Barrel Sayings And Quotes

Barrel of the gun, rounds one two three She says I have to pick: choose you, or choose me Metal to the temple, the explosion is deafening Lick the blood that covers me She’s the last one standing “Roulette” Collateral Damage, Track 11

And before you barrel through some idiotic Cosmo girl list of how-well-do-you-know-your-man questions, let me say that I don't know squat about him except that he kisses like a god and screws like a devil.

Remember our friend Mark?” Wylan winced. “Let’s say the mark is a tourist walking through the Barrel. He’s heard it’s a good place to get rolled, so he keeps patting his wallet, making sure it’s there, congratulating himself on just how alert and cautious he’s being. No fool he. Of course every time he pats his back pocket or the front of his coat, what is he doing? He’s telling every thief on the Stave exactly where he keeps his scrub.” “Saints,” grumbled Nina. “I’ve probably done that.” “Everyone does,” said Inej. Jesper lifted a brow. “Not everyone.” “That’s only because you never have anything in your wallet,” Nina shot back. “Mean.” “Factual.” “Facts are for the unimaginative,” Jesper said with a dismissive wave.

This isn’t really death,’ Tyler says. ‘We’ll be legend. We won’t grow old.’ I tongue the barrel into my cheek and say, Tyler, you’re thinking of vampires.

All day I think about it, then at night I say it. Where did I come from, and what am I supposed to be doing? I have no idea. My soul is from elsewhere, I'm sure of that, And I intend to end up there. This drunkenness began in some other tavern. When I get back around to that place, I'll be completely sober. Meanwhile, I'm like a bird from another continent, sitting in this aviary. The day is coming when I fly off, But who is it now in my ear who hears my voice? Who says words with my mouth? Who looks out with my eyes? What is the soul? I cannot stop asking. If I could taste one sip of an answer, I could break out of this prison for drunks. I didn't come here of my own accord, and I can't leave that way. Whoever brought me here will have to take me home. This poetry. I never know what I'm going to say. I don't plan it. When I'm outside the saying of it, I get very quiet and rarely speak at all. We have a huge barrel of wine, but no cups. That's fine with us. Every morning We glow and in the evening we glow again.

I hear them say go home, I hear them say fucking immigrants, fucking refugees. Are they really this arrogant? Do they not know that stability is like a lover with a sweet mouth upon your body one second; the next you are a tremor lying on the floor covered in rubble and old currency waiting for its return. All I can say is, I was once like you, the apathy, the pity, the ungrateful placement and now my home is the mouth of a shark, now my home is the barrel of a gun. I’ll see you on the other side.

Free as air; that's what they say- "free as air". Now they bring me my air in an iron barrel.

I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider’s eyes went wide. “This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I’ll cut you in half.” It wasn’t strictly true but it sounded good. “You see what it says on the barrel?” On the barrel, pretty white letters spelled out PARTY STARTER.

Too bad you didn't just take Max up on his offer, Four. Well, too bad for you, anyway," says Eric quietly as he clicks the bullet into its chamber. My lungs burn; I haven't breathed in almost a minute. I see Tobias's hand twitch in the corner of my eye, but my hand is already on my gun. I press the barrel to Eric's forehead. His eyes widen, and his face goes slack, and for a second he looks like another sleeping Dauntless soldier. My index finger hovers over the trigger. "Get your gun away from his head," I say. "You won't shoot me," Eric replies. "Interesting theory. " I say.

I first started liking you when we went to talk to the rulers of the low Courts,” I say. “You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you’d been the one to get us out of the brugh after Dain’s coronation, right before I put that knife to your throat.” He doesn’t try to interrupt, so I have no choice but to barrel on. “After I tricked you into being the High King,” I say. “I thought once you hated me, I could go back to hating you. But I didn’t. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile—” I take a ragged breath. “I hid a lot, I guess. I thought if I didn’t, if I let myself love you, I would burn up like a match. Like the whole matchbook.” “But now you’ve explained it,” he says. “And you do love me.” “I love you,” I confirm. “Because I am clever and funny,” he says, smiling. “You didn’t mention my handsomeness.” “Or your deliciousness,” I say. “Although those are both good qualities.

Falling in love for the first time is a completely transcendent experience. It’s like eating pizza-flavored ice cream. Your brain can’t even process that level of joy. Love makes people do crazy things like kill other people or shop at Crate & Barrel. I think on some level it makes us all delusional. Deep down, our whole lives, no matter how low our self-esteem gets, we think, I have a special skill that no one knows about and if they knew they’d be amazed. And then eventually we meet someone who says, “You have a secret special skill.” And you’re like, “I know! So do you!” And they’re like, “I know!” And then you’re like, “We should eat pizza ice cream together.” And that’s what love is. It’s this giant mound of pizza-flavored ice cream and delusion

Mum used to say to me—when you pick who you want to be with, you have to imagine every part of life, every scenario. Good, bad, happy, sad, painful, beautiful—not just the person you want to do road trips with, but the person you want to be stuck in gridlock traffic with. Not just the person you want to have babies with, but the person you want to grieve with, the person you want next to you on the worst day of your life, at the funeral of someone you love, who's next to you? You don't need a fair-weather lover, you need the person that's going to stand next to you in their wellies, staring down the barrel of the storm.

People like to say that the opposite of love is not hate but indifference. There tends to be a whispered reverence around the expression, as if it has magical healing powers. Better to be hated than ignored by that angry ex of yours; better to be hated than ignored, generally. Otherwise, you may spend your life staring straight down the barrel of the opposite of love. But I think that's bullshit. Nonsense print copy for a paper towel. A sound bit e to needlepoint on a throw pillow. Could indifference really be worse than hate? How depressing to think we could be spending most of our days surrounded by people who feel something worse than hate toward us.

I will,” I say quietly. Popping open the box, I see the black-and-yellow plastic of the barrel. The whole thing is incredibly light, and only about ten inches long. Whispering down into the box reverently, I murmur, “I shall call you Glamdring, Foe-hammer that the king of Gondol—” “Charlotte! Don’t name your Taser.

I want to go home, but home is the mouth of a shark. Home is the barrel of a gun. No one would leave home unless home chased you to the shore. No one would leave home until home is a voice in your ear saying--leave, run, now. I don't know what I've become.

Grandma has a .45 long barrel that she keeps hidden from my mother. She got it from her friend Elsie, who picked it up at a yard sale. Probably it was in Grandma's purse. Grandma says it gives the bag some heft, in case she has to beat off a mugger. This might be true, but I think mostly Grandma likes pretending she is Clint Eastwood.

