Baseball Love Quotes

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[On writing:] "There's a great quote by Julius Irving that went, 'Being a professional is doing the things you love to do, on the days you don't feel like doing them.'" (One On 1, interview with Budd Mishkin; NY1, March 25, 2007.)
David Halberstam (Everything They Had: Sports Writing)
If I were standing right beside her, I probably would have heard her heart breaking. It would have sounded like the cracking of a wooden bat connecting with a baseball. No, that was too clean of a break. It would have sounded like rain from a powerful thunderstorm pounding on a tin roof. Millions of drops relentlessly pounding away on the surface until it shattered into billions of tiny pieces. Pieces Emily couldn’t put back together by herself.
Lindsay Paige (Sweetness (Bold As Love, #1))
There’s no crying in baseball and no love in Hell. It’s just the rules. You could say it’s against our religion, more or less.
Lisa Desrochers (Personal Demons (Personal Demons, #1))
Baseball is the most perfect of games, solid, true, pure and precious as diamonds. If only life were so simple. Within the baselines anything can happen. Tides can reverse; oceans can open. That's why they say, "the game is never over until the last man is out." Colors can change, lives can alter, anything is possible in this gentle, flawless, loving game.
W.P. Kinsella (Shoeless Joe)
Champions never sleep, the eternal spirit keep them alert and awake.
Amit Ray (Enlightenment Step by Step)
What’s this?” “An apology, of sorts.” I made a moue, but slipped the lid from the top . . . and then my breath left me. Inside the box sat a baseball, its well-worn white leather marked by the signatures of every Cubs player from the team. It was just like the one I’d had—just like the one I’d told him about the night we made love.
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because - " "Because you do, in short," laughed Mademoiselle.
Kate Chopin (The Awakening)
You may glory in a team triumphant, but you fall in love with a team in defeat. Losing after great striving is the story of man, who was born to sorrow, whose sweetest songs tell of saddest thought, and who, if he is a hero, does nothing in life as becomingly as leaving it.
Roger Kahn (The Boys of Summer)
It is not over. Champions extend their limits and make things happen.
Amit Ray
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
What would he say to her, if he was going to speak truly? He didn't know. Talking was like throwing a baseball. You couldn't plan it out beforehand. You just had to let go and see what happened. You had to throw out words without knowing whether anyone woud catch them -- you had to throw out words you knew no one would catch. You had to send your words out where they weren't yours anymore. It felt better to talk with a ball in your hand, it felt better to let the ball do the talking. But the world, the nonbaseball world, the world of love and sex and jobs and friends, was made of words.
Chad Harbach (The Art of Fielding)
I reached down and picked up a baseball bat at my feet and I flung it as hard as it could. It circled and arced high in the air until it slammed against the side of the dining hall with a crack and fell. I sat down in the dirt. Then I lay down in the dirt. Because not only was there no trail to follow, there was no evidence he’d ever been here. There was no evidence any of them had been here.
Laura Anderson Kurk (Perfect Glass)
How odd that we spend so much time treating the darkness, and so little time seeking the light. The ego loves to glorify itself by self-analysis, yet we do not get rid of darkness by hitting it with a baseball bat. We only get rid of darkness by turning on the light.
Marianne Williamson (Tears to Triumph: The Spiritual Journey from Suffering to Enlightenment)
I've fallen in love with baseball.
Nick Jonas
I love you. How much? More than the ocean is large. More than a shark loves human limbs. More than Gavin loves his reflection. More than baseball players love steroids. More than chocolate, more than wine and way, way more than anchovies. More than yesterday, but less than tomorrow. .... How much? I type. This much. It's his voice.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
J. Conrad Guest (The Cobb Legacy)
The game (baseball)was a custom of his clan, and it gave outlet for the homicidal and sides-taking instincts which Babbitt called “patriotism” and “love of sport.
Sinclair Lewis (Babbitt)
If you can't fuck me while I read, fuck off.
S.X. Rosenstock (The Paris Review Book: of Heartbreak, Madness, Sex, Love, Betrayal, Outsiders, Intoxication, War, Whimsy, Horrors, God, Death, Dinner, Baseball, Travels, ... Else in the World Since 1953)
I'm helplessly and permanently a Red Sox fan. It was like first love...You never forget. It's special. It's the first time I saw a ballpark. I'd thought nothing would ever replace cricket. Wow! Fenway Park at 7 o'clock in the evening. Oh, just, magic beyond magic: never got over that
Simon Schama
Principles are what people have instead of God. To be a Christian means among other things to be willing if necessary to sacrifice even your highest principles for God's or your neighbour's sake the way a Christian pacifist must be willing to pick up a baseball bat if there's no other way to stop a man from savagely beating a child. Jesus didn't forgive his executioners on principle but because in some unimaginable way he was able to love them. 'Principle' is an even duller word than 'Religion'.
Frederick Buechner (Wishful Thinking: A Seeker's ABC)
There’s no crying in baseball and no love in Hell. It’s just the rules.
Lisa Desrochers (Personal Demons (Personal Demons, #1))
Little by little, in telling Sam all these details, I got to see the bigger point of baseball, that it can give us back ourselves. We’re a crowd animal, a highly gregarious, communicative species, but the culture and the age and all the fear that fills our days have put almost everyone into little boxes, each of us all alone. But baseball, if we love it, gives us back our place in the crowd. It restores us.
Anne Lamott
So, a crash course for the amnesiac,” Leo said, in a helpful tone that made Jason think this was not going to be helpful. “We go to the ‘Wilderness School’”—Leo made air quotes with his fingers. “Which means we’re ‘bad kids.’ Your family, or the court, or whoever, decided you were too much trouble, so they shipped you off to this lovely prison—sorry, ‘boarding school’—in Armpit, Nevada, where you learn valuable nature skills like running ten miles a day through the cacti and weaving daisies into hats! And for a special treat we go on ‘educational’ field trips with Coach Hedge, who keeps order with a baseball bat.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
When it rains, the moisture in the humid air blankets our town with the smell of damp coffee grounds wafting in from the Nescafé factory at the town’s eastern edge. I don’t like coffee but I like that smell. It’s comforting; it unites the town in a common sensory experience; it’s good industry, like the roaring rug mill that fills our ears, brings work and signals our town’s vitality. There is a place here—you can hear it, smell it—where people make lives, suffer pain, enjoy small pleasures, play baseball, die, make love, have kids, drink themselves drunk on spring nights and do their best to hold off the demons that seek to destroy us, our homes, our families, our town.
