the spot. She could almost feel his eyes travelling from her feet to her head, finally settling upon the back of her head in the expectation that she would turn around. He called out, as she knew he would, 'Kyria Pelagia.' 'What?' she demanded curtly, as though an effort to be short with him could cancel out the hideously simple way in which she had betrayed her affection without even thinking about it. 'What's for dinner?' 'Don't tease me.' 'Would I tease you?' 'Don't make anything of it. I thought you were my father. I always kiss him like that when he comes in.' 'Very understandable. We are both old and small.' 'If you are going to tease me, I shall never speak to you again.' He came up behind her and around her, and threw himself upon his knees before her. 'O no,' he cried, 'anything but that.' He bowed his head to the ground and moaned piteously, 'Have mercy. Shoot me, flog me, but don't say you'll never speak to me.' He grasped her about the knees and pretended to weep. 'The whole village is looking,' she protested, 'stop it at once. You are so embarrassing, get off me.' 'My heart is broken,' he wailed, and he grasped her hand and began to smatter it with kisses. 'Stupid goat, you are deranged.' 'I am tormented, I am burning, I am broken into pieces, my eyes spout forth with tears.' He leaned back and gestured poetically with his fingers to portray the extraordinary cascade of invisible tears that he intended her to envisage. 'Don't laugh at me,' he continued, having struck upon a new tack. 'O, light of my eyes, do not mock poor Antonio in his affliction.' 'Are you drunk again?' 'Drunk with sorrow, drunk with agony. Speak to me.' 'Did your battery win another football match?
Louis de Bernières (Corelli’s Mandolin)
Solution 2: Don’t let your blinky light blink. By keeping it on steady mode, you’ll use up the battery faster, but you’ll be around to buy more. Don’t be cheap and dead.
Grant Petersen (Just Ride: A Radically Practical Guide to Riding Your Bike)
Now and then I try to revive the old blood with Cheryl the way a miser sticks dead batteries in the radio just to see if a miracle has transpired . . .
Robert Boswell (Tumbledown: A Novel)
Fortunately we need be in no great hurry to set up the anti-comet batteries. In a world where the nuclear weapons are ready on the instant to defend us against one another by blowing us all up, to fret about cosmic impacts is like worrying about being struck by lightning during the Battle of the Somme. But human beings have only a vague sense of probabilities, and to fear the fall of a comet is no longer entirely irrational, if you say it may be a dead one and point to apollos in the offing like Betulia, six kilometres, and 1978 SB, eight kilometres in diameter.
Nigel Calder
Anyway, I finally came to the conclusion that men are only good for one thing.” “What’s that?” “They’re an adequate replacement when the batteries go dead in my vibrator.
Jennifer L. Jennings (Murder and Intrigue (Sarah Woods Mysteries 1-5))
I’m waiting to hear the engine spring to life. But nothing happens. Of course. The bloody battery is dead. I
Sara Foster (All That is Lost Between Us)
there’s a better place to store your dead batteries than in your camera.” “Yeah, I know. I usually keep them in my flashlight.
Jinx Schwartz (Just Add Trouble (Hetta Coffey Mystery, #3))
A point to remember. As any technology advances, its methods and equipment do not become more complex; they become simplified. (Take, for example, printed circuits, silicon chips.) Such equipment may not be recognizable to a civilization of inferior knowledge. The point is we may be looking at objects—quite exciting objects—without recognizing them. Who would have expected that items in Baghdad Museum, long labelled as “ritual objects,” would prove to be components of batteries? Do you see what I mean?
Jonathan Gray (Dead Men's Secrets: Tantalising Hints of a Lost Super Race)
We meet people wherever they are at in life. Don’t assume the emotion you observe is about you or your product.
