Barn Door Quotes

You're a lot like that bird in the barn. You're so scared that you're going to be caged in forever you can't see the way out. You smack yourself against the wall again and again and again. The door is open, Beth. Stop running in circles and walk out.

I should have known then it wasn´t nothing, as he called it. But I was eight months pregnant. No sense closing the barn door now, or so I thought. I swallowed the nothing, straightaway after the usual tears and denial.

Not going to walk me to the door?" I asked, pretending to be shocked at his lack of gallantry. "Of course I am. many would think that a bonny lass such as yerself wouldst be able to stay out of trouble for a distance of fifteen feet, but I know better." "Did you just use the words yerself and wouldst in the same sentence? You can't be a pirate and a courtier at the same time, Dev. It just isn't done.

There's something evil in me that loves evil and degradation--purity's black backside! That loves honesty with a horrid love; or why have I always gone seeking it at the liar's door?

Someone asked me about the difference between love and lust. Hmmm. That will take a little thought. How to tell the difference? Well, for guys, if she looks better AFTER you've made love to her than before, that might be love. If you find yourself itching to get out the door afterward, probably just lust, y'know?

You've got to be responsible for your own happiness - you can't expect it to come flopping through the door like a parcel.

I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.

I had my knife in hand before I realized I'd reached for it and had kicked open the...front door before it ever occurred to me that it might have already been unlocked.

to be cool, decisive, precise, yes, while the barn door hits you in the face

This is Sadie,” he told his father, tucking a hand around Lia’s waist as he introduced her by her alias of choice. “And by the door, we have Esmerelda, Erma, and Barf.” For the first time, I saw a flicker of annoyance cross Townsend Senior’s face. “Barf?” He eyed Dean. “It’s short for Bartholomew,” Lia lied smoothly. “Our Barf had a speech impediment as a child.

He said to people: you’re free. And they said hooray, and then he showed them what freedom costs and they called him a tyrant and, as soon as he’d been betrayed, they milled around a bit like barn-bred chickens who’ve seen the big world outside for the first time, and then they went back into the warm and shut the door...

Were you raised in a barn? You don't just walk into someone's house." Ash laughed. "I have an open invitation to enter whenever I'm here." "Yeah, but what if he's naked or something?" Ash led him into the foyer. "I've known Kyrian for over two thousand years, and I can honesty say that I have never once caught him naked in his living room." The door closed behind them without Ash or Nick touching it- something that always unnerved Nick when Ash did it. "Besides, Rosa's still here. I know he's not walking around bare-assed with her on duty.

To watch these things issuing from the otherwise mute pastoral morning is a man at the barn door. He is small, unclean, unshaven. He moves in the dry chaff among the dust and slats of sunlight with a constrained truculence. Saxon and Celtic bloods. A child of God much like yourself perhaps. Wasps pass through the laddered light from the barnslats in a succession of strobic moments, gold and trembling between black and black, like fireflies in the serried upper gloom.

Before I liked cars, yachts, having a door to lock, and you. :)

We need a barn or one of those storage areas for the Broken vehicles." "A garage?" He gave her a short nod. "A private, relatively remote location, with thick walls to dampen the sound and preferably a sturdy door I could bolt from the inside, keeping your grandmother, your brothers, and all other painfully annoying spectators out..." Rose began to laugh. A make-out bunker... "I'm glad you find our dilemma hilarious,

knock knock! I just happened to have my ear pressed to this door. I might have overheard some things, and I have a suggestion!

Certain empty houses that seemed to stare like the faces of people suffering from terrible mental illness. An empty barn on the outskirts of town, the hayloft door swinging open and closed on rusty hinges, first disclosing darkness, then hiding it, then disclosing it again.

Before, I liked cars, yachts, a door locked from the inside, and you. :)

Art thou not sorry for these heinous deeds? AARON. Ay, that I had not done a thousand more. Even now I curse the day- and yet, I think, Few come within the compass of my curse- Wherein I did not some notorious ill; As kill a man, or else devise his death; Ravish a maid, or plot the way to do it; Accuse some innocent, and forswear myself; Set deadly enmity between two friends; Make poor men's cattle break their necks; Set fire on barns and hay-stacks in the night, And bid the owners quench them with their tears. Oft have I digg'd up dead men from their graves, And set them upright at their dear friends' door Even when their sorrows almost was forgot, And on their skins, as on the bark of trees, Have with my knife carved in Roman letters 'Let not your sorrow die, though I am dead.' Tut, I have done a thousand dreadful things As willingly as one would kill a fly; And nothing grieves me heartily indeed But that I cannot do ten thousand more.

What? Was he raised in a barn? Didn’t he ever learn how to close a door? Amateur shape-shifters…No manners whatsoever.” – Sasha “Do we need to get you a Midol before we go?” – Sundown “I’m not that easy to soothe, cowboy. My peeves are on a cellular level.” – Sasha

The first building she reached appeared to be an old barn. Only one young guard stood before its bolted door, staring at her with wide eyes, holding up his sword in defense, She heated his sword and he dropped it, his expression barely changing, as if he had been expecting that. She held up her two swords to his throat, but they were two heavy, so she dropped one and held the other with both hands. "Where are the two Bayern boys kept?" The soldier shook his head. BURN HIM, prompted the fire. The excitement of burning was simmering in her, heating her up for more action.

HALLOWE'EN Pixie, kobold, elf, and sprite All are on their rounds to-night,- In the wan moon's silver ray Thrives their helter-skelter play. Fond of cellar, barn,or stack, True unto the almanac, They present to credulous eyes Strange hobgoblin mysteries. Cabbage-stomps-straws wet with dew- Apple-skins, and chestnuts too, And a mirror for some lass, Show what wonders come to pass. Doors they move, and gates they hide, Mischiefs that on moon-beams ride Are their deeds, and, by their spells, Love records its oracles. Don't we all, of long ago, By the ruddy fireplace glow, In the kitchen and the hall, Those queer, coofllke pranks recall? Eery shadows were they then- But to-night they come again; Were we once more but sixteen, Precious would be Halloween.

My mind went back to that picture in the obstetrics book. A cow standing in the middle of a gleaming floor while a sleek veterinary surgeon in a spotless parturition overall inserted his arm to a polite distance. He was relaxed and smiling, the farmer and his helpers were smiling, even the cow was smiling. There was no dirt or blood or sweat anywhere. That man in the picture had just finished an excellent lunch and had moved next door to do a bit of calving just for the sheer pleasure of it, as a kind of dessert. He hadn't crawled shivering from his bed at two o'clock in the morning and bumped over twelve miles of frozen snow, staring sleepily ahead till the lonely farm showed in the headlights. He hadn't climbed half a mile of white fell-side to the doorless barn where his patient lay.

Ay, that I had not done a thousand more. Even now I curse the day—and yet, I think, Few come within the compass of my curse,— Wherein I did not some notorious ill, As kill a man, or else devise his death, Ravish a maid, or plot the way to do it, Accuse some innocent and forswear myself, Set deadly enmity between two friends, Make poor men's cattle break their necks; Set fire on barns and hay-stacks in the night, And bid the owners quench them with their tears. Oft have I digg'd up dead men from their graves, And set them upright at their dear friends' doors, Even when their sorrows almost were forgot; And on their skins, as on the bark of trees, Have with my knife carved in Roman letters, 'Let not your sorrow die, though I am dead.' Tut, I have done a thousand dreadful things As willingly as one would kill a fly, And nothing grieves me heartily indeed But that I cannot do ten thousand more.

