Basement Construction Quotes

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They don't make morgues with windows. In fact, if the geography allows for it, they hardly ever make morgues above the ground. I guess it's partly because it must be eisier to refrigerate a bunch of coffin-sized chambers in a room insulated by the earth. But that can't be all there is to it. Under the earth means a lot more than relative altitude. It's where dead things fit. Graves are under the earth. So are Hell, Gehenna, Hades, and a dozen other reported afterlives. Maybe it says somthing about people. Maybe for us, under the earth is a subtle and profound statement. Maybe ground level provides us with a kind of symbolic boundary marker, an artificial construct that helps us remember that we are alive. Mabye it helps us push death's shadow back from our lives. I live in a basement apartment and like it. What does that say about me? Probably that I overanalyze things.
Jim Butcher (Death Masks (The Dresden Files, #5))
Whether we are speaking of a flower or an oak tree, of an earthworm or a beautiful bird, of an ape or a person, we will do well, I believe, to recognize that life is an active process, not a passive one. Whether the stimulus arises from within or without, whether the environment is favorable or unfavorable, the behaviors of an organism can be counted on to be in the direction of maintaining, enhancing, and reproducing itself. This is the very nature of the process we call life. This tendency is operative at all times. Indeed, only the presence or absence of this total directional process enables us to tell whether a given organism is alive or dead. The actualizing tendency can, of course, be thwarted or warped, but it cannot be destroyed without destroying the organism. I remember that in my boyhood, the bin in which we stored our winter's supply of potatoes was in the basement, several feet below a small window. The conditions were unfavorable, but the potatoes would begin to sprout—pale white sprouts, so unlike the healthy green shoots they sent up when planted in the soil in the spring. But these sad, spindly sprouts would grow 2 or 3 feet in length as they reached toward the distant light of the window. The sprouts were, in their bizarre, futile growth, a sort of desperate expression of the directional tendency I have been describing. They would never become plants, never mature, never fulfill their real potential. But under the most adverse circumstances, they were striving to become. Life would not give up, even if it could not flourish. In dealing with clients whose lives have been terribly warped, in working with men and women on the back wards of state hospitals, I often think of those potato sprouts. So unfavorable have been the conditions in which these people have developed that their lives often seem abnormal, twisted, scarcely human. Yet, the directional tendency in them can be trusted. The clue to understanding their behavior is that they are striving, in the only ways that they perceive as available to them, to move toward growth, toward becoming. To healthy persons, the results may seem bizarre and futile, but they are life's desperate attempt to become itself. This potent constructive tendency is an underlying basis of the person-centered approach.
Carl R. Rogers
You've punctured my solitude, I told you. It had been a useful solitude, constructed, as it was, around a recent sobriety, long walks to and from the Y through the sordid, bougainvillea-strewn back streets of Hollywood, evening drives up and down Mulholland to kill the long nights, and, of course, maniacal bouts of writing, learning to address no one. But the time for its puncturing had come. I feel I can give you everything without giving myself away, I whispered in your basement bed. If one does one's solitude right, this is the prize.
Maggie Nelson
7 ALL ELECTRIC J. B. STRAUBEL HAS A TWO-INCH-LONG SCAR that cuts across the middle of his left cheek. He earned it in high school, during a chemistry class experiment. Straubel whipped up the wrong concoction of chemicals, and the beaker he was holding exploded, throwing off shards of glass, one of which sliced through his face. The wound lingers as a tinkerer’s badge of honor. It arrived near the end of a childhood full of experimentation with chemicals and machines. Born in Wisconsin, Straubel constructed a large chemistry lab in the basement of his family’s home that included fume hoods and chemicals ordered, borrowed, or pilfered. At thirteen, Straubel found an old golf cart at the dump. He brought it back home and restored it to working
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
discovering that hunter-gatherers had constructed Göbekli Tepe was like finding that someone had built a 747 in a basement with an X-Acto knife.
Leonard Mlodinow (The Upright Thinkers: The Human Journey from Living in Trees to Understanding the Cosmos)
Everyone knew that Jim's creative coup d'etat came from a suggestion from his great-uncle Max, who lived on a farm in Iowa. According to Jim [Jackers], his uncle had Mexicans running the farm while his days were spent in the farmhouse basement reconstructing a real train car from scratch, which was the only thing he had shown any interest in since the passing of his wife. He traveled to old train yards collecting the parts. When someone asked him at a family function why we was doing it, his answer was so that no one could remove the train car from the basement after he died. When it was pointed out to him that the boxcar could be removed by dismantling it, reversing the process by which he had constructed it, Jim's great uncle replied that no Jackers alive was willing to work that hard at anything.
