Bath Mats With Quotes

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Oh, thank heavens! Someone remembered the bath mat," Enoch deadpanned. "We are saved.
Ransom Riggs (Hollow City (Miss Peregrine's Peculiar Children, #2))
His dark blue shirt was plastered to his chest, covered with werewolf goop and tears. "Now we both need a bath," I said. "That can be arranged." "Please, Jean-Claude, no sexual innuendo until after I'm clean." "Of course, MA PETITE. It was crude of me tonight. My apologies." I stared at him. He was being far too nice. Jean-Claude was a lot of things, but nice wasn't one of them. "If you're up to something, I don't want to know about it. I can't handle any deep, dark plots tonight, okay?" He smiled and gave a low, sweeping bow, never taking his eyes off me. The way you bow on the judo mat when you're afraid the person may pound you if you look away. I shook my head. He WAS up to something. Nice to know that not everyone had suddenly become something else. One thing I could always depend on what Jean-Claude. Pain in the ass that he was, he always seemed to be there. Dependable in his own twisted way. Jean-Claude dependable? I must have been more tired than I thought.
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
I’m amazed this guy manages to get out of bed in the morning without working himself into a panic attack over the chance that he might trip on the bath mat and stab himself through the eye socket with his toothbrush and be left with a permanent twitch that’ll ruin his chances of landing an airplane safely if the pilot has a heart attack and doom hundreds to a fiery death.
Tana French (The Trespasser (Dublin Murder Squad, #6))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
To put it lightly, I don’t enjoy showering. Being clean, yes. The act of being in the shower, also yes. But everything about having to brush out my tangled hair beforehand, stepping out onto a ratty bath mat or tile floors, getting dry, combing my hair out again—I hate all of that, which means I’m a three-shower-a-week person to Alex’s one to two showers a day.
Emily Henry (People We Meet on Vacation)
Emily just knew that the grocery store clerk’s cousin had slipped on a bath mat and fallen out a second-story open window only to be saved because the woman landed on a discarded mattress. But what interested Emily most about the incident was how the cousin had subsequently met a man in physical therapy who introduced her to his half brother who she ended up marrying and then running over with her car a year later after a heated argument. And that man, it was discovered, had been the one to dump the mattress in her yard. He’d saved her so that she could later cripple him. Emily found that not ironic but intriguing. Because everything, she believed, was connected.
Holly Goldberg Sloan (I'll Be There)
Stepping onto the bath mat, that was also done in that god-awful deep pinky red, he toweled himself off. Still erect. Glancing at his fighting clothes, he found himself loath to put them upon his skin. Rough. Scratchy. Dirty. Mayhap the feminine environment was contaminating him. Xcor ended up in the big bed, naked, upon his back. Still erect.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
In an effort to teach myself self-restraint and self-control, I decided that until I completed my engineering degree, I would wear only white saris, refrain from sweets, sleep on a mat and take baths with cold water. I aimed to become self-sufficient; I would be my best friend and my worst enemy. I didn’t know then that such a quote already existed in the Bhagavad Gita where Krishna says, ‘Atma aiva hi atmano bandhu aatma aiva ripu atmanah’.
Sudha Murty (Three Thousand Stitches: Ordinary People, Extraordinary Lives)
But I'd done what I could to warm the place up. I'd started with a welcome mat. It had a happy face on it and was bright and colorful. It didn't say "Welcome." It said "!!!WELCOME!!!" I knew he wouldn't like it. I considered it more of an amusing test to see how open he was to change. He'd let me move in with him, but how flexible was he really willing to be? It disappeared the day after I placed it by the front door. It was just--poof!--gone. When I imagined the shocked look on his face when he would have first seen it, a spot of wacky and whimsical color in his otherwise monochromatic world, I started to laugh hysterically.
Michelle Rowen (Blood Bath & Beyond (Immortality Bites #6; Immortality Bites Mystery #1))
But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell.  See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
Now, I chucked my useless plastic cards on the bath mat. During my last conversation with Oli, before I’d boarded the plane, he’d said, You can’t have it both ways. You can’t drop a couple grand whenever you feel like it and then get mad at me for working to earn that money.
