Batter Quotes

We've searched our database for all the quotes and captions related to Batter. Here they are! All 200 of them:

I know when I'm awake and when I'm asleep," Ronan Lynch said. Adam Parrish, curled over himself in a pair of battered, greasy coveralls, asked, "Do you?" "Maybe I dreamt you," he said. "Thanks for the straight teeth, then," Adam replied.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Our battered suitcases were piled on the sidewalk again; we had longer ways to go. But no matter, the road is life
Jack Kerouac (On the Road (The Viking Critical Library))
I had to get over [him]. For months now, a stone had been sitting on my heart. I'd shed a lot of tears over [him], lost a lot of sleep, eaten a lot of cake batter. Somehow, I had to move on. [Life] would be hell if I didn't shake loose from the grip he had on my heart. I most definitely didn't want to keep feeling this way, alone in a love affair meant for two. Even if he'd felt like The One. Even if I'd always thought we'd end up together. Even if he still had a choke chain on my heart.
Kristan Higgins (All I Ever Wanted)
My battered heart will always be where the ocean meets the sand, I will break over and over Every day. That is the best and worst part of me.
Clementine von Radics
Hope can be bruised and battered. It can be forced underground and even rendered unconscious, but hope cannot be killed.
Neal Shusterman (UnSouled (Unwind, #3))
The rain battered the cottage. Valkyrie risked a look up at Skulduggery. “What is it?” she whispered. “It’s a box,” he whispered back. “What kind of box?” “A wooden one.” She gave him a look.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
And that, ...is the story of our country, one invasion after another...Macedonians. Saddanians. Arabs. Mongols. Now the Soviets. But we're like those walls up there. Battered, and nothing pretty to look at, but still standing.
Khaled Hosseini (A Thousand Splendid Suns)
I've spent the last decade learning to stand firm and face my problems… or at least batter them until they're unrecognizable.
Kelley Armstrong (Frostbitten (Women of the Otherworld, #10))
My dear, Is it true that your mind is sometimes like a battering Ram Running all through the city, Shouting so madly inside and out About the ten thousand things That do not matter?
The Subject Tonight Is Love: 60 Wild and Sweet Poems Inspired by Hafiz (Compass)
If a cricketer, for instance, suddenly decided to go into a school and batter a lot of people to death with a cricket bat, which he could do very easily, I mean, are you going to ban cricket bats?
Philip Duke of Edinburgh
Batter up, mofo.
Jennifer L. Armentrout (Shadows (Lux, #0.5))
A battered wife is a married woman until she gets a divorce. Or until she kills the bastard.
John Grisham (The Rainmaker)
Maybe your history just repeats and repeats until it batters you enough to snap the seams that hold you together
David Levithan (Naomi and Ely's No Kiss List)
Glass shattered, vampires roared, humans screamed. The noise battered at me, just as the tidal wave of scores of brains at high gear washed over me. When it began to taper off, I looked up into Eric's eyes. Incredibly, he was excited. He smiled at me. "I knew I'd get on top of you somehow," he said. Are you trying to make me mad so I'll forget how scared I am?" No, I'm just opportunistic." I wiggled, trying to get out from under him, and he said, "Oh, do that again. It felt great.
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he'd bandaged my bloodied and battered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year, but we'd lived a lifetime in it.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I hope you find a love like that–one that is all-consuming and powerful that makes you feel like you're going slightly mad. And if you do find that love, embrace it. Hold onto it. When you give yourself over to love like that, your heart will get bruised. It will get battered. But you will also feel invincible and infinite.
Jill Santopolo (The Light We Lost)
How terrible it must be to be a member of the noble class. So many rules. Such restraint. You must feel like a caged bird, battering its wings against the sides of its golden prison.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I want your heart, Sin. (Callie) It’s battered and useless, but what remains of it is all yours, milady. (Sin)
Kinley MacGregor (Born in Sin (Brotherhood of the Sword, #3; MacAllister, #2))
So the final conclusion would surely be that whereas other civilizations have been brought down by attacks of barbarians from without, ours had the unique distinction of training its own destroyers at its own educational institutions, and then providing them with facilities for propagating their destructive ideology far and wide, all at the public expense. Thus did Western Man decide to abolish himself, creating his own boredom out of his own affluence, his own vulnerability out of his own strength, his own impotence out of his own erotomania, himself blowing the trumpet that brought the walls of his own city tumbling down, and having convinced himself that he was too numerous, labored with pill and scalpel and syringe to make himself fewer. Until at last, having educated himself into imbecility, and polluted and drugged himself into stupefaction, he keeled over--a weary, battered old brontosaurus--and became extinct.
Malcolm Muggeridge (Vintage Muggeridge: Religion and Society)
I consider as lovers of books not those who keep their books hidden in their store-chests and never handle them, but those who, by nightly as well as daily use thumb them, batter them, wear them out, who fill out all the margins with annotations of many kinds, and who prefer the marks of a fault they have erased to a neat copy full of faults.
Erasmus
My heart had been touched by him, battered by him, cradled by him as the days passed. He was cruel without meaning to be yet he was kind, and I needed him too much to let myself want him
Mackenzie Herbert (Chasing Trains)
When I think about my relationship with America, I feel like a battered wife: Yeah, he knocks me around a lot, but boy, he sure can dance.
Sarah Vowell (Take the Cannoli)
The music folded over itself like batter being poured from a bowl, one note atop another...
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
When the Pawn Hits the Conflicts He Thinks Like a King What He Knows Throws the Blows When He Goes to the Fight and He'll Win the Whole Thing 'Fore He Enters the Ring There's No Body to Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won't Matter, Cuz You'll Know That You're Right
Fiona Apple
Was there no one to help? He instinctively bowed his head and prayed. A warm feeling engulfed his battered body. “I’m not alone, I will never be alone. God is with me
Mark A. Cooper (The Edelweiss Express (Edelweiss Pirates #2))
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
Allen Ginsberg (Howl and Other Poems)
Griddle cakes, pancakes, hot cakes, flapjacks: why are there four names for grilled batter and only one word for love?
George Carlin (Napalm & Silly Putty)
Let heaven exist, though my own place be in hell. Let me be tortured and battered and annihilated, but let there be one instant, one creature, wherein thy enormous Library may find its justification.
Jorge Luis Borges (The Library of Babel)
Dip a slice of bread in batter. That's September: yellow, gold, soft and sticky. Fry the bread. Now you have October: chewier, drier, streaked with browns. The day in question fell somewhere in the middle of the french toast process.
Tom Robbins (Skinny Legs and All)
Those who fail to exhibit positive attitudes, no matter the external reality, are seen as maladjusted and in need of assistance. Their attitudes need correction. Once we adopt an upbeat vision of reality, positive things will happen. This belief encourages us to flee from reality when reality does not elicit positive feelings. These specialists in "happiness" have formulated something they call the "Law of Attraction." It argues that we attract those things in life, whether it is money, relationships or employment, which we focus on. Suddenly, abused and battered wives or children, the unemployed, the depressed and mentally ill, the illiterate, the lonely, those grieving for lost loved ones, those crushed by poverty, the terminally ill, those fighting with addictions, those suffering from trauma, those trapped in menial and poorly paid jobs, those whose homes are in foreclosure or who are filing for bankruptcy because they cannot pay their medical bills, are to blame for their negativity. The ideology justifies the cruelty of unfettered capitalism, shifting the blame from the power elite to those they oppress. And many of us have internalized this pernicious message, which in times of difficulty leads to personal despair, passivity and disillusionment.
Chris Hedges
The guarantee of safety in a battering relationship can never be based upon a promise from the perpetrator, no matter how heartfelt. Rather, it must be based upon the self-protective capability of the victim. Until the victim has developed a detailed and realistic contingency plan and has demonstrated her ability to carry it out, she remains in danger of repeated abuse.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
The most unbearable thing about death is that the world just goes on. Time doesn't care. The morning after the storm, the sun goes up as if it's mocking us, over a wrecked forest and a battered town.
Fredrik Backman (The Winners (Beartown, #3))
You’re not broken.” He said, “You don’t know that.” I said, “I do. You’re alive. If you can take another breath, if you can take another step, then you’re not broken. Battered, maybe. Bruised. Cracked. But never broken.
T.J. Klune (Wolfsong (Green Creek, #1))
...you are battered and bruised in the collisions between reminiscence and reality.
David Eagleman (Sum: Forty Tales from the Afterlives)
The bourgeoisie, by the rapid improvement of all instruments of production, by the immensely facilitated means of communication, draws all, even the most barbarian, nations into civilization. The cheap prices of its commodities are the heavy artillery with which it batters down all Chinese walls, with which it forces the barbarians' intensely obstinate hatred of foreigners to capitulate. It compels all nations, on pain of extinction, to adopt the bourgeois mode of production; it compels them to introduce what it calls civilization into their midst, i.e., to become bourgeois themselves. In one word, it creates a world after its own image.
Karl Marx (The Communist Manifesto)
I do," said Robin in a ringing voice, looking straight into the eyes, not of her stony-faced new husband, but of the battered and bloodied man who had just sent her flowers crashing to the floor.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
By all means," cried the bard, his eyes lighting up. "A Fflam to the rescue! Storm the castle! Carry it by assault! Batter down the gates!" "There's not much of it left to storm," said Eilonwy. "Oh?" said Fflewddur, with disappointment. "Very well, we shall do the best we can.
Lloyd Alexander (The Book of Three (The Chronicles of Prydain, #1))
The to Cathal was battered and only one wagon wide, with swells of hard earth where mud had frozen during cold ad rainy seasons. Enna tripped often, and cursed each time she tripped, until Dasha said, "Enna, you might watch your language." Enna grimaced. "I was. You should hear my thoughts.
Shannon Hale (Forest Born (The Books of Bayern, #4))
Quiet friend who has come so far, feel how your breathing makes more space around you. Let this darkness be a bell tower and you the bell. As you ring, what batters you becomes your strength. Move back and forth into the change. What is it like, such intensity of pain? If the drink is bitter, turn yourself to wine. In this uncontainable night, be the mystery at the crossroads of your senses, the meaning discovered there. And if the world has ceased to hear you, say to the silent earth: I flow. To the rushing water, speak: I am. - Let This Darkness Be a Bell Tower
Rainer Maria Rilke (Sonnets to Orpheus)
The life I know now is the only one that matters. The suffocation, the luxury, the sleepless nights, and the dead bodies. I’ve always been taught to focus on power and pain, gaining and inflicting. I grieve nothing. I take everything. It’s the only way I know how to live in this battered body.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
I’m sorry, Eve. I love you. I’m not letting you do this.” She screamed and battered harder. “You love me? You asshole! Let me go!
