Barbara Castle Quotes

At some point in my life I'd honestly hoped love would rescue me from the cold, drafty castle I lived in. But at another point, much earlier I think, I'd quietly begun to hope for nothing at all in the way of love, so as not to be disappointed. It works. It gets to be a habit.

Maybe it is that if these stones speak at all, they speak true,’ she said softly. ‘They speak what will be, not what we want to hear.

The castle’s predecessor, the Roman villa, had been unfortified, depending on Roman law and the Roman legions for its ramparts.

home, it’s different. I mean yes, you want money and a job, but there’s a hundred other things you do for getting by, especially older people and farmers with the crops, tomato gardens and such. Hunting and fishing, plus all the woman things, making quilts and clothes. Whether big or small, you’ve always got the place you’re living on. I’ve known people to raise a beef in the yard behind their rented trailer. I was getting the picture now on why June’s doom castle had freaked me out. Having some ground to stand on, that’s our whole basis. It’s the bags of summer squash and shelly beans everybody gives you from their gardens, and on from there. The porch rockers where the mammaws get together and knit baby clothes for the pregnant high school girls. Sandwiches the church ladies pack for the hungrier kids to take home on weekends.

So this is under the original castle. God knows how many demons have crept ashore through here.

AND i WAS FED UP WitH NOt HAViNG (PiNK POlKA DOT) FUllY FASHiONED GlAMOUR StOlKiNGS!

When I was a kid, I just read and read. We were lucky enough to have gone to England and had a whole bunch of Penguin Puffins books, like The Land of Green Ginger by Noel Langley, which is hilarious. I would love to be able to write a book like that, but I don't know that I have a humorous bone in my body when it comes to writing. Once on a Time by A.A. Milne. I read a lot of old, old fantasy stuff. The Carbonelbooks by Barbara Sleigh. Then when I got a little older I loved Zilpha Keatley Snyder. I was a big fan of romance and when I got a little bit older I would read a Harlequin romance or a Georgette Heyer novel and then David Copperfield, and then another genre book and then Irving Stone's The Agony and the Ecstasy. I was that kind of reader. One book that I loved was I Capture the Castle by Dodie Smith. I loved voice and that book had it in spades. And then of course I grew into loving Jane Eyre.

The future - what should I do with the future? I felt like one who has climbed the brow of a great hill, and finds only a sea of mist beyond. Go forward I must; but to what goal? With what aim? With what hopes? My father had already distinctly forbidden me to adopt art as a profession. My sister, by ignoring all the purport of my last letter, as distinctly signified her own contempt for that which was to me as the life of my life. Neither loved me; both had wounded me bitterly; and I now, almost for the first time, distinctly saw how difficult a struggle lay before me. "If I become a painter," I thought, "I become so in defiance of my family; and, defying them, am alone in the wide world evermore. If, on the contrary, I yield and obey, what manner of life lies before me? The hollow life of fashionable society, into which I shall be carried as a marriageable commodity, and where I shall be expected to fulfil my duty as a daughter by securing a wealthy husband as speedily as possible. Alas! alas! what an alternative! Was it for this that I had studied and striven? Was it for this that I had built such fairy castles, and dreamt such dreams?

Snow crunched under the feet of three cloaked figures – a queen, her lady, and a gravedigger – as they hurried along a moonlit path in Windsor Castle's lower ward. The gravedigger pushed a cart that held a slab of marble, his pick and shovel, and some straw. When the trio reached the steps of St. George's Chapel, Queen Mary stopped. She turned her head, pushing aside the fur of her hood, and a gust of wind needled her with crystallized snow. She looked back at her attendants. Was she wrong to trust them with this night's work?

The fear Jackson refers to is not fear of lesbianism—or, at least, not only fear of lesbianism. It is the fear of what lesbianism represented to her, something that on one level she fervently desired even as she feared it: a life undefined by marriage, on her own terms. Constance and Merricat are indeed “two halves of the same person,” together forming one identity, just as a man and a woman are traditionally supposed to do in marriage. Not finding that wholeness in marriage, Jackson sought it elsewhere: first with Jeanne Beatty, and later with her friend Barbara Karmiller, also younger, who came back into her life shortly after she finished Castle. Indeed, the novel, in its final version, is not about “two women murdering a man.” It is about two women who metaphorically murder male society and its expectations for them by insisting on living separate from it, governed only by themselves.