Bates Mother Quotes

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Miss Bates…had never boasted either beauty or cleverness. Her youth had passed without distinction, and her middle of life was devoted to the care of a failing mother, and the endeavour to make a small income go as far as possible. And yet she was a happy woman, and a woman whom no one named without good-will. It was her own universal goodwill and contented temper which worked such wonders. She loved every body, was interested in every body’s happiness and quick-sighted to every body’s merits; thought herself a most fortunate creature, and surrounded with blessings in such an excellent mother and so many good neighbours and friends, and a home that wanted for nothing. The simplicity and cheerfulness of her nature, her contented and grateful spirit, were a recommendation to every body and a mine of felicity to herself.
Jane Austen (Emma)
We had all seen that movie (along with such other required eleven-year-old viewing as The Exorcist and The Thing), and it did look sort of like the house where Norman Bates lived with his stuffed mother.
Stephen King (Fairy Tale)
Norman Bates was happy just dressing up like his mother and stabbing people,” Chief Porter said, “but Hannibal Lecter has to cut off their faces and eat their livers with fava beans. The role models have become more intense.
Dean Koontz (Saint Odd (Odd Thomas, #7))
You said, there was no harm in wondering. You said, it’d just be a peek, And you said, don’t be a mother hen. You said, you could land on your feet. But we both know now, You had to learn somehow. Alice, dear, things in mirrors are not as they seem. Stop risking it all on one of your lunatic schemes.
Marni Bates (Awkward (Smith High, #1))
It’s not just that,” Chief Porter said. “A guy who once would have raped and killed a woman, now a lot of times he also has to cut off her lips and mail them to us or take her eyes for a souvenir and keep them in his freezer at home. There’s more flamboyant craziness these days.” Giving the buttered cinnamon roll a reprieve, Ozzie said, “Maybe it’s all these superhero movies with all their supervillains. Some psychopath who used to be satisfied raping and murdering, these days he thinks that he should be in a Batman movie, he wants to be the Joker or the Penguin.” “No real-life bad guy wants to be the Penguin,” I assured him. “Norman Bates was happy just dressing up like his mother and stabbing people,” Chief Porter said, “but Hannibal Lecter has to cut off their faces and eat their livers with fava beans. The role models have become more intense.
Dean Koontz (Saint Odd (Odd Thomas, #7))
Fives feel so close to their mothers that they sometimes overestimate her ability to read their minds. They are often quick and a little impatient and don’t always give all the necessary clues as to what they are talking about. Then they tend to be quite angry if she doesn’t pick up on their story at once. It takes a quick wit to be a mother.
Louise Bates Ames (Your Five-Year-Old: Sunny and Serene)
1595, Richard Field, fellow-alumnus of the King Edward grammar school in Stratford-upon-Avon, printed The lives of the noble Grecians and Romanes, compared together by that grave learned philosopher and historiographer, Plutarke of Chaeronea: translated out of Greeke into French by James Amiot, abbot of Bellozane, Bishop of Auxerre, one of the Kings privie counsell, and great Amner of France, and out of French into English, by Thomas North. This was the book that got Shakespeare thinking seriously about politics: monarchy versus republicanism versus empire; the choices we make and their tragic consequences; the conflict between public duty and private desire. He absorbed classical thought, but was not enslaved to it. Shakespeare was a thinker who always made it new, adapted his source materials, and put his own spin on them. In the case of Plutarch, he feminized the very masculine Roman world. Brutus and Caesar are seen through the prism of their wives, Portia and Calpurnia; Coriolanus through his mother, Volumnia; Mark Antony through his lover, Cleopatra. Roman women were traditionally silent, confined to the domestic sphere. Cleopatra is the very antithesis of such a woman, while Volumnia is given the full force of that supreme Ciceronian skill, a persuasive rhetorical voice.40 Timon of Athens is alone and unhappy precisely because his obsession with money has cut him off from the love of, and for, women (the only females in Timon’s strange play are two prostitutes). Paradoxically, the very masculinity of Plutarch’s version of ancient history stimulated Shakespeare into demonstrating that women are more than the equal of men. Where most thinkers among his contemporaries took the traditional view of female inferiority, he again and again wrote comedies in which the girls are smarter than the boys—Beatrice in Much Ado about Nothing, Rosalind in As You Like It, Portia in The Merchant of Venice—and tragedies in which women exercise forceful authority for good or ill (Tamora, Cleopatra, Volumnia, and Cymbeline’s Queen in his imagined antiquity, but also Queen Margaret in his rendition of the Wars of the Roses).41