My father says--used to say-- that there is power in self-sacrifice. I turn the gun in my hands and press it into Tobias's palm. He pushes the barrel into my forehead. My tears have stopped and the air feels cold as it touches my cheeks. I reach out and rest my hand on his chest so I can feel his heartbeat. At least his heartbeat is still him. THe bullet clicks into the chamber. Maybe it will be easy to let him shoot me as it was in the fear landscape, as it is in my dreams. Maybe it will be a bang, and the lights will lift, and I will find myself in another world. I stand still and wait. Can I be forgiven for all I've done to get here? I don't know. I don't know. Please. THE SHOT DOESN'T come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palm, and my own heart lifts. He is divergent. He can fight this stimulation. Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor. He grabs my shoulders--- too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in a crueler way. "Tris," he says, and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him...

She comes close again and I barrel ahead, because apparently that's who I am with this girl. Maybe part of falling in love with someone else is also falling in love with yourself. I like who I am with her. I like that I say what's on my mind. I like that I barrel ahead despite the obstacles she raises. Normally I would give up, but not today.

Some of the men and older boys were trained in firing the cannon, but since there wasn’t any gun powder to spare for actually firing any more of the things, they made do with pushing wooden cartridges into the barrel and shouting, “Bang!” They got quite good at that, and were proud at the speed with which “Bang!” could be shouted. Daphne said she hoped the enemy would be trained to say “Aargh!

The Bible says that it’s all right to cast the first stone if someone dead is telling you to do it

Each one of us is left to choose our own quality of life and take pleasure where we find it with the understanding that, like Mom used to say, sooner or later something's gonna get you.

HOME no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here

After that there was nothing left to say as nothing gets on my nerves more than someone repeating the same phrase twice. I think it’s something people have picked up from television, this emotional stutter. Rather than say something interesting once, they repeat a cliché and hope for the same effect

Why was I standing on the street when the window feel out of the building? Why did the bus run over me? Because it was my turn in the barrel, that's why.

Since Sienna was in an unusually cooperative mood, the session went well. He was returning from it midmorning - after a short detour - when a small naked body barreled into him in one of the main corridors. Steadying the boy with Tk, he looked down. The child lifted a finger to his lips. "Shh. I'm hiding." With that, he went behind Judd and scrambled into a small alcove. "Quickly! Not sure why he obeyed the order, Judd backed up to stand in front of the alcove, arms crossed. A flustered Lara came running around the corner a few seconds later. "Have you seen Ben? Four-year-old. Naked as a jaybird?" "How tall is he?" Judd asked in his most overbearing Psy manner. Lara stared. "He's four. How tall do you think he is? Have you seen him or not?" "Let me think...did you say he was naked?" "He was about to be bathed. Slippery little monkey." A giggle from behind Judd. Lara's eyes widened and then her lips twitched. "So you haven't seen him?" "Without a proper description, I can't be sure." The healer was obviously trying not to laugh. "You shouldn't encourage him - he's incorrigible as it is." Judd felt childish hands on his left calf and then Ben poked his head out. "I'm incorwigeable, did ya hear?" Judd nodded. "I do believe you've been found. Why don't you go have your bath?" "Come on, munchkin." Lara held out a hand. Surprisingly strong baby arms and legs wrapped around Judd's leg. "No. I wanna stay with Uncle Judd." Lara anticipated his question. "Ben spends a lot of time with Marlee." "I spend a lot of time with Marlee," a small voice piped up.

Sometimes she wondered if she’d made a mistake leaving her friends in Ketterdam. She missed Inej’s stillness, the knowledge that she could say anything to her without fear of recrimination. She missed Jesper’s laughing ways and Wylan’s sweetness. She even missed Kaz’s ruthlessness. Saints, it would have been a relief to hand over this whole mess to the bastard of the Barrel. He’d have sussed out Vadik Demidov’s origins, raided the Fjerdan treasury, and placed himself on the throne in the time it took Nina to braid her hair. On second thought, probably best Kaz wasn’t here.

To say he trusted Inej would be stretching the point, but he could admit to himself that he'd come to rely on her [...] but Inej was one of the best investments Kaz had ever made [...] the best in the barrel.

Bella . . . my sweet little flower,” he said softly, reverently as he took her head between his hands and pressed their foreheads together. “After over four hundred years of solitude, I think I am ready for you and an entire barrel full of children. Nothing could please me more.” “Oh, Jacob,” she sighed with delight, kissing his lips eagerly. “How did I get so lucky?” “Well, as I recall . . . you had the bad luck to fall out of a window.” “Ah, but that was good luck, because you caught me.” “No, little flower,” he murmured, pausing to kiss her deeply and thoroughly. “I think it is safe to say that you are the one who caught me.

She missed Inej’s stillness, the knowledge that she could say anything to her without fear of recrimination. She missed Jesper’s laughing ways and Wylan’s sweetness. She even missed Kaz’s ruthlessness. Saints, it would have been a relief to hand over this whole mess to the bastard of the Barrel. He’d have sussed out Vadik Demidov’s origins, raided the Fjerdan treasury, and placed himself on the throne in the time it took Nina to braid her hair. On second thought, probably best Kaz wasn’t here.

I wouldn’t exactly say we were scraping the bottom of the barrel by date seven, but Josh did feel the need to fake diarrhea, and I readily rushed him out to the car, apologizing profusely to our confused dates over my shoulder.

Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.

If I had kept a journal, I could go back through it and check up on what memory reports plausibly but not necessarily truly. But keeping a journal then would have been like making notes while going over Niagara Falls in a barrel. Eventless as our life was, it swept us along. Were we any less a Now Generation that the one that presently claims the title? I wonder. And it may be just as well that I have no diary to remember by. Henry James says somewhere that if you have to make notes on how a thing has struck you, it probably hasn't struck you.

I see her first while the Mexicana 727 is barreling down to Cozumel Island. I come out of the can and lurch into her seat, saying "Sorry," at a double female blur. The near blur nods quietly. The younger one in the window seat goes on looking out. I continue down the aisle, registering nothing. Zero. I never would have looked at them or thought of them again. - 'The Women Men Don't See' (opening)

Turning back to the crowd I say, “I am duty bound to make this plea, but I want to say, with all due respect to the governor here, that I doubt seriously that he will do — cannot do — anything. And for the reason that he is owned, lock, stock and barrel, by the capitalists who placed him here in this building.” — Mother Jones

It is, after all, far too easy to pinch and kick the bizarre Mormon Church; to say it's ripe for satire and parody is to say a Catholic schoolgirl is ripe for debauchery. It's like shooting polygamist fish in a barrel of coffee.

Everybody has heard of the great Heidelberg Tun, and most people have seen it, no doubt. It is a wine-cask as big as a cottage, and some traditions say it holds eighteen hundred thousand bottles, and other traditions say it holds eighteen hundred million barrels. I think it likely that one of these statements is a mistake, and the other is a lie. However, the mere matter of capacity is a thing of no sort of consequence, since the cask is empty, and indeed has always been empty, history says. An empty cask the size of a cathedral could excite but little emotion in me. I do not see any wisdom in building a monster cask to hoard up emptiness in, when you can get a better quality, outside, any day, free of expense.

