“
When I come back, the club is packed. There's hardly any standing room. Anna snagged a wooden bar stool, one of the few seats here. St. Clair stands close to her, facing her, and he smoothes the platinum stripe in her hair. She pulls him even closer by the top of his jeans, one finger tucked inside. It's an intimate gesture. I'm embarrassed to watch, but I can't look away.
He kisses her slowly and deeply. They don't care that anyone could watch. Or maybe they've forgotten they aren't alone. When they break apart, Anna says something that makes him fall into silly, boyish laughter. For some reason, that's the moment that makes me turn away. Something about their love is painful.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Cricket removes his hand. I blink at him, and he cautiously offers his arm.
I hesitate.
And then I take it.
And then we're so close that I smell him. I smell him.
His scent is clean like a bar of soap, but with a sweet hint of mechanical oil. We don't speak as he leads me across the street to the bus stop. I press against him. Just a little. His other arm jumps, and he lowers it. But then he raises it again, slowly, and his hand comes to rest on top of mine. It scorches. The heat carries a message: I care about you. I want to be connected to you. Don't let go.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
You're Nephilim," he said. "The Clave owes us protection in these circumstances."
...
"I dont see anything you need protecting from here," said the boy. "Except some bad décor and a possible mold problem. But you can usually clear that up with bleach."
"There's a dead body outside this bar's front door," said Bat, enunciating carefully. "Dont you think-"
"I think it's a little too late for him to need protection," said the boy, "if he's already dead."
-Freaky Pete, Jace, & Bat, pg.35 & 36-
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I take back everything I ever said about that boy being clever." He turned around to face the bar while leveling an accusatory finger at the closed door. "That," he said firmly to the room in general, "is what comes of working with iron every day.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
They say 'stone walls do not a prison make nor iron bars a cage'. It was a quotation I knew as a boy. I had made it my own back then. I knew they couldn't capture my mind. Whilst I could still think, I was free.
”
”
Denis Avey (The Man Who Broke Into Auschwitz: A True Story of World War II)
“
Jack stares at me blankly. ‘A what?’ he asks.
I choke back the laugh. ‘A boy. You know? A Y-chromosome holder? You don’t seem to notice them as much as you do the X-carriers.’
‘What are you talking about?’ Jack asks, ‘A boy? She’s just a kid.’
I hesitate, wondering how Jack is only just doing the maths on this one now. ‘She’s seventeen. She’s not a kid anymore.’
Jack looks like he’s about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. ‘If any boy ever lays a finger on my sister, I’m going to kill him,’ he says.
Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn’t require a vow of celibacy, she needs to stay in London.
”
”
Sarah Alderson (Losing Lila (Lila, #2))
“
I love you, Lucien,” Jasper says, looking me straight in the eye. “I think I loved you the moment you first walked into my office and gave me the most thorough eye fuck of my life. I’ve loved you during every session, for every smile, and with every tear you spilled at my feet. I’m done hurting you, dear boy, in every way bar the ones that bring you joy.
”
”
Rebecca Quinn (Entangled (Brutes of Bristlebrook #2))
“
You want me to take care of a child?” “Yeah. You’re fun. And high energy. And if you can handle a bar full of drunk guys, then what’s one little boy who needs entertaining? You like kids, you always say you do.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
You hear that, boys? No one is responsible for your actions but you. Do you want to be someone’s morning-after regret? Because if so, you’re a terrible person, and you deserve to go to jail. If not, spare some thought to the consequences before you decide to pick up that drunk chick at the bar.
”
”
K.B. Rainwater (Bite Me (Daimonika, #2))
“
Stormy, tell me about where you were when John F. Kennedy died.”
“It was a Friday. I was baking a pineapple upside-down cake for my bridge club. I put it in the oven and then I saw the news and forgot all about the cake and nearly burned the house down. We had to have the kitchen repainted because of all the soot.” She fusses with her hair. “He was a saint, that man. A prince. If I’d met him in my heyday, we really could’ve had some fun. You know, I flirted with a Kennedy once at an airport. He sidled up to me at the bar and bought me a very dry gin martini. Airports used to be so very much more glamorous. People got dressed up to travel. Young people on airplanes these days, they wear those horrible sheepskin boots and pajama pants and it’s an eyesore. I wouldn’t go out for the mail dressed like that.”
“Which Kennedy?” I ask.
“Hmm? Oh, I don’t know. He had the Kennedy chin, anyway.”
I bite my lip to keep from smiling. Stormy and her escapades.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
He took another swallow of beer. “Are things as bad as they seem? Or have I just gotten old like my da, and now everything tastes a little bitter compared to when I was a boy?” Kote wiped at the bar for a long moment, as if reluctant to speak. “I think things are usually bad one way or another,” he said. “It might be that only us older folk can see it.” Graham began to nod, then frowned. “Except you’re not old, are you? I forget that most times.” He looked the red-haired man up and down. “I mean, you move around old, and you talk old, but you’re not, are you? I’ll bet you’re half my age.” He squinted at the innkeeper. “How old are you, anyway?” The innkeeper gave a tired smile. “Old enough to feel old.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
He shortened up the rope a couple of reaches and dragged the wolf through the bar ditch and stood by the fence and watched the truck come over the hill and approach in its attendant dust and clatter.