He grabbed his lantern and shotgun. “Shall we?” Katie nodded. “But this doesn’t mean I like you.” “Yet,” he added as he opened the barn door. She stopped in the doorway. “I didn’t say yet.” “Ah, but you meant it.

straddled the knot, so that it acted as a seat. Then you got up all your nerve, took a deep breath, and jumped. For a second you seemed to be falling to the barn floor far below, but then suddenly the rope would begin to catch you, and you would sail through the barn door going a mile a minute, with the wind whistling in your eyes and ears and hair. Then you would zoom upward into the sky, and look up at the clouds, and the rope would twist and

God,' she cried, 'what is love? Man seeking his own head? The human head, so rented by misery that even the teeth weigh! She couldn't tell me the truth because she had never planned it; her life was a continual accident, and how can you prepare for that? Everything we can't bear in the world, some day we find in one person, and love it all at once.... There's something evil in me that loves evil and degradation--purty's black backside! That loves honesty with a horrid love; or why have I always gone seeking it at the liar's door?

That night, Ronan didn’t dream. After Gansey and Blue had left the Barns, he leaned against one of the front porch pillars and looked out at his fireflies winking in the chilly darkness. He was so raw and electric that it was hard to believe that he was awake. Normally it took sleep to strip him to this naked energy. But this was not a dream. This was his life, his home, his night. After a few moments, he heard the door ease open behind him and Adam joined him. Silently they looked over the dancing lights in the fields. It was not difficult to see that Adam was working intensely with his own thoughts. Words kept rising up inside Ronan and bursting before they ever escaped. He felt he’d already asked the question; he couldn’t also give the answer. Three deer appeared at the tree line, just at the edge of the porch light’s reach. One of them was the beautiful pale buck, his antlers like branches or roots. He watched them, and they watched him, and then Ronan could not stand it. “Adam?” When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam’s ribs under Ronan’s hands and Adam’s mouth on his mouth, again and again and again. It was stubble on lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for longer. Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan’s back: all the sharp edges that hooked wondrously and fearfully into each other. “Unguibus et rostro,” Adam said. Ronan put Adam’s fingers to his mouth. He was never sleeping again.

Rather than sleeping myself, I practiced. I practiced taking everything I'd seen in the last few days-every horror, every drop of blood-and locking it away, so deep in my mind that I could pretend that nothing had happened. And then I practiced letting it out. This time, I didn't start with a specific memory. I didn't walk myself step by step through a scene. Instead, I built a room inside my head-a tiny room with white walls and no windows and no doors. No way out. In that room, I put the sound of screams, tearing flesh, and heavy breathing, the smell of rancid blood. Everything I'd been holding back, everything threatening to devour me whole was there-in the ceiling of that room, the corners, the floor.

Without even thinking about it, I sent Callum an image of a dog hiking his leg at a fire hydrant. And then one of a rebel flag from the Revolutionary War. Callum didn’t respond in my head, but I knew he’d gotten the message, because he met me at the front door, and the first thing he said, with a single arch of his eyebrow, was, “Don’t tread on you?” “More like ‘don’t metaphorically pee on my brainwaves,’ but it’s the same sentiment, really.” “Vulgarity does not become you, Bryn.” “Are you going to lecture, or are we going to run?” He sighed, but I didn’t need a bond with the pack to see that he was thinking that I had always, always been a difficult child. And then, just in case that point wasn’t clear, he verbalized it. “You have always, always been a difficult child.” I smiled sweetly. “I try.

The two of us rode in companionable silence until the car pulled into Ivy’s drive. Bodie cut the engine, and I reached for the door handle.

Remember what the hare said to the hen when he opened the barn door.” She raised her eyebrows. “What’s that?” “With foxes, we must play the fox.

From the half-open doors of this chiffonier hung laces, ribands, stockings, ladies' underclothing and an abdominal brace, which gave the impression that the feminine finery had suffered venery.

When the opportunity came, it appeared in a different form, and from a different direction than Barnes had expected. That is one of the tricks of opportunity. It has a sly habit of slipping in by the back door, and often it comes disguised in the form of misfortune, or temporary defeat. Perhaps this is why so many fail to recognize opportunity.

Only a fool closes the door when the wolf is already inside the barn.

Knock, knock!” Xander stuck his head out the door to the roof. “I just happened to have my ear pressed to this door. I might have overheard some things, and I have a suggestion!

The famous atheist Christopher Hitchens once declared that ‘You’re expelled from your mother’s uterus as if shot from a cannon, towards a barn door studded with old nail files and rusty hooks.’ Presumably that was what he had in mind when conceiving his three children.

Sometimes knowing is torture. You wish you could hide your secret away in a dark, cobwebby shed, shut the door, and break the key in the lock, so no one can ever get in again. You wish that you could go to sleep and have your last thought be anything but the buttery light of the New Mexico moon sneaking in through the cracks of an old barn's walls. But you can't erase the knowing, and you can never tell your secret. If there is one thing this world as taught me, it's that no matter how bad things get, they can always get worse. Secrets should stay secrets. It keeps them tolerable. Telling secrets turn them into full-on hell.

The day after the assignation with Barstad, the low stacked-heels of Charlotte Neumann, an ordained Episcopalian priest, author of New Art Modalities: Woman/Sin, Sin/Woman, S/in/ister, which, the week before, had broken through the top-10,000 barrier of the Barnes & Noble on-line bestseller list, and who was, not incidentally, the department chairperson, echoed down the hallway and stopped at his door.

I inadvertently overheard some things while my ear was casually pressed to this steel door

Two female horses, retired mares, separated by a sliding barn door, nose each other. Neither of them will get pregnant again, their job is to just be a horse.

Rage simmered in the pit of my stomach—rage that my deadbeat of a father would have dared to talk to the press, rage that someone had taped this article to the back of my locker door.

Whether they are part of a home or home is a part of them is not a question children are prepared to answer. Having taken away the dog, take away the kitchen–the smell of something good in the oven for dinner. Also the smell of washing day, of wool drying in the wooden rack. Of ashes. Of soup simmering on the stove. Take away the patient old horse waiting by the pasture fence. Take away the chores that kept him busy from the time he got home from school until they sat down to supper. Take away the early-morning mist, the sound of crows quarreling in the treetops. His work clothes are still hanging on a nail beside the door of his room, but nobody puts them on or takes them off. Nobody sleeps in his bed. Or reads the broken-back copy of Tom Swift and His Flying Machine. Take that away too, while you are at it. Take away the pitcher and bowl, both of them dry and dusty. Take away the cow barn where the cats, sitting all in a row, wait with their mouths wide open for somebody to squirt milk down their throats. Take away the horse barn too–the smell of hay and dust and horse piss and old sweat-stained leather, and the rain beating down on the plowed field beyond the door. Take all this away and what have you done to him? In the face of a deprivation so great, what is the use of asking him to go on being the boy he was. He might as well start life over again as some other boy instead.