Maybe part of falling in love with someone else is also falling in love with yourself. I like who I am with her. I like that I say what’s on my mind. I like that I barrel ahead despite the obstacles she raises. Normally I would give up, but not today.

Maybe part of falling in love with someone else is also falling in love with yourself. I like who I am with her. I like that I say what’s on my mind. I like that I barrel ahead despite the obstacles she raises. Normally I would give up, but not today. I

You’re not going to throw this away, are you?” she says, and she’ll be talking about the grains of rice in the bottom of the salt shaker. “No, Mrs. Peacock, by all means, you take them. They’ll come in handy when your son gets out of prison and marries your niece.

I wonder if they’ll ever chant about the women too, and not just the ones murdered, but the particular brutality of a gun barrel to a head. The women with no edges laid, with matted hair and drooping eyes and no one filming to say it happened, only a mouth and some scars.

Get your hand off of her before I bury a bullet in your head" Warner's eyes close very slowly. He steps away very slowly. His lips twitch into a dangerous smile. "Kent" Adam's hands are steady, the barrel of his gun pressed into the back of Warner's skull. "You're going to clear our exit out of here." Warner actually laughs He opens his eyes and whips a gun out of his inside pocket only to point it directly at my forhead. "I will kill her right now." "You're not that stupid" Adam says. "If she moves even a millimeter, I will shoot her, and then rip you to pieces." Adam shifts quickly, slamming the butt of his gun into Warner's head. Warner's gun misfires and Adam catches his arm and twists his wrist until his grip on the weapon wavers. I grab the gun from Warner's limp hand and slam the butt into his face. I point it at Warner's eyes. "Don't underestimate me." Warner coughs through a laugh, steadies himself, and tries to smile as he wipes the blood from his nose. "I never underestimate you," he says to me. "I never have.

The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.

Paul Buchheit: I'm suddenly reminded that, for a while, I asked people if they were playing Russian Roulette with a gun with a billion barrels (or some huge number, so in other words, some low probability that they would actually be killed), how much would they have to be paid to play one round? A lot of people were almost offended by the question and they'd say, "I wouldn't do it at any price." But, of course, we do that everyday. They drive to work in cars to earn money and they are taking risks all the time, but they don't like to acknowledge that they are taking risks. They want to pretend that everything is risk-free.

Her face deeply moved him. Why, he could at first not say. It gave him the impression of youth--spring flowers, yet age--a sense of having been used to the bone, wasted; this came from the eyes, which were hauntingly familiar, yet absolutely strange. He had a vivid impression that he had met her before, but try as he might he could not place her although he could almost recall her name, as he had read it in her own handwriting. No, this couldn't be; he would have remembered her. It was not, he affirmed, that she had an extraordinary beauty--no, though her face was attractive enough; it was that something about her moved him. Feature for feature, even some of the ladies of the photographs could do better; but she lapsed forth to this heart--had lived, or wanted to--more than just wanted, perhaps regretted how she had lived--had somehow deeply suffered: it could be seen in the depths of those reluctant eyes, and from the way the light enclosed and shone from her, and within her, opening realms of possibility: this was her own. Her he desired. His head ached and eyes narrowed with the intensity of his gazing, then as if an obscure fog had blown up in the mind, he experienced fear of her and was aware that he had received an impression, somehow, of evil. He shuddered, saying softly, it is thus with us all. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. But before he had finished drinking, again with excitement he examined the face and found it good: good for Leo Finkle. Only such a one could understand him and help him seek whatever he was seeking. She might, perhaps, love him. How she had happened to be among the discards in Salzman's barrel he could never guess, but he knew he must urgently go find her.

Kaz said if I proved myself I could join the Dregs when I was ready. And I did. But I didn’t take the tattoo.” Nina’s brows rose. “I didn’t think it was optional.” “Technically it isn’t. I know some people don’t understand, but Kaz told me … he said it was my choice, that he wouldn’t be the one to mark me again.” But he had, in his own way—despite her best intentions. Feeling anything for Kaz Brekker was the worst kind of foolishness. She knew that. But he’d been the one to rescue her, to see her potential. He’d bet on her, and that meant something—even if he’d done it for his own selfish reasons. He’d even dubbed her the Wraith. I don’t like it, she’d said. It makes me sound like a corpse. A phantom, he corrected. Didn’t you say I was to be your spider? Why not stick with that? Because there are plenty of spiders in the Barrel. Besides, you want your enemies to be afraid. Not think they can squash you with the toe of one boot. My enemies? Our enemies.

Maybe he used to like me, but I doubt he does anymore, now that I’ve insulted his bird fetish.” Peter smiled.   “He’s not going to stop liking you over one little argument.   I don’t think he’s the type to just fall for someone and then hate them the next day.   We don’t live in that kind of world anymore, anyway.” “What do you mean?”   “Well, when there were thousands of possible mates to choose from, it was like being a huge candy store with a billion types of sugary things to choose from.   You could sample one of everything and not worry about whether you’d like it much or whatever, because there was always another jar of candy nearby.   But now, there’s no candy store.   There’s a single jawbreaker that you found in the gutter.   And there are no more jawbreaker factories.   No more candy stores.   No more refined sugar.   That one jawbreaker you found could be the only one you’ll ever have again.   You aren’t going to just eat it and say goodbye.” His analogy wasn’t perfect but I saw where he was going with it.   “So I’m like a jawbreaker.   A dirty one you find in the gutter.” “Yeah.   And he likes that candy.   It’s his favorite.   So he doesn’t care that it has smelly feet.” I scowled at him.   “How do you know he likes jawbreakers so much?” “I just know.   I can tell a good match when I see one.   He needs someone spunky and tough, someone different than other girls.   That’s you.” I smiled, liking how Peter had described me.   “But what if he just decides to eat it real quick and then move on?   I mean, there are other jawbreakers out there.   They’re just more rare.” “That’s not how he is.   He’s methodical.   A thinking person.   He’s not rash. And he knows his odds of finding a jawbreaker of this flavor?   Are pretty slim.” “I’ve seen him do some stupid, rash things … like going after the candy at the Cracker Barrel.” “That was all a very carefully-crafted way of making sure he had a good grip on his jawbreaker.   He wants to keep the candy happy.   Keep it sweet.” I rolled my eyes.   “Ugh.   Your analogy is making me want to eye gouge you right now.

I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.

I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.

They are never going to invite you back, so you might as well open your mouth and unload both barrels of that gun. Say what you got to say.

