Baton Quotes

We've searched our database for all the quotes and captions related to Baton. Here they are! All 100 of them:

Oh Jake," Brett said, "We could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly, pressing Brett against me. Yes," I said. "Isn't it pretty to think so?
Ernest Hemingway (The Sun Also Rises (Fiesta))
Humanity is a parade of fools, and I am at the front of it, twirling a baton.
Dean Koontz
And now it's time to hand the baton to you. Stories don't end with writer, however many started the race. So go. Run with it. Make trouble.
Patrick Ness (A Monster Calls)
New Rule: Stop asking Miss USA contestants if they believe in evolution. It’s not their field. It’s like asking Stephen Hawking if he believes in hair scrunchies. Here’s what they know about: spray tans, fake boobs and baton twirling. Here’s what they don’t know about: everything else. If I cared about the uninformed opinions of some ditsy beauty queen, I’d join the Tea Party.
Bill Maher
In our work, the question is, how much you absorb from others. So for me, creativity, is really like a relay race. As children we are handed a baton. Rather than passing it onto the next generation as is, first we need to digest it and make it our own.
Hayao Miyazaki
The only excursion of my life outside of New Orleans took me through the vortex to the whirlpool of despair: Baton Rouge. . . . New Orleans is, on the other hand, a comfortable metropolis which has a certain apathy and stagnation which I find inoffensive.
John Kennedy Toole (A Confederacy of Dunces)
He`s quite extraordinary with his moves and spins. I think he was a baton girl in a past life [on his co-star Hayden Christensen].
Ewan McGregor
That made it worse, this passing of a barbed baton between women who, no matter how clever, how powerful, would always be known by the men to whom they were attached.
S.A. Chakraborty (The Empire of Gold (The Daevabad Trilogy, #3))
She felt like a baton getting passed along in a relay race, completely devoid of any control over her destiny.
Gretchen McNeil (Possess)
The narrator analyzes that the maturing, passing away boy within him, "had issued me a challenge as he passed the baton to the man in me: He had challenged me to have the courage to become a gentle, harmless man.
Pat Conroy (The Lords of Discipline)
And the leftist bullies use that nonconstitutional phrase as a baton with which to club their opponents into submission. Jefferson’s “wall of separation between Church & State,” a phrase from his 1802 letter to the Danbury Baptists, was meant not to prevent people from expressing religion in the public square but to prevent government from infringing on religious freedom.
Ben Shapiro (Bullies)
The older generation sat looking at the younger, and Kat wondered exactly when and how the baton had been passed. She wanted to know if it was too late to give it back.
Ally Carter
It has always struck me that one of the readiest ways of estimating a country's regard for law is to notice what arms the officers of the law are carrying: in England it is little batons, in France swords, in many countries revolvers, and in Russia the police used to have artillery.
Lord Dunsany (The Curse of the Wise Woman)
Humanity is a parade of fools and I'm at the front, twirling a baton
Dean Koontz
The finest line of poetry ever uttered in the history of this whole damn country was said by Canada Bill Jones in 1853, in Baton Rouge, while he was being robbed blind in a crooked game of faro. George Devol, who was, like Canada Bill, not a man who was averse to fleecing the odd sucker, drew Bill aside and asked him if he couldn't see that the game was crooked. And Canada Bill sighed, and shrugged his shoulders, and said, 'I know. But it's the only game in town.' And he went back to the game.
Neil Gaiman (American Gods)
The next generation is like the last runner in a very long relay race. The race to end extreme poverty has been a marathon, with the starter gun fired in 1800. This next generation has the unique opportunity to complete the job: to pick up the baton, cross the line, and raise its hands in triumph. The project must be completed. And we should have a big party when we are done.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World – and Why Things Are Better Than You Think)
Christianity is a religion in a rush. Look at the world created in seven days. Even on a symbolic level, that's creation in a frenzy. To one born in a religion where the battle for a single soul can be a relay race run over many centuries, with innumerable generations passing along the baton, the quick resolution of Christianity has a dizzying effect. If Hinduism flows placidly like the Ganges, then Christianity bustles like Toronto at rush hour. It is religion as swift as a swallow, as urgent as an ambulance. It turns on a dime, expresses itself in the instant. In a moment you are lost or saved. Christianity stretches back through the ages, but in essence it exists only at one time: right now.
Yann Martel (Life of Pi)
Let a prejudice be bequeathed, carried in the air, adopted by hearsay, caught in through the eye,–however it may come, these minds will give it a habitation; it is something to assert strongly and bravely, something to fill up the void of spontaneous ideas, something to impose on others with the authority of conscious right; it is at once a staff and a baton.
George Eliot (The Mill on the Floss)
So I’m not going to be able to get up on the fence and sing ‘Yankee Doodle Dandy’ while waving six American flags and twirling a baton?
Rachel Hawkins (Royals (Royals, #1))
Petra turned to her. "Everybody lies about who they are. Name one person here who isn't doing that and I will drop out right now!" Shanti felt that snake of truth coil around her legs, threatening to squeeze. "I didn't mean..." "No one ever does." Petra said, shoving the baton back at Shanti.
Libba Bray (Beauty Queens)
You might think that after all the shameful capitulations made by the government during the ups and downs of their negotiations with the maphia ... they could sink no lower. Alas, when one advances blindly across the boggy ground of realpolitik, when pragmatism takes up the baton and conducts the orchestra, ignoring what is written in the score, you can be pretty sure that, as the imperative logic of dishonor will show, there are still, after all, a few more steps to descend.
José Saramago (Death with Interruptions)
Here's the truth: People, even regular people, are never just any one person with one set of attributes. It's not that simple. We're all at the mercy of the limbic system, clouds of electricity drifting through the brain. Every man is broken into twenty-four-hour fractions, and then again within those twenty-four hours. It's a daily pantomime, one man yielding control to the next: a backstage crowded with old hacks clamoring for their turn in the spotlight. Every week, every day. The angry man hands the baton over to the sulking man, and in turn to the sex addict, the introvert, the conversationalist. Every man is a mob, a chain gang of idiots.
