Batman Rises Quotes

Bruce Wayne/Batman: A hero can be anyone, even a man doing something as simple and reassuring as putting a coat on a young boy's shoulders to let him know that the world hadn't ended.

I can tell we’re going to get along like Batman and the Joker. (Fang) Just remember one thing, world. I’m the best friend you’ll ever have or the last enemy you’ll ever make. (Thorn)

Holy Adam West!

There’s a scream that can’t be silenced.It’s rising, growing louder and louder. It’s the scream of a child abandoned, suddenly long ago. As the scream echoed then in that alley, it echoes now in my mind. It penetrates all the dark places. It slams into the loss, bounces against the regret.. and the pain.

Detective Comic #27: The very first glimpse we get of the guy and already he looks pissed.

[He]... watches the Joker rising from his wheelchair, the way a rabbit watches car headlights bearing down, unable to move a single, spotlit muscle. The madman's limbs appear to unlatch as though some psychotic god has chosen to give life to a complicated Swiss Army knife. The Joker's head rotates... the green lasers of his eyes target the keys at the big man's belt, and he shakes his head.

The Joker as sadistic chaos, the Batman as merciless order. This mirror-image theme would come to define the two characters' relationship in the comics and across all media for the next forty years.

From that moment on, Batman Returns was destined to become what it ultimately turned out to be: un film de Tim Burton...with Batman in it.

Jim Gordon: I never cared who you were... Batman: And you were right. Jim Gordon: ...but shouldn't the people know the hero who saved them? Batman: A hero can be anyone. Even a man doing something as simple and reassuring as putting a coat around a young boy's shoulders to let him know that the world hadn't ended. Jim Gordon: Bruce Wayne?

He's a frustrating guy. Trust me, I know. He thinks he knows exactly what he wants and what he doesn't, and he thinks he's right all of the time. But at the end of the day, he's always right about people. When he lets someone in, that means something. When he put you in charge, it was so in this exact situation you would be calling the shots. And I trust that. Because I trust him. Even if I want to strangle him sometimes.

Well—er—Batwoman—I thought we were going to die—and I wanted to make your last moments happy ones!” he says. Jerk.

There was also this inconvenient truth: everything about Batwoman was presented as so kitschily überfeminine that she could have passed for Batman’s fierce drag queen persona.

...the performative online biliousness that has come to be known as trolling...

Batman could be square, but he shouldn’t be boring.

Nothing about the character was new. He was simply a combination of tropes from many sources: even his origin story itself was full of swipes. Kane

He believes himself to be an agent of change; he is the living embodiment of the simple, implacably optimistic notion Never again.

You can fail as Bruce Wayne,” he said. “As Batman, you can’t afford to.” “Is that what you’re afraid of?” Bruce asked indignantly. “That if I go back out there, I’ll fail?” “No,” Alfred said. “I’m afraid you want to.

We were the first generation without a draft,” he says matter-of-factly. “We didn’t need to worry about life and death, so we channeled all that time and energy into obsessing over this TV show or that comic book.” This

The final two issues of the Englehart/Rogers/Austin collaboration, Detective Comics #475 and #476, are now esteemed alongside the greatest Batman stories ever created and would provide the seed for Tim Burton’s 1989 feature film. In

Anyone who remembered the grim, gun-toting, thug-murdering Batman of 1939 could see that he’d become a fundamentally different guy: a grinning, lantern-jawed, wisecracking adventure hero who’d left that emo “creature of the night” shtick far behind.

This homicide proves only the beginning of his murderous spree. In just the first year of his existence Batman will send some twenty-four men, two vampires, a pack of werewolves, and several giant mutants to their ultimate ends, occasionally at the business end of a gun.

I am the reason the criminals breathe easier when the sun rises.

I always had trouble with the Bruce Wayne in the comic book," Burton said. "I mean, if this guy is so handsome, so rich, and so strong, why the fuck is he putting on a Batsuit?

Well, holy tight ass, Batman. Gareth was a man-virgin. The devil on my shoulder reared its ugly head to encourage me, as the angel slapped my rising prick.

writers to explicitly posit that the Joker embraces the chaos of insanity and death, while the Batman instead channels his pain into an endless crusade to impose order.

Over and over, throughout this first year, he faces down those who would threaten the lives of millionaires to extort their millions from them. Of

The really odd, unsettling thing was that Batman was smiling. Not

Thus the film seems to posit that what empowers her transformation into Catwoman is not any choice Selina Kyle makes, but the abuse itself. That’s messed up.

