Bar Hopping Quotes

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I can't believe you'd rather hold handle bars than a girl." He angled his head thoughtfully."I hadn't considered that." "Maybe you should." He hopped over,gingerly swinging his bad leg over to the other side and settled down behind me on the seat. "You got rules on how I can hold you?" "Nothing distracting while I'm driving," I tossed over my shoulder, meeting his gaze."We don't need another accident." "And when you're not driving?" "The Kate-have-a-good-time fund is getting low.Maybe you should think about making a deposit.
Rachel Hawthorne (Love on the Lifts)
Jesus, you're a wet blanket." Pigpen walks up behind Eli and grins like he just escaped prison. "Why are you giving the girl hell for wanting to go to an army bar at midnight? It's not like she told you she was going to kick puppies." Pigpen winks at me. "You ready to roll? Or should I say hop?
Katie McGarry (Long Way Home (Thunder Road, #3))
Hopeful dreams - even where crack kings’ and dope fiends feast. Dust from the ash and rubble; they shine like bright stars once the mic is gripped and the bars are spit.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
It’s Friday night and the rain is coming and I’ll find myself at some bar making some woman smile, wondering if you’d hop on the next thing moving in this direction, run in the house, throw on your chucks and play with me in the rain.
Darnell Lamont Walker (Book of She)
That Castrima has lasted this far, a comm of stills who have repeatedly failed to lynch the roggas openly living among them, is miraculous. Even if “hasn’t yet committed genocidal slaughter” is a low bar to hop, other communities haven’t even managed that much. You’ll give credit where it’s due. It
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
Brinley pulled me to the side while Ryder and Cade fetched drinks at the bar. “He’s so cute!” She clasped both my hands and practically squealed. And I’m not going to lie, part of me wanted to hop around squealing “I know” because he was the hottest guy I’d ever dated. Dated. Wow
Renita Pizzitola (Just a Little Flirt (Crush, #2))
The houses reminded me of hopeful homely girls on a Friday night, hopping bars in spangly tops, packs of them where you assumed at least one might be pretty, but none were, and never would be. And here was Magda’s house, the ugliest girl with the most accessories, frantically piled on. The front yard was spiked with lawn ornaments: gnomes bouncing on wire legs, flamingos on springs, and ducks with plastic wings that circled when the wind blew. A forgotten cardboard Christmas reindeer sat soggy in the front garden, which was mostly mud, baby-fuzz patches of grass poking through intermittently.
Gillian Flynn (Dark Places)
From hip-hop, I drew my earliest sense of what writing should mean. Grammar was never the point. Grammar was for the schoolmen and their television dreams. Out here, in the concrete and real, sentences should be supernatural, words strung together until they compelled any listener to repeat them at odd hours, long after the bass line had died. And these sentences or bars, linked together into verses, should have a shading and mood that reflected their origins in slavery and struggle. The sentence might be magical, but the magic was never sentimental. It was born from the want of all that exceeded the slave’s grasp and the exploration of all that divided that grasp from its desire.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face. He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.” She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. “Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.” He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.” She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.” He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?” She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.” Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
In the United States, thirteen-year-old Jewish boys often mark the transition to adulthood with a bar mitzvah, involving a rather elaborate ceremony that includes singing a passage from the ancient Torah, followed by a celebration of dancing to hip-hop music and gorging on dessert. Sambian boys in Papua New Guinea mark the same transition by participating in the Flute Ceremony, which includes playing ritual flutes and performing fellatio on older boys and elders of their tribe. Imagine if the Sambian and American Jewish boy suddenly changed places. We’d witness how a momentous source of pride to members of one culture could be a totally meaningless or humiliating experience to members of another, because the behaviors and achievements that confer self-esteem do so only to the extent that we embrace a cultural worldview that deems them worthy.
Sheldon Solomon (The Worm at the Core: On the Role of Death in Life)
We listen to rap lyrics, but few study the history. One of the most significant contributions of hip hop. It offers a profound social commentary on the black experience. This is an aspect of the music that is overlooked because most people choose to pay more attention to “the hook” (the catchy repetitive phrase) than the complete body of work. In doing so, the listener misses the message: the essence of the music, the breakdown of the bars. That’s tantamount to someone who is able to quote scripture, but has never read the bible.
Carlos Wallace (The Other 99 T.Y.M.E.S: Train Your Mind to Enjoy Serenity)
INT. KAMA’S HIDEOUT—EVENING The interior of KAMA’S hideout is pitch black. The sound of water dripping. A brief shaft of sunlight reveals TINA, sleeping lightly on the floor in her coat. NEWT: Tina? She wakes. A moment as NEWT and TINA stare at each other. Each has thought of the other daily for a year. With no sign of KAMA, it seems she has been rescued. TINA (joyful, disbelieving): Newt! TINA notices KAMA entering in the background and raising his wand. Her expression changes. KAMA: Expelliarmus! NEWT’S wand flies out of his hand into KAMA’S. Bars form across the door, imprisoning them. KAMA (through the door): My apologies, Mr. Scamander! I shall return and release you when Credence is dead! TINA: Kama, wait! KAMA: You see, either he dies . . . or I do. He claps a hand to his eye. KAMA: No, no, no, no. Oh no. No, no, no. He jerks convulsively and slides to the floor, unconscious. NEWT: Well, that’s not the best start to a rescue attempt. TINA: This was a rescue attempt? You’ve just lost me my only lead. JACOB launches for the door, trying to break it down. NEWT (innocent): Well, how was the interrogation going before we turned up? TINA throws him a dark look. She strides to the back of the cave. Pickett, who, unnoticed, has hopped out of NEWT’S pocket, successfully picks the lock, and the bars swing open. JACOB: Newt! NEWT: Well done, Pick. (to TINA) You need this man, you say? TINA: Yeah. I think this man knows where Credence is, Mr. Scamander. As they bend over the unconscious KAMA, they hear an earth-shattering roar from somewhere above them. They look at each other. NEWT: Well, that’ll be the Zouwu. NEWT grabs his wand and Disapparates.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
The city overwhelmed me. Every day I’d walk by hundreds of strangers, compete for space in crowded coffee shops, and stand shoulder to shoulder on packed subway cars. I’d scan profiles, learning that the woman waiting for the N enjoyed thrash-hop, and the barista at my local coffee shop loved salted caramel. I’d had a couple fleeting relationships, but mostly I’d spend weekends going to bars and sleeping with people who knew little more than my username. It all made me want to turn off my layers, go back to the old days, and stay disconnected. But you do that and you become another old guy buried in an e-reader, complaining about how no one sends emails anymore.