Jonathan Nolan (Memento Mori)
Talk—half-talk, phrases that had no need to be finished, abstractions, Chinese bells played on with cotton-tipped sticks, mock orange blossoms painted on porcelain. The muffled, close, half-talk of soft-fleshed women. The men she had embraced, and the women, all washing against the resonance of my memory. Sound within sound, scene within scene, woman within woman—like acid revealing an invisible script. One woman within another eternally, in a far-reaching procession, shattering my mind into fragments, into quarter tones which no orchestral baton can ever make whole again.
Anaïs Nin (House of Incest)
I promise not to bean David with my baton. But if I do, luckily I know a good lawyer." Dad rolled his eyes, but I could tell he was trying not to smile. "I'm a tax attorney, honey. You murder someone, that's on you.
Rachel Hawkins (Miss Mayhem (Rebel Belle, #2))
Anyaele Sam Chiyson Leadership Law of Legacy: Supreme leaders determine where generations are going and develop outstanding leaders they pass the baton to.
Anyaele Sam Chiyson (The Sagacity of Sage)
Finally they reached the Colosseum, where a dozen guys in cheap gladiator costumes were scuffling with the police—plastic swords versus batons. Percy wasn’t sure what that was about, but he and Annabeth decided to keep walking. Sometimes mortals were even stranger than monsters.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
The tears, when they come to some men, are worse than beatings. They're wounded worse by sobbing, men like that, than they are by boots and batons. Tears begin in the heart, but some of us deny the heart so often, and for so long, that when it speaks we hear not one but a hundred sorrows in the heartbreak. We know that crying is a good and natural thing. We know that crying isn't a weakness, but a kind of strength. Still, the weeping rips us root by tangled root from the earth, and we crash like fallen trees when we cry.
Gregory David Roberts (Shantaram)
So if we drop the baton, succumbing to an existential catastrophe, we would fail our ancestors in a multitude of ways. We would fail to achieve the dreams they hoped for; we would betray the trust they placed in us, their heirs; and we would fail in any duty we had to pay forward the work they did for us. To neglect existential risk might thus be to wrong not only the people of the future, but the people of the past.
Toby Ord (The Precipice: ‘A book that seems made for the present moment’ New Yorker)
You seem to be running a relay race all by yourself and keeping the baton while your team member is waiting for you to pass it. You don’t need to go it alone; neither do you need to prove yourself to anyone. Including your father.
Kwei Quartey (Last Seen in Lapaz (Emma Djan Investigation #3))
We like to pretend that all those white faces who carried protest signs and batons, who turned on their sprinklers and their fire hoses, who wrote against the demonstrations and preached against the changes, just disappeared. We like to pretend that they were won over, transformed, the moment King proclaimed, “I have a dream.” We don’t want to acknowledge that just as Black people who experienced Jim Crow are still alive, so are the white people who vehemently protected it—who drew red lines around Black neighborhoods and divested them of support given to average white citizens. We ignore that white people still avoid Black neighborhoods, still don’t want their kids going to predominantly Black schools, still don’t want to destroy segregation.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
It looked like girls were controlled by their feelings but the opposite was true. Girls had excellent control of their feelings. They spun them around like batons: Now I’m crying! Now I’m laughing! Who knows what I’ll do next! Not you! A boy’s emotions were like baseball bats that blindsided him.
Liane Moriarty (Nine Perfect Strangers)
She's in the Catskill," Shopie began, but Scathach reached over and pinched her hand. "Ouch!" I just wanted to distract you," Scathach explained. "Don't even think about Black Annis. There are some names that should never be spoken aloud." That like saying don't think of elephants, Josh said, "and then all you can think about is elephants." Then let me give you something else to think about," Scathach said softly. "There are two police officers in the window staring at us. Don't look," she added urgently. Too late. Josh turned to look and whatever crossed his face--shock, horror, guilt or fear--bought both officers racing into the cafe, one pulling his automatic from its holster, the other speaking urgently into his radio as he drew his baton.
Michael Scott
For a whole generation of Black people we were the dream. We were their hope. We were the baton they were passing as they were sinking into the quicksand of racism, poverty, Jim Crow, segregation, injustice, family trauma, and dysfunction.
Viola Davis (Finding Me)
I’ve been to Baton Rouge! Nothing happens there!
Trenton W. Holliday (Cro-Magnon: The Story of the Last Ice Age People of Europe)
The rest of his toilet was soon achieved, and he proudly marched out of the room, wrapped up in his great pilot monkey jacket, and sporting his harpoon like a marshal's baton.
Herman Melville (Moby Dick: or, the White Whale)
My clever baton holds your unnatural sorcery in abeyance.
Jack Vance (The Dying Earth (The Dying Earth, #1))
If You Respect Their Preparation, You never Drop the Baton
Vineet Raj Kapoor
The house lights go off and the footlights come on. Even the chattiest stop chattering as they wait in darkness for the curtain to rise. In the orchestra pit, the violin bows are poised. The conductor has raised his baton. In the silence of a midwinter dusk, there is far off in the deeps of it somewhere a sound so faint that for all you can tell it may be only the sound of the silence itself. You hold your breath to listen. You walk up the steps to the front door. The empty windows at either side of it tell you nothing, or almost nothing. For a second you catch a whiff of some fragrance that reminds you of a place you’ve never been and a time you have no words for. You are aware of the beating of your heart…The extraordinary thing that is about to happen is matched only by the extraordinary moment just before it happens. Advent is the name of that moment.
Frederick Buechner (Whistling in the Dark: A Doubter's Dictionary)
Here was my choice: I could continue down the well-trod path upon which I'd been running for so very long and pass along the inheritance like a baton, as blithely as I did my light hair and fair skin. My daughter could do her best to outrun it... Or I could slow down, catch my breath, and look mindfully for a new path. There had to be another way and I owed it to my daughter to find it.