Bruce Springsteen (Born to Run)
(Baseball’s a dull game, really; that’s the reason that it is so good. We do not love the game so much as we love the sprawl and drowse and shirt-sleeved apathy of it.)
Thomas Wolfe (You Can't Go Home Again)
What I missed was what I missed every year when the season ended and abruptly the radio was quiet. I missed them.
Nicholas Dawidoff (The Crowd Sounds Happy: A Story of Love, Madness, and Baseball)
Love is the most important thing in the world, but baseball is pretty good, too.
Yogi Berra
We became acquainted with starry skies the girls had gazed at while camping years before, and the boredom of summers traipsing from back yard to front to back again, and even a certain indefinable smell that arose from toilets on rainy nights, which the girls called "sewery." We knew what it felt like to see a boy with his shirt off, and why it made Lux write the name Kevin in purple Magic Marker all over her three-ring binder and even on her bras and panties, and we understood her rage coming home one day to find that Mrs. Lisbon had soaked her things in Clorox, bleaching all the "Kevins" out. We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn't fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
TRAVIS: I never said I like boys! GORDO: Ever beat off to Penthouse? TRAVIS: No. GORDO: Ever collect baseball cards? TRAVIS: No. GORDO: How old is Barbra Streisand? TRAVIS: 36. Three weeks ago. GORDO:What do you need—a fucking blueprint?
Steve Kluger (Almost Like Being in Love)
I loved him in the way that one loves those who no longer matter: poignantly.
Molly O'Neill (Mostly True: A Memoir of Family, Food, and Baseball)
For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition being, basically, that we're alive and have access to beauty, can even erratically create it, but will someday be dead and will not. Baseball was an art, but to excel at it you had to become a machine. It didn't matter how beautifully you performed SOMETIMES, what you did on your best day, how many spectacular plays you made. You weren't a painter or a writer--you didn't work in private and discard your mistakes, and it wasn't just your masterpieces that counted.
Chad Harbach (The Art of Fielding)
Some men know the exact amount of money in their bank accounts,” she continued. “Other men know how many miles are on their car and how many more miles it’ll handle. Other men know the batting average of their favorite baseball player and more other men know the exact sum Uncle Sam has screwed ’em. Your father knows no such figures. The only numbers Landon Carpenter has in his head are the numbers of stars in the sky on the days his children were born. I don’t know about you, but I would say that a man who has skies in his head full of the stars of his children, is a man who deserves his child’s love. Especially from the child with the most stars.
Tiffany McDaniel (Betty)
Do you know how crazy that made me? I’m trying to concentrate on my fucking fucking ball baseball game and all I can think about is why the hell the girl I’m in love with is ignoring me. I knewsomething was wrong when you never called. I tried to shake it off, but I couldn’t. You can’t do that tome. Don’t you understand? You can’t fucking do that to me when I’m trying to play ball!
J. Sterling (The Perfect Game (The Perfect Game, #1))
I’M LOSING FAITH IN MY FAVORITE COUNTRY Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed. Partly because of its proximity to the United States and a shared heritage, Canadians also aspired to what was commonly referred to as the American dream. I fall neatly into that category. For as long as I can remember I wanted a better life, but because I was born with a cardboard spoon in my mouth, and wasn’t a member of the golden gene club, I knew I would have to make it the old fashioned way: work hard and save. After university graduation I spent the first half of my career working for the two largest oil companies in the world: Exxon and Royal Dutch Shell. The second half was spent with one of the smallest oil companies in the world: my own. Then I sold my company and retired into obscurity. In my case obscurity was spending summers in our cottage on Lake Rosseau in Muskoka, Ontario, and winters in our home in Port St. Lucie, Florida. My wife, Ann, and I, (and our three sons when they can find the time), have been enjoying that “obscurity” for a long time. During that long time we have been fortunate to meet and befriend a large number of Americans, many from Tom Brokaw’s “Greatest Generation.” One was a military policeman in Tokyo in 1945. After a very successful business carer in the U.S. he’s retired and living the dream. Another American friend, also a member of the “Greatest Generation”, survived The Battle of the Bulge and lived to drink Hitler’s booze at Berchtesgaden in 1945. He too is happily retired and living the dream. Both of these individuals got to where they are by working hard, saving, and living within their means. Both also remember when their Federal Government did the same thing. One of my younger American friends recently sent me a You Tube video, featuring an impassioned speech by Marco Rubio, Republican senator from Florida. In the speech, Rubio blasts the spending habits of his Federal Government and deeply laments his country’s future. He is outraged that the U.S. Government spends three hundred billion dollars, each and every month. He is even more outraged that one hundred and twenty billion of that three hundred billion dollars is borrowed. In other words, Rubio states that for every dollar the U.S. Government spends, forty cents is borrowed. I don’t blame him for being upset. If I had run my business using that arithmetic, I would be in the soup kitchens. If individual American families had applied that arithmetic to their finances, none of them would be in a position to pay a thin dime of taxes.
Stephen Douglass
Love of Fenway itself may be as much a part of the Sox' 2.6 million annual attendance as Pedro (Martinez), Manny (Ramirez) and Nomar (Garciaparra)
Michael Gee
We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
David James Duncan
Beside her, she can feel each breath he draws. How is it possible to be so close to a person and still not know what you are to each other? With baseball, it's simple. There's no mystery to what happens on the field because everything has a label -- full count, earned run, perfect game -- and there's a certain amount of comfort in this terminology. There's no room for confusion and Ryan wishes now that everything could be so straightforward. But then Nick pulls her closer, and she rests her head on his chest, and nothing seems more important that this right here.
Jennifer E. Smith (The Comeback Season)
He’d fallen in love with Quinn slowly, quietly. With Dima, it was like a baseball bat upside the head, these feelings. They completely swamped him, made him want different things, made him want to be different.
Avril Ashton ((Watch Me) Break You (Run This Town, #1))
You want to be queen of the mountain, you take that crown and wear it with pride. It's gonna look great on you. Me? I'm more of a baseball cap kind of guy.
Louisa Edwards (Too Hot To Touch (Rising Star Chef, #1; Recipe for Love, #4))
I learned how to play the game from Buck O’Neil,” Banks would say. Buck said no, Ernie Banks knew how to play, but what he did learn was how to play the game with love.