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
When evening in the Shire was grey his footsteps on the Hill were heard; before the dawn he went away on journey long without a word. From Wilderland to Western shore, from northern waste to southern hill, through dragon-lair and hidden door and darkling woods he walked at will. With Dwarf and Hobbit, Elves and Men, with mortal and immortal folk, with bird on bough and beast in den, in their own secret tongues he spoke. A deadly sword, a healing hand, a back that bent beneath its load; a trumpet-voice, a burning brand, a weary pilgrim on the road. A lord of wisdom throned he sat, swift in anger, quick to laugh; an old man in a battered hat who leaned upon a thorny staff. He stood upon the bridge alone and Fire and Shadow both defied; his staff was broken on the stone, in Khazad-dûm his wisdom died.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
In the company of women like this— sharp-edged as raw diamonds but with soft hands and hearts, not strong in spite of anything but powerful because of everything— I feel invincible. Every chink and rut and battering wind has made us tough and brave and impossible to strike down. We are mountains— or perhaps temples, with foundations that could outlast time itself.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Batter my heart, three-person'd God ; for you As yet but knock ; breathe, shine, and seek to mend ; That I may rise, and stand, o'erthrow me, and bend Your force, to break, blow, burn, and make me new. I, like an usurp'd town, to another due, Labour to admit you, but O, to no end. Reason, your viceroy in me, me should defend, But is captived, and proves weak or untrue. Yet dearly I love you, and would be loved fain, But am betroth'd unto your enemy ; Divorce me, untie, or break that knot again, Take me to you, imprison me, for I, Except you enthrall me, never shall be free, Nor ever chaste, except you ravish me.
John Donne
We are such small, stupid things. For most of my life I thought of nature as the stupid thing: Blind, animal, destructive. We, the humans, were clean and smart and in control: we had wrestled the rest of the world into submission, battered it down, pinned it to a glass slide and the pages of The Bool of Shhh.
Lauren Oliver (Pandemonium (Delirium, #2))
There, in the center of that silence was not eternity but the death of time and a loneliness so profound the word itself had no meaning. For loneliness assumed the absence of other people, and the solitude she found in that desperate terrain had never admitted the possibility of other people. She wept then. Tears for the deaths of the littlest things: the castaway shoes of children; broken stems of marsh grass battered and drowned by the sea; prom photographs of dead women she never knew; wedding rings in pawnshop windows; the tiny bodies of Cornish hens in a nest of rice.
Toni Morrison (Sula)
I waited for him to say something more, but he was quiet. "Was there something you wanted?" I asked. He didn't answer right away, but I could feel him struggling, so I waited. "If I asked you something, would you tell me the truth?" It was my turn to hesitate. "I don't know everything," I hedged. "You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right." Melanie was suddenly very in my head. Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean." Melanie sighed. I said nothing to either of them. "I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest. "Does it, Wanda?" "Why won't you answer me?" Jamie was really crying now but trying to muffle the sound. I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck. "Is Melanie still alive, Wanda? Please?" He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses. Jamie's body shook beside me. Melanie cried. She battered ineffectually at my control. But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now. "She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?" Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel." "She loves you, too. She's so happy that you're here and safe." He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
Stephenie Meyer (The Host (The Host, #1))
She was battered and beaten up, and not smiling this time. Liesel could see it on her face. Blood leaked from her nose and licked at her lips. Her eyes had blackened. Cuts had opened up and a series of wounds were rising to the surface of her skin. All from the words. From Liesel's words.
Markus Zusak (The Book Thief)
Now, after my confession, I felt battered, like one of those dolls that always bounces back up when hit. But here's the thing - those silly dolls get hit all the more for it.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
Lucas couldn’t have imagined that he would have ever felt so alone. No family, no friends. Even his own village had turned against him. He peered into the icy water; it looked like it was about to freeze over. Maybe I should drown myself before I freeze to death? he pondered. Was there no one to help? He instinctively bowed his head and prayed. A warm feeling engulfed his battered body. “I’m not alone, I will never be alone. God is with me,” he blubbered.
Mark A. Cooper (The Edelweiss Express (Edelweiss Pirates #2))
God gives us the vision, then he takes us down to the valley to batter us into the shape of the vision, and it is in the valley that so many of us faint and give way. Every vision will be made real if we will have patience.
Oswald Chambers (My Utmost for His Highest)
I've been scared and battered. My hopes the wind done scattered. Snow has friz me, Sun has baked me, Looks like between 'em they done Tried to make me Stop laughin', stop lovin', stop livin'-- But I don't care! I'm still here!
Langston Hughes
The ocean," I said, "look at it out there, battering, crawling up and down. And underneath all that, the fish, the poor fish fighting each other, eating each other. We're like those fish, only we're up here. One bad move and you're finished. It's nice to be a champion. It's nice to know your moves.
Charles Bukowski (Post Office)
Clap! Snap! the black crack! Grip, grab! Pinch, nab! And down down to Goblin-town You go, my lad! Clash, crash! Crush, smash! Hammer and tongs! Knocker and gongs! Pound, pound, far underground! Ho, ho! my lad! Swish, smack! Whip crack! Batter and beat! Yammer and bleat! Work, work! Nor dare to shirk, While Goblins quaff, and Goblins laugh, Round and round far underground Below, my lad!
J.R.R. Tolkien (The Hobbit, or There and Back Again)
Time is now measured from the night when death stole from me, took my battered heart, and left me behind.
Nicole Reed (Ruining You (Ruining, #2))
If only' repeated again and again in her head like a battering ram...'if only' could break your heart.
Alexandra Ripley (Scarlett)
The candle-end was flickering out in the battered candlestick, dimly lighting up in the poverty stricken room the murderer and the harlot who had so strangely been reading together the eternal book.
Fyodor Dostoevsky (Crime and Punishment)
One of the greatest gifts we receive from dogs is the tenderness they evoke in us. The disappointments of life, the injustices, the battering events that are beyond our control, and the betrayals we endure, from those we befriended and loved, can make us cynical and turn our hearts into flint – on which only the matches of anger and bitterness can be struck into flame. By their delight in being with us, the reliable sunniness of their disposition, the joy they bring to playtime, the curiosity with which they embrace each new experience, dogs can melt cynicism,and sweeten the bitter heart.
Dean Koontz (A Big Little Life: A Memoir of a Joyful Dog)
Where was the fear? She searched herself as she listened: sometimes the rat-tat-tat of gunfire, rapid and snippy like the keys of two vast duelling type-writers battering out threats to each other on a paper sky.
Lesley Glaister (Blasted Things)
I'm going to ask you to remember the prostituted, the homeless, the battered, the raped, the tortured, the murdered, the raped-then-murdered, the murdered-then-raped; and I am going to ask you to remember the photographed, the ones that any or all of the above happened to and it was photographed and now the photographs are for sale in our free countries. I want you to think about those who have been hurt for the fun, the entertainment, the so-called speech of others; those who have been hurt for profit, for the financial benefit of pimps and entrepreneurs. I want you to remember the perpetrator and I am going to ask you to remember the victims: not just tonight but tomorrow and the next day. I want you to find a way to include them -- the perpetrators and the victims -- in what you do, how you think, how you act, what you care about, what your life means to you. Now, I know, in this room, some of you are the women I have been talking about. I know that. People around you may not. I am going to ask you to use every single thing you can remember about what was done to you -- how it was done, where, by whom, when, and, if you know -- why -- to begin to tear male dominance to pieces, to pull it apart, to vandalize it, to destabilize it, to mess it up, to get in its way, to fuck it up. I have to ask you to resist, not to comply, to destroy the power men have over women, to refuse to accept it, to abhor it and to do whatever is necessary despite its cost to you to change it.
Andrea Dworkin
Every woman who has come to consciousness can recall an almost endless series of oppressive, violating, insulting, assaulting acts against her Self. Every woman is battered by such assaults - is on a psychic level, a battered woman.
Mary Daly (Gyn/Ecology: The Metaethics of Radical Feminism)
I did not love cold harmony and perfect regularity of organization; what I sought was variety, mystery, tradition, the venerable, the awful. I despised sophisters and calculators; I was groping for faith, honor, and prescriptive loyalties. I would have given any number of neo-classical pediments for one poor battered gargoyle.
Russell Kirk
The area was encompassed in a bubble of warm, fragrant steam from the funnel cake deep fryers. It smelled like sweet vanilla cake batter you licked off a spoon.
Sarah Addison Allen (The Sugar Queen)
You’re a battered heart, bleeding life in the universe of wounds.
Tony Kushner (Angels in America)
Patient endurance permits us to cling to our faith in the Lord and our faith in His timing when we are being tossed about by the surf of circumstance. Even when a seeming undertow grasps us, somehow, in the tumbling, we are being carried forward, though battered and bruised.
Neal A. Maxwell (The Neal A. Maxwell Quote Book)
What I know about living is the pain is never just ours Every time I hurt I know the wound is an echo So I keep a listening to the moment the grief becomes a window When I can see what I couldn’t see before, through the glass of my most battered dream, I watched a dandelion lose its mind in the wind and when it did, it scattered a thousand seeds. So the next time I tell you how easily I come out of my skin, don’t try to put me back in just say here we are together at the window aching for it to all get better
Andrea Gibson
Elide saw the sorrow on her face before she reached her. The dullness and pain in the golden eyes. She went still. "Who?" Manon's throat bobbed. "All." All of the Thirteen. All those fierce, brilliant witches. Gone. Elide put a hand to her heart, as if it could stop it from cracking. But Manon closed the distance between them, and even with that grief in her battered, bloodied face, she put a hand on Elide's shoulder. In comfort. As if the witch had learned to do such things.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
When I am battered and oppressed by the world that humanity has made - which is difference from the world that is was given - my primary defense, my consolation, is the absurdity of that world
Dean Koontz
A new immigrant, within two years, will come to know that the salon is, in the end, a place where dreams become the calcified knowledge of what it means to be awake in American bones — with or without citizenship — aching, toxic, and underpaid. I hate and love your battered hands for what they can never be.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Sam and Caine were left standing side by side, bruised and battered, to stare over Penny's sickening corpse, at the face of their mother.
Michael Grant (Fear (Gone, #5))
Many women say that verbal violence causes more harm than physical violence because it damages self-esteem so deeply. Women have not wanted to hear battered women say that the verbal abuse was as hurtful as the physical abuse: to acknowledge that truth would be tantamount to acknowledging that virtually every woman is a battered woman. It is difficult to keep strong against accusations of being a bitch, stupid, inferior, etc., etc.
Suzanne Pharr (Homophobia: A Weapon of Sexism)
Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
Ada Louise Huxtable
I want your babies, and your anger, and your cold blue eyes … “ I choke on my words and I am the one to look away. I bring my gaze back to her face and realize that if I can’t convince her now, I’m never going to be able to. “I want to go on anniversary dinners with you, I want to wrap Christmas presents with you. I want to fight with you about stupid things and then hold you down in my bed and make it up to you. I want to have more cake batter fights and camping trips. I want your future, Olivia. Please come back to me.
