Batter My Heart Quotes

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I had to get over [him]. For months now, a stone had been sitting on my heart. I'd shed a lot of tears over [him], lost a lot of sleep, eaten a lot of cake batter. Somehow, I had to move on. [Life] would be hell if I didn't shake loose from the grip he had on my heart. I most definitely didn't want to keep feeling this way, alone in a love affair meant for two. Even if he'd felt like The One. Even if I'd always thought we'd end up together. Even if he still had a choke chain on my heart.
Kristan Higgins (All I Ever Wanted)
My battered heart will always be where the ocean meets the sand, I will break over and over Every day. That is the best and worst part of me.
Clementine von Radics
Batter my heart, three-person'd God ; for you As yet but knock ; breathe, shine, and seek to mend ; That I may rise, and stand, o'erthrow me, and bend Your force, to break, blow, burn, and make me new. I, like an usurp'd town, to another due, Labour to admit you, but O, to no end. Reason, your viceroy in me, me should defend, But is captived, and proves weak or untrue. Yet dearly I love you, and would be loved fain, But am betroth'd unto your enemy ; Divorce me, untie, or break that knot again, Take me to you, imprison me, for I, Except you enthrall me, never shall be free, Nor ever chaste, except you ravish me.
John Donne
My heart had been touched by him, battered by him, cradled by him as the days passed. He was cruel without meaning to be yet he was kind, and I needed him too much to let myself want him
Mackenzie Herbert (Chasing Trains)
Batter my heart, three-person'd God; for, you As yet but knocke, breathe, shine, and seeke to mend; That I may rise, and stand, o'erthrow mee, 'and bend Your force, to breake, blowe, burn and make me new.
John Donne (Holy Sonnets)
Time is now measured from the night when death stole from me, took my battered heart, and left me behind.
Nicole Reed (Ruining You (Ruining, #2))
My heart battered against my ribs, my breath stalled and I gazed up into his laughing, smiling eyes...eyes that suddently glowed crimson and cruel.
Terri Clark (Hollyweird)
Let's get outta here. Or I'm gonna put my mouth on you right here. I’ve been fantasizing ‘bout tasting you since Thanksgiving.” ~ Clay
Kele Moon (Defying the Odds (Battered Hearts, #1))
Antonia had always been one to leave images in the mind that did not fade - that grew stronger with time. In my memory there was a succession of such pictures, fixed there like the old woodcuts of one's first primer...She lent herself to immemorial human attitudes which we recognize by instinct as universal and true...She was a battered woman now, not a lovely girl; but she still had that something which fires the imagination, could still stop one's breath for a moment by a look or gesture...All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions.
Willa Cather (My Ántonia)
Every single second of my life...because it eventually led me to you. It led me to fall so deeply in love with you, Ky...the man who recaptured this bruised and battered heart.
Tillie Cole (Heart Recaptured (Hades Hangmen, #2))
Wyatt gave him a look, making it obvious he thought Clay had lost his mind. “You telling me you think a piece of pie’s gonna fix my problems?” “Why not?” Clay laughed. “Fixed mine.
Kele Moon (Defying the Odds (Battered Hearts, #1))
There was something devastating about being handled gently by a cruel man. Maybe because it felt so intentional, so excruciatingly deliberate.
Nenia Campbell (Batter My Heart)
Life’s pretty friggin’ mean most of the time. People got real problems and real shit to cry about, but this isn’t it. This is the good stuff, and I’ve been kicked by life one too many times to just ignore it when something sweet falls in my lap.
Kele Moon (Star Crossed (Battered Hearts, #2))
She’d heard my theory on funnel cake and celery stalker men before. Most men were either like funnel cake: delicious and interesting, but who at the end of the day just aren’t good for the heart or complexion. Or they were celery: a sensible, healthy choice that didn’t really bring much to the table but an occasional crunch. If you OD on celery, you end up bingeing on cake behind closed doors. Funnel cake, while warm and delicious, is difficult to make. But you go there because you long for it like the double-twist stomach-dropping roller coaster as soon as you arrive at the amusement park. Wet ribbons of batter crackle and pop until golden and crisp, yielding in the center. The steamy swirls of tender yellow dough absorb confectioners’ sugar like pores. When the luxurious fat melts on your tongue, you exhale. You’ve got sticky batter, dribbling down spouts, leaving rings on your clean countertops, splattering oil growing darker and beginning to smoke. Layers of paper towels and oil-draining weapons clutter your space. With funnel cake, you’ve got steps to follow. Procedures. Rules. No one makes rules about celery. It’s always around for the snacking. You choose it when you’re dieting or trying not to consume too many wings over football. Come to think of it, you don’t even bother eating it when you diet. Instead it’s a conduit for blue cheese. You use it to make stocks and stuffing. It becomes filler, pantry almost.
Stephanie Klein (Straight Up and Dirty)
That's like the tenth time you've looked at your reflection in the past five minutes." Chuito narrowed dark eyes at her as he leaned forward from his seat in the back and contemplated Jules. "Do you have a crush on me?" ... Chuito got out of the car, studying Jules fussing with her outfit. "I was joking, but now you got me scared. You're not really after me, are you?" Jules rolled her eyes. "No." "Thank God. That'd be like doing it with my mother.
Kele Moon (Star Crossed (Battered Hearts, #2))
Heart, my heart, so battered with misfortune far beyond your strength, up, and face the men who hate us. Bare your chest to the assault of the enemy, and fight them off. Stand fast among the beamlike spears. Give no ground; and if you beat them, do not brag in open show, nor, if they beat you, run home and lie down on your bed and cry. Keep some measure in the joy you take in luck, and the degree you give away to sorrow. All your life is up-and-down like this.
Archilochus
It seems like you are used to blowing down my house of cards that I carefully built. I isolate myself and cried a lot of tears because of you. My heart has been battered and broken too many times because of you. Honestly, my self-esteem is shot down as low as I can go because of you.
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
A heart is an amazing item. My heart's been bruised, battered, smashed, and stabbed. Yet it still beats in my chest. And do you know the most amazing thing? It can still love. It still hopes and dreams. It still beats rapidly when that certain person is in the room. It still dares to put its trust in another. If your heart's broken, Paul, then don't give up. Never give up, because your heart won't.
Renae Kaye (Safe in His Arms (Safe, #1))
I like ’em feisty. Especially with that twangy accent you got going on. I’d give my last UFC check to see you in a pair of Daisy Duke shorts. With those long legs, I bet they’d look amazing.
Kele Moon (Star Crossed (Battered Hearts, #2))
He stumbled forward, "Can I mix my baby batter with your eggs?" he slurred trying to reach up and kiss me. I pushed him off me, yelling, "Get away!" "Don't touch her," he commanded. His eyes were wide, angry, his voice deep and threatening. He, too, smelled like alcohol, but I didn't care in this moment. He was here getting this creep away from me. His hands held me tightly, pressing my body into his. My breath quickened being so close to Cade. He sensed my distress, giving me a slight squeeze.
Felicia Tatum (Mangled Hearts (Scarred Hearts, #1))
I used to believe that everyone gets one perfect day sometime in their lives—if they were lucky. But I had it all wrong. We don’t get one perfect day. We get a lifetime of imperfect days, and it’s up to us to decide what we want to do with them. Some days are hard, and they leave us feeling like we just got our asses kicked. That’s the way I felt after Reed pushed me and wrecked my knee—broken and battered, with a life that would never be as whole as the one I had before. But broken and battered can become broken and beautiful.