I am a lawyer, and for me it is very sad to say that there is now law here. There are weapons rather than law. What did Mao say? Power comes out of the barrel of a gun. It's very true. The situation is decadent. A lot of Serbs think this is leading us nowhere but they feel powerless. How many disagree? I don't know. Perhaps thirty percent disagree, but most of them are frightened and quiet. Perhaps sixty percent agree or are confused enough to go along. They are led by the ten percent who have the guns and who have control of the television towers. That's all they need.' p. 107

I must say you do look funny." "And shall I tell you wot you look like? You look like a blinkin' barrel - that's wot you look like." - Tootoo And Tania, Tootoo with a leg cast and Tania being pregnant

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

I guess what I meant is that you are better off doing nothing than doing something badly. But the problem is that bad writers tend to have the self-confidence, while the good ones tend to have self-doubt. [1989 interview in the literary journal “Arete”. In response to the question "Your poem ‘friendly advice to a lot of young men' says that one is better off living in a barrel than he is writing poetry. Would you give this same advice today?"]

when it would be squarely in the path of heavy machine-gun and rocket fire as fighters advanced into this part of town: a view like staring down the barrel of a rifle. Location, location, location, the realtors say. Geography

I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.

My cheeks are hot when he stalks right up to me, eyes narrowed. Pinched between his bloody fingers is a piece of scrap metal laced with seilgflùr from the blunderbuss—a shot that would have killed any other faery. “Really?” he says. “You were traipsing around in a low-visibility field while enemy fae are afoot,” I say defensively, hoping he can’t tell I’m blushing. “What is wrong with you?” Aithinne snickers and Kiaran casts her a sharp glance. “It’s not funny.” His sister tries to hold back a laugh, but doesn’t quite succeed. “I’m sorry,” she says. “But you just . . . I’ve never seen you look like such a complete mess.” Kiaran studies her with a narrowed gaze. “And both of you look like you’ve gone three rounds with a roving band of feral cats. I’d say we’re even.” “Even? Oh, please.” Aithinne ticks off each finger. “Thus far the Falconer and I escaped through a forest of spiked trees, fought off the mara, fled from Lonnrach’s soldiers, and defeated two mortair. You were shot by accident with some weapon composed of a wooden stick with a barrel on the end—” “A blunderbuss,” I correct helpfully. Kiaran gives me a pointed look that says, Whose side are you on? “—so I’d say I win this round.” She finishes with the sort of arrogant grin that makes it very clear that this must be an ongoing competition. Sibling rivalry, it seems, is not just for humans. If Kiaran’s glare is any indication, he’s contemplating about fifty different ways of killing his own sister. “Just remember,” I whisper to him, “murder is frowned upon in most societies.” “Not mine,” Kiaran says shortly. “She’s lucky I love her.

I hear them say, go home; I hear them say, fucking immigrants, fucking refugees. Are they really this arrogant? Do they not know that stability is like a lover with a sweet mouth on your body one second and the next you are a tremor lying on the floor covered in rubble and old currency waiting for its return. All I can say is, I was once like you, the apathy, the pity, the ungrateful placement; and now my home is the mouth of a shark, now my home is the barrel of a gun. I’ll see you on the other side.

Say you strike a Forty-barrel-bull—poor devil! all his comrades quit him. But strike a member of the harem school, and her companions swim around her with every token of concern, sometimes lingering so near her and so long, as themselves to fall a prey.

It’s easy to say I’d die for you in a moment of hyped emotion or an attempt to prove your love or loyalty. But would they? If you stared down the barrel of a custom, steel-bodied, Glock when the safety’s off, would they step in front of it? Probably not.

From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.

Better quarters could have been found him, but Marshal Davout was one of those men who purposely put themselves in most depressing conditions to have a justification for being gloomy. For the same reason they are always hard at work and in a hurry. "How can I think of the bright side of life when, as you see, I am sitting on a barrel and working in a dirty shed?" the expression of his face seemed to say. The chief pleasure and necessity of such men, when they encounter anyone who shows animation, is to flaunt their own dreary, persistent activity.

I enjoy running people over in a chariot as much as the next deity, but I did not like the idea of being the guy run over. As the dragons barrelled towards us, Meg stood her ground, which was either admirable or suicidal. I tried to decide whether to cower behind her or leap out of the way - both options less admirable but also less suicidal -when the choice became irrelevant. Piper threw her dagger, impaling the left dragon's eye. Left Dragon shrieked in pain, pushed against Right Dragon, and sent the chariot veering off course. Medea barrelled past us, just out of reach of Meg's swords, and disappeared into the darkness while screaming insults at her pets in ancient Colchian - a language no longer spoken, but which featured twenty-seven different words for kill and not a single way to say Apollo rocks. I hate the Colchians.

The next morning, on the way to school in Peter’s car, I steal a look at his profile. “I like how you’re so smooth,” I say. “Like a baby.” “I could grow a beard if I wanted to,” he says, touching his chin. “A thick one.” Fondly I say, “No, you couldn’t. But maybe one day, when you’re a man.” He frowns. “I am a man. I’m eighteen!” I scoff, “You don’t even pack your own lunches. Do you even know how to do laundry?” “I’m a man in all the ways that count,” he boasts, and I roll my eyes. “What would you do if you were drafted to go to war?” I ask. “Uh…aren’t college kids given a pass on that? Does the draft even still exist?” I don’t know the answers to either of these questions, so I barrel forward. “What would you do if I got pregnant right now?” “Lara Jean, we’re not even having sex. That would be the immaculate conception.” “If we were?” I press. He groans. “You and your questions!

The chamber was empty, except for a rotting barrel in one corner. Across from them, three identical archways opened to three identical rooms, small and dark. Where those led, Eragon could not see. The group stopped, and Eragon slowly straightened his back, wincing as his sore muscles stretched. “This would not have been part of Erst Graybeard’s plans,” said Arya. “Which path should we pick?” asked Wyrden. “Isn’t it obvious?” asked the herbalist. “The left one. It’s always the left one.” And she strode toward that selfsame arch even as she spoke. Eragon could not help himself. “Left according to which direction? If you were starting from the other side, left--” “Left would be right and right would be left, yes, yes,” said the herbalist. Her eyes narrowed. “Sometimes you’re too clever for your own good, Shadeslayer…Very well, we’ll try it your way. But don’t say I didn’t warn you if we end up wandering around here for days on end.