Tarryn Fisher (Thief (Love Me with Lies, #3))
But think of how much worse it would be to sit here, not knowing. Until the Dead choke the Ratterlin and Hedge walks across the dry bed of the river to batter down the door.
Garth Nix (Abhorsen (Abhorsen, #3))
Almost overnight, the streets glow with meaning. She reads inscriptions on coins, on cornerstones and tombstones, on lead seals and buttress piers and marble plaques embedded into the defensive walls—each twisting lane of the city a great battered manuscript in its own right.
Anthony Doerr (Cloud Cuckoo Land)
It's me, love," he said softly. "Everything's all right." Daisy managed to whisper through dry lips. "If you're a ghost...I hope you haunt me forever." Matthew sat on the floor and reached for her cold hands. "Would a ghost use the door?" he asked gently, bringing her fingers to his scratched, battered face.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
She could talk. If she was a sphinx she could have talked, if she was a stone she could have talked. I wondered when she'd get tired and leave. Even after I stopped listening it was like being battered with tiny pingpong balls.
Charles Bukowski (Women)
What makes authentic disciples is not visions, ecstasies, biblical mastery of chapter and verse, or spectacular success in the ministry, but a capacity for faithfulness. Buffeted by the fickle winds of failure, battered by their own unruly emotions, and bruised by rejection and ridicule, authentic disciples may have stumbled and frequently fallen, endured lapses and relapses, gotten handcuffed to the fleshpots and wandered into a far county. Yet, they kept coming back to Jesus.
Brennan Manning (The Ragamuffin Gospel)
Oh, honey, if he swung batter-batter for my team, I'd be all over that in a heartbeat.
J. Lynn (Wait for You (Wait for You, #1))
Some police forces would believe anything. Not the Metropolitan police, though. The Met was the hardest, most cynically pragmatic, most stubbornly down-to-earth police force in Britain. It would take a lot to faze a copper from the Met. It would take, for example, a huge, battered car that was nothing more nor less than a fireball, a blazing, roaring, twisted metal lemon from Hell, driven by a grinning lunatic in sunglasses, sitting amid the flames, trailing thick black smoke, coming straight at them through the lashing rain and wind at eighty miles an hour. That would do it every time.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face. For a brief moment,I'm lost to my surroundings. The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance. This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face. Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede. But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram. This girl strikes like a viper.
Marie Lu (Legend (Legend, #1))
Batter my heart, three-person'd God; for, you As yet but knocke, breathe, shine, and seeke to mend; That I may rise, and stand, o'erthrow mee, 'and bend Your force, to breake, blowe, burn and make me new.
John Donne (Holy Sonnets)
Men, crumpled like bed-sheets in hospitals, And women, battered like overused proverbs.
Vladimir Mayakovsky
I must fling myself down and writhe; I must strive with every piece of force I possess; I bruise and batter myself against the floor, the walls; I strain and sob and exhaust myself, and begin again, and exhaust myself again; but do I feel pain? Never. How can I feel pain? There is no place for it.
Harry Houdini
But baseball was different. Schwartz thought of it as Homeric - not a scrum but a series of isolated contests. Batter versus pitcher, fielder versus ball. You couldn't storm around, snorting and slapping people, the way Schwartz did while playing football.You stood and waited and tried to still your mind. When your moment came, you had to be ready, because if you fucked up, everyone would know whose fault it was. What other sport not only kept a stat as cruel as the error but posted it on the scoreboard for everyone to see?
Chad Harbach (The Art of Fielding)
That was the strength of Ellysetta's weave. Bright, unyielding,indefatigable love. Love that did not know surrender. Love that did not understand limitations or even basic self-preservation. Love that would batter itself to death before giving in to defeat.
C.L. Wilson (King of Sword and Sky (Tairen Soul, #3))
We batter this planet as if we had someplace else to go.
Ann Druyan (The Varieties of Scientific Experience: A Personal View of the Search for God)
O! how shall summer's honey breath hold out, / Against the wrackful siege of battering days?
William Shakespeare (Shakespeare's Sonnets)
Just tell me you're mine, I'm yours, and you won't kiss, fuck or otherwise let any other man batter dip his corn dog with you.
C.M. Stunich (Bad Day (Hard Rock Roots, #4))
I think,” she said, glaring at him with murderous intent, “that if you or that damn battering ram you have the nerve to call a dick ever comes near me again so help me I will – Aaaaaaggggghhhhh!” she broke off her beautiful words of love to scream.
R.L. Mathewson (Sudden Response (EMS, #1))
Appearances are not reality; but they often can be a convincing alternative to it. You can control appearances most of the time, but facts are what they are. When the facts are too sharp, you can craft a cheerful version of the situation and cover the facts the way that you can covered a battered old four-slice toaster with a knitted cozy featuring images of kittens.
Dean Koontz (The Good Guy)
It is my empress's will to know the whole of your tale.' Gabriel reached into his battered britches, fished about under the monster's stare. Finally, he retrieved a tarnished royale from his pocket. 'Here.' 'What is that for?' Jean-François demanded. 'I want you to take this coin to market, and buy me a fuck to give.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
Without you, without your onslaughts, without your uprootings of us, we should remain all our lives inert, stagnant, puerile, ignorant both of ourselves and of God. You who batter us and then dress our wounds, you who resist us and yield to us, you who wreck and build, you who shackle and liberate, the sap of our souls, the hand of God, the flesh of Christ: it is you, matter, that I bless.
Pierre Teilhard de Chardin (Hymn of the Universe)
the dream had come again, like the sun after a storm. It was the same dream that had come many times before, battering down the doors of my mind night after night since i was a child. it was the sort of dreams all girls dream, i suppose- a dream of mysterious worlds and hidden doorways, of leaves that breathe and make music when they are rustled in the wind, and river that bubbles and froth with secrets.
Kailin Gow (Bitter Frost (Frost, #1))
In a daze, Remi stepped up to the battered old bar, next to Rhys. "What will it be?" the bartender asked Remi. "I'll have a Jake and Coke-uh, Jack and Cock, uh-" Oh fuck. Remi stopped talking. He could actually feel his face heat with a blush. Someone shoot me.
J.L. Langley (With Caution (With or Without, #2))
our people diverse and beautiful will emerge, battered and beautiful When day comes we step out of the shade, aflame and unafraid
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
Batterers aren't renowned for taking responsibility for their abusiveness, Sam. They tend to shed blame like a snake molts.
Stephen White (Private Practices (Alan Gregory, #2))
Grow up? Get herself straightened out? Her mind reeled from the verbal battering. No matter what she did, her father would tell her she was wrong. Worthless. Undeserving.
Ted Dekker (Kiss: She Steals More Than Your Heart)
We may not have been perfect, or even acceptable by anyone else’s standards. But together, we were perfect. Together, we were just us. Battered and broken. Dark and difficult. Impulsive and scared.
T.M. Frazier (The Dark Light of Day (The Dark Light of Day, #1))
The Librarian shyly held out a small, battered green book. Vimes had been expecting something bigger, but he took it anyway. It paid to look at any book the orangutan gave you. He matched you up to books. Vimes supposed it was a knack, in the same way that an undertaker was very good at judging heights.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
It was strange walking through the empty apartment. My battered purple room was gone, Brittany’s bruised blue was gone. Two coats covered everything. It was like none of it had ever happened.
Kimberly Novosel (Loved)
Still it is true that many same-sex couples want nothing more than to join society as fully integrated socially responsible family-centered taxpaying Little League-coaching nation-serving respectably married citizens. So why not welcome them in Why not recruit them by the vanload to sweep in on heroic wings and save the flagging and battered old institution of matrimony from a bunch of apathetic ne'er-do-well heterosexual deadbeats like me
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
Mel.” “Hmm?” “Don’t leave me again, okay?” Clay whispered in a voice choked with emotion as he pulled her tighter against him and tilted his head to rest his cheek on top of her head. “’Cause that ’bout killed me.
Kele Moon (Defying the Odds (Battered Hearts, #1))
Royce understood then why she had come: she had come to finish the task her relatives had begun; to do to him what he had done to her brother. Unmoving, he watched her, noting that tears were pouring down her beautiful face as she slowly bent down. But instead of reaching for his lance or her dagger, she took his hand between both of hers and pressed her lips to it. Through his daze of pain and confusion, Royce finally understood that she was kneeling to him, and a groan tore from his chest: "Darling," he said brokenly, tightening his hand, trying to make her stand, "don't do this…" But his wife wouldn't listen. In front of seven thousand onlookers, Jennifer Merrick Westmoreland, countess of Rockbourn, knelt before her husband in a public act of humble obeisance, her face pressed to his hand, her shoulders wrenched with violent sobs. By the time she finally arose, there could not have been many among the spectators who had not seen what she had done. Standing up, she stepped back, lifted her tear-streaked face to his, and squared her shoulders. Pride exploded in Royce's battered being—because, somehow, she was managing to stand as proudly—as defiantly—as if she had just been knighted by a king.
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
Antonia had always been one to leave images in the mind that did not fade - that grew stronger with time. In my memory there was a succession of such pictures, fixed there like the old woodcuts of one's first primer...She lent herself to immemorial human attitudes which we recognize by instinct as universal and true...She was a battered woman now, not a lovely girl; but she still had that something which fires the imagination, could still stop one's breath for a moment by a look or gesture...All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions.
Willa Cather (My Ántonia)
You can boil your life down to a single suitcase, if you desperately have to. Ask yourself what you really need, and it won't be what you imagine - you will easily toss aside unfinished work, and bills, and your daily calendar to make room for the pair of flannel pajamas you wear when it rains; and the stone your child gave you that is shaped like a heart; and the battered paperback you revisit every April because it was what you were reading the first time you fell in love. It turns out that what's important is not everything that you've accumulated all these years, but those few things you can carry with you.
Jodi Picoult (Vanishing Acts)
What if once you get to know me, you don’t like what you see?” He took my hand and lifted it to his battered lips. “I already know you’re the only woman in the world I’d allow myself to get my ass kicked for. I’m pretty sure it can only get better from here.” I almost smiled. “Ah, so you’re an optimist.” “Not until I met you.
Lisa Kessler (Wolf Moon (Moon, #7))
In order to gain their freedom, survivors may have to give up almost everything else. Battered women may lose their homes, their friends, and their livelihood. Survivors of childhood abuse may lose their families. Political refugees may lose their homes and their homeland. Rarely are the dimensions of this sacrifice fully recognized.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence--From Domestic Abuse to Political Terror)
I want your babies, and your anger, and your cold blue eyes … I want to go on anniversary dinners with you, I want to wrap Christmas presents with you. I want to fight with you about stupid things and then hold you down in my bed and make it up to you. I want to have more cake batter fights and camping trips. I want your future, Olivia
Tarryn Fisher
Battered and bruised but still fighting for dominance his was not the selfish petty pride that made bullies of lesser men but rather the quiet determined dignity that turned men into heroes and made heroes crawl back to their feet from the bitter dust of defeat and stand tall once more.
