Basement Finishing Quotes

As slaves we were this country’s first windfall, the down payment on its freedom. After the ruin and liberation of the Civil War came Redemption for the unrepentant South and Reunion, and our bodies became this country’s second mortgage. In the New Deal we were their guestroom, their finished basement. And today, with a sprawling prison system, which has turned the warehousing of black bodies into a jobs program for Dreamers and a lucrative investment for Dreamers; today, when 8 percent of the world’s prisoners are black men, our bodies have refinanced the Dream of being white. Black life is cheap, but in America black bodies are a natural resource of incomparable value.

I loved school. I loved new shoes and lunch boxes and sharp pencils. I would hold dance contests in tiny finished basements with my friends. I roller-skated in my driveway and walked home from the bus stop on my own. We never locked our door. I had a younger brother whom I loved and also liked. I thought my mother was the most beautiful mother in the world and my father was a superhero who would always protect me. I wish this feeling for every child on earth.

Wait,' Momma says. I peek out with one eye, Daddy does too. Momma never, ever interrupts prayer. 'Uh, baby,' says Daddy, 'I was just finishing up.' 'I have something to add. Lord, bless my mom, and thank you that she went into her retirement fund and gave us the money for the down payment. Help us turn the basement into a suite so she can stay here sometimes.' 'No, Lord,' Daddy says. 'Yes, Lord,' says Momma. 'No, Lord.' 'Yes.' 'No, amen!

Each time a police officer engages us, death, injury, maiming is possible. It is not enough to say that this is true of anyone or more true of criminals. The moment the officers began their pursuit of Prince Jones, his life was in danger. The Dreamers accept this as the cost of doing business, accept our bodies as currency, because it is their tradition. As slaves we were this country’s first windfall, the down payment on its freedom. After the ruin and liberation of the Civil War came Redemption for the unrepentant South and Reunion, and our bodies became this country’s second mortgage. In the New Deal we were their guestroom, their finished basement. And today, with a sprawling prison system, which has turned the warehousing of black bodies into a jobs program for Dreamers and a lucrative investment for Dreamers; today, when 8 percent of the world’s prisoners are black men, our bodies have refinanced the Dream of being white. Black life is cheap, but in America black bodies are a natural resource of incomparable value.

Brasi left the room. Two of his men assisted the midwife and the baby was born, the mother was exhausted and went into a deep sleep. Brasi was summoned and Filomena, who had wrapped the newborn child in an extra blanket, extended the bundle to him and said, “If you’re the father, take her. My work is finished.” Brasi glared at her, malevolent, insanity stamped on his face. “Yes, I’m the father,” he said. “But I don’t want any of that race to live. Take it down to the basement and throw it into the furnace.

Her father is fastened to his room, with his records and his drugs and his quiet. She crawls under her covers. It is her fault for triggering one of his spells. Normally she can tightrope through his moods. At least it had been brief. Most girls do not have to deal with a father like hers. They would be afraid of the way she lives, lawless in a roachy apartment. They would be scared of his fits. Madeleine would be scared too, she thinks, falling asleep. If she had only experienced finished basements and dads who acted like dads. But Madeleine loves her father, and how can you be scared of someone you love?

When Elisa arrives at McDonald’s, the manager unlocks the door and lets her in. Sometimes the husband-and-wife cleaning crew are just finishing up. More often, it’s just Elisa and the manager in the restaurant, surrounded by an empty parking lot. For the next hour or so, the two of them get everything ready. They turn on the ovens and grills. They go downstairs into the basement and get food and supplies for the morning shift. They get the paper cups, wrappers, cardboard containers, and packets of condiments. They step into the big freezer and get the frozen bacon, the frozen pancakes, and the frozen cinnamon rolls. They get the frozen hash browns, the frozen biscuits, the frozen McMuffins. They get the cartons of scrambled egg mix and orange juice mix. They bring the food upstairs and start preparing it before any customers appear, thawing some things in the microwave and cooking other things on the grill. They put the cooked food in special cabinets to keep it warm.

