Battery About To Die Quotes

We've searched our database for all the quotes and captions related to Battery About To Die. Here they are! All 31 of them:

Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.
David Mitchell (The Bone Clocks)
You can take a book to the beach without worrying about sand getting in its works. You can take it to bed without being nervous about it falling to the floor should you nod off. You can spill coffee on it. You can sit on it. You can put it down on a table, open to the page you’re reading, and when you pick it up a few days later it will still be exactly as you left it. You never have to be concerned about plugging a book into an outlet or having its battery die.
Nicholas Carr (The Shallows: What the Internet is Doing to Our Brains)
If you find yourself consistently giving too many fucks about trivial shit that bothers you—your ex-boyfriend’s new Facebook picture, how quickly the batteries die in the TV remote, missing out on yet another two-for-one sale on hand sanitizer—chances are you don’t have much going on in your life to give a legitimate fuck about. And that’s your real problem. Not the hand sanitizer. Not the TV remote.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
So why’d you flake out on the party?” “I wasn’t in the mood. I kept picturing you crying here alone and pity won out.” “I’m not crying, jackass.” I point to the boring-ass milk documentary that’s flashing on the TV screen. “I’m learning about pasteurization.” She stares at me. “You guys pay money to subscribe to a gazillion channels and this is what you choose to watch?” “Well, I flipped by it and saw a bunch of cow udders, and, well, you know, it turned me on, so—” “EW!” I burst out laughing. “Kidding, babe. If you must know, the batteries in the remote died and I was too lazy to get up and change the channel. I was watching this wicked-awesome miniseries about the Civil War before cow udders came on.
Elle Kennedy (The Deal (Off-Campus, #1))
When the battery in my watch died, I still wore it. There was something about the watch that said: It doesn’t matter what time it is. Think in months. Years. Someone loves you. Where are you going? There are some things you will never do. It doesn’t matter. There is no rush. Be the best prisoner you can be.
Chris Huntington
I was about to warn the girl about John’s coffee, which tasted like a cup of battery acid someone had pissed in and then cursed at for several hours, but John turned to her and in a lawyerly voice said, “Shelly, tell us your story.
David Wong (John Dies at the End (John Dies at the End #1))
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just because you can’t think with your upstairs brain.” “No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else. “You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t. You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith in him, but Ryan couldn’t stop there. Oh, no, not Ryan Miller. “After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed, smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much, you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much. When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me, leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule. It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you? I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up. “Sorry,” I breathed as he pulled away. “Don’t be sorry,” he teased. “Just stop.” “Sorry,” I said again when I noticed that his leg was now bouncing under the table. “Yeah. Looks like I don’t get to sleep through economics today.” “On the bright side, Coach could make you run laps all practice long and you’d be fine.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
...Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballet box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying…
David Mitchell (The Bone Clocks)
Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
They talk for so long Alex has to plug his phone in to keep the battery from dying. he rolls onto his side and listens, trails the back of his hand across the pillow next to him and imagines Henry lying opposite in his own bed, two parentheses enclosing 3,700 miles. He looks at his chewed-up cuticles and imagines Henry there under his fingers, speaking into only inches of distance. He imagines the way Henry's face would look in the bluish-gray dark. Maybe he would have a faint shadow of stubble on his jaw, waiting for a morning shave, or maybe the circles under his eyes would wash out in the low light. Somehow, this is the same person who had Alex so convinced he didn't care about anything, who still had the rest of the world convinced he's a mild, unfettered Prince Charming. It's taken months to get here" the full realization of just how wrong he was. "I miss you," Alex says before he can stop himself. He instantly regrets it, but Henry says, "I miss you too.