Adrienne Brodeur (Wild Game: My Mother, Her Lover, and Me)
I’ve watched it time and time again—a woman always slots into a man’s life better than he slots into hers. She will be the one who spends the most time at his flat, she will be the one who makes friends with all his friends and their girlfriends. She will be the one who sends his mother a bunch of flowers on her birthday. Women don’t like this rigmarole any more than men do, but they’re better at it—they just get on with it. This means that when a woman my age falls in love with a man, the list of priorities goes from this: Family Friends To this: Family Boyfriend Boyfriend’s family Boyfriend’s friends Girlfriends of the boyfriend’s friends Friends Which means, on average, you go from seeing your friend every weekend to once every six weekends. She becomes a baton and you’re the one at the very end of the track. You get your go for, say, your birthday or a brunch, then you have to pass her back round to the boyfriend to start the long, boring rotation again. These gaps in each other’s lives slowly but surely form a gap in the middle of your friendship. The love is still there, but the familiarity is not. Before you know it, you’re not living life together anymore. You’re living life separately with respective boyfriends then meeting up for dinner every six weekends to tell each other what living is like. I now understand why our mums cleaned the house before their best friend came round and asked them “What’s the news, then?” in a jolly, stilted way. I get how that happens. So don’t tell me when you move in with your boyfriend that nothing will change. There will be no road trip. The cycle works when it comes to holidays as well—I’ll get my buddy back for every sixth summer, unless she has a baby in which case I’ll get my road trip in eighteen years’ time. It never stops happening. Everything will change.
Dolly Alderton (Everything I Know About Love: A Memoir)
I sing strange battle songs to myself in the darkness to scare away the demons. I am a fighter when I need to be. And for that I am proud. I celebrate every one of you reading this. I celebrate the fact that you’ve fought your battle and continue to win. I celebrate the fact that you may not understand the battle, but you pick up the baton dropped by someone you love until they can carry it again. I survived and I remind myself that each time we go through this, we get a little stronger. We learn new tricks on the battlefield. We learn them in terrible ways, but we use them. We don’t struggle in vain. We win. We are alive.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Power can be invisible, it can be fantastic, it can be dull and routine. It can be obvious, it can reach you by the baton of the police, it can speak the language of your thoughts and desires. It can feel like remote control, it can exhilarate like liberation, it can travel through time, and it can drown you in the present.
Avery Gordon
Eating The Bones by Ellen Bass The women in my family strip the succulent flesh from broiled chicken, scrape the drumstick clean; bite off the cartilage chew the gristle, crush the porous swellings at the ends of each slender baton. With strong molars they split the tibia, sucking out the dense marrow. They use up love, they swallow every dark grain, so at the end there's nothing left, a scant pile of splinters on the empty white plate.
Ellen Bass
Though loss did not pass from one person to another liker a baton; it just formed a bigger and bigger pool of carriers. And, she thought, scratching the coarseness of the horse's mane, it did not leave once lodged, did it, simply changed form and asked repeatedly for attention and care, as each year revealed a new knot to cry out and consider - smaller, sure, but never gone.
Aimee Bender (The Color Master: Stories)
A dad standing up near the stands' top with a Toshiba viewfinder to his eye takes a tomahawking baton directly in the groin and falls forward onto somebody eating a Funnel Cake, and they take out good bits of several rows below them, and there's an extended halt to the action, during which I decamp--steering clear of the sixteen-year-olds on the basketball court--and as I clear the last row yet another baton comes wharp-wharping cruelly over my shoulder, caroming viciously off big R.'s inflated thigh.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
There were moments in life, Marion thought, when you reached back, baton in hand, feeling the runner behind you. Felt the clasp of their fingers resonating through the wood, the release of your hand, which then flew forward, empty, into the space ahead of you.
Erica Bauermeister (Joy for Beginners)
Speeding along in that bus was like hurtling into the abyss. By the time we had left the swamps and reached those rolling hills near Baton Rouge, I was getting afraid that some rural rednecks might toss bombs at the bus. They love to attack vehicles, which are a symbol of progress, I guess.
John Kennedy Toole (A Confederacy of Dunces)
It looked like girls were controlled by their feelings but the opposite was true. Girls had excellent control of their feelings. They spun them around like batons: Now I'm crying! Now I'm laughing! Who know what I'll do next! Not you! A boy's emotions were like baseball bats that blindsided them.
Liane Moriarty (Nine Perfect Strangers)
Chaplin had not merely impressed but formed him. Showed him how any gesture—a kiss, playing with some bread rolls—can be freed from the mundane, imbued with magic. Charlie Chaplin was always turning caterpillars into butterflies. He had used comedy to reveal, and not flee, the truth of the human predicament. He’d roller-skated blindfolded over the void, like a planet circling a black hole. He filmed a factory worker sucked into a machine, fed through its cogs and gears, assailing an age that turns people into things. And Charlie Chaplin had battled the bleak world with—what? Not a knife, not a gun. A cane. Gentle, gestural, the baton of a maestro. Chaplin’s cane, with no disrespect to Hockney, Picasso, or Basquiat, was, in this moment, what Jim Carrey most wanted to save.
Jim Carrey (Memoirs and Misinformation)
Do you know the first thing Jesus did with that meager offering? He looked up to heaven and gave thanks to God for the little he was given by the boy. I wonder what it was like for that boy to see his meager meal held up to the heavens by the hands of a grateful Jesus. Jesus, of course, knew it wasn’t going to remain little, that it was about to be multiplied into great abundance. But let’s not miss this moment. The Son of God, holding our offering up to Almighty God and blessing it with his thanks! Remember Kalli, unable to imagine what she could possibly do to help but volunteering anyway? We need to be like her. We don’t need to know how God is going to use our meager offering. We only need to know that he wants to use it. Always remember that God celebrates our gifts to him and blesses them. Next, Jesus broke the bread and the fish. When he blessed it, there were five and two. But when he broke it, we lose count. The more Jesus broke the bread and fish, the more there was to feed and nourish. The disciples started distributing the food, and soon what was broken was feeding thousands. The miracle is in the breaking. It is in the breaking that God multiplies not enough into more than enough. Are there broken places in your life so painful that you fear the breaking will destroy you? Do you come from a broken home? Did you have a broken marriage? Did you have a broken past? Have you experienced brokenness in your body? Have your finances been broken? You may think your brokenness has disqualified you from being able to run in the divine relay, but as with my own life and Kalli’s, when we give God our brokenness, it qualifies us to be used by God to carry a baton of hope, restoration, and grace to others on the sidelines who are broken.
