Barrie Book Quotes

So come with me, where dreams are born, and time is never planned. Just think of happy things, and your heart will fly on wings, forever, in Never Never Land!

I am the best there ever was!

Two is the beginning of the end.

Our life is a book to which we add daily, until suddenly we are finished, and then the manuscript is burned.

You have to be willing to spend time making things for no known reason.

When we finish a book, why do we hold it in both hands and gaze at it as if it were somehow alive?

It is very well to be able to write a book, but can you waggle your ears?

All you need is Faith, Trust and a little Pixie Dust

After a time he fell asleep, and some unsteady fairies had to climb over him on their way home from an orgy.

Don't you understand Tink? You mean more to me than anything in this whole world!

And, hey. You. Thanks for being the kind of person who likes to pick up a book. That's a genuinely great thing. I met a librarian recently who said she doesn't read because books are her job and when she goes home, she just wants to switch off. I think we can agree that that's as creepy as hell. Thank you for seeking out stories, the kind that take place in your brain.

But in another book by J. M. Barrie called The Little White Bird … he writes …” He started flipping through a small book on the podium until he found the page he was looking for, and then he put on his reading glasses. “ ‘Shall we make a new rule of life … always to try to be a little kinder than is necessary?’ ” Here Mr. Tushman looked up at the audience. “Kinder than is necessary,” he repeated. “What a marvelous line, isn’t it? Kinder than is necessary. Because it’s not enough to be kind. One should be kinder than needed.

All remember about my mother," Nibs told them, "is that she often said to my father, 'Oh, how I wish I had a cheque-book of my own!' I don't know what a cheque-book is, but I should just love to give my mother one.

She didn't really enjoy reading but she liked how the books were clues. Each one a piece in a puzzle. Even when they didn't fit together, they revealed a little more about what kind of picture she was making.

And all those boys of Europe born in those times, and thereabouts those times, Russian, French, Belgian, Serbian, Irish, English, Scottish, Welsh, Italian, Prussian, German, Austrian, Turkish – and Canadian, Australian, American, Zulu, Gurkha, Cossack, and all the rest – their fate was written in a ferocious chapter in the book of life, certainly. Those millions of mothers and their million gallons of mother’s milk, millions of instances of small talk and baby talk, beatings and kisses, ganseys and shoes, piled up in history in great ruined heaps, with a loud and broken music, human stories told for nothing, for ashes, for death’s amusement, flung on the mighty scrapheap of souls, all those million boys in all their humours to be milled by the millstones of a coming war.

Buying jeans is a trivial matter, but it suggests a much larger theme we will pursue throughout this book, which is this: When people have no choice, life is almost unbearable.

Our original idea was to write a book titled Fifty Shades of the Hunger Games, by J.K. Rowling with Stephen King: A John Grisham Novel.

I hate writing, I hate pens and paper and all that fussiness. I have done well enough without it too, I think. Oh, I am lying to myself. I have feared writing. But books have saved me sometimes, that is the truth - my Samaritans.

Thanks for being the kind of person who likes to pick up a book. That's a genuinely great thing. I met a librarian recently who said she doesn't read because books are her job and when she goes home, she just wants to switch off. I think we can agree that that's creepy as hell.

But clearly, the lesson is that incentives can be a dangerous weapon. A critic of this research might say that the problem is not incentives, but dumb incentives. No doubt, some incentives are dumber than others. But no incentives can ever be smart enough to substitute for people who do the right thing because it’s the right thing.

Ninety percent of adults spend half their waking lives doing things they would rather not be doing at places they would rather not be.

Lying there, I thought of my own culture, of the assembly of books in the library at Alexandria; of the deliberations of Darwin and Mendel in their respective gardens; of the architectural conception of the cathedral at Chartres; of Bach's cello suites, the philosophy of Schweitzer, the insights of Planck and Dirac. Have we come all this way, I wondered, only to be dismantled by our own technologies, to be betrayed by political connivance or the impersonal avarice of a corporation?

But in a private library, you can at any moment converse with Socrates or Shakespeare or Carlyle or Dumas or Dickens or Shaw or Barrie or Galsworthy. And there is no doubt that in these books you see these men at their best. They wrote for you. They "laid themselves out," they did their ultimate best to entertain you, to make a favorable impression. You are necessary to them as an audience is to an actor; only instead of seeing them masked, you look into their innermost heart of heart.