Alexander Weinstein (Children of the New World)
Obviously, in those situations, we lose the sale. But we’re not trying to maximize each and every transaction. Instead, we’re trying to build a lifelong relationship with each customer, one phone call at a time. A lot of people may think it’s strange that an Internet company is so focused on the telephone, when only about 5 percent of our sales happen through the telephone. In fact, most of our phone calls don’t even result in sales. But what we’ve found is that on average, every customer contacts us at least once sometime during his or her lifetime, and we just need to make sure that we use that opportunity to create a lasting memory. The majority of phone calls don’t result in an immediate order. Sometimes a customer may be calling because it’s her first time returning an item, and she just wants a little help stepping through the process. Other times, a customer may call because there’s a wedding coming up this weekend and he wants a little fashion advice. And sometimes, we get customers who call simply because they’re a little lonely and want someone to talk to. I’m reminded of a time when I was in Santa Monica, California, a few years ago at a Skechers sales conference. After a long night of bar-hopping, a small group of us headed up to someone’s hotel room to order some food. My friend from Skechers tried to order a pepperoni pizza from the room-service menu, but was disappointed to learn that the hotel we were staying at did not deliver hot food after 11:00 PM. We had missed the deadline by several hours. In our inebriated state, a few of us cajoled her into calling Zappos to try to order a pizza. She took us up on our dare, turned on the speakerphone, and explained to the (very) patient Zappos rep that she was staying in a Santa Monica hotel and really craving a pepperoni pizza, that room service was no longer delivering hot food, and that she wanted to know if there was anything Zappos could do to help. The Zappos rep was initially a bit confused by the request, but she quickly recovered and put us on hold. She returned two minutes later, listing the five closest places in the Santa Monica area that were still open and delivering pizzas at that time. Now, truth be told, I was a little hesitant to include this story because I don’t actually want everyone who reads this book to start calling Zappos and ordering pizza. But I just think it’s a fun story to illustrate the power of not having scripts in your call center and empowering your employees to do what’s right for your brand, no matter how unusual or bizarre the situation. As for my friend from Skechers? After that phone call, she’s now a customer for life. Top 10 Ways to Instill Customer Service into Your Company   1. Make customer service a priority for the whole company, not just a department. A customer service attitude needs to come from the top.   2. Make WOW a verb that is part of your company’s everyday vocabulary.   3. Empower and trust your customer service reps. Trust that they want to provide great service… because they actually do. Escalations to a supervisor should be rare.   4. Realize that it’s okay to fire customers who are insatiable or abuse your employees.   5. Don’t measure call times, don’t force employees to upsell, and don’t use scripts.   6. Don’t hide your 1-800 number. It’s a message not just to your customers, but to your employees as well.   7. View each call as an investment in building a customer service brand, not as an expense you’re seeking to minimize.   8. Have the entire company celebrate great service. Tell stories of WOW experiences to everyone in the company.   9. Find and hire people who are already passionate about customer service. 10. Give great service to everyone: customers, employees, and vendors.
Tony Hsieh (Delivering Happiness: A Path to Profits, Passion, and Purpose)
And,” I continued, “I’m probably going to be a bitch most of the time. I guarantee I’ll find a reason to yell at you almost every day, and don’t be surprised if a few drinks get dumped on you from time to time. That’s just me, and you’re going to have to deal with it. Because I’m not changing for you or anyone else. And I-” Wesley slid off his bar stool and pressed his lips against mine before the words could get out. My heart pounded as every thought vacated my mind. One of his arms encircled my waist, pulling me as close to him as possible, and his free hand cupped my face, his thumb tracing my cheekbone. He kissed me so passionately I thought we would catch on fire. It wasn’t until after he pulled away, both of us in need of some air, that I could think straight again. “You jerk!” I yelled, pushing him away from me. “Kissing me to make me shut up? God, you’re so obnoxious. I could just throw something at you right now.” Wesley hopped onto his bar stool with a big grin, and I suddenly remembered him telling me that I was sexy when I was mad at him. Go figure. “Excuse me, Joe,” he called to the bartender. “I think Bianca wants a Cherry Coke.” Despite my best efforts, I smiled. He wasn’t perfect, or even remotely close, for that matter, but, hey, neither was I. We were both pretty fucked up. Somehow, though, that made everything more exciting. Yeah, it was sick and twisted, but that’s reality, right? Escape is impossible, so why not embrace it? Wesley took my hand and laced his fingers with mine. “You look beautiful tonight, Bianca.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
From the passenger seat Kitty sighs heavily and rests her head against the window. “What’s up with you?” Peter asks. “The bridesmaids won’t let me go on the bachelorette night,” she says. “I’m the only one left out.” I narrow my eyes at the back of her head. “That’s bullshit!” Peter looks at me in the rearview mirror. “Why won’t you guys let her go?” “We’re going to a karaoke bar! We can’t bring Kitty in because she’s too young. Honestly, I think I was barely allowed to go.” “Why can’t you guys just go to a restaurant like we’re doing?” “Because that’s not a real bachelorette.” Peter rolls his eyes. “It’s not like you guys are going to a strip club or something--wait, did you change your mind? Are you going to a strip club?” “No!” “Then what’s the big deal? Just go somewhere else.” “Peter, it’s not my decision. You’ll have to take it up with Kristen.” I smack the back of Kitty’s arm. “Same goes for you, you little fiend! Quit trying to weasel your way in by manipulating Peter. He has no power here.” “Sorry, kid,” Peter says. Kitty slumps in her seat and then straightens. “What if I came to the bachelor night instead?” she suggests. “Since you’re just going to a restaurant?” Peter stutters, “Uh--uh, I don’t know, I’d have to talk to the guys…” “So you’ll ask? Because I like steak too. I like it so much. I’ll order steak with a baked potato on the side, and for dessert I’ll have a strawberry sundae with whipped cream.” Kitty beams a smile at Peter, who smiles back weakly. When we get to the elementary school and she hops out, perky and puffed up like a chickadee, I lean forward in my seat and say into Peter’s ear, “You just got played.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Oh, he thinks, if I were a better person. If I were a more generous person. If I were a less self-involved person. If I were a braver person. Then he stands, gripping the towel bar as he does; he has cut himself too much tonight, and he is faint. He goes over to the full-length mirror that is hung on the back of the bedroom’s closet door. In his apartment on Greene Street, there are no full-length mirrors. “No mirrors,” he told Malcolm. “I don’t like them.” But really, he doesn’t want to be confronted with his image; he doesn’t want to see his body, his face staring back at him. But here at Harold and Julia’s, there is a mirror, and he stands in front of it for a few seconds, contemplating himself, before adopting the hunched pose JB had that night. JB was right, he thinks. He was right. And that is why I can’t forgive him. Now he drops his mouth open. Now he hops in a little circle. Now he drags his leg behind him. His moans fill the air in the quiet, still house.