Christine Caine (Unstoppable: Running the Race You Were Born To Win)
As I see it today, Hitler and Goebbels were in fact molded by the mob itself, guided by its yearnings and its daydreams. Of course, Goebbels and Hitler knew how to penetrate through to the instincts of their audiences; but in the deeper sense they derived their whole existence from these audiences. Certainly the masses roared to the beat set by Hitler's and Goebbels' baton; yet they were not the true conductors. The mob determined the theme. To compensate for misery, insecurity, unemployment, and hopelessness, this anonymous assemblage wallowed for hours at a time in obsessions, savagery and license. The personal unhappiness caused by the breakdown of the economy was replaced by a frenzy that demanded victims. By lashing out at their opponents and vilifying the Jews, they gave expression and direction to fierce primal passions.
Albert Speer (Inside the Third Reich)
It is not to diffuse you that you were born of your mother and father, it is to identify you, It is not that you should be undecided, but that you should be decided, Something long preparing and formless is arrived and form'd in you, You are henceforth secure, whatever comes or goes. The threads that were spun are gather'd, the weft crosses the warp, the pattern is systematic. The preparations have every one been justified, The orchestra have sufficiently tuned their instruments, the baton has given the signal. The guest that was coming, he waited long, he is now housed, He is one of those who are beautiful and happy, he is one of those that to look upon and be with is enough.
Walt Whitman (Leaves of Grass)
Murmuring London flowed up to her, and her hand, lying on the sofa back, curled upon some imaginary baton such as her grandfathers might have held, holding which she seemed, drowsy and heavy, to be commanding battalions marching to Canada, and those good fellows walking across London, that territory of theirs, that little bit of carpet, Mayfair.
Virginia Woolf (Mrs. Dalloway)
Change is ubiquitous. Only: elementary processes cannot be ordered along a common succession of instants. At the extremely small scale of the quanta of space, the dance of nature does not develop to the rhythm kept by the baton of a single orchestral conductor: every process dances independently with its neighbours, following its own rhythm. The passing of time is intrinsic to the world, it is born of the world itself, out of the relations between quantum events which are the world and which themselves generate their own time.
Carlo Rovelli (La realtà non è come ci appare: La struttura elementare delle cose)
Is that a baton in your pocket, officer, or are you just happy to see me?
Katee Robert (Falling for His Best Friend (Out of Uniform, #2))
Though loss did not pass from one person to another like a baton; it just formed a bigger and bigger pool of carriers.
Aimee Bender (The Color Master: Stories)
Normal temp.” It was a woman’s voice. “Asymptomatic.” The baton lifted.
Dayna Lorentz (No Easy Way Out (No Safety In Numbers, #2))
A second person jammed something into Marco’s ear. “What the hell?” he asked. “Normal temp.” It was a woman’s voice. “Asymptomatic.” The baton lifted.
Dayna Lorentz (No Easy Way Out (No Safety In Numbers, #2))
If you run well but are unable to pass the baton to another runner, you lose the race.
John C. Maxwell (Becoming a Person of Influence: How to Positively Impact the Lives of Others)
A general who draws his sword has put aside his baton and become a common soldier.
Robert Jordan (Knife of Dreams (The Wheel of Time, #11))
I watched carefully as she lifted her baton in the air and began to write. Painstakingly, they were, these last words, and harrowing to witness. Incredulous, I realized what she had spelled out for me. Something that once upon a time had been a great joke between us, part of our shared love of the irreverent. The cigarette, in invisible script, had written: YOU WILL BE WITH ME IN PARADISE.
Kate Mulgrew (Born with Teeth)
Every generation needs courageous believers who will trust God at His Word and pick up the baton of intercession, continuing the powerful legacy of faithfully standing in the gap and seeking His heart in prayer.
Stephen Kendrick (The Battle Plan for Prayer: From Basic Training to Targeted Strategies)
the Chicago Symphony was in a class by itself. Fritz Reiner, the famous Hungarian conductor, was fascinating to watch. He was somewhat stout, hunched over with round shoulders, and his arm and baton movements were tiny—you almost had to look at him with binoculars to see what he was doing. But those tiny movements forced the players to peer at him intently, and then he would suddenly raise his arms up over his head and the entire orchestra would go crazy.
Philip Glass (Words Without Music: A Memoir)
it’s not even people anymore, it’s one big thing you want to control and once you’ve had a taste of it, you’re hooked. It’s like if you don’t have it you will die, do you know what I mean? Somebody’s handed you the baton and you can lead this rich, powerful orchestra. Does that make sense to you? I mean after that, leading a five-piece band means nothing, not after you’ve led that orchestra, thousands of people all playing the song just like you want them to.
Fannie Flagg (Standing in the Rainbow (Elmwood Springs, #2))
what it is & will be ain’t yet no word for a world without the cop’s unruly bullet or baton. ain’t yet no word for a world without children starved & lonesome. ain’t yet no word for a world with boundless capacity for care. ain’t yet no word for a world with every bloody debt repaired & repaid. ain’t yet no word for a world with touch exclusively consensual & ecstatic. ain’t yet no word for a world where each mistake is a holy possibility to improve. ain’t yet no word for a world where there are as many genders as dandelion seeds spinning in Spring. ain’t yet no word for a world where every person is vegan & the last meat they ate was the rich. ain’t yet no word for a world with no fear. ain’t yet but we working.