Steve Portigal (Doorbells, Danger, and Dead Batteries: User Research War Stories)
To call spirits, again, sometimes a symbolic offering speeds things up. As for raising the dead, yeah, that kind of takes a big payment.” She scrat ched her nose. “But that depends on the necromancer. A strong one can get by with very little blood. He won’t need as much of a power boost, but the offering should be there. The amount of blood also depends on the quality.”   I felt relieved that I wouldn’t have to start slaughtering bunnies to get things done, but the last thing she said worried me. “The quality?”   “It’s not just how powerful the necromancer is, but also how powerful the blood is. You’d get more, you know, oomph out of a goat than a chicken. It’s simply a bigger payment. That being said, a more powerful necromancer could do more with a smaller sacrifice than a less powerful one could. They run more efficiently,” she said. “Here, think of it this way: Douglas is a hybrid car, and you’re a clunky old truck.”   “Thank you for that.”   Ashley glared at me until I pantomimed shutting my mouth and throwing away the key.   “You both need gas to run, but the hybrid wouldn’t need as much because it can draw from its internal power source, the electric battery. It uses a small amount of fuel more efficiently. The truck lacks that internal power source. It can get to the same place the hybrid car can, but it takes tons more gas to do so.”   “I should trade you in,” Brid said.   “Don’t make me sic Ling Tsu on you,” I told her.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
Life is like a clock, it goes round and round, until the battery dies. Unlike clocks when humans die, they are either dead for good or they are still alive in the minds of others. To live on after death one must make a name for himself, if one fails to make a name for himself, then he will die alone, and forgotten.
Satuin Segi
He’s fine. Every time any of us are late you imagine we’re dead. You are no longer allowed to imagine anyone is dead.” “I’m not imagining he’s dead,” I whisper, but I’m totally imagining him bleeding to death on the snowy forest floor. Crows circle above him. A pixie arrow juts out of his beautiful chest. It’s the same thing I imagined about Devyn last week when he forgot to check in. “You are such a liar-liar pants-on-fire.” Is kisses my cheek in her sweet friend way. “But I love you.” “I just worry about people,” I whisper back. “If I’m not the one out there I feel so helpless.” Coach Walsh notices we’re talking. “Girls, pay attention. And no kissing.” Everyone starts snickering. I let go of Issie’s goose-bump covered arm. My face gets hot, which means I’m in insane blush mode. Nick thinks insane blush mode is cute. I bend down and check on my ankle bracelet that Nick gave me. It’s gold and thin-chained. A tiny dolphin dangles off of it. The dolphin reminds me of Charleston because they swim right off the Battery. Next to it dangles a heart, which just reminds me of love—corny but true. I’m so afraid of losing the anklet, but I can’t take it off. I adore it that much.
Carrie Jones (Captivate (Need, #2))
sitting in the booth and I get the same result. Either his battery is dead—it happens fast on flights if you forget to put it on airplane mode or to turn it off—or his phone was off. Perhaps
Steve Martini (Blood Flag (Paul Madriani #14))
didn't thank didn't wave goodbye didn't flutter the air with kisses a mound of gifts unwrapped bed unmade no appetite always elsewhere though it was raining elsewhere though strangers peopled the streets though we at home slaved and baked and wept and hung ornaments and perfumed the dark did he marvel did he thank was he grateful did he know was he human was he there always elsewhere: didn't thank didn't kiss toothbrush stiffened with unuse puppy whining in the hall car battery dead sweaters unraveled was that human? Went where?