The old man slowed and peered. The wolf was jerking and twisting and the boy stood behind her and held her with both hands. By the time the truck had pulled abreast of them he was lying on the ground with his legs scissored about her midriff and his arms around her neck. The old man stopped and sat the idling truck and leaned across and rolled down the window. What in the hell, he said. What in the hell.
You reckon you could turn that thing off? the boy said.
That's a damn wolf.
Yessir it is.
What in the hell.
The truck's scarin her.
Scarin her?
Yessir.
Boy what's wrong with you? That thing comes out of that riggin it'll eat you alive.
Yessir.
What are you doin with him?
It's a she.
It's a what?
A she. It's a she.
Hell fire, it dont make a damn he or she. What are you doin with it?
Fixin to take it home.
Home?
Yessir.
Whatever in the contumacious hell for?
Can you not turn that thing off?
It aint all that easy to start again.
Well could I maybe get you to drive down there and catch my horse for me and bring him back. I'd tie her up but she gets all fuzzled up in the fencewire.
What I'd liketo do is to try and save you the trouble of bein eat, the old man said. What are you takin it home for?
It's kindly a long story.
Well I'd sure like to hear it.
The boy looked down the road where the horse stood grazing. He looked at the old man. Well, he said. My daddy wanted me to come and get him if I caught her but I didnt want to leave her cause they's been some vaqueros takin their dinner over yonder and I figured they'd probably shoot her so I just decided to take her on home with me.
Have you always been crazy?
I dont know. I never was much put to the test before today.
How old are you?
Sixteen.
Sixteen.
Yessir.
Well you aint got the sense God give a goose. Did you know that?
You may be right.
How do you expect your horse to tolerate a bunch of nonsense such as this.
If I can get him caught he wont have a whole lot of say about it.
You plan on leadin that thing behind a horse?
Yessir.
How you expect to get her to do that?
She aint got a whole lot of choice either.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
In the evening I roam about the gloomy Quarter, and cross the St. Martin's canal. It is as dark as the grave, and seems exactly made to drown oneself in. I remain standing at the corner of Rue Alibert. Why Alibert? Who is he? Was not the graphite which the chemist found in my sulphur called Alibert-graphite? Well, what of it? Strangely enough, an impression of something not yet explained remains in my mind. Then I enter Rue Dieu. Why "Dieu," when the Republic has washed its hands of God? Then Rue Beaurepaire—a fine resort of criminals. Rue de Vaudry—is the Devil conducting me? I take no more notice of the names of the streets, wander on, turn round, find I have lost my way, and recoil from a shed which exhales an odour of raw flesh and bad vegetables, especially sauerkraut. Suspicious-looking figures brush past me, muttering objurgations. I become nervous, turn to the right, then to the left, and get into a dark blind alley, the haunt of filth and crime. Street girls bar my way, street boys grin at me. The scene of Christmas night is repeated, "_Væ soli!_."[2] Who is it that plays me these treacherous tricks as soon as I seek for solitude? Someone has brought me into this plight. Where is he? I wish to fight with him!
”
”
August Strindberg (Inferno)
“
Johnny, be a dear and bring me a vodka soda with lots of lemons.” She sits back at the piano bench and starts to play “When I Fall in Love.”
John starts toward me and I point at him. “Stop right there, John Ambrose McClaren. Do you have my name?”
“No! I swear I don’t. I have--I’m not saying who I have.” He pauses. “Wait a minute. Do you have mine?”
I shake my head, innocent as a little lost lamb. He still looks suspicious, so I busy myself with making Stormy’s drink. I know just how she likes it. I drop in three ice cubes, an eight-second pour of vodka, and a splash of soda water. Then I squeeze three lemon slices and drop them in the glass. “Here,” I say, holding out the glass.
“You can put it on the table,” he says.
“John! I’m telling you, I don’t have your name!”
He shakes his head. “Table.”
I set the glass back down. “I can’t believe you don’t believe me. I feel like I remember you being a trusting kind of person who sees the good in people.”
Sober as a judge, John says, “Just…stay on your side of the table.”
Shoot. How am I supposed to take him out if he makes me stay ten feet away all night?
Airily I say, “Fine by me. I don’t know if I believe you, either, so! I mean, this is a pretty big coincidence, you showing up here.”
“Stormy guilted me into coming!”
I snap my head in Stormy’s direction. She’s still playing the piano, looking over at us with a big smile.
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?”
“You may,” I say. To John I warn, “Don’t you dare come close to me.”