Casey McQuiston (Red, White & Royal Blue)
Speak to me about power. What is it?” I do believe I’m being out-Cambridged. “You want me to discuss power? Right here and now?” Her shapely head tilts. “No time except the present.” “Okay.” Only for a ten. “Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.” Immaculée Constantin is unreadable. “How?” “By coercion and reward. Carrots and sticks, though in bad light one looks much like the other. Coercion is predicated upon the fear of violence or suffering. ‘Obey, or you’ll regret it.’ Tenth-century Danes exacted tribute by it; the cohesion of the Warsaw Pact rested upon it; and playground bullies rule by it. Law and order relies upon it. That’s why we bang up criminals and why even democracies seek to monopolize force.” Immaculée Constantin watches my face as I talk; it’s thrilling and distracting. “Reward works by promising ‘Obey and benefit.’ This dynamic is at work in, let’s say, the positioning of NATO bases in nonmember states, dog training, and putting up with a shitty job for your working life. How am I doing?” Security Goblin’s sneeze booms through the chapel. “You scratch the surface,” says Immaculée Constantin. I feel lust and annoyance. “Scratch deeper, then.” She brushes a tuft of fluff off her glove and appears to address her hand: “Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
David Mitchell (The Bone Clocks)
If you find yourself consistently giving too many fucks about trivial shit that bothers you - you ex-boyfriend's new Facebook picture, how quickly the batteries die in the TV remote, missing out on yet another two-for-one sale on hand sanitizer- chances are you don't have much going on in your life to give a legitimate fuck about. And that's your real problem. Not the hand sanitizer. Not the TV remote. I once heard an artist say that when a person has no problems, the mind automatically finds a way to invent some. I think what most people - especially educated, pampered middle-class white people - consider "life problems" are really just side effects of not having anything more important to worry about.
Mark Manson
Eric Steele utilized the Mark XI’s voice command function by saying, “Nav,” and a map appeared in the upper-right quadrant of the visor. The yellow blinking arrow told him that he needed to come left, so he lowered his shoulder and banked gently until he was locked on the correct glide path. This thing is legit. Steele had grown up on James Bond and thought being a spy was all about the gadgets. But in the real world batteries failed and an operator lived and died by making a plan and sticking to it. One of the main reasons Steele was still alive while so many of his friends were dead was because he didn’t leave anything to chance. He carefully brought his left arm up to eye level and double-checked the Mark XI’s readings with the GPS/altimeter combo strapped to his forearm. Once he was sure that he knew exactly where he was, he snapped his arms tight and accelerated to 200 miles per hour.
Sean Parnell (Man of War (Eric Steele #1))
Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
David Mitchell (The Bone Clocks)
In Mississippi, where I lived from 1967 to 1974, people who challenged the system anticipated menace, battery, even murder, every day. In this context, I sometimes felt ashamed that my contributions at the time were not more radical. I taught in two local black colleges, I wrote about the Movement, and I created tiny history booklets which were used to teach the teachers of children enrolled in Head Start. And, of course, I was interracially married, which was illegal. It was perhaps in Mississippi during those years that I understood how the daily news of disaster can become, for the spirit, a numbing assault, and that one's own activism, however modest, fighting against this tide of death, provides at least the possibility of generating a different kind of "news." A "news" that empowers rather that defeats. There is always a moment in any kind of struggle when one feels in full bloom. Vivid. Alive. One might be blown to bits in such a moment and still be at peace. Martin Luther King, Jr., at the mountaintop. Gandhi dying with the name of God on his lips. Sojourner Truth baring her breasts at a women's rights convention in 1851. Harriet Tubman exposing her revolver to some of the slaves she had freed, who, fearing an unknown freedom, looks longingly backward to their captivity, thereby endangering the freedom of all. To be such a person or to witness anyone at this moment of transcendent presence is to know that what is human is linked, by a daring compassion, to what is divine. During my years of being close to people engaged in changing the world I have seen fear turn into courage. Sorrow into joy. Funerals into celebrations. Because whatever the consequences, people, standing side by side, have expressed who they really are, and that ultimately they believe in the love of the world and each other enough *to be that* - which is the foundation of activism. It has become a common feeling, I believe, as we have watched our heroes falling over the years, that our own small stone of activism, which might not seem to measure up to the rugged boulders of heroism we have so admired, is a paltry offering toward the building of an edifice of hope. Many who believe this choose to withhold their offerings out of shame. This is the tragedy of our world. For we can do nothing substantial toward changing our course on the planet, a destructive one, without rousing ourselves, individual by individual, and bringing our small, imperfect stones to the pile. In this regard, I have a story to tell.