Joyce Carol Oates
The vehicle will not start. (the problem) 1. Why? The battery is dead. (first why) 2. Why? The accelerator is not functioning. (second why) 3. Why? The alternator belt has broken. (third why) 4. Why? The alternator belt was well beyond its useful service life and not replaced. (fourth why) 5. Why? The vehicle was not maintained according to the recommended service schedule. (fifth why, the root cause)
Sebastian Marshall (PROGRESSION)
Spirits that piggyback may not have been connected here in the physical world, but because they are connected to you, they’re connected on the Other Side when preparing for a group reading. I don’t believe a message has to be from just one soul, especially since they’ve shown me that they work really well as a cluster. Spirit can also come forward, recede, and play off each other’s energy. They channel together like old pros. In my largest venue readings, it’s amazing how organized your family’s souls have been! I also believe Spirit will help orchestrate who comes to the readings and sometimes where they sit. You can’t miss how certain types of deaths—which is how I initially validate your loved ones to you—are seated together, which makes piggybacking easier. In one section of a theater, there will be multiple women who’ve lost children, families whose loved ones had Alzheimer’s, or even friends who’ve died from similar freak accidents like a falling object. It sounds wild, because it is. And Spirit’s behind all of it. What I love most about group readings is that you get to hear so many incredible, compelling messages that you can’t help but feel touched by all of it. I also find that Spirit is a little more fun during group readings, especially during the private, smaller groups. In a room of ten to fifteen people, I can channel anywhere between twenty to forty souls in a two-hour period. But there are so many different, lively, and dynamic personalities around that souls with stronger energy can help those with less to communicate better by letting them use their energy. Sometimes I have souls that channel for an entire hour, and nobody else comes through; other times, a soul might stay for a short time, go away, and then come back and talk a mile a minute! It’s like the soul recharged its batteries. When a reading is over, I can hardly remember what I’ve said, seen, or felt for too long after, because again, they’re not my feelings, thoughts, or emotions. Unless the message is part of a really mind-blowing or emotionally gripping session, whatever information Spirit sends me isn’t something that’s stuck in my head forever. Know too that you take your dead friends and family with you when you leave a session, show, or my house. For some reason, it’s always the husbands who remind me to take all the Spirits with me, and I’m always like, “Listen, pal, they’re not my Spirits. They’re your dead relatives. They’re staying with you. I got my own problems.
Theresa Caputo (There's More to Life Than This)
Loren hit the highway and picked up her cell phone. It was dead. She cursed the damn thing. The greatest lie—right up there with “the check is in the mail” and “your call is very important to us”—is the stated battery life of a cell phone. Hers was supposed to last a week on standby. She was lucky if the cursed thing gave her thirty-six hours. She
Harlan Coben (The Innocent)
Vero’s eyes crinkled with sympathy, as if the answer should have been obvious. Julian was on a road trip with his friends, drinking and cutting loose at the beach. And I was here, stalking my ex and buying batteries for power tools.
Elle Cosimano (Finlay Donovan Knocks 'Em Dead (Finlay Donovan, #2))
It was about the size of a half-dozen egg carton, and just as clunky. Sharp corners, thick buttons, sliding switches (switches!) and a matchbox-sized screen. Its dull grey case was heavily scratched and the strap was missing. I pressed the ON button but nothing happened, the batteries inside long dead.
Catherine Ryan Howard (The Liar's Girl)
Like many suburban homeowners, I like to kill and eat the wild animals that populate my backyard. To keep it sporting, I hunt naked, with my teeth and long, sharpened fingernails as my only weapons. I’ve feasted on squirrel, raccoon, vole, and numerous songbirds. But no matter how long I lay spread-eagle and motionless in the hot noonday sun, I have never been able to outwit and catch any of the plump and juicy rabbits that hop just outside my reach and then bolt for the woods when I leap forward with a blood-curdling shriek. I have chased them at a dead run through the yards of the many unoccupied homes that surround mine, but the pursuit always ends in frustration. But no more, thanks to Amazon. Every week, I order a fresh whole rabbit and affix it to a remote control car that is operated by one of my children. This way, I get the thrill of the hunt, and when the car’s batteries are exhausted, I can leap upon it, bury my teeth into the rabbit’s soft flesh, and perform my ritual victory dance right there in the Walgreens parking lot.
Amazon Reviewers (Did You Read That Review?: A Compilation of Amazon's Funniest Reviews)
If you have recently purchased your RV, then do make a mistake by just storing it in the storage unit. Also, you should choose the right storage units like RV storage Daphne AL. It is important to prepare your RV before storing it. Here, we have described some steps that your need to follow before sending your RV into hibernation mode. You should follow the below-mentioned tips to keep your RV safe during the winter season: 1. Completely Winterize Water System The large-size RVs have washing machines, ice machines, dishwashers, etc. You need to follow some extra water system winterization steps. You should drain off all the appliances and make sure that not even a single unit is left behind. You should ensure that antifreeze reaches all the faucets. This tip will prevent your pipes from cracking. 2. Remove Batteries You should disconnect the batteries because the winter season can damage these as well. You should store the fully charged batteries in a dry and warm spot. Never store your battery on a concrete floor. Otherwise, you will get a dead battery at the end of the season. Choose the storage unit with a climate control facility like storage units Daphne AL so that your batteries do not drain out. 3. Apply Wax Coating You should protect the exterior of your RV by applying a wax coating. First of all, clean the exterior while checking the cracks, and patch the crack with sealant. Finally, apply the layer of wax to it. 4. Clean And Dry Your Awning You should clean and dry the awning while thoroughly cleaning the exterior of the RV during wax application. You will be able to complete two steps in one go. It is very important to ensure that the fabric of the awning is completely dry so that there would be no mold formation. Finally, send the RV to the closed storage unit like storage Daphne AL A similar rule applies to the pop-up or fold-out trailers with canvas sidings.