Kami Garcia (Broken Beautiful Hearts)
Jamie laid a hand on mine, and my fingers turned to intertwine with his. I could feel his pulse in my own fingertips, the solid bones of knuckle and phalanges. His right hand, battered and marked with the scars of sacrifice and labor. Marked also with the signs of my love, the crude repairs done in pain and desperation. Blood of my blood, bone of my bone …
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
I remembered those frantic seconds when I’d thought all I loved and knew, all that was Sydney Sage, would be lost from this world. My battered friends and I had just had a brush with death, dancing with this evil. We’d destroyed it, but it was terrifying how touch and go it all had been. At any moment, the Strigoi could have gained the advantage and killed one or all of us. Life and death were inextricably bound together, and we wavered between them. But we’d triumphed over death tonight. We were alive, and the world was beautiful. Life was beautiful, and I refused to waste mine.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
This house bleeds memories," he whispered, with his fingers stroking down her cheek, her neck. "There's no fucking escaping it. It's all rotten and gone to shit and I can feel it dying all around me." She felt his sharp nose brush against her scalp, through her hair. "If you're not careful, I'll drag you down with me.
Nenia Campbell (Batter My Heart)
Silas Marsh walked straight into that room like the answer to a question I hadn’t known I’d been asking. A strange thought had battered itself around my heart: There he is.
Emma Scott (Someday, Someday)
Batter my heart, three-person’d God .
Kai Bird (American Prometheus)
The hard things break. The soft things bend. The stubborn ones batter themselves against all that is immovable. The flexible adapt to what is before them. Of course, we are all hard and soft, stubborn and flexible, and so we all break until we learn to bend and are battered until we accept what is before us. This brings to mind the Sumerian tale of Gilgamesh, the stubborn, hard king who sought to ask the Immortal One the secret of life. He was told that there would be stones on his path to guide him. But in his urgency and pride, Gilgamesh was annoyed to find his path blocked, and so smashed the very stones that would help him. In his blindness of heart, he broke everything he needed to discover his way. With the same confusion, we too break what we need, push away those we love, and isolate ourselves when we need to be held most. There have been many times in my life when I have been too proud to ask for help or too afraid to ask to be held, and in the frenzy of my own isolation, like Gilgamesh, I have smashed the window I was trying to open, have split the bench I was trying to hammer, and have made matters worse by bruising the one I meant to be tender with. The live bough bends. The dead twig snaps. We are humbled to soften from our griefs, or else, in brittle time, become the next thing grieved.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
My heart feels zested. Finely shredded and ready to add to cake batter. It doesn’t hurt, because it’s not there anymore. Like the angel’s chest, with her empty heart hole—but without the sparkler.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
I opened my fucking soul to you. I held my heart in my hands and offered it to you, broken and battered and so demolished, but I gave it all to you. And you…” he shakes his head. “You give me nothing. Your walls are firmly in place while I’m bleeding out at your feet.
J.B. Salsbury (Face the Music (Love, Hate, Rock-n-Roll, #3))
For those who have walked through the fires of hell and rather than fall to its flames, have emerged battered, but victorious. In the immortal words of Ovid: Quin ninc quoque frigidus artus, dum loquor, horror habet, parsque est meminisse doloris- Even now while I tell it, cold horror envelops me and my pains return the minute I think of it. We can never escape the pain of our pasts, or the flashbacks that assault us when we dare to let our thoughts drift unattended, but we can choose to not let it ruin the future we, alone, can build for ourselves. And for those who are currently trapped in a bad situation. May you find the resolute strength it takes to free yourself, and to finally see the beauty that lives inside you. You are resplendent, and you deserve respect and love. Don't let the minions of hatred or cruelty define you, or steal away your own humanity. When our compassion and ability to love and appreciate others go, then our bullies and oppressors have truly won, for it is not they who are harmed, but rather we who lose our souls and hearts to the same miserable bitterness that causes them to lash out against us. The cycle can be broken- it must be broken, even though the path is never easy or without cost. Yet victory is made sweeter when you know it came from within you, without violent retribution. The best revenge is to leave them mired in their hateful misery while you learn to bask in the warmth of self-esteem and happiness. Never forget that broken wings can and do heal in time, and that those scarred wings can carry the eagle to the top of the highest mountain.
Sherrilyn Kenyon (Born of Silence (The League: Nemesis Rising, #5))
Bipolar disorder was like that: a wild party that was constantly on the verge of ending, chaos and bright lights, an exaltation of the senses. That was mania. But all parties had their end, and when the shadows were long and the glitter had lost its sparkle and gathered to mingle with the dust on the unclean floors and all the food lost its flavor and the music finally died—that was depression, lurking in between all of the dark spaces of the noise and the laughter, as unavoidable as death or darkness.
Nenia Campbell (Batter My Heart)
My battered friends and I had just had a brush with death, dancing with this evil.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
the dearer a book was to my heart, the more battered and bruised it became.
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
...the dearer a book was to my heart, the more battered and bruised it became.
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
Help my poor battered heart. Give me strength to do this.
Lori Benton (Many Sparrows)
Crying just makes me want to fuck you harder.
Nenia Campbell (Batter My Heart)
The affair begun and ended, the damage done and the repairs under way, my battered heart on the mend. Because he would break my heart. I already knew that if nothing else.
Paula McLain (Love and Ruin)
The heroes without hope of redemption are the ones we root hardest for because in our own unshakable faith in romance, we cannot fathom a heart so deep or dark that it cannot be turned.
Nenia Campbell (Batter My Heart)
It's hard to give up something once you've already decided it's yours. It's like picking up a rock at the beach and seeing it in the light for the first time. Maybe at first, it looks dull and flat. But then you notice that spark, that flare of color. And now that it's in your hand, blazing with fire, you can't bring yourself to throw it away because you're not sure you'll be able to find it again if you lost it. Or if it'll even be the same.
Nenia Campbell (Batter My Heart)
She was a battered woman now, not a lovely girl; but she still had that something which fires the imagination, could still stop one's breath for a moment by a look or gesture that somehow revealed the meaning in common things. She had only to stand in the orchard, to put her hand on a little crab tree and look up at the apples, to make you feel the goodness of planting and tending and harvesting at last. All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions.
Willa Cather (My Antonia)
He looked at her in bittersweet despair. “Sometimes, Kate, when I’m inside you and your arms are around me, I’m human again. There’s a beginning and an end to my life again. And all because of your love. It’s been a gift to me, one I’ve never deserved. But I cherished it.” And maybe he’d destroyed it with the ungodly truth. He didn’t know. He drew a shaky breath, battered by a fresh wave of regret, and his voice trembled. “I thought I had broken your heart a while ago. I didn’t know how to make you hear me, and I knew that by telling you the truth, I’d lose you. But here you sit. You haven’t flipped out, not visibly anyway, nor accused me of being a liar. And you haven’t run in terror, now that you’re truly free to go. I don’t know what to think. Tell me, Kate…have I lost you?
Shelby Reed (Midnight Rose)
He belongs to a pugilism club where they batter each other senseless, in the savate style.” “What is that?” “A kind of fighting that developed in the streets of Old Paris. Quite vicious. My brother secretly hopes to be attacked by ruffians someday, but so far, no luck.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
She sighed. "I don't know, Father, how do you get over someone who's held your heart in their hands for so long? And what do you do when they constantly turn your love away, leaving you battered and bruised?" A sob broke free from her throat to pierce the darkness. His arm stiffened, paralyzed over her shoulder. Marcy's voice rose, quiet and strong, to counter her daughter's pain. "You run to the arms of the Almighty, Lizzie. 'Because thou hast been my help, therefore in the shadow of thy wings will I rejoice.' That's the only place our hearts are safe, the only place they can heal.