Nate Marshall (Finna: Poems)
One packed lunch. A meager amount of food. It was all the boy had, but he offered it all. If the boy had kept his little lunch, it would have remained little. If you keep your little, it will remain little as well. But if you step into the exchange zone ready to offer what little you have to be used by God in moving the baton forward, your little will be multiplied as you run. When the boy gave his little to Jesus, Jesus blessed it, and it became much in his hands. It is never about how little we have. It is about what our little has the potential to become in the hands of a miracle-working God. Don’t focus on what you don’t have, what you can’t do, what isn’t enough. Just offer your “not enough” to God, and he will multiply it into more than enough.
Christine Caine (Unstoppable: Running the Race You Were Born To Win)
The limitations of choosing a twenty-pound turkey as the centerpiece of the Thanksgiving meal have only been compounded by the inexplicable tradition of having every member of the family contribute a dish. Relatives who should never be allowed to set foot in a kitchen are suddenly walking through your door with some sort of vegetable casserole in which the “secret ingredient” is mayonnaise. And when cousin Betsy arrives with such a mishap in hand, one can take no comfort from thoughts of the future, for once a single person politely compliments the dish, its presence at Thanksgiving will be deemed sacrosanct. Then not even the death of cousin Betsy can save you from it, because as soon as she’s in the grave, her daughter will proudly pick up the baton.
Amor Towles (Table for Two)
The screws are just as bad as us, maybe not now but certainly in the past they used to beat you with their riot batons, strip you naked, cuff your hands behind your backs and then take shots of kicking you in the head and body until you were knocked out.
Stephen Richards (Scottish Hard Bastards)
Emma's mid-twenties had brought a second adolescence even more self-absorbed and doom-laden than the first one. 'Why don't you just come home, sweetheart?' her mum had said on the phone last night, using her quavering, concerned voice, as if her daughter had been abducted. 'Your room's still here. There's jobs at Debenhams' - and for the first time she had been tempted. Once, she thought she could conquer London. She had imagined a whirl of literary salons, political engagement, larky parties, bittersweet romances conducted on Thames embankments. She had intended to form a band, make short films, write novels, but two years on slim volume of verse was no fatter, and nothing really good had happened to her since she'd been baton-charged at Poll Tax Riots.
David Nicholls (One Day)
Something long preparing and formless is arrived and formed in you, You are henceforth secure, whatever comes or goes. The threads that were spun are gathered, the weft crosses the warp, the pattern is systematic. The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal. The guest that was coming—he waited long, for reasons—he is now housed; He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
Walt Whitman (Poems by Walt Whitman)
The conductor stepped up, tapped twice on the rostrum, and a great hush descended. I felt the stillness, the auditorium alive, expectant. Then he brought down his baton and suddenly everything was pure sound. I felt the music like a physical thing; it didn’t just sit in my ears, it flowed through me, around me, made my senses vibrate. It made my skin prickle and my palms dampen. Will hadn’t described any of it like this. I had thought I might be bored. It was the most beautiful thing I had ever heard. And it made my imagination do unexpected things; as I sat there, I found myself thinking of things I hadn’t thought of for years, old emotions washing over me, new thoughts and ideas being pulled from me as if my perception itself were being stretched out of shape. It was almost too much, but I didn’t want it to stop.
Jojo Moyes (Me Before You (Me Before You, #1))
The miracle is in the breaking. It is in the breaking that God multiplies not enough into more than enough. Are there broken places in your life so painful that you fear the breaking will destroy you? Do you come from a broken home? Did you have a broken marriage? Did you have a broken past? Have you experienced brokenness in your body? Have your finances been broken? You may think your brokenness has disqualified you from being able to run in the divine relay, but as with my own life and Kalli’s, when we give God our brokenness, it qualifies us to be used by God to carry a baton of hope, restoration, and grace to others on the sidelines who are broken. What should have disqualified Kalli from the race was the very thing that qualified her for it. Put your broken pieces into God’s hands and watch him use them to work his wonders.
Christine Caine (Unstoppable: Running the Race You Were Born To Win)
All I know is that my life is filled with little pockets of silence. When I put a record on the turntable, for example, there`s a little interval-between the time the needle touches down on the record and the time the music actually starts-during which my heart refuses to beat. All I know is that between the rings of the telephone, between the touch of a button and the sound of the radio coming on, between the dimming of the lights at the cinema and the start of the film, between the lightning and the thunder, between the shout and the echo, between the lifting of a baton and the opening bars of a symphony, between the dropping of a stone and the plunk that comes back from the bottom of a well, between the ringing of the doorbell and the barking of the dogs I sometimes catch myself, involuntarily, listening for the sound of my mother`s voice, still waiting for the tape to begin.
Robert Hellenga
Ghetto Haikus Friendship needs just two. Hot relationships needs three. But bitches can't count. Nigga don't need no cherry blossoms to haiku. Dis niggaz got skillz. Any of yoos seen Moesha or Latesha? Bitches owe me cash. Obama's whiter than Spring laundry day at Duke's house in Baton Rouge.
Beryl Dov
Heads up lads!” someone shouted. “Here we go!” More missiles, this time not just bottles, but coins as well. And then from the other side of the cordon, a roar went up. Bellowing across the road toward them. Billy watched as the Manchester lads poured forward, desperately trying to force a way through the massed ranks of the police only to be driven back by batons and gloved fists. Another salvo of bottles came flying across, trying to provoke a reaction. But the West Ham lads merely stood and laughed. They didn’t need to respond. The point had been made, the result earned. Billy was happy. Very happy.