Kirstin Chen (Counterfeit)
WHAT CONNECTS US are the basics, tenets of normalcy I never had. Need is redefined. Pots and pans, knives and dish towels, bed linens and bath mats don’t have to match. They don’t have to even exist.
Ariel Leve (An Abbreviated Life: A Memoir)
Until only recently, the light that bathed the now-empty apartment had contained the smells of our life there. The kitchen window. The smiling faces of friends, the fresh greenery of the university campus as a backdrop to Sotaro's profile, my grandmother's voice on the phone when i called her late at night, my warm bed on cold mornings, the sound of my grandmother's slippers in the hallway, the color of the curtains...the tatami mat...the clock on the wall. All of it. Everything that was no longer there.
Banana Yoshimoto (Kitchen)
You will leave your home: nothing will hold you. You will wear dresses of gold; skins of silver, copper and bronze. The sky above you will shift in meaning each time you think you understand. You will spend a lifetime chipping away layers of flesh. The shadow of your scales will always remain. You will be marked by sulphur and salt. You will bathe endlessly in clear streams and fail to rid yourself of that scent. Your feet will never be your own. Stone will be your path. Storms will follow in your wake, destroying all those who take you in. You will desert your children kill your lovers and devour their flesh. You will love no one but the wind and ache of your bones. Neither will love you in return. With age, your hair will grow matted and dull, your skin will gape and hang in long folds, your eyes will cease to shine. But nothing will be enough. The sea will never take you back.
Shara McCallum
There is a sign above the door in the shape of a door key, on it the words KEYS CUT. There’ll be a high smell of creosote, oil, paraffin, lawn treatment stuff. There’ll be brushheads with handles, brushheads without handles, handles by themselves, for sale. What else? Rakes, spades, forks, a garden roller, a wall of stepladders, a tin bath full of bags of compost. Calor gas bottles, saucepans, frying pans, mopheads, charcoal, folding stools made of wood, a plastic bucket of plungers, stacked packs of sandpaper, sacks of sand in a wheelbarrow, metal doormats, axes, hammers, a camping stove or two, hessian carpet mats, stuff for curtains, stuff for curtain rails, stuff for screwing curtain rails to walls and pelmets, pliers, screwdrivers, bulbs, lamps, pails, pegs, laundry baskets. Saws, of all sizes. EVERYTHING FOR THE HOME.
Ali Smith (Winter (Seasonal, #2))
Stephen strode forward and as the Frenchman turned he brought the massive obsidian down on his head, breaking both. Pontet-Canet was on the floor, limp but breathing. Stephen bent over him, catling in hand, felt for the still beating common carotid, severed it, and stood back from the jet of blood. Then he pulled the body to the hip-bath, placed towels and mats to prevent the blood soaking through to the floor below, and went through the dead man's pockets. Nothing of significance, but he did take Pontet-Canet's pistol and, since he did not possess one, his watch, a handsome Breuguet very like that which had been taken from him years ago, when he was captured by the French off the coast of Spain.
Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
It’s so cute, isn’t it?” Arianna said dreamily. “Are we seeing the same creature? It’s like a demented goat with a bone growth.” “You’re going to hurt its feelings! Now shut up and sit on the ground.” I did as I was told, sticking my ankle out. “How is it going to heal me?” I asked, suddenly nervous. I pictured it licking my ankle and gagged. I could only imagine the diseases unicorn saliva had or what it carried around in its filthy, matted beard and hair. Bleating reproachfully, it stared at me with its doleful, square-pupiled brown eyes. “Oh, fine. Great, glorious unicorn, beloved of oblivious girls everywhere, please heal me. Now, if you don’t mind.” With one last bat of its gunk-crusted eyelashes, it lowered its head and put its stubby horn against my ankle. I cringed, waiting for pain, but felt instead tingling warmth spread out, almost like having butterflies in my stomach. Only in my ankle. Butterflies . . . with rainbows. The feeling of wholeness and well-being spread up my leg and into my entire body, and I couldn’t stop grinning. The forest was beautiful! The tree branches, naked against the brightening sky, held unimaginable wonders. The hard-packed dirt beneath me was a treasure trove of unrealized potential, lovely for what it could eventually give life to. I could sit out here forever and just enjoy nature. I was so happy! And rainbows! Why did I keep thinking of rainbows? Who cared! Rainbows were totally awesome! And the unicorn! I beamed at it, reaching out my hand to stroke it. There was never a creature more beautiful, more majestic. I’d spend the rest of my life out here, and we’d prance around the forest, worship the sunlight, bathe in the moonlight, and . . . I shook my head, scattering the idiotic warm fuzzies that had invaded. “Whoa,” I said, shoving the unicorn’s head away. “That’s enough of that.” I looked down at my ankle, which was now completely healed, not even a scar left. I fixed a stern look on the unicorn. “I am not going to frolic in an eternal meadow of sunshine and moonlight with you, you rotten little fink. But thanks.” I smiled, just enough to be nice without being too encouraging, and patted it quickly on the head. I was going to soak that hand in bleach. “Okay, let’s get out of here.” I stood, testing my ankle and relieved with the utter lack of pain. I still had an irrational desire to do an interpretive dance about rainbows, but it was a small price to pay for being healed.
Kiersten White (Endlessly (Paranormalcy, #3))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Kato’s expression shifts into something I could almost call a smile for the first time since I found him. He plucks the chordsagain in the beginnings of a tune I recognize, a ballad popular in southern Sinta. His fingers move with skill and subtlety over the strings. I had no idea he was musical. “Maybe we’re not meant to kill it.” He keeps playing. “Doesn’t music soothe the beast? I’ll play, you sing.” “I sound like a strangled Satyr when I sing.” He smiles. “Somehow that doesn’t surprise me.” “There’s no need for mudslinging,” I say with a huff. He chuckles softly. “I can carry a tune.” “Great!” I pat his arm. “That’ll be your job. I’ll stand back—waaaaay back—while you calm the beast. I’m confident you’ll sound as good as you look.” His chest puffs out. “How do I look?” “Terrible.” I grin. “You needed a bath, a shave, and a comb before we even set foot on the Ice Plains. Now, I can just barely make out your eyes and your nose. The rest is all”—I flap my hands around—“hair.” His chest deflates. He eyes me wryly. “I could say the same about you.” I gasp. “I grew a beard? Do you think Griffin will like it? I’ve been trying to keep it neat, but I may have picked up an eel.” Kato laughs outright, and he really is unbearably handsome. Some of the grimness evaporates from his eyes. “I was talking about this.” He gives one of my tousled waves a light tug. I once saw Griffin do that to Kaia. It’s brotherly. Affectionate. My heart squeezes in my chest. My love for Griffin is completely different, but Kato has a piece of me that no man ever had, not even Aetos. Kato sees me, and accepts. In that moment, I realize he’s slipped inside my soul right next to Eleni. They’re a blond-haired, blue-eyed, sunny pair—my light in the dark. Clearing my throat doesn’t drive away the thick lump in it, or dispel the sudden tightness, so I make a show of smoothing down my hair—a lost cause at this point. “Ah, that. It’s getting to the stage where it deserves a name. The Knotted Nest? The Twisted Tresses?” “What about the Terrible Tangle?” I nod. “That has serious possibilities.” “The Matted Mess?” he suggests. My jaw drops. “It’s not that bad!” Grinning, Kato pats my head. “Let’s get out of here.” Yes, please! “I have your clothes. They’re even dry, thanks to your Eternal Fires of the Underworld Cloak.” He quirks an eyebrow, taking the things I hand him. “That gets a name, too?” “I should think so,” I answer loftily.