He throws his hands out like he’s warding me off. “Don’t you come close to me!
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion.
'Bayonets!' Powell bellowed. 'I want bayonets!'
'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward.
'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves.
'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!'
'Charge!' Gamble turned the order into a long, guttural yell of defiance.
Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes.
'Lunge! Recover! Stance!
”
”
David Cook (Heart of Oak (The Soldier Chronicles, #2))
“
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?”
“You may,” I say. To John I warn, “Don’t you dare come close to me.”
He throws his hands out like he’s warding me off. “Don’t you come close to me!”
As Mr. Morales leads me in a slow dance, I press my face against his shoulder to hide my smile. I’m really quite good at this espionage thing. John McClaren is sitting on a love seat now, watching Stormy play and chatting with Alicia. I’ve got him right where I want him. I can’t even believe how lucky I am. I’d been planning on showing up at his next Model UN meeting, but this is so much better.
I’m thinking I’ll come up from behind him, take him by surprise, when Stormy stands up and declares she needs a piano break, she wants to dance with her grandson. I go turn on the stereo and cue up the CD we decided on for her break.
John is protesting: “Stormy, I told you I don’t dance.” He used to try and fake sick during the square-dancing unit in gym--that’s how much he hates dancing.
Stormy doesn’t listen, of course. She pulls him off the love seat and starts trying to teach him how to fox-trot. “Put your hand on my waist,” she orders. “I didn’t wear heels to sit behind a piano all night.” Stormy’s trying to teach him the steps, and he keeps stepping on her feet. “Ouch!” she snaps.
I can’t stop giggling. Mr. Morales is too. He dances us over closer. “May I cut in?” he asks.
“Please!” John practically pushes Stormy into Mr. Morales’s arms.
“Johnny, be a gentleman and ask Lara Jean to dance,” Stormy says as Mr. Morales twirls her.
John gives me a searching look, and I have a feeling he’s still suspicious of me and whether or not I have his name.
“Ask her to dance,” Mr. Morales urges, grinning at me. “She wants to dance, don’t you, Lara Jean?”
I shrug a sad kind of shrug. Wistful. The very picture of a girl who is waiting to be asked to dance.
“I want to see the young people dance!” Normal yells.
John McClaren looks at me, one eyebrow raised. “If we’re just swaying back and forth, I probably won’t step on your feet.”
I feign hesitation and then nod. My pulse is racing. Target acquired.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
In all the world and all recorded time, no country has locked up their own people at the rate we do.23 The United States has nearly 5 percent of the world’s population and nearly 25 percent of its incarcerated people.24 More than 2.3 million people are behind bars on any given day—and the number of black people incarcerated or under correctional control exceeds the total number of adults enslaved nationwide in 1861.25 A black boy born today has a one-in-three chance of going to prison in his lifetime.26 Incarceration is not just a dimension of how we punish crime in our country. It exists at such a scale that it is a defining feature of our culture. It is who we are, who we have become.
”
”
Danielle Sered (Until We Reckon: Violence, Mass Incarceration, and a Road to Repair)
“
My grandmother laughs. “You’ve heard the old saying—time flies when there’s an open bar.
”
”
Cassie-Ann L. Miller (Play Boy (Blue Collar Bachelors, #2))
“
Franny couldn't bear to go inside and leave the place where she had last been with her husband. The man Haylin had been lingered in the dark. All she wanted to do was hold his hand. To see the way he smiled at her. She saw bits and pieces of him out of the corner of her eye, or maybe it was the fireflies. He was a man of integrity, a man of honor, the boy who had chained himself up in the school cafeteria for the rights of others, the doctor who kept lollipops and bars of soap in his pockets, who had helped five hundred men learn how to walk, who had known how to make her shiver with a kiss when she was a seventeen-year-old girl. She had loved one person in her lifetime, and for that she would always be grateful.
”
”
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
“
Pecan Bar Recipe 2/3 cup brown sugar 1/3 cup flour 1 teaspoon salt 1 1/2 cups dark corn syrup 4 large eggs from Fenrir’s coop 2 teaspoons vanilla extract 1 1/2 cups chopped pecans (let the pups help but make ‘em wash their paws) 1 Heat oven to 350°F or close enough over a fire. 2 Make a pie crust, you know how to do that 3 Bake it crispy 4 Meanwhile, make everything else and put it in the crust. If it smells and tastes good here you’re on the right track. If not, eat it anyway, we don’t waste food in Fenrir. 5 Bake until all the wolves are beating down your door because they followed the smell from the woods. Cut into bars. No storage instructions because there won’t be any left to save.
