Bathroom Stall Quotes

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There’s so much more to life than finding someone who will want you, or being sad over someone who doesn’t. There’s a lot of wonderful time to be spent discovering yourself without hoping someone will fall in love with you along the way, and it doesn’t need to be painful or empty. You need to fill yourself up with love. Not anyone else. Become a whole being on your own. Go on adventures, fall asleep in the woods with friends, wander around the city at night, sit in a coffee shop on your own, write on bathroom stalls, leave notes in library books, dress up for yourself, give to others, smile a lot. Do all things with love, but don’t romanticize life like you can’t survive without it. Live for yourself and be happy on your own. It isn’t any less beautiful, I promise.
Emery Allen
How are we doing, Simon?" she whispered into the small microphone in her collar. "Just about..." Simon started slowly. And then he stopped. "Wow." "What?" she asked, panic in her voice. "Nothing," he said too quickly. "What?" she asked again. "Well...it's just that...your boobs look even bigger on TV." Kat took that opportunity to turn and glare at the nearest security camera. In his bathroom stall thirty feet away, Simon nearly fell off the toilet.
Ally Carter (Heist Society (Heist Society, #1))
Because baby, I'm wild pussy and wild pussy can't be bought. Wild pussy doesn't like having pretty things thrown at it and being expected to do the samba on someone's cock in return. Wild pussy doesn't do deals. Wild pussy lives free and for itself and takes it however it likes it; on a bed, on a couch, on the hood of a car, in a bathroom stall or up against a wall in an alleyway and it laughs the entire time. I've known you for a while now Chase. I know you've never had wild pussy and I know you never will. Wild pussy doesn't fuck uptight cock. And it sure as hell doesn't like silk boxers
Madeline Sheehan (Undeniable (Undeniable, #1))
They meet in the girls' bathroom. The last time they were forced to meet in a place like this, they took separate, isolated stalls. Now they share one. They hold each other in the tight space, making no excuses for it. There's no time left in their lives for games, or for awkwardness, or for pretending they don't care about each others, and so they kiss as if they've done it forever. As if it is as crucial as the need for oxygen.
Neal Shusterman (Unwind (Unwind, #1))
Fill yourself up with love. Become a whole being on your own. Go on adventures, fall asleep in the woods with friends, wander around the city at night, sit in a coffee shop on your own, write on bathroom stalls, leave notes in library books, dress up for yourself, give to others, smile a lot. Live for yourself and be happy on your own.
Emery Allen
There’s this thing that happens, let’s say at school where a bunch of guys are in the bathroom, at the urinal, laughing about some dork that made an anus of himself in gym. You’re all basically nice guys, right? You know right from wrong, and would not in a million years be brutal to the poor guy’s face. And then it happens: the dork was in the shitter. He comes out of the stall with this look. He heard everything. And you realize you’re not really that nice of a guy. This is what I would say if I could, to all smart people of the world with their dumb hillbilly jokes: We are right here in the stall. We can actually hear you.
Barbara Kingsolver (Demon Copperhead)
I want you. Bad. Right now. Against the wall. On my bed. The floor and maybe in the bathroom later. I have a shower stall and a Jacuzzi we could put to really good use. I know you'd like it.
J. Lynn (Tempting the Player (Gamble Brothers, #2))
Listen, Stephen King used to write in the washroom of his trailer after his kids went to sleep. Harlan Ellison wrote in the stall of a bathroom of his barracks during boot camp. Elmore Leonard got up at 5 AM every morning to write before work. Every time my alarm goes off at 5 AM and I don’t want to get up, or I would rather sit down after work and play a videogame, I think about those guys. Take care of your family. They need you and love you. Make time for them. Then stop screwing around and finish your damn book.
Bernard Schaffer (Whitechapel: The Final Stand of Sherlock Holmes)
One of the stall doors swings open and a fortyish-year-old woman walks out tucking her shirt into her jeans. Her heavy lined eyes land on Seth. "This is the women's restroom." She points a finger to the door. "Can't you read?" "Can't you see that everyone in this club is about twenty years younger than you?" Seth retorts, turning to the mirror. With his pinkie, he messes with bangs. "Now if you'll excuse us, we're going to have some fun.
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
A novel is no different than graffiti in a bathroom stall, it's just more pretentious.
Christy Leigh Stewart
It’s not a universal law or anything, but given the option in an empty bathroom, most folks are gonna pick the stall at the end to put maximum distance between them and anyone else who wanders in after them. It’s just good etiquette, people.
Amie Kaufman (Gemina (The Illuminae Files, #2))
A true friend will be there to congratulate you when you win an Academy Award and will also be there to hold your hair back when you're puking your guts out in the bathroom stall two minutes later! So keep your eyes peeled for the hair-holding kind.
Jordan Christy (How to Be a Hepburn in a Hilton World: The Art of Living with Style, Class, and Grace)
Fucking is for bathroom stalls and the back seat of a Toyota
Sage Whistler (Broken)
Japanese women live in fear of making the least sound in a bathroom stall. Japanese men pay no attention to the subject whatsoever.
Amélie Nothomb (Stupeur et tremblements)
The room was plainly but adequately furnished; she noted the shower stall in the bathroom beyond. Actually, she would have preferred a tub, but this would do.
Robert Bloch (Psycho)
I knew that he was filled with grief when he finally kissed me one last time in one of the bathroom stalls at Fiumicino Airport
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
When he spoke, his lips brushed hers. “I want you. Bad. Right now. Against the wall. On my bed. The floor and maybe in the bathroom later. I have a shower stall and a Jacuzzi we could put to really good use. I know you’d like it.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Hello, 911? Why did this woman choose the middle stall in this three-stall public bathroom?
Samantha Irby (Wow, No Thank You.)
Don’t you think it’s sad some people are only remembered by the graffiti about them on the bathroom stalls?
Cole Gibsen (Life Unaware)
Tell you now children—you’re all gonna die. No hand stamp reentry, no refund, no lie. —Found written on a bathroom stall in Disneyland, June 6th, 1988
Seth Grahame-Smith (The Last American Vampire)
It was so stupid, and random, but at that second, with the morning sun hitting her auburn hair, and her huge brown eyes fixed on him, the lock flew off the “do-not-allow-yourself-to-even-think-about-it” portion of his brain, and every feeling he ever had for her—feelings he never even realized he had for her—flooded over him like a tidal wave. Love, tenderness, desire—it hit him so hard he had to excuse himself, go to the men’s room, rest his forehead against the cool metal of the bathroom stall, breathing heavily, wondering what the hell had just happened. It left him exhausted and spent, as if he’d just run a hundred miles. And almost a year later, he was still exhausted, spent, frustrated … and madly in love.