Joe Posnanski (The Soul of Baseball)
But baseball, if we love it, gives us back our place in the crowd. It restores us.
Anne Lamott (Bird by Bird)
His Facebook post is pure Jamie: Hi all. I feel like a heel doing this over Facebook, but I can’t reach everyone by tomorrow. You’re all going to discuss me on Sunday, anyway. And in case you think my account was hacked, it wasn’t. As proof I’ll confess that I’m the one who broke Mom’s Christmas tree angel when I was seven. It was death by baseball, but I swear she didn’t suffer. Anyway, I have to catch you up on a few developments. I’ve taken the coaching job in Toronto, and I’ve declined my spot in Detroit. This feels like the right career move, but there’s something else. I’m living with my boyfriend (that was not a typo.) His name is Wes, and we met at Lake Placid about nine years ago. In case you were lacking something to talk about over dinner, I’ve fixed that problem. Love you all. Jamie
Sarina Bowen (Him (Him, #1))
As miserable as Gregor felt about being dumped with a rat, his heart ached for Vikus. He wanted to scream at Luxa, "Say something! Don't let your granpa fly off like this! Four of us aren't coming back!" But the words caught in his throat. Part of him wasn't ready to forgive Vikus for abandoning them, either. "Fly you high, Gregor the Overlander," said Vikus. Gregor struggled with how to respond. Should he ignore Vikus? Let him know that none of them, not even an Overlander, could forgive him? Just as he had steeled himself against replying, Gregor thought of the last two years, seven months, and was it fifteen days now? There were so many things he wished he'd said to his dad when he'd had the chance. Things like how special it was when they went on the roof at night and tried to find the stars. Or how much he loved it when they took the subway out to the stadium to watch a baseball game. Or just that he felt lucky that out of all the people in the world, his dad was his dad. He didn't have room inside him for any more unspoken words. The bats were rising into the air. He only had a second. "Fly you high, Vikus!" he yelled. "Fly you high!" Vikus turned back, and Gregor could see tears shining on his cheeks. He lifted up a hand to Gregor in thanks. And then they were gone.
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
So I will wait, because I would rather wait for you than waste my time with someone who isn't you. And I will focus on the long game. As they say in baseball, losing game one and even game two is no reason to give up on the whole series. When you're ready, if you're ever ready, give me the word.
Gabrielle Zevin (In the Age of Love and Chocolate (Birthright, #3))
Stars are everything and nothing that we think they are. They are their own world, but through an act of will we make them part of ours. They are the diamonds of the gods, the lights at a stadium where angels play a midnight game of baseball. They’re fairy farts that have been set ablaze! Mostly, they’re just an untouchable beauty that’s so far away, it’s the only place safe enough to store our secret hopes and dreams. When we see a shooting start, we all make a wish. But what nobody admits is how afraid they are of actually catching something that fell from heaven. I’m not afraid to burn. ~Hadrian
J.M. Evans
I hope you're at peace. I hope you... I hope you're in heaven, and you fell in love with someone who treats you better than I ever did, and that they're fucking your brains out and then fucking your brains back in after that on a daily basis. I'll always miss you, Lucille. I'm sorry I named a fucking baseball bat after you.
Robert Kirkman (The Walking Dead, Vol. 27: The Whisperer War)
I’m a sociable introvert. I enjoy coffee dates and Christmas parties and weddings and neighborhood picnics. I love noisy family dinners and hosting playdates and chatting with other parents on the baseball sidelines. I get a little restless when I don’t get regular doses of social interaction. But when I get out of balance—when I spend too much time extraverting, according to my personal definition of “too much”—I am useless. When I ignore the warning signs and keep extraverting until I enter the Overtalked Introvert Danger Zone, I get totally overwhelmed and borderline rude and can barely string sentences together. I wish I were exaggerating.
Anne Bogel (Reading People: How Seeing the World through the Lens of Personality Changes Everything)
He loved baseball so much that he sometimes went home after a game, rounded up a few of the kids from the neighborhood, and played in the street until dark.
Jonathan Eig (Luckiest Man: The Life and Death of Lou Gehrig)
Hi, I'm Justin." Then, unable to help myself, I shot Peyton a sly grin and added," Or, as someone people like to call me, "Baseball Stud.
Rachel Harris (The Natural History of Us (The Fine Art of Pretending, #2))
Baseball has traditionally possessed a wonderful lack of seriousness. The game's best player, Babe Ruth, was a Rabelaisian fat man, and its most loved manager, Casey Stengel, spoke gibberish. In this lazy sport, only the pitcher pours sweat. Then he takes three days off.
Thomas Boswell (Why Time Begins on Opening Day)
This kiss was different from the first one under the olive tree. That one had been unplanned, she was pretty sure. This kiss had intention and hunger branded all over it. It was like one of those kisses you read about in fairy tales—but Alana had never imagined that such a kiss could cause bone-trembling shivers as well as bliss. She’d never considered the downside of the awakening kiss, of how the princess felt when the hero tore through the thorns or scaled the tower and speared heat and sex and life-changing energy into the princess’s world.
Pamela Aares (Fielder's Choice (Tavonesi #3))
Why do we remember the Boys of Summer? We remember because we were young when they were, of course. But more, we remember because we feel the ache of guilt and regret. While they were running, jumping, leaping, we were slouched behind typewriters, smoking and drinking, pretending to some mystic communion with men we didn't really know or like. Men from ghettos we didn't dare visit, or rural farms we passed at sixty miles an hour. Loving what they did on the field, we could forget how superior we felt towards them the rest of the time. By cheering them on we proved we had nothing to do with the injustices that kept their lives separate from ours. There's nothing sordid or false about the Boys of Summer. Only our memories smell like sweaty jockstraps.
Roger Kahn (The Boys of Summer)
Give me a chance. A chance for you to roll your eyes at me a million more times and for me to call you Sophie, a thousand more lame parties and baseball games and dog walking and fireworks. A real first date, where we can read more romance books that you love and eat Janet’s cookies. I want to give you everything because you deserve it. You’re worth it all, and I’ll prove it to you.
Sarah Sutton (Out of My League)
It struck Nina that this was one of those instances where the English language fell short. The word for losing something insignificant—a baseball game, a library card—shouldn’t be the same as for losing someone who defines you, someone you love. There should be a word for losses you can recover from, and a different word for the life-shattering losses, the ones that leave you forever changed.