”
”
Kat Blackthorne (Wolf (The Halloween Boys, #3))
“
My tongue slips between her folds to find her little clit, pulsing as I lave it with attention. The longer I go, the louder her noises get. Sighs to moans to groans. Her hips bump back as she pushes herself onto my face. I use the bar through my tongue, sliding it up and down over her clit and through her pussy. I wish I’d thought to buy a vibrating tongue ring for just this moment. I feel overwhelmed by her, loving the goddamn demand of her body as she seeks out her orgasm. I
”
”
Lucy Smoke (Stone Cold Queen (Sick Boys, #2))
“
She slid into the booth beneath the framed photographs that told a pictorial history of Seattle dating back to the days when the wharf was filled with gambling and prostitution houses, and the city had almost as many bars as churches. Photographs depicted shoe-shine boys working their booths, sailors walking with young ladies on their arms, newspaper boys hawking daily papers on street corners, and tourists at the Pike Place Market lined up three rows deep watching fishmongers tossing a giant king salmon. The Paddy Wagon’s owner had told Patsy the booth had been used for clandestine meetings—when the mayor, the police chief, and the politicians were all as guilty as the sex workers for taking money for
”
”
Robert Dugoni (Beyond Reasonable Doubt (Keera Duggan, #2))
“
In the doorway of Fortnum & Mason a young couple were kissing, oblivious to the world. The neon signs mounted on the buildings cast a glossy veneer over the streetscape, glowing through the smog. Around the statue of Eros there were crowds of youngers. The girls were a mass of bobby pins and ribbons, hardly dressed for the cold weather. The boys wore suits with thin ties. They were bantering on their way from the cinemas and theatres to the bars, dance halls and music clubs further along.
“I fancy you, Kitty Dawson,” a lone boy shouted.
”
”
Sara Sheridan (London Calling (Mirabelle Bevan Mystery #2))
“
She tsked so that he would know she found him stupid without coming right out and saying so. “Okay, I said I was sorry. That he was right and I’m sorry.” “After he cleaned your clock, I assume....” “Well, yeah. After.” “Men.” “We’re usually on the same team,” he pointed out. “When there’s not a woman between you.” “I’m getting that.” “You know, there’s this little rule about opinions. They’re only good when someone actually asks you for them.” “He did say something about how I could just shut the fuck up.” “There you go. Who’d figure Preacher for sage advice?” He made a face at her and put the ice back against his face. He winced. “Hurts, huh?” “Damn, that boy’s got an arm.” “You’re welcome to sit over here and hide out for as long as you want, but sooner or later you’re going to have to kiss and make up. Aren’t you at the bar today so he can go over to see the judge?” “Yeah. But I was going to give him time to cool down a little. I’m going to need at least one eye to see out of.” “Oh, I think if Preacher had more in mind for you, he’d have already delivered it.” A
”
”
Robyn Carr (Shelter Mountain (Virgin River, #2))
“
Beth Danube’s emotionally abusive husband is dead and buried. So is her heart. It’s no big deal, she has all she wants: her three little boys and a fresh start in a small Alberta town. What she doesn’t want is another man in her life—not now, maybe not ever. After ten years of unsatisfactory, missionary-position sex, she never expected her libido to reawaken. One look at sex-in-boots Daniel Coleman in a Calgary bar, though, blows the dust off her sexuality. Sensing an edge of desperation, even fear, beneath Beth’s come-on, Daniel finds
”
”
Vivian Arend (Rocky Mountain Haven (Six Pack Ranch #2; Rocky Mountain House #2))
“
I walked toward the bar where The Reader sat turning pages, a cup of coffee at his elbow. His sleeves were rolled up, revealing thick forearms covered in tattoos.
Oh. Sweet. Lord.
Really, he was all of my favourite things.
”
”
Molly O'Keefe (Baby, Come Back (Bad Boy Romance, #2))
“
Jake,” I murmur. He opens his eyes. “Are you absolutely sure this is what you want? The baby, I mean.”
“I’m sure.” His gaze drops to my stomach. “This baby will be made of everything I have loved my whole life.”
“I’m gonna get fat,” I mumble.
“No, you’re going to get even sexier.” Coming close again, he wraps his arms around me tightly, rubbing the tip of his nose against mine. “How could I not want something made up of Trudy Wethers’s DNA?”
“Still Bennett.” I grin. “You haven’t made an honest woman of me yet.”
“You ready to hop that plane to Vegas now?”
“A shotgun wedding. My folks would be so proud.” I laugh.
“What do you want to do about the wedding?” he asks. “Move it forward?”
“That would give me a matter of weeks to plan it. Why don’t we just wait until after the baby is born?”
I see him quickly do the math in his head. “We wouldn’t be able to get married July twenty-first. You okay with that?”
“I’m going to have a mini-Jake soon. Of course I’m okay with that.”
“Or a mini-Tru,” he says. Then his expression suddenly changes. “Fuck, a girl. We might have to lock her up, Tru.”
I scrunch up my face. “Why?”
“Because, if she looks anything like you, I’m one day going to be fighting off horny teenage boys left, right, and centre. I’ll probably end up in jail for beating one to death if I find him with his hands on my baby girl.” He shudders comically.