C.L. Wilson (Lord of the Fading Lands (Tairen Soul, #1))
The criers of the Mysteries speak again, bidding all men welcome to the House of Light. The great institution of materiality has failed. The false civilization built by man has turned, and like the monster of Frankenstein, is destroying its creator. Religion wanders aimlessly in the maze of theological speculation. Science batters itself impotently against the barriers of the unknown. Only transcendental philosophy knows the path. Only the illumined reason can carry the understanding part of man upward to the light. Only philosophy can teach man to be born well, to live well, to die well, and in perfect measure be born again. Into this band of the elect--those who have chosen the life of knowledge, of virtue, and of utility--the philosophers of the ages invite YOU.
Manly P. Hall (The Secret Teachings of All Ages)
The Society for the Protection of Historical Buildings was the official body whose task it was to oversee repairs and maintenance to our beloved but battered listed building. We had them on speed-dial. They had us on their black list.
Jodi Taylor (Just One Damned Thing After Another (The Chronicles of St. Mary's, #1))
While the financial crisis destroyed careers and reputations, and left many more bruised and battered, it also left the survivors with a genuine sense of invulnerability at having made it back from the brink. Still missing in the current environment is a genuine sense of humility.
Andrew Ross Sorkin (Too Big to Fail: The Inside Story of How Wall Street and Washington Fought to Save the Financial System from Crisis — and Themselves)
What is that which can never die It is that faithful force that is born into us that one that is greater than us that calls new seed to the open and battered and barren places so that we can be resown. It is this force in its insistence in its loyalty to us in its love of us in its most often mysterious ways that is far greater far more majestic and far more ancient than any heretofore ever known.
Clarissa Pinkola Estés (The Faithful Gardener: A Wise Tale About That Which Can Never Die)
Abused children have a caldron of rage bubbling inside them. You can’t be battered, humiliated, terrified, denigrated, and blamed for your own pain without getting angry. But a battered child has no way to release this anger. In adulthood, that anger has to find an outlet.
Susan Forward (Toxic Parents: Overcoming Their Hurtful Legacy and Reclaiming Your Life)
I emerged into the sticky-hot evening to find Ricky smoking on the hood of his battered car. Something about his mud-encrusted boots and the way he let smoke curl from his lips and how the sinking sun lit his green hair reminded me of a punk, redneck James Dean. He was all of those things, a bizarre cross-pollination of subcultures possible only in South Florida.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
IN MY VIEW…IT IS BETTER TO BE IMPETUOUS THAN CAUTIOUS, BECAUSE FORTUNE IS A WOMAN, AND IF YOU WISH TO DOMINATE HER YOU MUST BEAT HER AND BATTER HER. IT IS CLEAR THAT SHE WILL LET HERSELF BE WON BY MEN WHO ARE IMPETUOUS RATHER THAN BY THOSE WHO STEP CAUTIOUSLY. —Niccolò Machiabelli
50 Cent (The 50th Law)
My Papa's Waltz: The whiskey on your breath Could make a small boy dizzy; But I hung on like death: Such waltzing was not easy. We romped until the pans Slid from the kitchen shelf; My mother's countenance Could not unfrown itself. The hand that held my wrist Was battered on one knuckle; At every step you missed My right ear scraped a buckle. You beat time on my head With a palm caked hard by dirt, Then waltzed me off to bed Still clinging to your shirt.
Theodore Roethke
Often, to keep the family together, the woman will accept repeated beatings and rapes, emotional battering and verbal degredation; she will be debased and ashamed but she will stick it out, or when she runs he will kill her. Ask the politicians who exude delight when they advocate for the so-called traditional family how many women are beaten and children raped when there is no man in the family. Zero is such a perfect and encouraging number, but who, among politicians in male-supremacist cultures, can count that high?
Andrea Dworkin (Scapegoat: The Jews, Israel, and Women's Liberation)
There are some people at whom one only has to glance for one’s throat to tighten and one’s eyes to fill with tears of emotion. These people make one feel as if a stronger memory of our former innocence remains in them, as if they were a freak of nature, not entirely battered by the Fall. Perhaps they are messengers, like the servants who find a lost prince who’s unaware of his origins, show him the robe that he wore in his native country, and remind him how to return home.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
I regarded him gently over my own bowl of stew. He was very large, solid, and beautifully formed. And if he was a bit battered by circumstance, that merely added to his charm. "You're a very hard person to kill, I think," I said. "That's a great comfort to me.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
... You did what none of us could do.” “Only because the poison didn’t affect me the same way—” “Does that matter? We couldn’t do it. You did. We saw what you looked like when you got out. How many times did you fall in order to batter your knees like that? But you kept going.” “That makes me stubborn, not strong,” she mumbled. “Strength comes in many forms...
Annette Marie (Dark Tempest (Red Winter Trilogy, #2))
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
Jhumpa Lahiri (Unaccustomed Earth)
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
I'm in a weird-ass mood today, Doc. Wired up, mind all over the place, looking for answers, reasons something solid to cling to, something real, but just when I think I've got it figured out and neatly filed under fixed instead of fucked, turns out I'm still shattered, scattered, and battered. But you probably already knew that, didn't you?...You might not be able to help me. That makes me sad, but not for me. It makes me sad for you. It must be frustrating for a shrink to have a patient who's beyond fixing. That first shrink I saw when I got back to Clayton Falls told me no one is a lost cause, but I think that's bullshit. I think people can be so crushed, so broken, that they'll never be anything more than a fragment of a whole person. (129)
Chevy Stevens (Still Missing)
plan B plan Battered and Broken plan Boxed in plan Bailed on and Back from the dead plan Better luck next time plan Balled up plan Backtracked plan Backhanded plan Backward steps plan Blackballed, Black-marked, and Blacklisted plan B-side, Bye Bye Baby plan Belly up and Beat down plan Bad days ahead and Best are far Behind
Sarah Ockler (The Summer of Chasing Mermaids)
People ask me, “Have you tried yoga? Kombucha? This special water?” And I don’t have the energy to explain that yes, I’ve tried them. I’ve tried crystals and healing drum circles and prayer and everything. What I want to try is acceptance. I want to see what happens if I can simply accept myself for who I am: battered, broken, hoping for relief, still enduring somehow. I will still take a cure if it’s presented to me, but I am so tired of trying to bargain with the universe for some kind of cure. The price is simply too high to live chasing cures, because in doing so, I’m missing living my life. I know only that in chasing to achieve the person I once was, I will miss the person I have become.
Alice Wong (Disability Visibility: First-Person Stories from the Twenty-first Century)
If I could blame it on all the mothers and fathers of the world, they of the lessons, the pellets of power, they of the love surrounding you like batter ... Blame it on God perhaps? He of the first opening that pushed us all into our first mistakes? No, I'll blame it on Man For Man is God and man is eating the earth up like a candy bar and not one of them can be left alone with the ocean for it is known he will gulp it all down. The stars (possibly) are safe. At least for the moment. The stars are pears that no one can reach, even for a wedding. Perhaps for a death.
Anne Sexton (The Awful Rowing Toward God)
The meek shall inherit the earth” meant nothing to me. The meek were battered in West Baltimore, stomped out at Walbrook Junction, bashed up on Park Heights, and raped in the showers of the city jail. My understanding of the universe was physical, and its moral arc bent toward chaos then concluded in a box.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
Science has carried us to the gateway to the universe. And yet our conception of our surroundings remains the disproportionate view of the still-small child. We are spiritually and culturally paralyzed, unable to face the vastness, to embrace our lack of centrality and find our actual place in the fabric of nature. We batter this planet as if we had someplace else to go. That we even do science is a hopeful glimmer of mental health. However, it's not enough merely to accept these insights intellectually while we cling to a spiritual ideology that is not only rootless in nature but also, in many ways, contemptuous of what is natural.
Ann Druyan
Let me help you." Roarke bent down, lifted Rockman by the lapels. He jerked the man up, steadied him. "Look at me, Rockman. Vision clear?" Rockman blinked blood out of his eyes. "I can see you." "Good." Roarke's arm shot up, quick as a bullet, and his fist connected with Rockman's already battered face. "Oops," Feeney said mildly, when Rockman crumbled to the floor again.
J.D. Robb (Naked in Death (In Death, #1))
You once told me you could stand many things.” My voice was raspy from all the emotions battering against those well-honed inner defenses. “So can I. I can stand whatever Apollyon dishes out, can take the bigotry from others over what I am, the freaky ghost juju from Marie, all the craziness my mother can throw at me, and even the pain of my uncle dying. But the one thing that I would never, ever recover from would be losing you. You made me promise before to go on if that happened, but Bones”—here my words broke and tears spilled down my cheeks—“I wouldn’t want to.” He’d been near the side of the bed when I started talking, but was in my arms before the first tear fell. Very softly, his lips brushed over those wet streaks, coming back pink from the drops still shimmering on them. “No matter what happens, you will never lose me,” he whispered. “I am forever yours, Kitten, in this life or the next.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Antonia came in and stood before me...It was a shock, of course. It always is, to meet people after long years, especially if they have lived as much and as hard as this woman had. We stood looking at each other. The eyes that peered anxiously at me were - simply Antonia's eyes..As I confronted her, the changes grew less apparent to me, her identity stronger. She was there in the full vigour of her personality, battered, but not diminished...
Willa Cather (My Ántonia)
...and our footsteps rang and echoed till it sounded like the room was full of dancers, the house calling up all the people who had danced here across centuries of spring evenings, gallant girls seeing gallant boys off to war, old men and women straight-backed while outside their world disintegrated and the new one battered at their doors, all of them bruised and all of them laughing, welcoming us into their long lineage.
Tana French (The Likeness)
Falling in love was as much about receiving as it was giving, was it? It seemed selfish. It was not, though. It was the opposite. Keeping oneself from being loved was to refuse the ultimate gift. He had thought himself done with romantic love. He had thought himself an incurable cynic. He was not, though. He was only someone whose heart and mind, and very soul, had been battered and bruised. It was still - and always - safe to give since there was a certain deal of control to be exerted over giving. Taking, or allowing oneself to receive, was an altogether more risky business. For receiving meant opening up the heart again. Perhaps to rejection. Or disillusionment. Or pain. Or even heart break. It was all terribly risky. And all terribly necessary. And of course, there was the whole issue of trust...