Halt glared at his friend as the whistling continued. 'I had hoped that your new sense of responsibly would put an end to that painful shrieking noise you make between your lips' he said. Crowley smiled. It was a beautiful day and he was feeling at peace with the world. And that meant he was more than ready to tease Halt 'It's a jaunty song' 'What's jaunty about it?' Halt asked, grim faced. Crowley made an uncertain gesture as he sought for an answer to that question. 'I suppose it's the subject matter' he said eventually. 'It's a very cheerful song. Would you like me to sing it for you?' 'N-' Halt began but he was too late, as Crowley began to sing. He had a pleasant tenor voice, in fact, and his rendering of the song was quite good. But to Halt it was as attractive as a rusty barn door squeaking. 'A blacksmith from Palladio, he met a lovely lady-o' 'Whoa! Whoa!' Halt said 'He met a lovely lady-o?' Halt repeated sarcastically 'What in the name of all that's holy is a lady-o?' 'It's a lady' Crowley told him patiently. 'Then why not sing 'he met a lovely lady'?' Halt wanted to know. Crowley frowned as if the answer was blatantly obvious. "Because he's from Palladio, as the song says. It's a city on the continent, in the southern part of Toscana.' 'And people there have lady-o's, instead of ladies?' Asked Halt 'No. They have ladies, like everyone else. But 'lady' doesn't rhyme with Palladio, does it? I could hardly sing, 'A blacksmith from Palladio, he met his lovely lady', could I?' 'It would make more sense if you did' Halt insisted 'But it wouldn't rhyme' Crowley told him. 'Would that be so bad?' 'Yes! A song has to rhyme or it isn't a proper song. It has to be lady-o. It's called poetic license.' 'It's poetic license to make up a word that doesn't exist and which, by the way, sound extremely silly?' Halt asked. Crowley shook his head 'No. It's poetic license to make sure that the two lines rhyme with each other' Halt thought for a few seconds, his eyes knitted close together. Then inspiration struck him. 'Well then couldn't you sing 'A blacksmith from Palladio, he met a lovely lady, so...'?' 'So what?' Crowley challenged Halt made and uncertain gesture with his hands as he sought more inspiration. Then he replied. 'He met a lovely lady, so...he asked her for her hand and gave her a leg of lamb.' 'A leg of lamb? Why would she want a leg of lamb?' Crowley demanded Halt shrugged 'Maybe she was hungry

Instructions for a Broken Heart I will find a bare patch of earth, somewhere where the ruins have fallen away, somewhere where I can fit both hands, and I will dig a hole. And into that hole, I will scream you, I will dump all the shadow places of my heart—the times you didn’t call when you said you’d call, the way you only half listened to my poems, your eyes on people coming through the swinging door of the café—not on me—your ears, not really turned toward me. For all those times I started to tell you about the fight with my dad or when my grandma died, and you said something about your car, something about the math test you flunked, as an answer. I will scream into that hole the silence of dark nights after you’d kissed me, how when I asked if something was wrong—and something was obviously so very wrong—how you said “nothing,” how you didn’t tell me until I had to see it in the dim light of a costume barn—so much wrong. I will scream all of it. Then I will fill it in with dark earth, leave it here in Italy, so there will be an ocean between the hole and me. Because then I can bring home a heart full of the light patches. A heart that sees the sunset you saw that night outside of Taco Bell, the way you pointed out that it made the trees seem on fire, a heart that holds the time your little brother fell on his bike at the fairgrounds and you had pockets full of bright colored Band-Aids and you kissed the bare skin of his knees. I will take that home with me. In my heart. I will take home your final Hamlet monologue on the dark stage when you cried closing night and it wasn’t really acting, you cried because you felt the words in you and on that bare stage you felt the way I feel every day of my life, every second, the way the words, the light and dark, the spotlight in your face, made you Hamlet for that brief hiccup of a moment, made you a poet, an artist at your core. I get to take Italy home with me, the Italy that showed me you and the Italy that showed me—me—the Italy that wrote me my very own instructions for a broken heart. And I get to leave the other heart in a hole. We are over. I know this. But we are not blank. We were a beautiful building made of stone, crumbled now and covered in vines. But not blank. Not forgotten. We are a history. We are beauty out of ruins.

I know what’s coming you see. I know no one beats these odds and I know it’s a matter of getting used to that and realizing that you are expelled from your mother’s uterus as if shot from a cannon towards a barn door studded with old nail files and rusty hooks. It’s a matter of how you use up the intervening time in an intelligent and ironic way; and try not to do anything ghastly to your fellow creatures.

I remember, in no particular order: - a shiny inner wrist; - steam rising from a wet sink as a hot frying pan is laughingly tossed into it; - gouts of sperm circling a plughole, before being sluiced down the full length of a tall house; - a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams; - another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface; - bathwater long gone cold behind a locked door. This last isn't something I actually saw, but what you end up remembering isn't always the same as what you have witnessed.

Once I am sure there's nothing going on I step inside, letting the door thud shut. Another church: matting, seats, and stone, And little books; sprawlings of flowers, cut For Sunday, brownish now; some brass and stuff Up at the holy end; the small neat organ; And a tense, musty, unignorable silence, Brewed God knows how long. Hatless, I take off My cycle-clips in awkward reverence. Move forward, run my hand around the font. From where I stand, the roof looks almost new - Cleaned, or restored? Someone would know: I don't. Mounting the lectern, I peruse a few Hectoring large-scale verses, and pronounce 'Here endeth' much more loudly than I'd meant. The echoes snigger briefly. Back at the door I sign the book, donate an Irish sixpence, Reflect the place was not worth stopping for. Yet stop I did: in fact I often do, And always end much at a loss like this, Wondering what to look for; wondering, too, When churches will fall completely out of use What we shall turn them into, if we shall keep A few cathedrals chronically on show, Their parchment, plate and pyx in locked cases, And let the rest rent-free to rain and sheep. Shall we avoid them as unlucky places? Or, after dark, will dubious women come To make their children touch a particular stone; Pick simples for a cancer; or on some Advised night see walking a dead one? Power of some sort will go on In games, in riddles, seemingly at random; But superstition, like belief, must die, And what remains when disbelief has gone? Grass, weedy pavement, brambles, buttress, sky, A shape less recognisable each week, A purpose more obscure. I wonder who Will be the last, the very last, to seek This place for what it was; one of the crew That tap and jot and know what rood-lofts were? Some ruin-bibber, randy for antique, Or Christmas-addict, counting on a whiff Of gown-and-bands and organ-pipes and myrrh? Or will he be my representative, Bored, uninformed, knowing the ghostly silt Dispersed, yet tending to this cross of ground Through suburb scrub because it held unspilt So long and equably what since is found Only in separation - marriage, and birth, And death, and thoughts of these - for which was built This special shell? For, though I've no idea What this accoutred frowsty barn is worth, It pleases me to stand in silence here; A serious house on serious earth it is, In whose blent air all our compulsions meet, Are recognized, and robed as destinies. And that much never can be obsolete, Since someone will forever be surprising A hunger in himself to be more serious, And gravitating with it to this ground, Which, he once heard, was proper to grow wise in, If only that so many dead lie round.

I noticed the valet stand, but didn't think to look for the valet. My frustration with Lily - and the fact that she was still updating the blog over which she was being blackmailed - may have caused me to throw my door open slightly harder than necessary. And then I saw the valet. In my defense, I wasn't used to people opening my car door for me, and he only made a small wheezing sound when it nailed him in the stomach. I stood and reached out to steady him by the arm. "You okay?" The valet's hazel eyes rested on mine. "I'll live.