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
Thirty-Nine Ways to Lower Your Cortisol 1 Meditate. 2 Do yoga. 3 Stretch. 4 Practice tai chi. 5 Take a Pilates class. 6 Go for a labyrinth walk. 7 Get a massage. 8 Garden (lightly). 9 Dance to soothing, positive music. 10 Take up a hobby that is quiet and rewarding. 11 Color for pleasure. 12 Spend five minutes focusing on your breathing. 13 Follow a consistent sleep schedule. 14 Listen to relaxing music. 15 Spend time laughing and having fun with someone. (No food or drink involved.) 16 Interact with a pet. (It also lowers their cortisol level.) 17 Learn to recognize stressful thinking and begin to: Train yourself to be aware of your thoughts, breathing, heart rate, and other signs of tension to recognize stress when it begins. Focus on being aware of your mental and physical states, so that you can become an objective observer of your stressful thoughts instead of a victim of them. Recognize stressful thoughts so that you can formulate a conscious and deliberate reaction to them. A study of forty-three women in a mindfulness-based program showed that the ability to describe and articulate stress was linked to a lower cortisol response.28 18 Develop faith and participate in prayer. 19 Perform acts of kindness. 20 Forgive someone. Even (or especially?) yourself. 21 Practice mindfulness, especially when you eat. 22 Drink black and green tea. 23 Eat probiotic and prebiotic foods. Probiotics are friendly, symbiotic bacteria in foods such as yogurt, sauerkraut, and kimchi. Prebiotics, such as soluble fiber, provide food for these bacteria. (Be sure they are sugar-free!) 24 Take fish or krill oil. 25 Make a gratitude list. 26 Take magnesium. 27 Try ashwagandha, an Asian herbal supplement used in traditional medicine to treat anxiety and help people adapt to stress. 28 Get bright sunlight or exposure to a lightbox within an hour of waking up (great for fighting seasonal affective disorder as well). 29 Avoid blue light at night by wearing orange or amber glasses if using electronics after dark. (Some sunglasses work.) Use lamps with orange bulbs (such as salt lamps) in each room, instead of turning on bright overhead lights, after dark. 30 Maintain healthy relationships. 31 Let go of guilt. 32 Drink water! Stay hydrated! Dehydration increases cortisol. 33 Try emotional freedom technique, a tapping strategy meant to reduce stress and activate the parasympathetic nervous system (our rest-and-digest system). 34 Have an acupuncture treatment. 35 Go forest bathing (shinrin-yoku): visit a forest and breathe its air. 36 Listen to binaural beats. 37 Use a grounding mat, or go out into the garden barefoot. 38 Sit in a rocking chair; the soothing motion is similar to the movement in utero. 39 To make your cortisol fluctuate (which is what you want it to do), end your shower or bath with a minute (or three) under cold water.
Megan Ramos (The Essential Guide to Intermittent Fasting for Women: Balance Your Hormones to Lose Weight, Lower Stress, and Optimize Health)
Oh, thank heavens! Someone remembered the bath mat,” Enoch deadpanned. “We are saved.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
Did I tell you how I loved you the moment I first saw you in Tennessee?" he murmurs. His voice has a wistful quality like he's picturing the moment right now. I turn to him surprised. "Really? The moment you saw me? When I was a smelly six-year old girl who hadn't bathed in a week, was covered in other kids' sweat, had snot on my sleeves and tear stains on my face and dirt matted in my hair? That moment? That had you struck by love at first sight?" "Yep," he grins.
Talis Jones (Alarum (Walking Shadows, #1))
The prime example of a small town centred on a religious sanctuary is Bath (Aquae Sulis).