Alice Walker (Anything We Love Can Be Saved)
I stopped struggling, going limp in his arms. He reached around us and shoved the door closed, spinning around and facing us toward the kitchen. “I was trying to make you breakfast.” It took a moment for his words and their meaning to sink in. I stared dumbfounded across the room and past the island. There was smoke billowing up from the stove and the window above the sink was wide open. Bowls and spoons littered the island and there was a carton of eggs sitting out. He was trying to cook. He was really bad at it. I started to laugh. The kind of laugh that shook my shoulders and bubbled up hysterically. My heart rate was still out of control, and I took in a few breaths between laughs to try and calm it down. He said something, but I couldn’t hear him because the fire alarm was still going off. I had no doubt half the neighborhood was now awake from the sound. He didn’t bother to put me down, instead hauling me along with him, where he finally set me down, dragged a chair over near the alarm, and climbed up to remove the battery. The noise cut off and the kitchen fell silent. “Well, shit,” he said, staring at the battery in his hand. A giggle escaped me. “Does this always happen when you cook?” He shrugged. “The only time I ever cook is when it’s my turn at the station.” His forehead creased and a thoughtful look came over his face. “The guys are never around when it’s my night to cook. Now I know why.” He snagged a towel off the counter and began waving away the rest of the lingering smoke. I clicked on the vent fan above the stove. There was a pan with half a melted spatula, something that may or may not have once been eggs, and a muffin tin with half-burned, half-raw muffins (how was that even possible?). “Well, this looks…” My words faltered, trying to come up with something positive to say. “Completely inedible?” he finished. I grinned. “You did all this for me?” “I figured after a week of hospital food, you might like something good. Apparently you aren’t going to find that here.” I had the urge to hug him. I kept my feet planted where they were. “Thank you. No one’s ever ruined a pan for me before.” He grinned. “I have cereal. Even I can’t mess that up.” I watched as he pulled down a bowl and poured me some, adding milk. He looked so cute when he handed me the bowl that I lifted the spoon and took a bite. “Best cereal I ever had.” “Damn straight.” I carried it over to the counter and sat down. “After we eat, would you mind taking me to my car? I hope it’s still drivable.” “What about the keys?” “I have a security deposit box at the bank. I keep my spare there in case I ever need them.” “Pretty smart.” “I have a few good ideas now and then.” “Contrary to the way it looks, I do too.” “Thank you for trying to make me breakfast. And for the cereal.” He walked over to the stove and picked up the ruined pan. “You died with honor,” he said, giving it a mock salute. And then he threw the entire thing into the trashcan. I laughed. “You could have washed it, you know.” He made a face. “No. Then I might be tempted to use it again.
Cambria Hebert (Torch (Take It Off, #1))
For example, just enjoy the show when a young girl is sitting naked in your bed and her mother calls her asking where she has been all night, and she starts making up a random story about sleeping over at a friend’s house because the last night bus — that she was supposed to go home with — never arrived, and she did not want to call and wake anyone up, then the batteries in her phone died all of a sudden, but right now she is sitting in a taxi on her way home, but there is so much traffic that it might take a long while until she is back home.
W. Anton (The Manual: What Women Want and How to Give It to Them)
Hubbard was born poor in the hills of Kentucky in either 1901 or 1902 (his FBI file gives both dates); he liked to tell people he was twelve before he owned a pair of shoes. He never got past the third grade, but the boy evidently had a flair for electronics. As a teenager, he invented something called the Hubbard Energy Transformer, a new type of battery powered by radioactivity that “could not be explained by the technology of the day”—this according to the best account we have of his life, a well-researched 1991 High Times article by Todd Brendan Fahey. Hubbard sold a half interest in the patent for seventy-five thousand dollars, though nothing ever came of the invention and Popular Science magazine once included it in a survey of technological hoaxes.