Claire Matthews (Intimate Friends)
There's so much more to life than finding someone who will want you, or being sad over someone who doesn't. There's a lot of time to be spent discovering yourself without hoping someone will fall in love with you along the way, and it doesn't need to be painful or empty. You need to fill yourself up with love. Not anyone else. Become a whole new being on your own. Go on adventures, fall asleep in the woods with your friends, wander around the city at night, sit in a coffee shop on your own, write on bathroom stalls, leave notes in library books, dress up for yourself, give to others, smile a lot. Do all things with love but don't romanticize life like you can't survive without it. Live for yourself and be happy on your own. It isn't any less beautiful, I promise.
Emery Allen
He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up. "All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?" He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words: Do not fear that which cannot be seen. For they are lost in between. 'Tis the ones who come alive That your blood will allow to thrive. Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question." His blood crawled over to the next page. Answer, answer, you always say, But it doesn't work that way. In time, the truth you shall find. And then you will understand my rhyme. "I'm such a masochist to even try talking to you" Underneath the words, a picture of an obscene gesture formed. "Oh very nice, Nashira. Very nice. Wherever did you learn that?" In your pocket I reside. Ever privy to your deride. But more than that, I can see. And that includes bathroom stall graffiti Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!" Calm yourself, you evil troll. My job is not to console. But if it is privacy you seek, Leave me in your backpack so I can't peek. Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
I knew that he was filled with grief when he finally kissed me one last time in one of the bathroom stalls at Fiumicino Airport and that, even if on the plane the drinks and the movie had distracted him, once alone in his room in New York, he too would be sad again, and I hated thinking of him sad, just as I knew he'd hate to see me sad in our bedroom, which had all too soon become my bedroom.
André Aciman (Call Me by Your Name)
Because, baby, I’m wild pussy, and wild pussy can’t be bought. Wild pussy doesn’t like having pretty things thrown at it and being expected to do the samba on someone’s cock in return. Wild pussy doesn’t do deals. Wild pussy lives free and for itself and takes it however it likes it—on a bed, on a couch, on the hood of a car, in a bathroom stall, or up against a wall in an alleyway—and it laughs the entire time. I’ve known you for awhile now, Chase. I know you’ve never had wild pussy, and I know you never will. Wild pussy doesn’t fuck uptight cock. And it sure as hell doesn’t like silk boxers.
Madeline Sheehan (Undeniable (Undeniable, #1))
Somewhere, a trucker reads alien letters carved into the bathroom stall walls of a truck stop. He cannot look away. Pathogens in the grammar open an event horizon in his head. He spreads the scrawl in every stop on his route, carving it into the stalls. he itches and he scratches. Others see the letters. They itch. They scratch. He scratches his face, draws the runes in red with his box knife. His head blossoms into a bouquet of writhing lampreys.
Joshua Alan Doetsch
Folks like poor Misty Marie, they're limited, borderline dummies, but nothing enough to get a handicapped parking space. Or get any kind of Special Olympic Games. They just pay the bulk of taxes but get no special menu at the steak house. No oversized bathroom stall. No special seat at the front of the bus. No political lobby.
Chuck Palahniuk (Diary)
I just pooped out a duck pond. The guy in the stall next to me in the Walmart bathroom was probably thinking, "What's with all the quacking?
Jarod Kintz (Duck Quotes For The Ages. Specifically ages 18-81. (A BearPaw Duck And Meme Farm Production))
And I’d like to eventually graduate, ideally without sobbing in a bathroom stall after each committee meeting.
Ali Hazelwood (The Love Hypothesis)
I don’t think I meant a word of it. But this is how you speak when you’re in a bathroom stall in your twenties, high on cocaine, and testing the depths of your friendships.
Sloane Crosley (Cult Classic)
unsolicited advice to adolescent girls with crooked teeth and pink hair When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you gave him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in a bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you live in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.
Jeanann Verlee
you were last seen walking through a field of pianos. no. a museum of mouths. in the kitchen of a bustling restaurant, cracking eggs and releasing doves. no. eating glow worms and waltzing past my bedroom. last seen riding the subway, literally, straddling its metal back, clutching electrical cables as reins. you were wearing a dress made out of envelopes and stamps, this was how you travelled. i was the mannequin in the storefront window you could have sworn moved. the library card in the book you were reading until that dog trotted up and licked your face. the cookie with two fortunes. the one jamming herself through the paper shredder, afraid to talk to you. the beggar, hat outstretched bumming for more minutes. the phone number on the bathroom stall with no agenda other than a good time. the good time is a picnic on water, or a movie theatre that only plays your childhood home videos and no one hushes when you talk through them. when they play my videos i throw milk duds at the screen during the scenes i watch myself letting you go – lost to the other side of an elevator – your face switching to someone else’s with the swish of a geisha’s fan. my father could have been a travelling salesman. i could have been born on any doorstep. there are 2,469,501 cities in this world, and a lot of doorsteps. meet me on the boardwalk. i’ll be sure to wear my eyes. do not forget your face. i could never.
Megan Falley
Our twenties are glazed in a raging insatiability. No matter how much we do, there is more to be done. More to see, more to experience, more to destruct. These years exude the rawness of life and the imperfection of youth. It’s walking around the kitchen naked with pizza at 3 a.m. It’s drunken life chats in bathroom stalls and falling in love. It’s days that feel like we have it all together and nights when it comes undone. These moments are half forgotten, lost in a blur of fury, of adventure and confusion, of black coffee and red wine. A restless restlessness like nothing we’ve known or will ever know again.
Soranne Floarea
So when I feel overwhelmed, I usually go to a quiet place. A bathroom stall works wonders. I close my eyes, turn inward, and breathe until I can sense the still, small space inside me that is the same as the stillness in you, and in the trees, and in all things. I breathe until I can feel this space expand and fill me. And I always end up doing the exact opposite of screaming: I smile at the wonder of it all.
Oprah Winfrey (What I Know for Sure)
Frustration widened her eyes, sparking them with fire. "I don't want to be with you so I can write our names together on a bathroom stall, Justin! I don't care about popularity or rubbing it in girls' faces. I want to be with you because you make me laugh. Because you're confident and smart and you actually see me." When she heaved a sigh, warm breath fanned across my lips. "Because when I'm with you, I remember how it feels to be alive.
Rachel Harris (The Natural History of Us (The Fine Art of Pretending, #2))
Being cooped up was not new. Living in the middle of a desert wasteland where it wasn’t safe to go out was not new. Being surrounded by men she ought to fear was not new. Stationed in Iraq during the Second Iranian War, Charlotte had grown accustomed to these things, to not leaving base, to not wanting to leave her bunk or a bathroom stall. She was used to this struggle to keep sane. It was mental as much as physical exercise that was required.