David Mattingly (An Imperial Possession: Britain in the Roman Empire, 54 BC - AD 409 (Penguin History of Britain))
the white bath mat. The man kicked out and sent Qassou flying through the air, striking against the
Ben Coes (The Last Refuge (Dewey Andreas, #3))
Felke realized that prescribing herbal teas, homeopathic remedies, diet and water applications was not sufficient. Inspired by the examples of Rikli and Just, he envisioned a therapeutic setting close to nature where patients could escape their accustomed environments and enjoy the benefits of light, air, sun and healthful food. Surprisingly, the residents of the small rural town of Repelen immediately warmed to their new pastor's idea. A delegation undertook the arduous and costly journey to the Hartz mountains to inspect Just's Jungborn. This visit resulted in the formation of the Repelen Jungborn Society, Ltd., with eighty-one associates, mostly members of a local homeopathic lay society. With a capital of 50,000 goldmark, quite a high sum, the group purchased sixty acres of land, which included a forested area and a dead channel of the Rhine abounding in fish. Two large light and air parks, one for women and the other for men, were created and surrounded with high wooden fences. Naked patients took light, air, water and loam baths and engaged in gymnastics twice a day. Felke himself often directed the male patients. Inside the two parks approximately 50 air huts with two or four rooms each were erected. To guarantee maximum access to fresh air they had no doors or windows, only curtains for privacy. An open wooden hall in the center of the park was used for walking during the day, for gymnastics during bad weather and for sleeping on straw mats at night. In the beginning the spa offered friction sitz baths in flat zinc tubs as the only cold water application. Felke also took up Just's earth-and-sand bath, but it was not until he introduced the loam bath in 1912 that he gained fame as the "loam pastor.
Anonymous
I stand up and pull my dress off and wander, yawning, into the bathroom. Then I hear a yelp. I spin around, naked, and there is Leo, in my bathroom. Standing on the bath mat dripping wet, just out of the shower. Also completely naked. There is a moment where our eyes meet, then his flicker down my body and mine down his, tracing the lines of his chest and the curving muscles on his stomach, beads of water trailing down to pool on the floor. I feel an instant reaction inside, a coiling of a spring that pulls tight from my chest to my thighs. I stare at him and the whole universe narrows to this moment. His stomach flexes, and his hands clench, his eyes on the curve where my neck meets my shoulder, and then they drop to my breasts and I feel all my blood rush to where his gaze rests, my breath shallowing to tiny gasps for air. I am drawn to him. I lift my hand just a fraction, my fingers reaching forward, and he spots the signal, his eyes once again locking with mine. But now they are dark, his pupils dilated, his face tense with desire.
Lizzy Dent (Just One Taste)
I was a slave. The lowest of the low. I spent a year sleeping in stables. I spent another in a warlord’s bed. No bed mats or baths for me. No glory or distinction in battle. No dignity in death, even. Yet, now I am king, poised to end all who have ever wronged me. Free from all pain except that which I might inflict upon my enemies. What say you to that?” “I’m sorry,” I said, the words came to me without thought, a tiny spark of kindling amidst the cold pit in my stomach. Amaziah’s smile fell away.
Alex Singer (Song of the Bull Rider)
This is only a hotel because they charge you $40 to stay. There’s no furniture and no soap. The water comes in a prostated, rusty dribble. The bath has been used to interrogate sheep. The towel is a bar mat. There’s a blanket, a chipped tin teapot and a carpet that looks like tar applied with a comb.
A.A. Gill (The Best of A.A. Gill)
Kittens have rough tongues that remove dead fur and distribute oils throughout their own coats. Even though they give themselves these licking baths, they can still use your help with grooming brushes. Grooming your kitten regularly will help reduce fur balls and avoid tangles and matted down fur in long-haired breeds. When your kitten is sitting on your lap, use the brush along the sides of its body. Be gentle and careful. Offer them the brush to sniff. Some kittens will rub their faces on the brush because the scent is appealing.
Holly Lloyd (Kittens Care Secrets: Kid Pet Guide to a Happy Kitten (Kids Pet Care & Guides Book 2))
The first person to really speak to me was Andy, which was lucky, since he was the least crazy. He stank, but I suspected I did too. I never took off my clothes, always ready for fight or flight, needing to feel a little armoured. Deodorant was a luxury I couldn't afford, and I wasn't about to attempt a bath in a room that didn't lock, and which was always in high demand. Not to mention that there was no plug for the tub, or hand soap, or towels, or curtain, or mat.