I'm 67 and have been reading books since I was 5, I have almost lost track of all the fabulous books I have read by so many authors. It would take me forever to list and name them all, suffice to say I have enjoyed every moment that I have been immersed in so many worlds, so many stories, writing one was inevitable, I enjoyed that too, writing is no different to reading it is still a wonderous surprise as each word is processed.

I got no idea wht a writer of a book should have respect. Or even get the time of day, unless he's a prophet. It's a sign of our present-day hell. Books, think about it, the writer of a book does envy, sloth, gluttony, lust, larceny, greed or what? Oh, vanity. He don't miss a single one of them. He is a peeping Tom, an onanist, a busybody, and he's faking humility every one of God's minutes.

I could not give up either of these worlds, neither the book I am holding nor the gleaming forest, though I have told you almost nothing of what is said here on these grim pages, from the sentences of which I’ve conjured images of a bleak site years ago. Here in this room, I suppose, is to be found the interior world of the book; but it opens upon a world beyond the windows, where no event has been collapsed into syntax, where the vocabulary, it seems, is infinite. The indispensable connection for me lies with the open space (of the open window ajar year round, never closed) that lets the breath of every winter storm, the ripping wind and its pelting rain, enter the room.

No one can thrive living a lie,

book I still possess in all the flotsam and ruckus of my life,

A good book is one you close with sadness when its time to do other things

Librarians are amazing like that. They will hand you a book they know will make your eyes bug out because they know that is the point of novels, not to satisfy but to surprise.

For, to a child, the oddest of things, and the most richly coloured picture-book, is that his mother was once a child also.

As Lee Rainie and Barry Wellman document in their book Networked, people who are heavily socially active online tend to be also heavily socially active offline; they’re just, well, social people.

You can put suspenders on a salamander, but it still won’t make waffles. See what I mean? That sentence makes absolutely no sense, but I got paid to write it. It’s printed right here in a published book!

Professor Barry Pennywither sat in a cold, shadowy garret and stared at the table in front of him, on which lay a book and a breadcrust. The bread had been his dinner, the book had been his lifework. Both were dry.

Once I was asked be a seatmate on a trans-Pacific flight....what instruction he should give his fifteen-year-old daughters, who wanted to be a writer. [I said], "Tell your daughter three things." Tell her to read...Tell her to read whatever interests her, and protect her if someone declares what she's reading to be trash. No one can fathom what happens between a human being and written language. She may be paying attention to things in the words beyond anyone else's comprehension, things that feed her curiosity, her singular heart and mind. ...Second, I said, tell your daughter that she can learn a great deal about writing by reading and by studying books about grammar and the organization of ideas, but that if she wishes to write well she will have to become someone. She will have to discover her beliefs, and then speak to us from within those beliefs. If her prose doesn't come out of her belief, whatever that proves to be, she will only be passing along information, of which we are in no great need. So help her discover what she means. Finally, I said, tell your daughter to get out of town, and help her do that. I don't necessarily mean to travel to Kazakhstan, or wherever, but to learn another language, to live with people other than her own, to separate herself from the familiar. Then, when she returns, she will be better able to understand why she loves the familiar, and will give us a fresh sense of how fortunate we are to share these things. Read. Find out what you truly believe. Get away from the familiar. Every writer, I told him, will offer you thoughts about writing that are different, but these are three I trust. -- from "A Voice

Every three hundred years or so, our kind gets loosed upon an unsuspecting world. And this time around, the history books would know us as the 1989 Danvers High School Women’s Varsity Field Hockey team. Be. Aggressive. B-E aggressive.

This all seemed quaint and amusing, but as the book moved through to the modern day, nothing changed. People still fell to the influence of persuasion techniques, especially when they broadcast information about themselves that allowed identification of their personality type--their true name, basically--and the attack vectors for these techniques were primarily aural and visual. But no one thought of this as magic. It was just falling for a good line or being distracted or clever marketing. Even the words were the same. People still got fascinated and charmed, spellbound and amazed, they forgot themselves, and were carried away. They just didn't think there was anything magical about that anymore.

