Barrow Boy Quotes

We've searched our database for all the quotes and captions related to Barrow Boy. Here they are! All 25 of them:

I would prefer death to this cage, to the twisted obsession of a mad boy king.
Victoria Aveyard (King's Cage (Red Queen, #3))
How many times does one wicked boy have to betray you people before you learn?
Victoria Aveyard (King's Cage (Red Queen, #3))
When I was Mare Barrow of the Stilts, I thought the same way. I wondered what would happen if I survived conscription, and saw what that future held. A friendly marriage to the fish boy with green eyes, children we could love, a poor stilt home. It seemed like a dream back then, an impossibility. And it still is. It always will be. I do not love Kilorn, not the way he wants me to. I never will.
Victoria Aveyard (Glass Sword (Red Queen, #2))
I can feel him slipping down not just the hall but a dark and twisted path. It makes me afraid for the boy who taught me how to dance
Victoria Aveyard (Red Queen (Red Queen, #1))
To the generations of Americans raised since World War 2, the identities of criminals such as Charles "Pretty Boy" Floyd, Baby Face Nelson, "Ma" Barker, John Dillenger, and Clyde Barrow are no more real than are Luke Skywalker and Indiana Jones. After decades spent in the washing machine of popular culture, their stories have been bled of all reality, to an extent that few Americans today know who these people actually were, much less that they all rose to national prominence at the same time. They were real.
Bryan Burrough (Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-34)
Just remember, New York isn’t an offshoot of Bloomsbury. Forget refinement, understatement and irony. However much it’s against your better nature, you’ll have to learn to sell your wares like an East End barrow boy.
Jeffrey Archer (Best Kept Secret (The Clifton Chronicles, #3))
In those first years the roads were peopled with refugees shrouded up in their clothing. Wearing masks and goggles, sitting in their rags by the side of the road like ruined aviators. Their barrows heaped with shoddy. Towing wagons or carts. Their eyes bright in their skulls. Creedless shells of men tottering down the causeways like migrants in a feverland. The frailty of everything revealed at last. Old and troubling issues resolved into nothingness and night. The last instance of a thing takes the class with it. Turns out the light and is gone. Look around you. Ever is a long time. But the boy knew what he knew. That ever is no time at all.
Cormac McCarthy (The Road)
When one looks back across a chasm of seventy years, through a prism of pulp fiction and bad gangster movies, there is a tendency to view the events of 1933-34 as mythic, as folkloric. To the generations of Americans raised since World War II, the identities of criminals such as Charles “Pretty Boy” Floyd, Baby Face Nelson, “Ma” Barker, John Dillinger, and Clyde Barrow are no more real than are Luke Skywalker or Indiana Jones. After decades spent in the washing machine of popular culture, their stories have been bled of all reality, to an extent that few Americans today know who these people actually were, much less that they all rose to national prominence at the same time.
Bryan Burrough (Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-34)
Oh boy, you’re an Ivy and Bean expert now!
Annie Barrows (Ivy and Bean: Bound to be Bad)
and goggles, sitting in their rags by the side of the road like ruined aviators. Their barrows heaped with shoddy. Towing wagons or carts. Their eyes bright in their skulls. Creedless shells of men tottering down the causeways like migrants in a feverland. The frailty of everything revealed at last. Old and troubling issues resolved into nothingness and night. The last instance of a thing takes the class with it. Turns out the light and is gone. Look around you. Ever is a long time. But the boy knew what he knew. That ever is no time at all.
Cormac McCarthy (The Road)
Barrels of oysters wrapped in seaweed came by boat from Stollport. Fat beam and trout were carried in dripping wooden boxes lined with wet straw. A great conger eel arrived in a crate large enough to hold a cannon and appeared so fearsome Mister Bunce quelled the kitchen boys' mock-screams only by bringing out Mister Stone to take his pick among the screechers. Sacks of raisins, currants, dried prunes and figs piled up in the dry larder. In the wet room, soused brawn, salted ling and gallipots of anchovies crowded the shelves and floor. In the butchery, Colin and Luke marshalled four undercooks, six men from the Estate armed with saws, a grumbling Barney Curle and his barrow to skin, draw and joint the hogs. Simeon, Tam Yallop and the other bakers lugged in sacks of meal from the Callock Marwood mill while a dray from the ale-house made journeys over the hill, past the gatehouse and into the yard until the buttery and cellar were filled with kegs and barrels. Rhenish wine arrived in a covered wagon, the dark oak tuns resting on a thick bed of bracken. Scents of cinnamon and saffron drifted out of the spice room.