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
James Edward Garcia spent 3 nights in the hotel after Elisa’s death, bringing with him an EVP recorder. He believes the spirit of Elisa came through to him, while in his hotel bedroom. He asks, “Who killed you?” A voice replies, on the EVP recording, “They did.” In the elevator, the same one Elisa was last seen in, he captures a voice saying; “You better keep out! Keep out!” He says, “The creepy whispering voices sound p…d. They are either warning me – or threatening me.” Down in the lobby, a whispered female voice says, “James” several times. Back in his room, his recording equipment picks up what seems to be many voices; a cacophony of them. A female voice comes through, “Save me, please save me!” A man’s voice says, “She died.” A male voice says, “Yeah, blood.” “Killing” the voice says. The female voice returns, “Please save me,” to which James shouts, “Who are you?” A very deep voice replies, “They killed her,” followed by a higher pitch voice saying, “A demon seed.” One night he also slept in the room serial killer Richard Ramirez called his home while on his killing spree. ‘I returned to the room only to find the TV Remote on the floor with the battery cover off and a Tylenol bottle on its side on the table between the beds. I thought that Hotel Security must have been rummaging through my room. I setup a static camera to film my night. I was not aware that my Night Shot Infrared camera picked up a skull face that had bled through the paint on the wall behind me. You can clearly see it and it is pretty scary. At one point my face seems to have morphed into some type of demon possessed creature while I was asleep. It sounds outrageous but watch the footage and you will see what I’m talking about.” Is the Cecil Hotel imbued with demons who play with those who stay there; who get inside their heads? Newsblaze reporter John Kays asks, ‘Isn’t it logical to postulate that whoever killed Elisa Lam (if that’s what happened) was in the throes of the same evil spirit that Jack Unterweger was possessed with?’ Or the spirit of serial killer Richard Ramirez? He is referring to the two serial killers who called this hotel their home. Perhaps Elisa’s death had been part of a serial killer’s quest; but it could just as easily have been a crime of opportunism, by a random, solitary and as yet uncaptured killer; indeed, an un-sought-after-killer too at this
Steph Young (Tales of Unexplained Mystery)
The problem with people who hand out fucks like ice cream at a goddamn summer camp is that they don’t have anything more fuck-worthy to dedicate their fucks to. If you find yourself consistently giving too many fucks about trivial shit that bothers you—your ex-boyfriend’s new Facebook picture, how quickly the batteries die in the TV remote, missing out on yet another two-for-one sale on hand sanitizer—chances are you don’t have much going on in your life to give a legitimate fuck about. And that’s your real problem. Not the hand sanitizer. Not the TV remote.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Martin suggests, let's see Chartres on the way back. The cathedral with its bleached stone and green roofs is visible across miles of flat fields and popular breaks. Approaching it through the dog's leg alleyways of the old town, its proportions are dizzying. Pigeons wheel about its height like cliff birds. The afternoon light begins to go; a battery of floodlights makes an unearthly theatre of spires, pinnacles and buttresses. Martin quotes Ruskin. ' "Trees of stone" '. Inside the cathedral is humbling, it's like walking into the belly of a whale. The glass is a deep rich crimson of blue, eliminating what daylight's left. Furtive figures scurry off into angles of shadow. The medieval darkness is pricked with lighted candles. Martin says it's like Debussy's 'Drowned Cathedral'. 'La Cathédrale Engloutie'. I don't know it, but he's right, exactly right. The weeping wax smells cloyingly sweet. While a priest intones, worshippers kneel and pray in whispers - and it seems to me that what they're begging from the mother of God is hope, and luck, and to be spared this survival game, living from minute to minute to minute. It's what drowning must be like. You find you've somersaulted head-over-heels and upside-down and you're travelling backwards through a vast, lightless place. So much sweet, lulling darkness in the middle of the world, it 'is' a kind of dying...
