Barney The Dinosaur Quotes

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Eleven thousand five hundred and fifty-one years old, and yes, I feel every day of it. (Acheron) Wow, I had no idea. Hell, I didn’t even know we had people back then. (Nick) Yeah, I was part of the original Bedrock crew who worked in the quarry on the back of dinosaurs and ran with the Flintstones. Barney Rubble was short, but he played a good game of stone-knuckle. (Acheron)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
He was a strange mix of Heinrich Himmler and Barney the Dinosaur.
Jonas Eriksson (Everyday Psychopaths)
It’s so lame. Of all the colors in the rainbow we could have gotten, we get purple. Why don’t we just morph into purple dinosaurs named Barney instead of werewolves, too?
Jody Morse (Marked (Howl #5))
In 1991, Disney forced a group of New Zealand parents in a remote country town to remove their amateur renditions of Pluto and Donald Duck from a playground mural; and Barney has been breaking up children's birthday parties across the U.S., claiming that any parent caught dressed in a purple dinosaur suit is violating its trademark. The Lyons Group, which owns the Barney character, "has sent 1,000 letters to shop owners" renting or selling the offending costumes. "They can have a dinosaur costume. It's when it's a purple dinosaur that it's illegal, and it doesn't matter what shade of purple, either," says Susan Elsner Furman, Lyons' spokesperson.
Naomi Klein (No Logo)
Day in and day out, you are pestered by Barney the Dinosaur, singing about how much everyone loves everyone else and demanding that you turn your frown upside down, in a voice so drippily emphatic that you might like to fashion a shiv out of your sippy cup and gut that purple menace where he stands.
Heather Havrilesky (What If This Were Enough?: Essays)
Barney, the big purple cartoon dinosaur with the perpetual stupid grin. Barney, and Smurfs, Mickey Mouse, unicorns, and a lot of other fictional characters were painted on the truck. Whoever decided which characters to paint on the truck had made interesting choices, like, why was Iron Man waving to the Smurfs?
Craig Alanson (Columbus Day (Expeditionary Force, #1))
From my vantage point in a busy working kitchen, when I’d see Emeril and Bobby on the tube, they looked like creatures from another planet—bizarrely, artificially cheerful creatures in a candy-colored galaxy in no way resembling my own. They were as far from my experience or understanding as Barney the purple dinosaur—or the saxophone stylings of Kenny G. The fact that people—strangers—seemed to love them, Emeril’s studio audience, for instance, clapping and hooting with every mention of gah-lic, only made me more hostile. In my life, in my world, I took it as an article of faith that chefs were unlovable. That’s why we were chefs. We were basically … bad people—which is why we lived the way we did, this half-life of work followed by hanging out with others who lived the same life, followed by whatever slivers of emulated normal life we had left to us. Nobody loved us. Not really. How could they, after all? As chefs, we were proudly dysfunctional. We were misfits. We knew we were misfits, we sensed the empty parts of our souls, the missing parts of our personalities, and this was what had brought us to our profession, had made us what we were. I despised their very likability, as it was a denial of the quality I’d always seen as our best and most distinguishing: our otherness. Rachael
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
I would later be awarded the honor of looking after the legal concerns of Barney the Dinosaur. (Yes, this is what passes for freewheeling in a law firm.)
Michelle Obama (Becoming)
Does he have a record?” Perlmutter asked. “He was let out of Walden three months ago.” “For?” “Armed assault,” Daley said. “Wu cut a deal on that Scope case. I called and asked around. This is one very bad man.” “How bad?” “Poop-in-your-pants bad. If ten percent of the rumors about this guy are true, I’m sleeping with my Barney the Dinosaur night-lite on.
Harlan Coben (Just One Look)
We were five gigs into a tour of more than thirty dates and Barney had had enough already. He was in the worst mood you could possibly imagine, not helped by the fact that Moby and, in particular, Outkast were going down a storm, while we were being met with young indifference and treated like dinosaurs.
Peter Hook (Substance: Inside New Order)