Banquet Halls Quotes

He missed Hogwarts so much it was like having a constant stomachache. He missed the castle, with its secret passageways and ghosts, his classes, … the mail arriving by owl, eating banquets in the Great Hall, sleeping in his four-poster bed in the tower dormitory, visiting the gamekeeper, Hagrid, in his cabin next to the Forbidden Forest in the grounds, and especially, Quidditch, the most popular sport in the wizarding world

All day long this man would toil thus, his whole being centered upon the purpose of making twenty-three instead of twenty-two and a half cents an hour; and then his product would be reckoned up by the census taker, and jubilant captains of industry would boast of it in their banquet halls, telling how our workers are nearly twice as efficient as those of any other country. If we are the greatest nation the sun ever shone upon, it would seem to be mainly because we have been able to goad our wage-earners to this pitch of frenzy.

The room was not impressively large, even by Manhattan apartment-house standards, but its accumulated furnishings might have lent a snug appearance to a banquet hall in Valhalla.

Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches - nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair. Literature is as old as speech. It grew out of human need for it, and it has not changed except to become more needed. The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, their responsibilities have been decreed by our species. --speech at the Nobel Banquet at the City Hall in Stockholm, December 10, 1962

No one could bear the idea of the White City lying empty and desolate. A Cosmopolitan writer said, "Better to have it vanish suddenly, in a blaze of glory, than fall into gradual disrepair and dilapidation. There is no more melancholy spectacle than a festal hall, the morning after the banquet, when the guests have departed and the lights are extinguished.

God is the comic shepherd who gets more of a kick out of that one lost sheep once he finds it again than out of the ninety and nine who had the good sense not to get lost in the first place. God is the eccentric host who, when the country-club crowd all turned out to have other things more important to do than come live it up with him, goes out into the skid rows and soup kitchens and charity wards and brings home a freak show. The man with no legs who sells shoelaces at the corner. The old woman in the moth-eaten fur coat who makes her daily rounds of the garbage cans. The old wino with his pint in a brown paper bag. The pusher, the whore, the village idiot who stands at the blinker light waving his hand as the cars go by. They are seated at the damask-laid table in the great hall. The candles are all lit and the champagne glasses filled. At a sign from the host, the musicians in their gallery strike up "Amazing Grace.

I feel like one Who treads alone Some banquet-hall deserted, Whose lights are fled, Whose garland's dead, And all but he departed!

Men told that Kane was a giant in stature, more powerful than ten strong men. In battle no man could stand before him, for he fought with a sword in either hand - wielding easily weapons that another warrior could scarcely lift. His hair was red as blood, and he feasted on the still-beating hearts of his enemies. His eyes were the eyes of Death himself, and they cast a blue flame that could shrivel the souls of his victims. His only delight was in rapine and slaughter, and after each victory his banquet halls echoed with the tortured screams of captive maidens.

We talk and tease and bargain with the main dish. Maniacal laughter echoes in the marble halls, sweet to my ears. There’s movement at the banquet hall’s entrance. A child with my eyes tumbles in—all wings and blue hair and giggling innocence. Holding his hand is Morpheus, wearing a ruby crown. The Red King. My king. The bubble bursts and takes the vision with it, leaving nothing but the sound of my gasp and wisps of gray smoke behind. “You see,” Ivory says, “once Morpheus knew that one day you would belong to him and he to you, that you would share a child, he was no longer willing to die to save Wonderland. But he’s insecure about your feelings for him. He feared you would refuse to help. So he made a new plan, however flawed it was.

Sir, I would trust you with my heart. Moreover, we have left our bodies in the banqueting hall. Those on the turf are the shadows of our souls.

He spoke to her, though, if only through his verse. One night in the banqueting hall, just before a ball, he responded to requests for a verse by raising his glass high. Though he spoke to them all his eyes were on her. "Tis not that I am weary grown Of being yours, and yours alone, But with what face can I incline To damn you to be only mine?" She walked out before she heard the rest.

The embrace of present and past time, in which English antiquarianism becomes a form of alchemy, engenders a strange timelessness. It is as if the little bird which flew through the Anglo-Saxon banqueting hall, in Bede's Historia Ecclesiastica Gentis Anglorum, gained the outer air and became the lark ascending in Vaughan Williams's orchestral setting. The unbroken chain is that of English music itself.

Once, in Thessaly, there was a poet called Simonides. He was commissioned to appear at a banquet, given by a man called Scopas, and recite a lyric in praise of his host. Poets have strange vagaries, and in his lyric Simonides incorporated verses in praise of Castor and Pollux, the Heavenly Twins. Scopas was sulky, and said he would pay only half the fee: ‘As for the rest, get it from the Twins.’ A little later, a servant came into the hall. He whispered to Simonides; there were two young men outside, asking for him by name. He rose and left the banqueting hall. He looked around for the two young men, but he could see no one. As he turned back, to go and finish his dinner, he heard a terrible noise, of stone splitting and crumbling. He heard the cries of the dying, as the roof of the hall collapsed. Of all the diners, he was the only one left alive. The bodies were so broken and disfigured that the relatives of the dead could not identify them. But Simonides was a remarkable man. Whatever he saw was imprinted on his mind. He led each of the relatives through the ruins; and pointing to the crushed remains, he said, there is your man. In linking the dead to their names, he worked from the seating plan in his head. It is Cicero who tells us this story. He tells us how, on that day, Simonides invented the art of memory. He remembered the names, the faces, some sour and bloated, some blithe, some bored. He remembered exactly where everyone was sitting, at the moment the roof fell in.

and a barge that sailed into the banqueting-hall with his week’s washing, just as he was giving a dinner-party; and he was

Mortal, what hast thou of such grave concern That thou indulgest in too sickly plaints? Why this bemoaning and beweeping death? For if thy life aforetime and behind To thee was grateful, and not all thy good Was heaped as in sieve to flow away And perish unavailingly, why not, Even like a banqueter, depart the hall, Laden with life?