Hugh Howey (Dust (Silo, #3))
We are born into a world of strangers. We spend our lives turning them into beloveds and ghosts: the ones we need, the ones we ache for, the ones we lose, the ones we brush up against and never really know, who stay with us anyway. These are letters written to those ones—the ones we glimpsed from buses and bathroom stalls, from the corners of our eyes; the ones we tripped, the ones who caught us, the ones we kissed without knowing their names, the ones who bewildered us, who made us feel alive
Colleen Kinder (Letter to a Stranger)
Yeah, but there are other computational modelers in the department. And I’d like to eventually graduate, ideally without sobbing in a bathroom stall after each committee meeting.” He glared at her. Olive shrugged. “No offense. I’m a simple girl, with simple needs.
Ali Hazelwood (The Love Hypothesis)
Ludwig’s enormous, awe-inspiring genius, his productivity, his prescient modernism were all contained in music. Beside that, the letters to the Immortal Beloved looked no more impressive to her than bathroom stall graffiti: L.V.B. luvs his I.B. Wishes she wuz here.
Magnus Flyte (City of Dark Magic (City of Dark Magic, #1))
Later, I was in a bathroom stall. Eric was on his knees. My dick was in his mouth, my head back against warm ceramic tile that shook with the beat of the music. My fingers were in his hair and everything was hot and wet. I grunted a warning and he backed away, jacking me until I came on the dirty floor. He stood up and kissed me while he jerked himself off. He sighed into my mouth. He tasted like stale beer and mint. He came on his hand. I felt raw. “Thanks,” he said, zipping up his pants. “That was great.” “Sure,” I said, because I was unsure of what else to say. “You too.” And then he left. I
T.J. Klune (Wolfsong (Green Creek, #1))
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer. Rachel snorts. "If only you liked sweets." "I can't wait to see you tonight. Wear that pink shirt I like." Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?" "Eight-thirty? That's so far away. Can't I meet you sooner?" One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited. "Do you need to be checked out of school, son? Are you feeling ill?" Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you." A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago. "Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do." "Right now, nothing. But I might change my mind about skipping. I really miss you." Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?" Galen hangs up. Why is Emma laughing again? Mark can't be that funny. The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess." "Speaking of all these girls, how did they get my phone number?" She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Reggie made him feel like he was nine years old and out for dinner with his family at the Ponderosa Steak House and he had run into his French teacher and his mother invited her to dine with him. Reggie made him feel like he was sitting in a public bathroom stall and someone had come into the bathroom and began singing a song about what a stinky bastard he was while he was in there sweating it out. Reggie made him feel like someone had taken the red Tonka fire engine he had always wanted and painfully corkscrewed it down the front of his jeans. Reggie made him feel like the ice cream man had just rolled by and all his dead grandparents were mooning him out the truck window.
Jonathan Goldstein (Lenny Bruce is Dead)
When I was born, god scattered me endlessly across the universe. I often find myself in notepads and sticky notes, in the margins of used novels and in the scribbles of bathroom stalls. When I recognize a piece as myself, I am delighted. And no matter how odd or unsettling I find the new fragment to be, I braid it into myself without a doubt that it belongs to me.
Alana Saab (Please Stop Trying to Leave Me)
When Pablo Picasso was an old man, he was sitting in a café in Spain, doodling on a used napkin. He was nonchalant about the whole thing, drawing whatever amused him in that moment—kind of the same way teenage boys draw penises on bathroom stalls—except this was Picasso, so his bathroom-stall penises were more like cubist/impressionist awesomeness laced on top of faint coffee stains.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
In most companies, no one really notices you until they need you. And even then, when someone wanders into your office or IMs you and finds that you’re gone, they just assume you’re doing something constructive. Sitting in some horrible, pointless meeting. Stealing office supplies. Weeping gently in a bathroom stall on the fourth floor. Once you’ve established yourself as reasonably competent, you can pretty much come and go as you please. And
Matthew Norman (Domestic Violets)
You can’t just take me.” “Really? Why not? Who’s going to stop me?” he asks before shoving me into the backseat and sliding in beside me. Hugo closes the door and Kill turns to me. “I can do whatever I want, Cilla.” He watches me intently. Hugo starts to drive. “You’re self-destructing,” he says. “What do you care? You walked away.” “That bar is filthy. Fucking a limp-dick stranger in a bathroom stall? That’s not you.” “You don’t know me.” “I know everything about you. I know your deepest, darkest secrets. And I know you need a hero. A dark one.
Natasha Knight (Killian (Benedetti Brothers Book 4))
When Pablo Picasso was an old man, he was sitting in a café in Spain, doodling on a used napkin. He was nonchalant about the whole thing, drawing whatever amused him in that moment—kind of the same way teenage boys draw penises on bathroom stalls—except this was Picasso, so his bathroom-stall penises were more like cubist/impressionist awesomeness laced on top of faint coffee stains. Anyway, some woman sitting near him was looking on in awe. After a few moments, Picasso finished his coffee and crumpled up the napkin to throw away as he left. The woman stopped him. “Wait,” she said. “Can I have that napkin you were just drawing on? I’ll pay you for it.” “Sure,” Picasso replied. “Twenty thousand dollars.” The woman’s head jolted back as if he had just flung a brick at her. “What? It took you like two minutes to draw that.” “No, ma’am,” Picasso said. “It took me over sixty years to draw this.” He stuffed the napkin in his pocket and walked out of the café. Improvement at anything is based on thousands of tiny failures, and the magnitude of your success is based on how many times you’ve failed at something.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
I hide in the bathroom, in the stall farthest from the door and become a tableau of a girl crouched stupidly on a toilet seat, so she won't be seen. Over the hour, girls come in and out, in and out. I can't stand every boring, worthless piece of conversation I overhear because they make me wish I could be a part of them, be some nobody girl with nothing to say.
Courtney Summers (All the Rage)
People who learned Eric and I wanted to adopt a child often told us stories of adoptions gone wrong. The adopted child incapable of attachment. Who became a drug addict, a runaway, who drained bank accounts, ruined marriages. "I have a friend who adopted," these stories began. "It was a nightmare."... And their stories did make me afraid, convinced me I was the vulnerable one whose life was at risk. Listening, I'd forget the abandoned, the neglected, the children curled on the floor of some empty-cabinet kitchen or crying in some school bathroom stall or shaking in some crib. I'd forget that these children belong to all of us. If they wield knives in the dark or hit heads against walls or refuse to speak, they signal our failure, not theirs.
Sarah Sentilles (Stranger Care)
On the TV and in the newspapers all we hear and read is 'live your life or the terrorists win' and it sounds great, I’m all for that, except my kids won’t ask for a bathroom pass because the faculty facilities are on the first floor of the building and the MPs patrolling the second floor won’t go downstairs on their shift—so I’ve got middle school kids afraid to take a piss because there might be a soldier in the stall next to them carrying a loaded M- 16—but hell yes, I’m all for 'live your life' and screw the terrorists, and screw all the countries who harbor and support them. I’m on board with that, except I’ve got these kids who stay home now, because they’re scared riding a bus with soldiers carrying guns, knowing that one soldier isn’t enough, so there’s a military truck full of soldiers with even bigger guns following the bus 'just in case.