I let out a laugh. “Let’s hope if we have a boy, he’s doesn’t grow up to be one of those horny teenagers…or God forbid, as horny as you are. Otherwise we’ll have some girl’s dad round here kicking his ass.”
“Then I’ll end up in jail for beating the shit out of the dad—fuck, this is a no-win, sweetheart,” he groans, dropping his head back against the rest. “I’m doomed to a future behind bars.”
Laughing softly, I say, “Don’t worry, baby, we’ll figure a way to keep you out of prison.” I kiss the tip of his nose, then open the door, ready to get out of the car and into the house to bed.
”
”
Samantha Towle (Wethering the Storm (The Storm, #2))
“
David?”
I almost looked around to see who she was talking to and then remembered my own name. It sounded different on her lips.
“Yeah?”
“You’re so nice. I didn’t expect you to be so nice.”
“Why?”
“Because all the girls at the bar are either in love with you, and they want to sleep with you, or they hate you, and they still want to sleep with you. I thought you were one of those bad-boy types.”
“Oh, I’m plenty bad. I just try not to be an asshole to people who don’t deserve it. I guess you could say I’m a nice bad guy.”
“I don’t think it works that way,” she said softly.
“Trust me. It does. I’m good with people. But don’t cross me. And don’t cross the people I care about. Or you’ll see my bad side.”
“I’ll remember that,” Amelie said seriously, nodding as if she had been contemplating crossing me only seconds before. The thought of the dainty, blind brunette with the pearly skin and the sweet smile screwing me over was comical.
“You plotting something?” I asked, trying not to laugh.
“I was. But I thought better of it.” She shivered dramatically. “Don’t want to see bad Tag.”
“Bad Tag and Silly Millie.”
“Millie?”
“Doesn’t anyone ever call you Millie for short?”
“No,” she answered frankly.
“Henry and Amelie aren’t names you hear every day. They sound kind of old-fashioned.”
“That’s because we were actually born in the late 1800s, when our names were more popular. We vampires don’t age, you know. And my blindness is just a ruse to make people feel safe.” Her lips twisted in a smirk.
“Is that right?” I drawled, “Well, I’ll be damned. So you and Henry are forever gonna be, what, thirteen and twenty-two?”
“Fifteen. Henry’s fifteen.”
“But you’re actually one hundred and twenty-two?”
“That’s right. We’ll still look this good in another hundred years.” That was a sad thought for Henry, but for Amelie, not so much
”
”
Amy Harmon (The Song of David (The Law of Moses, #2))
“
Her Grace is coming to High Scape,” Karish said quietly.
I scraped some soap from the bar into the sink. “Who?”
“The Dowager Duchess of Westsea.”
I hesitated a moment. His mother. “Well, it’s been a good while since you’ve seen her.” I handed him a soapy dish.
He snorted. “I’ve gone a good seventeen years without seeing her.”
What could I say to that? “Oh.”
“Apparently she had been on some kind of retreat in the country—”
“Flown Raven is the country,” I muttered.
“City slave,” he said.
“Farm boy,” I shot back.
“I’ve never even seen a farm.”
“Don’t trifle me with details.”
“Anyway,” he continued, but he looked a little less grim, which had been the point of the interruption. “The gossip failed to catch up with her at the rustic chalet where she was meditating or whatever,” he sneered at the word ‘meditating, ’ “and she only recently learned that I had abjured the title.”
“Ah.” I could see where this was going. “Displeased, was she?”
The sound he made might have been a breathy laugh. “Furious. Enraged. Maddened. I fear for the life of the poor servant who handed the letter to her.” He opened a cabinet—the correct one, as it happened—and placed the dish inside.
”
”
Moira J. Moore (The Hero Strikes Back (Hero, #2))
“
My mind rushes through a million naughty thoughts as I stand speechless in front of him. I want him to be my first. I want to lose my virginity to this man. Not the man from the bar.
”
”
Chance Carter (The Bidding War (69th St. Bad Boys, #2))
“
The three of you were pretty cute last night, with all that touchy-feely crap."
"Yeah, that lasted for about two minutes before you dragged Evan back over to the bar."
"Dude, we were hunting Turkey. [drinking bourbon] it was important." Chris grins. "That boy can drink, I'll give him that."
"That's big of you. From the way you were hanging off each other by the end of the night, I was thinking I might get Jeff all to myself."
Chris shoots him a look. "Is that what you want? If you had your way? Just Jeff?"
Dan Isn't really ready to answer that question, not even from Chris. "Wow, you'd switch teams just for me? You'd steal Evan away just so I could take his boyfriend? That's sweet man, really."
Dan knows that Chris recognizes the deflection, but he lets Dan get away with it. "That's the kind if friend I am, Dan. Maybe you should take a lesson - the next time I need a wingman in a straight bar, it wouldn't kill you to step up."
"Yeah, okay, I'll keep that on mind.