Feeling drunk with the anticipation of being alone in the elevator with the blonde seductress, Jack turned back and flashed a wicked grin at Todd before disappearing down the hall. "I’m Shala. I was also hoping we'd have a private moment together, before your adventure begins.” She spoke softly and slipped her hand into the crook of Jack's arm. "Shala, you read my mind," Jack replied as they reached the elevator. "After Dr. Strong and I talk, how about you show me the sights of Landon." "The most exciting thing in Landon is in my suite.” Shala whispered and leaned hard against him, forcing his back to the wall. Shala’s hands explored Jacks chest then moved to his sides and round to his back sinking lower. Her fiery smile sent an unexpected chill through him. Jack squirmed uncomfortably as he glanced up at the panel above the elevator doors. The second floor indicator lit and held. The doors silently slid aside to reveal a large banquet hall just as Shala's hands reached a sensitive spot.

A banquet hall deserted, after the revelry, all the guests have left and gone their ways. And the table, with overturned glasses, crumbled napkins, bread crumbs, dirty knives and forks, lies empty. And the laughter echoes only in one’s mind… And then the echo goes, the memory, the traces are all gone.

The development of the proletarian elite does not take place in an academic setting. Rather, it is brought about by battles in the factories and unions, by disciplinary punishments and some very dirty fights within the parties and outside of them, by jail sentences and illegality. Students do not flock in large numbers there as they do to the lecture halls and laboratories of the bourgeoisie. The career of a revolutionary does not consists of banquets and honarary titles, of interesting research projects and professional salaries; more likely, it will acquaint them with misery, dishonory and jail and, at the end, uncertainty. These conditions are made bearable only by a super-human faith. Understandably, this way of life will not be the choice of those who are nothing more than clever.

She wanted all the statues to shatter on the spot. She wished they weren't so... naked. So different. It reminded her of last year, when her mother had taken her to the sixth-grade honors banquet at her old school. Aru had worn what she thought was her prettiest outfit: a bright blue salwar kameez flecked with tiny star-shaped mirrors and embroidered with thousand of silver threads. Her mother had worn a deep red sari. Aru had felt like part of a fairy tale. At least until the moment they had entered the banquet hall, and every gaze had looked too much like pity. Or embarrassment. One of the girls had loudly whispered, Doesn't she know it isn't Halloween?

Correct thinking provides a sense of certainty. Without it, we fear that faith is on life support at best, dead and buried at worst. And who wants a dead or dying faith? So this fear of losing a handle on certainty leads to a preoccupation with correct thinking, making sure familiar beliefs are defended and supported at all costs. How strongly do we hold on to the old ways of thinking? Just recall those history courses where we read about Christians killing other Christians over all sorts of disagreements about doctrines few can even articulate today. Or perhaps just think of a skirmish you’ve had at church over a sermon, Sunday-school lesson, or which candidate to vote into public office. Preoccupation with correct thinking. That’s the deeper problem. It reduces the life of faith to sentry duty, a 24/7 task of pacing the ramparts and scanning the horizon to fend off incorrect thinking, in ourselves and others, too engrossed to come inside the halls and enjoy the banquet. A faith like that is stressful and tedious to maintain. Moving toward different ways of thinking, even just trying it on for a while to see how it fits, is perceived as a compromise to faith, or as giving up on faith altogether. But nothing could be further from the truth. Aligning faith in God and certainty about what we believe and needing to be right in order to maintain a healthy faith—these do not make for a healthy faith in God. In a nutshell, that is the problem. And that is what I mean by the “sin of certainty.

I know a plastic surgeon who put the gun/ in his mouth, fired, and lived./ Thing of the echo. The brain in its great hall/ banqueting, then besieged.

Exploring the banquet hall downstairs, the two men had discovered a mysterious black carpet stretching from wall to wall, and it was only when the radioman had begun to cross it, sweltering in his rubber chemical protection suit, his boots crunching beneath him, that they realized the floor was covered with thousands of dozing flies, apparently intoxicated by radiation.

FALK. I feel myself like God's lost prodigal; I left Him for the world's delusive charms. With mild reproof He wooed me to His arms; And when I come, He lights the vaulted hall, Prepares a banquet for the son restored, And makes His noblest creature my reward. From this time forth I'll never leave that Light,— But stand its armed defender in the fight; Nothing shall part us, and our life shall prove A song of glory to triumphant love!

Most Americans had only ever heard national political candidates shouting, trying to project their voices across a banquet hall or a football field. Hearing Roosevelt speak quietly and calmly, as if he were sitting across the kitchen table, having a reasonable argument with you, earned him Americans’ dedicated affection. “It was a God-given gift,” his wife said. He “could talk to people so that they felt he was talking to them individually.

There was a not-quite-secret stairway in the back of the library building that led up to a balcony bordered by delicately arched windows. These looked out over a small courtyard lined with sour-orange trees. Across from this were the royal baths- which connected directly to the audience chamber, banquet hall, and eventually the throne room itself. That had sounded strange until Jasmine explained to Aladdin that sultans often entertained foreign guests and consulted with top advisers while enjoying a pleasant mint-scented sweat in the steam rooms.