Tucker Elliot (The Day Before 9/11)
pleasure had been so huge, she’d had to go into the bathroom, close herself in a stall and cry a little. The seeds of the rebellion had been planted that day, she supposed, or maybe they’d always been there, dormant, and the fat and salt had awakened them. But she could feel them, actually feel them, sprouting in her belly now. “Your plans changed, Mother. It doesn’t follow that mine have to change with them.” Susan took a moment to precisely place
Nora Roberts (The Witness)
Let's start with the basics." He pulled a worn Helios-Ra guidebook of the top of the pile of books next to his laptop. "You got one of these in your orientation packet, right?" "I already had a copy," I replied. I'd picked Kieran's pocket this summer for it, to be precise. I had my own profile in the cream-colored pages. Tyson flushed. "Oh. Right. I forgot you're in it." "I'm famous," I agreed blandly. "Just this morning someone locked me in a bathroom stall." He flushed even redder. "Are you blushing?" He cleared his throat. "No." I grinned. "You are adorable." "Uh ..." "Relax, I'm dating the undead, remember." "Stop teasing poor Tyson," Jenna said from behind me. I tilted my head to look up at her. "But it's fun." Jenna hiked her hip on the table and swung her sneaker-clad foot. "You're going to give him a coronary." We both turned to grin at him, waiting for his retort. He just looked slightly nauseated.
Alyxandra Harvey (Blood Moon (Drake Chronicles, #5))
Clarisse’s friends were all laughing, and I was trying to find the strength I’d used to fight the Minotaur, but it just wasn’t there. “Like he’s ‘Big Three’ material,” Clarisse said as she pushed me toward one of the toilets. “Yeah, right. Minotaur probably fell over laughing, he was so stupid looking.” Her friends snickered. Annabeth stood in the corner, watching through her fingers. Clarisse bent me over on my knees and started pushing my head toward the toilet bowl. It reeked like rusted pipes and, well, like what goes into toilets. I strained to keep my head up. I was looking at the scummy water, thinking, I will not go into that. I won’t. Then something happened. I felt a tug in the pit of my stomach. I heard the plumbing rumble, the pipes shudder. Clarisse’s grip on my hair loosened. Water shot out of the toilet, making an arc straight over my head, and the next thing I knew, I was sprawled on the bathroom tiles with Clarisse screaming behind me. I turned just as water blasted out of the toilet again, hitting Clarisse straight in the face so hard it pushed her down onto her butt. The water stayed on her like the spray from a fire hose, pushing her backward into a shower stall. She struggled, gasping, and her friends started coming toward her. But then the other toilets exploded, too, and six more streams of toilet water blasted them back. The showers acted up, too, and together all the fixtures sprayed the camouflage girls right out of the bathroom, spinning them around like pieces of garbage being washed away. As soon as they were out the door, I felt the tug in my gut lessen, and the water shut off as quickly as it had started. The entire bathroom was flooded. Annabeth hadn’t been spared. She was dripping wet, but she hadn’t been pushed out the door. She was standing in exactly the same place, staring at me in shock.
Rick Riordan (Percy Jackson and the Olympians: Books I-III)
There’s this thing that happens, let’s say at school where a bunch of guys are in the bathroom, at the urinal, laughing about some dork that made an anus of himself in gym. You’re all basically nice guys, right? You know right from wrong, and would not in a million years be brutal to the poor guy’s face. And then it happens: the dork was in the shitter. He comes out of the stall with this look. He heard everything. And you realize you’re not really that nice of a guy.
Barbara Kingsolver (Demon Copperhead)
It’s our bad luck to have teachers in this world, but since we’re stuck with them, the best we can do is hope to get a brand-new one instead of a mean old fart. New teachers don’t know the rules, so you can get away with things the old-timers would squash you for. That was my theory. So I was feeling pretty excited to start fifth grade, since I was getting a rookie teacher—a guy named Mr. Terupt. Right away, I put him to the test. If the bathroom pass is free, all you have to do is take it and go. This year, the bathrooms were right across the hall. It’s always been an easy way to get out of doing work. I can be really sneaky like that. I take the pass all the time and the teachers never notice. And like I said, Mr. Terupt was a rookie, so I knew he wasn’t going to catch me. Once you’re in the bathroom, it’s mess-around time. All the other teachers on our floor were women, so you didn’t have to worry about them barging in on you. Grab the bars to the stalls and swing. Try to touch your feet to the ceiling. Swing hard. If someone’s in the stall, it’s really funny to swing and kick his door in, especially if he’s a younger kid. If you scare him bad enough, he might pee on himself a little. That’s funny. Or if your buddy’s using the urinal, you can push him from behind and flush it at the same time. Then he might get a little wet. That’s pretty funny, too. Some kids like to plug the toilets with big wads of toilet paper, but I don’t suggest you try doing that. You can get in big trouble. My older brother told me his friend got caught and he had to scrub the toilets with a toothbrush. He said the principal made him brush his teeth with that toothbrush afterward, too. Mrs. Williams is pretty tough, but I don’t think she’d give out that kind of punishment. I don’t want to find out, either. When I came back into the classroom after my fourth or fifth trip, Mr. Terupt looked at me and said, “Boy, Peter, I’m gonna have to call you Mr. Peebody, or better yet, Peter the Pee-er. You do more peein’ than a dog walking by a mile of fire hydrants.
Rob Buyea (Because of Mr. Terupt (Mr. Terupt, #1))
I go into the toilet stall. I say stall; it’s posh, so the stall is its own little room. The toilet has a heated seat and speaks in a perky Japanese accent. It sprays warm water directly into my vulva after I’m done pissing, and I go, ‘Fucking hell!’ loudly, because I wasn’t expecting it. It also dries me off, with a little blast of hot air. And when I come back out of the bathroom, I’m aware I want to talk about the fucked-up talking toilet, but fucked-up talking toilets that spray water up your gooch without asking are probably just par for the fucking course here, aren’t they?
Eliza Clark (Boy Parts)
She glanced at the bathroom door once more, her cheeks growing warm as the glass door slid open and Kane emerged from the steamy shower stall. Naked. She swallowed, unable to tear her eyes away from his nude, dripping-wet body. He had the kind of rock-hard physique that would make other women drool. His broad chest tapered to a trim waist, and his legs were thick and dusted with golden hair. He was lean, not bulky, with perfectly sculpted muscles that looked like they'd been carved out of marble. He was hard. Everywhere. "I'm afraid it's too late for you to join me in the shower," he said in a silky voice. "Though we could still make good use of the bed.