Dougie Brimson (Top Dog)
Only a few days after my encounter with the police, two patrolmen tackled Alton Sterling onto a car, then pinned him down on the ground and shot him in the chest while he was selling CDs in front of a convenience store, seventy-five miles up the road in Baton Rouge. A day after that, Philando Castile was shot in the passenger seat of his car during a police traffic stop in Falcon Heights, Minnesota, as his girlfriend recorded the aftermath via Facebook Live. Then, the day after Castile was killed, five policemen were shot dead by a sniper in Dallas. It felt as if the world was subsumed by cascades of unceasing despair. I mourned for the family and friends of Sterling and Castille. I felt deep sympathy for the families of the policemen who died. I also felt a real fear that, as a result of what took place in Dallas, law enforcement would become more deeply entrenched in their biases against black men, leading to the possibility of even more violence. The stream of names of those who have been killed at the hands of the police feels endless, and I become overwhelmed when I consider all the names we do not know—all of those who lost their lives and had no camera there to capture it, nothing to corroborate police reports that named them as threats. Closed cases. I watch the collective mourning transpire across my social-media feeds. I watch as people declare that they cannot get out of bed, cannot bear to go to work, cannot function as a human being is meant to function. This sense of anxiety is something I have become unsettlingly accustomed to. The familiar knot in my stomach. The tightness in my chest. But becoming accustomed to something does not mean that it does not take a toll. Systemic racism always takes a toll, whether it be by bullet or by blood clot.
Clint Smith
You're from somewhere, aren't you?
Elizabeth Hadaway (Fire Baton (Arkansas Poetry))
The crunch of bone is what religion thrives on.
Elizabeth Hadaway (Fire Baton (Arkansas Poetry))
Mama, I said, and then the crying came. I had not cried since I was sentenced and I had humiliated myself before a judge who didn't care. On that horrible day, my snotty sobbing had merged with Celestial and Olive's morning accompaniment. Now I suffered a cappella; the weeping burned my throat like when you vomit strong liquor. That one word, Mama, was my only prayer as I phrased on the ground like I was feeling the Holy Ghost, only what I was going through wasn't rapture. I spasmed on that cold black earth in pain, physical pain. My joints hurt; I experienced what felt like a baton against the back of my head. It was like I relived every injury of my life.. The pain went on until it didn't. and I say up, dirty and spent.
Tayari Jones (An American Marriage)
Each of these individuals had at one time believed it was impossible for them to make a difference in a global problem. But they’ve discovered that together, with each of them carrying their own unique batons, they are unstoppable in carrying out God’s plan. That sounds far too complex to be real, doesn’t it? It sounds impossible. Fantastic! Impossible is God’s starting point.
Christine Caine (Unstoppable: Running the Race You Were Born To Win)
We may start a journey with no batons to carry or pass, but we create them with the strength of our bones. Once they are ready to be birthed, we create our own batons, not only to pass but to first honour and nurture the marrow for it not to be easily broken. Not that it cannot be broken but to instill it with the spirit of sunrise for every sunset. Then we can pass the baton.
Goitsemang Mvula
What happened next was a blur. I sat down at the table. Jess was somewhere nearby, but my vision clouded her out. There were Tostitos on the table. There was a candle on the table. I said hi to Drew, and started talking to him, but there were also other girls at the table, and I guess I wanted more attention. I picked up a chip, held it in the flame of the candle to see if it would light on fire, and, when it didn’t, I put the black and smoky remnant into my mouth, and I swallowed it. I wish I could say that I understood what I was doing. I wish I could say that I was or am secretly a fire-eater, and that after this little fake-out, I pulled out a baton, covered it in gasoline, lit it on fire, and swallowed the flame to rapturous applause. Instead, I just established myself pretty firmly as the weird girl at the party she wasn’t invited to who inexplicably tried to light a chip on fire and then ate it. I know Drew saw it. I know he was intrigued, though I’m fairly sure it was not in the way I intended. He certainly didn’t seem to suddenly view me as a tough and mysterious vixen with a dark past and a one-way ticket out of this town.
Katie Heaney (Never Have I Ever: My Life (So Far) Without a Date)
But to minds strongly marked by the positive and negative qualities that create severity - strength of will, conscious rectitude of purpose, narrowness of imagination and intellect, great power of self-control, and a disposition to exert control over others - prejudices come as the natural food of tendencies which can get no sustenance out of that complex, fragmentary, doubt-provoking knowledge which we call truth. Let a prejudice be bequeathed, carried in the air, adopted by hearsay, caught in through the eye,–however it may come, these minds will give it a habitation; it is something to assert strongly and bravely, something to fill up the void of spontaneous ideas, something to impose on others with the authority of conscious right; it is at once a staff and a baton.
George Eliot (The Mill on the Floss)
Being human means that you’ll slip from your spiritual path sometimes. But being a Soul Searcher means that you are also aware when you snap or get moody, angry, or resentful (basically, when you act like you’re the lead baton twirler of the dick parade), but you have the tools and knowledge to work through and release your negative energy and move back to a place of oneness and positivity.
Emma Mildon (The Soul Searcher's Handbook: A Modern Girl's Guide to the New Age World)
Let us do our best whilst we live for another tomorrow is coming when whilst we are long gone, another group of people shall come to either suffer from our worst or enjoy and build upon our best. Let us run whole heatedly today with all alacrity for another generation shall come for the baton from our hands to either blame us or congratulate us on how we lived the dream and journeyed in life through the good and the bad times; another generation shall come to ponder over our footprints as a good or a bad lesson for them! Let us run with all necessary zeal such that when we hand over the baton, our next generation will have no reason but to soldier on with courage, enthusiasm and absolute commitment to get to the finishing line with a great accomplishment and a noble story worth pondering over and over!
Ernest Agyemang Yeboah
The conductor stepped up, tapped twice on the rostrum, and a great hush descended. I felt the stillness, the auditorium alive, expectant. Then he brought down his baton and suddenly everything was pure sound. I felt the music like a physical thing; it didn't just sit in my ears, it flowed through me, around me, made my senses vibrate. It made my skin prickle and my palms dampen. It was the most beautiful thing I had ever heard.
Jojo Moyes (Me Before You (Me Before You, #1))
Frank treated customers with the contempt Rosy had only seen before at airport passport control. Even then, she’d never heard an immigration official refer to anybody as baldy. “Hey, baldy,” Frank had said and whistled to call a customer back as though he were down in the paddock with an unruly herd. “You forgot your juice.” Frank held up the bottle of Tropicana orange juice. And when… baldy came back, Frank slapped the bottle into his hand as though passing him the baton in a relay race, then waved the man aside—“Go!”—and pointed at the next customer. “What do you want?” Frank said. “Cheese? Again? That’s three cheese you’ll have had in a row. Are you eating right?” The customer stammered. “Eh-but-eh-but-eh-but,” Frank mimicked. “Never mind. But think up a different filling next time. And not cheese and tomato.” He shook his head and made up the roll.