Mary Balogh (At Last Comes Love (Huxtable Quintet, #3))
It would take a lot to faze a copper from the Met. It would take, for example, a huge, battered car that was nothing more nor less than a fireball, a blazing, roaring, twisted metal lemon from Hell, driven by a grinning lunatic in sunglasses, sitting amid the flames, trailing thick black smoke, coming straight at them through the lashing rain and the wind at eighty miles per hour. That would do it every time.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
To forget and to repress would be a good solution if there were no more to it than that. But repressed pain blocks emotional life and leads to physical symptoms. And the worst thing is that although the feelings of the abused child have been silenced at the point of origin, that is, in the presence of those who caused the pain, they find their voice when the battered child has children of his own.
Alice Miller (Banished Knowledge: Facing Childhood Injuries)
It was dusk, on a Friday. The battered skeletons of trees tapered against the fresh starlight in No Man's Land. The sky offered curious glimpses of beauty, from time to time. The men wrote about it in their letters, describing sunsets in painstaking detail to their families, as if there was nothing to see at the front but crimson clouds and dusted rays of golden light.
Alice Winn (In Memoriam)
The gods had vanished, her mother had once claimed. But had they? Had it been some god who had visited tonight, clothed in the skin of a battered young woman? Or had it merely been their distant whispers that prompted the stranger to walk down that alley? She would never know, she supposed. And maybe that was the whole point.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
From the cab stepped a tall old man. Black raincoat and hat and a battered valise. He paid the driver, then turned and stood motionless, staring at the house. The cab pulled away and rounded the corner of Thirty-sixty Street. Kinderman quickly pulled out to follow. As he turned the corner, he noticed that the tall old man hadn't moved but was standing under the streetlight glow, in mist, like a melancholy traveler frozen in time.
William Peter Blatty (The Exorcist (The Exorcist, #1))
America today is a "save yourself" society if there ever was one. But does it really work? The underdeveloped societies suffer from one set of diseases: tuberculosis, malnutrition, pneumonia, parasites, typhoid, cholera, typhus, etc. Affluent America has virtually invented a whole new set of diseases: obesity, arteriosclerosis, heart disease, strokes, lung cancer, venereal disease, cirrhosis of the liver, drug addiction, alcoholism, divorce, battered children, suicide, murder. Take your choice. Labor-saving machines have turned out to be body-killing devices. Our affluence has allowed both mobility and isolation of the nuclear family, and as a result, our divorce courts, our prisons and our mental institutions are flooded. In saving ourselves we have nearly lost ourselves.
John Piper (Don't Waste Your Life)
Yes,” he assured her without hesitation. “I thought I was broken too, that I’d never trust women, but I had it all wrong. I wasn’t broken at all. I was just waiting for you. It’s always been yours; even before we met, it belonged to you.
Kele Moon (Defying the Odds (Battered Hearts, #1))
the battered woman--for she wore a skirt--with her right hand exposed, her left clutching at her side, stood singing of love--love which has lasted a million years, she sang, love which prevails, and millions of years ago, her lover, who had been dead these centuries, had walked, she crooned, with her in May; but in the course of ages, long as summer days, and flaming, she remembered, with nothing but red asters, he had gone; death's enormous sickle had swept those tremendous hills, and when at last she laid her hoary and immensely aged head on the earth, now become a mere cinder of ice, she implored the Gods to lay by her side a bunch of purple heather, there on her high burial place which the last rays of the last sun caressed; for then the pageant of the universe would be over.
Virginia Woolf
Let us be dissatisfied until America will no longer have high blood pressure of creeds and an anemia of deeds. Let us be dissatisfied until the tragic walls that separate the outer city of wealth and comfort from the inner city of poverty and despair shall be crushed by the battering rams of the fires of justice. Let us be dissatisfied until they who live on the outskirts of Hope are brought into the metropolis of daily security. Let us be dissatisfied until slums are cast into the junk heap of history and every family will live in a decent, sanitary home. Let us be dissatisfied until the dark yesterdays of segregated schools will be transformed into the bright tomorrows of quality integrated education.
Martin Luther King Jr. (Where Do We Go from Here: Chaos or Community?)
Next, the secretary advised me to take a seat while she notified the headmaster of my arrival. During those dreadful moments I did everything I could to remain calm. Nervously, I kept patting my foot to the floor and heard each and every tap. Suddenly, shouts of extreme havoc rung out just like the other times! “Oh God no! Jesus, please help me Lawd! I got you, Sir, I got you,” were screams filling the airwaves. The door opened and a battered female raced rightpast me with her hands covering her face. She kept mumbling phrases that shouldn’t be repeated by innocent lips. I couldn’t believe those disgusting words coming out of her baby-sized mouth. Then damn, another nightmare was possibly moments away. I needed an out and fast. Fearing for my life, I formulated my plan of action. Right before Principal Shellshock steadies his paddle, I was going to blow out all the gas I reserved in my little butt. I was never a fan of the fart game, but I was scheming like a veteran. That’s all I had, and it was my “A game.” My intentions were to rip a good hard one that opens my belt, ruffles my pants, and sends my new shoes flyingacross the room. Then all options would be left to the principal. He could chance tearing into me and losing a lung or take cover and let me go. Punishing me will become a hazard to his health. For the moment, I felt really good about that notion. I didn’t have much else to cling to, but I was dangerously packing breakfast from Aunt Kathy. Yes, I was sure my stink bomb defense would win that day. According to past reports, I would be the first and only kid at Mitchell Memorial to get on the scoreboard against the headmaster. Make that, Hal “1” and Principal Shell Shock “0.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
I hope that you find a love like that—one that is all-consuming and powerful, that makes you feel like you’re going slightly mad. And if you do find that love, embrace it. Hold on to it. When you give yourself over to love like that, your heart will get bruised. It will get battered. But you will also feel invincible and infinite.
Jill Santopolo (The Light We Lost)
But what struck me was the book-madness of the place--books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper.
Steven Millhauser (Dangerous Laughter)
War is not two great armies meeting in the clash and frenzy of battle. War is a boy being carried on a stretcher, looking up at God’s blue sky with bewildered eyes that are soon to close; war is a woman carrying a child that has been injured by a shell; war is spirited horses tied in burning buildings and waiting for death; war is the flower of a race, battered, hungry, bleeding, up to its knees in filthy water; war is an old woman burning a candle before the Mater Dolorsa for the son she has given.
Mary Roberts Rinehart
My one-time roommate Claire had inherited the house from her uncle, and when she went off to bigger and better things, she’d left it in my care. And it needed a lot of it. Most importantly, it needed a new roof. There was a worrying stain on the ceiling of my bedroom that had started out roughly the shape of Rhode Island, but now looked more like North Carolina. Another few more days of rain and it was going to be Texas. And then it wouldn’t be anything at all because the battered old shingles were going to cave in on my head.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
It was a dark afternoon, threatening rain and the end of the world, and done in that particularly gloomy gray in which only New York afternoons indulge. A breeze was crying down the streets, whisking along battered newspapers and pieces of things, and little lights were pricking out all the windows- it was so desolate that one was sorry for the tops of sky-scrapers lost up there in the dark green and gray heaven.
F. Scott Fitzgerald (Tales of the Jazz Age)
We live in a world in which women are battered and are unable to flee from the men who beat them, although their door is theoretically standing wide open. One out of every four women becomes a victim of severe violence. One out of every two will be confronted by sexual harassment over her lifetime. These crimes are everywhere and can take place behind any front door in the country, every day, and barely elicit much more than a shrug of the shoulders and superficial dismay.
Natascha Kampusch (3,096 Days)
He misinterpreted it. "It is a gift," he said stiffly. Wounded, proud prince. I touched his face. He'd given me my mom and dad, my whole town, the entire state of Georgia back. "I was shaking my head at something I was thinking, not your words. Yes, I'd like to have your name, V'lane." He gave me that brilliant smile again, then his mouth was on mine. This time, when he kissed me, the unpronounceable Fae name slid sweeter than tupelo honey across my tongue and pooled there, warm and delicious, filling my mouth with a feast of taste and sensation beyond description before melting into the meat of it. Unlike the other times he's implanted his name in my tongue, it felt natural, unobtrusive. Also unlike those times, I wasn't battered by an erotic attack, forced into orgasm by his touch. It was an extraordinary kiss, but it invited without invading, gave without taking. He drew back. "We are learning from each other," he said. "I begin to understand Adam." I blinked. "The first man ? You know about Adam and Eve ?" V'lane didn't seem the kind to study human creation myths. "No. One of my race that chose to become human," he clarified. "Ah, Barrons comes growling." He gave the startling equivalent of a human snicker and was gone. I reached instinctively for my spear. It was back in the holster. I frowned. I'd forgotten to check. Had it ever been gone ? I turned. "Growling" was a mild word for it. Barrons stood in the doorway, and if looks could kill, I'd have been flayed alive in the street.
Karen Marie Moning (Dreamfever (Fever, #4))
Here’s the thing about baseball-it’s not the individual sport I thought it was. Turns out I was wrong about that. Yeah, the batter is a lone man against the world. He stands in the batter’s box like a soldier and it’s up to him-and him alone-what happens next. But here’s the thing I didn’t understand until I was forced to, until recently: In order to hit a home run… Someone else has to pitch the ball.
Barry Lyga (Boy Toy)
The year the police called Sherrena, Wisconsin saw more than one victim per week murdered by a current or former romantic partner or relative. 10 After the numbers were released, Milwaukee’s chief of police appeared on the local news and puzzled over the fact that many victims had never contacted the police for help. A nightly news reporter summed up the chief’s views: “He believes that if police were contacted more often, that victims would have the tools to prevent fatal situations from occurring in the future.” What the chief failed to realize, or failed to reveal, was that his department’s own rules presented battered women with a devil’s bargain: keep quiet and face abuse or call the police and face eviction.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
A novel takes the courage of a marathon runner, and as long as you have to run, you might as well be a winning marathon runner. Serendipity and blind faith faith in yourself won't hurt a thing. All the bastards in the world will snicker and sneer because they haven't the talent to zip up their flies by themselves. To hell with them, particularly the critics. Stand in there, son, no matter how badly you are battered and hurt.
Leon Uris (Mitla Pass)
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Wimsey stooped for an empty sardine-tin which lay, horribly battered, at his feet, and slung it idly into the quag. It struck the surface with a noise like a wet kiss, and vanished instantly. With that instinct which prompts one, when depressed, to wallow in every circumstance of gloom, Peter leaned sadly against the hurdles and abandoned himself to a variety of shallow considerations upon (1) The vanity of human wishes; (2) Mutability; (3) First love; (4) The decay of idealism; (5) The aftermath of the Great war; (6) Birth-control; and (7) The fallacy of free-will.
Dorothy L. Sayers (Clouds of Witness (Lord Peter Wimsey, #2))
Rigel, Betelgeuse, and Orion. There was no finer church, no finer choir, than the stars speaking in silence to the many consumptives silently condemned, a legion upon the dark rooftops. The wind came down from the north like a runner in lacrosse, violent and hard, to batter every living thing. They were there, each one alone in conversation with the stars, mining ephemeral love from cold and distant light.