If the girl’s going to end up with a dude who’s a monster,” Chloe says, “it needs to be—” “Phantom,” Georgia finishes for her as they head outside, because she’s heard it five hundred thousand times. “Monster on the outside, but on the inside, he cares about her career goals!” Chloe says. “Call me old-fashioned, but a man’s place is in the basement, preparing vocal exercises for his more talented wife.

Hunter was hiding in the basement. Well, not really hiding. He was showing Simon how to break some basic holds. But if he was down here, he didn’t have to see Kate, and he didn’t have to listen to Gabriel’s minute-by-minute jabs. Much more of that, and Hunter wouldn’t give a crap about his promise to Michael—he’d finish what they’d started last night. Everyone else was out on the back porch with pizza and soda, a scene straight out of a deodorant commercial or something.

Last Saturday he set out to fix a screen upstairs. He went to the basement to get some nails. Downstairs he saw that the workbench was a mess, so he started organizing the workbench. Then he needed some pegboard to hang up the tools, so he jumped into the car and went to buy the pegboard. At the lumber yard he saw a sale on spray paint, so he bought a can to paint the porch railing and came home totally unaware that he hadn't gotten the pegboard, that he had never finished sorting out the work bench, and that he had started out to fix the broken screen, which we really needed fixed.

On May 10th, the temperature and radioactive emissions from inside the reactor started to fall. By the 11th, days after the water finished draining, a team of technicians ventured into the sub-levels of the plant, bored a hole through a wall below the core and poked a radiometer through. It confirmed their worst fears: the molten core had cracked the reactor’s concrete foundations and at least partially poured into the basement. There was now next to nothing stopping it from breaking through the foundations of the building itself and reaching the water table below. A better and more permanent solution than injecting liquid nitrogen from the surface was required.

The Dreamers accept this as the cost of doing business, accept our bodies as currency, because it is their tradition. As slaves we were this country’s first windfall, the down payment on its freedom. After the ruin and liberation of the Civil War came Redemption for the unrepentant South and Reunion, and our bodies became this country’s second mortgage. In the New Deal we were their guestroom, their finished basement. And today, with a sprawling prison system, which has turned the warehousing of black bodies into a jobs program for Dreamers and a lucrative investment for Dreamers; today, when 8 percent of the world’s prisoners are black men, our bodies have refinanced the Dream of being white. Black life is cheap, but in America black bodies are a natural resource of incomparable value.

Jake looks at me as if I’ve asked a really stupid question. “Just some more rooms. And the basement is through there.” “Oh, okay,” I say. “It isn’t finished. Just a nasty hole in the ground for the water heater and stuff like that. We don’t use it. It’s a waste of space. There’s nothing down there.” “A hole in the ground?” “Just forget about it. It’s there. It’s not a nice place. That’s all. It’s nothing.

I compare building a relationship to building a house. While everyone’s all excited to paint and decorate a finished house, no one actually wants to go and build the foundation and the basement. As in building a house, the basement represents the foundation of a relationship, the part that is responsible for holding up that house that we love so much. If the foundation of a home is shoddy, cracked, or not aligned, then the house will fall—and the same is true for any relationship.

He inhaled sharply. “I’m glad to have you back.” I nodded, swallowing thickly. “I’m glad to be back.” “Hell, we all can agree on that.” Luke picked up a donut. “There’s nothing creepier than having a psychotic Apollyon caged in the basement.” “Ha,” I said. Luke winked and then tossed the donut to me. I caught it. Sugar flew everywhere. “Or waiting for her to break loose and run amuck,” Deacon added as I took a bite. He glanced across the table. “Or waiting for someone, no names mentioned, to not listen to us and go say hi.” Olivia’s cheeks reddened as she stood. She approached slowly, waited for me to finish chewing. I started to apologize. “I’m really sorry—” She socked me in the stomach. Hard. I doubled over, gasping for air. “Gods.