Julie Lessman (A Passion Denied (The Daughters of Boston, #3))
Was there no sword, nothing with which to batter down these walls, this protection, this begetting of children and living behind curtains, and becoming daily more involved and committed, with books and pictures? Better burn one’s life out like Louis, desiring perfection; or like Rhoda leave us, flying past us to the desert; or choose one out of millions and one only like Neville; better be like Susan and love and hate the heat of the sun or the frost-bitten grass; or be like Jinny, honest, an animal. All had their rapture; their common feeling with death; something that stood them in stead. Thus I visited each of my friends in turn, trying, with fumbling fingers, to prise open their locked caskets. I went from one to the other holding my sorrow—no, not my sorrow but the incomprehensible nature of this our life—for their inspection. Some people go to priests; others to poetry; I to my friends, I to my own heart, I to seek among phrases and fragments something unbroken—I to whom there is not beauty enough in moon or tree; to whom the touch of one person with another is all, yet who cannot grasp even that, who am so imperfect, so weak, so unspeakably lonely. There I sat.
Virginia Woolf (The Waves)
The Winding Stair My Soul. I summon to the winding ancient stair; Set all your mind upon the steep ascent, Upon the broken, crumbling battlement, Upon the breathless starlit air, 'Upon the star that marks the hidden pole; Fix every wandering thought upon That quarter where all thought is done: Who can distinguish darkness from the soul My Self. The consecretes blade upon my knees Is Sato's ancient blade, still as it was, Still razor-keen, still like a looking-glass Unspotted by the centuries; That flowering, silken, old embroidery, torn From some court-lady's dress and round The wodden scabbard bound and wound Can, tattered, still protect, faded adorn My Soul. Why should the imagination of a man Long past his prime remember things that are Emblematical of love and war? Think of ancestral night that can, If but imagination scorn the earth And intellect is wandering To this and that and t'other thing, Deliver from the crime of death and birth. My Self. Montashigi, third of his family, fashioned it Five hundred years ago, about it lie Flowers from I know not what embroidery - Heart's purple - and all these I set For emblems of the day against the tower Emblematical of the night, And claim as by a soldier's right A charter to commit the crime once more. My Soul. Such fullness in that quarter overflows And falls into the basin of the mind That man is stricken deaf and dumb and blind, For intellect no longer knows Is from the Ought, or knower from the Known - That is to say, ascends to Heaven; Only the dead can be forgiven; But when I think of that my tongue's a stone. II My Self. A living man is blind and drinks his drop. What matter if the ditches are impure? What matter if I live it all once more? Endure that toil of growing up; The ignominy of boyhood; the distress Of boyhood changing into man; The unfinished man and his pain Brought face to face with his own clumsiness; The finished man among his enemies? - How in the name of Heaven can he escape That defiling and disfigured shape The mirror of malicious eyes Casts upon his eyes until at last He thinks that shape must be his shape? And what's the good of an escape If honour find him in the wintry blast? I am content to live it all again And yet again, if it be life to pitch Into the frog-spawn of a blind man's ditch, A blind man battering blind men; Or into that most fecund ditch of all, The folly that man does Or must suffer, if he woos A proud woman not kindred of his soul. I am content to follow to its source Every event in action or in thought; Measure the lot; forgive myself the lot! When such as I cast out remorse So great a sweetness flows into the breast We must laugh and we must sing, We are blest by everything, Everything we look upon is blest
W.B. Yeats
Then it was all worth it,” I admitted and really truly meant it. “What was, Li? What was all worth it?” “Everything…” I whispered, my pain-filled life flashing through my mind—the tortures, the loss, the segregation, the abuse… the rapes. I nuzzled into his torso and continued. “Every single second of my life… because it eventually led me to you. It led me to fall so deeply in love with you, Ky… the man who recaptured this bruised and battered heart.
Tillie Cole (Heart Recaptured (Hades Hangmen, #2))
My mum all those years ago sensed a child who had been adopted was also a child who could feel terribly hurt. And no matter how much she loved me, no matter how much my dad loved me, there is still a windy place right at the core of my heart. The windy place is like Wuthering Heights, out on open moors, rugged and wild and free and lonely. The wind rages and batters at the trees. I struggle against the windy place. I sometimes even forget it. But there it is. I am partly defeated by it. You think adoption is a story which has an end. But the point about it is that it has no end. It keeps changing its ending.
Jackie Kay (Red Dust Road (Picador Collection))
It came home to me as a great blow that it was only men who could take the world by its ears and conquer their fate, while women, metaphorically speaking, were forced to sit with tied hands and patiently suffer as the waves of fate tossed them hither and thither, battering and bruising without mercy. Familiarity made me used to this yoke; I recovered from the disappointment of being a girl, and was reconciled to that part of my fate. In fact, I found that being a girl was quite pleasant, until a hideous truth dawned upon me--I was ugly! ... In conjunction with this brand of hell I developed a reputation of cleverness. Worse and worse! Girls! girls! Those of you who have hearts, and therefore a wish for happiness, homes, and husbands by and by, never develop a reputation of being clever. It will put you out of the matrimonial running as effectually as though it had been circulated that you had leprosy. So, if you feel that you are afflicted with more than ordinary intelligence, and especially if you are plain with it, hide your brains, cramp your mind, study to appear unintellectual--it is your only chance. Provided a woman is beautiful, allowance will be made for all her shortcomings. She can be unchaste, vapid, untruthful, flippant, heartless, and even clever; so long as she is fair to see, men will stand by her, and as men in this world are "the dog on top," they are the power to truckle to. A plain woman will have nothing forgiven her.
Miles Franklin (My Brilliant Career)
Trixie fiddled with the zipper of Daniel's battered leather jacket. "He tried to take off my shirt, but I didn't want him to. I told him that it was Zephyr's house and that I didn't feel right fooling around there. He said I was breaking his heart. I felt bad after that, so I let him unhook my bra and touch me, you know, my breasts. He was kissing me the whole time and that was the good part, the part I wanted, but then he put his hand down my pants. I tried to pull his hand away, but he was too strong." Trixie swallowed. "He said, "Don't tell me you don't want this." Daniel gripped the edge of the table so hard that he thought he would crack the plastic. He took a deep breath in through his mouth and held it. He thought of all the ways it would be possible to kill Jason Underhill.
Jodi Picoult (The Tenth Circle)
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
Herman Melville (Moby Dick: or, the White Whale)
Later that evening, I meet Alex and Gracie at a crepe stand on Fairview for dinner. He orders two ham-and-provolones and I chose a goat-cheese-spinach-and-tomato. We watch as the woman behind the stand pours the batter on the round wheel and rakes it into a perfect circle with a wooden tool. Within seconds, the batter thickens and bubbles, turning a shade of golden brown. She reaches for a tub of cheese labeled "Pro 3-5," then shakes her head and tucks it under the shelf before looking up at us. "Almost forgot to toss this one. Found it in the back of the fridge. Expired months ago." She opens up a new tub of shredded cheese and sprinkles it on Alex's crepe. I'm not thinking about expired cheese, however. It's "Pro 3-5" that haunts me. I know it's silly. It's an expiration date for provolone cheese, but I key Proverbs 3:5 into my phone, and read what comes back: "Trust in the Lord with all your heart and lean not on your own understanding; in all your ways acknowledge him and he will make your paths straight.
Sarah Jio (Morning Glory)
My child, deep-thundering Zeus controls the end of all that is, disposing as he wills. We who are mortals have no mind; we live like cattle, day to day, knowing nothing of god's plans to end each one of us. Yet we are fed by hope and faith to dream impossible plans. Some wait for a day to come, others watch the turning of years. No one among the mortals feels so broken as not to hope in coming time to fly home rich to splendid goods and lands. Yet before he makes his goal, odious old age lays hold of him first. Appalling disease consumes another. Some are killed in war where death carries them under the dark earth. Some drown and die under the myriad waves when a hurricane slams across the blue salt water cracking their cargo ship. Others rope a noose around their wretched necks and choose to die, abandoning the sun of day. A thousand black spirits waylay man with unending grief and suffering. If you listen to my counsel, you won't want the good things of life; not batter your heart by torturing your skull with cold remorse.