Mark Helprin (Winter's Tale)
Every unpleasant worldly experience in life exposes our sensitive nervous systems to painful phenomena. Despite all the beer commercial advertisement slogans urging us to live with gusto, life is unavoidably painful. Life is a battering ram that inflicts trauma upon human beings. People blunt the traumatic force of enduring a lifetime of pain, fearfulness, and unremitted anguish and boredom with religion, sex, booze, drugs, fantasy, and other indulgent acts and forms acts of escapism.
Kilroy J. Oldster (Dead Toad Scrolls)
She was broken and helpless. Sciron, the son of Poseidon, had won again. Hazel could hardly believe this guy had the same father as Percy Jackson. Then she remembered that Poseidon had a changeable personality, like the sea. Maybe his children reflected that. Percy was a child of Poseidon’s better nature—powerful, but gentle and helpful, the kind of sea that sped ships safely to distant lands. Sciron was a child of Poseidon’s other side—the kind of sea that battered relentlessly at the coastline until it crumbled away, or carried the innocents from shore and let them drown, or smashed ships and killed entire crews without mercy.
Rick Riordan
I bought you something" Willows blurts out. "You bought...What?" Willow closes her eyes for a second. She's a little surprised she's going to give it to him after all, but there's no going back now. She has to. "At the bookstore." She reaches into her bag again, and pushes the package across the table towards him. Guy takes the book out of the bag slowly, Willow waits for him to look disappointed, to look confused that she would buy him such a battered, old- "I love it when used books have notes in the margins, it's the best," Guy says as he flips through the pages. "I always imagine who read it before me." He pauses and looks at one of Prospero's speeches. "I have way too much homework to read this now, but you know what? Screw it. I want to know why it's your favorite Shakespeare. Thank you, that was really nice of you. I mean, you really didn't have to." "But I did anyway," Willow says so quietly she's not even sure hears her. Hey," Guy frowns for a second. "You didn't write anything in here." "Oh, I didn't even think...I, well, I wouldn't even know what to write," Willow says shyly. "Well, maybe you'll think of something later," he says. Willow watches Guy read the opening. There's no mistaking it. His smile is genuine, and she can't help thinking that if she can't make David look like this, at least she can do it for someone.
Julia Hoban (Willow)
I have a rendezvous with Death At some disputed barricade, When Spring comes back with rustling shade And apple-blossoms fill the air — I have a rendezvous with Death When Spring brings back blue days and fair. It may be he shall take my hand And lead me into his dark land And close my eyes and quench my breath — It may be I shall pass him still. I have a rendezvous with Death On some scarred slope of battered hill, When Spring comes round again this year And the first meadow-flowers appear. God knows 'twere better to be deep Pillowed in silk and scented down, Where love throbs out in blissful sleep, Pulse nigh to pulse, and breath to breath, Where hushed awakenings are dear... But I've a rendezvous with Death At midnight in some flaming town, When Spring trips north again this year, And I to my pledged word am true, I shall not fail that rendezvous.
Alan Seeger
She’d heard my theory on funnel cake and celery stalker men before. Most men were either like funnel cake: delicious and interesting, but who at the end of the day just aren’t good for the heart or complexion. Or they were celery: a sensible, healthy choice that didn’t really bring much to the table but an occasional crunch. If you OD on celery, you end up bingeing on cake behind closed doors. Funnel cake, while warm and delicious, is difficult to make. But you go there because you long for it like the double-twist stomach-dropping roller coaster as soon as you arrive at the amusement park. Wet ribbons of batter crackle and pop until golden and crisp, yielding in the center. The steamy swirls of tender yellow dough absorb confectioners’ sugar like pores. When the luxurious fat melts on your tongue, you exhale. You’ve got sticky batter, dribbling down spouts, leaving rings on your clean countertops, splattering oil growing darker and beginning to smoke. Layers of paper towels and oil-draining weapons clutter your space. With funnel cake, you’ve got steps to follow. Procedures. Rules. No one makes rules about celery. It’s always around for the snacking. You choose it when you’re dieting or trying not to consume too many wings over football. Come to think of it, you don’t even bother eating it when you diet. Instead it’s a conduit for blue cheese. You use it to make stocks and stuffing. It becomes filler, pantry almost.
Stephanie Klein (Straight Up and Dirty)
Woman and children behind the lines!' he yelled, and all the girls jumped. Henry froze with his mouth open. 'Bang the drum slowly and ask not for whom the bell's ringing, for the answer's unfriendly!' He threw a fist in the air. 'Two years have my black ships sat before Troy, and today its gate shall open before the strength of my arm.' Dotty was laughing from the kitchen. Frank looked at his nephew. 'Henry, we play baseball tomorrow. Today we sack cities. Dots! Fetch me my tools! Down with the French! Once more into the breach, and fill the wall with our coward dead! Half a league! Half a league! Hey, batter, batter!' Frank brought his fist down onto the table, spilling Anastasia's milk, and then he struck a pose with both arms above his head and his chin on his chest. The girls cheered and applauded. Aunt Dotty stepped back into the dining room carrying a red metal toolbox.
N.D. Wilson (100 Cupboards (100 Cupboards, #1))
Tears sprang to her eyes as she hid her face in the place between his neck and shoulder and confessed what she’d known for a while now. “I think I’m falling in love with you.” “Good thing,” Romeo choked out, his hold on her tightening to the point that it was almost hard to breathe. “’Cause I know I’m in love with you.
Kele Moon (Star Crossed (Battered Hearts, #2))
A block or two west of the new City of Man in Turtle Bay there is an old willow tree that presides over an interior garden. It is a battered tree, long suffering and much climbed, held together by strands of wire but beloved of those who know it. In a way it symbolizes the city: life under difficulties, growth against odds, sap-rise in the midst of concrete, and the steady reaching for the sun. Whenever I look at it nowadays, and feel the cold shadow of the planes, I think: "This must be saved, this particular thing, this very tree." If it were to go, all would go -- this city, this mischevious and marvelous monument which not to look upon would be like death.
E.B. White (Here Is New York)
It was a tale well known to children all over Africa: Abu Kassem, a miserly Baghdad merchant, had held on to his battered, much repaired pair of slippers even though they were objects of derision. At last, even he couldn't stomach the sight of them. But his every attempt to get rid of his slippers ended in disaster: when he tossed them out of his window they landed on the head of a pregnant woman who miscarried, and Abu Kassem was thrown in jail; when he dropped them in the canal, the slippers choked off the main drain and caused flooding, and off Abu Kassem went to jail... 'One night when Tawfiq finished, another prisoner, a quiet dignified old man, said, 'Abu Kassem might as well build a special room for his slippers. Why try to lose them? He'll never escape.' The old man laughed, and he seemed happy when he said that. That night the old man died in his sleep. We all saw it the same way. the old man was right. The slippers in the story mean that everything you see and do and touch, every seed you sow, or don't sow, becomes part of your destiny... In order to start to get rid of your slippers, you have to admit they are yours, and if you do, then they will get rid of themselves. Ghosh sighed. 'I hope one day you see this as clearly as I did in Kerchele. The key to your happiness is to own your slippers, own who you are, own how you look, own your family, own the talents you have, and own the ones you don't. If you keep saying your slippers aren't yours, then you'll die searching, you'll die bitter, always feeling you were promised more. Not only our actions, but also our omissions, become our destiny.
Abraham Verghese (Cutting for Stone)
Grief is a right bastard. Sneaks up on you, blasts you, hits you, pounds you, leaves you wrecked. There’s a moment of peace. You never know how long it could last. Minutes. Hours. Days. You’re starting to believe you can ‘do this’ and the bastard comes back, knocks you over with a battering ram. But if you fight it, deny it, ignore it, it’s still there. The bastard is just waiting until your shields are down, then he gets you again. Only way to deal is to take the beating, then breathe once he’s gone, and wait for him to return because it would get better.
Tijan (Enemies)
In times of struggle, there are as many reasons not to read as there are to breathe. Don’t you have bigger things to do? Reading, let alone re-reading, is the terrain of milquetoasts and mopey spinsters. At life’s ugliest junctures the very act of opening a book can smack of cowardly escapism. Who chooses to read when there’s work to be done? Call me a coward if you will, but when the line between duty and sanity blurs, you can usually find me curled up with a battered book, reading as if my mental health depended on it. And it does, for inside the books I love I find food, respite, escape, and perspective.
Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
A warm flow of pain was gradually replacing the ice and wood of the anaesthetic in his thawing, still half-dead, abominably martyred mouth. After that, during a few days he was in mourning for an intimate part of himself. It surprised him to realize how fond he had been of his teeth. His tongue, a fat sleek seal, used to flop and slide so happily among the familiar rocks, checking the contours of a battered but still secure kingdom, plunging from cave to cove, climbing this jag, nuzzling that notch, finding a shred of sweet seaweed in the same old cleft; but now not a landmark remained, and all there existed was a great dark wound, a terra incognita of gums which dread and disgust forbade one to investigate. And when the plates were thrust in, it was like a poor fossil skull being fitted with the grinning jaws of a perfect stranger.
Vladimir Nabokov (Pnin)
In her book Anger: The Misunderstood Emotion, Carol Tavris recounts a story about a Bengali cobra that liked to bite passing villagers. One day a swami—a man who has achieved self-mastery—convinces the snake that biting is wrong. The cobra vows to stop immediately, and does. Before long, the village boys grow unafraid of the snake and start to abuse him. Battered and bloodied, the snake complains to the swami that this is what came of keeping his promise. “I told you not to bite,” said the swami, “but I did not tell you not to hiss.” “Many people, like the swami’s cobra, confuse the hiss with the bite,” writes Tavris.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
A huge cloud of dust is not a beautiful thing to look at. Very few painters have done portraits of huge clouds of dust or included them in their landscapes or still lifes. Film directors rarely choose huge clouds of dust to play the lead roles in romantic comedies, and as far as my research has shown, a huge cloud of dust has never placed higher than twenty-fifth in a beauty pageant. Nevertheless, as the Baudelaire orphans stumbled around the cell, dropped each half of the battering ram and listening to the sound of crows flying in circles outside, they stared at the huge cloud of dust as if it were a thing of great beauty.
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
Of those of us who comprise the real clan of the book, who read not to judge the reading of others but to take the measure of ourselves. Of those of us who read because we love it more than anything, who feel about bookstores the way some people feel about jewelers. The silence about this was odd, both because there are so many of us and because we are what the world of books is really about. We are the people who once waited for the newest installment of Dickens's latest novel and who kept battered copies of Catcher in the Rye in our back pockets and backpacks. We are the ones who saw to it that Pride and Prejudice never went out of print.