Joshua Ferris (Then We Came to the End)
Chance imagined himself no stranger to the machinations by which people went about establishing the architecture of their own imprisonment, the citadels from whose basement windows one might on occasion hear their cries. Like Houdini, we construct the machinery of our entrapment from which we must finally escape or die.
Kem Nunn (Chance: A Novel)
The people’s right to know”—the people’s right to know what? Daniel Shipstone, having first armed himself with great knowledge of higher mathematics and physics, went down into his basement and patiently suffered seven lean and weary years and thereby learned an applied aspect of natural law that let him construct a Shipstone. Any and all of “the people” are free to do as he did—he did not even take out a patent. Natural laws are freely available to everyone equally, including flea-bitten Neanderthals crouching against the cold. In this case, the trouble with “the people’s right to know” is that it strongly resembles the “right” of someone to be a concert pianist—but who does not
Robert A. Heinlein (Friday)
Yep,” Annabeth said weakly. “He really did it.” The giant belched. He wiped his steaming greasy hands on his robe and grinned at us. “So, if you’re not breakfast, you must be customers. What can I interest you in?” He sounded relaxed and friendly, like he was happy to talk with us. Between that and the red velour housecoat, he almost didn’t seem dangerous. Except of course that he was ten feet tall, blew fire, and ate cows in three bites. I stepped forward. Call me old-fashioned, but I wanted to keep his focus on me and not Annabeth. I think it’s polite for a guy to protect his girlfriend from instant incineration. “Um, yeah,” I said. “We might be customers. What do you sell?” Cacus laughed. “What do I sell? Everything, demigod! At bargain basement prices, and you can’t find a basement lower than this!” He gestured around the cavern. “I’ve got designer handbags, Italian suits, um…some construction equipment, apparently, and if you’re in the market for a Rolex…” He opened his robe. Pinned to the inside was a glittering array of gold and silver watches. Annabeth snapped her fingers. “Fakes! I knew I’d seen that stuff before. You got all this from street merchants, didn’t you? They’re designer knockoffs.” The giant looked offended. “Not just any knockoffs, young lady. I steal only the best! I’m a son of Hephaestus. I know quality fakes when I see them.
Rick Riordan (The Heroes of Olympus: The Demigod Diaries)
Chernobyl’s full complement of morning-shift staff and Unit 5’s construction crews had not received word of the accident and arrived for work at 8am that morning, in spite of the surrounding devastation.162 The Construction Chief sent his crews home at midday because nobody would tell him what was going on, but most of the plant staff remained. All throughout the day of April 26th, firemen and operators continued to pump water into the reactor, succeeding only in flooding more and more of the basement with radioactive water.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
The next morning, Tuesday, Churchill worked on it some more, but found his concentration broken by the sound of hammering coming from construction underway in the Horse Guards Parade, where workers were busy shoring up the Cabinet War Rooms (later named the Churchill War Rooms), situated in the basement of a large government office building a short walk from No. 10 Downing Street. At nine A.M. he ordered Colville to find the source and stop it. “This is an almost daily complaint,” Colville wrote, “and must cause considerable delay in the measures being taken to defend Whitehall.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
They sat together at a table in the corner of a basement speakeasy, and they drank beer, and Mike related his favorite tale of how he had fallen five stories when a scaffolding gave way under him, how he had broken three ribs but lived to tell it, and Roark spoke of his days in the building trades. Mike did have a real name, which was Sean Xavier Donnigan, but everyone had forgotten it long ago; he owned a set of tools and an ancient Ford, and existed for the sole purpose of traveling around the country from one big construction job to another. People meant very little to Mike, but their performance a great deal. He worshipped expertness of any kind. He loved his work passionately and had no tolerance for anything save for other single-track devotions. He was a master in his own field and he felt no sympathy except for mastery. His view of the world was simple: there were the able and there were the incompetent; he was not concerned with the latter. He loved buildings. He despised, however, all architects.
Ayn Rand (The Fountainhead)
Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.