The name Schifanoia, derived from the phrase schivar la noia, or, to escape boredom. A pleasure palace on the outskirts of Ferrara where Borso d’Este, the eccentric ruler of an influential duchy, had an entire banquet hall painted with scenes from the zodiac. There was a procession of Venus being drawn on a carriage by swans. Beneath her, a resplendent Taurus, a tan-colored bull whose flanks were dotted with gold stars, blessed her passage. Borso had designed the hall to impress his guests—astrology as a performance of power, as a totem of good fortune.

There is a story that Simonides was dining at the house of a wealthy nobleman named Scopas at Crannon in Thessaly, and chanted a lyric poem which he had composed in honor of his host, in which he followed the custom of the poets by including for decorative purposes a long passage referring to Castor and Pollux; whereupon Scopas with excessive meanness told him he would pay him half the fee agreed on for the poem, and if he liked he might apply for the balance to his sons of Tyndaraus, as they had gone halves in the panegyric. The story runs that a little later a message was brought to Simonides to go outside, as two young men were standing at the door who earnestly requested him to come out; so he rose from his seat and went out, and could not see anybody; but in the interval of his absence the roof of the hall where Scopas was giving the banquet fell in, crushing Scopas himself and his relations underneath the ruins and killing them; and when their friends wanted to bury them but were altogether unable to know them apart as they had been completely crushed, the story goes that Simonides was enabled by his recollection of the place in which each of them had been reclining at table to identify them for separate interment; and that this circumstance suggested to him the discovery of the truth that the best aid to clearness of memory consists in orderly arrangement. He inferred that persons desiring to train this faculty must select localities and form mental images of the facts they wish to remember and store those images in the localities, with the result that the arrangement of the localities will preserve the order of the facts, and the images of the facts will designate the facts themselves, and we shall employ the localities and images respectively as a wax writing tablet and the letters written on it.

The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.

wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose Waltz in Vienna has taught me to use every tall room a fiction leatherbound treasure books up to the ceiling gold spine upon spine the guile and the treason the faith and allegiance wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose the author grew fat to imagine his lead pen careening gave voice to the scheming an Aryan cabale to dethrone the guile and the treason the faith and allegiance to the empire unknown the baron and his mistress dine in a fine banquet hall as rebel insurgents plot in the attic space crawl the guile and the treason the faith and allegiance now lie in my hand

It was like the misery felt by an old man who has lived to see his son's body swing on the gallows. He begins to keen and weep for his boy, watching the raven gloat where he hangs: he can be of no help. The wisdom of age is worthless to him. Morning after morning, he wakes to remember that his child is gone; he has no interest in living on until another heir is born in the hall, now that his first-born has entered death's dominion forever. He gazes sorrowfully at his son's dwelling, the banquet hall bereft of all delight, the windswept hearthstone; the horsemen are sleeping, the warriors under ground; what was is no more. No tunes from the harp, no cheer raised in the yard. Alone with his longing, he lies down on his bed and sings a lament; everything seems too large, the steadings and the fields.

There is a passage in the Old French Queste del Saint Graal that epitomizes the true spirit of Western man. It tells of a day when the knights of Arthur’s court gathered in the banquet hall waiting for dinner to be served. It was a custom of that court that no meal should be served until an adventure had come to pass. Adventures came to pass in those days frequently so there was no danger of Arthur’s people going hungry. On the present occasion the Grail appeared, covered with a samite cloth, hung in the air a moment, and withdrew. Everyone was exalted, and Gawain, the nephew of King Arthur, rose and suggested a vow. “I propose,” he said, “that we all now set forth in quest to behold that Grail unveiled.” And so it was that they agreed. There then comes a line that, when I read it, burned itself into my mind. “They thought it would be a disgrace to go forth in a group. Each entered the forest at the point that he himself had chosen, where it was darkest, and there was no way or path.” No way or path! Because where there is a way or path, it is someone else’s path. And that is what marks the Western spirit distinctly from the Eastern. Oriental gurus accept responsibility for their disciples’ lives. They have an interesting term, “delegated free will.” The guru tells you where you are on the path, who you are, what to do now, and what to do next. The romantic quality of the West, on the other hand, derives from an unprecedented yearning, a yearning for something that has never yet been seen in this world. What can it be that has never yet been seen? What has never yet been seen is your own unprecedented life fulfilled. Your life is what has yet to be brought into being.

And in front of it all are the pearly gates: the proverbial entrance to Heaven that she, in earthly life, thought might not exist. But they are real, not myth or fantasy. As she passes through them, several people greet her. In foreign tongues even, but she understands. Language no longer matter. There are no barriers between herself and others, just love. The gorgeous views seem to go on forever. Ornate structures, mansions, banquet halls, and natural beauty, orchards, gardens. People congregate around huge marble fountains. In the distance are snow-capped mountains of the purist white. She can hear the sounds of rushing rivers and the surf of the ocean at once. Everyone around her is happy, loving, thankful. A choir sings songs of joy and peace while others play musical instruments of every kind in perfect harmony. Children laugh and play in the streets as well as in the clouds above her head.

to be listening to a poet such as this, who is like the immortals in speech. For I think that there is no more complete fulfillment than when joy takes over an audience in the great hall, and the banqueters are sitting next to each other listening to the poet, and beside them the tables are loaded with bread and meat, and the steward carries the drawn wine around and fills their cups to the brim. This seems to me the most beautiful thing in the world.