Ronald Frame (A long weekend with Marcel Proust: Seven stories and a novel)
Spirits that piggyback may not have been connected here in the physical world, but because they are connected to you, they’re connected on the Other Side when preparing for a group reading. I don’t believe a message has to be from just one soul, especially since they’ve shown me that they work really well as a cluster. Spirit can also come forward, recede, and play off each other’s energy. They channel together like old pros. In my largest venue readings, it’s amazing how organized your family’s souls have been! I also believe Spirit will help orchestrate who comes to the readings and sometimes where they sit. You can’t miss how certain types of deaths—which is how I initially validate your loved ones to you—are seated together, which makes piggybacking easier. In one section of a theater, there will be multiple women who’ve lost children, families whose loved ones had Alzheimer’s, or even friends who’ve died from similar freak accidents like a falling object. It sounds wild, because it is. And Spirit’s behind all of it. What I love most about group readings is that you get to hear so many incredible, compelling messages that you can’t help but feel touched by all of it. I also find that Spirit is a little more fun during group readings, especially during the private, smaller groups. In a room of ten to fifteen people, I can channel anywhere between twenty to forty souls in a two-hour period. But there are so many different, lively, and dynamic personalities around that souls with stronger energy can help those with less to communicate better by letting them use their energy. Sometimes I have souls that channel for an entire hour, and nobody else comes through; other times, a soul might stay for a short time, go away, and then come back and talk a mile a minute! It’s like the soul recharged its batteries. When a reading is over, I can hardly remember what I’ve said, seen, or felt for too long after, because again, they’re not my feelings, thoughts, or emotions. Unless the message is part of a really mind-blowing or emotionally gripping session, whatever information Spirit sends me isn’t something that’s stuck in my head forever. Know too that you take your dead friends and family with you when you leave a session, show, or my house. For some reason, it’s always the husbands who remind me to take all the Spirits with me, and I’m always like, “Listen, pal, they’re not my Spirits. They’re your dead relatives. They’re staying with you. I got my own problems.
Theresa Caputo (There's More to Life Than This)
And what’s happened to you?” Patton asks the young man. His name is Pvt. Paul Bennett. He has been in the army four years, serving with C Battery of the Seventeenth Field Artillery Regiment. He is just twenty-one years old. Until a friend died in combat, he had never once complained about battle. But he now shakes from convulsions. His red-rimmed eyes brim with tears. “It’s my nerves, sir. I can’t stand the shelling anymore.” “Your nerves, hell. You’re just a goddamned coward.” Bennett begins sobbing. Patton slaps him. “Shut up,” he orders, his voice rising. “I won’t have these brave men here who’ve been shot see a yellow bastard sitting here crying.” Patton hits him again, knocking off Bennett’s helmet, which falls to the dirt floor. “You’re a disgrace to the army and you’re going back to the front to fight,” he screams. “You ought to be lined up against a wall and shot. In fact, I ought to shoot you right now.” Patton
Bill O'Reilly (Killing Patton: The Strange Death of World War II's Most Audacious General)
I was about to warn the girl about John’s coffee, which tasted like a cup of battery acid someone had pissed in and then cursed at for several hours,
David Wong (John Dies at the End (John Dies at the End, #1))
The problem with people who hand out fucks like ice cream at a goddamn summer camp is that they don’t have anything more fuck-worthy to dedicate their fucks to. If you find yourself consistently giving too many fucks about trivial shit that bothers you—your ex-boyfriend’s new Facebook picture, how quickly the batteries die in the TV remote, missing out on yet another two-for-one sale on hand sanitizer—chances are you don’t have much going on in your life to give a legitimate fuck about.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