Mrs. Darling was married in white, and at first she kept the books perfectly, almost gleefully, as if it were a game, not so much as a brussels sprout was missing; but by and by whole cauliflowers dropped out, and instead of them there were pictures of babies without faces. She drew them when she should have been totting up. They were Mrs. Darling's guesses.

You bring the list to me at midnight. I’ll be waiting down by the Harlem River underneath the subway extension to the Polo Grounds in my cah, and I’ll pay you right then and there. It will be dark and deserted at that time of night and nobody’ll see you.” Barry

So we're getting close to suggesting that camp is both the opposite of cool and a refinement of it. Camp and cool both have an element of not-caring, of disdain for the ordinary. The difference is that cool implies a lack of conscious effort, whereas camp is about putting everything you've got into it. Either you love something too much (much more than it's "worth", so the stereotypical anorak-wearing Doctor Who fan and the Barry Manilow cultist are both manifestations of this, at least to the outside world), or you're given to going over the top. Or you do both at once, in many cases. Both phenomena are examples of people fashioning an identity for themselves, and if you're reading this book then you must know people like that. Cool is not caring, camp is actively defiant.

In the Blue Room, Cora Cash was trying to concentrate on her book. Cora found most novels hard to sympathise with -- all those plain governesses -- but this one had much to recommend it. The heroine was 'handsome, clever, and rich', rather like Cora herself. Cora knew she was handsome -- wasn't she always referred to in the papers as 'the divine Miss Cash'? She was clever -- she could speak three languages and could handle calculus. And as to rich, well, she was undoubtedly that. Emma Woodhouse was not rich in the way that she, Cora Cash, was rich. Emma Woodhouse did not lie on a lit à la polonaise once owned by Madame du Barry in a room which was, but for the lingering smell of paint, an exact replica of Marie Antoinette's bedchamber at le petit Trianon. Emma Woodhouse went to dances at the Assembly Rooms, not fancy dress spectaculars in specially built ballrooms. But Emma Woodhouse was motherless which meant, thought Cora, that she was handsome, clever, rich and free.

People turned out to be alive. Hitherto he had supposed that they were what he pretended to be — flat pieces of cardboard stamped with a conventional design — but as he strolled about the courts at night and saw through the windows some men singing and others arguing and others at their books, there came by no process of reason a conviction that they were human beings with feelings akin to his own. He had never lived frankly since Mr Abrahams's school, and despite Dr Barry did not mean to begin; but he saw that while deceiving others he had been deceived, and mistaken them for the empty creatures he wanted them to think he was. No, they too had insides. "But, O Lord, not such an inside as mine.

You feel like a book I read a long time ago- learning you is like remembering something I'd seen written. Your thoughts spill onto me like a dog eared page or an underlined paragraph. Familiar but slightly surprising all the time. You open your arms to me and I think, I have been here before. This is safe.

Well, I may not have a framed Latin diploma, but I know crazy talk when I hear it. Alcohol has been an important part of the human diet for thousands of years. The Bible is filled with references to people drinking alcohol, such as this quotation from the Book of Effusions, Chapter Eight, Verse Six, Row 7:

But in another book by J. M. Barrie called The Little White Bird … he writes …” He started flipping through a small book on the podium until he found the page he was looking for, and then he put on his reading glasses. “ ‘Shall we make a new rule of life … always to try to be a little kinder than is necessary?’ 