Katharine McGee (Rivals (American Royals #3))
Who cares if it's dangerous? Who wants to be the person who doesn't touch two bells together to make a sound, who doesn't hit a baseball with a bat, doesn't grind and orange against a knife. In life, there is only collision to keep us from dissolution, and there is only love to keep us from death. In this bumping into that, there is salvation and sacrament, an end to the endless falling, a wall between us and oblivion.
Lydia Netzer (How to Tell Toledo from the Night Sky)
Sport, they said, is morally serious because mankind’s noblest aim is the loving contemplation of worthy things, such as beauty and courage. By witnessing physical grace, the soul comes to understand and love beauty. Seeing people compete courageously and fairly helps emancipate the individual by educating his passions.
George F. Will (Men at Work: The Craft of Baseball)
I couldn't make myself imagine Dad holding some creamy-faced baby, cooing at it, telling it he loved it. Taking it to baseball games. Living some life he'd probably consider his 'real life,' the one he deserved rather than the one he got.
Jennifer Brown (Hate List)
This is it I’m not coming after you I’m going to lie down for half an hour This is it I’m not going down On your memory I’m not rubbing my face in it anymore I’m going to yawn I’m going to stretch I’m going to put a knitting needle Up my nose And poke out my brain I don’t want to love you For the rest of my life I want your skin To fall off my skin I want my clamp To release your clamp I don’t want to live With this tongue hanging out And another filthy song In the place Of my baseball bat This is it I’m going to sleep now darling Don’t try to stop me I’m going to sleep I’ll have a smooth face And I’m going to drool I’ll be asleep Whether you love me or not This is it The new world order Of wrinkles and bad breath It’s not going to be Like it was before Eating you With my eyes closed Hoping you won’t get up And go away It’s going to be something else Something worse Something sillier Something like this Only shorter
Leonard Cohen (Book of Longing)
Success will be measured at the end of your career, not at the peak. When you’re finished with baseball, if you love God, if you’re still in love with your wife, if your children know who you are, and if your reputation is still intact, then you’ll be successful.
Tommy Newberry (Success Is Not an Accident: Change Your Choices; Change Your Life)
It had been one of the biggest landgrabs in the city’s history and Bosch knew the story well, having tried all his life to counter his love of baseball and the Dodgers with the ugly story buried beneath the diamond where, as a boy, he watched Sandy Koufax and Don Drysdale pitch. It seemed to him that every gleaming success in the city had a dark seam to it somewhere, usually just out of view.
Michael Connelly (The Burning Room (Harry Bosch, #17; Harry Bosch Universe, #27))
Do you have to kill people every time you take a piss?” Eve locked the men’s room door behind her. God, he loved looking at her. Even with her hair tucked in a baseball hat she was breathtaking. “No, they killed themselves after I unleashed my colossal penis. It happens everywhere I go.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I don’t know how long we talked about that game the first time my dad showed me the ticket stub. He admitted he hadn’t even been sure that he still had it, that he was surprised when he’d been able to find it. But we’ve spent hours and hours and hours talking about it since. And it’s pretty amazing, because that ticket stub sat in a box for two decades—once it let my dad into a stadium to see a baseball game, and then later, it let me into my dad’s world, into his past, to learn about the man who taught me to love a game so passionately that it shaped nearly every aspect of my life.
Tucker Elliot
Sometimes, sitting in the park with my boys, I imagine myself back at Ebbets Field, a young girl once more in the presence of my father, watching the players of my youth on the grassy fields below—Jackie Robinson, Duke Snider, Roy Campanella, Gil Hodges. There is magic in these moments, for when I open my eyes and see my sons in the place where my father once sat, I feel an invisible bond among our three generations, an anchor of loyalty and love linking my sons to the grandfather whose face they have never seen but whose person they have come to know through this most timeless of sports.
Doris Kearns Goodwin (Wait Till Next Year)
It would be nice to think that the menacing aspects of North Korea were for display also, that the bombs and reactors were Potemkin showcases or bargaining chips. On the plane from Beijing I met a group of unsmiling Texan types wearing baseball caps. They were the 'in-country' team from the International Atomic Energy Agency, there to inspect and neutralize North Korea's plutonium rods. Not a nice job, but, as they say, someone has to do it. Speaking of the most controversial reactor at Yongbyon, one of the guys said, 'No sweat. She's shut down now.' Nice to know. But then, so is the rest of North Korean society shut down—animation suspended, all dead quiet on the set, endlessly awaiting not action (we hope) or even cameras, but light.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
I couldn't make my pencil scratch out the lines of Britni/Brenna's face. Couldn't make it curve into the contours of Dad's guilty eyes -- his big secret blown up. Would he marry her? Would they have children together? I couldn't make myself imagine Dad holding some creamy-faced baby, cooing down at it, telling it he loved it. Taking it to baseball games. Living some life he'd probably consider his "real life," the one he deserved rather than the one he got.
Jennifer Brown (Hate List)
Teddy is never going to graduate from T-ball to baseball. He's never going to grow a mustache. Never going to get into a fistfight or shoot a deer or kiss a girl or have sex or fall in love or get married or father his own curly-haired child. I'm only ten years older than him, but it's like I've already had so much more life. It is unfair, If one of us should have been left behind, if one of us should have been given the opportunity for more life, it should be him.
Gayle Forman (If I Stay (If I Stay, #1))
My prayers for these stressful days Have become sharpened. Unadorned. A single word to the bereaved and Wailing Mother God - mercy. Two words to The infant child God, on trial in an unjust system-- Tender love. And for the God who is not a White, robed, bearded father, but a migrant laborer Daddy, with a red baseball cap, who only cries When he thinks no one can see, not a word, but A silent squeeze of his calloused hand to telegraph Reconciliation, wholeness. There was a time when More words brought comfort, but now my heart Wants most to be true. Ready for resistance by Unapologetic clarity and fueled by moving toward A future in which we have made all of us free. -Holy Quiet
Theresa I. Soto (Spilling the Light: Meditations on Hope and Resilience)
Hungry? Thirsty? Tired and need a place to lay your head? Need your shoe tied? A book read? A ride to baseball? New sheets for your dorm? A babysitter for your kids? A quiet cup of tea? Do you need help navigating a problem? A heartache? A loss? Celebrating a win? Want motivation? Validation? To be challenged? To be held? To be loved? Call a mom.