Elle Kennedy (Midnight Rescue (Killer Instincts, #1))
Imagine having to put a code into your phone when you go to the toilet, and then have a weekly meeting with your supervisor where you have to justify why you were 1.2 minutes above the average toilet break allocated to you last week,” wrote another. Lindsay, who worked as a rep on Walmart and Sam’s Club accounts a few years back, told me the stress of her job caused her to develop digestive problems. “Even though I went to the doctor and brought a note explaining what was wrong, my supervisor still insisted on following me into the bathroom to ‘make sure’ I really did have diarrhea every single time,” Lindsay said. “She would stand outside the stall door and listen to me shit.
Emily Guendelsberger (On the Clock: What Low-Wage Work Did to Me and How It Drives America Insane)
I hoped there weren’t any vomit chunks in my wavy auburn locks. That would be sure to ruin Marlboro Man’s dinner. “You okay?” Marlboro Man asked when I returned to our table. He’d ordered a Coke, and his bread plate was covered with crusts. I’d been gone over ten minutes. “Yes,” I said. “I’m sorry; I just…I just got a little sick all of a sudden.” “What’s wrong?” he said, by then probably alarmed by the green tinge of his new wife. “I have no idea--it just hit me like a ton of bricks,” I explained. “I’m fine now, though!” “Maybe you’re pregnant,” he said with a sly grin. I knew enough about the timing of conception and morning sickness to know that pregnancy likely wasn’t the problem. “I don’t think that’s it--,” I began. Then it hit me again even more violently than before, and I ran back to the bathroom, where I lost it again--this time in a different stall. Sydney, we have a problem.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Nella’s colleagues at Wagner weren’t sociopaths. They all knew where one was and was not supposed to pee. But that didn’t make being around them any less stressful. Once you were in close quarters with them each day—once you’d spent more than a year making catatonic small talk around sputtering Keurigs and mottled bathroom sinks and Printer Row, grinning and bearing it while you learned about their new summer homes and their latest European vacations and wondered why you were still making fewer than twenty dollars an hour; once you got used to the fact that almost every time you came into contact with an unknown Black person in your place of work, this person was most likely going to ask you to sign for a package, or offer to fix your computer—it started to grate on you. So much so that, at least once a month, you got up from your desk, sauntered over to the ladies’ room, shut yourself in a stall, and asked yourself, Why am I still here?
Zakiya Dalila Harris (The Other Black Girl)
Nobody rides you like you ride yourself, they say. But we get more than our share of help. These people and vegetarians and so forth that are all about being fair to the races and the gays, I am down with that. I agree. But would it cross any mind to be fair to us? No, it would not. How do I know? TV. The comedy channel is so funny it can make you want to go unlock the gun cabinet and kill yourself. Do they really think that along with being brainless and having sex with animals, we don’t even have cable? There’s this thing that happens, let’s say at school where a bunch of guys are in the bathroom, at the urinal, laughing about some dork that made an anus of himself in gym. You’re all basically nice guys, right? You know right from wrong, and would not in a million years be brutal to the poor guy’s face. And then it happens: the dork was in the shitter. He comes out of the stall with this look. He heard everything. And you realize you’re not really that nice of a guy. This is what I would say if I could, to all smart people of the world with their dumb hillbilly jokes: We are right here in the stall. We can actually hear you.
Barbara Kingsolver (Demon Copperhead)
All you ever have is lard on bread,” said Valentine. Patrice shut her mouth. Nobody said anything. Valentine was trying to say that was poor people food. But everybody ate lard on bread with salt and pepper. “That sounds good. Anybody have a piece?” said Doris. “Break me off some.” “Here,” said Curly Jay, who got her name for her hair when she was little. The name stuck even though her hair was now stick-straight. Everybody looked at Doris as she tried the lard on bread. “Not half bad,” she pronounced. Patrice looked pityingly at Valentine. Or was it Pixie who did that? Anyway, lunchtime was over and now her stomach wouldn’t growl all afternoon. She said thank you, loudly, to the whole table, and went into the bathroom. There were two stalls. Valentine was the only other woman in the bathroom. Patrice recognized her brown shoes with the scuffs painted over. They were both on their times. “Oh no,” said Valentine through the partition. “Oh, it’s bad.” Patrice opened her purse, struggled with her thoughts, then handed one of her folded rags beneath the wooden divider. It was clean, white, bleached. Valentine took it out of her hand. “Thanks.” “Thanks who?” A pause. “Thank you damn well much. Patrice.” Then a laugh. “You saved my ass.” “Saved your flat ass.” Another laugh. “Your ass is flatter.
Louise Erdrich (The Night Watchman)
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
A blowjob is the only employment I can get. At least in a bathroom stall.
Jarod Kintz (How to construct a coffin with six karate chops)
Kneeling in a stall of the Caruthers Library bathroom, defeated by the heat and the dust, what I want to know is this: Whose fucking idea was it to grow food in a desert?
Traci McMillan
Monday. Cassandra Jones ignored the butterflies in her stomach as she entered her fifth-grade classroom. The weekend had been rather emotional. For the first time since moving to Arkansas, she’d spent the night at a friend Riley Isabel’s house. By the time she went home, she and Riley were no longer friends, all because of a stupid fight over a dog. Her Sunday School teacher had encouraged Cassie to forgive and forget. Cassie waited in the bathroom during break and cornered Riley as soon as she came out of the stall. Riley hesitated, something like fear flashing across her face before her green eyes hardened. “What do you want?” She lifted her chin, the short strawberry-blond hair just grazing her neck. “I wanted to apologize,
Tamara Hart Heiner (Episode 2: Club Girls: The Extraordinarily Ordinary Life of Cassandra Jones (Walker Wildcats Year 1: Age 10))
I headed to the bathroom, deciding to wait in there until Jenna arrived. Just as I entered a stall, a couple of girls came in panting loudly.
Sarah Tork (Waiting For A Fall (Y.A. #1-3))
I cried in the Chevron bathroom stall. I cried near the confederate jasmine vine on the left side of the mailbox. I cried in conditions of suburban sprawl. I cried on the couch, in the black bucket seat, near the diaper, halfway between the Little Free Library and a nearby house, in the funeral home parlor, in the late afternoon traffic which turned every light orange, in the mega-box store with low prices for milk. I cried in the grass and pressed my face into the driveway pavement.