Semonides
It was the same as I remembered it,” she whispered, sounding defeated and puzzled and shattered. It was better than he remembered. Stronger, wilder…And the only reason she didn’t know it was because he hadn’t succumbed to temptation yet and kissed her once more. He had just rejected that idea as complete insanity when a male voice suddenly erupted behind them: “Good God! What’s going on here!” Elizabeth jerked free in mindless panic, her gaze flying to a middle-aged elderly man wearing a clerical collar who was dashing across the yard. Ian put a steadying hand on her waist, and she stood there rigid with shock. “I heart shooting-“ The gray-haired man gasped, sagging against a nearby tree, his hand over his heart, his chest heaving. “I heard it all the way up the valley, and I thought0” He broke off, his alert gaze moving from Elizabeth’s flushed face and tousled hair to Ian’s hand at her waist. “You thought what?” Ian asked in a voice that struck Elizabeth as being amazingly calm, considering they’d just been caught in a lustful embrace by nothing less daunting than a Scottish vicar. The thought had scarcely crossed her battered mind when the man’s expression hardened with understanding. “I thought,” he said ironically, straightening from the tree and coming forward, brushing pieces of bark from his black sleeve, “that you were trying to kill each other. Which,” he continued more mildly as he stopped in front of Elizabeth, “Miss Throckmorton-Jones seemed to think was a distinct possibility when she dispatched me here.” “Lucinda?” Elizabeth gasped, feeling as if the world was turning upside down. “Lucinda sent you here?” “Indeed,” said the vicar, bending a reproachful glance on Ian’s hand, which was resting on Elizabeth’s waist. Mortified to the very depths of her being by the realization she’d remained standing in this near-embrace, Elizabeth hastily shoved Ian’s hand away and stepped sideways. She braced herself for a richly deserved, thundering tirade on the sinfulness of their behavior, but the vicar continued to regard Ian with his bushy gray eyebrows lifted, waiting. Feeling as if she were going to break from the strain of the silence, Elizabeth cast a pleading look at Ian and found him regarding the vicar not with shame or apology, but with irritated amusement. “Well?” demanded the vicar at last, looking at Ian. “What do you have to say to me?” “Good afternoon?” Ian suggested drolly. And then he added, “I didn’t expect to see you until tomorrow, Uncle.” “Obviously,” retorted the vicar with unconcealed irony. “Uncle!” blurted Elizabeth, gaping incredulously at Ian Thornton, who’d been flagrantly defying rules of morality with his passionate kisses and seeking hands from the first night she met him. As if the vicar read her thoughts, he looked at her, his brown eyes amused. “Amazing, is it not, my dear? It quite convinces me that God has a sense of humor.
Judith McNaught (Almost Heaven (Sequels, #3))
They came from over the hill to slay, the monsters, beasts and bullies. The princesses came with their shiny crowns, two beauties in their flowing gowns. And so they shouted, away away away!” “Away away away!” the A.S.S. sang in response like they knew the words and my jaw dropped. “The monsters said we’re here to stay, raising forks and sticks and sharpened picks. The princesses came with their silver blades, two beauties with their loyal maids. And so they shouted, away away away!” She started up a dance, stamping her foot twice to the left, then twice to the right before jumping up and clapping above her head. “Away away away!” Tory and I joined in between our laughter as Justin Masters produced a flute from his bag and started piping out the tune. Oh my god this is actually happening. Geraldine reached out to us and I shrugged at Tory before climbing up to join her on the table. She started the dance again and I copied her, picking it up as Tory joined her other side, laughing as Geraldine continued the song. “The beasts they laughed with their hearts so black, they pushed, they fought and they attacked. But the princesses came with a swirl and a swoosh, and pushed those beasties in the Lake of Multush. And so they shouted, away away away!” “Away away away!” I cried with everyone else, wiping tears of laughter from my eyes as more and more people crowded around our table and joined in. “The bullies they smiled and they jeered the town, they jibed, they battered and made everyone frown. The princesses showed them the strength of their souls, no bully could make a dent on their walls. And so they shouted, away away away!” We clapped above our heads in time with Geraldine and everyone continued on singing that last line again and again, pointing over at the Heirs who were staring at us with their jaws slack like they couldn’t quite believe what was happening. “Away away away!
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
People are so soon gone; let us catch them. That man there, by the cabinet; he lives, you say, surrounded by china pots. Break one and you shatter a thousand pounds. And he loved a girl in Rome and she left him. Hence the pots, old junk found in lodging-houses or dug from the desert sands. And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea. It is strange though; for once, as a young man, he sat on damp ground and drank rum with soldiers. One must be quick and add facts deftly, like toys to a tree, fixing them with a twist of the fingers. He stoops, how he stoops, even over an azalea. He stoops over the old woman even, because she wears diamonds in her ears, and, bundling about her estate in a pony carriage, directs who is to be helped, what tree felled, and who turned out tomorrow. (I have lived my life, I must tell you, all these years, and I am now past thirty, perilously, like a mountain goat, leaping from crag to crag; I do not settle long anywhere; I do not attach myself to one person in particular; but you will find that if I raise my arm, some figure at once breaks off and will come.) And that man is a judge; and that man is a millionaire, and that man, with the eyeglass, shot his governess “through the heart with an arrow when he was ten years old. Afterwards he rode through deserts with despatches, took part in revolutions and now collects materials for a history of his mother’s family, long settled in Norfolk. That little man with a blue chin has a right hand that is withered. But why? We do not know. That woman, you whisper discreetly, with the pearl pagodas hanging from her ears, was the pure flame who lit the life of one of our statesmen; now since his death she sees ghosts, tells fortunes, and has adopted a coffee-coloured youth whom she calls the Messiah.* That man with the drooping moustache, like a cavalry officer, lived a life of the utmost debauchery (it is all in some memoir) until one day he met a stranger in a train who converted him between Edinburgh and Carlisle by reading the Bible. Thus, in a few seconds, deftly, adroitly, we decipher the hieroglyphs written on other people’s faces. Here, in this room, are the abraded and battered shells cast on the shore.
Virginia Woolf (The Waves)
March 10 Have a Message and Be One Preach the word. 2 Timothy 4:2 We are not saved to be “channels only,” but to be sons and daughters of God. We are not turned into spiritual mediums, but into spiritual messengers; the message must be part of ourselves. The Son of God was His own message, His words were spirit and life; and as His disciples our lives must be the sacrament of our message. The natural heart will do any amount of serving, but it takes the heart broken by conviction of sin, and baptised by the Holy Ghost, and crumpled into the purpose of God, before the life becomes the sacrament of its message. There is a difference between giving a testimony and preaching. A preacher is one who has realised the call of God and is determined to use his every power to proclaim God’s truth. God takes us out of our own ideas for our lives and we are “batter’d to shape and use,” as the disciples were after Pentecost. Pentecost did not teach the disciples anything; it made them the incarnation of what they preached—“Ye shall be witnesses unto Me.” Let God have perfect liberty when you speak. Before God’s message can liberate other souls, the liberation must be real in you. Gather your material, and set it alight when you speak.