This oath, which resides at the core of every iteration of Batman that has ever or will ever exist, from pulp antihero to TV buffoon, is much more practical and matter-of-fact. It is a declaration of war. The

You know why I did it? Sometimes you need to shout until they cry... because when their lives and the lives of everyone around them depend on it, and they just want to break they'll know they can take control. They'll know they can lead. Some folks think it's about whittling you down to follow orders, but to me it's about knowing you can give orders to yourself and others through the worst of it. Through the real hurt.

McCarthy himself said repeatedly to millions of Americans during the spring and summer of 1954, homosexuals represented a moral cancer that posed a security risk to the United States second only to the Communist Menace. “Better Dead Than Red”? Perhaps, but McCarthy’s Senate Subcommittee on Investigations wasn’t crazy about lavender, either; the specter of homosexuality was a frequent guest in the Senate’s hearing rooms.

We were the first generation without a draft,” he says matter-of-factly. “We didn’t need to worry about life and death, so we channeled all that time and energy into obsessing over this TV show or that comic book.

Dick is determined to go to the police when the Batman appears to him, warning the boy that if he does so, Zucco’s men will find him and kill him. “I’m going to hide you in my home for a while,” he says, because 1940.

According to Finger, the panel in which Batman mows down his enemies from on high led to an editorial crackdown on firearms. “I was called on the carpet by [editorial director] Whit Ellsworth. He said, ‘Never let us have Batman [use] a gun again.’ 

If you were casting the part of the evil scientist who would prove the Caped Crusader's deadliest nemesis, you'd likely glance at the headshot of German-born psychiatrist Dr. Fredric Wertham, with his owl-like glasses and severe Prussian features, and think, "Nah, too on-the-nose.

The world has accepted hard-core fans' argument. Batman, this children's character who dresses up in a costume to effect the change he wishes to see in the world via face punching, is serious. And awesome. And definitely not gay. And, most importantly, now and forever, badass. This is the Batman narrative that now permeates the culture—the narrative that doesn't like nobody touching its stuff and doesn't want any of you homos touching it, neither.

I couldn't stand boy companions," he [Jules Feiffer] wrote in his 1965 essay " The Great Comic Book Heroes. "Robin was my own age. One need only look at him to see he could fight better, swing from a rope better, play ball better, eat better and live better...He was obviously an A student, the center of every circle, the one picked for greatness in the crowd—God, how I hate him. You can imagine how please I was when, years later, I heard he was a fag.

Nerd culture is often open and inclusive, when it is powered by the desire to seek out others who share common interests and enthusiasms. But nerdish passion is strong and unmindful; its very nature is to obliterate dispassion, nuance, ambiguity, and push human experience to either edge of a binary extreme: My thing is the best. Your thing is the worst. Moreover, if you do not love my thing in the same way, to the same degree, and for exactly the same reasons that I do, you are doing it wrong.

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The Batman must come back.” Does he know what he’s asking? Bruce wondered. “What if he doesn’t exist anymore?” he replied aloud. “He must,” Gordon murmured, gasping for breath. “He must.

Having seen his parents gunned down before his eyes, wee Bruce Wayne makes the following vow by candlelight: “And I swear by the spirits of my parents to avenge their deaths by spending the rest of my life warring on all criminals.” This oath is ridiculous on its face, so laughably grandiose and melodramatic that only a kid could make it. Which is exactly its power. That oath is a choice. An act of will. A deliberate reaction to a shattering injustice. More crucially, it is an act of self-rescue. It’s these twenty-four words, after all, that give his life purpose and launch him into an existence entirely devoted to protecting others from the fate that befell him. This is why, for all the character’s vaunted darkness, he is now and has always been a creature not of rage but of hope. He believes himself to be an agent of change; he is the living embodiment of the simple, implacably optimistic notion Never again.

I like it,” said Wayne. To the south, he could see the tops of buildings in distant Blackfield, rising over the trees behind the house. “Then welcome to your new Batcave, Master Wayne.” “The Batcave is underground.” Leon continued his Atlas impression, hands against the ceiling. “Work with me, here. I’m old and out of touch.” “Batman’s older than you are.” “Keep it up and I’ll make you sleep in the garage anyway!

The rise of Marvel Studios over the past decade has been one of the most extraordinary stories in Hollywood history. Utilizing a crew of second-rate superheroes and run by a team of unproven executives, Marvel upended the industry’s conventional wisdom. Previously, almost everyone in Hollywood believed that the general public was interested only in marquee superheroes like Batman and Spider-Man, and nobody would see a movie about Ant-Man or the Guardians of the Galaxy; that the resources and experience of major studios gave them an unbeatable advantage over upstarts; that tightly managing budgets on would-be global “event” movies was penny-wise but pound-foolish; that tying together the plots of disparate films was too risky because if one failed, they all would; and that the only Hollywood brand name that meant anything to consumers was Disney.