Elizabeth Tambascio
Well, did anything interesting happen today?' [my father] would begin. And even before the daily question was completed I had eagerly launched into my narrative of every play, and almost every pitch, of that afternoon's contest. It never crossed my mind to wonder if, at the close of a day's work, he might find my lengthy account the least bit tedious. For there was mastery as well as pleasure in our nightly ritual. Through my knowledge, I commanded my father's undivided attention, the sign of his love. It would instill in me an early awareness of the power of narrative, which would introduce a lifetime of storytelling, fueled by the naive confidence that others would find me as entertaining as my father did.
Doris Kearns Goodwin (Wait Till Next Year)
She was cuckoo about dime stores, where she bought cosmetics and pins and combs. After we locked the expensive purchases in the station wagon we went into McCory's or Kresge's and were there by the hour, up and down the aisles with the multitude, mostly of women, and in the loud-played love music. Some things Thea liked to buy cheaply, they maybe gave her the best sense of the innermost relations of pennies and nickels and explained the real depth of money. I don't know. But I didn't think myself too good to be wandering in the dime store with her. I went where and as she said and did whatever she wanted because I was threaded to her as if through the skin. So that any trifling object she took pleasure in could become important to me at once; anything at all, a comb or hairpin or piece of line, a compass inside a tin ring that she bought with great satisfaction, or a green billed baseball cap for the road, or the kitten she kept in the apartment - she would never be anywhere without an animal.
Saul Bellow (The Adventures of Augie March)
The avengers outside are the worst kind, the ones in silver cross necklaces, baseball caps, and Life is Good T-shirts. The ones who stay up until midnight to build their first-graders’ Alamo projects out of sugar cubes, cancel a Thanksgiving cruise to bring Grandma some turkey in the hospital, spend a full paycheck on ACL surgery for the family dog. Their love for God and family is just as manic as their hate.
Julia Heaberlin (We Are All the Same in the Dark)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
I think relationships are a lot like a champagne. This bottle here" - I lift it and por us each a little more - " it's crazy expensive. My dad got all of us Vooper kids a vintage from the year we were born for our twenty-first birthdays and told us to save it for the right time. We always interpreted that as save it for a special occasion. Engagements. Weddings. Celebrations. Baseball, if you're my brother." I hold the neck of the bottle, study the label. "But my dad didn't say save it for a special occasion. He said save it for the right time. It's a crucial differenc? Here? With me? he asks, his voice rough. "Apparently. And that's sort of my point." I set the bottle down and look at him. " I don't think you can plan for the right time. Or the right woman. As far as timing's concerned, maybe sometimes you've got to make it the right time and simply trust it's the right woman.
Lauren Layne (To Sir, with Love)
worth. A baseball team, of all things, was at the center of a story about the possibilities—and the limits—of reason in human affairs. Baseball—of all things—was an example of how an unscientific culture responds, or fails to respond, to the scientific method. As I say, I fell in love with a story. The story is about professional baseball and the people who play it. At its center is a man whose life was turned upside down by professional baseball, and who, miraculously, found a way
Michael Lewis (Moneyball)
And Mac? After we went to Dave and Bubba’s, he comes out to the mound and tells me he thinks you’re hot. And I know you like him, so I was willing to bunt.” “Bunt?” “Willing to sacrifice my happiness.” “You thought you’d be happy being with me?” “Are you kidding? You’re cute, easy to talk to. You love baseball. You make me smile, make me laugh. And we won’t even mention how much I liked kissing you.” Only he had mentioned it. And now I was thinking about it when I really shouldn’t be.
Rachel Hawthorne (The Boyfriend League)
It’s funny, Matt, everyone thinks Roman’s a nickname--but it’s not, it's just my name. We've got military names way back in our clan. I've got Great-Granddad Grant and Great Uncle Sherman and Uncle MacArthur and Cousin Audie and Cousin Achilles. No," he mused, "Roman's not a nickname. A nickname would be–oh, I don’t know, something like ... Caesar or something! The mighty Roman! ~ Roman Meister, nickname-loving manager of the San Carlos Coyotes in The Mighty Roman, broadly hinting for a nickname of his own.
Jon Sindell
He was having one of those lucid moments that make you, as a loved one of an Alzheimer's victim, forget for a minute or two that this is all really happening. You can forget about the disease and its toll and confusion and suddenly engage with the same person with whom you conversed profoundly for so many years, until it all started to go haywire. In that moment I wanted to know what I think so many Alzheimer's caregivers crave to understand: Do you know what has become of you? Can you, so lucid now, see how you act when you are not like you are now? Does it make you sad? Does it make you ashamed? The reprieve right there at the red light was momentary, even illusory. But there for the taking, right in front of me--so obvious that I almost panicked over what to talk about. Do we discuss his beloved baseball? His beloved grandchildren? Me--how I'm doing, how much I miss him? No. As much out of curiosity as concern, I wanted to talk about him. "Dad," I said, "you are losing your mind. You know that. How does that make you feel? How are you doing with that?" "I'm doing the best I can with what God has given me," he said.
Mark Shriver (A Good Man: Rediscovering My Father, Sargent Shriver)
I mean, we’re talking about chocolate, for chrissake! Chocolate’s wonderful! Everyone loves it! Look at me, I’m part German! That makes me a kraut! Do you know what kraut is? It’s sauerkraut, men! Which means pickled cabbage! And no one likes that! And I’m okay with it! You can call me Kraut, for all that I care! I don’t give a god damn! Do you read me, men? Do you? ~ Roman Meister, manager of the San Carlos Coyotes, to three black ballplayers whom he has, cleverly he thinks, nicknamed "Dark Chocolate," "Milk Chocolate," and "Bitter Chocolate." From The Mighty Roman.