Once I was asked by a seatmate on a trans-Pacific flight, a man who took the liberty of glancing repeatedly at the correspondence in my lap, what instruction he should give his fifteen-year-old daughter, who wanted to be a writer. I didn't know how to answer him, but before I could think I heard myself saying, 'Tell your daughter three things.' "Tell her to read, I said. Tell her to read whatever interests her, and protect her if someone declares what she's reading to be trash. No one can fathom what happens between a human being and written language. She may be paying attention to things in the world beyond anyone else's comprehension, things that feed her curiosity, her singular heart and mind. Tell her to read classics like The Odyssey. They've been around a long time because the patterns in them have proved endlessly useful, and, to borrow Evan Connell's observation, with a good book you never touch bottom. But warn your daughter that ideas of heroism, of love, of human duty and devotion that women have been writing about for centuries will not be available to her in this form. To find these voices she will have to search. When, on her own, she begins to ask, make her a present of George Eliot, or the travel writing of Alexandra David-Neel, or To the Lighthouse. "Second, I said, tell your daughter that she can learn a great deal about writing by reading and by studying books about grammar and the organization of ideas, but that if she wishes to write well she will have to become someone. She will have to discover her beliefs, and then speak to us from within those beliefs. If her prose doesn't come out of her belief, whatever that proves to be, she will only be passing on information, of which we are in no great need. So help her discover what she means. "Finally, I said, tell your daughter to get out of town, and help her do that. I don't necessarily mean to travel to Kazakhstan, or wherever, but to learn another language, to live with people other than her own, to separate herself from the familiar. Then, when she returns, she will be better able to understand why she loves the familiar, and will give us a fresh sense of how fortunate we are to share these things. "Read. Find out what you truly are. Get away from the familiar. Every writer, I told him, will offer you thoughts about writing that are different, but these three I trust.

When I swore at my father and he brandished his big belt, he thought he was beating all the contempt and all the defiance out of me. He only beat it farther in. They told me they were going to have me put in a home, but I didn’t know what a home was and I wasn’t afraid. They invented new cruelties, and I invented new worlds their cruelties couldn’t reach.

All of my friends want to be in my books, but no one wants to die...ummm...I write westerns...everyone dies.

Compromised: Clinton, Bush and the CIA.

…when the first baby laughed for the first time, its laugh broke into a thousand pieces, and they all went skipping about, and that was the beginning of fairies.” —J.M. Barrie

To die will be an awfully big adventure. J. M. Barrie, Peter Pan

This is the funniest book I’ve ever held in my hands. --Dave Barry, Pulitzer Prize winning humorist and author says about Radical Sabbatical

Carlin does a rare thing for a self-help book: gives useful guidance by supplying readers with the tools necessary for change." --Barry Silverstein, "Foreword Reviews

It’s a long-ass book.

Start writing, and the muse will come. Not every time, but keep at it, and the muse will come enough for you to get the initial writing done.

It

This is witch country. No one here is waiting on a prince.

If his rage had broken him into a hundred pieces every one of them would have disregarded the incident, and leapt at the sleeper.

Don't have a mother", Peter said. Not only had he no mother, but he had not the slightest desire to have one. He thought them very over-rated persons.

You see, Wendy, when the first baby laughed for the first time, its laugh broke into a thousand pieces, and they all went skipping about, and that was the beginning of fairies.

Wendy, I ran away the day I was born.

You must be nice to him,' Wendy impressed on her brothers. 'What could we do if he were to leave us?

Sometimes he poised himself in the air, listening intently with his hand to his ear, and again he would stare down with eyes so bright that they seemed to bore two holes to earth.

The cry is answered by other braves; and some of them do it even better than the coyotes, who are not very good at it.

My husband is like one of those second-hand books you buy that's got all the wrong bits underlined.

In there, she said, humanity was a book without a cover.

Having a self-published book is akin to having a newborn baby - if you don't give it the loving care and attention it deserves, it will die.

We lost Elizabeth, Autumn, Chan, Adrian, Jackson, Ivy, Barry and Ivan.

She is an abandoned little creature." Here Tink, who was in her boudoir, eavesdropping, squeaked out something impudent. "She says she glories in being abandoned," Peter interpreted.

And, hey. You. Thanks for being the kind of person who likes to pick up a book. That’s a genuinely great thing. I met a librarian recently who said she doesn’t read because books are her job and when she goes home, she just wants to switch off. I think we can agree that that’s as creepy as hell. Thank you for seeking out stories, the kind that take place in your brain.

Barry Schwartz’s distinction between maximizers and satisficers has given us the counterintuitive insight that restricting our choices in life can actually lead to greater happiness and satisfaction, and

...rarely do the 'significant events' in our lives change us. At least, not in any way we want. The people who suffer tragedy and go on to greatness? They're the stuff of movies and TV shows and books, and--only very rarely--real life. Most of us just go on, the walking wounded, dealing with our lives. This doesn't make us bad--it just means we're not superheroes. It means we're just people, like everyone else.