Alina Stefanescu (Every Mask I Tried On: Short Stories)
When I started sixth grade, the other kids made fun of Brian and me because we were so skinny. They called me spider legs, skeleton girl, pipe cleaner, two-by-four, bony butt, stick woman, bean pole, and giraffe, and they said I could stay dry in the rain by standing under a telephone wire. At lunchtime, when other kids unwrapped their sandwiches or bought their hot meals, Brian and I would get out books and read. Brian told everyone he had to keep his weight down because he wanted to join the wrestling team when he got to high school. I told people that I had forgotten to bring my lunch. No one believed me, so I started hiding in the bathroom during lunch hour. I’d stay in one of the stalls with the door locked and my feet propped up so that no one would recognize my shoes. When other girls came in and threw away their lunch bags in the garbage pails, I’d go retrieve them. I couldn’t get over the way kids tossed out all this perfectly good food: apples, hard-boiled eggs, packages of peanut-butter crackers, sliced pickles, half-pint cartons of milk, cheese sandwiches with just one bite taken out because the kid didn’t like the pimentos in the cheese. I’d return to the stall and polish off my tasty finds. There was, at times, more food in the wastebasket than I could eat. The first time I found extra food—a bologna-and-cheese sandwich—I stuffed it into my purse to take home for Brian. Back in the classroom, I started worrying about how I’d explain to Brian where it came from. I was pretty sure he was rooting through the trash, too, but we never talked about it. As I sat there trying to come up with ways to justify it to Brian, I began smelling the bologna. It seemed to fill the whole room. I became terrified that the other kids could smell it, too, and that they’d turn and see my overstuffed purse, and since they all knew I never ate lunch, they’d figure out that I had pinched it from the trash. As soon as class was over, I ran to the bathroom and shoved the sandwich back in the garbage can.
Jeannette Walls (The Glass Castle)
he’s got all the class of a vandalized bathroom stall.
Angel Lawson (Lords of Mercy (Royals of Forsyth University, #3))
Keep looking at me like that and you and me will have a date with a bathroom stall.” “That’s not beyond the realm of possibility.
Ariana Nash (Without a Trace (Shadows of London #5))
…spoken words are just as powerful, as undeniable, as written ones. Perhaps more so, even, because they don’t have a landing pad like their written counterparts. There is no thrice-folded-up note or bathroom stall on which to be scribbled. Instead, the spoken words -the hurtful ones- float around in you, without a substance on which to anchor. The hurt shifts like water, sloshing around in your insides, rising up when you tilt certain ways, sometimes unexpectedly so. Just to remind you it is still there.
Winn, Karen
Time itself is behaving strangely. It seems to have fallen on this house like snow, clustering in certain dark corners, sparse elsewhere. It lays heavy on my rooftop, tangible in a way I can't quite explain. Certain moments in my daily life have clustered together so that they are almost touching. Every night, when I wash my face, I feel as though I have been standing at my sink in one continuous moment across several months. Time has looped and gathered, and I sometimes worry that I could skip through decades like his, standing in my bathroom, until I am suddenly old. At other points in the day it moves so slowly that I can scarcely believe the world is still turning. Something surely must have stalled.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
from my suitcase in the bathroom stall at JFK. My jeans. One pair of underwear. No bra or socks other than the ones I’m wearing.
Julie Clark (The Last Flight)
I rushed out of the room and into a bathroom stall, had
Henry M. Paulson Jr. (On the Brink: Inside the Race to Stop the Collapse of the Global Financial System - With a Fresh Look Back Five Years After the 2008 Financial Crisis)
The first stall in every bathroom studied was found to have the least amount of bacteria. People assume the first stall is the most utilized, so most people skip over it.
Colleen Hoover (November 9)
I push my way through the door and disappear into the crowded hallway. Spotting the girl’s restroom ahead, I shove my way inside, claiming the first available stall. I hold out a full ten seconds before the sob claws its way out of my throat. Turns out Mr. Moinyhan was right. It’s not homecoming without a girl crying in a bathroom.
Taylor Torres (The Two of Us)
It is no wonder that most companies lack inspiration, when corporate America looks much like a sensory deprivation chamber: beige walls, faded carpet, high cubes, no windows, and bad lighting, and the only artistic stimulus to be found is the office equipment—your bathroom's shower stall is probably light-years ahead of your office environment when it comes to encouraging original thought.
Josh Linkner (Disciplined Dreaming: A Proven System to Drive Breakthrough Creativity)
The low number of women’s restroom stalls did more for reducing unwanted pregnancies and STDs than anything else in the ‘80s, since it was hard for guys to pick up drunk college girls, when we all had to go to the bathroom so bad.
Diane Laney Fitzpatrick
I mentioned a television documentary Julie and I had watched at Gilly’s house and that Jill remarked on how his Park Street flat was filled with women’s cosmetics and perfume bottles in the bathroom. “What?” Michael exclaimed. Sometimes I thought the word was not a sign of deafness but of stalling. Jill had suggested Michael had quite a full love life before she met him. “Did she?” Michael asked mildly. “So what I want to know,” I said raising my voice, “did you get around or did you go out and get that stuff to impress her.” Julie tittered. “I don’t know where it came from,” he said in that sort of comic-evasive tone he was good at slipping into. Julie brought up Gilly’s comment on the draining board in Michael’s flat. “What’s that?” he asked. Julie suggested he had selective hearing and could even hear what others said quietly when he wanted to. “What’s that? Say it again,” he said, with a straight face.
Carl Rollyson (A Private Life of Michael Foot)
that I had to go to the bathroom. I checked my watch. I had plenty of time. Someone occupied one of the stalls. I entered the next one. As I settled onto the seat, the neighboring lady said, “Hello.” Friendly person. I don’t usually carry on a conversation while using a public bathroom, but, after all, it was a fellow parishioner. “Hi.” “Everything come out okay?” the woman asked.