Kenji goes suddenly still. At the creak of the door Kenji’s eyebrows shoot up; a soft click and his eyes widen; a muted rustle of movement and suddenly the barrel of a gun is pressed against the back of his head. Kenji stares at me, his lips making no sound as he mouths the word psychopath over and over again. The psychopath in question winks at me from where he’s standing, smiling like he couldn’t possibly be holding a gun to the head of our mutual friend. I manage to suppress a laugh. “Go on,” Warner says, still smiling. “Please tell me exactly how she’s failed you as a leader.” “Hey—“ Kenji’s arms fly up in mock surrender. “I never said she failed at anything, okay? And you are clearly over-react—“ Warner knocks Kenji on the side of the head with the weapon. “Idiot.” Kenji spins around. Yanks the gun out of Warner’s hand. “What the hell is wrong with you, man? I thought we were cool.” “We were,” Warner says icily. “Until you touched my hair.” “You asked me to give you a haircut—“ “I said nothing of the sort! I asked you to trim the edges!” “And that’s what I did.” “This,” Warner says, spinning around so I might inspect the damage, “is not trimming the edges, you incompetent moron—“ I gasp. The back of Warner’s head is a jagged mess of uneven hair; entire chunks have been buzzed off. Kenji cringes as he looks over his handiwork. Clears his throat. “Well,” he says, shoving his hand in his pockets. “I mean—whatever, man, beauty is subjective—“ Warner aims another gun at him. “Hey!” Kenji shouts. “I am not here for this abusive relationship, okay?” He points to Warner. “I did not sign up for this shit!” Warner glares at him and Kenji retreats, backing out of the room before Warner has another chance to react; and then, just as I let out a sign of relief, Kenji pops his head back into the doorway and says “I think the cut looks cute, actually” and Warner slams the door in his face.

Ieronym took hold of the cable with both hands, curved himself into a question mark, and grunted. The ferry creaked and lurched. The silhouette of the peasant in the tall hat slowly began to recede from me--which meant that the ferry was moving. Soon Ieronym straightened up and began working with one hand. We were silent and looked at the bank towards which we were now moving. There the "lumination" which the peasant had been waiting for was already beginning. At the water's edge, barrels of pitch blazed like huge bonfires. Their reflection, crimson as the rising moon, crept to meet us in long, wide stripes. The burning barrels threw light on their own smoke and on the long human shadows that flitted about the fire; but further to the sides and behind them, where the velvet ringing rushed from, was the same impenetrable darkness. Suddenly slashing it open, the golden ribbon of a rocket soared skywards; it described an arc and, as if shattering against the sky, burst and came sifting down in sparks. On the bank a noise was heard resembling a distant "hoorah." "How beautiful," I said. "It's even impossible to say how beautiful!" sighed Ieronym. "It's that kind of night, sir! At other times you don't pay attention to rockets, but now any vain thing makes you glad. Where are you from?

In place of a firing squad, I stare down the barrels of endless interrogation. Why did she not run away? Why did she not use the opportunities she had for escape? Why did she stay if, indeed, the conditions were as bad as she claims? How much of this wasn't really consensual? Let me tell you a story. Not mine, this time around. It is the story of a girl we call after the place of her birth, lacking the integrity to even utter her name. The Suranelli Girl. Forty-two men rape this girl, over a period of forty days. She is sixteen years old. The police do not investigate her case. The high court questions her character. The highest court in the land asks the inevitable. Why did she not run away? Why did she not have the opportunities she had for escape? Why did she say, if need, the conditions were as bad as she claims? How much of this wasn't really consensual? Sometimes the shame is not the beatings, not the rape. The shaming is in being asked to stand for judgement.

The air smelled of paper and dust and years. Jon plucked a scroll from a bin, blew off the worst of the dust. A corner flaked off between his fingers as he unrolled it. “Look, this one is crumbling,” he said, frowning over the faded script. “Be gentle.” Sam came around the table and took the scroll from his hand, holding it as if it were a wounded animal. “The important books used to be copied over when they needed them. Some of the oldest have been copied half a hundred times, probably.” “Well, don’t bother copying that one. Twenty-three barrels of pickled cod, eighteen jars of fish oil, a cask of salt . . .” “An inventory,” Sam said, “or perhaps a bill of sale.” “Who cares how much pickled cod they ate six hundred years ago?” Jon wondered. “I would.” Sam carefully replaced the scroll in the bin from which Jon had plucked it. “You can learn so much from ledgers like that, truly you can. It can tell you how many men were in the Night’s Watch then, how they lived, what they ate . . .” “They ate food,” said Jon, “and they lived as we live.” “You’d be surprised. This vault is a treasure, Jon.” “If you say so.” Jon was doubtful. Treasure meant gold, silver, and jewels, not dust, spiders, and rotting leather. “I do,” the fat boy blurted. He was older than Jon, a man grown by law, but it was hard to think of him as anything but a boy. “I found drawings of the faces in the trees, and a book about the tongue of the children of the forest . . . works that even the Citadel doesn’t have, scrolls from old Valyria, counts of the seasons written by maesters dead a thousand years . . .” “The books will still be here when we return.” “If we return . . .

We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.

If the price of a particular stock is going up, we assume good things are happening; if the price starts to go down, we assume something bad is happening, and we act accordingly. It’s a poor mental habit, and it is exacerbated by another: evaluating price performance over very short periods of time. Not only are we depending solely on the wrong thing (price), Buffett would say, but we’re looking at it too often and we’re too quick to jump when we don’t like what we see. This double-barreled foolishness—this price-based, short-term mentality—is a flawed way of thinking, and it shows up at every level in our business. It is what prompts some people to check stock quotes every day, sometimes every hour.

Your mother—isn’t—worth your words.” Cook’s voice drops into a snarl. “Never—never listened to anything but her own selfishness. The Lioness.” Her mouth twists around the name. “She’s the reason—the reason—I’m here.” Her breath heaves now, as if she’s having some sort of fit, but she barrels on, determined to get out whatever it is she wishes to say. “The Lioness, the Resistance, and their grand plans. Traitors. Liars. F-fools.” She stands and reaches for her cleaver. “Don’t trust them.” “I don’t have a choice,” I say. “I have to.” “They’ll use you.” Her hands shake, and she grips the counter. She gasps out the last few words. “They take—take—take. And then—then—they’ll throw you to the wolves. I warned you. Remember. I warned you.

Our Dome is the bottom of the barrel in the Mega City," Asterion said. "The Deep, it's beneath the bottom. Patrols don't even come down yonder no more. This here is where the forgotten live." "That's pretty deep from a guy that talks as funny as you do." I said quietly. "It's not polite to make fun of a man's drawl," he said. I nodded. "You've told me that before too," I said. I still got no idea what 'drawl' even means and have never heard anyone else say it. I'm thinking you made it up." Asterion shook his head. "Y'all never heard of Texas either," he said. "Goes to show what you know." I grinned. "That sounds made up too." He shook his head in disgust. "Don't make no different anyhow," he said, as much to himself as to me. "They say half of it is underwater now anyway.

Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")

Our Constitution is not good. It is a document designed to create a society of enduring white male dominance, hastily edited in the margins to allow for what basic political rights white men could be convinced to share. The Constitution is an imperfect work that urgently and consistently needs to be modified and reimagined to make good on its unrealized promises of justice and equality for all. And yet you rarely see liberals make the point that the Constitution is actually trash. Conservatives are out here acting like the Constitution was etched by divine flame upon stone tablets, when in reality it was scrawled out over a sweaty summer by people making deals with actual monsters who were trying to protect their rights to rape the humans they held in bondage. Why would I give a fuck about the original public meaning of the words written by these men? Conservatives will tell you that the text of laws explicitly passed in response to growing political, social, or economic power of nonwhite minorities should be followed to their highest grammatical accuracy, and I’m supposed to agree the text of this bullshit is the valid starting point of the debate? Nah. As Rory Breaker says in the movie Lock, Stock and Two Smoking Barrels: “If the milk turns out to be sour, I ain’t the kind of pussy to drink it.” The Constitution was so flawed upon its release in 1787 that it came with immediate updates. The first ten amendments, the “Bill of Rights,” were demanded by some to ensure ratification of the rest of the document. All of them were written by James Madison, who didn’t think they were actually necessary but did it to placate political interests.

Otis, at last, removed his eyes from Jane. "All very well, my friend, but I must side with Miss Clarke here. The soldiers in this town have been treated abominably." The table went still. Otis went on. "Admit it, Freeman. Mud throwing and name-calling are one thing, but the courts - any flimsy charge against a soldier upheld, outrageous fines put down - criminal! The law must not be conscripted to serve one particular cause. To lost the law is to lose the fight." "With respect, sir," Nate said, "I say when a people are under an illegal occupation they must fight with what they've got to hand." Aunt Gill said, "And what have we got to hand but a few stories in the paper?" Jane looked at her aunt in surprise. Another we. "We have the people, Aunt," Nate answered her. "Thirty thousand from all the outlying towns, ready to march at a minute's notice, and all it takes to call them is a flaming barrel of pitch on the beacon hill.

I suppose now is a terrible time to propose,” he told her, suddenly rueful. She looked at him in wonder. Truly, he had no shame, wooing her as he did when he could see she was in a dither. It took all her nerve to return his flirtatious banter and say, “Your timin’ needs work, Simon. But elopin’ might sit better than my quittin’. ” He grimaced. “I doubt it. I’d hate to stare down your pa’s gun barrel once we jumped the broom. Besides, I can’t marry someone I ain’t never courted or even kissed.

The second boy, Pavlusha, had dishevelled black hair, grey eyes, broad cheekbones, a pale, pock-marked complexion, a large but well-formed mouth, an enormous head – as big as a barrel, as they say – and a thick-set, ungainly body. Hardly a prepossessing figure – there’s no denying that! – but I none the less took a liking to him: he had direct, very intelligent eyes and a voice with the ring of strength in it. His clothes gave him no chance of showing off: they consisted of no more than a simple linen shirt and much-patched trousers.

God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.

A Dauntless soldier with an arm in a sling approaches us, gun held ready, barrel fixed on Tobias. “Identify yourselves,” she says. She is young, but not young enough to know Tobias. The others gather behind her. Some of them eye us with suspicion, the rest with curiosity, but far stranger than both is the light I see in some of their eyes. Recognition. They might know Tobias, but how could they possibly recognize me? “Four,” he says. He nods toward me. “And this is Tris. Both Dauntless.” The Dauntless soldier’s eyes widen, but she does not lower her gun. “Some help here?” she asks. Some of the Dauntless step forward, but they do it cautiously, like we’re dangerous. “Is there a problem?” Tobias says. “Are you armed?” “Of course I’m armed. I’m Dauntless, aren’t I?” “Stand with your hands behind your head.” She says it wildly, like she expects us to refuse. I glance at Tobias. Why is everyone acting like we’re about to attack them? “We walked through the front door,” I say slowly. “You think we would have done that if we were here to hurt you?” Tobias doesn’t look back at me. He just touches his fingertips to the back of his head. After a moment, I do the same. Dauntless soldiers crowd around us. One of them pats down Tobias’s legs while the other takes the gun tucked under his waistband. Another one, a round-faced boy with pink cheeks, looks at me apologetically. “I have a knife in my back pocket,” I say. “Put your hands on me, and I will make you regret it.” He mumbles some kind of apology. His fingers pinch the knife handle, careful not to touch me. “What’s going on?” asks Tobias. The first soldier exchanges looks with some of the others. “I’m sorry,” she says. “But we were instructed to arrest you upon your arrival.

Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled. If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know. Her father would choose the water for Kestrel if he knew. Yet she couldn’t. In the end, it wasn’t cunning that kept her from jumping, or determination. It was a glassy fear. She didn’t want to die. Arin was right. She played a game until its end. Suddenly, Kestrel heard his voice. She opened her eyes. He was shouting. He was shouting her name. He was barreling past people, driving a path between the mainmast and the railing alongside the launch. Kestrel saw the horror in him mirror what she had felt when facing the water. Kestrel gathered the strength in her legs and jumped onto the deck. Her feet hit the planks, the force of movement toppling her. But she had learned from fighting Rax how to protect her hands. She tucked them to her, pressed the hard knots of her bonds against her chest, fell shoulder first, and rolled. Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.” His hands cradled her face. “Don’t touch me,” she said. Arin’s hands fell. “Gods,” he said hoarsely. “Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.” Arin shook his head. “It’s harder to live.

growing up we always had a pack of dogs, usually four held in prestige among many familiars them and a few cats we let indoors though we loved every bird, mouse, tadpole, crayfish froze in a spring frost we grew more conscious of weather wide skies read power lines hum dove coos the leaves turnt dirt melt change on the breeze creaks and rain the gravel trucks of spring full by slow then empties in summer barrelling too fast past our hillbilly stake mother threw potatoes later hard to explain to the police who got called in from a county over drove out to say, "ma'am, you can't throw potatoes at trucks" then all polite as we stood with our pack and stuck to our guns

wounded by the son of Venus; and for Mrs Plornish there was no such music at the Opera as the small internal flutterings and chirpings wherein he would discharge himself of these ditties, like a weak, little, broken barrel-organ, ground by a baby. On his 'days out,' those flecks of light in his flat vista of pollard old men,' it was at once Mrs Plornish's delight and sorrow, when he was strong with meat, and had taken his full halfpenny-worth of porter, to say, 'Sing us a song, Father.' Then he would give them Chloe, and if he were in pretty good spirits, Phyllis also—Strephon he had hardly been up to since he went into retirement—and then would Mrs Plornish declare she did

We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.