Or me. As Asher pulled into Ivy’s driveway, I was reminded of the fact that I wasn’t as removed from the power players in this town as I felt. There was a limo parked in the drive. Asher eyed it. “Just another afternoon at Ivy Kendrick’s house?” The car had shaded windows, with glass that I deeply suspected was bulletproof. One of Ivy’s clients, I thought. With any luck, maybe she would be busy enough that she wouldn’t have time to cross-examine me about why I’d skipped school—or where I’d spent the afternoon. I unbuckled my seat belt and opened the car door.

He goes out to untie the female from the tree where he left her. She hasn’t taken the rope off her neck. Of course, he thinks, she doesn’t know she can. He moves toward her and she begins to tremble. She looks at the ground. Urinates. He takes her to the barn and ties her to the door of a broken and rusted truck.

Frank sniffed. 'You know me well, wife. I thought those were in the basement.' 'They were. You should have been an English teacher, Frank.' 'What are we going to do?' Henry asked. 'We're going to build a wooden horse, stick you inside it, and offer it up as a gift,' Frank answered. 'Burn your bridges when you come to them,' Dotty said. She smiled at Frank, picked up the empty plates, and walked back into the kitchen. 'Can we watch?' Henrietta asked. 'You,' Frank said, 'can go play in the barn, the yard, the fields, or the ditches, so long as you are nowhere near the action. C'mon, Henry.' The girls moaned and complained while Henry followed his uncle up the stairs. At the top, they walked all the way around the landing until they faced the very old, very wooden door to Grandfather's bedroom. Uncle Frank set down his tools. 'Today is the day, Henry. I can feel it. I never told your aunt this, but my favorite book's in there. I was reading it to your Grandfather near the end. It's been due back at the library for awhile now, and it'd be nice to be able to check something else out.

Not a single object seems to possess a practical use. The antechamber itself seems useless, a sort of vestibule to a barn, It is exactly the same sort of sensation I get when I enter the Comedie-Francaise or the Palaise- Royal Theatre; ; it is a world of bric-a-brac, of trap doors, of arms and busts and waxed floors, of candelabras and men in armor, of statues without eyes and love letters lying in glass cases. Something is going on, but it makes no sense; it's like finishing the half-empty bottle of Calvados because there's no room in the valise.

The picture is supposed to go up just inside the front door, so it's the first thing you see when you come in. It's green. It's about the size of a barn door. It has one vertical orange stripe, and it's called 'The Temptation of Saint Anthony.' Mother wrote a letter to the paper, saying the picture was an insult to the memory of Father, and to the memory of every serious artist who ever lived.

Meet me back here in twenty,” he called, shutting the door. “ ’Kay, Dad!” He froze, the title catching him right in the gut. He watched her disappear into the barn, a smile of wonder lifting his mouth.

I will pull on my stockings and go quietly past the bedroom doors, and down through the kitchen, out through the garden past the greenhouse into the field. It is still early morning. The mist is on the marshes. The day is stark and stiff as a linen shroud. But it will soften; it will warm. At this hour, this still early hour, I think I am the field, I am the barn, I am the trees; mine are the flocks of birds, and this young hare who leaps, at the last moment when I step almost on him. Mine is the heron that stretches its vast wings lazily; and the cow that creaks as it pushes one foot before another munching; and the wild, swooping swallow; and the faint red in the sky, and the green when the red fades; the silence and the bell; the call of the man fetching cart-horses from the fields - all are mine.

July had come, and haying begun; the little gardens were doing finely and the long summer days were full of pleasant hours. The house stood open from morning till night, and the lads lived out of doors, except at school time. The lessons were short, and there were many holidays, for the Bhaers believed in cultivating healthy bodies by much exercise, and our short summers are best used in out-of-door work. Such a rosy, sunburnt, hearty set as the boys became; such appetites as they had; such sturdy arms and legs, as outgrew jackets and trousers; such laughing and racing all over the place; such antics in house and barn; such adventures in the tramps over hill and dale; and such satisfaction in the hearts of the worthy Bhaers, as they saw their flock prospering in mind and body, I cannot begin to describe.

I, for one, thought this would be something good for Settlers to know from the get-go. With so much risk, why did SA feel the consequences of exposure were something to be concealed until there was not choice but to drag people like Monica and me into their secret beige meeting room and scare us half to death after we'd screwed up? It made about as much sense as extremely conservative parents not telling their daughters about the consequences of sex until after they were already pregnant. Shutting the barn door after the horse was loose, much? But then, I was beginning to think SA wasn't nearly as smart as they believed themselves to be. Our remaining undiscovered for so long seemed due more to humanity's tendency not to see things they didn't want to see, rather than cleverness on the part of Settler's Affairs.

The back barn door opened, and in walked a vision in a billowing green dress. As she led in her mare, Mr. McBride’s voice faded away as Tom’s total attention turned to the girl. About twenty-one or two, Tom guessed. Not too tall, nor short. Beautiful heart-shaped face decorated with rosy cheeks and light freckles. Long auburn hair tied back in a ponytail. Perfectly set green eyes. Full-bosomed and hourglass shaped. Breathtaking.

I should have hoped to have trained him, my lady, to understand the rules of discretion.” “Trained! Train a barn-door fowl to be a pheasant, Mr. Horner! That would be the easier task. But you did right to speak of discretion rather than honour. Discretion looks to the consequences of actions—honour looks to the action itself, and is an instinct rather than a virtue. After all, it is possible you might have trained him to be discreet.

I won't tell you everything she told me, for two reasons: because there's a good chance you'd die of boredom. She told me stories about my mother's first steps and the time she climbed into the barn loft and jumped out because she thought she could fly; about her hatred of sweet potatoes and her love of fresh honeycomb; about the perfect June evenings the Larson women spent watching her cartwheel and careen through the yard. Second, because they are each precious and painful to me in some secret way I can't explain, and I'm not ready to show them to anyone else yet. I want to hold them for a while in the quiet undercurrents of myself, until their edges are worn smooth as river stones.

When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.

The man had been hard no doubt about that. But they were hard times. He’d written: “In the Fyres of Struggle let us bake New Men, who Will Notte heed the Old Lies.” But the old lies had won in the end. He said to people: you’re free. And they said hooray, and then he showed them what freedom costs and they called him a tyrant and, as soon as he’d been betrayed, they milled around a bit like barn-bred chickens who’ve seen the big world outside for the first time, and then they went back into the warm and shut the door—

But it’s very easy to push an old lady down to the ground and take one of the doors off the barn and put it on top of her like a sandwich and pile stones on it until she can’t breathe anymore. And that makes all the badness go away. Except that it doesn’t. Because there are other things going on, and other old ladies. And when they run out, there are always old men. Always strangers. There’s always the outsider. And then, perhaps, one day, there’s always you. That’s when the madness stops. When there’s no one left to be mad.

when you finish a barn, he told Nick and Stu and Fran after darkness has put an end to the search for the night, you hang a horseshoe eds up over the door to keep the luck in. But if one of the nails falls out and the horseshoe swings points down, you don't abandon the barn

had. All put together, it made for a puzzle where none of the pieces fit smoothly. She felt as though she were trying to fit pieces together that showed trees, sky, half a cat, and part of a barn door. All together they didn’t make a picture. She knew what the images were, but none of them was complete, and she didn’t feel whole, either. She reminded herself that she didn’t need a man to be complete. But so much of the relationship she had with Phil was constantly half-assed. Maybe that was all she needed to know, and eventually act on. There never seemed to be

Price began to speed the process. He hurried from one unanswered name to the next. Byrne, Hunt, Jones, Tipper, Wood, Leslie, Barnes, Studd, Richardson, Savile, Thompson, Hodgson, Birkenshaw, Llewellyn, Francis, Arkwright, Duncan, Shea, Simons, Anderson, Blum, Fairbrother. Names came pattering into the dusk, bodying out the places of their forebears, the villages and towns where the telegram would be delivered, the houses where the blinds would be drawn, where low moans would come in the afternoon behind closed doors; and the places that had borne them, which would be like nunneries, like dead towns without their life or purpose, without the sound of fathers and their children, without young men at the factories or in the fields, with no husbands for the women, no deep sound of voices in the inns, with the children who would have been born, who would have grown and worked or painted, even governed, left ungenerated in their fathers’ shattered flesh that lay in stinking shellholes in the beet-crop soil, leaving their homes to put up only granite slabs in place of living flesh, on whose inhuman surface the moss and lichen would cast their crawling green indifference.