Oswald Chambers (My Utmost for His Highest)
DJ, are you awake? Freaking elf. “Go home, Rand.” I am home. Where are you? I frowned and burrowed my face into the soft down pillow. Which wasn’t my pillow. Holy crap. What had happened? I sat up and took in several observations at once, none of which made sense and all of which sent my heart rate jack-rabbiting hard enough to send my blood pressure into the ozone. First, I was lying beneath a heavy bedspread woven in a rich blue-and-cream print. The bed was an elaborate confection made to look like an antique half-tester, and a brass chandelier hung overhead. I recognized the Hotel Monteleone. I recognized Jean Lafitte’s bedroom in the posh Eudora Welty Suite in the Monteleone. I didn’t have a clue as to how I got here. Second, I wore only underwear. My clothes were thrown across a chair in the corner. I had no recollection of removing them. Third, the pillow next to mine still held the clear indentation of a head, and there was water running behind the closed bathroom door. What in God’s name had I done? Rand! Where are you? So help me, if that elf was behind this, I’d splay him open like a catfish and watch his guts fall on the floor. Then I’d batter and deep-fry him. God, Dru. Stop shrieking like an elven shrew. I think you got too cold and went into a survival state.
Suzanne Johnson (Pirate's Alley (Sentinels of New Orleans, #4))
Holy Sonnet XIV Batter my heart, three-person’d God; for, you As yet but knock, breathe, shine, and seek to mend; That I may rise, and stand, o‘erthrow me, and bend Your force, to break, blow, burn and make me new. I, like an usurp’d town, t’another due, Labour to admit you, but oh, to no end, Reason your viceroy in me, me should defend, But is captiv’d, and proves weak or untrue. Yet dearly I love you, and would be loved fain, But am betroth’d unto your enemy: Divorce me, untie, or break that knot again, Take me to you, imprison me, for I Except you enthrall me, never shall be free, Nor ever chaste, except you ravish me.
Philip Smith (100 Best-Loved Poems)
APRIL 20 TAKE POSSESSION OF THE GATE OF THE ENEMY BECAUSE MY SERVANT Abraham was willing to serve me wholeheartedly, even to the sacrifice of his own son, I established My covenant with him and his descendants for eternity, and I promised that his descendants shall possess the gate of their enemies. This promise is for you and for your descendants. Serve Me with your whole heart, and I will plant your seed in all the nations of the earth, and you and your descendants will possess the gates of their enemies. You will use the battering ram of My holiness to destroy the gates of the enemy and to overthrow the kingdoms of darkness. The gates of hell will have no power to prevail against My servants, and I will give you the keys of the kingdoms of earth. GENESIS 22:14–18; EZEKIEL 21:22; MATTHEW 16:18 Prayer Declaration Through Your Son, Jesus, let me possess the gate of the enemy. I release battering rams against the gates of hell, and they shall not prevail against me. Open to me the gates of righteousness that I may enter in. Let the gates of my life and city be open to the King of glory.
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
Rather, she writes about violence from the perspective of its victims: How can we point to the eucharistic bread and say “this is my body” as long as women’s bodies are battered, raped, sterilized, mutilated, prostituted, and used to male ends?…As in the past so still today men fight their wars on the battlefields of our bodies, making us the targets of their physical or spiritual violence. Therefore, the ekklsia of women must reclaim women’s bodies as the “image and body of Christ.” It must denounce all violence against women as sacrilege and maintain women’s moral power and accountability to decide our own spiritual welfare, one that encompasses body and soul, heart and womb.286
Richard B. Hays (The Moral Vision of the New Testament: A Contemporary Introduction to New Testament Ethics)
There is a war going on. All talk of a Christian’s right to live luxuriantly “as a child of the King” in this atmosphere sounds hollow—especially since the King Himself is stripped for battle. It is more helpful to think of a wartime lifestyle than a merely simple lifestyle. Simplicity can be very inwardly directed and may benefit no one else. A wartime lifestyle implies that there is a great and worthy cause for which to spend and be spent (2 Corinthians 12:15). Winter continues: America today is a “save yourself” society if there ever was one. But does it really work? The underdeveloped societies suffer from one set of diseases: tuberculosis, malnutrition, pneumonia, parasites, typhoid, cholera, typhus, etc. Affluent America has virtually invented a whole new set of diseases: obesity, arteriosclerosis, heart disease, strokes, lung cancer, venereal disease, cirrhosis of the liver, drug addiction, alcoholism, divorce, battered children, suicide, murder. Take your choice. Labor-saving machines have turned out to be body-killing devices. Our affluence has allowed both mobility and isolation of the nuclear family, and as a result, our divorce courts, our prisons and our mental institutions are flooded. In saving ourselves we have nearly lost ourselves. How hard have we tried to save others? Consider the fact that the U.S. evangelical slogan, “Pray, give or go” allows people merely to pray, if that is their choice! By contrast the Friends Missionary Prayer Band of South India numbers 8,000 people in their prayer bands and supports 80 full-time missionaries in North India. If my denomination (with its unbelievably greater wealth per person) were to do that well, we would not be sending 500 missionaries, but 26,000. In spite of their true poverty, those poor people in South India are sending 50 times as many cross-cultural missionaries as we are!11
John Piper (Desiring God, Revised Edition: Meditations of a Christian Hedonist)
Batter My Heart John Donne  Batter my heart, three-person’d God, for you  As yet but knock, breathe, shine, and seek to mend;  That I may rise and stand, o’erthrow me, and bend  Your force to break, blow, burn, and make me new.  I,
Malcolm Guite (The Word in the Wilderness)
As I came closer I looked into her eyes and what I saw broke my heart. She looked so innocent and lost, battered and beaten down, physically and mentally.
Mz. Toni (Love In The Ghetto (Lil Mama In The Projects #1))
Ganges. On board, the otherwise unwanted lads of Britain—the waifs, the strays, the abandoned bastards, the untameable, the Artful Dodgers of Queen Victoria’s realm—the so-called scum of British earth, were bullied, beaten, bashed, scourged, half-starved, tormented, pummelled, lashed, keelhauled, cudgelled, thrashed, swinged, trounced, lambasted, hurt, manhandled, battered, thumped, scared and terrorized into a total submission to the almighty will of My Lords Commissioners of the Admiralty.
Tristan Jones (Heart of Oak)
Great writers and my mom never used food as an object. Instead it was a medium, a catalyst to mend hearts, to break down barriers, to build relationships. Mom's cooking fed body and soul. She used to quip, "If the food is good, there's no need to talk about the weather." That was my mantra for years---food as meal and conversation, a total experience. I leaned my forehead against the glass and thought again about Emma and the arrowroot. Mom had highlighted it in my sophomore English class. "Jane Fairfax knew it was given with a selfish heart. Emma didn't care about Jane, she just wanted to appear benevolent." "That girl was stupid. She was poor and should've accepted the gift." The football team had hooted for their spokesman. "That girl's name was Jane Fairfax, and motivation always matters." Mom's glare seared them. I tried to remember the rest of the lesson, but couldn't. I think she assigned a paper, and the football team stopped chuckling. Another memory flashed before my eyes. It was from that same spring; Mom was baking a cake to take to a neighbor who'd had a knee replacement. "We don't have enough chocolate." I shut the cabinet door. "We're making an orange cake, not chocolate." "Chocolate is so much better." "Then we're lucky it's not for you. Mrs. Conner is sad and she hurts and it's spring. The orange cake will not only show we care, it'll bring sunshine and spring to her dinner tonight. She needs that." "It's just a cake." "It's never just a cake, Lizzy." I remembered the end of that lesson: I rolled my eyes----Mom loathed that----and received dish duty. But it turned out okay; the batter was excellent. I shoved the movie reel of scenes from my head. They didn't fit in my world. Food was the object. Arrowroot was arrowroot. Cake was cake. And if it was made with artisan dark chocolate and vanilla harvested by unicorns, all the better. People would crave it, order it, and pay for it. Food wasn't a metaphor---it was the commodity---and to couch it in other terms was fatuous. The one who prepared it best won.