The rooms I occupied were on the ground floor. The parlour was papered with an old marbled paper and on the walls were water colours of romantic scenes, cavaliers bidding good-bye to their ladies and knights of old banqueting in stately halls; there were large ferns in pots, and the armchairs were covered with faded leather. There was about the room an amusing air of the eighteen eighties, and when I looked out of the window I expected to see a private hansom rather than a Chrysler. The curtains were of a heavy red rep.

There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.” “Because of meat.” “It’s for his tiger,” said the cook. Arin palmed his face, eyes squeezed shut. “Your tiger.” “He’s very particular,” said Roshar. “You can’t bring the tiger to the banquet.” “Little Arin has missed me. I will not be parted from him.” “Would you consider changing his name?” “No.” “What if I begged?” “Not a chance.” “Roshar, the tiger has grown.” “And what a sweet big boy he is.” “You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.

KRÁKUMÁL [...] 25. We struck with our swords! My soul is glad, for I know that Balder’s father’s benches for a banquet are made ready. We’ll toss back toasts of ale from bent trees of the skulls; no warrior bewails his death in the wondrous house of Fjolnir. Not one word of weakness will I speak in Vidrir’s hall. 26. We struck with our swords! The sons of Aslaug all would rouse the wrath of Hild here with their ruthless sword-blades, if they fathomed fully how far I have traveled, how so many serpents stab me with their poison. My son’s hearts will help them: they have their mother’s lineage. 27. We struck with our swords! Soon my life is ended; Goinn scathes me sorely, settles in my heart’s hall; I wish the wand of Vidrir would wound Æelle, one day. My sons must feel great fury that their father is put to death; my daring swains won’t suffer in silence when they hear this. 28. We struck with our swords! I have stood in the ranks at fifty-one folk-battles, foremost in the lance-meet. Never did I dream that a different king should ever be found braver than me— I bloodied spears when young. Æsir will ask us to feast; no anguish for my death. 29. I desire my death now. The disir call me home, whom Herjan hastens onward from his hall, to take me. On the high bench, boldly, beer I’ll drink with the Gods; hope of life is lost now— laughing shall I die!

He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.

New companion Yoo Joonghyuk's Black Heavenly Demon Sword filled with the power of transcendence flew to my neck. It was an inevitable blow. Then a crack appeared in the ceiling of the banquet hall. Yoo Joonghyuk looked up at the ceiling but it was already too late. The running Yoo Joonghyuk was crushed by the fragments of the broken ceiling. Some large pieces were avoided but there were too many stones pouring down. I saw a shadow in the dirty dust. The hair was sweaty like the person had rushed here. The bandages half released from the left arm was blowing in the wind. In the dust, this person smiled as she trampled on Yoo Joonghyuk. "I knew you couldn't do this without me." [The incarnation 'Han Sooyoung' is jumping into the verdict of the giant story!] pg 3901 38. Perhaps Han Sooyoung had adjusted her shares ownership to Lee Seolhwa as soon as she learnt the information here. Then she came straight to this place. Han Sooyoung turned towards the surrounding constellations and declared with a growl, "I am evil. In addition, that fucking Kim Dokja standing over there is definitely evil." Han Sooyoung made me evil regardless of everything else and continued looking at Yoo Joonghyuk and the party members. pg 3903 39. This person shouting with her short hair flying looked amazing. At this time, Han Sooyoung could be seen as the main character, not Yoo Joonghyuk. pg 3903 40. The eyes of the group shook. I saw Han Sooyoung turn away. Then I spoke like I was pulling the trigger. "You are characters of a story." pg 3925 41. 'It's no fun when no one is fighting back'pg4046 42. However, I endured. I simply had to. So that I could grasp that one and only chance soon to be coming my way pg 4078 43. Along with the explosive grinding noise, blue sparks danced in the air. "Why are you standing around dazed like that, you dumbass?!" Han Sooyoung was standing next to me now pg 4102

PART II THE RETURN OF ODYSSEUS TO HIS OWN COUNTRY CHAPTER V. Odysseus on the Island of Calypso VI. Odysseus Constructs a Raft and Leaves the Island VII. Odysseus is Saved on the Island of Scheria VIII. Nausicaä is Sent to the River by Athena IX. Odysseus Arrives at the Palace of Alkinoös X. Odysseus in the Halls of Alkinoös XI. The Banquet in Honor of Odysseus XII. Odysseus Relates His Adventures XIII. The Lotus-Eaters and the Cyclops XIV. The Cave of the Cyclops XV. The Blinding of the Cyclops XVI. Odysseus and His Companions Leave the Land of the Cyclops XVII. The Adventures of Odysseus on the Island of Æolus XVIII. Odysseus at the Home of Circè XIX. Circè Instructs Odysseus Concerning His Descent to Hades XX. The Adventures of Odysseus in Hades XXI. Odysseus Converses with His Mother and Agamemnon XXII. Conversation with Achilles and Other Heroes XXIII. The Return of Odysseus to the Island of Circè XXIV. Odysseus Meets the Sirens, Skylla, and Charybdis XXV. Odysseus on the Island of Hēlios XXVI. The Departure of Odysseus from the Island of Scheria XXVII. Odysseus Arrives at Ithaca XXVIII. Odysseus Seeks the Swineherd