Travis came up behind her, his hat brim bumping her head as he nuzzled her neck. She giggled and danced away, feeling playful yet oddly shy at the same time. Travis gave chase, his husky laughter blending with hers as the two of them darted out of the barn. When they neared the porch, he grabbed her about the waist and lifted her off her feet. Meredith squealed. “You can’t escape me,” Travis murmured in her ear as he gently settled her back on the ground. Meredith turned in his arms to face the man she loved. “I’ve no desire to.” His eyes darkened, and for a moment she thought he would kiss her. But then he scooped her into his arms and carried her up the porch steps. The front door proved more of a challenge to conquer. Travis had to juggle his hold on her a bit before he could get the latch open. Meredith laughed in delight, endeared by his awkward efforts. Once the door was cracked, he kicked it wide with his boot and carried her over the threshold. “Welcome home, Mrs. Archer.

Tick-Tock: Now, now...no need of that, Gasher. Gasher: If you say there's no need, there ain't. Still, he's wery pert, Ticky. Wery pert, Ticky. Wery pert indeed, so he is, and if you want my opinion, he'll take a deal of training! Tick-Tock: When I want your opinion, I'll ask for it. Now close the door, Gash--was you bore in a barn?

I'd like to make you an offer." An offer? I was suddenly reminded of who I was dealing with here. Lillian Taft wasn't a powder puff. She was the merciless, dictatorial matriarch who'd kicked my pregnant mother out of her house at the ripe old age of seventeen. I stalked to the front door and retrieved the Post-it I'd placed next to the doorbell when our house had been hit with door-to-door evangelists two weeks in a row. I turned and offered the hand-written notice to the women who'd raised my mother. Her perfectly manicured fingertips plucked the Post-it from my grasp. "'No soliciting,'" my grandmother read. "Except for Girl Scout cookies," I added helpfully. I'd gotten kicked out of the local Scout troop during my morbid true-crime and facts-about-autopsies phase, but I still had a weakness for Thin Mints. Lillian pursed her lips and amended her previous statement. "'No soliciting except for Girl Scout cookies.'" I saw the precise moment that she registered what I was saying: I wasn't interested in her offer. Whatever she was selling, I wasn't buying.

Closing the door behind him, Macdonald stood still in the darkness, as he had stood so often in other buildings. Houses, barns, shops, flats, warehouses, all dark, as this passage was dark, but having in the darkness their own character because each had its own peculiar smell. Gramarye smelt of floor polish and carbolic and soap: something of the unwelcoming smell of an institution, but behind the overlay of modern cleanliness, the smell of the ancient house declared itself, of old mortar, of stone walls built without damp courses, of woodwork decaying under coats of paint, of panelling and floor boards which gave out their ancient breath as the coldness of the stone house triumphed over the warmth of the midsummer evening.

Ah, mighty uncertainty!" said the doctor. "Have you thought of all the doors that have shut at night and opened again? Of women who have looked about with lamps, like you, and who have scurried on fast feet? Like a thousand mice they go this way and that, now fast, now slow, some halting behind doors, some trying to find the stairs, all approaching or leaving their misplaced mouse-meat that lies in some cranny, on some couch, down on some floor, behind some cupboard; and all the windows, great and small, from which love and fear have peered, shining and in tears. Put those windows end to end and it would be a casement that would reach around the world; and put those thousand eyes into one eye and you would have the night combed with the great blind searchlight of the heart.

The door opened and Keelie came out, still wearing the T-shirt she’d slept in. It was his and he was going to bronze it, or maybe sleep with that damn thing, because it would smell like her . . . “Can I borrow the shirt?” she asked, tearing him out of his fantasy. He blinked. “Ah. Yeah.” Okay. Keelie walking around wearing his shirt did something to his brain that just wasn’t conducive to conversation, but he managed a fairly normal smile as he picked up his coffee. “There’s coffee.” Keelie gave him a grateful smile. “I need it.” Her hands closed around the cup and she lifted it up to her lips. He watched, practically mesmerized as she took a sip. A soft sound, somewhere between a moan and a sigh, escaped her. His dick hardened. How in the hell could she get him worked up just by drinking coffee?

That did it. Mackenzie was seething. Someone suggested that mercenaries be sent over to the Howard barn to forcibly haul Smith into the office. Setting that popular idea aside, the stewards fired the leg-weary Greenberg back to the barn again, bearing yet another message. “Seabiscuit will either be a positive starter tomorrow, or we will refuse his entry entirely.” A few minutes later, Greenberg dragged himself back to the offices with Smith’s counterdemand: No one was to show up at his barn asking to examine the horse. The stewards complied, and Greenberg stumbled back to the Howard barn. In late morning, the administrative office door swung open. The officials looked up, expecting to see Greenberg. It was Smith. The stewards sat blinking at him. “All right,” Smith said. “Take the ‘doubtful starter’ off the blank. Seabiscuit will run all right.” Back at the barn, resting his sore legs, Greenberg saw Smith laughing. “The madder they got, the better he liked it,” Greenberg remembered. “He just done that for bein’ onery.” On July 16 a record sixty thousand people pressed into Hollywood Park to see Seabiscuit try for the Gold Cup, while millions more crowded around radio sets to hear NBC’s national

Dusk settled over our shoulders like a damp purple blanket. The river- the churn and clank of boat traffic, the shush of water, and the tangy smell of catfish and mud- was slowly beaten back by honeysuckle and cicadas and some bird that cooed the same three syllables in a lilting circle. It was all so familiar and so foreign. I pictured a young girl in a blue cotton dress running down this same road on cinnamon-stick legs. Then I pictured another girl, white and square-jawed, running before her. Adelaide. Mother. I would've missed it if I hadn't been looking: a narrow dirt drive crowded on either side by briars and untrimmed boughs. Even once I'd followed the track to its end I was uncertain- who would live in such a huddled, bent-back cabin, half-eaten by ivy and some sort of feral climbing rose? The wooden-shake shingles were green with moss; the barn had collapsed entirely.