If you find yourself consistently giving too many fucks about trivial shit that bothers you—your ex-boyfriend’s new Facebook picture, how quickly the batteries die in the TV remote, missing out on yet another two-for-one sale on hand sanitizer—chances are you don’t have much going on in your life to give a legitimate fuck about. And that’s your real problem. Not the hand sanitizer. Not the TV remote. I once heard an artist say that when a person has no problems, the mind automatically finds a way to invent some. I think what most people—especially educated, pampered middle-class white people—consider “life problems” are really just side effects of not having anything more important to worry about. It then follows that finding something important and meaningful in your life is perhaps the most productive use of your time and energy. Because if you don’t find that meaningful something, your fucks will be given to meaningless and frivolous causes. Subtlety #3: Whether you realize it or not, you are always choosing what to give a fuck about.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
If you find yourself consistently giving too many fucks about trivial shit that bothers you—your ex-boyfriend’s new Facebook picture, how quickly the batteries die in the TV remote, missing out on yet another two-for-one sale on hand sanitizer—chances are you don’t have much going on in your life to give a legitimate fuck about. And that’s your real problem. Not the hand sanitizer. Not the TV remote. I once heard an artist say that when a person has no problems, the mind automatically finds a way to invent some. I think what most people—especially educated, pampered middle-class white people—consider “life problems” are really just side effects of not having anything more important to worry about.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
I pulled off the highway and found a motel. The room stunk of cigarettes and the shower was caked in mildew. I pulled the brown and maroon paisley comforter off, threw it on the floor, and doused my hands in sanitizer. I slept on top of towels I laid across the sheets. In the morning I grabbed a stale doughnut and weak coffee from the free continental breakfast in the lobby and headed out to my truck, where I discovered my bike had been stolen from the back. In my sleep-deprived state the night before, I hadn’t even thought about the possibility of my bike being stolen. I slumped into the driver’s seat and finished my disgusting doughnut. Still in the motel parking lot, I shaved with an electric shaver using the side mirror of the truck. After one half of my face was shaved, the batteries died. There are just certain times in life when every fucking thing we do seems so arbitrary. Why in the world did I shave my face to begin with? I drove to a drugstore and got more batteries and a lot of weird looks from shoppers. At checkout, the gum-popping, teenage female clerk smirked at me. I decided to let humor prevail. “Do you like this look?” I smiled and pointed to my face. “That’s dope.” “Thanks, dawg.” “Peace out,” she said, and I walked out. I didn’t turn around but I held up a peace sign and said, “Word.
Renee Carlino (After the Rain)
If you find yourself consistently giving too many fucks about trivial shit that bothers you—your ex-boyfriend’s new Facebook picture, how quickly the batteries die in the TV remote, missing out on yet another two-for-one sale on hand sanitizer—chances are you don’t have much going on in your life to give a legitimate fuck about. And that’s your real problem.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Thomas Edison is legendary for learning from his failures. So much so that he refused to even call them failures. In the 1890s, for example, Edison and his team were trying to develop a nickel-iron battery. Over the course of about six months, they created more than nine thousand prototypes that all failed. When one of his assistants commented that it was a shame they hadn’t produced any promising results, Edison said, “Why, man, I have gotten a lot of results! I know several thousand things that won’t work.” This was how Edison looked at the world—as a scientist, an inventor, and a businessman. It was this kind of positive mindset, this sort of brilliant reframing of failure, that led Edison to the invention of the lightbulb barely a decade earlier and to the thousand other patents issued to him by the time he died.
Arnold Schwarzenegger (Be Useful: Seven Tools for Life)
I didn’t think Old Man Winston down of Ash Grove’s Sheriff’s Department would be able to do anything about my rageful and vindictive stalker. Sheriff Winston picked up takeout last week atop his lawnmower because the police cruiser’s battery died. Was he going to mow my stepdad to death?
Kat Blackthorne (Ghost (The Halloween Boys #1))