Once, in Thessaly, there was a poet called Simonides. He was commissioned to appear at a banquet, given by a man called Scopas, and recite a lyric in praise of his host. Poets have strange vagaries, and in his lyric Simonides incorporated verses in praise of Castor and Pollux, the Heavenly Twins. Scopas was sulky, and said he would pay only half the fee: ‘As for the rest, get it from the Twins.’ A little later, a servant came into the hall. He whispered to Simonides; there were two young men outside, asking for him by name. He rose and left the banqueting hall. He looked around for the two young men, but he could see no one. As he turned back, to go and finish his dinner, he heard a terrible noise, of stone splitting and crumbling. He heard the cries of the dying, as the roof of the hall collapsed. Of all the diners, he was the only one left alive. The bodies were so broken and disfigured that the relatives of the dead could not identify them. But Simonides was a remarkable man. Whatever he saw was imprinted on his mind. He led each of the relatives through the ruins; and pointing to the crushed remains, he said, there is your man. In linking the dead to their names, he worked from the seating plan in his head. It is Cicero who tells us this story. He tells us how, on that day, Simonides invented the art of memory. He remembered the names, the faces, some sour and bloated, some blithe, some bored. He remembered exactly where everyone was sitting, at the moment the roof fell in.

I feel like one Who treads alone Some banquet-hall deserted, Whose lights are fled, Whose garlands dead, And all but he departed.

resumed walking. The visitors unloaded fresh meat, beer, and mead; and cooking fires were started inside and outside the fort. The banquet hall proved ideal for the jarls, except that the throne-like chair used by Olaf was set aside. The banquet ran its course, first the toasts, then the eating and more drinking intermingled with conversation and more toasts until all were satiated and relaxed, for this was a business banquet. Gunnar, with the most longships, stood to speak of their proposal. “We came here first to congratulate you for getting rid of Olaf. He was a threat to all of us. And to know more about Alfonso, the Christian warrior we have heard so much about. We heard that your God gives you great strength and protection, as you killed seven berserkers single-handed.” Alfonso was about to say, “Only one,” but Harald jabbed him on the ribs with his elbow. “We heard that you bent the steel bars in the freezing water of the creek to get inside the fort.” Alfonso’s eyes shifted for a moment from Gunnar to Harald and saw him with a serious look and nodding at the statement. “We heard that you killed the guards by the gates, opened them, then fought off Olaf’s men until Harald and his warriors arrived. “We heard that you can do all this because your God seeks a vestal virgin that was kidnapped from His temple. Is all this true?” Alfonso was about to stand up, when Harald stood up and looked all around. “Yes, it is all true. We saw him kill the berserker.” The visitors looked around and saw Harald’s men nodding. “And he had to get through the bars underwater. Soon after, he killed the gate guards and opened the gates, defending them until we arrived.” He looked around, “Ask my men.” Words of “Yes, true, I saw it,” were heard. Harald sat down and looked at Alfonso. “Your turn.” They had become quiet as he stood and looked all around. He realized that the jarls were there because of him. They had some purpose in mind. They wanted his help but how? “Yes, I killed the berserker sent by Olaf. I was in the freezing water and got through the bars. I killed everyone guarding the gate, I opened it and

When Leah arrived outside the lounge, she smiled as she prepared to see Zidane, the couple certainly didn't have a huge banqueting hall and the bedroom they shared was a world away from the elaborate living quarters Leah had just seen, inside Spectrum but the home they lived in was pleasant enough as their companionship and love adorned it with more jewels than any crown could possibly hold.

Heaven could have been a golden city in the clouds, or perhaps a splendid banquet hall surrounded by dearly departed loved ones. Maybe it was a field of wildflowers on a summer’s day or a shimmering kingdom of sapphire and starlight. Or maybe, just maybe, it was the Isle of Iona.

Grimod de La Reynière was the founder of culinary journalism. His articles in newspapers and yearbooks fed restaurants with new ideas. No more was the art of good eating a luxury reserved for the banquet halls of nobility. The one whose fingers were all over this had none: Grimod de La Reynière, grand master of pen and spoon, was born with no hands, and he wrote, cooked, and ate with hooks.

That', Ghoolion said in a voice quivering with rage, 'is my dungeon for useless kitchen utensils. There's one such in every kitchen worthy of the name. Its inmates are kept there like especially dangerous patients in a mental institution.' He reached into the cupboard and brought out an odd-looking implement. 'What cook', he cried, 'does not possess such a gadget, which can sculpt a radish into a miniature rose? I acquired it at a fair in one of those moments of mental derangement when life without a miniature-rose-cutting gadget seems unimaginable.' He hurled the thing back into the darkness and brought out another. 'Or this here, which enables one to cut potatoes into spirals five yards long! Or this, a press for juicing turnips! Or this, a frying pan for producing rectangular omelettes!' Ghoolion took gadget after gadget from the cupboard and held them under Echo's nose, glaring at them angrily. 'What induced me to buy all these? What can one do with potato spirals long enough to decorate a banqueting hall? What demented voice convinced me in a whisper that I might some day be visited by guests with an insatiable hankering for turnip juice, rectangular omelettes and potatoes five yards long?' He Hurled the gadgets back into their dungeon with a look of disgust. 'Why, I ask myself, don't I simply chuck them all on to the rubbish dump? I'll tell you that too. I keep them for one reason alone: revenge! I keep them just as medieval princes kept their enemies on starvation rations. A quick death on a rubbish dump would be too merciful. No, let them languish in a gloomy dungeon, condemned to everlasting inactivity. That's the only condign punishment for a rectangular omelette pan!

Hell: A sumptuously provisioned banquet hall full of hungry people with locked-strait elbow joints who can’t feed themselves because their unbendable arms won’t allow it. Heaven: Everything’s the same except people are feeding each other.

golden star banquet hall in mulund west.