Katherine Reay (Lizzy and Jane)
wanted to give him my heart, bruised and battered as it was,
Lilian T. James (Meet Me Halfway)
When I’d first started praying for Circus’s dad, I’d sort of expected God to answer my prayer right away, anyway in a week or two. I didn’t realize then that a person had to hear the gospel preached first and that nobody ever gets saved unless somebody tells him about Jesus. Besides, God won’t just come to a man’s heart and batter it open in order to get in. You have to open that door yourself. So I’d decided if I had to wait a long time I would, but I would keep right on praying. Anyhow, the minister who preached that night talked about the home. I was sure Circus’s dad was outside somewhere listening, but I certainly didn’t expect him to be much interested in that. That’s why I was so surprised when I got my prayer answered. This is the way it happened. Every now and then during the sermon I glanced over at Circus to see how he liked it. But I didn’t need to worry about him not liking it. He was listening for all he was worth. Good old Circus, with his monkey face, his
Paul Hutchens (The Killer Bear (Sugar Creek Gang Original Series Book 2))
The jeering, hooting young men who battered down the Babri Masjid are the same ones whose pictures appeared in the papers in the days that followed the nuclear tests. They were on the streets, celebrating India’s nuclear bomb and simultaneously “condemning Western Culture” by emptying crates of Coke and Pepsi into public drains. I’m a little baffled by their logic: Coke is Western Culture, but the nuclear bomb is an old Indian tradition? Yes, I’ve heard—the bomb is in the Vedas. It might be, but if you look hard enough, you’ll find Coke in the Vedas, too. That’s the great thing about all religious texts. You can find anything you want in them—as long as you know what you’re looking for.
Arundhati Roy (My Seditious Heart: Collected Nonfiction)
When I said I wanted to die in your arms ‘cause it’s the only place I’ve ever lived, I was bein’ honest. And when I told you that you own my heart and soul, ya do. Whether you believe it or not, it’s yours, every single sadistic, loving, scarred, battered, bruised and hidden part. It’s yours,
Bink Cummings (The Diary of Bink Cummings: Vol 3 (MC Chronicles, #3))
Stella, whence doth this new assault arise, A conquer’d, yielden, ransack’d heart to win? Whereto long since through my long batter’d eyes, Whole armies of thy beauties entered in. And there long since, Love thy lieutenant lies, My forces raz’d, thy banners rais’d within: Of conquest, do not these effects suffice, But wilt now war upon thine own begin? With so sweet voice, and by sweet Nature so In sweetest strength, so sweetly skill’d withal, In all sweet stratagems sweet Art can show, That not my soul, which at thy foot did fall Long since, forc’d by thy beams, but stone nor tree By Sense’s privilege, can ‘scape from thee.
Philip Sidney (Astrophil and Stella (Phoenix Classics))
He shrugs. “I like sitting here with you just fine.” My heart stumbles at his words. It’s not like he’s professing his undying love to me or anything, but hell, tell that to my battered heart that has waited years for this man to show me an ounce of his attention.
S.M. Soto (Chasing the Moon)
I don’t even know what intimacy is, Pastor.” “It’s belonging and believing and being loving to each other. It’s vulnerability to the one person you trust most. It’s saying, ‘Here’s my ugly, battered, wounded heart. I’m going to let you see it and trust you with it.’ Did you ever let her see your grief?
Susan May Warren (The Shadow of Your Smile (Deep Haven))
But, oh, how marvelous it was to come home to dear shabby Cambridge, to uneven brick sidewalks, to untrimmed gardens, to lawns covered with leaves, to young people walking hand in hand in absurd clothing, to dear Judy and the pussies! We are all a little old and worn, but we are happy. And Nelson, when I drove up under a pale bright sky, looked like Heaven. I saw it freshly, saw the beauty of wooden clapboard painted white, of old brick, of my own battered and dying maples, as a shining marvel, a treasure that lifts the mind and the heart and brings everyone who sees it back to what quality is.
May Sarton (Journal of a Solitude)
It’s Fae on Fae, man, what are you thinking?” he asked with a frown and I could only glower as I looked back to the fight, forcing myself to remain still. It might have made me ache to hold back but he was right, I couldn’t get involved in a fight between two Fae. And if it had been anyone else, I never would have considered it. But Roxy always made me want to break the rules. “You jumped up, crown touting, cock sucking, whore!” Mildred slammed her fist into Roxy’s face again, not even bothering to use magic as she screamed insults in her face which included way too many references to me being her beloved. “What’s the matter, Mildred?” Roxy snarled. “Is it just that you can’t suck cock properly with that mis-matched jaw of yours or is it that you know Darius is only marrying you because his father is forcing him to?” “When I take my beloved to the bedroom he will be screaming so loudly that he won’t even remember the name Vega!” Mildred howled as she punched Roxy again. “Yeah, screaming in horror,” Roxy spat and I almost fucking laughed aside from the fact that she was about to get her face smashed in by that beast of a girl. “We’ll see if he’s so tempted by you when I’m done pulverising that pretty face of yours and I cut your perky tits off for good measure!” Mildred howled. “Not the tits!” Tyler Corbin gasped from the other side of the crowd as he filmed the whole thing. My heart pounded. Roxy might have been tough, but Mildred was four times the size of her. She needed to fight back with magic if she was going to stand a chance, but as she swung her head forward and cracked the bridge of Mildred’s nose with a savage headbutt, I got the feeling she wasn’t going to use it. Roxy swung a fist into Mildred’s throat to follow it before driving her knee up between her legs as hard as she could. “Ooo right in the vag!” Tyler called and a laugh caught in my throat. “Yes, Tor!” Darcy screamed as she pushed her way to the front of the crowd. “Show her how we fight where we come from!” As Mildred reared back, Roxy lunged forward, rolling them over so that she was on top before swinging her fists down into Mildred’s ugly face with a brutality that made my heart race. She was wild and vicious, blood pissing down her face from her own injuries as she used my stolen rings to batter Mildred again and again. I wouldn’t be surprised if she didn’t end up with Dragons imprinted all over her face from her own injuries as she used my stolen rings to batter Mildred again and again. I wouldn’t be surprised if she didn’t end up with Dragons imprinted all over her face from the shape of the jewellery. Mildred gave as good as she got, punching Roxy in the sides, the chest, even trying to bite her fist as she punched her. “Holy shit,” Seth breathed as he nuzzled against my arm. “This would be so hot if it wasn’t, you know, Mildred. But if I imagine her being literally any other girl then I’d be so turned on right now.” I swallowed a lump in my throat as I refused to agree out loud, but he was right. There was something about Roxy as she fought like that, her lip curled back with determination and absolutely no mercy in her. They might have been fighting like mortals having a bar brawl, but with a crown on her head and blood painting her flesh, I didn’t think she’d ever looked more like the Savage King’s daughter before. She really was a Fae Princess. And I liked it. Mildred cursed and screamed, throwing fists like sledgehammers so hard that I was pretty sure I heard ribs cracking, but Roxy wasn’t going to give in. She swung her arm back one final time and with a scream of rage, she hit Mildred so hard in her pug face that she blacked out. A laugh tumbled from my lips before I could stop it and Roxy looked up at me with a wild determination in her eyes as she grinned like a damn warrior. (Darius POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
I broke all my rules for her. And as she snuggles up beside me in the limo, I want to break more. I want to give her my battered heart and black soul.