They came to a destroyed cabin and he pulled up and then went inside. Broken cups and pieces of dress material torn on a nail. A doll’s body without a head. He dug a .50-caliber bullet out of the wall with his knife and then carefully placed it on the windowsill as if for a memento. Here were memories, loves, deep heartstring notes like the place where he had been raised in Georgia. Here had been people whose dearest memories were the sound of a dipper dropped in the water bucket after taking a drink and the click of it as it hit bottom. The quiet of evening. The shade of the Devil’s trumpet vine over a window, scattered shadows gently hypnotic. The smell of a new calf, a long bar of sun falling into the back door over worn planks and every knot outlined. The familiar path to the barn walked for years by one’s father, grandfather, uncles, the way they called out, Horses, horses. How they swung the bucket by the handle as they went at an easy walk down the path between the trees, between here and there, between babyhood and adulthood, between innocence and death, that worn path and the lifting of the heart as the horses called out to you, how you knew each by the sound of its voice in the long cool evening after a day of hard work. Your heart melted sweetly, it slowed, lost its edges. Horses, horses. All gone in the burning.

From love's absolutism to love's absolution? No: I don't believe in the cosy narratives of life some find necessary, just as I choke on comforting words like redemption and closure. Death is the only closure I believe in; and the wound will stay open until that final shutting of the doors. As for redemption, it's far too neat, a movie-maker's bromide; and beyond that, it feels like something grand, which human beings are too imperfect to deserve, much less bestow upon themselves.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now." I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine." I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not." Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you." My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him. Don't!" I said, but she didn't pause. Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked. Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers. Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides. Ta da!" she said, clapping her hands at her own accomplishment. Very impressive," Jerry said in a low voice. "Now put the pony away." Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once. Now," she said evenly. "Tell me again what isn't mine." Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers." Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me." Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her. My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion. You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.

by have a home in the first place? Good question! When I have a tea party for my grandchildren, I'm passing on to them the things my mama passed on to me-the value of manners and the joy of spending quiet time together. When Bob reads a Bible story to those little ones, he's passing along his deep faith. When we watch videos together, play games, work on projects-we're building a chain of memories for the future. These aren't lessons that can be taught in lecture form. They're taught through the way we live. What we teach our children-or any child who shares our lives-they will teach to their children. What we share with our children, they will share with generations to come. friend of mine loves the water, the out doors, and the California sunshine. She says they're a constant reminder of God's incredible creativity. Do you may have a patio or a deck or a small balcony? Bob and I have never regretted the time and expense of creating outdoor areas to spend time in. And when we sit outside, we enhance our experience with a cool salad of homegrown tomatoes and lettuce, a tall glass of lemonade, and beautiful flowers in a basket. Use this wonderful time to contemplate all God is doing in your life. ecome an answer to prayer! • Call and encourage someone today.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

Ma went up to the gate, and pushed against it to open it. But it did not open very far, because there was Sukey, standing against it. Ma said: “Sukey, get over!” She reached across the gate and slapped Sukey’s shoulder. Just then one of the dancing little bits of light from the lantern jumped between the bars of the gate, and Laura saw long, shaggy, black fur, and two little, glittering eyes. Sukey had thin, short, brown fur. Sukey had large, gentle eyes. Ma said, “Laura, walk back to the house.” So Laura turned around and began to walk toward the house. Ma came behind her. When they had gone part way, Ma snatched her up, lantern and all, and ran. Ma ran with her into the house, and slammed the door. Then Laura said, “Ma, was it a bear?” “Yes, Laura,” Ma said. “It was a bear.” Laura began to cry. She hung on to Ma and sobbed, “Oh, will he eat Sukey?” “No,” Ma said, hugging her. “Sukey is safe in the barn. Think, Laura--all those big, heavy logs in the barn walls. And the door is heavy and solid, made to keep bears out. No, the bear cannot get in and eat Sukey.” Laura felt better then. “But he could have hurt us, couldn’t he?” she asked. “He didn’t hurt us,” Ma said. “You were a good girl, Laura, to do exactly as I told you, and to do it quickly, without asking why.” Ma was trembling, and she began to laugh a little. “To think,” she said, “I’ve slapped a bear!

In mid-morning, Qwilleran set out from the barn carrying a baker’s box tied with red plaid ribbon. He said goodbye to the cats, told them where he was going, and estimated when he would return. The more you talk to cats, he believed, the smarter they become. Koko was disturbingly smart. Qwilleran called him a fine fellow and had a great deal of respect for him. Yum Yum was a dainty little female with winning ways and a fondness for laps, the contents of wastebaskets, and small shiny objects she could hide under the rug. He gave them some parting instructions. “Don’t answer the phone. Don’t pull the plug on the refrigerator. Don’t open the door to poll-takers.” They looked at him blankly.

Of course you would, Mitt," Reagan said. "Well, I’m glad we understand each other, and I think your father would be proud of you being in his old spot, and I want you to know that when I’m choosing my Secretary of Housing and Urban Development, your resumé will be on the very top of the pile. It’s been great chatting with you but you know, I have to find a vice presidential candidate, and soon.” “Ha, ha, ha, ah it’s been great chatting with you, too, Mr. President, and—” Reagan cocked his head slightly, smiled, and caught the eye of a minion; a moment later Romney had been deposited outside the door like a discarded room service tray, having barely had time to shift from ha, ha, ha back to ah…ah…

It was spring, and the long months of desolation melted into running water, with streamlets pouring from every hill and miniature waterfalls leaping from stone to stone to stone. The air was filled with the racket of birds, a cacophony of melody that replaced the lonely calling of geese passing by far overhead. Birds go one by one in the winter, a single raven hunched brooding in a barren tree, an owl fluffed against the cold in the high, dark shadows of a barn. Or they go in flocks, a massed thunder of wings to bear them up and away, wheeling through the sky like handsful of pepper grains thrown aloft, calling their way in Vs of mournful courage toward the promise of a distant and problematic survival. In winter, the raptors draw apart unto themselves; the songbirds flee away, all the color of the feathered world reduced to the brutal simplification of predator and prey, gray shadows passing overhead, with no more than a small bright drop of blood fallen back to earth here and there to mark the passing of life, leaving a drift of scattered feathers, borne on the wind. But as spring blooms, the birds grow drunk with love and the bushes riot with their songs. Far, far into the night, darkness mutes but does not silence them, and small melodious conversations break out at all hours, invisible and strangely intimate in the dead of night, as though one overheard the lovemaking of strangers in the room next door.

First memory: a man at the back door is saying, I have real bad news, sweat is dripping off his face, Garbert's been shot, noise from my mother, I run to her room behind her, I'm jumping on the canopied bed while she cries, she's pulling out drawers looking for a handkerchief, Now, he's all right, the man say, they think, patting her shoulder, I'm jumping higher, I'm not allowed, they think he saved old man Mayes, the bed slats dislodge and the mattress collapses. My mother lunges for me. Many traveled to Reidsville for the event, but my family did not witness Willis Barnes's electrocution, From kindergarten through high school, Donette, the murderer's daughter, was in my class. We played together at recess. Sometimes she'd spit on me.

He was halfway to the house, thinking to set the cabbage inside the kitchen door,when a brown blur thundered past him. Joanna Robbins tore out of the barn astride a magnificent chestnut quarter horse. She leaned forward in the saddle,hat flopping against her back, hair streaming out behind her in a wild curly mass as she urged her mount to a full-out gallop. Unable to do anything but stare, Crockett stood dumbstruck as she raced past. She was the most amazing horsewoman he'd ever seen. Joanna Robbins. The shy creature who claimed painting and reading were her favorite pastimes had just bolted across the yard like a seasoned jockey atop Thoroughbred. She might have inherited her mother's grace and manners, but the woman rode like her outlaw father.Maybe better.