Anna Quindlen (How Reading Changed My Life)
If you are not from a particular place the history of that particular place will dwell inside you differently to how it dwells within those people who are from that particular place. Your connection to certain events that define the history of a particular place is not straightforward because none of your ancestors were in any way involved or affected by those events. You have no stories to relate and compare, you have no narrative to inherit and run with, and all the names are strange ones that mean nothing to you at all. And it's as if the history of a particular place knows all about this blankness you contain. Consequently if you are not from a particular place you will always be vulnerable for the reason that it doesn't matter how many years you have lived there you will never have a side of the story; nothing with which you can hold the full force of the history of a particular place at bay. And so it comes at you directly, right through the softly padding soles of your feet, battering up throughout your body, before unpacking its clamouring store of images in the clear open spaces of your mind. Opening out at last; out, out, out And shimmered across the pale expanse of a flat defenceless sky. All the names mean nothing to you, and your name means nothing to them.
Claire-Louise Bennett (Pond)
An overwhelming curiosity makes me ask myself what their lives might be like. I want to know what they do, where they're from, their names, what they're thinking about at that moment, what they regret, what they hope for, their past loves, their current dreams ... and if they happen to be women (especially the young ones) then the urge becomes intense. How quickly would you want to see her naked, admit it, and naked through to her heart. How you try to learn where she comes from, where she's going, why she's here and not elsewhere! While letting your eyes wander all over her, you imagine love affairs for her, you ascribe her deep feelings. You think of the bedroom she must have, and a thousand things besides ... right down to the battered slippers into which she must slip her feet when she gets out of bed.
Gustave Flaubert
while the long history of religious oppression and hypocrisy is profoundly sobering, the earnest seeker must look beyond the behavior of flawed humans in order to find the truth. Would you condemn an oak tree because its timbers had been used to build battering rams? Would you blame the air for allowing lies to be transmitted through it? Would you judge Mozart’s The Magic Flute on the basis of a poorly rehearsed performance by fifth-graders? If you had never seen a real sunset over the Pacific, would you allow a tourist brochure as a substitute? Would you evaluate the power of romantic love solely in the light of an abusive marriage next door? No. A real evaluation of the truth of faith depends upon looking at the clean, pure water, not at the rusty containers.
Francis S. Collins (The Language of God: A Scientist Presents Evidence for Belief)
Hippocrates cured many illnesses—and then fell ill and died. The Chaldaeans predicted the deaths of many others; in due course their own hour arrived. Alexander, Pompey, Caesar—who utterly destroyed so many cities, cut down so many thousand foot and horse in battle—they too departedthis life. Heraclitus often told us the world would end in fire. But it was moisture that carried him off; he died smeared with cowshit. Democritus was killed by ordinary vermin, Socrates by the human kind. And? You boarded, you set sail, you’ve made the passage. Time to disembark. If it’s for another life, well, there’s nowhere without gods on that side either. If to nothingness, then you no longer have to put up with pain and pleasure, or go on dancing attendance on this battered crate, your body—so much inferior to that which serves it. One is mind and spirit, the other earth and garbage.
Marcus Aurelius (Meditations)
HOPE CAKES 2 tablespoons butter 8 ounces cream cheese 3 bananas 1 teaspoon vanilla 2 cups white sugar 2 eggs, refrigerated 3 cups flour ½ teaspoon baking powder ½ teaspoon baking soda ½ teaspoon salt Topping 1 tablespoon flour ⅔ cup brown sugar 1 cup butter ½ cup nuts Preheat oven to 350 degrees. Grease a big baking pan with butter. In a large bowl, mix together the butter, cream cheese, bananas, vanilla, and white sugar. Add the eggs. Add the flour, baking powder, baking soda, and salt, mixing all the while. Pour the batter into the pan. To make the topping, in a medium bowl combine flour and brown sugar, then mix in the butter and the nuts. Using a fork, gently lay the topping on the batter. Bake in oven for 40 minutes, or until an impossible thing comes true. Whichever comes first. AUTHORS’ NOTES JENNIFER FINNEY BOYLAN
Jodi Picoult (Mad Honey)
A beam or pillar can be used to batter down a city wall, but it is no good for stopping up a little hole - this refers to a difference in function. Thoroughbreds like Qiji and Hualiu could gallop a thousand li in one day, but when it came to catching rats they were no match for the wildcat or the weasel - this refers to a difference in skill. The horned owl catches fleas at night and can spot the tip of a hair, but when daylight comes, no matter how wide it opens its eyes, it cannot see a mound or a hill - this refers to a difference in nature. Now do you say, that you are going to make Right your master and do away with Wrong, or make Order your master and do away with Disorder? If you do, then you have not understood the principle of heaven and earth or the nature of the ten thousand things. This is like saying that you are going to make Heaven your master and do away with Earth, or make Yin your master and do away with Yang. Obviously it is impossible.
Zhuangzi (The Complete Works of Chuang Tzu)
None were good enough for her, so I held them in contempt and hated them. They in turn hated and feared me. But we were pleasant to each other. Always pleasant. It was a game of sorts. He would invite me to sit, and I would buy him a drink. The three of us would talk, and his eyes would slowly grow dark as he watched her smile toward me. His mouth would narrow as he listened to the laughter that leapt from her as I joked, spun stories, sang. . . . They would always react the same way, trying to prove ownership of her in small ways. Holding her hand, a kiss, a too-casual touch along her shoulder. They clung to her with desperate determination. Some of them merely resented my presence, saw me as a rival. But others had a frightened knowledge buried deep behind their eyes from the beginning. They knew she was leaving, and they didn't know why. So they clutched at her like shipwrecked sailors, clinging to the rocks despite the fact that they are being battered to death against them. I almost felt sorry for them. Almost. So they hated me, and it shone in their eyes when Denna wasn't looking. I would offer to buy another round of drinks, but he would insist, and I would graciously accept, and thank him, and smile. I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
But even now, especially now, it seems to me that women have a strength about them that men never had. And I wonder how did men always get portrayed in the movies and such as the strong ones? How did it come to be that women are made to look like the weak ones who need protectin'? Truth is, it's men who need the protectin'. Really they do. Women have the strong thing inside of them and the can get through anything. They just can. They're used to pain of child birthing - pain no man knows - and some women being battered around and not treated right through all the centuries and having to learn at a real young age how to stay alive on the inside when the outside is being hurt real bad. Most all women know that. But men. Those poor men. They just don't have the inside strength the women do. It's harder for men to feel pain.
Sarah Felix Burns (Song Over Quiet Lake)
Keeping The City "Unless the Lord keepeth the city, the watchman guardeth in vain" - John F. Kennedy's unspoken words in Dallas on November 23, 1963. Once, in August, head on your chest, I heard wings battering up the place, something inside trying to fly out and I was silent and attentive, the watchman. I was your small public, your small audience but it was you that was clapping, it was you untying the snarls and knots, the webs, all bloody and gluey; you with your twelve tongues and twelve wings beating, wresting, beating, beating your way out of childhood, that airless net that fastened you down. Since then I was more silent though you had gone miles away, tearing down, rebuilding the fortress. I was there but could do nothing but guard the city lest it break. I was silent. I had a strange idea I could overhear but that your voice, tongue, wing belonged solely to you. The Lord was silent too. I did not know if he could keep you whole, where I, miles away, yet head on your chest, could do nothing. Not a single thing. The wings of the watchman, if I spoke, would hurt the bird of your soul as he nested, bit, sucked, flapped. I wanted him to fly, burst like a missile from your throat, burst from the spidery-mother-web, burst from Woman herself where too many had laid out lights that stuck to you and left a burn that smarted into your middle age. The city of my choice that I guard like a butterfly, useless, useless in her yellow costume, swirling swirling around the gates. The city shifts, falls, rebuilds, and I can do nothing. A watchman should be on the alert, but never cocksure. And The Lord - who knows what he keepeth?
Anne Sexton (45 Mercy Street)
Signs and wonders, eh? Pity if there is nothing wonderful in signs, and significant in wonders! There's a clue somewhere; wait a bit; hist--hark! By Jove, I have it! Look, you Doubloon, your zodiac here is the life of man in one round chapter; and now I'll read it off, straight out of the book. Come, Almanack! To begin: there's Aries, or the Ram--lecherous dog, he begets us; then, Taurus, or the Bull--he bumps us the first thing; then Gemini, or the Twins--that is, Virtue and Vice; we try to reach Virtue, when lo! comes Cancer the Crab, and drags us back; and here, going from Virtue, Leo, a roaring Lion, lies in the path--he gives a few fierce bites and surly dabs with his paw; we escape, and hail Virgo, the Virgin! that's our first love; we marry and think to be happy for aye, when pop comes Libra, or Scales--happiness weighed and found wanting; and while we are very sad about that, Lord! how we suddenly jump, as Scorpio, or the Scorpion, stings us in rear; we are curing the wound, when whang comes the arrows all round; Sagittarius, or the Archer, is amusing himself. As we pluck out the shafts, stand aside! here's the battering-ram, Capricornus, or the Goat; full tilt, he comes rushing and headlong we are tossed; when Aquarius, or the the Waterbearer, pours out his whole deluge and drowns us; and, to wind up, with Pisces, or the Fishes, we sleep. There's a sermon now, writ in high heaven, and the sun goes through it every year, and yet comes out of it all alive and hearty.
Herman Melville (Moby-Dick)
A friend, Scott Egleston, who is a professional in the mental health field, told me a therapy fable. He heard it from someone, who heard it from someone else. It goes: Once upon a time, a woman moved to a cave in the mountains to study with a guru. She wanted, she said, to learn everything there was to know. The guru supplied her with stacks of books and left her alone so she could study. Every morning, the guru returned to the cave to monitor the woman's progress. In his hand, he carried a heavy wooden cane. Each morning, he asked her the same question: " Have you learned everything there is to know yet?" Each morning, her answer was the same. "No." she said, " I haven't." The guru would then strike her over the head with its cane. This scenario repeated itself for months. One day the guru entered the cave, asked the same question, heard the same answer, and raised his cane to hit her in the same way, but the woman grabbed the cane from the guru, stopping his assault in midair. Relieved to end the daily batterings but fearing reprisal, the woman looked up at the guru. To her surprise, the guru smiled. " Congragulations." he said, " you have graduated ". You know now everything you need to know." " How's that"? the woman asked. " You have learned that you will never learn everything there is to know," he replied. " And you have learned how to stop the pain".