Titan Storage
As for this?” He fucked into my pussy with ferocity. “This is definitely mine. Don’t even think about pulling out that battery-operated dick again without my permission, beautiful.
Tate James (Dead Drop (The Guild, #2))
He wrote her knowing it was pointless and, more significantly, shall we say, counterproductive. But when the remote-control batteries are dead, we just keep pushing harder. It’s only human.
Hervé Le Tellier (The Anomaly)
When you examine the effect of causing you to bend forward, think of the martial implications of striking an opponent and getting that effect. Their stance will be disrupted and their ability to attack will be greatly hindered. They will fold at the waist and their hips will move backward. This will present their head to you for follow-up strikes. This minor adjustment in understanding how to attack the centerline of the body, and the “Human Battery,” will increase your effectiveness as a martial artist. Another curious observation concerning the Governing and Conception Vessels is that according to the point numbering system used in Traditional Chinese Medicine, both vessels appear to flow towards the head. The point numbers start with the low numbers in the pelvic region and become larger as the vessels ascends to the head. After intense study of the Extraordinary Vessel subsystem, it appears that the numbering system for these two vessels are for reference purposes only and are not indicative of the direction of flow of energy.
Rand Cardwell (36 Deadly Bubishi Points: The Science and Technique of Pressure Point Fighting - Defend Yourself Against Pressure Point Attacks!)
The Governing Vessel is the sea of the yang channels.” Su When The Governing Vessel is the Yang aspect of the “Human Battery.” It starts at the intersection of CV-1 and runs posteriorly to Governing Vessel 1 (GV-1) at the tip of the coccyx bone at the end of the spine. From GV-1 the Governing Vessel ascends the centerline of the body running over the spine to GV-15, which is the point that the head and the spine connect. From GV-15 the Governing Vessel follows the centerline of the head up and over onto the face. It then descends down the centerline of the face until it connects with Conception Vessel at GV-28. Given the yang characteristics of the Governing Vessel it is harder and more resilient to strikes than the softer Conception Vessel. Consider how the body is designed according to Traditional Chinese Medicine and Western Science. The Yang surfaces of the body are the natural shock absorbers of the body. Let us say that someone is going to strike you with a whip. Will you just stand there and take the strike across the front of your body? I doubt it. Your natural defenses will cause you to turn your back to the strike. The strike would fall on the Yang surfaces of the body. Thus allowing you to protect the more vulnerable yin surfaces. This description illustrates the difference between a Yang surface and a Yin surface. The Yang surfaces of the body can take more physical abuse than the Yin surfaces. This should be a major clue to the martial artist. The fact that the body is designed to protect the Yin over the Yang illustrates that attacks to Yin are more traumatic to the body.
Rand Cardwell (36 Deadly Bubishi Points: The Science and Technique of Pressure Point Fighting - Defend Yourself Against Pressure Point Attacks!)
Drop a battery from six inches off the ground. If it bounces once and falls over it’s still good. If it bounces around more than that, it’s dead or on its way out.
Keith Bradford (Life Hacks: Any Procedure or Action That Solves a Problem, Simplifies a Task, Reduces Frustration, Etc. in One's Everyday Life (Life Hacks Series))
Dad gave away all his dead batteries today.  Free of charge!