Pat Capponi (Upstairs In The Crazy House: The Life Of A Psychiatric Survivor)
Until only recently, the light that bathed the now-empty apartment had contained the smells of our life there. The kitchen window. The smiling faces of friends, the fresh greenery of the university campus as a backdrop to Sotaro’s profile, my grandmother’s voice on the phone when I called her late at night, my warm bed on cold mornings, the sound of my grandmother’s slippers in the hallway, the color of the curtains. . . the tatami mat. . . the clock on the wall. All of it. Everything that was no longer there.
Banana Yoshimoto (Kitchen)
Rwanda in 1949 was a land of enchantment—a wilderness where people and animals lived in harmony untouched by the outside world. Shepherds led their cattle to drink at the lakes and pools until evening, when elephants began to migrate toward the watering holes to drink and bathe. Time was told by the sun, and the moon was the calendar. A house could be built in a few days, made from trees and bamboo gathered from the forests and roofed with grass. Men prayed that the weather would be favorable for their crops, young boys dreamed of owning large herds of cattle, and little girls cradled and sang to their dolls made of spiky flowers called red-hot pokers, imagining a baby of their own. The markets were social gathering places and trading centers where a finely woven grass mat was exchanged for forty pounds of potatoes or a basket for storing grain.
Rosamond Halsey Carr (Land of a Thousand Hills: My Life in Rwanda)
Another event witnessed by Kshama and Ullas: ‘Mad Akku’ was a mentally ill woman who used to drop by occasionally at Balavana to beg for some money or food. Without having had a bath for months, she was stinking to the high heavens. Her long hair had matted and turned brown, caked with dirt. Amma had asked, ‘Akku don’t you ever have a bath?’ Akku had rudely responded, ‘Who will give me a bath, will you?’ Amma said ‘yes’ without a moment’s hesitation. She took Akku to the bathroom, washed her hair and gave her a thorough bath. She then draped Akku in a fresh clean saree and fed her a hot meal. All of us watching were stunned by her actions. Akku started weeping. She said, ‘Amma eer deveru, eer naramani atthu,’ in Tulu. (Amma, you are God. You are not a human being.) Akku fell at Amma’s feet and continued weeping.
Ullas K Karanth (Growing Up Karanth)
141 Going about with matted hair, without food or bath, sleeping on the ground smeared with dust or sitting motionless – no amount of penance can help a person whose mind is not purified. 142 But those whose mind is serene and chaste, whose senses are controlled and whose life is nonviolent – these are true brahmins, true monks, even if they wear fine clothes.
Eknath Easwaran (The Dhammapada)
with a basin and a towel of fine Holland cloth. Yet it is not known how often, or how thoroughly, people actually washed themselves. Elizabeth’s father, Edward IV, had his head, hands, and feet washed every Saturday, which suggests there was a difference between the ideal and the reality. The rich did take baths fairly often, using a wooden tub lined with cloth and covered with a canopy. The bather sat on a bed of sponges, which were also used to wash her with herbs, rosewater, and soap, and was attended by servants who spread mats for her to stand on and who stood ready with towels. Toothpicks and cloths were used to clean and buff teeth, and Elizabeth’s attendants would have tidied her hair with an ivory comb. All the Queen’s ladies were expected to be expert needlewomen, as much of their time was spent working with costly materials and threads of silk and gold, embroidering altar cloths, hangings, bedding, and garments, or sewing clothing such as fine shirts. These might be given as New Year’s gifts. Elizabeth Lock was the Queen’s silkwoman, and also made items for the King. At Christmas 1502, Elizabeth paid her for “certain bonnets, frontlets, and other stuff of her occupation for her own wearing.”45 Like many aristocratic women, Elizabeth enjoyed embroidery. She employed a
Alison Weir (Elizabeth of York: A Tudor Queen and Her World)