Jonathan Bate (How the Classics Made Shakespeare (E. H. Gombrich Lecture Series Book 2))
Once I've coated the parsnips in a honey-saffron glaze, Rachel helps me plate them alongside the brisket, stuffed cabbage, and sweet potato tzimmes, and we carry the plates out to the dining room together. "Let me explain a little about tonight's dinner," I say, addressing the softly lit faces around the table, which is covered with flickering votives and tapered candles. I launch into a description of the Jewish New Year and the symbolism behind all of the food: how the honey represents the hope of a sweet new year, how the challah is round instead of braided to represent the circle of life, how my grandmother used to make stuffed cabbage on every possible occasion because it reminded her of her Hungarian mother. I tell them lots things- about food, about my bubbe, about me- and to my surprise, they actually pay attention. They hang on my every word and ask intelligent questions and make thought-provoking points of their own. And I realize, hey, these are people who get it, people who love to eat and talk about food and culture as much as I do. Most of them aren't Jewish, but that doesn't matter. Every family has its traditions. Every family has a story to share. That's the point of this dinner- to swap stories and histories and see how food can bring people together.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
Aladdin rates high for fuckability and marriage material. I mean, imagine the possibilities for sex in public places with that magic carpet.
Keeley Bates (The Mother Load)
Your kids only start school once,’ she’d reminded him. ‘No they don’t. They start school every year.
Keeley Bates (The Mother Load)
If you can't say something nice about a person, make sure it's witty. Nana Noonan
Margo Bates (P.S. Don't Tell Your Mother)
Elle is starring in my movie. I should be Julia Roberts. Instead I’m Kathy Bates in Misery.
Whitney Dineen (Love is a Battlefield (Seven Brides for Seven Mothers, #1))
Do you come from a family of cooks?" I ask as I rasp the cheese against the prickly grater, trying to distract myself from the familiar smells and sounds. "Kind of. My grandma used to be an amazing cook. Her mother had emigrated from Alsace-Lorraine, so she knew how to make all of these incredible French-German dishes---curly endive salad with bacon dressing, sausages with sauerkraut, green bean stew with potatoes and bacon. When I'd come to visit for lunch, she'd make me radish sandwiches on white bread with salt and butter." "Sounds like the answer is yes, then." "Not exactly. That was my dad's mom. My mom's mom stored cereal and wine in her oven.
Dana Bate (A Second Bite at the Apple)
She’d seen his mother. Buddy set Dil on his mother’s bed, which she hadn’t used since he’d slipped a plastic bag over her head while she was watching an old Sean Connery movie twenty months before. She had only been living with him for six weeks then, but it had been six weeks too long. When he’d agreed to care for her, he’d had no idea what he was taking on. He’d figured a bit more cooking, cleaning, ironing, that kind of stuff. The reality was she pissed her bed every night, which meant he had to wash her linens and shower her each morning. Then he’d get home from work only to find she’d pissed herself again, often shitting herself too. Another shower, more laundry. Come dinner he didn’t get a break because the stroke, which had paralyzed much of her body, prevented her from feeding herself. So he’d have to pound her dinner into mush and spoon it into her mouth. In the evening she might signal she needed to use the bathroom instead of letting loose in her diaper. Nevertheless, getting her undressed, on the toilet, cleaning her up—fuck, it was easier to let her soil herself and hose her down in the shower. Needless to say, caring for her simply became too much. But killing her wasn’t the answer. Buddy knew that right after she took her last, agonized breath. Flooded with guilt at what he’d done, he began talking to her, apologizing to her, changing her, bathing her, all the old routines. When her stench became overpowering, he removed her lungs, stomach, liver, intestines, heart, and brain, and treated her body with salt for forty days until no moisture remained. Then he filled the cavities with sawdust from a local
Jeremy Bates (The Midnight Book Club Super Box Set)
My mom was never much of a cook---her style of cookery mostly involved cream-based canned soup and processed cheese---but her spaghetti salad was something of a delicacy in my town when I was growing up. The combination of spaghetti, ham, cubed cheese, and Miracle Whip doesn't sound as if it should go together, but somehow, when combined, the result is downright delicious. Maybe it's the fact that every bite reminds me of my mom, but when I crave something comforting and familiar, it's the first thing that comes to mind.