He once read me a few lines from Barry Lopez' books, something about how there were times when people needed stories more tant they needed nourishment, because the stories feed smoething deeper than the need of the body.

Probably the most violently hated of the weenie songs cited in the survey was “Sometimes When We Touch,” sung in a very emotional manner by Dan Hill, who sounds as though he’s having his prostate examined by Captain Hook.

We write to tell a story, to describe an event, to imagine or explain what has been or will happen, to warn or touch or inspire. We write to express our most profound emotions—love and hatred, joy and sorrow, humor and sadness.

But I suspect the reported number of good novels this year is a result of 9/11 and all the other alarums of recent years. I think it set a certain gear into movement, unseen, silent, at the heart of many writers. Writers with children, writers with that hope of a peaceful century; a sort of literary battle stations. I was not surprised to hear Ali Smith describe her wonderful book The Accidental as a war book. Sebastian Barry, in interview with TMO (2005)

All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother.

Jill and Barry return to the main hall to find that Wesker is now missing, too. Their brief search for him turns up no clues, which isn’t surprising as it involves Barry yelling Wesker’s name exactly once and Jill running in a circle.

I am becoming a huge fan of this author and his different books. I gave this one a shot after reading his last one and the way he creates characters and tension is remarkable. I look forward to more books from Barry as I read this one in 2 days.

But Kit had always felt something loosen inside him when he opened a book. It was the feeling of opening the door to the first spring day after a hard winter; it was a green sap, blue sky, fresh breeze kind of feeling. Like you had lightning bugs flickering on inside you.

The inn was an old stone-built rambling comfortable sort of place. There was a terrace above the river, where peacocks (one called Norman and the other called Barry) stalked among the drinkers, helping themselves to snacks without the slightest hesitation and occasionally lifting their heads to utter ferocious and meaningless screams. There was a saloon bar where the gentry, if college scholars count as gentry, took their ale and smoked their pipes; there was a public bar where watermen and farm labourers sat by the fire or played darts, or stood at the bar gossiping, or arguing, or simply getting quietly drunk; there was a kitchen where the landlord’s wife cooked a great joint every day, with a complicated arrangement of wheels and chains turning a spit over an open fire; and there was a potboy called Malcolm Polstead.

The alternative approach is to fix a hard upper limit on the number of things that you allow yourself to work on at any given time. In their book Personal Kanban, which explores this strategy in detail, the management experts Jim Benson and Tonianne DeMaria Barry suggest no more than three items.

I'll keep in touch, says Lige, ain't going to let you go. This makes John Coke very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.

Finely Tuned: How to Thrive as a Highly Sensitive Person or Empath - Barrie Davenport Simplify - Joshua Becker Psycho-Cybernetics, Updated and Expanded - Maxwell Maltz, MD, FICS The Mindset of Organization - Lisa Woodruff What is your WHAT? - Steve Olsher (follow the link to get a free copy!) Better Than Before - Gretchen Rubin Books

If your goal is to write a book for publication, rule number one is that no one ever finished a book without sitting down and getting started. Few authors get published without engaging in the daily discipline of writing, even if some days that means staring down a blank notebook or computer screen and drooling into your bag of pork rinds.

It was not really Saturday night, at least it may have been, for they had long lost count of the days; but always if they wanted to do anything special they said this was Saturday night, and then they did it. "Of course it is Saturday night, Peter," Wendy said, relenting. "People of our figure, Wendy." "But it is only among our own progeny." "True, true.

Barry Schwartz points out in his book, The Paradox of Choice, that this kind of sheep-in-wolf’s-clothing decision is more likely to come up the more options you have to choose from. The greater the number of available options, the greater the likelihood that more than one of those options will look pretty good to you. The more options that look pretty good to you, the more time you spend in analysis paralysis. That’s the paradox: more choice, more anxiety. Remember, if the only choices are between Paris and a trout cannery, no one has a problem. But what if the choices are Paris or Rome or Amsterdam or Santorini or Machu Picchu? You get the picture. THE ONLY-OPTION TEST For any options you’re considering, ask yourself, “If this were the only option I had, would I be happy with it?” A useful tool you can use to break the gridlock is the Only-Option Test. If this were the only thing I could order on the menu . . . If this were the only show I could watch on Netflix tonight . . . If this were the only place I could go for vacation . . . If this were the only college I got accepted to . . . If this were the only house I could buy . . . If this were the only job I got offered . . . The Only-Option Test clears away the debris cluttering your decision. If you’d be happy if Paris were your only option, and you’d be happy if Rome were your only option, that reveals that if you just flip a coin, you’ll be happy whichever way the coin lands.