Tokens Green mwold on zummer bars do show That they’ve a-dripp’d in winter wet; The hoof-worn ring o’ groun’ below The tree, do tell o’ storms or het; The trees in rank along a ledge Do show where woonce did bloom a hedge; An’ where the vurrow-marks do stripe The down, the wheat woonce rustled ripe. Each mark ov things a-gone vrom view— To eyezight’s woone, to soulzight two. The grass ageän the mwoldrèn door ’S a tóken sad o’ vo’k a-gone, An’ where the house, bwoth wall an’ vloor, ’S a-lost, the well mid linger on. What tokens, then, could Meäry gi’e That she’d a-liv’d, an’ liv’d vor me, But things a-done vor thought an’ view? Good things that nwone ageän can do, An’ every work her love ha’ wrought To eyezight’s woone, but two to thought.

I remember, in no particular order: —a shiny inner wrist; —steam rising from a wet sink as a hot frying pan is laughingly tossed into it; —gouts of sperm circling a plughole, before being sluiced down the full length of a tall house; —a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams; —another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface; —bathwater long gone cold behind a locked door. This last isn’t something I actually saw, but what you end up remembering isn’t always the same as what you have witnessed. We live in time—it holds us and moulds us—but I’ve never felt I understood it very well. And I’m not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time’s malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing—until the eventual point when it really does go missing, never to return. I’m not very interested in my schooldays, and don’t feel any nostalgia for them. But school is where it all began, so I need to return briefly to a few incidents that have grown into anecdotes, to some approximate memories which time has deformed into certainty. If I can’t be sure of the actual events any more, I can at least be true to the impressions those facts left. That’s the best I can manage.

I want to stretch our legs and show you the view of our valley. It's a tradition when we bring someone special to the ranch for the first time." He set the kitten on the seat opposite them and opened the door. He stepped out, then helped her to the ground and started to release her. Pamela squeezed his hand and didn't let go. John's quick smile told her he approved. He led her to a lookout and waved an arm in a sweeping motion. "Our valley." "Really?" Delighted, she leaned forward to take in the view. Grasslands studded with cattle surrounded a big white house, outbuildings, a barn, and two smaller homes. She studied the house. From this distance, it looked large and comfortable, two-story, as John had described, with a porch across the front. She relaxed at the sight. The distant mountains still held snow on their peaks. Stark blue sky stretched over the land, with several puffy white clouds floating by. Our valley, she echoed.

One permanent effect of his exposure to the Macleod household had been a distaste for angry men. No, not distaste, disgust. Anger as an expression of authority, an expression of masculinity, anger as a prelude to physical violence: he hated it all. There was a hideous false virtue to anger: look at me, angry, look how I boil over because I am so filled with emotion, look how I am really alive (unlike all those cold fish over there), look how I am going to prove it by grabbing your hair and smashing your face into a door. And now look what you made me do! I’m angry about that too! It seemed to him that anger was never just anger. Love was, usually, in itself, just love, even if it impelled some to behave in ways which made you suspect there was no love present anymore, and perhaps never had been. But anger, especially the sort which coated itself in self-righteousness (and perhaps all anger did) was so often an expression of something else: boredom, contempt, superiority, failure, hatred. Or even something apparently trivial, like a chafing dependence on female practicality.

some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds

Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.

And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./

She stole surreptitious glances at Christopher, as she had been doing all evening, mesmerized by the sight of him. He was tawny and sun glazed, the candlelight finding threads of gold in his hair. The yellow glow struck sparkling glints in the new growth of bristle on his face. She was fascinated by the raw, restless masculinity beneath his quietness. She wanted to revel in him as one might dash out-of-doors in a storm, letting the elements have their way. Most of all she longed to talk with him…to pry each other open with words, share every thought and secret. “My sincere thanks for your hospitality,” Christopher finally said at the conclusion of the meal. “It was much needed.” “You must return soon,” Cam said, “especially to view the timber yard in operation. We have installed some innovations that you may want to use at Riverton someday.” “Thank you. I would like to see them.” Christopher looked directly at Beatrix. “Before I depart, Miss Hathaway, I wonder if you would introduce me to this notorious mule of yours?” His manner was relaxed…but his eyes were those of a predator. Beatrix’s mouth went dry. There would be no escaping him. That much was clear. He wanted answers. He would have them either now or later. “Now?” she asked wanly. “Tonight?” “If you don’t mind,” he said in a far too pleasant tone. “The barn is but a short walk from the house, is it not?” “Yes,” Beatrix said, rising from her chair. The men at the table stood obligingly. “Excuse us, please. I won’t be long.” “May I go with you?” Rye asked eagerly. “No, darling,” Amelia said, “it’s time for your bath.” “But why must I wash if I can’t see any dirt?” “Those of us who have a difficult time with godliness,” Amelia replied with a grin, “must settle for cleanliness.

A winnowing fan was droning away in one of the barns and dust poured out of the open door. On the threshold stood the master himself, Alyokhin, a man of about forty, tall, stout, with long hair, and he looked more like a professor or an artist than a landowner. He wore a white shirt that hadn't been washed for a very long time, and it was tied round with a piece of rope as a belt. Instead of trousers he was wearing underpants; mud and straw clung to his boots. His nose and eyes were black with dust. He immediately recognised Ivan Ivanych and Burkin, and was clearly delighted to see them. 'Please come into the house, gentlemen,' he said, smiling, 'I'll be with you in a jiffy.' It was a large house, with two storeys. Alyokhin lived on the ground floor in the two rooms with vaulted ceilings and small windows where his estate managers used to live. They were simply furnished and smelled of rye bread, cheap vodka and harness. He seldom used the main rooms upstairs, reserving them for guests. Ivan Ivanych and Burkin were welcomed by the maid, who was such a beautiful young woman that they both stopped and stared at each other. 'You can't imagine how glad I am to see you, gentlemen,' Alyokhin said as he followed them into the hall. 'A real surprise!' Then he turned to the maid and said, 'Pelageya, bring some dry clothes for the gentlemen. I suppose I'd better change too. But I must have a wash first, or you'll think I haven't had one since spring. Would you like to come to the bathing-hut while they get things ready in the house?' The beautiful Pelageya, who had such a dainty look and a gentle face, brought soap and towels, and Alyokhin went off with his guests to the bathing-hut. 'Yes, it's ages since I had a good wash,' he said as he undressed. 'As you can see, it's a nice hut. My father built it, but I never find time these days for a swim.' He sat on one of the steps and smothered his long hair and neck with soap; the water turned brown. 'Yes, I must confess...' Ivan Ivanych murmered, with a meaningful look at his head. 'Haven't had a wash for ages,' Alyokhin repeated in his embarrassment and soaped himself again; the water turned a dark inky blue.