Matilda Rose, daughter of Gerard, daughter of Helen, Lady and Heir of Demille, Maven of House Krahr.” The hallway ended, and they strode into the banquet hall. The entirety of the room was watching them. “Maud the Red, the Sariv, the Learned One.” They were approaching the table where Onda and Seveline sat. Both women were staring daggers at her. “Kill count of sixty and eight.” A muscle in Seveline’s face jerked. That’s right, precious. I’m coming for you.

They're on a tour. A tour of the moat full of deadly squid, and the Garden of Death, and the torture chambers, and the Dark Wizard portrait gallery, and the banquet hall full of captured banners of slaughtered foes.

I stared straight ahead, motionless in the shadows as I thought of my mother—my family. They’d probably already moved to the banquet hall, where they would share food and conversation, pretending as if the Lord of the Vodina Isles hadn’t just returned their Advisor to them minus his body. Pretending that this wasn’t another sign that the kingdom was on the brink of failure. I had never, not once, experienced supper with them. Not even before I’d failed.

His bath chamber across the main room was all that remained, so I backtracked and entered it. The extravagance to which I was accustomed within the Hytanican palace did not range so far as to include the depth and size of his bath, nor the unusual mosaic tiles set into the floor. But what struck me the most were the shelves filled with ointments and bandages, and the long table against the wall that was similar to what one would find in a physician’s examination room. He had in many ways grown up a prince, but this chamber was more telling of his past than all the finery in his wardrobe. When I returned to the parlor, I felt strangely cold. Narian had once more taken up his place on the sofa, and I went to sit at his feet, wanting to be closer to the fire. He swung around and put one leg on each side of me, then started to massage my back. After a few minutes, he slipped down behind me to wrap his arms around my waist, and I leaned against him. He was warm and safe and all that I wanted. At times I felt that there was no world outside of him, and it was the best feeling I ever had. This was one of those times. “Were you ever happy here?” I softly inquired. “Yes,” he answered after a moment of thought. “I was--here in the temple.” Though I had not handled seeing Miranna’s room very well, I again had a surge of curiosity about the Overlord’s Hall, which Narian had subtly referenced. But I did not ask him to take me there--seeing it would not help me, and it would not help him. He needed to forget that place. “Then tell me something about your childhood. Something pleasant.” I closed my eyes, feeling the vibration of his chest as he began to speak. “I remember when that mural on my wall was painted. I was perhaps six or seven. The High Priestess commissioned an artist, and gave her freedom to paint something colorful and unique, something that would amuse me. I was permitted to watch, but at that age…” “Watching wasn’t enough,” I guessed, and he laughed. “The artist was on a ladder, and she had her palette with her, but she’d left the majority of her paints on the floor. I was into them before she could say a word, and I spread paint everywhere. In my hair, on my clothes, the floors, the wall where she was trying to create her masterpiece, everywhere.” He was reminiscing now instead of just telling me a story, seeing it unfold in his mind. “I’d forgotten, honestly forgotten, that I’d been told not to touch the paints. Nan was furious--we were supposed to go to a banquet that night and I’d--” “Nan?” I asked, and he tensed for a moment. “That’s what I used to call the High Priestess, when I was young.” Smiling at the idea, I nestled against him and said, “Go on.” He continued the story, and I listened contentedly, eventually falling asleep in his embrace.

At Coucy’s level, men and women hawked and hunted and carried a favorite falcon, hooded, on the wrist wherever they went, indoors or out—to church, to the assizes, to meals. On occasion, huge pastries were served from which live birds were released to be caught by hawks unleashed in the banquet hall.

Concert Hall versus Banquet Hall My friend Isaac Wardell, a pastor of worship and founder of Bifrost Arts, asks whether we think of gathered worship as being more like a concert hall or a banquet hall.6 If it’s a concert hall, we show up as passive observers and critics, eager to have the itches of our preferences and felt needs scratched. A banquet hall, by contrast, is a communal gathering. We come hungry and in community, ready to participate and share the experience with one another.

What I got out of church was a love of God, and a detestable feeling for the men standing in the way of Him—and the buffet in the banquet hall. Stand aside—I’m starving!

Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter. Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night. And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens. “…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…” Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice. “…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.” Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin. “There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.” “Because of meat.” “It’s for his tiger,” said the cook. Arin palmed his face, eyes squeezed shut. “Your tiger.” “He’s very particular,” said Roshar. “You can’t bring the tiger to the banquet.” “Little Arin has missed me. I will not be parted from him.” “Would you consider changing his name?” “No.” “What if I begged?” “Not a chance.” “Roshar, the tiger has grown.” “And what a sweet big boy he is.” “You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.

Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter. Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night. And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens. “…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…” Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice. “…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.” Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin. “There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.

The Bible tells the story of the Hebrew prophet Daniel, who was able to read mysterious words that appeared on the wall of the Babylonian king Belshazzar’s banquet hall during a rowdy feast. The words mene, mene, tekel, upharsin (“numbered, numbered, weighed, divided” in Aramaic) were unintelligible to all but Daniel, who warned the king that they foretold the fall of his kingdom. According to the story, Belshazzar was killed in a coup only hours later. Daniel had seen the “writing on the wall.

I am nothing is not gracious,' Ben replies lightly, and then watches the door to the banquet hall slam shut behind all of us.