Hanya Yanagihara (A Little Life)
   I was soon bored, for my friend Moschku had his hands full with serving his guests with brandy and gossip, and only seldom did he hop over the bar to my table, sink his verbal claws into me, and attempt a learned conversation about politics and literature.    I was bored even without that and looked around the room.    Its basic color was green.    The frugally trimmed petroleum lamp filled the room with greenish light. Green mold lay on the walls, the great rectangular oven was lacquered green, and green moss grew out of Israel's fieldstone floor. Green sediment in the schnaps glasses, green oxidation on the small tin measuring glasses that the peasants drank out of when they walked up and put their copper coins down on the bar. A green vegetation covered the cheese that Moschku placed in front of me, and his wife was sitting behind the oven in a yellow nightgown with bluish green flowers and rocking her pale green child. Green in the Jew's careworn face, green around his small, restless eyes, around his thin, motionless nostrils, and in the mockingly twisted, sour corners of his mouth.
Leopold von Sacher-Masoch (Love. The Legacy of Cain)
You’ve known Bryce for what—a few months? We were friends for five years. So don’t fucking talk about me, my brother, or her as if you know anything about us. You don’t know shit, Umbra Mortis.” “I know you were a dick to her for two years. I watched you stand by while Amelie Ravenscroft tormented her. Grow the fuck up.” Ithan barred his teeth. Hunt barred his own right back. Syrinx hopped to his feet and whined, demanding more food. Hunt couldn’t help his exasperated laugh. “Fine, fine,” he said to the chimera, reaching for the container of kibble. Ithan’s eyes burned him like a brand. Hunt had seen that same take-no-shit face during televised sunball games. “Connor was in love with her for those five years, you know.” The wolf headed over to the couch and plopped onto the cushions. “Five years, and by the end of it, he’d only managed to get her to agree to go on a date with him.” Hunt kept his face unreadable as Syrinx devoured his second—potentially third—breakfast. “So?” Ithan turned on the morning news before propping his feet on the coffee table and interlacing his hands behind his head. “You’re at month five, bro. Good luck to you.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
He moves through the white glare of a Key West afternoon in that curious, rolling, cantilevered, ball-of-the-foot, and just-off-kilter gait that suggests a kind of subtle menace. He’s on dense and narrow and aromatic streets bearing people’s first names—Olivia, Petronia, Thomas, Emma, Angela, Geraldine. He’s Tom Sawyer on a Saturday in Hannibal, tooting like a steamboat, rid now of Aunt Polly’s clutches, left to his own devices, not to show back home until the sun is slanting in long bars. He’s Jake Barnes on a spring morning in Paris, when the horse chestnut trees are in bloom in the Luxembourg gardens. Jake is expert at shortcutting down the Boul’Mich’ to the rue Soufflot, where he hops on the back platform of an S bus, and rides it to the Madeleine, and then jumps off and strolls along the boulevard des Capucines to l’Opéra, where he then turns in at his building and rides the elevator up to his office to read the mail and sit at the typewriter and prepare a few cables for his newspaper across the Atlantic. “There was the pleasant early-morning feel of a hot day,” is the way Jake’s creator, living in this different region of light, had said it at the start of chapter 5 of The Sun Also Rises.
Paul Hendrickson (Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961)
Most languages have a word for the day before yesterday. Anteayer in Spanish. Vorgestern in German. There is no word for it in English. It’s a language that tries to keep the past simple and perfect, free of the subjunctive blurring of memory and mood. I take out a pen, tapping the end impatiently on a bar napkin as I try to think of a English word for “the day before yesterday.” I consider myself to be a political-linguistic refugee, come to Germany seeking asylum in a country where I don’t have to hear people say “nonplussed” when they mean “nonchalant” or have to listen to a military spokesperson euphemistically refer to a helicopter’s crashing into a mountainside as a “hard landing,” and I can’t begin to explain how liberating it is to live in a place where I can go through an autumn of Sundays without once having to hear someone say, “The only thing the prevent defense does is prevent you from winning.” Listening to America these days is like listening to the fallen King Lear using his royal gibberish to turn field mice and shadows into real enemies. America is always composing empty phrases like “keeping it real,” “intelligent design,” “hip-hop generation,” and “first responders” as a way to disguise the emptiness and the mundanity.