Jean-François Lyotard (Libidinal Economy)
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Diggs Custom Homes
The Morning Ritual: Planning for It PLAN AHEAD The first thing you can do is plan your morning the night before. This means making sure you have lemons for your hot lemon water, getting the coffee ready to brew, and setting your alarm to allow ten to fifteen minutes to center yourself. You can go a step further by making any decisions you might need to make the next morning, like choosing an outfit, looking at your calendar to mentally construct what lies ahead so you can adjust for it, or picking which guided meditation you are going to use. COMMIT TO YOUR ROUTINE Stick with the plan. Make a commitment for the next thirty to forty days that no matter how shitty you feel, you’ll carry out your morning routine. When I set out to train myself to brush my teeth every night, it took some brain power. I had to make the decision to do it and debate myself almost every single time. But without fail, I made myself brush my teeth until it became automatic, something I did without much fuss. You don’t have to keep up this practice forever, and chances are it will fall off at some point, but right now you’re in training to not drink. DESIGNATE A PLACE TO MEDITATE This might sound frivolous but it is terribly important: create a place where you will meditate every morning. You don’t have to build an altar or buy a meditation cushion, although you can. It might even just be your bed (I meditate mostly in my bed, though I have a space set up in my basement). Remember you are investing in your healing, and understand that the more intention you put into something or the more special you make it, the more likely you are to do it. You can, if you want, go
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
Because of the many casualties that had happened in homemade bunkers, we were warned to no longer use them. We were told that the homemade shelter we had laboriously constructed in the basement of our building was useless and now could not even give us the illusion of being a safe haven. Instead a massive new suburban air raid shelter had been built of reinforced concrete, which was eleven feet thick in places. The structure was near the tram stop where the Feudenheimer Strasse became the Haupt Strasse or Main Street. Even with a war going on with lives at stake, Nazi style commercialism was alive and well, as we rented a room in this nearby bunker for six Reichmarks a night. At the time $1 = RM 2.50. The small room had four beds and we were told to be there prior to 18:00 hours or six o’clock in the evening. Concussions from the bombs were of primary concern and everything was designed to minimize their effect. The pathway to the entrance of this bunker was a zigzagged concrete walk protected by sandbags, as this helped to reduce the concussion from an air blast. Tall bushes and grass as well as riverweed, were planted strategically to absorb the bomb bursts from across the river.
Hank Bracker
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CNLC Construction
The largest apartment in the Dakota belongs to restaurateur Warner LeRoy, the son of movie director Mervyn LeRoy and the nephew of all the Warner brothers. Originally, the LeRoys’ apartment consisted of only ten large rooms on the sixth floor, but when another apartment of the same size became available on the floor immediately above, the LeRoys bought that one too. They persuaded the building to let them construct a staircase between the two apartments, giving them the Dakota’s only duplex, unless one counts Ward Bennett’s split-level pyramid on the roof, the Novaks’ basement studio, and the various sleeping-lofts and balconies that have been inserted between floors here and there. The LeRoy apartment, as might be expected, has been decorated in
Stephen Birmingham (Life at the Dakota: New York's Most Unusual Address)
A bathroom in good condition will raise the value of the house. Therefore, our renovation experts have enlisted some top reasons why you need bathroom renovation.
ASASA Construction
You are! You're staring at me and accusing me!" She thew down her tea. "But I didn't kill my only child, Kyle, bury him in the dirt floor of the basement and construct an elaborate fantasy world! No, I did not!
Kevin L. Donihe (Night of the Assholes)
The arrival of war brought new opportunities and challenges to the firm. In 1941, it received a contract from the government to build sixteen hundred military worker homes in Norfolk, Virginia. The contract demanded speed and efficiency on a scale that the Levitts had never before attempted. In response, they began to experiment with mass-production techniques: time-consuming dug-out basements were replaced with poured-cement foundations; walls and roofs were partly preassembled; construction was broken down into simple tasks that could be performed without trained carpenters or unionized labor. Homes became stationary units in a moving assembly line of people; it was Fordism turned on its head. Thanks in large part to these innovations, the Levitts
Eric Rutkow (American Canopy: Trees, Forests, and the Making of a Nation)
At the suggestion of Congressman Clyburn, I visited J. V. Martin Junior High School, a largely Black public school in the rural town of Dillon in the northeastern section of the state. Part of the building had been constructed in 1896, just thirty years after the Civil War, and if repairs had been made over the decades, you couldn’t tell. Crumbling walls. Busted plumbing. Cracked windows. Dank, unlit halls. A coal furnace in the basement still used to heat the building. Leaving the school, I alternated between feeling downcast and freshly motivated: What message had generations of boys and girls received as they arrived at this school each day except for the certainty that, to those in power, they did not matter; that whatever was meant by the American Dream, it wasn’t meant for them?
Barack Obama (A Promised Land)
You’ve punctured my solitude, I told you. It had been a useful solitude, constructed, as it was, around a recent sobriety, long walks to and from the Y through the sordid, bougainvillea-strewn back streets of Hollywood, evening drives up and down Mulholland to kill the long nights, and, of course, maniacal bouts of writing, learning to address no one. But the time for its puncturing had come. I feel I can give you everything without giving myself away, I whispered in your basement bed. If one does one’s solitude right, this is the prize.
Maggie Nelson (The Argonauts)