Herodotus reported that it was the custom, towards the end of Egyptian feasts, when the revellers were at their most exuberant, for servants to march through the banqueting hall and among the tables carrying skeletons on stretchers.

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And meanwhile Nutmeg set about rustling up a celebratory feast from the odds and ends in her pantry. She made a salmon mousse, a saffron risotto, a fish pie, a hash, a cockroach roulade, a trifle, a chocolate mousse, and a sponge pudding with a jug of hot molasses sauce to pour on top. By the time she’d finished it was getting dark, so she served the meal by candlelight in the banqueting room. And she laid the table with all her best silver and crockery and damask table napkins.

Welcome to Hogwarts,’ said Professor McGonagall. ‘The start-of-term banquet will begin shortly, but before you take your seats in the Great Hall, you will be sorted into your houses. The Sorting is a very important ceremony because, while you are here, your house will be something like your family within Hogwarts. You will have classes with the rest of your house, sleep in your house dormitory and spend free time in your house common room. ‘The four houses are called Gryffindor, Hufflepuff, Ravenclaw and Slytherin. Each house has its own noble history and each has produced outstanding witches and wizards. While you are at Hogwarts, your triumphs will earn your house points, while any rule-breaking will lose house points. At the end of the year, the house with the most points is awarded the House Cup, a great honour. I hope each of you will be a credit to whichever house becomes yours. ‘The Sorting Ceremony will take place in a few minutes in front of the rest of the school. I suggest you all smarten yourselves up as much as you can while you are waiting.’ Her

THE MAIN THING I discovered: Valhalla needed GPS. Even Gunilla got turned around in the endless corridors, banquet halls, gardens, and lounges. At one point we were riding in a service elevator when Gunilla said, “Here’s the food court.” The doors opened and a wall of flames engulfed us both.

Jenny, of course, would gravitate immediately to the castle kitchens, domain of Master Chubb, Redmont’s head chef. He was a man renowned throughout the kingdom for the banquets served in the castle’s massive dining hall. Jenny loved food and cooking, and her easygoing nature and unfailing good humor would make her an invaluable staff member in the turmoil of the castle kitchens

Other than showing up in white tie and tails for the lavish awards ceremonies—the event is so fancy that even the traffic cops outside wear tuxedos, and the sterling silver laid out for the ensuing banquet is never used for any other function—a Nobel laureate’s only unavoidable duty during prize week is to deliver a lecture. Jack Kilby’s Nobel lecture in physics took place in a classically Scandinavian lecture hall, all blond wood and sleek modern furniture, on the campus of Stockholm University. Jack was introduced by a Swedish physicist who noted that “Dr. Kilby’s” invention had launched the global digital revolution, making possible calculators, computers, digital cameras, pacemakers, the Internet, etc., etc. Naturally, Jack wasn’t going to let that go unanswered. “When I hear that kind of thing,” he said, “it reminds me of what the beaver told the rabbit as they stood at the base of Hoover Dam: ‘No, I didn’t build it myself, but it’s based on an idea of mine.’” Everybody liked that joke, so Jack quickly added that he had borrowed the story from Charles H. Townes, an American who won the physics prize in 1964.

The crystal entrance of the banquet hall was fogged by a pattern of handprints arranged in a sort of herringbone. Above the doors, an arching pane of etched glass proclaimed the name of their destination: THE MINGLER. Adam whispered to Runa that "the Mingler" sounded like some back-alley fiend. Despite her black mood, Runa smirked, and replied that he wasn't exactly wrong about that. "It's a little bit like being strangled with small talk," she said.

Back in the banquet hall, gowns, beringed fingers, and flower petal perfumes spun around the room. Select ladies were called in to join the queen in a capricious tea where we all praised and offered veiled insults to one another until we were bloodied to a pulp by words and arrogance.

Then a powerful demon, a prowler through the dark, nursed a hard grievance. It harrowed him to hear the din of the loud banquet every day in the hall, the harp being struck and the clear song of a skilled poet telling with mastery of man’s beginnings,

If I'd known that insulting and threatening you would convince others of our agreement, I would've pulled a knife on you this morning in the banquet hall.

It gladdens me to know that Odin makes ready the benches for a banquet. Soon we shall be drinking ale from the curved horns. The champion who comes into Valhalla does not lament his death. I shall not enter his hall with words of fear upon my lips. The Æsir will welcome me. Death comes without lamenting. Eager am I to depart. The Valkyries summon me home. I laugh as I die.

We think when we go abroad we’ll be free, but we’re not. Wherever there are Chinese, it’s there, like a great hydra. Its tentacles stretch into student digs, university lecture halls, Chinese restaurants. All smiles, offering banquets and cash, it slips into foreign institutions. For Chinese there’s no escape. It’s in the food, in the tea, in the air. You find it in a nod or a whisper, a tap on the arm, a few careless words marked on your file in the Chinese Embassy. The Chinese Communist Party, the most powerful organization the world has ever known. Old stench in new bottles.

Guests came and went as they pleased, filling their gold-banded plates with hot breads, poached eggs on toast, smoked quail, fruit salad, and slices of charlotte russe made with sponge cake and Bavarian cream. Footmen crossed through the entrance hall as they headed outside with trays of coffee, tea, and iced champagne. Ordinarily this was the kind of event Cassandra would have enjoyed to no end. She loved a nice breakfast, especially when there was a little something sweet to finish off, and charlotte russe was one of her favorite desserts. However, she was in no mood to make small talk with anyone. Besides, she'd eaten far too many sweets lately... the extra jam tart at teatime yesterday, and all the fruit ices between dinner courses last night, and that entire éclair, stuffed with rich almond cream and roofed with a crisp layer of icing. And one of the little decorative marzipan flowers from a platter of puddings.

few people beat you to it, though. Looks like you’ll have to wait your turn.” Nicole clipped her name tag to her dress and looked across the banquet hall. The tight cluster of people was a giveaway that Quinn would be at its core. A broad smile rose from deep within Nicole as her heels clicked against the dated gray-and-green tile in a quickening rhythm. Her eyes were on the man in the tux. Every few seconds the position of someone in the group shifted and Nicole got a glimpse of Quinn. Gesturing.