Zack Halliday (The Totally Awesome Dad Joke Book : New Edition with Lots of Great New Jokes)
[Hand Watches] I opened the drawer Where I keep old things and tokens I glanced over some hand watches With dead batteries and frozen times… Watches that were gifted to me over time By teachers or friends To commend my accomplishments and respect for time… It never occurred to them or to me then That Time would die in a heart attack And will cease to be important The day my homeland was occupied and destroyed… The day the occupying thieves In collaboration with the thieves within Would burn and destroy everything beautiful in it… And since then, I refuse to wear hand watches And will never wear one Until my people get back their Time and dignity… And when that happens, Time will remain unimportant For then, I will turn into a butterfly A sparrow A daffodil or an orange blossom, Or perhaps an apricot blossom on a branch An unstoppable sprig of water That flows beyond time and timing … In that same drawer I found Pens that have run out of ink Looking like mummified corpses.. At a moment of despair, A strong feeling struck me like a lightning Leaving me with a frightening question: What if this is a wound that all time can’t cure A cause that all the ink of the world can’t solve? [Original poem published in Arabic on February 5, 2023 at ahewar.org]
Louis Yako
provide energy on the days the sun could not. The batteries were old
Susan Walter (Over Her Dead Body)
The gleaming orange and silver express slid to a stop beside them. Tiger barged his way on board. Bond waited politely for two or three women to precede him. When he sat down beside Tiger, Tiger hissed angrily, "First lesson, Bondo-san! Do not make way for women. Push them, trample them down. Women have no priority in this country. You may be polite to very old men, but to no one else. Is that understood?" "Yes, master," said Bond sarcastically. "And do not make Western-style jokes while you are my pupil. We are engaged on a serious mission." "Oh, all right, Tiger," said Bond resignedly. "But damn it all..." Tiger held up a hand. "And that is another thing. No swearing, please. There are no swearwords in the Japanese language and the usage of bad language does not exist." "But good heavens, Tiger! No self-respecting man could get through the day without his battery of four-letter words to cope with the roughage of life and let off steam. If you're late for a vital appointment with your superiors, and you find that you've left all your papers at home, surely you say, well, Freddie Uncle Charlie Katie, if I may put it so as not to offend." "No," said Tiger. "I would say 'Shimata', which means 'I have made a mistake.'" "Nothing worse?" "There is nothing worse to say." "Well, supposing it was your driver's fault that the papers had been forgotten. Wouldn't you curse him backwards and sideways?" "If I wanted to get myself a new driver, I might conceivably call him 'bakyaro' which means a 'bloody fool', or even 'konchikisho' which means 'you animal'. But these are deadly insults and he would be within his rights to strike me. He would certainly get out of the car and walk away." "And those are the worst words in the Japanese language! What about your taboos? The Emperor, your ancestors, all these gods? Don't you ever wish them in hell, or worse?" "No. That would have no meaning." "Well then, dirty words. Sex words?" "There are two--'chimbo' which is masculine and 'monko' which is feminine. These are nothing but coarse anatomical descriptions. They have no meaning as swearing words. There are no such things in our language." "Well I'm...I mean, well I'm astonished. A violent people without a violent language! I must write a learned paper on this. No wonder you have nothing left but to commit suicide when you fail an exam, or cut your girlfriend's head off when she annoys you." Tiger laughed. "We generally push them under trams or trains." "Well, for my money, you'd do much better to say 'You-------'," Bond fired off the hackneyed string, "and get it off your chest that way." "That is enough, Bondo-san," said Tiger patiently. "The subject is now closed. But you will kindly refrain both from using these words or looking them. Be calm, stoical, impassive. Do not show anger. Smile at misfortune. If you sprain your ankle, laugh.