Paul Beatty (Slumberland)
Immediately after leaving the gate we encountered a bunch of raggedly dressed street kids. They blinked sad brown eyes and held out their hands begging for money, but we ignored them. Dan flashed us an accusing look, as if we were heartless bastards. He fished some coins out of his pocket, and tossed them to the children. A frantic mob of kids immediately overwhelmed Dan, hopping up and down, clamoring for money. Dan finally broke free from the grasping children, and we set off down the street. Suddenly, Dan stopped dead in his tracks, belatedly realizing his expensive scuba diving watch was missing. While we laughed and said, “I told you so!” Dan rubbed his naked wrist and stomped around the street in disbelief, bemoaning the loss of his watch. Then an innocent looking little boy timidly approached Dan. Obviously feeling sorry for the kind-hearted American, the cute little ragamuffin timidly spoke, “Mister, I know who stole your watch. Give me a hundred pesos and I’ll get it back for you.” Dan breathed a sigh of relief, thanked the little angel profusely, and gave him a hundred pesos worth eight American dollars. The little boy quickly scuttled into the crowd never to be seen again. We laughed so hard we were choking. Dan had just set a new chump record, losing an expensive watch and a hundred pesos all within minutes of leaving the base. We dragged him into the nearest bar to console him with cold San Miguel beer.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
There," he said, admiring his own handiwork. "Good as new." Violet glanced at the ridiculously huge Band-Aids on her knees and looked at him doubtfully. "You really think so? 'Good as new'?" He smiled. "I think I did pretty good. It's not my fault you can't walk." She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he'd just stayed the same old Jay he'd always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she'd just never imagined that he'd grow up so well. Instead she accused him: "Well, maybe if you hadn't pushed me I wouldn't have fallen." She made the outlandish accusation with a completely straight face. He shook his head. "You'll never be able to prove it. There were no witnesses-it's just your word against mine." She giggled and hopped down. "Yeah, well, who's gonna believe you over me? Weren't you the one who shoplifted a candy bar from the Safeway?" She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. "Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn't it?" He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and she temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubble from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn't even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. "Yeah, well, maybe if you hadn't done it right in front of the cashier, we might have gotten away with it. Instead, you go both of us grounded for stealing." He didn't miss a beat, and he seemed unaware of her temporary lapse. "And some might say that our grounding saved us from a life of crime." She hung the towel over the oven's door handle. "Maybe it saved me, but the jury's still out on you. I always though you were kind of a bad seed." He gave her a questioning look. "Seriously, a 'bad seed,' Vi? When did you turn ninety and start saying things like 'bad seed'?" She pushed him as she walked by, even though he really wasn't in her way. He gave her a playful shove from behind and teased her, "Don't make me trip you again." Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just fiends. Otherwise, this was going to be a long-and painful-year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
For Blitz, meanwhile, an almost tragic dilemma had begun. As time passed, he and Giuseppe understood each other better and better, conversing and playing together on the floor with immense amusement, and so he found himself madly in love also with Giuseppe, as well as Nino. But Nino was always out, and Giuseppe always at home: thus it was impossible for him to live constantly in the company of both his loves, as he would have wished. And in consequence, with either one, he was always tortured by regret: and if he was with one, the mere mention of the others name or a smell that recalled him was enough for his homesickness to stream behind him, like a banner against the wind. At times, while he was on sentry duty outside Ninos school, suddenly, as if at a message brought him by a cloud, he would begin to sniff the sky with a mournful whimper, recalling the incarcerated Giuseppe. For a few minutes, a dissension would rend him, drawing him in two opposite directions at the same time; but finally, having overcome his hesitation, he would dash toward the San Lorenzo house, his long nose cleaving the wind like a prow. But at his destination, unfortunately, he found the door barred; and all his cries, mortified by the muzzle, passionately calling for Giuseppe, were in vain; for Giuseppe, though hearing him and suffering in his solitary room, longing to let him in, was unable to do so. Then, resigning himself to his destiny of waiting outside doors, Blitz would stretch out there on the ground, where, at times, in his boundless patience, he would doze off. And perhaps he had a dream of love, which brought him a reminiscence of Nino: it's a fact that, a moment later, he would stir from his sleep and hop down the steps with desperate whimpers, to retrace his way to the school.
Elsa Morante (History)
Jake,” I murmur. He opens his eyes. “Are you absolutely sure this is what you want? The baby, I mean.” “I’m sure.” His gaze drops to my stomach. “This baby will be made of everything I have loved my whole life.” “I’m gonna get fat,” I mumble. “No, you’re going to get even sexier.” Coming close again, he wraps his arms around me tightly, rubbing the tip of his nose against mine. “How could I not want something made up of Trudy Wethers’s DNA?” “Still Bennett.” I grin. “You haven’t made an honest woman of me yet.” “You ready to hop that plane to Vegas now?” “A shotgun wedding. My folks would be so proud.” I laugh. “What do you want to do about the wedding?” he asks. “Move it forward?” “That would give me a matter of weeks to plan it. Why don’t we just wait until after the baby is born?” I see him quickly do the math in his head. “We wouldn’t be able to get married July twenty-first. You okay with that?” “I’m going to have a mini-Jake soon. Of course I’m okay with that.” “Or a mini-Tru,” he says. Then his expression suddenly changes. “Fuck, a girl. We might have to lock her up, Tru.” I scrunch up my face. “Why?” “Because, if she looks anything like you, I’m one day going to be fighting off horny teenage boys left, right, and centre. I’ll probably end up in jail for beating one to death if I find him with his hands on my baby girl.” He shudders comically. I let out a laugh. “Let’s hope if we have a boy, he’s doesn’t grow up to be one of those horny teenagers…or God forbid, as horny as you are. Otherwise we’ll have some girl’s dad round here kicking his ass.” “Then I’ll end up in jail for beating the shit out of the dad—fuck, this is a no-win, sweetheart,” he groans, dropping his head back against the rest. “I’m doomed to a future behind bars.” Laughing softly, I say, “Don’t worry, baby, we’ll figure a way to keep you out of prison.” I kiss the tip of his nose, then open the door, ready to get out of the car and into the house to bed.
Samantha Towle (Wethering the Storm (The Storm, #2))
His SUV was nice, but I couldn’t care less about what a man drives, especially if they look anything like Malachi. He could be on a BMX bike talking about, “get on the handle bars,” and I would hop on. With skin the color of caramel that looked as smooth as a baby’s bottom, he could be on a damned skateboard for all I cared. I’d hop right on his back and ride like that shit was normal.
Shakara Cannon (This Can't be Life)
You might also be wondering, But what about my friends? Let me be blunt with you for a minute. If your friends are constantly trying to pull you off your path, there’s a very good chance that those friends are losers and want you to be too. The life of a champion is not a life without friendship, but it is a life that requires you to decide who your friends are going to be. You’re not going to choose people who distract you from finishing first with pointless pursuits, such as bar hopping and hanging out until all hours of the night. No true champion has the time or energy for that. You’re too busy, too focused.
Scott Hamilton (Finish First: Winning Changes Everything)
Drop jewels from the top of these clouds, a drop top John F. Kennedy head shot. It's secrecy hidden in sight of these bars in hip-hop. A compass and square ruler, the pencil is the fueler, 33 degrees below and my mind is fire that keeps me cooler. It's a building of mind, a freezing of time, reverse history back to the garden, the story of the first Atom to be divine.