Dolores Wilson (BIG HAIR AND FLYING COWS)
I want to show you something,” I say. “But I’m afraid you’re going to be angry at me.” She’s suddenly on guard. “Why? What is it?” I turn my wrist over and point to her tattoo on my inner wrist. It’s a bare spot I’d been saving for something special. She leans toward it, and all of her breath rushes from her body. I can feel it across my hand when she exhales. “That’s my tat,” she says. She takes my hand in hers and lifts it toward her face. “Are you angry?” I ask. She looks up at me briefly and then back down at the tattoo. She’s taking in every facet of it. Her hand trembles as she holds tightly to mine. “You changed it.” “I felt like you needed a way out.” I put it on my wrist because I was intrigued by the secrets inside. It’s art, and I appreciate art in all its forms. She swallows. Hard. Then her eyes start to fill with tears. She blinks them back for as long as she can. And then she gets up and runs toward the bathroom. Shit. Now I fucked up. I made her cry. She runs by the waitress, who startles. The waitress starts in my direction, a sway in her hips, but I get up and follow Kit. I stop outside the door to the ladies’ room and press my hand against it. I don’t know what I’m waiting for. She’s in there crying, and I obviously can’t hear her to be sure she’s all right. Fuck it. I’m not leaving her in there upset. I push through the door, and I don’t see any feet in the stalls when I bend over. Where the fuck did she go? I push doors open, but the last one is locked. I stand up on my tiptoes and look over the top. She’s standing there with her forearms pressed against the wall, her head down between her arms, and her back is shaking. She’s crying. I knock on the stall door and say, “Let me in, Kit.” The door doesn’t open. I step back onto my tiptoes and look over. She’s still crying. “Let me in,” I repeat. She doesn’t move, so I walk into the stall next to hers and stand up on the toilet. I rock the partition between the stalls gently. It might hold my weight. There’s only one way to find out. I hoist myself up and over the wall, bringing my legs over the top slowly and carefully, and then I hop down. Before I can reach for her, she’s in my arms, her hands sliding around my neck. She’s still sobbing, and her body shakes against mine. I tilt her face up because I can’t see her lips to tell if she’s saying anything to me or not. I need to apologize. I didn’t expect her to get so upset. I’ll have it covered up with something else if it bothers her this much. My heart twists inside my chest. I really fucked up. “I’m sorry,” I tell her, looking down into her face. Her cheeks are soaked with tears, and she freezes, looking up at me. I can feel her like a heartbeat in my chest. She steps on the toes of my boots and then rocks onto her tiptoes. She pulls my head down with a hand at the back of my neck. Her brown eyes are smoldering, and black shit is running down her cheeks again, but I don’t care. She’s never looked more beautiful to me. I hold her face in my hands and wipe beneath her eyes with my thumbs. Her breath tickles my lips, and she leans even closer. She’s standing on my fucking boots, and I don’t care. She can do whatever it takes to get closer to me. “Why did you do it?” she asks, moving back enough that I can see her lips. I already told her: I thought she needed a way out. All I added to the tattoo was a keyhole right in the center of the guitar. It’s a simple design really. “I don’t know,” I say. I want to explain it to her, but I can’t. Not right now.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
She looks up at me, a soft smile on her lips as she sees me in the mirror. I walk up behind her and put my arms around her, resting my chin on her shoulder. “I’m sorry I made you cry,” I say. She shakes her head and talks to me in the mirror. “No one has ever done anything like that for me before,” she says. Her eyes fill up with tears again, and I’m sorry that I came out of the stall. I’ll go back in there if she’ll stop crying, but I’m not leaving her. I can see that now. I’m not leaving her, no matter what. “The lock?” I ask. She’s leaning back against me, and she wraps her arms over mine. She nods. She wipes her eyes with a paper towel, swiping the black makeup from under her eyes. Her face is splotchy, but she’s never looked more beautiful. For that one split-second, she isn’t hiding anything from me. “The minute I saw the tattoo I knew it needed to be changed. I’m sorry if I defiled your art.” She could take exception to my change, but I have a feeling she doesn’t. “It’s perfect,” she says. She lifts my arm from around her waist and looks down at it. “It’s perfect,” she repeats, sniffling. “I don’t know how to tell you what I’m feeling.” I’m the one with the hearing impairment, and she can’t tell me something? I laugh and lift her hair from her neck and press my lips there. “You don’t have to say anything,” I tell her. She turns around and cups my face in her palm, her hand stroking across my five-o’clock shadow. I take her hands in mine and lift them to my lips, kissing them one by one. Then I look into her eyes and open my mouth to ask her the one question I need to know the answer to. “What’s your name?” I ask. She freezes. It’s like there’s suddenly a wall between us, and I haven’t even let her go. “No,” she says. I feel like she’s kicked me in the gut. I let her go and take a step back. “Why not?” I ask. “I just can’t,” she says. I nod and let myself out of the bathroom. My legs are shaking. The waitress shoots me a glance as I walk back to the table. I sit down. Kit’s still in the bathroom, and I can’t help but wonder if she’s ever going to come out. Her guitar is still under the table. So, she has to come back, right?
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Aside from my bathroom being a cave? Nothing.” “A cave?” She nodded. “You ever see those high-end Vegas hotels where the shower isn’t a little stall, it’s just one whole corner of the room? The water gets isolated by all the space.” Tim nodded. “I guess,” said Nate.
Peter Clines (14 (Threshold, #1))
So to the generally well-intentioned men in my life, please consider this: no matter what I accomplish or how self assured I am feeling, the aforementioned dickhead bouncers of the world will still believe they have a right to demand my time and attention, even when I want to be alone. They will still insist I be polite and cheerful, even while they make me uncomfortable and afraid. They will still comment about my body and allude to sexual violence, and then berate me for being “stuck up” if I don’t receive it with a sense of humour. They will still choose to reinforce their dominance with a reminder that they could hurt me if they wanted to, and that I should somehow be grateful if they don’t. This has made me defensive. It has put me more on my guard than I would like to be. Decent male humans, this is not your fault, but it also does not have nothing to do with you. If a woman is frosty or standoffish or doesn’t laugh at your joke, consider the notion that maybe she is not an uptight, humourless bitch, but rather has had experiences that are outside your realm of understanding, and have adversely colored her perception of the world. Consider that while you’re just joking around, a woman might actually be doing some quick mental math to see if she’s going to have to hide in a fucking bathroom stall and call someone to come help her, like I did three days ago.
Laura Munoz
Two men are in a public bathroom, in adjoining stalls. One man calls over to the other, “Hey, there’s no toilet paper in this stall, do you have any over there?” The second man replies, “No, sorry, I don’t have any, either.” The first man asks, “Well, do you have a newspaper?” The second man says, “No, sorry.” The first man pauses then asks, “Do you have change for a twenty?
Scott McNeely (Ultimate Book of Jokes: The Essential Collection of More Than 1,500 Jokes)
practice power posing. Popularized by Amy Cuddy in her famous TED Talk, power posing is a simple 1-2 minute exercise that has incredible results on your confidence, happiness, and even cognitive functioning. I highly recommend that you check out her TED Talk, but if you don’t have time here is a quick primer on how to power pose. Before an event that you’re feeling nervous about, simply go somewhere quiet (like a bathroom stall) then strike and hold a power pose. A power pose is any standing position that represents a powerful stance, a classic example is the superhero pose – hands on your hips, chest out, head help high and a feeling of dominance. This may sound ridiculous, but the research behind it is outstanding. Try it just once, it only takes 1-2 minutes, and you will feel the difference instantly.   The physical space you occupy also plays a role in the impression you signal to people. You’re going to want to pay particular attention to personal space and touching. In a business setting, most people are fine with a handshake and not much more than that.
Andy Arnott (Effortless Small Talk: Learn How to Talk to Anyone, Anytime, Anywhere... Even If You're Painfully Shy)
And prose is made of sentences. Oh, I’ve always been a bathroom dictionary browswer. Still—“In the beginning was the word . . .”? I suppose poets have to feel that way. But for me, the word’s a degenerate sentence, a fragmentary utterance, something incomplete. Mollying along, lonesome Mrs. Masters asks, “Why aren’t there any decent words?” Well, no word is decent by itself; and less than a dozen indecent—shit, fuck, and the like working the way they do because when they’re blurted by counter women, construction workers, or traffic-bound drivers, they’ve got a clear capital at one end and an exclamation point at the other, so that the words alone (in the dictionary, say, or askew on the stall wall) are homonymous with the indecent expletive—which is a sentence. Declare “Sputum!