”
”
Kate Sherwood (Out of the Darkness (Dark Horse, #2))
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What’s your name?” he asked again. She pursed her lips tight, shaking her head. Her eyes welled up again. “It’s okay,” he said softly. “Really.” “Paige,” she whispered, a tear running down her cheek. “Paige,” she repeated in a small voice. “Yeah, that’s good. That’s a pretty name. You can say your name around here without being afraid.” “Your name?” “John,” he said, then wondered why he had done that. Something about her, he guessed. “John Middleton. No one calls me John, though. I’m known as Preacher.” “You’re a preacher?” “No,” he said with a short laugh. “Way far from it. The only one ever to call me John was my mother.” “What did your father call you?” she asked him. “Kid,” he said, and smiled. “Hey, kid,” he emphasized. “Why do they call you Preacher?” “Aw,” he said, ducking shyly. “I don’t know. I got the nickname way back, when I was just a kid in the Marine Corps. The boys said I was kinda straitlaced and uptight.” “Really? Are you?” “Nah, not really,” he said. “I never used to curse at all. I used to go to mass, when there was a mass. I grew up around priests and nuns—my mother was real devout. None of the boys ever went to mass, that I remember. And I kind of hung back when they went out to get drunk and look for women. I don’t know...I never felt like doing that. I’m not good with women.” He smiled suddenly. “That should be obvious right away, huh? And getting drunk never really appealed to me.” “But you have a bar?” she asked. “It’s Jack’s bar. He watches over people real good. We don’t let anybody out of here if they’re not safe, you know? I like a shot at the end of the day, but no reason to get a headache over it, right?” He grinned at her. “Should I call you John?” she asked him. “Or Preacher?” “Whatever you want.” “John,” she said. “Okay?” “If you want. Yeah,” he said. “Yeah, I like that. Been a while since anyone called me that.” She
”
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Robyn Carr (Shelter Mountain (Virgin River, #2))
“
While the man approached, although he had a sinister twist to his mouth, he was clearly no match for the men waiting just inside the bar, waiting to protect Paige. This preppy man in his pleated pants and Florsheim Chester loafers was not like the big Virgin River men. How could he inflict so much power, so much damage? He was smaller than Jack; so much smaller than Preacher. Goodness, he was about Rick’s size! Not quite six feet with short, moussed, spiky brown hair. A pretty boy from the city. He was going to be very surprised. Mel
”
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Robyn Carr (Shelter Mountain (Virgin River, #2))
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There might as well have been no one else in the room. As she walked toward the bar, he came around it. “I’m sorry I didn’t get here in time to help,” she said. Preacher stooped to pick up Christopher, who put his arms around his neck first, then rubbed his head. “You din’t shabe it,” he said. Preacher kissed the little boy on the cheek. “My head was cold,” he said. Paige wrapped her arms around his waist and, looking up at him, said, “I hope you have room for two more.” “What are you doing here?” he asked softly. She shrugged. “I changed the tickets. I wanted to be here. With you. I hope you missed me a little bit.” “A little bit,” he said. And then he smiled and put an arm around her shoulders and pulled her close. *
”
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Robyn Carr (Shelter Mountain (Virgin River, #2))
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Mike was up at the bar when Preacher came back downstairs from story time. Jack exited, leaving Preacher to lock up, and Mike asked for another drink. Then he started to grumble. He was frustrated with the arm, the pain, the clumsiness. A few other things. Preacher poured himself his closing shot and stood behind the bar, listening to Mike complain, nodding every so often, saying, “Yeah, buddy. Yeah.” “Can’t lift the gun, can’t lift a lot of things. Know the true meaning of ‘weak dick,’” he said morosely. Preacher’s eyebrows lifted and Mike looked up at his face, glassy-eyed. “That’s right, the old boy’s dead and gone. May as well have shot it off....” Preacher lifted his drink. “You’re the only guy I know who’d complain about not getting laid in a few weeks because he’s been in a coma,” Preacher said. “I guess you thought you could get lucky even while you were unconscious....” “That’s what you know,” he slurred. “Do I look like I’m unconscious now?” “Hey, man, there aren’t all that many women around here. You just might have to do without for a bit....” “What do you see when you wake up in the morning, Preacher? A nice tent, huh? I see the...the...the great plains.” Preacher
”
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Robyn Carr (Shelter Mountain (Virgin River, #2))
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Jack,” Preacher said, shaking his head. “You shoulda been here for that,” he said, laughing. “Our Jack—Jesus, I hate to think the number of women he ran through, never lost a minute of sleep.” Preacher looked over at Mike, grinning. “Took Mel about thirty seconds to turn him into a big pile of quivering mush.” “Yeah?” Mike said, smiling. “Then it got fun,” he said. “She wasn’t having any of him.” “Wait a minute—I was up here last year to fish with the boys. Looked to me like he had a lock on her. Next thing I hear, she’s pregnant and he’s going to marry her. I figured he finally ran into one that could trip him up.” Preacher whistled. “Nah, it didn’t go down like that. Jack went after her like a bobcat goes after a hen, and she just kept dodging him. He rebuilt her whole cabin for her without being asked, and I think maybe it got him kissed. Sometimes she’d come in the bar for a beer and he’d light up like a frickin’ Christmas tree. And she’d leave and he’d head for the shower. Poor bastard. He was after her for months. I guess no one ever said no before.” They used to all say yes to me, too, Mike thought. “Now when you look at ’em, it looks like they’ve been together since they were kids,” Preacher said.