Ian Fleming (You Only Live Twice (James Bond, #12))
Hand Watches" I opened the drawer where I keep old things and tokens… I looked over some hand watches with dead batteries and frozen times… Watches gifted to me over the years by teachers or friends commending my accomplishments and respect for time… It never occurred to them nor to me then that Time would die in a heart attack and cease to matter the day my homeland was occupied and destroyed… The day plunderers, in collaboration with thieves at home, would burn and destroy everything beautiful… And ever since, I refuse to wear hand watches… I vowed not to wear a hand watch until my people retrieve their Time and dignity… And when that happens, Time will not matter for I will then turn into a butterfly a sparrow a daffodil an orange Or perhaps an apricot blossom on a branch… I will turn into a spring of water flowing beyond time and timing … In that same drawer I found pens that have run out of ink looking now like mummified corpses… At a moment of despair, A strong feeling struck me like a lightning leaving me with a frightening question: What if this is a wound no time can heal, a cause that no ink can revive? [Published on April 7, 2023 on CounterPunch.org]
Louis Yako
One day eighteen years ago, Gideon’s mother had tumbled down the middle of the shaft in a dragchute and a battered hazard suit, like some moth drifting slowly down into the dark. The suit had been out of power for a couple of minutes. The woman landed brain-dead. All the battery power had been sucked away by a bio-container plugged into the suit, the kind you’d carry a transplant limb in, and inside that container was Gideon, only a day old. This was obviously mysterious as hell.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Does anyone want a pack of dead batteries? They are free of charge!
James Hilton
Similarly, I couldn’t have planned that one day I would be sitting with Stephen and playing around on Snapchat, and then happen across this square-face filter. I literally laughed when I saw myself, turned to Stephen and said, “I think my battery is dead. Can I use your dick?” “AW SICK, Laura! That’s sick!” I couldn’t have planned him being genuinely appalled in the most hilarious way.
Laura Clery (Idiot: Life Stories from the Creator of Help Helen Smash)
Books are the perfect entertainment: no commercials, no batteries, hours of entertainment for each dollar spent. What I wonder is why everybody doesn't carry a book around for those inevitable dead spots in life.
Stephen King
The battery in my truck is dead. I'm parked out in the parking lot. I saw your car here and wondered if you would be able to help me,” I said softly, still not making eye-contact. I kept my eyes fixed on the floor. “Are you all right?” he asked gently. “Yes,” I said. And I was. Miraculously, I was. A small white square of fabric appeared under my nose. “A handkerchief! What are you, eighty-five?” “Humph! I'm twenty-two, as you well know. I just happened to be raised by a very proper, slightly old-fashioned, Englishwoman who taught me to carry a handkerchief. I'll bet you're glad she did.” I was. But I didn't admit it. The cloth felt satiny against my swollen eyes and tear-stung cheeks. It smelled heavenly . . . like pine and lavender and soap, and, suddenly, using his handkerchief felt incredibly intimate. I searched for something to say. “Is this the same woman who named you Darcy?” Wilson's laugh was a brief bark. “The very same.” “Can I keep this? I'll wash it and give it back. I'll even iron it, like your mom does.” The devil in me had to have her say. “Ah, Blue. There you are. I thought for a moment you'd been body snatched by an actual human girl – one who doesn't take great pleasure in taunting her history teacher.
Amy Harmon (A Different Blue)
She’d been on the verge of flying out to see me--she’d practically booked a ticket to Pisa for the first flight out this morning--but then she’d thought, No, Violet wouldn’t want me to make a fuss--I give a particularly enthusiastic murmur of agreement at that bit--but she’s been on tenterhooks, and so relieved the doctor’s saying I’m okay, but I must make sure to rest up…unless I want her to come and get me and take me home to recover? There’s a flight this evening; she could easily make that. She’d just throw some clothes in a bag… That’s the only part where I need to stir myself and reassure her that no, I’m fine, I really am, that whatever I ate is long gone now, that I’ll be back to my studies here tomorrow, and please, Mum, please don’t make too much of a fuss. It takes a long time to keep repeating that so she can hear it and take it in. But after thirty minutes of pleading with her not to come over, let alone take me back home, she runs down like a toy with its batteries slowly going dead.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
He thought of a joke he had seen on a sign in front of an auto shop in Dallas: Energizer Bunny arrested, charged with battery.
Tim Kizer (Dead Girls: (42 passengers; One of them is a serial killer) A box set)
One of the chairs in particular is unsettling to them. Made to look like an electric chair, it has leather straps and chains and wires hooked to a car battery. A dead rose wilts on the seat. The artist says the chair isn’t about physical death but about “how lying to each other kills beauty.” One chair is covered in bling, another in barbed wire and sculpted burnt and screaming faces. Two chairs are concealed in boxes. Another has a hole cut into the seat and a potted plant growing up from beneath. One chair is outfitted with fishbowls filled with live fish. Reassembled and painted to look like a black widow spider, one chair hangs from the wall.