Dana Bate (Too Many Cooks)
Everywhere I look, everywhere I turn: salad. Potato salad. Pasta salad. Tuna salad. Ham salad. There aren't any leafy green ones, although some, like my aunt's beloved cottage cheese lime Jell-O salad, are decidedly green. No, the bowls lining the tables and windowsills are filled with the kinds of salads I grew up with in Michigan, most containing some combination of proteins and carbs, the ingredients bound up with a spoonful of mayonnaise or its zesty cousin, Miracle Whip, my mother's all-time favorite condiment. She told me she'd never met a recipe that couldn't be improved by a spoonful of Miracle Whip. That, and maybe a dash of rum.
Dana Bate (Too Many Cooks)
I decided to try imitating the guttural noise the mother had issued. “Guuuummmmm,” I said. The elder looked at me curiously. “That’s good,” Olivia encouraged. I wasn’t so sure, and I couldn’t help thinking about a time in secondary school when I’d accidentally propositioned a female teacher in an overtly sexual way while attempting to say something in Latin. God forbid I was doing something similar now.
Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
Well, you two ladies sit down, and I’ll be mother.’ ‘Oh God, he’s turning into Norman Bates.’ Amy was smirking at Morgan.
Helen Phifer (Hold Your Breath (Detective Morgan Brookes #9))
The last time Josie Bates saw Linda Sheraton they were twenty years old and sharing a cheap apartment in downtown Los Angeles. Both were on a USC athletic scholarship, and both were poor as church mice. Josie, for all intents and purposes, was orphaned. Linda hailed from a trailer park, raised by a mother who didn't give a damn if her daughter ended up in poverty or Princeton. That was where the similarities ended
Rebecca Forster (Hostile Witness (Witness, #1))
When had her mother become Dr. Doolittle?
Keeley Bates (A Dead End (Saints & Strangers, #1))
THE NEXT DAY WAS RAIN-SOAKED and smelled of thick sweet caramel, warm coconut and ginger. A nearby bakery fanned its daily offerings. A lapis lazuli sky was blanketed by gunmetal gray clouds as it wept crocodile tears across the parched Los Angeles landscape. When Ivy was a child and she overheard adults talking about their break-ups, in her young feeble-formed mind, she imagined it in the most literal of essences. She once heard her mother speaking of her break up with an emotionally unavailable man. She said they broke up on 69th Street. Ivy visualized her mother and that man breaking into countless fragments, like a spilled box of jigsaw pieces. And she imagined them shattered in broken shards, being blown down the pavement of 69th Street. For some reason, on the drive home from Marcel’s apartment that next morning, all Ivy could think about was her mother and that faceless man in broken pieces, perhaps some aspects of them still stuck in cracks and crevices of the sidewalk, mistaken as grit. She couldn’t get the image of Marcel having his seizure out of her mind. It left a burning sensation in the center of her chest. An incessant flame torched her lungs, chest, and even the back door of her tongue. Witnessing someone you cared about experiencing a seizure was one of those things that scribed itself indelibly on the canvas of your mind. It was gut-wrenching. Graphic and out-of-body, it was the stuff that post traumatic stress syndrome was made of.