Jose R. Coronado (The Land Flowing With Milk And Honey)
The whole thing started off as an in-joke that was made in somewhat poor taste and was written almost entirely off the cuff. The original idea I had for the protagonist was that of a piece of shit warlock with no morals going on realm-hopping adventures in search of power. I eventually settled on a professional chest impersonator after coming across the following D&D anecdote: The barkeep asked why we carried weapons into his bar. I said ‘Mimics.’ The party laughed. The barkeep laughed. The table laughed. We killed the table. Good times.
Neven Iliev (Morningwood (Everybody Loves Large Chests #1))
I appreciate that you’re all entertained by this…little surprise.” She swallowed hard and looked at Cooper as she added, “But there’s not going to be another McCrae wedding.” There was a collective groan from the audience, and someone shouted, “Come on, don’t break the guy’s heart.” Someone else added, “That’s cold, Kerry. Even for you.” She might have blanched a little at that. Cold. She wasn’t cold. She just wasn’t…overly friendly. At least not in the way some of the men in the place--and not only the single ones--hoped she’d be. “Come on now,” she said. “I’m not breaking anything here. You get what you see with me. No subterfuge, no leading anyone to believe anything that isn’t true. You all know that.” She didn’t bother looking at Hardy, though it couldn’t hurt to get him the message again, too. She did look at Cooper again, though, as she added, “Anyone who knows me, knows that.” His laser-beam gaze didn’t falter for even a blink. She drew in a steadying breath and pasted a big smile on her face. “So then,” she said, clapping her hands together and keeping her fingers woven tightly in front of her, her damp palms belying her I’m-so-in-control-here attitude. “The entertainment portion of the evening is over. Nothing to see here. Let’s shoot some pool, throw some darts, and a round for everyone, on the house.” That got the rousing cheer she knew it would and she quickly hopped down behind the bar and immediately began setting up glasses. She knew her grand--and not inexpensive--gesture would quiet them for a bit, but she also knew life in the Cove was going to be rife with all sorts of gossip for the next day or two, until something else came along to replace it on their juicy little grapevine. She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
What’s she doing here?” Pete whispers vehemently. “Eating fucking pancakes!” I hiss back. “Now mind your own business!” “You are my business, dumbass.” He shakes his head. “Seriously, did you bang her?” “Don’t fucking talk about her like she’s…less than what she is.” I shove his shoulder. He whistles. “Oh, it’s like that, is it?” “Fuck you. It’s been like that for a long time. I really like her.” He opens my fridge and comes back with a container of yogurt. “I already knew you didn’t bang her.” “You did not.” “Did so.” “Shut up.” “Want to know how I knew?” He sings it out like a playful song. “No.” “Because her damp panties are over the shower bar in the guest bathroom instead of in your bathroom. If you’d slept with her, she’d be washing her unmentionables in your sink.” “If they’re unmentionables, then why the fuck are you talking about them?” “What did you two do last night?” “We watched the cook-off show.” “Oh, hell no.” He moans. “You got better game than that! Did I teach you nothing?” He throws his hands up. “Yes, you taught me nothing.” I grin at him. “What happened after the cook-off show?” He watches my face intently. “Nothing. We went to sleep.” “You didn’t fuck her.” “I already told you I didn’t, and I told you to stop talking about her like that. Now get the fuck out.” “Did she sleep in your bed?” I draw in a deep breath through my nose. “She did. But you didn’t fuck her.” He pats my shoulder like I’m a good puppy. “Good boy.” “This one matters,” I say quietly. “I get it.” He’s serious all of a sudden. Pete may act like a dick, but he’s my brother. He’s my twin. He’s my other half. “This one is special.” “I think she likes me.” “Don’t fuck it up by being yourself or anything.” He grins and grabs me in a headlock. I can’t fight with him while I’m on crutches. He turns me loose and I hop to get my balance.
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
legit, a convertible that will take me anywhere—it’s almost overwhelming. But I am jolted back to life when a tall, tanned brunette strolls through the lobby. Her top is what’s left of a string bikini and covers almost nothing. Her bottom is a sheer skirt that covers even less. I hand over a Visa card for the charges. I could also use either cash or a prepaid credit card, but since the Fibbies know where I’m staying, there’s no need to be deceptive. I’m sure the Miami office has been notified, and there’s probably a set of eyes not too far away. If I were really paranoid, I could believe that the FBI has already been in my room and perhaps hidden a bug or two. I get to my room, see no bugs or spooks, take a quick shower, and change into shorts and sandals. I go to the bar to check out the talent. I eat alone in the hotel café and catch the eye of a fortyish woman who is dining with what appears to be a female friend. Later, back in the bar, I see her again and we introduce ourselves. Eva, from Puerto Rico. We’re having a drink when the band starts. Eva wants to dance, and though it’s been years, I hit the floor with all the energy I have. Around midnight, Eva and I make it to my room, where we immediately undress and hop into bed. I almost pray the FBI has the room wired
John Grisham (The Racketeer)
And what do you think you’re doing?” he demanded, feeling a large hollowness growing inside him. “You know quite well, don’t you?” replied the crow, hopping up onto the bar with a neat flap of his wings. The bird cocked his head and looked him in the eye. “Don’t tell me an Irishman like you, born and bred in the old country, has forgotten the tale of Cú Chulainn?” “’Tisn’t the sort of thing you can forget,” he told the crow. “Especially that statue in the Dublin General Post Office. A handsome piece of work that is, illustrating how Cú Chulainn knew death was near and tied himself to a post so he could die standing upright, like the hero he was.” “Cú Chulainn was a hero indeed,” admitted the crow. “And his enemies couldn’t kill him until the Morrighan lit on his shoulder, stealing his strength, weakening him…” “Right you are. The Morrighan,” he said. The very thought of that fearsome warrior goddess, with her crimson cloak and chariot, set his heart to pounding in his bony old chest. “And what form did the Morrighan take, might I ask?” inquired the bird. “A crow,” he said, feeling a great trembling overtake him. “So is that it? Are you the Morrighan come for me?” “What do you think Daniel Malone?