Jon Sindell
5. When Begging Ends I love the idea of Divine Source. It reminds us that everything, the fulfillment of every need, always emanates from the One. So if you learn how to keep your vibration high and attuned to That, whatever is needed to sustain you can always occur, often in surprising and delightful ways. Your Source is never a particular person, place, or thing, but God Herself. You never have to beg. Furthermore, Divine Source says that whatever resonates with you will always find you. That which does not, will fall away. It’s that simple. When Outrageous Openness first came out, I experienced this as I took the book around—some stores were simply not drawn to it. But knowing about Divine Source and resonance, I didn’t care. I remember taking it to a spiritual bookstore in downtown San Francisco. The desultory manager sort of half-growled, “Oh, we have a long, long wait here. You can leave a copy for our ‘pile’ in the back room. Then you could call a ton and plead with us. If you get lucky, maybe one day we’ll stock it. Just keep hoping.” “Oh, my God, no!” I shuddered. “Why would I keep twisting your arm? It’ll go easily to the places that are right. You never have to convince someone. The people who are right will just know.” He looked stunned when I thanked him, smiling, and left. And sure enough, other store clerks were so excited, even from the cover alone. They nearly ripped the book out of my hands as I walked in. When I brought it to the main bookstore in San Francisco’s Castro district, I noticed the manager striding toward me was wearing a baseball cap with an image of the goddess Lakshmi. “Great sign,” I mused. He held the book for a second without even cracking it open, then showed the cover to a coworker, yelling, “Hey, let’s give this baby a coming-out party!” So a few weeks later, they did. Sake, fortune cookies, and all. Because you see, what’s meant for you will always, always find you. You never have to be bothered by the people who aren’t meant to understand. And anyway, sometimes years later, they are ready . . . and they do. Change me Divine Beloved into One who knows that You alone are my Source. Let me trust that You fling open every door at the right time. Free me from the illusion of rejection, competition, and scarcity. Fill me with confidence and faith, knowing I never have to beg, just gratefully receive.
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
In life in general we get back what we put out, if we ever were to find ourselves in a situation where we get back less or even the opposite of what we put out, then we need to get out, take ourselves out of that situation, for it is futile to try to go against the grain of feelings, emotions, life... it is not only going to lead to nowhere but pain, it is also going to lead to loneliness, bitterness, sadness, despair and heartbreak. so for those of you who are going through this currently, brush that crap off of your plate and move on. Those of you that have not experienced this yet, keep your eyes and your ears open, because in most cases it takes a while to see what has been right in front of you hitting you with baseball bats. BE AWARE OF WHAT IS. be aware of what that other person is giving to you. ask yourselves a few questions, 1) am I getting back the love that I am putting out? 2) Do I always have to initiate the conversation? 3) When I do initiate the conversation, do I get a response? 4) if so, is it on par with what I put forth. 5) in most cases of conversation does it seem like I am being ignored? 6) If I reach out to hold his/her hand does it get held back? or am I doing all the holding? ~~ The more of these simple yet profound questions you can answer negatively too. the bigger the chance that you are in a hopeless, futureless, hated by the other person relationship. So, keep your eyes and your ears open, ask yourselves questions and always and I do mean always, Be Aware of everything. it will save you heartache in the future.
Justin Southwick
Scrambling to his feet, he saw Amber in her vampire gown rushing toward him. He felt her long nails rip down his cheek as he sidestepped and swung the bat with all his might. Her pale face exploded as the side of her head caved in from the blow. He saw the fury in her remaining eye as she struggled to her feet with her bloody claws groping. A vicious downward swipe took out the other eye, and she crumpled in a bloody heap at his feet. With his adrenalin flowing like a river through his sinews, he caught the first wolf in midair with a bone crushing upward thrust as the beast’s gnashing grisly teeth opened to grip his throat in a death lock. When he looked down at the wolf’s battered head, he saw the open eyes of his son Kyle staring up at him. The horror of the son’s face startled him awake. The forest and the monsters had disappeared. He found himself in the upstairs hall of his home on Loving Forest Court amid the twisted, battered remains of his wife and children still swinging the bloody, baseball bat.
Billy Wells (Something in the Dark and Other Nightmares)
I’m sorry. I know how much players have to focus, and I know not to be a distraction. I just got caught up in the moment, in the great game, in your terrific pitching.” But I felt a need to explain more. “Look, Jason, I love baseball. I love the crack of the bat hitting the ball. I love the seventh-inning stretch and singing ‘Take Me Out to the Ball Game.’ I love eating hot dogs and standing for the singing of the national anthem. I love doing the wave. I love Kiss Cam. I love that the game isn’t over until it’s over. “I love the thrill of a home run and the disappointment of an out at first. I love the way a batter stands at the plate and the catcher readies himself to receive the pitch. I love watching the pitcher windup. I love sitting in the stands and feeling like I’m part of the game. “And tonight, watching you pitch, I forgot that I’m only a small part—the spectator. Watching you, I felt like I was in the game, out on that field with you. You’re out there on the mound, living a dream that so few people ever experience. “I’m sorry, sorry that tonight I ruined the moment for you.” He was staring at me intently. I’d just bared my soul. Why didn’t he speak? What could he possibly be thinking? My nerves stretched taut. “Say something,” I demanded. “There’s nothing else to say,” he said in that quiet way he had. Then he lowered his head and kissed me.
Rachel Hawthorne (The Boyfriend League)
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play. Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister? It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in. Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others. That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success." Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton. So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
What about television?" a young man asked. "It's an octopus. It's no longer just a little box, it's the Love Machine." "Why the Love Machine?" a reporter asked. "Because it sells love. It creates love. Presidents are chosen by their appeal on that little box. It's turned politicians into movie stars and movie stars into politicians. It can you engaged if you use a certain mouthwash. It claims you'll have women hanging on your coattails if you use a certain hair cream. It tells the kids to eat their cereal if they want to be like their baseball idol. But like all great lovers, the Love Machine is a fickle bastard. It has great magnetism--but it has no heart. In place of a heart beats a Nielsen rating. And when the Nielsen falters, the program dies. It's the pulse and heart of the twentieth century--The Love Machine.