R.G. Manse (Screw Friendship (Frank Friendship, #1))
Get up to turn your chair away from her a few degrees. And look at me. I may be someone else's longed-for phantom. Pour me some more wine; tell me the story; listen: it's a dreary wish to want the whole world ghostless.
Elizabeth Hadaway (Fire Baton (Arkansas Poetry))
Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both holden and invisible. A bee settled into a flower, humming and humming.
Ray Bradbury (Dandelion Wine)
We have not thoroughly assessed the bodies snatched from dirt and sand to be chained in a cell. We have not reckoned with the horrendous, violent mass kidnapping that we call the Middle Passage. We have not been honest about all of America's complicity - about the wealth the South earned on the backs of the enslaved, or the wealth the North gained through the production of enslaved hands. We have not fully understood the status symbol that owning bodies offered. We have not confronted the humanity, the emotions, the heartbeats of the multiple generations who were born into slavery and died in it, who never tasted freedom on America's land. The same goes for the Civil War. We have refused to honestly confront the fact that so many were willing to die in order to hold the freedom of others in their hands. We have refused to acknowledge slavery's role at all, preferring to boil things down to the far more palatable "state's rights." We have not confessed that the end of slavery was so bitterly resented, the rise of Jim Crow became inevitable - and with it, a belief in Black inferiority that lives on in hearts and minds today. We have painted the hundred-year history of Jim Crow as little more than mean signage and the inconvenience that white people and Black people could not drink from the same fountain. But those signs weren't just "mean". They were perpetual reminders of the swift humiliation and brutal violence that could be suffered at any moment in the presence of whiteness. Jim Crow meant paying taxes for services one could not fully enjoy; working for meager wages; and owning nothing that couldn't be snatched away. For many black families, it meant never building wealth and never having legal recourse for injustice. The mob violence, the burned-down homes, the bombed churches and businesses, the Black bodies that were lynched every couple of days - Jim Crow was walking through life measuring every step. Even our celebrations of the Civil Rights Movement are sanitized, its victories accentuated while the battles are whitewashed. We have not come to grips with the spitting and shouting, the pulling and tugging, the clubs, dogs, bombs, and guns, the passion and vitriol with which the rights of Black Americans were fought against. We have not acknowledged the bloodshed that often preceded victory. We would rather focus on the beautiful words of Martin Luther King Jr. than on the terror he and protesters endured at marches, boycotts, and from behind jail doors. We don't want to acknowledge that for decades, whiteness fought against every civil right Black Americans sought - from sitting at lunch counters and in integrated classrooms to the right to vote and have a say in how our country was run. We like to pretend that all those white faces who carried protest signs and batons, who turned on their sprinklers and their fire hoses, who wrote against the demonstrations and preached against the changes, just disappeared. We like to pretend that they were won over, transformed, the moment King proclaimed, "I have a dream." We don't want to acknowledge that just as Black people who experienced Jim Crow are still alive, so are the white people who vehemently protected it - who drew red lines around Black neighborhoods and divested them of support given to average white citizens. We ignore that white people still avoid Black neighborhoods, still don't want their kids going to predominantly Black schools, still don't want to destroy segregation. The moment Black Americans achieved freedom from enslavement, America could have put to death the idea of Black inferiority. But whiteness was not prepared to sober up from the drunkenness of power over another people group. Whiteness was not ready to give up the ability to control, humiliate, or do violence to any Black body in the vicinity - all without consequence.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
As I hang from the ceiling like a strung-up doll, I feel free. His finger slides down my chest, between my breasts, and moves achingly close to my nipples before returning to my sternum. He traces a line to my stomach, leaving a trail of fire. All my senses come to life as he strokes me delicately, carefully, as if his finger is the baton and I am the instrument he’s conducting. Whimpers that must sound like music to his ears slip from my mouth. I’m a slave to his touch. This controlling man has me under his power, and I’m loving every shameful, immoral moment that we share.
Clarissa Wild (Snare (Delirious, #1))
reflue entre les colonnes, vers les bas cotes,--ou l'on distingue dans des compartiments de bois, des autels, des lits, des chainettes de petites pierres bleues, et des constellations peintes sur les murs. Au milieu de la foule, des groupes, ca et la, stationnent. Des hommes, debout sur des escabeaux, haranguent le doigt leve; d'autres prient les bras en croix, sont couches par terre, chantent des hymnes, ou boivent du vin; autour d'une table, des fideles font les agapes; des martyrs demaillotent leurs membres pour montrer leurs blessures; des vieillards, appuyes sur des batons, racontant leurs voyages.
Gustave Flaubert (The Temptation of St. Antony)
The grapes he foraged set my teeth on edge. I want to hack through their wild vines, dissect this anger. It's a tangle: steep hill strung with old foxgrapes among the hardwood, tough enough to swing from (proto-bungee rush that's like a fit of rage, adrenalin alive inside me), or to strangle in. Vines choke.
Elizabeth Hadaway (Fire Baton (Arkansas Poetry))
They sat eating ham sandwiches and fresh strawberries and waxy oranges and Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both golden and invisible. A bee settled into a flower, humming and humming. The trolley stood like an enchanted calliope, simmering where the sun fell on it. The trolley was on their hands, a brass smell, as they ate ripe cherries. The bright odor of the trolley blew from their clothes on the summer wind.