Leslie Meier (St. Patrick's Day Murder (A Lucy Stone Mystery, #14))
I push back my stool and hop up. The world tilts a bit, but only a little. I’m definitely a little, teensy bit drunk. Grabbing the remote, I crank up the volume. “What are you doing?” he says loud enough to be heard over the music. Barefoot, I climb onto the bar. Waylon’s eyes go wide as I stand over him, his fingers clutching the guitar. I offer him my hand. “Let’s go, Rock Star.” His brow furrows. I crouch down and reach for the whiskey, fisting it by the neck, and I meet Waylon’s wary hazel gaze head-on. “We’re taking a time-out, okay?” “A time-out,” he repeats slowly. I search his eyes. “Yeah. Nothing else exists outside this bar tonight. Not your dad, not Zayne, not even the storm. Nothing. It’s just us. Just for tonight. We’re not Will and Way. We’re just two friends getting drunk. Rocking out to some really good music.
Jessie Walker (Where There's a Will (Lost Boys, #1))
Bars and clubs that cater to sexual minorities in urban centers often construct their identities by specializing in certain genres of music: some play dance music, others play country and western, hip-hop, and the like.
F. Hollis Griffin (Feeling Normal: Sexuality and Media Criticism in the Digital Age)
Screenplay is a company that provides music videos to businesses. Music and video screens are such common attractions in city businesses that court sexual minorities that many of them subscribe to this service. Via disc-based or direct-to-system download, Screenplay subscribers pay for access to a service called “VJ Pro,” where they choose from different genres of music videos that loosely resemble radio formats: HitsVision, a Top 40 mix that promises subscribers “nothing but the hits from every source”; DanceVision, featuring “exclusive remixes, hard to find imports and popular mainstream hits and everything in between designed expressly for the fast paced dance environment”; UrbanVision, a rhythm and blues/hip-hop hybrid that purports “to be all inclusive”; RockVision, rock music featuring songs “from Classic . . . to Disco, New Wave to Old School”; CountryVision, “an upbeat mix of current hits and classic favorites”; and LatinVision, “designed specifically for the sophisticated Latin dance crowd that demands only the hottest and best in tropical, Caribbean, merengue dance and Latin pop.”48 Many gay bars subscribe to ClubVision, which features a mix of “techno, trance and euro-flavored . . . tracks.”49 For dance-themed bars, this subscription features “an extended autoplay feature and individual chapter stops for single track selection.
F. Hollis Griffin (Feeling Normal: Sexuality and Media Criticism in the Digital Age)
It felt like we were on fire. Everything got so hot, it was almost too much to stand. Kissing him, having his body close. I thought of how you feel when you're eating a meal and don't realize how hungry you are till you're three bites in. You start eating faster, savoring every bite. Now I couldn't stop, so I took another kiss, then another. I let his tongue slip into my mouth, and I shivered again. He smiled at my reaction and went in for more. The way his hands started to move over my body gave me the impression he had been there before. I could have stopped, I knew I should have stopped, but all the drama and emotional pain I'd experienced over the last few days made me recklessly ignore that thought. I tore his shirt off. He gasped, which made me giggle. I covered my mouth, and he grabbed my hand and put it around his neck. He scooped me up and I tightened my thighs around his waist. He sat me down on the bar and peeled off my blouse. Any last ounce of Southern lady I had left in me exited the building. I unhooked my bra and threw it across the room. Screw it. If I was going to go ahead and make a mistake, I might as well take the fast lane. We watched it slingshot and land on a booth. "Is the door locked?" he asked, gasping for air. "Think so," I said, taking big gulping breaths. I was drowning and was totally fine with it. "Good," he said. He pulled me to the end of the bar and pulled my shoes off. I hopped off and helped him along by unbuttoning my jeans and wiggling out of them as sexily as I could. He did the same. "Man, you look good enough to eat," he said. "So do you. Take a bite," I said. We were standing about four feet apart and our clothes were all over the floor. I stood there almost naked and drank in the sight of him. He took a few slow steps toward me, like a lion about to jump on his prey, and dug in.
Victoria Benton Frank (My Magnolia Summer)
paradoxical ways. At times, I can be so intensely focused on a task (such as reading or writing) that the rest of the world entirely drops away. When I’m hyperfixating, I fail to notice things like someone speaking to me or smoke filling the room because I forgot to turn the oven off. At other times, I’m an anxious and distractible wreck, unable to make my way through a single sentence of a book because my pet chinchilla is hopping around in his cage and making the bars rattle.
Devon Price (Unmasking Autism: Discovering the New Faces of Neurodiversity)
What was the inspiration for all this? Snow White's forest?" "Close, kind of," I replied. "This one's actually FernGully." "You're kidding," he said. "Nope. She wanted her very own enchanted rain forest, and it looks like that's exactly what she got," I said. "She sure did," he replied. "I can't believe we're in Tennessee." The clear-top tent was anchored by fourteen-foot faux weeping willow trees. Candles in glass orbs hung from every branch. The elevated dance floor floated in the center of the space and could be described only as an enormous Lucite shadow box filled with thousands of faux flowers in a rainbow of colors. The bars were covered in green moss and adorned with hundreds of colorful butterflies. The clear ceiling was almost entirely covered in twinkling fairy lights that would look just like a sky full of stars once the sun set. But the real showstopper was the centerpiece on every dining table. Atop every amethyst silk tablecloth was an antique birdcage that housed two real-life lovebirds. The rosy-faced little birds were hopping around and singing, and the space looked, sounded, and felt exactly like an enchanted forest from the movie. I wasn't precisely sure how authentic they were to the rain forest setting, but their chirping certainly added to the wild vibe.