Economist and historian Albert Hirschman, in his book Exit, Voice, and Loyalty, suggested that people have two general classes of responses available when they are unhappy. They can exit the situation, or they can protest and give voice to their concerns. In the marketplace, exit is the characteristic response to dissatisfaction. If a restaurant no longer pleases us, we go to another.

After meeting Kevin Wakeford, the former CEO of state-owned arms procurement agency, Armscor, I quickly learnt that all is not always as it appears. Kevin, a well-respected man in his day, worked with author Barry Sergeant on a book, The Assault on the Rand 34 where Sergeant documented Kevin’s findings regarding Deutsche Bank’s involvement in the devaluation – and subsequent collapse – of the South African rand in 2001.

Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter.

Books on thriving & living one's calling: The Miracle Morning for Writers - Hal Elrod, Steve Scott, and Honoree Corder (if you only read one book on this list - or you're not sure which one to start with - pick this one) The Art of Work - Jeff Goins Prosperity For Writers: A Writer's Guide for Creating Abundance - Honoree Corder Choose Yourself - James Altucher 77 Good Habits for a Better Life - S.J. Scott Productive Habits Book Bundle - S. J. Scott 10-Minute Declutter: The Stress-Free Habit for Simplifying Your Home - Steve Scott & Barrie

I'll keep in touch, says Lige, ain't going to let you go. This makes John Cole very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.

Mrs. Darling first heard of Peter when she was tidying up her children's minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day... When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind and on the tp, beautifully aired, are spread out your prettier thoughts, ready for you to put on.

Many of us who have observed our own behavior don't need science to prove that technology is altering us, but let's bring some in anyway. Dopamine, the neurotransmitter that records certain experiences in our brain (typically described as pleasurable) and prompts us to repeat them, plays a part not only in sex and drugs, but also the swiping and tapping we do on our smartphones. Scott Barry Kaufman--- scientific director of the Imagination Institute...gave me the straight dope on dopamine. "It's a misconception that dopamine has to do with our feelings of happiness and pleasure," he said. "It's a molecule that helps influence our expectations." Higher levels of dopamine are linked to being more open to new things and novelty seeking. Something novel could be an amazing idea for dinner or a new book. . . or just getting likes on a Facebook post or the ping of a text coming in. Our digital devices activate and hijack this dopamine system extremely well, when we let them. ...Kaufman calls dopamine "the mother of invention" and explains that because we have a limited amount of it, we must be judicious about choosing to spend it on "increasing our wonder and excitement for creating meaning and new things like art--- or on Twitter.

BARRY GIFFORD, Author of "Wild at Heart", on DANGEROUS ODDS by Marisa Lankester: "Marisa Lankester's unique chronicle of high crimes and low company is as wild a ride as any reader is likely to be taken on. She was the lone woman in the eye of a predatory hurricane that blew across continents and devastated countless lives. That she survived is testament to her brains and bravery. The old-timers who invented violence as a second language contended that nothing is deadlier than the female, to cross her was to buck dangerous odds, and this book tells you why." Film "Wild at Heart" won Palme D’Or at the Cannes Film Festival, Film by David Lynch

Except when Yankees are around,” Moss said. “Then they’ll swear up and down that they didn’t know what was going on. Some prick will probably write a book that shows how they didn’t really massacre their Negroes after all.” “Oh, yeah? Then where’d the smokes go?” Goodman asked. “I mean, they were there before the war, and then they weren’t. So what happened?” “Well, we killed a bunch of ’em when we bombed Confederate cities.” Moss was a well-trained attorney; he could spin out an argument whether he believed in it or not. “Some died in the rebellion. Some went up to the USA. Some died of hunger and disease—there was a war on, you know. But a massacre? Nah. Never happened.” Barry Goodman’s mouth twisted. “That’s disgusting. That’d gag a maggot, damned if it wouldn’t.” “Bet your ass,” Moss said. “You think it won’t happen, though? Give it twenty years—thirty at the outside.” “Disgusting,