Sienna Cross
Movement catches my attention across the park, and I jerk my head up. It’s him. My heart batters my rib cage as Jake gets closer. The sun sets behind him, and his thick, dark hair blows in the breeze. He’s wearing jeans, a t-shirt, and his letterman jacket. He looks so handsome, and I’ve missed him so much. It takes everything in me not to jump up and run to him. When he reaches me, I smile hesitantly. “Great game today.” The words are barely out of my mouth when he grabs me by the lapels of my coat and yanks me up into a fierce kiss. Everything I’d planned to say to him blows away in the crisp breeze. I toss my arms around his neck and hold on as he threads his fingers in my hair and holds me to him. His tongue battles with mine, but after a minute, he slows down until he’s pressing tender kisses to my lips. “I fucking love you, Charlotte. Please don’t be upset with me anymore.” I open my mouth, but he places a finger over my lips. “Hear me out.” I nod and reluctantly let go of him. We sit side by side on the swings, but he swivels around to face me, and I do the same. He exhales. “I’m sorry for how I reacted when I found out you might be pregnant. I can’t explain why I had an out-of-body experience. I think one of the biggest shocks was hearing it from Dakota instead of you.” “I’m guessing she used the bathroom before I got there?” I ask. Nodding, he reaches over to grab my hand. “She obviously saw them in the trash.” “I just felt really fucking overwhelmed. I thought, ‘I’m stretched so thin as it is with Asher. I never get enough time with him. Every moment with you feels stolen. Some days I’m barely awake in class. Football consumes all of my energy. And I have a mountain of laundry and no time to do it.’” I squeeze his hand. “I get it. I’m sorry you misunderstood. Only one of those tests was mine. The negative one.” I explain the situation with Roxy. She’s given me permission to tell Jake what’s going on with her. “Jesus. I feel dumb.” He lets go of my hand to scrub his face.
Lex Martin (Second Down Darling (Varsity Dads #4))
Enzo,” I groan. “My vagina has literally never been this sore in my entire life.” “You can take it,” he mutters, emphasizing his statement with another nip. “You always do.” “You’re so rude,” I grumble. “So uncaring of my battered, bruised body.” “I would have to disagree, Ms. Vitale.” My heart thuds with the reminder. Sawyer Vitale.
H.D. Carlton (Does It Hurt?)
I snatched the telephone and the buzz, buzz, buzz of its stupid voice in your empty room battered my heart down, when the door opened and there you stood. That was the most perfect of our meetings. But these meetings, these partings, finally destroy us.
Virginia Woolf
You can batter me, torment me, and shame me. I may yield, but I'll never shatter. Yet, should you lay a hand on the one I cherish, know that my heart belongs to them, and expect the unleashed fury of the Hellhound, letting hell loose to protect its darkened territory.
Iulia Velicu
You can batter me, torment me, and shame me. I may yield, but I'll never break. Yet, should you lay a hand on the ones I cherish, know that my heart belongs to them, and expect the unleashed fury of the Hellhound, letting hell loose to protect its sacred territory.
Iulia Velicu
To the extent it’s humanly possible, we had to control our own emotions. It’s impossible at some level not to feel revulsion at the sight of an obviously tortured and battered body, and very challenging not to feel hatred for whoever committed this and sympathy for the victim. But emotions almost invariably cloud reasoning. In a sense, we had to stand outside of our own humanity while we were doing our job.
Jana Monroe (Hearts of Darkness: Serial Killers, the Behavioral Science Unit, and My Life as a Woman in the FBI)
You do my battered heart a great deal of good.
Sarah M. Eden (The Best of Friends (The Huntresses, #4))
You know you have my heart, right? It's yours, battered as it may be.
R. Phillips (Entangled (A Twisted Tale, #1))
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Thank you, Tom. Truly. I owe you my life,” said the captain. He reached for the first mate’s hand and realized, as he did so, that though he often held or touched Jon’s hands out of simple affection, he had never really done so with Tom. The brawny young man looked away, and Baltsaros thought he detected a flush in his face. Curious, Baltsaros turned Tom’s hand over in his. The back of the first mate’s hand was covered in a smattering of small scars—old burns and wounds acquired from his life of servitude and from working aboard the old pirate ship. His knuckles were crisscrossed with raised, white lines where the skin had split and healed over and over from his penchant of using his fists to get his point across. Even now they were red, and on the first two there were fresh scabs. The third knuckle had a squashed look to it, and Baltsaros remembered when the first mate had broken it in a fight the first year he was aboard. They were hands that he knew almost as well as his own. He rubbed his thumb softly over the scarred skin before lifting Tom’s hand to his mouth. He kissed Tom’s battered knuckles gently, one by one, before turning the man’s hand over in his to press his lips to the deeply lined palm. When he looked up, Tom was staring at him, a glimmer of wetness in his eyes. The sight made Baltsaros hurt. “I’m sorry, Tom,” he whispered. “You’ve put up with too much.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
I was stunned from the impact, from the heavy weight of him on me, from the overwhelming sensation between us. It brought fire and ice to my veins, it brought a scream and a whisper to my throat, it brought hope and despair to my heart. I pulled him up till his head rested on my chest and my arms went around him, holding him fiercely to me as he tried to push himself up. “Let me go. Let me go.” He repeated the words desperately and I could feel his heart battering his chest as I clutched him harder. My mind whirred as the truth of the night overwhelmed us both. All those poor people. My breath began coming in gasps but I could only hold on to him; there was no one else left to save. So I clung to the one person I could still help, the one I could not let die. “Sebastian. Sebastian. Sebastian. I’m here. I can’t let you go. I can’t let you go.” His body shuddered with huge racking sobs that shook us both. I held his face against mine, wishing I was big enough to cover him. To hide him away. I finally gave in to my own choking, breathless sobs and our tears mingled, running down our cheeks as we pressed together tightly, as though maybe, if we just poured enough of ourselves into each other, it could wash away some of the guilt and horror.
Tarun Shanker (These Ruthless Deeds (These Vicious Masks, #2))
Ever since I’d started dating, I’d only spent time with the type of man who’d take me out to fancy restaurants where he paid the bill. Too bad none of them had ever made my heart pound like this giant man in a battered old pickup truck.