Mary Hollis Huddleston (Piece of Cake)
Instead of hiding bodies in mass graves, corpses were triumphantly displayed, as when the Jalisco New Generation (while still part of El Chapo’s Sinaloa cartel) dumped the thirty-five bodies on an avenue in Veracruz in September 2011. In reply, the Zetas scattered twenty-six corpses in Jalisco and a dozen in Sinaloa. On closer inspection, the bodies were those of ordinary citizens, not criminals: they were workers and students who had been abducted and murdered and displayed in order to strike fear in the heart of anyone who doubted the murderous resolve of the Zetas... In To Die in Mexico: Dispatches from Inside the Drug War, John Gibler writes about a related series of bizarre and violent episodes that took place in Torreón, in Coahuila state, bordering Texas: “Who would believe, for example, that the warden of a state prison would let convicted killers out at night and loan them official vehicles, automatic assault rifles, and bulletproof vests, so that they could gun down scores of innocent people in a neighboring state and then quickly hop back over the state line and into prison, behind bars, a perfect alibi. Who would believe that a paramilitary drug-trafficking organization formed by ex−Special Forces of the Mexican Army would kidnap a local cop and torture him into confessing all of the above details about the prisoners’ death squad, videotape the confession, execute the cop on camera with a shot to the heart, and then post the video on YouTube? Who could fathom that the federal attorney general would, within hours of the video-taped confession and execution being posted online, arrest the warden, and then a few days later hold a press conference fully acknowledging that the prisoners’ death squad had operated for months, killing ten people in a bar in January 2010, eight people in a bar in May 2010, and seventeen people at a birthday party in July?” Yet all of this actually happened. During April 2012, when El Chapo was at war with the Zetas, fourteen torsos — armless and legless bodies — were found in a car by the side of the road in Nuevo Laredo. Dead Zetas. Some of the torsos were in the trunk, for which there is a specific narco term: encajuelado (“trunked”; therefore, trunks trunked). Soon after, in Michoacán state, the Zetas met their match in the person of Nazario Moreno (called El Más Loco, the Craziest One), leader of the ruthless Templarios, the Knights Templar cartel, whose recruits were required to eat human flesh—their victims’— as part of their initiation rites. When Moreno was gunned down by the Mexican army in 2014, the Zetas flourished, and remain dominant. But there was a posthumous bonus for the Craziest One: he was promoted to sainthood. In and around his birthplace in Apatzingán, shrines and altars were erected to Saint Nazario, the dead capo represented as a holy figure in robes, venerated by credulous Michoacanos.
Paul Theroux
We're stuck in this situation, but its not forever. And I kept waiting for her to leave him. I mean— I kept a bag packed with a bunch of comic books and some socks and granola bars. I had this vision of us hopping on a train, riding to the end of the line, you know?
Emily Henry (Beach Read)
A sign out the window said we were fifty kilometres from Mount Greenwood. That was where we needed to hop off the train in order to head to Tunny. I had a new dilemma, however. I didn’t want these poor animals to become meals and mistreated pets. Not even rats and spiders deserved such a fate. I wanted to set them free. Puff nuzzled up to Sunrise through the bars of her cage. The sight of their friendship only hardened my resolve. We needed to stop this train and open the cages. ‘Thank you for your help, before,’ I said to the monkeys. ‘And
Anh Do (Animal Train: Wolf Girl 6)
The distance record holder was the black and white Arctic tern, with its 22,000-mile yearly journey between polar ice caps, but in fall 2006, a team of researchers published news of sooty shearwaters captured in their New Zealand breeding burrows and outfitted with satellite tracking devices. Flying in a giant figure eight over the Pacific basin, they journey 39,000 miles a year. (The birds can also dive beneath the ocean’s surface, searching for squid, to 225 feet.) In 2007, an even more astonishing record was established by a bar-tailed godwit. Satellite tracking allowed researchers to follow a female shorebird who flew 7,145 miles nonstop from Alaska to New Zealand. In nine days, she crossed the vast Pacific, without a single meal, rest, or drink.
Sy Montgomery (Birdology: Adventures with a Pack of Hens, a Peck of Pigeons, Cantankerous Crows, Fierce Falcons, Hip Hop Parrots, Baby Hummingbirds, and One Murderously Big Living Dinosaur)
Ego and pride is a two-headed twist. Spit bars, not bullets.
T.F. Hodge
Don't always wait for someone to come up and talk to you. Standing around bars like you're wearing a poodle skirt at a sock hop. Go up to people. Ask their name.
Gary Janetti
reired but he still runs Selene, the power behind the throne. He ifts an eyebrow and everybody hops to do what he wants.” As they walked through the lush shrubbery and trees that filled he grotto, Verwoerd said, “I wonder what it is that he wants now?” Humphries threw a sour glance at her. “That’s what I pay you o find out.” The cocktail reception was out in the open, under the dome of he Grand Plaza next to the amphitheater that housed all of Scene’s theatrical productions. When Humphries and Verwoerd arived, Pancho Lane was standing near the bar deep in earnest conversation with Douglas Stavenger. Nearly twice Humphries’s age, Doug Stavenger still looked as young and vigorous as a thirty-year-old. His body teemed with naomachines that kept him healthy and youthful. Twice they had naved him from death, repairing damage to his body that ordinarily vould have been lethal.
Ben Bova (The Rock Rats (The Grand Tour Book 9))
Twenty-Three Brad rose from his bed without a word, throwing the window open to freezing, fresh, February air. I was sleeping on the floor of his tiny fraternity room, an overnight stay after a limo race. At first they were a classy way to bar hop. Later we just rode around the city drinking Macallan 25. Jesus Juice. We skipped the water and drank it neat, like no true Scotsman. In those days a bottle was only forty bucks, now it’s a thousand. Whatever the price, it produces foul fumes if you drink enough.