Ray Bradbury (Dandelion Wine)
His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train. And it was this that awed him — the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge — movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, these images that burnt in him existed without beginning or ending, without the essential structure of time. Fixed in no-time, the slattern vanished, fixed, without a moment of transition. His sense of unreality came from time and movement, from imagining the woman, when the train had passed, as walking back into the house, lifting a kettle from the hearth embers. Thus life turned shadow, the living lights went ghost again. The boy among the calves. Where later? Where now? I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then? The fusion of the two strong egotisms, Eliza’s inbrooding and Gant’s expanding outward, made of him a fanatical zealot in the religion of Chance. Beyond all misuse, waste, pain, tragedy, death, confusion, unswerving necessity was on the rails; not a sparrow fell through the air but that its repercussion acted on his life, and the lonely light that fell upon the viscous and interminable seas at dawn awoke sea-changes washing life to him. The fish swam upward from the depth.
Thomas Wolfe (Look Homeward, Angel)
Research from Baton and Konner in 1985 and Cordain et al. in 2000 estimated that about 65 per cent of the diets of pre-agricultural Palaeolithic humans may still have come from plants – far more than only your recommended five fruit and veg a day, I would say. Interestingly, anatomically modern humans are believed to have more copies of the starch-digesting genes than the Neanderthals and the Denisovans (another extinct species or subspecies of archaic human that ranged across Asia during the Lower and Middle palaeolithic), suggesting that the ability to digest starch has been a continuous driver through human evolution as much as walking upright, having big brains and articulate speech - perhaps being a baker may be the oldest profession after all.
Jordi Casamitjana (Ethical Vegan: A Personal and Political Journey to Change the World)
Haiku are meant to evoke an emotional response from the reader ... to light the spark that triggers creative rumination ... They act as literary manifestations ... visions of nature’s seasonal modulations ... They're emotionally tinged words, barely perceptible sensory flickers ... literary etchings of lucid visions transposed into the minds of its readers ... They're meant to act as sensory catalysts ... like the passing of a penciled baton laid out upon a piece of paper that a reader might grasp for in their mind's eye ... all of which prompts the reader to continue exploring the sensory experience elicited from the writers pen ... This is how the literary sketching of poets are intended to function ... as creative muses with which readers can draw from and viscerally apply to their own artistic idioms ... from that lucid space within their heads ... where their minds eye can spark their own creative visions" Bukusai Ashagawa
Bukusai Ashagawa
When equal sacrifices are required, equal rights must be given likewise. This has been such commonplace of thought for a hundred and twenty years that one is ashamed to find it still in need of emphasis. I any case, if this principle is applied in an army, and the great saying about the Marshal’s baton that every recruit carries in his knapsack is not an mere empty phrase, everybody feels that he is in his place, whether he is born to command or to obey. If I give any offence by this, I may add that this would be an army composed entirely of Fahnenjunker. Democratic sentiments? I hate democracy as I do the plague – besides, the democratic ideal of an army would be one consisting entirely, not of Fahnenjunker, but of officers with lax discipline and great personal liberty. For my taste, on the contrary, and for that of young Germans in general to-day, an army could not be too iron, too dictatorial, ad too absolute – but if it is to be so, then there must be a system of promotion that is not sheltered behind any sort of privilege, but opened up to the keenest competition. If we are to come to grief in this war it can only be from moral causes; for materially, whatever any one may say, we are strong enough. And the decisive factor will be the defects of leadership; or to express it more accurately, the relation in which officers and men stand to each other. It would not be for the first time in our experience, and it would be another proof that peoples too (for it is on the shoulders of the whole people, not jsut the ruling class) always repeat the same mistakes just as individuals do. The battle of Jena is an instance. This defeat should not be regarded as a great disaster, but as a just and well-deserved warning of the fate to cut loose from an impossible state of affairs; for in that battle a new principle of leadership encountered and overthrew an antiquated one. Every war that is lost is lost deservedly. One must always bear that in mind if one wishes to be the winner.
Ernst Jünger (Copse 125: A Chronicle from the Trench Warfare of 1918)
The whole brigade took a queer, perverse pride in the regimental band of the 6th Wisconsin—not because it was so good, but because it was so terrible. It was able to play only one selection, something called “The Village Quickstep,” and its dreadful inefficiency (the colonel referred to it in his memoirs as “that execrable band”) might have been due to the colonel’s quaint habit of assigning men to the band not for musical ability but as punishment for misdemeanors—or so, at least, the regiment stoutly believed. The only good thing about the band was its drum major, one William Whaley, who was an expert at high and fancy twirling of his baton. At one review, in camp around Washington, the brigade had paraded before McClellan, who had been so taken with this drum major’s “lofty pomposity” (as a comrade described it) that he took off his cap in jovial salute—whereupon the luckless Whaley, overcome by the honor, dropped his baton ignominiously in the mud, so that his big moment became a fizzle.4
Bruce Catton (Mr. Lincoln's Army (Army of the Potomac Trilogy Book 1))
You can have no idea what it feels like to live in an ordinary woman’s skin. From the moment a girl is born she is tutored by her mother on what she may and may not do. The list of what she is allowed to do keeps on shrinking as she grows older—cover your head, lower your neck, conceal your breasts, hide your ankles, don’t go to the river alone, don’t step out in the evening, don’t laugh loudly, don’t ask questions, don’t expect answers … Then she marries and it only gets worse. A mother-in-law takes over to enforce the rules. Wake up first, sleep last. Cook feasts, eat leftovers. Feed sons, starve daughters. And when finally she grows older and the baton passes on to her, she starts battering the next generation with it, having seen nothing else in her life!’ ‘So are you saying women oppress women?’ I was surprised that her tirade was directed at mothers and mothers-in-law rather than at men. ‘Yes, precisely. Why blame the men alone? Why will they try to change an existing order in which they get a bonded slave to cook their food, wash their clothes, clean their homes, warm their beds, look after their aging parents and bear them children? But what reason do women have? Why do they fall all over themselves to tyrannise other women? Women can rescue each other. Women can refuse to starve, scare and suppress their daughters. They can be friends and comrades with their daughters-in-law. Women can look out for the safety of their house maids and farm labourers. Women can insist that other women be treated with respect and dignity. But for that they first need to stop feeling helpless and scared themselves. They need to stop needing a man to protect them. The price of that protection is just too high.
Manjul Bajaj (In Search of Heer)