He gestured at me. “Do you like the blanket?” I nodded. “It’s warm.” “I made it. Well, actually, I didn’t skin the animal, but I did kill it….after the others pinned it down. It’s werewolf skin.” My heart faltered; I gripped at a wad of black fur. “I slayed the beast for you, Catherine. I used your sword. It was your grandmother’s idea actually, a wedding present. You mentioned how chilly you get.” “You didn’t slay a werewolf,” I breathed before repeating the words louder. “You did not slay a werewolf, Thaddeus.” “Oh, but I did. I took a band of huntsman with me and we tracked one down. A smaller one, mind you, not far from the front gate…” “You did not!” I contended more strongly. Why would one wolf have separated from the pack? Why outside our walls? “Yes, Catherine, I did,” he insisted. I shook my head disbelieving. “You’re not capable—” “I am so.” I wanted to cry. I wanted to protest, but to do so meant giving away my knowledge of the truth. Without knowing what else to do or say I changed the subject. “The fire’s gone out.” Thaddeus turned his head to check. “You’re right. I’ll see to it.” He fed the barrel stove until a healthy blaze was roaring. Finding me no longer a decent conversationalist, Thaddeus left with a promise to return soon with food and water. Unobserved, I gathered up the fur hide of a lost soul and curled into a ball, hugging it close to my chest. I cried silent tears and mourned for this unknown werewolf for days.

Vi! There you are.” Buck worms his way into the group, inadvertently saving us from further interrogation. Well, worm probably isn’t the right word. He’s too large to be able to worm into anything, so he barrels his yeti ass into the group and says hello to Alex’s parents. He even calls them Mr. and Mrs. Waters. Daisy giggles and tells him to call her by her first name. It’s reminiscent of my mom. Then Buck introduces himself to Alex’s little sister. I have yet to be formally introduced to her; the focus having been on Alex sticking his tongue down my throat in widely-publicized pictures. Her name is Sunshine. She goes by Sunny. Sunshine and Daisy. Violet and Skye. I see a theme here. Alex is lucky his name wasn’t Woody, or Bark.

What did you say?” he asked. “To who?” “Whom,” he said, and then he almost kicked himself. “To Miss MacIntyre, for example.” She studied his face for a second and then, with a hand on her hip, she said, “I said, ‘You’re damn skippy he’ll do a wedding—he needs the work!’ What do you think I said? I took her number and told her I’d have you call her back. The same to all of them. Except the nurse—I told her she was scraping the bottom of the barrel, going after your hot pants.” Then she smirked. “You’re a pain in the butt,” he said. “Yeah, so says the pot to the kettle. You thought I wasn’t smart enough to know how to answer an office phone. I’ve worked in offices!” “I know this,” he informed her. “Ah, you thought I got those jobs because I have—” He put up a hand to stop her. “I never thought a thing,” he said. “Boobs,” she finished insolently. Then she winked while she chewed vigorously on some gum. She cracked it for good measure.

I guess we’ll just have to cross this on foot and go over there to find whatever Captain Goodwin thinks he sees.” “I can get the Humvee through that,” I said. Jerry looked over and down and said, “No, there’s no way.” “Y’all go ahead and walk, I’ll worry about the Humvee,” I said. So they all got out of the vehicle and began to cross through the canal on foot. I assessed the situation and then backed up the vehicle. I threw it into drive and gunned the gas. The engine was so loud that the sound bounced off the trees. RAAARRR. I drove that truck right down the first side of the canal and came barreling up the other side. The nine-thousand-pound vehicle flew out of that canal. Once I roared through the canal, the Humvee behind me followed suit. We pulled up next to Jerry and five other members of our squad like a taxi service. Jerry was so stunned he didn’t even yell at me for acting like a fool. What was be going to say? “Don’t do that again”?

The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage. But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought. Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his. "Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it." He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite. "I'm glad to see your stomach is better," he said as she was finishing. She looked up,startled. "What makes you say that?" "You haven't seemed able to eat regularly of late." "Oh,well,you know...so many changes...travel...all that." He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him. "Rycca?" She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?" "Something...?" "I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot." "Not so! You could never be that." "Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?" "Some women are not all that regular." "Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-" She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?" "What? Will what? Does that mean-" "I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more." Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?" "I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now." "Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her. Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered. Nine...ten... "We're going to have a baby." Not long at all. She nodded happily. "Yes,we are, and you're going to be a wonderful father." He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her. "My God-" Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen." "True,but still it's absolutely incredible." Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby." Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing. Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.

Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.

Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.

Once he stared the car, I said, “I just want you to know I’m paying for my meal, because I know it’ll be full price, and I didn’t want you to think I was expecting you to pay for it, because this isn’t a date. It’s just the team and the host sisters, brothers, whatever, getting together to have some fun tonight since it’s raining…or was raining…it’s obviously not raining now. And you’re just giving me a ride, not a meal.” Shut me up! Shut me up! Shut me up! He shifted into reverse, then backed out of the driveway. “I’m buying your dinner.” “No, really--” “Dani.” It was the first time I could recall him actually saying my name. I loved the way it just rumbled, his voice so deep, so perfect. I wanted him to say it again, over and over. But he’d stopped in the middle of the street. I figured any minute Dad was going to come barreling out of the house to find out what was wrong. I looked over at Jason. “I’m buying your dinner, as my thanks to you for convincing your family to host me. Just accept it, okay?” I nodded. “Okay.” He drove, and I settled into my seat, wondering what other surprises the night might hold.

no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilet sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here

I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.

My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.

Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.

Emotions get our attention As the television advertisement opens, we see two men talking in a car. They are having a mildly heated discussion about one of them overusing the word “like” in conversation. As the argument continues, we notice out the passenger window another car barreling toward the men. It smashes into them. There are screams, sounds of shattering glass, quick-cut shots showing the men bouncing in the car, twisted metal. The final shot shows the men standing, in disbelief, outside their wrecked Volkswagen Passat. In a twist on a well-known expletive, these words flash on the screen: “Safe Happens.” The spot ends with a picture of another Passat, this one intact and complete with its five-star side-crash safety rating. It is a memorable, even disturbing, 30-second spot. That’s because it’s charged with emotion. Emotionally charged events are better remembered—for longer, and with more accuracy—than neutral events. While this idea may seem intuitively obvious, it’s frustrating to demonstrate scientifically because the research community is still debating exactly what an emotion is. What we can say for sure is that when your brain detects an emotionally charged event, your amygdala (a part of your brain that helps create and maintain emotions) releases the chemical dopamine into your system. Dopamine greatly aids memory and information processing. You can think of it like a Post-it note that reads “Remember this!” Getting one’s brain to put a chemical Post-it note on a given piece of information means that information is going to be more robustly processed. It is what every teacher, parent, and ad executive wants.