Dave Jilk (Distilled Moments: poems)
dressed… oddly. He nodded hello but pecked at a terminal behind the counter like he was wrapping something up. Jason examined Pierre with an eagerness that matched Pierre’s inspection of him, once he turned his full attention away from the terminal. He looked so pleased to see Pierre that for the first time he regretted dressing up to travel. He hadn’t considered that an affluent appearance might hamper his ability to negotiate terms of a financial transaction. Most of the time dressing well led to a degree of deference and better treatment. Jason however was regarding him like a prize steer that would soon be select cuts of beef. “Good day,” Pierre said, and tried to keep a pleasant face and made an attempt at humor. “Are you the Jason of fame, heralded by your establishment’s signage?” “I wouldn’t hire another Jason,” the fellow said bluntly. “If one wanted to hire on I suppose I might, if he let me call him George. Life’s perplexing enough without feeling like I’ve slipped into speaking in the third person every day. Fortunately there’s little enough to distract me on ISSII to make it a burden to keep the doors open without help. It’s like a very quiet little town.” “Indeed, I noticed the lack of a crowd in the corridor,” Pierre agreed. “Been that way since the war, and it’s been slow to come back all the way. But I figure in another five years, maybe six years it’ll be hopping again.” Pierre nodded politely. He’d really like to know why the fellow thought so, but he’d leave it for another time rather than neglect his business. “I wonder, if you might do currency exchanges among your services? I find the shuttle service I wish to take to Home doesn’t take EuroMarks. I’d like something they take, preferably Solars to facilitate other payments when I reach Home or beyond.” “I wouldn’t mind a bucket of them myself,” Jason allowed. “But for most transactions they’re a bit unwieldy. A full Solar is twenty five grams of gold or platinum. Most folks use the smaller coins and bits or a credit card that can shave transactions down to the milligram.” “What would you suggest? I have EuroMark credit, banknotes, and a small amount of Suisse Credit bars. What would be easiest?” “Not that I don’t want the business, but I’m too little a fish to risk handling a large sum of EuroMarks with currency fluctuations being what they are. EMs are depreciating assets anyway. Now, I’d take your gold if you were staying here, but the banks on Home will give you a much better conversion rate, and I’d rather you not be pissed off at me and tell everybody to avoid the scoundrel on ISSII after you found that out. I know the exchange rate looks bad but go back to the Russians and tell them you want to convert your EuroMarks to Australian dollars - they’ll do that. The gold, it don’t matter, it’s not going to fluctuate in value very much. If you finish up your business and want to take any of it back to France you can’t take it as Solars and you’d have to pay for a second exchange.” “I never said I was French, nor did I mention speaking with the Russians.” “I hear your vowels and can place your province if not your town under that fancy Parisian accent. It’s five hundred and twenty of my steps from here to the bank and Peter called and told me you were on your way. As I said, it’s like a small town here. If you sneeze
Mackey Chandler (Been There, Done That (April, #10))
Stuart was a sloppy, violent drunk. His pale Irish skin turned red, his cheeks were crimson, and his eyes glowed with a whiskey-lit fire that she had seen too many times. At thirty-four, he was graying and balding and tried to cover it up with a bad comb-over, which after a night of bar-hopping left long strands of hair hanging below his ears. His face had no cuts or bruises, perhaps a good sign, perhaps not. He liked to fight in the honky-tonks, and after a rough night he usually licked his wounds and went straight to bed. But if there had been no fights he often came home looking for a brawl.
John Grisham (A Time for Mercy (Jake Brigance, #3))
by 1947 nearly 47,000 worked in the region.78 They harvested onions, peas, sweet corn, sugar beets, cucumbers, hops and other crops, and, in direct violation of the agreement, found themselves pressed into jobs in canneries and food processing plants. The U.S. Forest Service even employed braceros as fire fighters, where at least one died on the job.79 In spite of their considerable contributions to the war effort, braceros faced a mixed response in Northwest communities. Residents praised braceros as a “God-send to farmers,” yet they routinely faced overt discrimination. 80 Bars and other public accommodations denied entry with signs reading “No Mexicans, White Trade Only” and “No Japs or Mexicans Allowed.
David J Jepsen (Contested Boundaries: A New Pacific Northwest History)
If you’re really thirsty for serious coffee culture and football, it takes nine hours to Melbourne and thirteen to Sydney. If you drive to my hometown from Sydney, you’ll find stretches of road that are so long and straight you could place a brick on the accelerator and take a twenty-minute nap without veering off the road or missing anything in the dry, lifeless landscape of red sand, with its scattered blue saltbush and thirsty mulga and Mallee trees as far as the eye can see. The only thing that might wake you from your snooze would be hitting a red kangaroo. After happily hopping across the land with no particular plan in mind, startled kangaroos usually stop and stand frozen in the middle of the road, curious about the strange machine rocketing towards them. What a way to go. Here’s a tip: attach a ‘roo bar’ – not a place where kangaroos will dance for money, but a very solid metal grill – to the front of your car; that way, the impact
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
it takes nine hours to Melbourne and thirteen to Sydney. If you drive to my hometown from Sydney, you’ll find stretches of road that are so long and straight you could place a brick on the accelerator and take a twenty-minute nap without veering off the road or missing anything in the dry, lifeless landscape of red sand, with its scattered blue saltbush and thirsty mulga and Mallee trees as far as the eye can see. The only thing that might wake you from your snooze would be hitting a red kangaroo. After happily hopping across the land with no particular plan in mind, startled kangaroos usually stop and stand frozen in the middle of the road, curious about the strange machine rocketing towards them. What a way to go. Here’s a tip: attach a ‘roo bar’ – not a place where kangaroos will dance for money, but a very solid metal grill – to the front of your car; that way, the impact will do more damage to the kangaroo than it does to your vehicle.
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
A guy walks into a bar. It's the oldest setup there is. But what happens next? I was at my local pub contemplating a water-ringed beer list, a wall of tap handles, and a packed fridge. I saw a pale ale brewed 20 million gallons at a time and a triple IPA made in a jerry-rigged turkey frier in a garage down the street. I saw a traditional, light-bodied British porter and an extra-strong, cacao-infused imperial stout stored in bourbon barrels. One beer was brewed with hours-old hops, freshly plucked in an Oregon field; another had been aged for eighteen months with acidic bacteria--critters more common in vinegar and pickle brines. There were pilsners and ambers, red ales and browns, wheat beers and rye beers and spelt beers; there were three-dollar happy hour specials and thirty-dollar vintage bottles, corked and foil-wrapped like fine Champagne. Bitter or sweet, smooth or strong, fruity or dry, dark or light, it was all there, in dizzying glory. So--the bartender tapped his fingers--what'll it be?
William Bostwick (The Brewer's Tale: A History of the World According to Beer)
In Chapter 1, on relativity, I offered some dating advice. I proposed that if you want to go bar-hopping, you should consider taking along someone who looks similar to you but who is slightly less attractive than you are. Because of the relative nature of evaluations, others would perceive you not only as cuter than your decoy, but also as better-looking than other people in the bar. By the same logic, I also pointed out that the flip side of this coin is that if someone invites you to be his or her wingman (or wingwoman), you can easily figure out what your friend really thinks of you.
Anonymous
Every year, there is a Santa pub-crawl where everyone gets dressed as St. Nick and hops from bar to bar, drinking themselves into a holiday stupor. 
Erin Brady (The Holiday Gig)