A while back, when Dick and Barry and I agreed that what really matters is what you like, not what you are like, Barry proposed the idea of a questionnaire for prospective partners, a two-or three-page multiple-choice document that covered all the music/film/TV/book bases. It was intended a) to dispense with awkward conversation, and b) to prevent a chap from leaping into bed with someone who might, at a later date, turn out to have every Julio Iglesias record ever made. It amused us at the time, although Barry, being Barry, went one stage further: he compiled the questionnaire and presented it to some poor woman he was interested in, and she hit him with it. But there was an important and essential truth contained in the idea, and the truth was that these things matter, and it’s no good pretending that any relationship has a future if your record collections disagree violently, or if your favorite films wouldn’t even speak to each other if they met at a party.

conservatives (or conservative nationalists) who became Nazis out of what Hermann Rauschning calls “the best of motives.” Rauschning joined the party in the early 1930s and became the Nazi mayor of the city of Danzig, believing in “the eternal values of the nation” and “a political order rooted in the nation.” He had a personal relationship with Hitler but soon discovered that his aims for Germany were not the Nazis’ aims, and in 1934 he left the party and fled to Switzerland. National Socialism, he had concluded, was not a conservative movement but a revolutionary one, “the destroyer of all order and all the things of the mind.” The only thing it understood was force and it held to no beliefs other than the acquisition of power and then more power. Rauschning was prescient enough to see that there was nothing to prevent the unscrupulous, nihilistic Hitler from forming an alliance with his supposed archenemy, Stalin. In a widely read book, The Revolution of Nihilism, published in 1938, he issued a warning that many did not wish to hear. The West, he said, had to prepare for “a clear, open, absolutely unflinching struggle” against the Nazis. For “nothing, not even the threat of world war, will deter them from their course.” Then

It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

Interestingly enough, creative geniuses seem to think a lot more like horses do. These people also spend a rather large amount of time engaging in that favorite equine pastime: doing nothing. In his book Fire in the Crucible: The Alchemy of Creative Genius, John Briggs gathers numerous studies illustrating how artists and inventors keep their thoughts pulsating in a field of nuance associated with the limbic system. In order to accomplish this feat against the influence of cultural conditioning, they tend to be outsiders who have trouble fitting into polite society. Many creative geniuses don’t do well in school and don’t speak until they’re older, thus increasing their awareness of nonverbal feelings, sensations, and body language cues. Einstein is a classic example. Like Kathleen Barry Ingram, he also failed his college entrance exams. As expected, these sensitive, often highly empathic people feel extremely uncomfortable around incongruent members of their own species, and tend to distance themselves from the cultural mainstream. Through their refusal to fit into a system focusing on outside authority, suppressed emotion, and secondhand thought, creative geniuses retain and enhance their ability to activate the entire brain. Information flows freely, strengthening pathways between the various brain functions. The tendency to separate thought from emotion, memory, and sensation is lessened. This gives birth to a powerful nonlinear process, a flood of sensations and images interacting with high-level thought functions and aspects of memory too complex and multifaceted to distill into words. These elements continue to influence and build on each other with increasing ferocity. Researchers emphasize that the entire process is so rapid the conscious mind barely registers that it is happening, let alone what is happening. Now a person — or a horse for that matter — can theoretically operate at this level his entire life and never receive recognition for the rich and innovative insights resulting from this process. Those called creative geniuses continuously struggle with the task of communicating their revelations to the world through the most amenable form of expression — music, visual art, poetry, mathematics. Their talent for innovation, however, stems from an ability to continually engage and process a complex, interconnected, nonlinear series of insights. Briggs also found that creative geniuses spend a large of amount of time “doing nothing,” alternating episodes of intense concentration on a project with periods of what he calls “creative indolence.” Albert Einstein once remarked that some of his greatest ideas came to him so suddenly while shaving that he was prone to cut himself with surprise.