Jacqueline Susann (The Love Machine)
Now she had words to dull her senses. English words, a new name, and covering it all like a warm blanket, a new life in amazing, immoderate, pulsating America. A sparkling new identity in a gilded immense new country. God had made it as easy as possible to forget him. To you, I give this, God said. I give you freedom and sun, and warmth, and comfort. I give you summers in Sheep Meadow and Coney Island, and I give you Vikki, your friend for life, and I give you Anthony, your son for life, and I give you Edward, in case you want love again. I give you youth and I give you beauty, in case you want someone other than Edward to love you. I give you New York. I give you seasons, and Christmas! And baseball and dancing and paved roads and refrigerators, and a car, and land in Arizona. I give it all to you. All I ask, is that you forget him and take it.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
You choose to work». «For us!» «No, Tatiana, for you». «Well, who do you work for? Don’t you work for you?» «No,» said Alexander. «I work for you. I work so that I can build you a house that will please you. I work very hard so you don’t have to, because your life has been hard enough. I work so you can get pregnant; so you can cook and putter and pick Anthony up from school and drive him to baseball and chess club and guitar lessons and let him have a rock band in our new garage with Serge and Mary, and grow desert flowers in our backyard. I work so you can buy yourself whatever you want, all your stiletto heels and clingy clothes and pastry mixers. So you can have Tupperware parties and bake cakes and wear white gloves to lunch with your friends. So you can make bread every day for your family. So you will have nothing to do but cook and make love to your husband. I work so you can have an ice cream life.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
THIS IS IT This is it I’m not coming after you I’m going to lie down for half an hour This is it I’m not going down on your memory I’m not rubbing my face in it any more I’m going to yawn I’m going to stretch I’m going to put a knitting needle up my nose and poke out my brain I don’t want to love you for the rest of my life I want your skin to fall off my skin I want my clamp to release your clamp I don’t want to live with this tongue hanging out and another filthy song in the place of my baseball bat This is it I’m going to sleep now darling Don’t try to stop me I’m going to sleep I’ll have a smooth face and I’m going to drool I’ll be asleep whether you love me or not This is it The New World Order of wrinkles and bad breath It’s not going to be like it was before eating you with my eyes closed hoping you won’t get up and go away It’s going to be something else Something worse Something sillier Something like this only shorter
Leonard Cohen
Crowdists love “competition” of a fixed nature, where a single vector determines the winner. They do not like real life competition, including evolution, as it assesses the individual as a whole and does not simply rank individuals by ability. For this reason crowds love both sports events and free market capitalism, as each allow people to gain power according to a linear system. The more time you put into the system with the sole goal of making profit, excluding all else, the more likely it is that you can get wealth – and it can happen to anyone! That is the promise that makes crowds flock to these ideas. It is like the dream of being a rock star, or a baseball hero, or a billionaire: what makes it attractive is the idea that anyone can do it, if they simply devote themselves to a linear path of ascension – one that is controlled by the whims of the crowd. The crowd decides who is a baseball hero, or what to buy and thus who to make rich. Control without control.
Brett Stevens (Nihilism: A Philosophy Based In Nothingness And Eternity)
Right around this same time—give or take a few years, I can't remember—Camila got a call from this guy from her high school. Some guy that was on the baseball team and took her to the prom and all that. I think his name was Greg Egan or Gary Egan? Something like that. She said to me, "I'm gonna go get lunch with Gary Egan." And I said, "Okay." And she went and got lunch with him and she was gone for four hours. No one eats lunch for four hours. When she got back, she gave me a kiss and she, you know, started doing laundry or something and I said, "How was your lunch with Greg Egan?" And she said, "Fine." And that's all she said. In that moment, I knew that what happened between her and Gary Egan—whether she still felt anything for him, how he felt about her, anything that might have taken place—all of that wasn't my business. It wasn't anything she wanted to share. That was a singular moment for her and it had nothing to do with me. I'm not saying that I didn't care. I cared a lot. I'm saying that when you really love someone, sometimes the things they need may hurt you, and some people are worth hurting for. I had hurt Camila. God knows I had. But loving somebody isn't perfection and good times and laughing and making love. Love is forgiveness and patience and faith and every once in a while, it's a gut punch. That's why it's a dangerous thing, when you go loving the wrong person. When you love somebody who doesn't deserve it. You have to be with someone that deserves your faith and you have to be deserving of someone else's. It's sacred.
Taylor Jenkins Reid (Daisy Jones & The Six)
How Robin would have loved this!’ the aunts used to say fondly. 'How Robin would have laughed!’ In truth, Robin had been a giddy, fickle child - somber at odd moments, practically hysterical at others - and in life, this unpredictability had been a great part of his charm. But his younger sisters, who had never in any proper sense known him at all, nonetheless grew up certain of their dead brother’s favorite color (red); his favorite book (The Wind in the Willows) and his favorite character in it (Mr. Today); his favorite flavor of ice cream (chocolate) and his favorite baseball team (the Cardinals) and a thousand other things which they - being living children, and preferring chocolate ice cream one week and peach the next - were not even sure they knew about themselves. Consequently their relationship with their dead brother was of the most intimate sort, his strong, bright, immutable character shining changelessly against the vagueness and vacillation of their own characters, and the characters of people that they knew; and they grew up believing that this was due to some rare, angelic incandescence of nature on Robin’s part, and not at all to the fact that he was dead.
Donna Tartt (The Little Friend)
Sounds of The Fleetwoods singing, “Come Softly to Me” and Robin Luke singing “Susie Darlin” and Little Anthony popping the vocal on “I Ran All the Way Home.” Were they all hits in that summer of 1960? Yes and no. Mostly yes. In the long purple evenings when rock and roll from WLAM blurred into night baseball from WCOU, time shifted. I think it was all 1960 and that the summer went on for a space of years, held magically intact in a web of sounds: the sweet hum of crickets, the machine-gun roar of playing-cards riffling against the spokes of some kid’s bicycle as he pedaled home for a late supper of cold cuts and iced tea, the flat Texas voice of Buddy Knox singing “Come along and be my party doll, and I’ll make love to you, to you,” and the baseball announcer’s voice mingling with the song and with the smell of freshly cut grass: “Count’s three and two now. Whitey Ford leans over ... shakes off the sign ... now he’s got it ... Ford pauses ... pitches ... and there it goes! Williams got all of that one! Kiss it goodbye! RED SOX LEAD, THREE TO ONE!” Was Ted Williams still playing for the Red Sox in 1960? You bet your ass he was—.316 for my man Ted. I remember that very clearly. Baseball
Stephen King (Different Seasons)