Lawrence Norfolk (John Saturnall's Feast)
In those first years the roads were peopled with refugees shrouded up in their clothing. Wearing masks and goggles, sitting in their rags by the side of the road like ruined aviators. Their barrows heaped with shoddy. Towering wagons or carts. Their eyes bright in their skulls. Creedless shells of men tottering down the causeways like migrants in a feverland. The frailty of everything revealed at last. Old and troubling issues resolved into nothingness and night. The last instance of a thing takes the class with it. Turns out the light and is gone. Look around you. Ever is a long time. But the boy knew what he knew. That ever is no time at all.
Cormac McCarthy (The Road)
In front of the mound: a mile of naked strangers. In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon . . . soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered—look, there they are: the inner thighs, the nipples, pubes—or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors—the skin, the juice, the sweet pulp of a fine fruit—well, son, your possibilities, as unrealized as the erections of your penis—in a moment—soon—will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered—not that you or I died, but that there were so many of us. And that we were.
William H. Gass (The Tunnel)
In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon… soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered - look, there they are: the inner thighs, the nipples, pubes - or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors - the skin, the juice, the sweet pulp of a fine fruit - well, son, your possibilities, as unrealised as the erections of your penis - in a moment - soon - will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered - not that you or I died, but that there were so many of us.
William H. Gass
Carter flinches. Boys always do that when Luca speaks. Actually, everyone does it, with the exception of her therapist. Naomi, now, too. Luca can’t ever work out if she’s really that jarring to listen to, or if people are just not used to a girl who looks so soft being made of so many razor-sharp pieces.
Rebecca Barrow (Bad Things Happen Here)
You of all boys should know that Man is the Storytelling Animal, and that in stories are his identity, his meaning and his lifeblood. Do rats tell tales? Do porpoises have narrative purposes? Do elephants ele-phantasise? You know as well as I do that they do not. Man alone burns with books.’ ‘But still, the Fire of Life … it is just a fairy tale,’ insisted Dog the bear and Bear the dog, together. Nobodaddy drew himself up indignantly. ‘Do I look,’ he demanded, ‘like a fairy to you? Do I resemble, perhaps, an elf? Do gossamer wings sprout from my shoulders? Do you see even a trace of pixie dust? I tell you now that the Fire of Life is as real as I am, and that only that Unquenchable Blaze will do what you all wish done. It will turn bear into Man and dog into Dog-Man, and it will also be the End of Me. Luka! You little murderer! Your eyes light up at the very thought! How thrilling! I am amongst assassins! What are we waiting for, then? Are we starting now? Let’s be off! Tick, tock! There is no time to lose!’ At this point Luka’s feet began to feel as if somebody was gently tickling their soles. Then the silver sun rose above the horizon, and something quite unprecedented began to happen to the neighbourhood, the neighbourhood that wasn’t Luka’s real neighbourhood, or not quite. Why was the sun silver, for one thing? And why was everything too brightly coloured, too smelly, too noisy? The sweetmeats on the street vendor’s barrow at the corner looked like they might taste odd, too. The fact that Luka was able to look at the street vendor’s barrow at all was a part of the strange situation, because the barrow was always positioned at the crossroads, just out of sight of his house, and yet here it was, right in front of him, with those oddly coloured, oddly tasting sweetmeats all over it, and those oddly coloured, oddly buzzing flies buzzing oddly all around it. How was this possible? Luka wondered. After all, he hadn’t moved a step, and there was the street vendor asleep under the barrow, so the barrow obviously hadn’t moved either; and how did the crossroads arrive as well, um, that was to say, how had he arrived at the crossroads?
Anonymous
My coup came years later in the narrow Italian Hospital street in Amman, where the balconies are so crowded with second-hand clothes that they seem to touch. I was back in western clothes, once again a foreigner. A young trader with a barrowful of socks was calling out, ‘Joozeen jerabat ib dinar.’ When he saw me glance at the barrow, he called out in English, doubling the price, ‘Two pairs of socks; two dinars.’ This attracted more attention so there was quite an audience as I replied, not missing a beat, ‘Ya’ani, itha bishtiree bil arabi ahsen li.’ (So if I buy them in Arabic I’m better off). Even the barrow boy laughed and I felt quite at home.   Opposite
Marguerite van Geldermalsen (Married To A Bedouin)
Granpa just groaned and said, “I don’t want you to end up workin’ in the East End, young ’un. You’re far too good to be a barrow boy for the rest of your life.” It made me sad to hear him speak like that; he didn’t seem to understand that was all I wanted to do.
Jeffrey Archer (As the Crow Flies)
You must be disciplined enough to do all it takes to fulfill your desires that means, my son, a routine of hard work.
Seye Oke (Barrow Boy)
Tycoons and barrow boys will rob you And throw you on the side All because they love themselves sincerely
Richard John Thompson
Craig: Remember that time when I saved your life? Malcolm: I don’t remember it being quite so one-sided, leash-boy.
Bix Barrow (Heart Me Up (Bent Oak, Texas #2))
Almost everything about Barrow's missions had been wrong - the orders, the ships, the supplies, the funding and the methods. Perhaps no man in the history of exploration has expended so much money and so many lives in pursuit of so desperately pointless a dream. But what a reign it had been! .... Never again, either, would such a disparate and entertaining band of explorers stalk the world. ...Maybe Barrow had produced no great benefits for mankind - unless one counts such benefits as Lyon's ear-numbing conclusion that the aurora borealis made no noise. Maybe too, his judgements might have been more accurate - although, to give him his due, it is hard to be accurate about the unknown. But he had filled so many gaps on the globe, had instigated so many dramatic events, and had stretched the known world to limits that would not be surpassed for half a century. Was that so bad?... Ultimately, for all his failures, Barrow had done something very important: he had set a benchmark for exploration.
Fergus Fleming (Barrow's Boys: The Original Extreme Adventurers: A Stirring Story of Daring Fortitude and Outright Lunacy)
Everything and everyone was so hungry. The monster. The Barrow folk, buying everything up when danger lurked. The City people, clutching at pretty little enchanted things. Substituting magic for people. The shining people’s ancestors, when the plague threatened, ignoring the warnings of the wizards, assuring themselves magic would keep them safe as they themselves brought death upon the entire island.
Anne Ursu (The Real Boy)
There were occasional dances at the main prison compound with live bands as well as holiday dinners, activities that Blanche greatly enjoyed. In her scrapbooks, she placed an autographed promotional photograph of one visiting band, The Rural Ramblers. ... Blanche loved to dance and by all accounts she was very good at it. She applied to a correspondence course in dancing that came complete with diagrams of select dance steps to place on the floor and practice. She also cut similar dance instructions and diagrams from newspapers and magazines and put them in her scrapbooks. By 1937, she had mastered popular dances like jitterbug, rumba, samba, and tango. The men’s prison, or “the big prison” as the women called it, hosted movies on Friday nights. Features like Roll Along Cowboy ... were standard, usually accompanied by some short musical feature such as Who’s Who and a newsreel. The admission was five cents. Blanche attended many of these movies. She loved movies all of her life. Blanche Barrow’s periodic visits to the main prison allowed her to fraternize with males. She apparently had a brief encounter with “the boy in the warden’s office” in the fall of 1934. There are few details, but their relationship was evidently ended abruptly by prison officials in December. There were other suitors, some from Blanche Barrow’s past, and some late arrivals...
John Neal Phillips (My Life with Bonnie and Clyde)
Actually, despite his earlier vow to one day raid Eastham, Clyde Barrow tried to go straight when he was paroled. He first helped his father make preparations to put an addition onto the service station, then traveled to Framingham, Massachusetts, to take a job and get away from his past in Texas. However, he quickly grew homesick and returned to Dallas to work for United Glass and Mirror, one of his former employers. It was then that local authorities began picking Barrow up almost daily, often taking him away from his job. There was a standing policy at the time to basically harass excons. Barrow was never charged with anything, but he soon lost his job. He told his mother, in the presence of Blanche Barrow and Ralph Fults, 'Mama, I'm never gonna work again. And I'll never stand arrest, either. I'm not ever going back to that Eastham hell hole. I'll die first! I swear it, they're gonna have to kill me.' ... Mrs. J. W. Hays, wife of former Dallas County Sheriff's Deputy John W. “Preacher” Hays, said, 'if the Dallas police had left that boy [Clyde Barrow] alone, we wouldn't be talking about him today.
John Neal Phillips (My Life with Bonnie and Clyde)