Brandi L. Bates (Remains To Be Seen)
I'd love to cook," she says, "but who has the time? I can't afford to spend two days baking a cake." The implication, of course, is that only unimportant people have that kind of time. Unimportant people like me. I wait for Adam to jump in and save me, but instead he shoves a forkful of lamb into his mouth and feigns deep interest in the contents of his dinner plate. For someone with Adam's political ambitions and penchant for friendly debate, I'm always amazed at the lengths he goes to avoid confrontation with his parents. "I have a full-time job," I say, offering Sandy a labored smile, "and somehow I manage." Sandy delicately places her fork on the table and interlaces her fingers. "I beg your pardon?" My cheeks flush, and all the champagne and wine rush to my head at once. "All I'm saying is... we make time for the things we actually want to do. That's all." Sandy purses her lips and sweeps her hair away from her face with the back of her hand. "Hannah, dear, I am very busy. I am on the board of three charities and am hosting two galas this year. It's not a matter of wanting to cook. I simply have more important things to do." For a woman so different from my own mother- the frosted, well-groomed socialite to my mother's mousy, rumpled academic- she and my mother share a remarkably similar view of the role of cooking in a modern woman's life. For them, cooking is an irrelevant hobby, an amusement for women who lack the brains for more high-powered pursuits or the money to pay someone to perform such a humdrum chore. Sandy Prescott and my mother would agree on very little, but as women who have been liberated from the perfunctory task of cooking a nightly dinner, they would see eye to eye on my intense interest in the culinary arts. Were I a stronger person, someone more in control of her faculties who has not drunk multiple glasses of champagne, I would probably let Sandy's remark go without commenting any further. But I cannot be that person. At least not tonight. Not when Sandy is suggesting, as it seems everyone does, that cooking isn't a priority worthy of a serious person's time. "You would make the time if you wanted to," I say. "But obviously you don't.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
When I was a very small boy, Halley’s comet visited our solar system. For a long time I did not see the giant in the sky because I was not permitted to remain up after sundown. My chums had seen it and had told me perfectly amazing things about it. Also I had heard of what were called “comet pills.” The theory was that if the pills were taken according to directions, then when the tail of the comet struck the earth one would not be consumed. One night I was awakened by my mother, who told me to dress quickly and come with her out into the backyard to see the comet. I shall never forget it if I live forever. My mother stood with me, her hand resting on my shoulder, while I, in utter, speechless awe, beheld the great spectacle with its fan of light spreading across the heavens. The silence was like that of absolute motion. Finally, after what seemed to me an interminable time interval, I found my speech. With bated breath I said, “What will happen to us if that comet falls out of the sky?” My mother’s silence was so long that I looked from the comet to her face, and there I beheld something in her countenance that I had seen only once before, when I came into her room and found her in prayer. When she spoke, she said, “Nothing will happen to us, Howard; God will take care of us.” O simplehearted mother of mine, in one glorious moment you put your heart on the ultimate affirmation of the human spirit! Many things have I seen since that night. Times without number I have learned that life is hard, as hard as crucible steel; but as the years have unfolded, the majestic power of my mother’s glowing words has come back again and again, beating out its rhythmic chant in my own spirit. Here are the faith and the awareness that overcome fear and transform it into the power to strive, to achieve, and not to yield.
Howard Thurman (Jesus and the Disinherited)
The progress of our being’: the baby nursed in its mother’s arms or sleeping on its mother’s breast is blessed because it is learning the experience of sympathy, the force of love. It is through the bond with our mothers in our infancy that we first claim ‘manifest kindred’ with a soul other than our own. As the baby at the breast gazes into the mother’s eye, it has its first experience of feeling. The reciprocal exchange of ‘passion’ is like an ‘awakening breeze’ that in time will extend its force and bind us to our natural surroundings, irradiating and exalting ‘All objects through all intercourse of sense’:
Jonathan Bate (Radical Wordsworth: The Poet Who Changed the World)
I was determined to get this guy talking. Whenever we’d go to lockdown I was in there peppering him with questions in a friendly manner. I asked, “What are you here for?” All I got out of that question was, “Ever since that day. Ever since that day everything went downhill.” I regretted asking him that question and thought, Oh man, this guy killed somebody. I am going to have to sleep with one eye open! This balding, middle-aged man-child just sat there, looking nonthreatening. He had a pretty good belly on him. And his mannerisms struck me as childlike. He was always talking about his mom. In his mutterings about “that day” he also said, “I just wanna get back to my mom.” At first glance I didn’t find him threatening, but all this talk had me thinking he was like Norman Bates from Psycho and maybe he had killed his mother. But then he said, “Ever since that day when I turned two, my parents didn’t want me anymore.” When he said that I found myself thinking, I’d rather he had told me he killed someone. This is much, much creepier.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Eight-year-olds are quite normally all mixed up with their mothers. The mother-child relationship at this age is one of the strongest, deepest, most demanding, and yet most tangled to date.
Louise Bates Ames (Your Eight Year Old: Lively and Outgoing)
You left me there. You left me—” “No,” she says fiercely. “I was always with you. Every day. Every moment. I am your mother, and I was with you.
Callie Bates (The Waking Land (The Waking Land, #1))