Above the mud-colored carpets, wallpaper vines strangle the walls, here and there resulting in a salmon-colored tulip. There are fleets of staircases and elevators and floors large enough to simultaneously host several cathartic events. In another banquet hall, another wedding will run alongside ours. The plural of catharsis is catharses. The turnover is quick. Already, a lobby poster welcomes attendees of the following week’s conference that seems to be about technology and clouds.

We may plead for mercy for a lifetime in unbelief, and at the end of our days be still no more than sadly hopeful that we shall somewhere, sometime, receive it. This is to starve to death just outside the banquet hall in which we have been warmly invited. Or we may, if we will, lay hold on the mercy of God by faith, enter the hall, and sit down with the bold and avid souls who will not allow diffidence and unbelief to keep them from the feast of fat things prepared for them. Arise, my soul, arise; Shake off thy guilty fears; The bleeding Sacrifice In my behalf appears: Before the throne my Surety stands, My name is written on His hands. My God is reconciled; His pardoning voice I hear: He owns me for His child; I can no longer fear: With confidence I now draw nigh, And Father, Abba, Father, cry.

I feel like one Who treads alone Some banquet-hall deserted, Whose lights are fled, Whose garlands dead, And all but he departed! Thus, in the stilly night, Ere slumber’s chain has bound me, Sad memory brings the light Of other days around me. —THOMAS MOORE

heu, uatum ignarae mentes! quid uota furentem, quid delubra iuuant? est mollis flamma medullas interea et tacitum uiuit sub pectore uulnus. uritur infelix Dido totaque uagatur urbe furens, qualis coniecta cerua sagitta, quam procul incautam nemora inter Cresia fixit pastor agens telis liquitque uolatile ferrum nescius: illa fuga siluas saltusque peragrat Dictaeos; haeret lateri letalis harundo. nunc media Aenean secum per moenia ducit Sidoniasque ostentat opes urbemque paratam, incipit effari mediaque in uoce resistit; nunc eadem labente die conuiuia quaerit, Iliacosque iterum demens audire labores exposcit pendetque iterum narrantis ab ore. post ubi digressi, lumenque obscura uicissim luna premit suadentque cadentia sidera somnos, sola domo maeret uacua stratisque relictis incubat. illum absens absentem auditque uidetque, aut gremio Ascanium genitoris imagine capta detinet, infandum si fallere possit amorem. non coeptae adsurgunt turres, non arma iuuentus exercet portusue aut propugnacula bello tuta parant: pendent opera interrupta minaeque murorum ingentes aequataque machina caelo. (Alas, poor blind interpreters! What woman In love is helped by offerings or altars? Soft fire consumes the marrow-bones, the silent Wound grows, deep in the heart. Unhappy Dido burns, and wanders, burning, All up and down the city, the way a deer With a hunter’s careless arrow in her flank Ranges the uplands, with the shaft still clinging To the hurt side. She takes Aeneas with her All through the town, displays the wealth of Sidon, Buildings projected; she starts to speak, and falters, And at the end of the day renews the banquet, Is wild to hear the story, over and over, Hangs on each word, until the late moon, sinking, Sends them all home. The stars die out, but Dido Lies brooding in the empty hall, alone, Abandoned on a lonely couch. She hears him, Sees him, or sees and hears him in Iulus, Fondles the boy, as if that ruse might fool her, Deceived by his resemblance to his father. The towers no longer rise, the youth are slack In drill for arms, the cranes and derricks rusting, Walls halt halfway to heaven.) Book IV 65-89

A Reclusive Invitation by Stewart Stafford In a mansion crouched at the forest's edge, Gargoyles perched on a Jericho hedge, Lived Samuel Keane, with millions at least, Welcomed the locals to his Christmas feast. Self-imposed exile of wealth's solitary scene, On that evening, time for connection pristine, An alabaster white suit in a chessboard hall; Legions of armour and battle scars to recall. "Come, gather round, let camaraderie ignite! On Christmas Eve, a dream-come-true night!" Perkins, the grey butler, in reluctant festive red, Gestured them toward Keane's banquet spread. Their gracious host took his place at the end, A throne chair helped into place with a bend, Beaming, he clapped and food was brought in, To gasps and applause at the goblets of gin. A succulent feast at a baronial ball; Roasted goose, boar, a tall glass highball, Stories grew taller, just like each drink, Songs and jests sent them over the brink. Enjoyment and melody's atmosphere bright, Fleeting warmth shared in lush candlelight. Dawn looms, Les Misérables adore company: "Why does hangover guilt crave chablis?" A Father Christmas event once a year, Guests departed, a loud triple cheer, A fading smile of a host so grand, Adrift, nothing elaborate planned. The fireworks faded, the last ember died, Keane shut his mansion with secrets inside. A portcullis closed slowly on a seasonal high, A gothic arch door shut 'neath morning star sky. © 2024, Stewart Stafford. All rights reserved.