It’s not a spiderweb, you old fool, it’s the pull for the light.” She reached around him and tugged on the string. The naked hundred-watt bulb came on with a snap, blinding both of them for a moment. Blinking as her eyes adjusted, Taylor stared down the stairs, the light illuminating only the immediate stairwell. Fitz was grumbling behind her. She un-latched the snap on her holster, slipped her Glock out of the creaking leather. Holding it at her side, she started down. There was a landing, and she stopped, cautious, sticking the gun and her head around the corner at the same time, just in case. She saw nothing to alarm her, and returned the weapon to its holster as she went down the remaining steps. There was a light switch at the base of the stairs. Taylor flipped on the overhead fluorescent. It was a standard basement: cement floor, unfinished walls on three sides, one painted, as if the owners had contemplated finishing the room and wanted to see what it would look like. The barest whiff of stale air indicated a minor mold problem; the floor was cluttered with stacks of cardboard boxes, bicycles, sleds. All the material that wouldn’t fit nicely in the garage was placed haphazardly down here. It was just a storage space, probably only four hundred square feet: twenty feet deep and twenty long. Certainly nothing exciting. She returned the weapon to its holster. They did a pass through, looking behind boxes, but Taylor didn’t see anything out of place.

Romeo keeps talking after Father Travis walks through the door. Keeps on talking to the empty coffeepot and waiting chairs, to the walls, to the sun shafts through basement window, to the food smells, to the hands, the knees, the air. Keeps on talking because once he finishes he does not know what will happen next, what awaits him anywhere in his won life, and because he cannot leave with these embarrassing sheets of snot and tears still running down his face.

Jeez, these kids are so date-y. As in the guys wear suits and they go out to dinner. Did sixteen year olds EVER do this? You see this a lot in 80s teen movies too. Maybe I am just jaded, because nowadays sixteen year olds have orgies in their finished basements.

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Shit, does everyone know about the fire?” He held the phone, tipped the beer up to his lips, and took a swig. Thankfully, he’d finished swallowing before Vinny stopped laughing. “Of course. What are you, nuts? Remember that wedding reception in the church basement? The maid of honor’s dress caught on fire when they served flaming cherries jubilee, and the band started playin’ the “William Tell Overture” while she ran around screaming like a banshee?

I told her about the photograph, the butterfly emblem, and the light in the basement. When I finished, Ema said, “Whoa.” “You say that a lot.” “What?” “ ‘Whoa,’” I said. “Actually, I don’t. But hanging around you, well, it seems awfully apropos.” I

Babushka,” Marya said, and she meant it, here, at the end of everything. “I am so tired. I am so finished with it all. How can I live in this? I want to be held by everyone I have loved and told that it is all forgiven, all done, all made well.” “Tscha! Death is not like that. The redistribution of worlds has made everything equal—magic and cantinas and Yelenas and basements and bread and silver, silver light. Equally dead, equally bound. You will live as you live anywhere. With difficulty, and grief. Yes, you are dead. And I and my family and everyone, always, forever. All dead, like stones. But what does it matter? You still have to go to work in the morning. You still have to live.

I loved that feeling of arising when I finished smoking and climbed out of the shed, bushes, basement, or attic, and emerged into a world completely transformed in front of me. There was that unquenchable giggle that would make even a child blush and the stoned musings and ponderings so deep and so reflective that they seemed to hold the answers to all life’s deepest questions.

It was in the darkness of this finished basement, left alone for so very long, that Tucker Ashton the killer was born. Unlike his first birth, it would not prove to be a miracle.

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But Loren wasn’t finished. There was more she wanted to say—so much more. “I left that night…,” she began. She was looking only at Darien, her words all for him, her heart breaking at the memory. “When I saw you in the basement with those men, I didn’t leave because I was afraid of you. I left because the imperator threatened me. He told me to meet him at my school. He said if I didn’t go, he would kill you. All of you.” The longer she spoke, the harder her words shook. “He sent me photographs of the house, but he removed them from my phone before I could show you. He was watching the house. Watching all of us.

I wanted to lock her in my basement until I could finish the house for her so she didn’t get even a splinter.

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You like to tell true stories, don’t you?” he asked, and I answered, “Yes, I like to tell stories that are true.” Then he asked, “After you have finished your true stories sometime, why don’t you make up a story and the people to go with it? “Only then will you understand what happened and why. “It is those we live with and love and should know who elude us.” Now nearly all those I loved and did not understand when I was young are dead, but I still reach out to them. Of course, now I am too old to be much of a fisherman, and now of course I usually fish the big waters alone, although some friends think I shouldn’t. Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise. Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

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