”
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Robyn Carr (Shelter Mountain (Virgin River, #2))
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Moments later, a particularly harsh scream came from above, followed by the thin, lusty wail of a child. Charles dropped his glass and bolted for the stairs, taking them three at a time as he sprinted to his wife's aid. In his wake, Gareth and Lucien merely exchanged amused glances. "A girl," said Gareth. "I'll bet you ten pounds on it." "No, no, Gareth. It will be a boy. It has to be a boy. I hope to God it's a boy, since it seems that the next heir to Blackheath is going to have to come down through Charles, not me." "Come now, Luce, you have plenty of time to marry and get an heir of your own." Lucien arched a brow. "What, and put myself through the hell that you two go through every time you become a father? I think not . . ." Upstairs, Charles was running headlong down the corridor toward the closed door of Amy's room. Nerissa stood just outside, arms folded, barring his way. She saw his panicked face, his wild eyes, as from behind the door, the baby's wailing intensified. "Really, Charles. Are you all right?" "Never mind me, are they all right?!" His sister smiled with infuriating sweetness. "Why don't you go in and see for yourself?" He lunged for the door. Nerissa grabbed the handle, laughing. "Ah! Sedately, brother dear!" He willed himself to calm down, his hands, his body, his very nerves, shaking. His throat felt dry and he feared his knees were going to give out and he had to take several gulping breaths to get himself under control. Nerissa, smiling, opened the door. And there was Amy, propped up on pillows, her face pale, wan, exhausted — radiant. Juliet stood beside the bed, sponging her brow and grinning as the midwife wrapped the tiny, squalling bundle in a blanket and placed it on Amy's chest. The old woman raised her head as she saw the lord of Lynmouth standing there, looking as though the gods had just struck him to stone with a bolt of lightning. "Congratulations, m'lord. You 'ave a little girl." Charles
”
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Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
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When Almanzo went into these great barns, he always went through the Horse-Barn’s little door. He loved horses. There they stood in their roomy box-stalls, clean and sleek and gleaming brown, with long black manes and tails. The wise, sedate work-horses placidly munched hay. The three-year-olds put their noses together across the bars, they seemed to whisper together. Then softly their nostrils whooshed along one another’s necks; one pretended to bite, and they squealed and whirled and kicked in play. The old horses turned their heads and looked like grandmothers at the young ones. But the colts ran about excited, on their gangling legs, and stared and wondered. They all knew Almanzo. Their ears pricked up and their eyes shone softly when they saw him. The three-year-olds came eagerly and thrust their heads out to nuzzle at him. Their noses, prickled with a few stiff hairs, were soft as velvet, and on their foreheads the short, fine hair was silky smooth. Their necks arched proudly, firm and round, and the black manes fell over them like a heavy fringe. You could run your hand along those firm, curved necks, in the warmth under the mane. But Almanzo hardly dared to do it. He was not allowed to touch the beautiful three-year-olds. He could not go into their stalls, not even to clean them. Father would not let him handle the young horses or the colts. Father didn’t trust him yet, because colts and young, unbroken horses are very easily spoiled.
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Sure, Raoul, but let’s see your money.’ ‘Fuck you, Zachery Blubber.’ But he slapped twenty bucks down. Zak opened a beer, banged it on to the counter and sauntered back for the bourbon. ‘So how’s LA, man? You get all that fancy gear there?’ Raoul shrugged. His nose was running and he sniffed as Zak leaned against the bar, sliding the bourbon glass forwards. ‘Cool, it’s cool.’ ‘You look like you need to chill out.’ Raoul knocked back the bourbon and reached for the beer. ‘Your brothers are workin’ out back.’ ‘Uncle Fryer around?’ ‘Sleepin’, like always at this time. Place was jumpin’ last night, he played so much he got his big old lips swollen up, but he sure as hell can play that beat-up bugle o’ his.’ Raoul sniffed again, wiping his nose with his shirt cuff. He took out a thick roll of notes and peeled off another twenty. ‘Same again, have one yourself.’ Zak eyed the wad, and slowly moved back along the bar. ‘Don’t mind if I do, brother, don’t mind if I do.’ Raoul had to wait a while as a couple of customers needed refills. He was beginning to get the shakes and wondered why the hell he’d come back. He’d get more than the shakes when he showed his face back home. What had seemed like a good idea was now beginning to pale. Zak passed another beer and bourbon along, holding up a glass to indicate he’d taken his drink and started to chinwag with two old boys huddled at the far end of the bar. ‘Zak, eh, Zak man, come on down here a second, will ya?’ Raoul said loudly, gulping down his beer. ‘What you want?’ said Zak, handing out beers and tossing the empties into a crate beneath the bar. He kind of knew, so he opened a drawer under the till and took out a packet. ‘This what you want, bro?’ Raoul put his hand over the plastic bag. Zak leaned forward, whispering that it was good home-grown gear, he could vouch for it. ‘You got any skins?’ Raoul asked, peeling off fifty dollars. ‘Shit, man, what you want me to do, smoke it for you?’ He reached into the back pocket of his pants and tossed down a squashed pack of rolling
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Lynda La Plante (Cold Blood (Lorraine Page, #2))
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The Bar Joke- (Boy's A Real) Pokeballer, Catcher Pokémon Inna Pinocchio.