Samuel R. Delany (Silent Interviews: On Language, Race, Sex, Science Fiction, and Some Comics—A Collection of Written Interviews)
A lady kept up appearances and never lost her dignity—even when her world had just shattered around her in the stall of the women’s bathroom.
Carolyn Brown (The Ladies' Room)
Beck,” he whispered and I felt my legs threaten to give out as the sound of my name on his beautiful lips brought me right back to that bathroom stall when he’d done to me what no other man ever had. He’d kissed me.
Sloane Kennedy (Finding Hope (Finding, #5))
How can I not hand my heart over to him when he fucks me like he wants to imprint himself on my soul? He doesn't need to worry; he's written all over it like felt-tip scribbles on a bathroom stall.
Harleigh Beck (Touched By Sin (Sins of The Fallen, #1))
It takes everything in me to hold it together until I’m in the privacy of one of the bathroom stalls, because I am freaking the fuck out. As soon as I’m inside and the lock is engaged, I slump against the door. I let out a silent scream and squeeze my eyes shut. This is not good. This is not good. This is not good. She is not from Eden, North Carolina—I am. Her mother didn’t die from breast cancer—Mine did. Her name is not Lucca Marino—Mine is.
Ashley Elston (First Lie Wins)
Remember to stuff,” before the guards shuffled her onward with the butts of their rifles. As though she wouldn’t. When Nona was locked away in the bathroom stall stealing toilet paper, judiciously stuffing it down her shirt as Pyrrha had taught her—Pyrrha had a very Blood of Eden mindset, if you thought about it—she heard Camilla outside by the sinks, saying quietly: “Let me see her.” Crown said, as though casually surprised, “Do you really want to? It’s not a good day. She’s in and out … Moving her has been a royal bitch. We’ve had to keep shifting her between beds ever since we got her here.” “Okay. Let me see her.” “If you agitate—” Camilla said, “You know I can help her, Third. You know I want to.” It seemed like Crown was going to say a joke or something dismissive again, but then she said, “So long as Dve doesn’t tag along. Your call.” When Nona rustled her way out of the stall, Camilla looked at her chest, and her mouth quirked in something that might have been the tiniest and most beautiful smile yet. But Crown didn’t notice.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
You’re so sexy.” I’ve heard too many times in bathroom stalls at concerts; words muffled against my own lips that were eager to shut them up. “Sexy” isn’t “beautiful” or “pretty”. Calling someone sexy is like telling them that you want to possess them, that you want to own their body and essence at least for one night while calling someone beautiful is an admiration. It’s a love poem spoken aloud and to the muse.
K.C. Blume (Lifers)
Remember to stuff,” before the guards shuffled her onward with the butts of their rifles. As though she wouldn’t. When Nona was locked away in the bathroom stall stealing toilet paper, judiciously stuffing it down her shirt as Pyrrha had taught her—Pyrrha had a very Blood of Eden mindset, if you thought about it—she heard Camilla outside by the sinks, saying quietly: “Let me see her.” Crown said, as though casually surprised, “Do you really want to? It’s not a good day. She’s in and out … Moving her has been a royal bitch. We’ve had to keep shifting her between beds ever since we got her here.” “Okay. Let me see her.” “If you agitate—” Camilla said, “You know I can help her, Third. You know I want to.” It seemed like Crown was going to say a joke or something dismissive again, but then she said, “So long as Dve doesn’t tag along. Your call.” When Nona rustled her way out of the stall, Camilla looked at her chest, and her mouth quirked in something that might have been the tiniest and most beautiful smile yet. But Crown didn’t notice.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Men have names for girls like me; they write them on bathroom stalls, I’ve heard. But all it is, is needing someone warm, needing to be warm. Needing to love. Is that so bad?
Stephen King (The Stand)
I’d wear clothes she made, things like a bow tie, vest, and short pants. In first grade, two kids jumped me in a bathroom stall, and in order to break free I clocked one in the head with my metal Snoopy lunchbox, cutting his face open. The next day, the father brought his son into the class. At the front of the
Michael K. Williams (Scenes from My Life: A Memoir)
Giving the people around them a sweeping look, Grace obviously understood the situation. “I’m going to the bathroom.” She stood up. “Sarah? You coming?” Sarah popped out of her seat, falling in next to Grace, but Otto caught her hand, halting her. “You’ll have to go one at a time,” he told her. “There aren’t any stalls. It’s just a single bathroom.” Hugh started to laugh. “They’re not going to the bathroom to actually use it,” he said. His forehead furrowing in the way it did when he didn’t understand something, Otto looked at Hugh and then back at Sarah. “They’re going to the bathroom so they can have some privacy when they talk about us.” Glancing at Sarah, Hugh amended his words. “You, buddy. They’re going to the bathroom to talk about you.
Katie Ruggle (Survive the Night (Rocky Mountain K9 Unit, #3))
It was about here,” said Ron, recovering himself to walk a few paces past Filch’s chair and pointing. “Level with this door.” He reached for the brass doorknob but suddenly withdrew his hand as though he’d been burned. “What’s the matter?” said Harry. “Can’t go in there,” said Ron gruffly. “That’s a girls’ toilet.” “Oh, Ron, there won’t be anyone in there,” said Hermione, standing up and coming over. “That’s Moaning Myrtle’s place. Come on, let’s have a look.” And ignoring the large OUT OF ORDER sign, she opened the door. It was the gloomiest, most depressing bathroom Harry had ever set foot in. Under a large, cracked, and spotted mirror were a row of chipped sinks. The floor was damp and reflected the dull light given off by the stubs of a few candles, burning low in their holders; the wooden doors to the stalls were flaking and scratched and one of them was dangling off its hinges. Hermione put her fingers to her lips and set off toward the end stall. When she reached it she said, “Hello, Myrtle, how are you?” Harry and Ron went to look. Moaning Myrtle was floating above the tank of the toilet, picking a spot on her chin. “This is a girls’ bathroom,” she said, eyeing Ron and Harry suspiciously. “They’re not girls.” “No,” Hermione agreed. “I just wanted to show them how — er — nice it is in here.” She waved vaguely at the dirty old mirror and the damp floor. “Ask her if she saw anything,” Harry mouthed at Hermione. “What are you whispering?” said
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
am still that fifteen-year-old girl with my finger down my throat, my stocking-covered knees pressed into the cold bathroom floor, desperately trying to hold on to my family, my mother, my anchor, myself. I never even left that bathroom stall. And now I’m not just stuck in time, but I’m actually tumbling backward, like a pebble ricocheting down a mountainside, out of control, on an unstoppable path to combustion. The floor is falling beneath me, and if I don’t do something now to change my life—to change myself—I’m going to keep falling. I pull up the flights again on my computer, and I purchase a round-trip ticket. I leave in three days.
Julia Spiro (Full)