Yvonne Wakefield (Suitcase Filled with Nails)
Yet, in the bowels of the ship, braving radiation and heat and deadly dangers, are the engineers. It is they who keep the gunners’ batteries working through damage and the stress of battle. It is they who give the captain the engine power he needs. Who ensure the admiral’s fleet is ready to do as he commands.
Jay Allan (Duel in the Dark (Blood on the Stars, #1))
The faint glow from Blake’s phone was only strong enough to illuminate a small circle of light around him. He carefully descended into the ominous darkness, the air smelling dead and stale. His phone beeped a warning message that his battery was critically low.
Duncan Simpson (The Logos Code (The Dark Horizon Trilogy #3))
I know why the show’s shaky,” the script had him say at the outset. “It’s my fault. I speak too fast and they can’t understand me. I should talk more like you—like a Walkman with dead batteries.
Dave Itzkoff (Robin)
Reconditioning old batteries and reviving batteries which appear to be dead is not a major problem once you know how. To learn how to recondition batteries requires little outlay with many experts on the net giving the low-down for well under forty bucks ezbatteryreconditioninginfo.com
zanuu
He displays of intellect consisted in vitriolic and well-seasoned mysterious messages, pure jibber-jabber. He followed her trail and he did all he could to make her believe in him. It was nice at first, he seemed smart, well -rounded and balanced, with great confidence and strength. She thought he was one of the men living in the shadows, the one that will help her to change her miserable life and give her that one in a life time opportunity. Is he testing her and her mental status? Is he the one out of his mind? Now he wants a meeting, he has some top-secret information, that can change the world, to share with her. Why her? Are you curious to know what is about? They have talked in the past using cryptic messages about “God's grace and all the hell we raised,” flashing lights, secret codes, rigged trucks, cell-battery explosions, life and dead, nothing more. At that time a wise man that was sat near her at the Coffee Shop told her: "God is great, beer is good and people are crazy" Did he know the man talking to her? Was that a premonition? Be careful what you wish for, the world is full of people looking around for their next victim...
Lluvia
The crystal of the Dead Gate began to glow white. Not from her touch, but as if— The Reapers were chanting. Awakening the Dead Gate, somehow. During the attack on the city, it had channeled her magic against the demons, but today … today it would siphon off her power. Her soul. The Gates sucked magic from whoever touched them, and stored it. She’d inherited her power from that very force. But this one fed that power right back into the power grid. Like some fucked-up rechargeable battery. Somehow, she’d become food. Was that what she’d traded away? A few centuries here, thinking she’d found eternal rest—and then meeting this end? Instead, she’d face a trip straight into the meat grinder of souls immediately when she died. Which seemed likely to be soon. There was a good chance that she could draw from the Gate as well, she supposed. But what if the Dead Gate was somehow different? What if she went to summon power, only to lose all of hers? She couldn’t risk it.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
and I sat in the dark, unfazed, while my phone battery dwindled, computer dimmed to dead,
Olivia Gatwood (Life of the Party)
She hoped her phone wasn’t over by the south wall. She thought of Jason, an illegal loft-liver on the other side of that wall. Better buy him a twelve-pack. Make it imported. I bet the ringing has been driving him crazy. If I’m lucky, the battery’s dead. She pictured Jason, enraged by the noise, punching a hole in the dry wall to retrieve her phone and fling it out a window. She winced. At least then I wouldn’t have to listen to the messages. How many were there? One three hour rant? A hundred one-word nuisance calls? How quickly can you call and leave a message? Two minutes? At two minutes a message and three hours, ninety messages? What are the limits on the in-box? She hoped for Jason’s sake it was one very long message, or that the battery was dead. How long would it take to delete ninety messages?
C. A. Newsome (Lia Anderson Dog Park Mysteries: Books 5 - 7)
CHAPTER 1: My old car battery, dead as a turd, rode in the trunk of Dreema’s sedan. She’d told me to take it. I felt embarrassed to drive it, but I had no other way to pick up a new car battery.
Ed Lynskey (Traffic)