In silence Peter and I make our way back to my room. We turn left, and a group of people stands at the other end of the hallway. It is the longest of the corridors we will travel through, but that distance shrinks when I see him. Held at either arm by a Dauntless traitor, a gun aimed at the back of his skull. Tobias, blood trailing down the side of his face and marking his white shirt with red; Tobias, fellow Divergent, standing in the mouth of this furnace in which I will burn. Peter’s hands clamp around my shoulders, holding me in place. “Tobias,” I say, and it sounds like a gasp. The Dauntless traitor with the gun presses Tobias toward me. Peter tries to push me forward too, but my feet remain planted. I came here so that no one else would die. I came here to protect as many people as I could. And I care more about Tobias’s safety than anyone else’s. So why am I here, if he’s here? What’s the point? “What did you do?” I mumble. He is just a few feet away from me now, but not close enough to hear me. As he passes me he stretches out his hand. He wraps it around my palm and squeezes. Squeezes, then lets go. His eyes are bloodshot; he is pale. “What did you do?” This time the question tears from my throat like a growl. I throw myself toward him, struggling against Peter’s grip, though his hands chafe. “What did you do?” I scream. “You die, I die too.” Tobias looks over his shoulder at me. “I asked you not to do this. You made your decision. These are the repercussions.” He disappears around the corner. The last I see of him and the Dauntless traitors leading him is the gleam of the gun barrel and blood on the back of his earlobe from an injury I didn’t see before. All the life goes out of me as soon as he’s gone. I stop struggling and let Peter’s hands push me toward my cell.

Leave . . . town? Really, Mr. Skukman, that might be taking matters a bit far. Why, the social season has just begun, and ticket sales have been quite brisk. Besides that, everyone knows that Mr. Grimstone, that oh-so-mysterious playwright of The Lady in the Tower, specifically requested that I play the part of the lead heroine. He’s certainly not going to be pleased if I abandon the role before the season gets into full swing. Why, he, as well as the theater, could suffer extensive losses.” “Losses or not, Mr. Grimstone will have no say in this, Miss Plum. Quite honestly, given his obvious esteem for you and your acting abilities, I have to imagine he’d prefer to find out you’ve gone missing over finding out you’ve stopped breathing.” “Silas doesn’t want to kill me, Mr. Skukman. He wants to acquire me.” “You and I both know you’d never allow him to acquire you, and from what I just saw down in the lobby, the man seems to be on the verge of losing his sanity. There’s a look in his eyes I don’t care for at all, which is why we’re going to get you into a hansom cab and on your way to Mrs. Hart’s brownstone. Once you’re there, I need you to pack as quickly as possible. I’ll be around to fetch you just as soon as I’m able.” “You want me to hire a cab instead of traveling to Abigail’s in my own carriage?” “Indeed. It’s not a complete secret that you now live with Mrs. Hart, which means it won’t be too difficult for Silas to discover your direction after he learns you no longer reside in the Lower East Side. I’m going to try and feed him a false trail that will hopefully allow us precious time to get away.” Before Lucetta had an opportunity to voice another protest, she found herself sitting in a musty smelling hansom cab, barreling down Broadway at a high rate of speed, the speed brought about from the extra money she’d seen Mr. Skukman hand the driver. Feeling

Two years ago, having been walking towards La Nouvelle France, I turned to the left, and willing to extend my walk round Montmartre, crossed the village of Clignancourt. As I walked along, thoughtful, and regardless of the surrounding objects, I felt something clasp my knees, and immediately perceived it was a child of about five or six years old, clinging round them, who at the same time looked up so fondly and familiarly in my face, that I was greatly moved, saying to myself, "thus I should have been treated by my own." I took the child in my arms, and after having kissed it several times, in a kind of transport, continued my way. I felt as I walked on that something was wanting to complete my satisfaction, and this obliged me to return. I reproached myself with having quitted the child so soon, thinking I had discovered in its manner a kind of inspiration, which ought not to have been slighted. Giving into the temptation, I ran towards the child, embraced it again, and gave him money to buy some small Nanterre loaves, a man who sold them happening to be passing by. J began to make him talk; and on asking who's son he was? He pointed to a man that was hooping some barrels. I was just preparing to quit the child, in order to speak to the father, when I was prevented by seeing a man whisper him, who appeared to be one of those spies who are ever at my heels. While this person was speaking, I remarked that the cooper's eyes were fixed attentively on me, with no very friendly aspect: this sight contracted my heart in an instant, and I quitted both father and child, with greater expedition than I had returned to them; but with a sensation less agreeable, and which altered my whole chain of feelings. I have, notwithstanding, frequently felt these sentiments revive, and have often passed Clignancourt, in hopes of seeing this child again, but have never since met either with him or his father, and the only result of this encounter is, a lively remembrance, intermingled with that pleasing melancholy which is natural to me in all those emotions that penetrate my heart.

What did you do?” I mumble. He is just a few feet away from me now, but not close enough to hear me. As he passes me he stretches out his hand. He wraps it around my palm and squeezes. Squeezes, then lets go. His eyes are bloodshot; he is pale. “What did you do?” This time the question tears from my throat like a growl. I throw myself toward him, struggling against Peter’s grip, though his hands chafe. “What did you do?” I scream. “You die, I die too.” Tobias looks over his shoulder at me. “I asked you not to do this. You made your decision. These are the repercussions.” He disappears around the corner. The last I see of him and the Dauntless traitors leading him is the gleam of the gun barrel and blood on the back of his earlobe from an injury I didn’t see before. All the life goes out of me as soon as he’s gone. I stop struggling and let Peter’s hands push me toward my cell. I slump to the ground as soon as I walk in, waiting for the door to slide shut to signify Peter’s departure, but it doesn’t. “Why did he come here?” Peter says. I glance at him. “Because he’s an idiot.” “Well, yeah.” I rest my head against the wall. “Did he think he could rescue you?” Peter snorts a little. “Sounds like a Stiff-born thing to do.” “I don’t think so,” I say. If Tobias intended to rescue me, he would have brought others. He would not have burst into Erudite headquarters alone. Tears well up in my eyes, and I don’t try to blink them away. Instead I stare through them and watch my surroundings smear together. A few days ago I would never have cried in front of Peter, but I don’t care anymore. He is the least of all my enemies. “I think he came to die with me,” I say. I clamp my hand over my mouth to stifle a sob. If I can keep breathing, I can stop crying. I didn’t need or want him to die with me. I wanted to keep him safe. What an idiot, I think, but my heart isn’t in it. “That’s ridiculous,” he says. “That doesn’t make any sense. He’s eighteen; he’ll find another girlfriend once you’re dead. And he’s stupid if he doesn’t know that.” Tears run down my cheeks, hot at first and then cold. I close my eyes. “If you think that’s what it’s about…” I swallow another sob “…you’re the stupid one.” “Yeah. Whatever.” His shoes squeak as he turns away. About to leave. “Wait!” I look up at his blurry silhouette, unable to make out his face. “What will they do to him? The same thing they’re doing to me?” “I don’t know.” “Can you find out?” I wipe my cheeks with the heels of my hands, frustrated. “Can you at least find out if he’s all right?” He says, “Why would I do that? Why would I do anything for you?” A moment later I hear the door slide shut.