Melody Beattie (Codependent No More: How to Stop Controlling Others and Start Caring for Yourself)
Women are interchangeable as sex objects; women are slightly less disposable as mothers. The only dignity and value women get is as mothers: it is a compromised dignity and a low value, but it is all that is offered to women as women. Having children is the best thing women can do to get respect and be assured a place. The fact that having children does not get women respect or a place is almost beside the point: poor women don’t get respect and live in dung heaps; black women don’t get respect and are jailed in decimated ghettos; just plain pregnant women don’t get respect and the place they have is a dangerous one—pregnancy is now considered a cause of battery (stress on the male, don’t you know): in perhaps 25 percent of families in which battery occurs, it is a pregnant woman who has been battered. In fact, having children may mean both increased violence and increased dependence; it may significantly worsen the economic circumstances of a woman or a family; it may hurt a woman’s health or jeopardize her in a host of other ways; but having children is the one social contribution credited to women—it is the bedrock of women’s social worth. Despite all the happy smiling public mommies, the private mommies have grim private recognitions. One perception is particularly chilling: without the children, I am not worth much. The recognition is actually more dramatic than that, much more chilling: without the children, I am not.
Andrea Dworkin (Right-Wing Women)
Battered and bloody, we join Cassius, Lysander, and Sevro before the door leading out of the Sovereign's inner sanctum as Cassius types in the Olympic code to open the doors. He pauses to sniff the air. 'What's that smell?' 'Smells like a sewer,' I say. Sevro stares intensely at the razors he's taken from Aja, including the one belonging to Lorn. 'I think it smells like victory.' 'Did you shit your pants?' Cassius squints at him. 'You did.' 'Sevro...' Mustang says. 'It's an involuntary muscle reaction when you're fake executed and swallow massive amounts ofhaemanthus oil,' Sevro snaps. 'You think I would do that on purpose?' Cassius and I look at each other. I shrug. 'Well, maybe.' 'Yeah, actually.' He flips us the crux and makes a face, twisting his lips till it looks like he's going to explode. 'What's happening?' I ask. 'Are you... still...' 'No!
Pierce Brown
I did not know people your age still read books,' Penumbra says. He raises an eyebrow. 'I was under the impression they read everything on their mobile phones.' 'Not everyone. There are plenty of people who, you know--people who still like the smell of books.' 'The smell!' Penumbra repeats. 'You know you are finished when people start talking about the smell.' He smiles at that--then something occurs to him, and he narrows his eyes. 'I do not suppose you have a...Kindle?' Uh-oh. It feels like it's the principal asking me if I have weed in my backpack. But in a friendly way, like maybe he wants to share it. As it happens, I do have my Kindle. I pull it out of my messenger bag. It's a bit battered with wide scratches across the back and stray pen marks near the bottom of the screen. Penumbra holds it aloft and frowns. It's blank. I reach up and pinch the corner and it comes to life. He sucks in a sharp breath, and the pale gray rectangle reflects in his bright blue eyes.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
A scratch at the door interrupted us. Colin dropped and rolled under the bed again. One of the maids poked her head in. "Miss?" I tried not to look as if I was hiding a handsome young lad under the mattress. "Yes?" "Lord Jasper sent me up to see if you need help getting ready for a ball." She smiled proudly. "I have a fair hand with a curling iron." "Oh.Thank you." I needed to get Colin out before I ended up naked in the middle of my bedroom. "I,um, could I get some hot water? To wash my face?" "Certainly,miss. I'll have the footmen bring up the bathtub, if you like, before all the fine ladies start calling for their own baths." "That would be great, thanks." I'd never actually been in a full reclining tub before. We had a battered hip bath in the kitchen. The maid curtsied and closed the door behind her. I let out a breath. Colin crawled back out. "They need to sweep under there," he said, sneezing.
Alyxandra Harvey (Haunting Violet (Haunting Violet #1))
There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine. I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry. The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.
Derrick Jensen
That's like the tenth time you've looked at your reflection in the past five minutes." Chuito narrowed dark eyes at her as he leaned forward from his seat in the back and contemplated Jules. "Do you have a crush on me?" ... Chuito got out of the car, studying Jules fussing with her outfit. "I was joking, but now you got me scared. You're not really after me, are you?" Jules rolled her eyes. "No." "Thank God. That'd be like doing it with my mother.
Kele Moon (Star Crossed (Battered Hearts, #2))
Villains. Stories are nothing without them. Heroes cannot rise to greatness without them. In the absence of an enemy, our beloved protagonists are left kicking rocks in the Shire or taking tea and biscuits in a mind-numbingly cheery Spare Oom. We love villains because they turn their aches into action, their bruises into battering rams. They push through niceties and against societal restraints to propel the story forward. Unlike our lovable protagonists, villains - for better or worse - stop at literally nothing to achieve their goals. It's why we secretly root for them, why we find ourselves hoping they make their grand escape, and it's why our shoulders sag with equal parts relief and disappointment when they are caught. After all, how can you not give it up to someone who works that damned hard for what they want?... Look into a villain's eyes long enough and we might find our shadow selves, our uncut what-ifs and unchecked ambitions, a blurry line if ever there was one.
Amerie (Because You Love to Hate Me: 13 Tales of Villainy)
Fortune favours the brave, sir," said Carrot cheerfully. "Good. Good. Pleased to hear it, captain. What is her position vis a vis heavily armed, well prepared and excessively manned armies?" "Oh, no–one's ever heard of Fortune favouring them, sir." "According to General Tacticus, it's because they favour themselves," said Vimes. He opened the battered book. Bits of paper and string indicated his many bookmarks. "In fact, men, the general has this to say about ensuring against defeat when outnumbered, out–weaponed and outpositioned. It is..." he turned the page, "'Don't Have a Battle.'" "Sounds like a clever man," said Jenkins. He pointed to the yellow horizon. "See all that stuff in the air?" he said. "What do you think that is?" "Mist?" said Vimes. "Hah, yes. Klatchian mist! It's a sandstorm! The sand blows about all the time. Vicious stuff. If you want to sharpen your sword, just hold it up in the air." "Oh." "And it's just as well because otherwise you'd see Mount Gebra. And below it is what they call the Fist of Gebra. It's a town but there's a bloody great fort, walls thirty feet thick. 's like a big city all by itself. 's got room inside for thousands of armed men, war elephants, battle camels, everything. And if you saw that, you'd want me to turn round right now. Whats your famous general got to say about it, eh?" "I think I saw something..." said Vimes. He flicked to another page. "Ah, yes, he says, 'After the first battle of Sto Lat, I formulated a policy which has stood me in good stead in other battles. It is this: if the enemy has an impregnable stronghold, see he stays there.'" "That's a lot of help," said Jenkins. Vimes slipped the book into a pocket. "So, Constable Visit, there's a god on our side, is there?" "Certainly, sir." "But probably also a god on their side as well?" "Very likely, sir. There's a god on every side." "Let's hope they balance out, then.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
The hard things break. The soft things bend. The stubborn ones batter themselves against all that is immovable. The flexible adapt to what is before them. Of course, we are all hard and soft, stubborn and flexible, and so we all break until we learn to bend and are battered until we accept what is before us. This brings to mind the Sumerian tale of Gilgamesh, the stubborn, hard king who sought to ask the Immortal One the secret of life. He was told that there would be stones on his path to guide him. But in his urgency and pride, Gilgamesh was annoyed to find his path blocked, and so smashed the very stones that would help him. In his blindness of heart, he broke everything he needed to discover his way. With the same confusion, we too break what we need, push away those we love, and isolate ourselves when we need to be held most. There have been many times in my life when I have been too proud to ask for help or too afraid to ask to be held, and in the frenzy of my own isolation, like Gilgamesh, I have smashed the window I was trying to open, have split the bench I was trying to hammer, and have made matters worse by bruising the one I meant to be tender with. The live bough bends. The dead twig snaps. We are humbled to soften from our griefs, or else, in brittle time, become the next thing grieved.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
There's something wrong with that boy." Clay sounded mystified. "He's talented, ain't no one gonna argue that, but yeah... something." Sweaty, tired, and sore, Romeo sat on the mat in the massive martial arts center Clay owned with Jules and Wyatt. While trying to catch his breath, he watched Tino move to the beat of his own drummer as he worked out using a punching bag. With white headphones in his ears, his brother bounced and danced and kicked at that stuffed sack of beans, and for the life of him, Romeo couldn't tell if he was trying to hurt the thing or date it.
Kele Moon (Star Crossed (Battered Hearts, #2))
If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
How’d this happen?” Melody asked in a stunned whisper. She never expected to fall in love and certainly not this swiftly or with this much finality. “We just met.” “I don’t believe that,” Clay argued as he turned her palm over in his and traced the lines of it with the pad of his finger. “I’m pretty sure we’ve known each other forever. Seeing you the first time was like coming home, and there ain’t been anything to happen since that’s disabused me of the notion.” “Yeah,” Melody agreed, the bright skyline blurring to a sea of vibrant color. She remembered seeing Clay in Hal’s Diner the first time. Alone and eating his turkey, she’d been compelled to reach out to him. “Do you really believe in soul mates?” “I do now.
Kele Moon (Defying the Odds (Battered Hearts, #1))
Twas battered and scarred, and the auctioneer Thought it scarcely worth his while To waste much time on the old violin, But held it up with a smile. “What am I bidden, good folks,” he cried, “Who’ll start the bidding for me?” “A dollar, a dollar. Then two! Only two? Two dollars, and who’ll make it three?” “Three dollars, once; three dollars, twice; Going for three…” But no, From the room, far back, a grey-haired man Came forward and picked up the bow; Then wiping the dust from the old violin, And tightening the loosened strings, He played a melody pure and sweet, As a caroling angel sings. The music ceased, and the auctioneer, With a voice that was quiet and low, Said: “What am I bid for the old violin?” And he held it up with the bow. “A thousand dollars, and who’ll make it two? Two thousand! And who’ll make it three? Three thousand, once; three thousand, twice, And going and gone,” said he. The people cheered, but some of them cried, “We do not quite understand. What changed its worth?” Swift came the reply: “The touch of the Master’s hand.” And many a man with life out of tune, And battered and scarred with sin, Is auctioned cheap to the thoughtless crowd Much like the old violin. A “mess of pottage,” a glass of wine, A game — and he travels on. He is “going” once, and “going” twice, He’s “going” and almost “gone.” But the Master comes, and the foolish crowd Never can quite understand The worth of a soul and the change that is wrought By the touch of the Master’s hand.
Myra Brooks Welch (The Touch of the Master's Hand)
It is morally impossible to remain neutral in this conflict. The bystander is forced to take sides. It is very tempting to take the side of the perpetrator. All the perpetrator asks is that the bystander do nothing. He appeals to the universal desire to see, hear and speak no evil. The victim, on the contrary, asks the bystander to share the burden of pain. The victim demands action, engagement and remembering... In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. Secrecy and silence are the perpetrator's first line of defense. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens. To this end, he marshals an impressive array of arguments, from the most blatant denial to the most sophisticated and elegant rationalization. After every atrocity one can expect to hear the same predictable apologies: it never happened, the victim lies, the victim exaggerates, the victim brought it upon herself; and in any case it is time to forget the past and move on. The more powerful the perpetrator, the greater is his prerogative to name and define reality, and the more completely his arguments prevail.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))