It takes me nearly a half hour to make what should be a ten-minute trip, and by the time I pull up in front of my house, my hands are cramped from my death grip on the steering wheel. It’s not until I step out of the car, my legs feeling like they’re made of Jell-O, that I notice Ryder’s Durango parked in front of me. “Where the hell have you been?” he calls out from the front porch, just as I make a mad dash to join him there. His face is red, his brow furrowed over stormy eyes. “They let us out an hour ago!” I am really not in the mood for his crap. “Yeah, so?” “So I was worried sick. A tornado touched down over by the Roberts’ place.” “I know! I mean, I didn’t know it touched down, but I was still at school when the sirens went off.” I drop my ridiculously heavy backpack and shake the rain from my hair. “Is everyone okay over there?” He runs a visibly trembling hand through his hair. “Yeah, it just tore up their fence or something. Jesus, Jemma!” “What is wrong with you? Why are you even here?” “I’m supposed to stay over here, remember?” “What…now?” I look past him and notice an army-green duffel bag by the front door. He’s got a key--he could’ve just let himself in. “I figured now’s as good a time as any. We need to put sandbags in front of the back door before it gets any worst out, and then we’ve got to do something about the barn. It’s awful close to the creek, and the water’s rising fast.” “Well, what do you propose we do?” “Don’t you keep your guns out there? We should move them inside. And your dad has some expensive tools in his workshop--we should get those, too.” I let out a sigh. He’s got a point. “Can I at least go inside first? Put my stuff away?” “Sure?” He moves to the edge of the porch and gazes up at the sky. “It looks like we might get a break in a few minutes, once this band moves through. Might as well wait for it.” I dig out my keys and unlock the door. I can hear the dogs howling their heads off the minute I step inside. “I’ve gotta let Beau and Sadie out,” I say over my shoulder as I head toward the kitchen. “Take your stuff to the guest room and get settled, why don’t you?” That’s my attempt at reestablishing the fact that I’m in charge here, not him. This is my house. My stuff. My life.

I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared. A knock on the bathroom door startles me. “Jemma? You okay in there?” “I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old. “Do you want a candle or something? Maybe a hurricane lamp?” “No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead. “It’s going to be okay, Jem. We’ll get through this.” I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice? “I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.” I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub. It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me. The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door. “Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.” I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time… I let the thought trail off, not wanting to examine it further. “Thank you,” he says softly. “I owe you one.

Robert.” It was a sigh and a call at the same time. She ignored the lump in her throat and called again. In an instant, her view was obscured. “Lydia!” They were eye-to-eye, and neither said anything for a moment or two. Finally, after an audible gulp, Robert spoke in a whisper. “Are you all right?” “I’ve had better days,” she said in seriousness, and then realized the absurdity of her words and chuckled. “I’m covered in dirt, cuts, and bruises and sporting a lovely goose egg above my ear. One of my favorite gowns is nothing but a ruin, but other than that, I am fine. And now that you are here, I am better.” “Thank the Lord. I cannot tell you how relieved I am to hear you say so. I have been imagining all sorts … well, let’s talk about this later.” “Yes, when we don’t have to whisper through a wall.” “Indeed.” “So what is the plan?” “Hmm … well, plans are a little lacking at this moment. I had expected to rush in and simply grab you, but there are three guards by the door. I procured a thick stick, but three to one … well, not good odds. My second idea was to loosen some of these boards and pull you out. I have also acquired a horse. So once out, we can sneak or run, whichever is the most prudent.” “Yes, but the getting-out part seems to be the problem. For, if I am not mistaken, none of the boards on this side of the barn are loose, and the other sides are too close to the villains.” “There does seem to be a decided lack of cooperation on the part of the building. I have, however, noticed something that might offer another possibility. It would require a great deal of trust on your part.” “Oh?” Lydia was almost certain she was not going to like this new possibility. “Yes. There is a hay door above me. Is there a loft inside?” “Are you thinking that I should climb a rickety ladder to the loft and then try to escape through the hay door?” “Just a thought.” “How would I get down?” “That would be the trust part.” “Ahh. I would jump, and you would catch me.” Lydia visualized her descent, skirts every which way, and a very hard landing that might produce a broken body part. “Yes. Not a brilliant plan. Do you have another?” Robert sounded hopeful. “Not really. But might I suggest a variation to yours?” “By all means.” “I will return to my cell and get the rope that the thugs used to tie me up.” “They tied you up?” “Yes. But don’t let it bother you.…” “No?” “No. Because if they hadn’t, then I wouldn’t have a rope to lower myself from the hay door. I can use the one they used on my feet; it’s thick and long.” “I like that so much better than watching you fling yourself from a high perch.” “Me too. It might take a few minutes as I must return to my original cell—I escaped, you know.” “I didn’t. That is quite impressive.” “Thank you. Anyway, I must return to my cell for the rope, climb the ladder, cross the loft to the door … et cetera, et cetera. All in silence, of course.” “Of course.” “It might take as much as twenty minutes.” “I promise to wait. Won’t wander off … pick flowers or party with the thugs.” “Good to know.” “Just warn me before you jump.” “Oh, yes. I will most certainly let you know.” With a deep sigh, Lydia headed back to her cell, slowly and quietly.

Chapter 1 Death on the Doorstep LIVY HINGE’S AUNT lay dying in the back yard, which Aunt Neala thought was darned inconvenient. “Nebula!” she called, hoping her weakened voice would reach the barn where that lazy cat was no doubt taking a nap. If Neala had the energy to get up and tap her foot she would. If only that wretched elf hadn’t attacked her, she’d have made her delivery by now. Instead she lay dying. She willed her heart to take its time spreading the poison. Her heart, being just as stubborn as its owner, ignored her and raced on. A cat with a swirling orange pattern on its back ran straight to Neala and nuzzled her face. “Nebula!” She was relieved the cat had overcome its tendency to do the exact opposite of whatever was most wanted of it. Reaching into her bag, Neala pulled out a delicate leaf made of silver. She fought to keep one eye cracked open to make sure the cat knew what to do. The cat took the leaf in its teeth and ran back toward the barn. It was important that Neala stay alive long enough for the cat to hide the leaf. The moment Neala gave up the ghost, the cat would vanish from this world and return to her master. Satisfied, Neala turned her aching head toward the farmhouse where her brother’s family was nestled securely inside. Smoke curled carelessly from the old chimney in blissful ignorance of the peril that lay just beyond the yard. The shimmershield Neala had created around the property was the only thing keeping her dear ones safe. A sheet hung limply from a branch of the tree that stood sentinel in the back of the house. It was Halloween and the sheet was meant to be a ghost, but without the wind it only managed to look like old laundry. Neala’s eyes followed the sturdy branch to Livy’s bedroom window. She knew what her failure to deliver the leaf meant. The elves would try again. This time, they would choose someone young enough to be at the peak of their day dreaming powers. A druid of the Hinge bloodline, about Livy’s age. Poor Livy, who had no idea what she was. Well, that would change soon enough. Neala could do nothing about that now. Her willful eyes finally closed. In the wake of her last breath a storm rose up, bringing with it frightful wind and lightning. The sheet tore free from the branch and flew away. The kitchen door banged open. Livy Hinge, who had been told to secure the barn against the storm, found her lifeless aunt at the edge of the yard. ☐☐☐ A year later, Livy still couldn’t think about Aunt Neala without feeling the memories bite at her, as though they only wanted to be left alone. Thankfully, Livy wasn’t concerned about her aunt at the moment. Right now, Rudus Brutemel was going to get what was coming to him. Hugh, Livy’s twin, sat next to her on the bus. His nose was buried in a spelling book. The bus lurched dangerously close to their stop. If they waited any longer, they’d miss their chance. She looked over her shoulder to make sure Rudus was watching. Opening her backpack, she made a show of removing a bologna sandwich with thick slices of soft homemade bread. Hugh studied the book like it was the last thing he might ever see. Livy nudged him. He tore his eyes from his book and delivered his lines as though he were reading them. “Hey, can I have some? I’m starving.” At least he could make his stomach growl on demand.