Callie Harper (Untamed (Heath & Violet))
He tore his mouth from her eager lips to whisper, “Juliet…ah, sweeting…” Only he had ever called her sweeting. “Morgan…” she whispered back. He froze. Jerking back from her, he stared uncomprehending into her eyes. Then his face drained of heat as suddenly as hot iron dunked in water. He dropped his hands from her. “What the devil am I doing? I must be mad…” Pivoting away, he leaned over to brace his fists on the table. His shoulders shook from the force of his sharp, heavy breaths. “Morgan?” She stepped forward to lay her hand on his back. He flinched at her touch. “Don’t ever call me that again. Call me Sebastian or Lord Templemore, but never Morgan. I’m not him!” He whirled to face her once more. His haunted eyes gleamed in the dimness, and his features were twisted into anger. “I think I’ve proved that sufficiently.” His denial struck a dagger to her heart, and she began to tremble. Surely, he didn’t mean to continue in his lies after what they’d just shared. How could he? “Please, Morgan, don’t-“ “I’m not Morgan!” He glanced away. “I’m not.” Only his shaky hand shoving his beautiful, thick hair from his face belied his seeming control. “And another thing: no woman ruined by a man waits two years to hunt him down when her family is spoiling for vengeance. She doesn’t hide the truth from them, and she doesn’t come in secret to accuse her supposed debaucher.” His gaze swung back to her as he dropped his voice. “She certainly doesn’t let him kiss her intimately. Your encounter with my brother wasn’t ‘wicked’ at all, was it? This was merely another of your little tests.” He did mean to deny it all! Of all the infernal, dastardly- “But now you should realize,” he went on, twisting the dagger, “that your attempts to paint me the villain are pointless. I’m not the man you seek. You’ll never prove I am.” If she’d had one of his horrible weapons in her hand right now, he’d be dead for certain. That he could stand here and kiss her with such passion, then deny that it meant anything, deny their entire past together, while she still tasted him on her lips… Very well, she could play that game. Lord knows she’d seen enough games played in society to manage one of her own. If that’s what it took to make him confess the truth. “You’re right. It was a test. But you passed.” Her sudden change of tactic made him eye her with suspicion. “I did?” “Certainly. First, by your reaction to my calling you Morgan. And second, because you kiss nothing like him.” “You mean because he didn’t kiss you intimately.” “No. Because he put more feeling into it. Like the rogue he was, Morgan kissed with great abandon.” She’d die before she admitted that his lordship had gone the same. If he could deceive her without remorse, he deserved this. “Of course, that’s to be expected of a reckless adventurer. His sort excel at inflaming women’s passions. Whereas you-“ She broke off, as if the rest were perfectly obvious. He gazed at her mulishly. “Whereas I what?” “You’re a gentleman, of course. You’re much too proper to kiss recklessly, and certainly you’d never attempt to inflame a woman’s passion.” “You can’t tell me that my brother kissed you with more passion, for I know otherwise. His kiss was-“ He broke off, realizing his error too late. “You’ve already said that his kisses were perfectly chaste.” Aha! Finally she’d pierced his infernal armor. She hadn’t told him there’d been only one kiss; he’d slipped up already. Let him believe she’d given up her suspicions-it would lull him into lowering his guard. She’d use his own arrogance against him, batter his pride at every opportunity with “perfectly innocent” comments about the past. She shrugged. “Chaste? Well, that’s a different matter entirely. His kiss may have been ‘chaste,’ as you put it, but it was still thrilling.” She could hardly suppress her smile at the lovely effect her words had on Lord Templemore. He looked positively offended.
Sabrina Jeffries (After the Abduction (Swanlea Spinsters, #3))
He slashed at my battered heart like a man with a machete. Oh fuck, how could love hurt so much, yet be such a joy at the same time?
J.P. Sayle (Hidden: Ferron’s Journey Part Two (The Playroom #5))
His intense gaze, broken only occasionally by a laugh that changes his whole body. His patient heart. My own batters my rib cage.
Marie-Helene Bertino (Parakeet)
I am the soul mate I have been looking for all this time. I am the only person who can decide if I am the good guy or the bad guy in my story. I am the only person who can decide that I am worthy of love—all the time, even when I am falling down on my face yet again or when I am trying my absolute best. As I think about this concept, I start exploring and investigating, and the possibilities feel like beams of light and love are shooting into the most bruised and battered parts of my soul. What if I were to truly focus on giving myself all the love and compassion and forgiveness I’ve longed for from someone else all my life? What if I no longer beat myself up? What if I learned to treasure the idea of taking care of myself and my heart and my boundaries, even when it felt unnatural and uncomfortable? What if I accepted and forgave the ugliest parts of my history—every guy, every drug, every deception—and stopped terrorizing my heart with impotent regret? What if I was forgiven and free? What if I always had been?
Mandy Stadtmiller (Unwifeable)
Je veux saigner pour toi, mais tu es si grand et j'ai si peur.
Nenia Campbell (Batter My Heart)
It still felt wrong sometimes. Like something she shouldn't want. But other times she'd catch herself looking at the marks he'd left on her skin, pressing them just to feel the shallow echoes of his touch, and something would catch in her throat and in those moments she could almost understand. The lines had been blurred and redrawn so many times that she was sometimes no longer sure where they were until they were wrapped around her throat.
Nenia Campbell (Batter My Heart)
There were rules for victimhood, it seemed, the way that there were rules for everything else, and people really only believed in justice for the privileged, white, and pretty.
Nenia Campbell (Batter My Heart)
Not my place to give you hell over your preference. Tits are awesome, but whatever.
Kele Moon (Crossing the Line (Battered Hearts, #3))
I just wanna keep you here forever. In my arms. Safe.” “I want that too.
Kele Moon (Crossing the Line (Battered Hearts, #3))
And then there she was, a girl of elegant height, perhaps eighteen or nineteen years of age—gawky and coltish, all long legs and arms, but with the promise of stunning beauty to add graceful curves to the lean lines of her body. She was dressed in a pair of my blue jeans, cut off at the tops of her muscled thighs, and my own T-shirt, tied off over her abdomen. A pentacle amulet, identical to my own, if less battered, lay over her heart, between the curves of her modest breasts. Her skin was pale, almost luminous, her hair a shade of brown-gold, like ripe wheat, her eyes a startling, storm-cloud grey in contrast. Her smile lit up her face, made her eyes dance with secret fires that still, even after all the years, made me draw in a sharp breath.
Jim Butcher (Fool Moon (The Dresden Files, #2))
His lips explored my face before he tilted my head back to press a deeper kiss to my mouth. A strangely tender kiss that had no place on a rooftop, and had no place in a situation that could only lead to the battered ruins of my heart. He
Santino Hassell (First and First (Five Boroughs, #3))
My breath went ragged. “Close your eyes.” Oli was breathing just as fast as me. His heart battered against my chest. “And let me suck your dick.” “Here?” “Yeah. It’s too late to try to score a private room, and it’s more fun if they watch.
Santino Hassell (First and First (Five Boroughs, #3))
Grabbing the bowl with both hands, I stepped right up behind him, reached my arms up high, and tipped it over. The sense of glee I got as I watched his entire body stiffen and all that batter fall onto his head was kind of alarming. No wonder he’d been so proud of his suction-cup hickey. I was damn proud of this mess. When only a little dribble was falling from the bowl, I brought the bowl away from his head, set it on the counter, and had only taken two steps when he grabbed me around my waist and hauled me back to him. The movement made him lose his footing on the now-slippery tile and we both crashed down to the floor. Quickly getting up on my hands and knees, I slip-crawled a few feet before my legs went out and I fell back to the floor. Kash dragged me back by my legs and I was laughing so hard I couldn’t even attempt to try to crawl away as he flipped me over on my back and slipped toward me until he was covering my body. I laughed harder and wiped at his cheek, which was completely covered. “You, uh, got a little something there.” His eyes were silver as he growled, “Now do you feel better?” “Much!” “I probably deserved that.” “A little bit.” My laughter finally quieted and I smiled widely at him. “Rachel . . .” His voice dropped and the huskiness alone caused my breathing to deepen. When I realized that our bodies were flush, mine started warming again, and my eyelids fluttered shut when he brought one hand up to cup my cheek. When he repeated my name, I could feel his breath against my lips and they parted in anticipation. His hand left my cheek and he leaned closer to whisper in my ear, “Your hickey looks really lonely.” Wait. What?! My eyes flew open just as he wiped a hand covered in batter across my face. “You son of a bitch!” Kash laughed loudly and attempted to move some of the batter so it wasn’t in my eyes. “I will end you,” I said, making him laugh harder. “I hate you.” “Don’t lie, Sour Patch, you love me.” He was joking, I knew he was joking—but my heart still took off at his assumption. Kash must have noticed the change somehow, because he immediately stopped laughing and his gray eyes turned silver. “Rachel?” “I, uh—we should clean this up.” I attempted to slide out from under him, but he kept his weight on me and brought his hand up to my cheek again. I stopped moving beneath him and locked up my body as his gaze held mine. His silver eyes fell over my face as his head inched down, and in the torturous seconds where his lips hovered over mine again, I told myself a dozen times I needed to push him away. But needing and wanting are two completely different things. Kash closed the distance between us and pressed his lips to mine, and in that instant, I felt like I was exactly where I belonged and my body relaxed between him and the tile floor.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))