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Elle Thorpe (Half the Battle (Saint View Psychos, #2))
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That power-hoarding, soap-wielding, dickzilla. One day I’ll ram a bar of soap down his throat and see if it can clean his filthy, wicked innards.
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Caroline Peckham (Kings of Lockdown (Brutal Boys of Everlake Prep, #2))
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Despite what I’d implied yesterday, I hadn’t touched a woman since I took this job, and I was slowly going crazy because of it. It wasn’t like I didn’t want to. I went to bars, I flirted, and I got plenty of offers, but I felt nothing every time. No sparks, no lust, no desire. I would’ve worried about my boy down there had it not been for my visceral reactions to Bridget. The only person who made my cock hard these days was my client.
I have the worst fucking luck on the planet.
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Ana Huang (Twisted Games (Twisted, #2))
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He thinks he will leave. School life is unreal. All this is unreal. He has had enough. He can’t bear his colleagues. He can’t bear the boys any more either; en masse, he thinks, they’re horrible, like haddocks. He has to get out. He’ll live on his writing. His last book did well. He’ll write more. He’ll take a cottage in Scotland and spend his days fishing for salmon. Perhaps he’ll take the barmaid with him as his wife, the dark-eyed beauty he’s been courting for months, though he’s only in love with her emotionally, so far, and he hasn’t got anywhere, really, and those long hours sitting at the bar reduce him too often to hopeless drunkenness. He drinks too much. He has drunk too much, and he has been unhappy for a long time. But things are certain to change.
The notebook he writes in is grey. He’s stuck a photograph of one of his grass snakes on the cover, and written ETC above it in ink. The snake is suitable because this is his dream diary, though there are other things in it too: scraps of writing, lesson plans, line drawings of sphinxes and clawed dragons rampant, and the occasional stab at self-analysis:
1) Necessity of excelling in order to be loved.1
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Helen Macdonald (H is for Hawk)
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I'm at the mall the other day and there's a 'brow bar.' To get your eyebrows shaped inside the makeup department. Right by the door where everyone is coming and going, can you imagine? There is no feminine mystique left. Remember how we were taught not to have our Mary Janes so polished that a boy could see up our dresses? Now they wear their underwear instead of clothes. No need for boys to peek any longer.
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Kristin Billerbeck (Back to Life (Trophy Wives Club, #2))
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For such a smart boy, you’re awfully dense. I can talk about Meg however I damn please. She’s mine, Hercules. I own her. I told her to fuck you that night, so she did. If I stripped her naked and set her on this bar and lined up every member of the Underworld and let them fuck her one right after the other, she’d thank me for it just like she did after she fucked you.” He lowers his voice, still so close that our chests damn near brush. “I can do every single dark and twisted thing I want to our Meg, and she has no choice but to comply.
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Katee Robert (Learn My Lesson (Wicked Villains, #2))
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You’re going to get back in your car and drive far away. You’re going to uphold the barring order and you’re going to leave her alone. You’re going to stay far away from your daughter’s house and you’re going to continue ignoring her, and I’m going to continue fixing the holes you’ve put in her. And if you ever touch her again, I’ll know about it. One fucking bruise, I’ll see it and I’ll know who put it there,” he snarled, chest heaving. “And then I’ll come for you, and when I do, God himself won’t save you.
”
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Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
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Here’s how this is going to work,” he hissed, releasing his grip on my father’s shirt. “You’re going to get back in your car and drive far away. You’re going to uphold the barring order and you’re going to leave her alone. You’re going to stay far away from your daughter’s house and you’re going to continue ignoring her, and I’m going to continue fixing the holes you’ve put in her. And if you ever touch her again, I’ll know about it. One fucking bruise, I’ll see it and I’ll know who put it there,” he snarled, chest heaving. “And then I’ll come for you, and when I do, God himself won’t save you.” He shoved my father again. “Are we clear, you poisonous piece of shit?
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Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
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