The conversation swings from the brothers Bush to the war in Iraq to the emerging rights of Muslim women to postfeminism to current cinema—Mexican, American, European (Giorgio goes spasmodically mad over Bu-ñuel), and back to Mexican again—to the relative superiority of shrimp over any other kind of taco to the excellence of Ana’s paella, to Ana’s childhood, then to Jimena’s, to the changing role of motherhood in a postindustrial world, to sculpture, then painting, then poetry, then baseball, then Jimena’s inexplicable (to Pablo) fondness for American football (she’s a Dallas Cowboys fan) over real (to Pablo) fútbol, to his admittedly adolescent passion for the game, to the trials of adolescence itself and revelations over the loss of virginity and why we refer to it as a loss and now Óscar and Tomás, arms over each other’s shoulders, are chanting poetry and then Giorgio picks up a guitar and starts to play and this is the Juárez that Pablo loves, this is the city of his soul—the poetry, the passionate discussions (Ana makes her counterpoints jabbing her cigarette like a foil; Jimena’s words flow like a gentle wave across beach sand, washing away the words before; Giorgio trills a jazz saxophone while Pablo plays bass—they are a jazz combo of argument), the ideas flowing with the wine and beer, the lilting music in a black night, this is the gentle heartbeat of the Mexico that he adores, the laughter, the subtle perfume of desert flowers that grow in alleys alongside garbage, and now everyone is singing— México, está muy contento, Dando gracias a millares… —and this is his life—this is his city, these are his friends, his beloved friends, these people, and if this is all that there is or will be, it is enough for him, his world, his life, his city, his people, his sad beautiful Juárez… —empezaré de Durango, Torreón y Ciudad de
Don Winslow (The Cartel (Power of the Dog #2))
American cold war culture represented an age of anxiety. The anxiety was so severe that it sought relief in an insistent, assertive optimism. Much of American popular culture aided this quest for apathetic security. The expanding white middle class sought to escape their worries in the burgeoning consumer culture. Driving on the new highway system in gigantic showboat cars to malls and shopping centers that accepted a new form of payment known as credit cards, Americans could forget about Jim Crow, communism, and the possibility of Armageddon. At night in their suburban homes, television allowed middle class families to enjoy light domestic comedies like The Adventures of Ozzie and Harriet, Father Knows Best, and Leave It to Beaver. Somnolently they watched representations of settled family life, stories where lost baseball gloves and dinnertime hijinks represented the only conflicts. In the glow of a new Zenith television, it became easy to believe that the American dream had been fully realized by the sacrifice and hard work of the war generation. American monsters in pop culture came to the aid of this great American sleep. Although a handful of science fiction films made explicit political messages that unsettled an apathetic America, the vast majority of 'creature features' proffered parables of American righteousness and power. These narratives ended, not with world apocalypse, but with a full restoration of a secure, consumer-oriented status quo. Invaders in flying saucers, radioactive mutations, and giant creatures born of the atomic age wreaked havoc but were soon destroyed by brainy teams of civilian scientists in cooperation with the American military. These films encouraged a certain degree of paranoia but also offered quick and easy relief to this anxiety... Such films did not so much teach Americans to 'stop worrying and love the bomb' as to 'keep worrying and love the state.
W. Scott Poole (Monsters in America: Our Historical Obsession with the Hideous and the Haunting)
Rewriting the baseball record book must be very fulfilling. Or maybe not. Yankees outfielder Roger Maris knew firsthand the fickle nature of success. After an MVP season in 1960—when he hit 39 homers and drove in a league-high 112 runs—Maris began a historic assault on one of baseball’s most imposing records: Babe Ruth’s single-season home run mark of 60. In the thirty-three seasons since the Bambino had set the standard, only a handful of players had come close when Jimmie Foxx in 1932 and Hank Greenberg in 1938 each hit 58. Hack Wilson, in 1930, slammed 56. But in 1961, Maris—playing in “The House That Ruth Built”—launched 61 home runs to surpass baseball’s most legendary slugger. Surprisingly, the achievement angered fans who seemed to feel Maris lacked the appropriate credentials to unseat Ruth. Some record books reminded readers that the native Minnesotan had accomplished his feat in a season eight games longer than Ruth’s. Major League Baseball, due to expansion, changed the traditional 154-game season to 162 games with the 1961 season. Of the new home run record, Maris said, “All it ever brought me was trouble.” Human achievements can be that way. Apart from God, the things we most desire can become empty and unfulfilling—even frustrating—as the writer of Ecclesiastes noted. “Whoever loves money never has enough; whoever loves wealth is never satisfied with their income,” he wrote (5:10). “Everyone’s toil is for their mouth,” he added, “yet their appetite is never satisfied” (6:7). But the Bible also shows where real satisfaction is found, in what Ecclesiastes calls “the conclusion of the matter.” Fulfillment comes to those who “fear God and keep his commandments” (12:13).
Paul Kent (Playing with Purpose: Baseball Devotions: 180 Spiritual Truths Drawn from the Great Game of Baseball)
Have you found it different having girls in the house?” He cleared his throat. “Oh, yeah.” “Would you care to elaborate?” “Nope.” I looked up from my writing. “If you don’t elaborate, it’s going to be a very short article.” “Look, I’ve already gotten into it once tonight--” “Are you implying I’m hard to live with? Is that why you won’t comment further? Because you think I’ll be offended? I won’t be.” “No further comment.” I sighed, tempted to toss the recorder at him. “Okay, then, we’ll move on. What’s been the most difficult aspect of living with us?” There was silence, but it was the kind where you can sense someone wants to speak but doesn’t. Jason was so incredibly still, as though he was weighing consequences. “Not kissing you,” he finally said, quietly. My heart did this little stutter. I just stared at him as the recorder continued to run, searching for sound. My hand was shaking when I reached over and turned it off. “But you did kiss me, and you said it was a mistake.” “Because getting involved with you is a bad idea, on so many levels.” “Care to share one of those levels?” “I’m living in your house. Your parents are giving me a roof over my head. Your mom brings home extra takeout. I’m here only for the summer. Then I’m back at school.” He reached up, removed the ice pack from around his shoulder, and set it on the table. “And Mac? After we went to Dave and Bubba’s, he comes out to the mound and tells me he thinks you’re hot. And I know you like him, so I was willing to bunt.” “Bunt?” “Willing to sacrifice my happiness.” “You thought you’d be happy being with me?” “Are you kidding? You’re cute, easy to talk to. You love baseball. You make me smile, make me laugh. And we won’t even mention how much I liked kissing you.” Only he had mentioned it. And now I was thinking about it when I really shouldn’t be.
Rachel Hawthorne (The Boyfriend League)
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?” “Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.” “Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe. “I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.” Oh, I’m worried . . . that he plans on using the other one. “Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.” I know. I really know. “Are you good? Am I allowed to leave now?” “I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.” “I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.” My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?” “Do you mind sharing underwear with another man? Because I’m game.” My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.” “Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up. Ridiculous. Hilarious. When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.” With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
Meghan Quinn (The Lineup)
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
Patricia MacLachlan (The Facts and Fictions of Minna Pratt)
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon