Bands Of Mourning Quotes

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It is easy to mourn the lives we aren't living. Easy to wish we'd developed other other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn't make and the work we didn't do the people we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy. We can't tell if any of those other versions would of been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on.
Matt Haig (The Midnight Library)
The difference between good and evil men is not found in the acts they are willing to commit—but merely in what name they are willing to commit them in.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Plan?” Marasi asked. “Not dyin’.” “Anything more detailed than that?” “Not dyin’ … today?
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
If you had to shoot a man, society had already failed.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
She assumes,” Wax said, “that our detective style isn’t normally the punchy-punchy, stabby-stabby type.” “To be fair,” Wayne said, “it’s usually a more shooty-shooty, whacky-whacky type.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Go,” Marasi said. “Do what you do best, Waxillium Ladrian.” “Which is what? Break things?” “Break things,” Marasi said, “with style.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I’m wondering if every person I pass has similar depths, and if there’s any way to avoid the mistake of judging them so shallowly that I’m rocked when they show their true complexity.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I learned how much power over a situation you gain when you decide that you don't care what others think of you.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
The definition of a lawman, Uncle, is easy,” Wax said, feeling blood from a dozen cuts trickle down his face. He lifted Suit by the front of his clothing, bringing him close. “He’s the man who takes the bullet so nobody else has to.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Wayne held back a smile, tucking it into his pocket for later use.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Of course I am,” Wax said. “This is my second marriage. I’m an old hand at the practice by now.” Wayne grinned. “Oh, is that how it works? ’Cuz in my experience, marryin’ is the one thing people seem to get worse at the more they do it. Well, that and bein’ alive.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
He grinned, then winked at her as the waiter finally stepped over. “You wanted—” the waiter began. “Liquor,” Wayne said. “Would you care to be a little more specific, sir?” “Lots of liquor.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
The law is there to keep us from ruining everyone else’s ability to explore. Without law, there’s no freedom.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I’ve got an idea,” Marasi said. “How crazy is it?” “Less crazy than tossing Wayne off a cliff.” “Not a high bar, but all right. How do we start?
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
A man found himself when he was alone. You only had one person to chat with, one person to blame.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
The Violins waltzed. The Cellos and Basses provided accompaniment. The Violas mourned their fate, while the Concertmaster showed off. The Flutes did bird imitations…repeatedly, and the reed instruments had the good taste to admire my jacket. The Trumpets held a parade in honor of our great nation, while the French Horns waxed nostalgic about something or other. The Trombones had too much to drink. The Percussion beat the band, and the Tuba stayed home playing cards with his landlady, the Harp, taking sips of warm milk a blue little cup. “But the Composer is still dead.
Lemony Snicket (The Composer Is Dead)
Holding your brain hostage against your own stupidity - that was how to get stuff done.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
He felt the comfort of being part of an eternal cycle symbolized by the gold strips on either side of the black mourning band he wore. Light, dark, light. The dark was just an interval.
Jack Campbell (Relentless (The Lost Fleet, #5))
Is that the constables?” Aunt Gin asked, sounding horrified. “Afraid so,” Wax said, pulling the door closed. The carriage lurched into motion, and Steris leaned out the window, waving farewell to the poor innkeeper. “Framed for murder!” Steris called to her. “It’s on page seventeen of the list I gave you! Try not to let them harass our servants too much when they arrive!
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Because people were people, and if there was one thing you could count on, it was that some of them would be weird. Or rather that all of them would be weird when circumstances happened to align with their own individual brand of insanity. That
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Whenever I’m thinkin’ my life is miserable, I remember him, and tell myself, ‘Well, Wayne. At least you ain’t a broke, dickless feller what can’t even pick his own nose properly.’ And I feels better.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Oh, my lord, I know it, I do.” The beggar laughed. “I own the place, technically. Now, regarding those coins for old Hoid, my good lord…
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
You can beat anybody, Wayne always said, so long as you don’t let them fight back properly.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Cuz in my experience, marryin’ is the one thing people seem to get worse at the more they do it. Well, that and bein’ alive.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
You bastard!” Wax shouted toward the box. “Now, now,” the box said. “That’s patently false, Waxillium. You have a very clear understanding of my parentage.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
You realize precisely how unfair it is to deal with you when you can fall back on heavenly messengers to talk you out of trouble?" "That's nothing," Wax said, "Ask me sometime about the conversation I had with god the last time I died.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I saw it in his eyes, first. That hunger, that fire. And then I found it in myself. He's a flame, Waxillium is, and fire can be shared. When I'm out here, when I'm with him, I burn, Marasi. It's wonderful.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
And then,” Steris said softly, “perhaps I came along because of the way it feels.…” Marasi looked sharply back at her sister. “Like the whole world has been upended,” Steris said, looking toward the ceiling. “Like the laws of nature and man no longer hold sway. They’re suddenly flexible, like a string given slack. We’re the spheres.… I love the idea that I can break out of it all—the expectations, the way I’m regarded, the way I regard myself—and soar. “I saw it in his eyes, first. That hunger, that fire. And then I found it in myself. He’s a flame, Waxillium is, and fire can be shared. When I’m out here, when I’m with him, I burn, Marasi. It’s wonderful.” Marasi’s jaw dropped, and she gawked at her sister. Had those words left Steris’s mouth? Careful, monotonous, boring Steris? She glanced toward Marasi and blushed. “You actually love him, don’t you?” Marasi asked. “Well, love is a strong emotion, one that requires careful deliberation to—” “Steris.” “Yes.” She looked down at her notebook. “It’s foolish, isn’t it?” “Of course it is,” Marasi said. “Love is always a foolish emotion. That’s what makes it work.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga.
Matt Haig (The Midnight Library)
You can’t just say ‘don’t be offended’ and then say something offensive, man! That’s not how it works.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Look who’s full of himself,” MeLaan said from her chair. “He’s always full of himself,” Wayne said, cracking a walnut. “Mostly on account of him eatin’ his own fingernails. I seen him do it.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Great. Lovely. Can I have your hat?” “My … hat?” The elderly woman looked up at the oversized hat. The sides drooped magnificently, and the thing was festooned with flowers. Like, oodles of them. Silk, he figured, but they were really good replicas. “You have a lady friend?” Aunt Gin asked. “You wish to give her the hat?” “Nah,” Wayne said. “I need to wear it next time I’m an old lady.” “The next time you what?” Aunt Gin grew pale, but that was probably on account of the fact that Wax went stomping by, wearing his full rusting mistcoat. That man never could figure out how to blend in.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Focus, Wayne,” Wax said. “How are we going to get in? Shall we try a Fat Belt?” “Nah,” Wayne said, “too loud. I think we should do Spoiled Tomato.” “Dangerous,” Wax said, shaking his head. “I’d have to do the placement just right, between the lit perimeter and the shadowed part near the walls.” “You can do it. You make shots like that all the time. Plus, we got this shiny new metalmind, full o’ health waitin’ to be slurped up.” “A mistake could ruin the whole infiltration, healing power or no,” Wax said. “I think we should do Duck Under Clouds instead.” “You kiddin’?” Wayne said. “Didn’t you get shot last time we tried that?” “Kinda,” Wax admitted. MeLaan stared at them, baffled. “Duck under Clouds?” “They get like this,” Marasi said, patting her on the shoulder. “Best not to listen too closely.” “Tube Run,” Wayne said. “No glue.” “Banefielder?” “Too dark.” “Blackwatch Doublestomp.” Wax hesitated. “… The hell is that?” “Just made it up,” Wayne said, grinning. “It’s a nifty code name though, eh?” “Not bad,” Wax admitted. “And what type of plan is it?” “Same as Spoiled Tomato,” Wayne said.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Don’t worry about that,” she said, spinning around. “I will get in, and be ready to give you support. But this is your play, Ladrian, not mine. You’re the detective; I’m just around for the punchy-punchy, stabby-stabby.” (...) “She assumes,” Wax said, “that our detective style isn’t normally the punchy-punchy, stabby-stabby type.” “To be fair,” Wayne said, “it’s usually a more shooty-shooty, whacky-whacky type.” Marasi rubbed her forehead. “Why are we having this conversation?” “Because we’re tired,” Wax said.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
And if they could shoot the rusting thing,” Wayne added, “the bullet would be small as a flea.” Marasi sighed. “Wayne, can’t you ever let a joke die?” “Hon, that joke started dead,” he said. “I’m just givin’ it a proper burial.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Can you beat them on your own? Marasi half whispered, half mouthed at Wayne. He grinned and mouthed back, Does a guy wif no hands got itchy balls?
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Well, I didn’t wanna kill someone in cold blood—” “That’s good, I suppose.” “—but there weren’t no fire around to light her with first.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
People,” Wax said, “are like cords, Steris. We snake out, striking this way and that, always looking for something new. That’s human nature, to discover what is hidden. There’s so much we can do, so many places we can go.” He shifted in his seat, changing his center of gravity, which caused the sphere to rotate upward on its tether. “But if there aren’t any boundaries,” he said, “we’d get tangled up. Imagine a thousand of these cords, zipping through the room. The law is there to keep us from ruining everyone else’s ability to explore. Without law, there’s no freedom. That’s why I am what I am.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Thank you again,” Wax said to her. “I still can’t believe you snuck a gun into the party.” “It’s only appropriate,” Steris said, “that you would make a smuggler out of me.” “Just as you try to make a gentleman out of me.” “You’re already a gentleman,” Steris said. Wax looked down at her as she held to him while trying to stare in every direction at once. He suddenly found something burning in him, like a metal. A protectiveness for this woman in his arms, so full of logic and yet so full of wonder at the same time. And a powerful affection. So he let himself kiss her. She was surprised by it, but melted into the embrace. They started to drift sideways and arc downward as he lost his balance on his anchors, but he held on to the kiss, letting them slip back down into the churning mists.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I don’t want a chance, Wayne. He’s made his decision.” “Now, what kinda talk is that?” he demanded. “You’ve given up? Is that how the Ascendant Warrior was? Huh?” “No, in fact,” Marasi said. “She walked up to the man she wanted, slapped the book out of his hand, and kissed him.” “See, there’s how it is!” “Though the Ascendant Warrior also went on and murdered the woman Elend was planning to marry.” “What, really?” “Yeah.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I’m not some tortured, abandoned creature, Wayne,” Marasi said, finding herself smiling at her distorted reflection in a ladle. “I’m not sitting around pining and dreaming for someone else to decide if I should be happy. There’s nothing there. Whether that’s due to actual lack of affection on his part, or more to stubbornness, I don’t care. I’ve moved on.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Oi,” Wayne said, hustling up beside him. “A good plan that one was, eh?” “It was the same plan you always have,” Wax said. “The one where I get to be the decoy.” “Ain’t my fault people like to shoot at you, mate,” Wayne said as they reached the coach. “You should be happy; you’re usin’ your talents, like me granners always said a man should do.” “I’d rather not have ‘shootability’ be my talent.” “Well, you gotta use what you have,” Wayne said, leaning against the side of the carriage as Cob the coachman opened the door for Wax. “Same reason I always have bits of rat in my stew.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
You actually love him, don’t you?” Marasi asked. “Well, love is a strong emotion, one that requires careful deliberation to—” “Steris.” “Yes.” She looked down at her notebook. “It’s foolish, isn’t it?” “Of course it is,” Marasi said. “Love is always a foolish emotion. That’s what makes it work.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
He put the fork, knife, and spoon back in his pocket and tucked the flower behind his ear, then walked to the door, reaching it right before that butler did. He gave the man a glare—it was only a matter of time before he cracked and tried to kill them all—then pulled open the door. (...) “Nice flower,” the kandra said. “Can I have your skeleton when you’re dead?” “My…” Wayne felt at his head. “You’re a Bloodmaker, correct? Can heal yourself? Bloodmaker bones tend to be particularly interesting, as your time spent weak and sickly creates oddities in your joints and bones that can be quite distinctive. I’d love to have your skeleton. If you don’t mind.” Taken aback by this request, Wayne stopped in place. Then he ran past him, pushing into the room where Wax and Steris were talking. “Wax,” he complained, pointing, “the immortal bloke is being creepy again.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Because people were people, and if there was one thing you could count on, it was that some of them would be weird. Or rather that all of them would be weird when circumstances happened to align with their own individual brand of insanity.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
But I still feel that I was basically luggage for most of the trip.” He shrugged. “Steris, I think we’re all like that. Shuffled from place to place by duty, or society, or God Himself. It seems like we’re just along for the ride, even in our own lives. But once in a while, we do face a choice. A real one. We may not be able to choose what happens to us, or where we’ll stop, but we point ourselves in a direction.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
A man doesn’t have to like his duty. He just has to do it.” She
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Time to think like a guard. It was hard, as he didn’t have a guard’s hat.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Heavens, no," Wax said. "If I approved of half the thngs Wayne does, Harmony would probably strike me on the spot.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
He felt an immediate spike of panic—which he shot in the head and dumped in a lake.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
There’s always another perspective, if you look hard enough.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I have to.” “Do you?” “I have to. It’s who I am.” “Then perhaps,” Harmony said, “you should stop hating that, my son.” He extended the hand. ~Bands of Mourning by Brandon Sanderson
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
(...). You’re good at these things, Steris. You really are—and don’t give me any more of your rhetoric about being ‘boring.’” Her expression grew distant. “In this case, it’s not that I’m boring, it’s more that … I’m off. I’ve learned to fake being normal, but lists of prepared comments and jokes can only take me so far. People can sense that I’m not being authentic—that I don’t like the things they like or think the way they do. Sometimes it amazes me that people like Wayne, or even those kandra, can be so startlingly human when I feel so alien.” He wished he could figure out how to keep her from saying things like that. He didn’t know the right words; every time he tried to argue the point, it only seemed to make her withdraw.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Now, no complaining, Waxillium. It will help. I’ve put the list in this little book,” Steris said, producing a palm-sized notebook, “for ease of reference. Each page contains a conversation opener, indexed to the people it will likely work best upon. The numbers below list ways you could segue the conversation into useful areas and perhaps figure out what our targets are up to, and what their connection is to the Bands of Mourning.” “I’m not socially incompetent, Steris,” Wax said. “I can make small talk.” “I know that,” Steris said, “but I’d rather avoid an incident like the Cett party.…” “Which Cett party?” “The one where you head-butted someone.” He cocked his head. “Oh, right. That smarmy little man with the ridiculous mustache.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
How did they decide what was valuable? Did they all just gather together, sit around in their suits and gowns, and say, “Oi. Let’s start eatin’ fish eggs, and make the stuff real expensive. That’ll rust their brains, it will.” Then they’d have a nice round of rich folks’ laughter and throw some servants off the top of a building to see what kind of splats they’d make when they hit.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
It was a boat. Of course, the common word “boat” didn’t do the thing justice. Wayne stared at the massive construction, searching for a better description. One that would capture the majesty, the incredible scale, of the thing he was seeing. “That’s a damn big boat,” he finally whispered.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Did people what got killed in a flood expect an apology from God? God did as God wished. You simply hoped to not get on His worse side. Kinda like the bouncer at the club with the pretty sister.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
It’s been a long day. I got shot at, got a water tower dumped on my head, and had my wedding fall apart. Now Wayne is dropping broken walnut shells all over my chair. Honestly, I think I just need a drink.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Moved on…” he said. “Rusted nuts! You can do that?” “Certainly.” “Huh. You think … I should … you know … Ranette…” “Wayne, if ever someone should have taken a hint, it was you. Yes. Move on. Really.” “Oh, I took the hint,” he said, taking a swig of sherry. “Just can’t remember which jacket I left it in.” He looked down at the jug. “You sure?” “She has a girlfriend, Wayne.” “’S only a phase,” he mumbled. “One what lasted fifteen years.…
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Like I said,” MeLaan said. “He’s set it up so that you have no choice—so far as you see it.” “You see it differently?” “I’ve been a lot of people, Ladrian. Seen through a lot of eyes. There’s always another perspective, if you look hard enough.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Steris,” he whispered, “I’ve been considering how to proceed once we decide how to infiltrate. I’ve thought about bringing you in with us, and I just don’t see that it’s feasible. I think it would be best if you stayed and watched the horses.” “Very well.” “No, really. Those are armed soldiers. I can’t even fathom how I’d feel if I brought you in there and something happened. You need to stay out here.” “Very well.” “It isn’t subject to—” Wax hesitated. “Wait. You’re all right with this?” “Why wouldn’t I be?” she asked. “I barely have any sense of where to point a gun, and have hardly any capacity for sneaking—that’s really quite a scandalous talent if you think about it, Lord Waxillium. While I do believe that people tend to be safest when near you, riding into an enemy compound is stretching the issue. I’ll stay here.” Wax grinned in the darkness. “Steris, you’re a gem.” “What? Because I have a moderately healthy sense of self-preservation?” “Let’s just say that out in the Roughs, I was accustomed to people always wanting to try things beyond their capacity. And they always seemed determined to do it right when it was the most dangerous.” “Well, I shall endeavor to stay out of sight,” Steris said, “and not get captured.” “I doubt you need to worry about that all the way out here.” “Oh, I agree,” she said. “But that is the sort of statistical anomaly that plagues my life, so I’ll plan for it nonetheless.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
You know,” Wayne said, “I’m an Allomancer too.” The man said nothing. “I figured you’d want to know,” Wayne said, “since it seems like this is your religion and all. In case you wanted someone else to worship.” Again no reply. “I’m a Slider,” Wayne said. “Speed bubbles, you know? Those fancy titles would work for me just fine, I think. Handsome One. Smart One. Um … Guy wif the Great Hat.” The only sound was that of their footfalls and the gusting wind. “Now, see,” Wayne said, “this is unfair. Wax doesn’t want you to worship him, right? But you gotta have someone to worship. It’s human nature. It’s ingratiated in us. So, I’m willin’ to be accommodatin’ and let you—” “He can’t understand you, Wayne,” Marasi said, marching past. “He’s swapped metalminds to keep himself warm.” Wayne stopped in place as they all hiked onward. “Well, when he gets his brain back, someone tell him I’m a god, all right?” “Will do,” Wax called from up ahead.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
She sat for a moment, feeling the rhythmic rattle of the train’s motion. “Does it ever bother you to be in his shadow, Wayne?” “Who? Wax? I mean, he’s been putting on weight, but he’s not that fat yet, is he?” He grinned, though that faded when she didn’t smile back. And, in an uncharacteristic moment of solemnity, he slid his boots off the table and rested one elbow on it instead, leaning toward her. “Nah,” he said after some thought. “Nah, it doesn’t. But I don’t care much if people look at me or not. Sometimes my life is easier if they ain’t looking at me, ya know? I like listening.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)
We both know the kandra wanted him on this mission, and they arranged the meeting with me to try to hook him. At the precinct, when I accomplish something, everyone assumes I had Waxillium’s help. Sometimes it’s like I’m no more than an appendage.” “You’re not that at all, Marasi,” Wayne said. “You’re important. You help out a lot. Plus you smell nice, and not all bloody and stuff.” “Great. I have no idea what you just said.” “Appendages don’t smell nice,” Wayne said. “And they’re kinda gross. I cut one outta a fellow once.” “You mean an appendix?” “Sure.” He hesitated. “So…” “Not the same thing.” “Right. Thought you was makin’ a metaphor, since people don’t need one of those and all.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
A man doesn’t have to like his duty. He just has to do it.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
A man found himself when he was alone. You only had one person to chat with, one person to blame. He
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Gotta grow up sometime, right? I’ve found that … well, a man wantin’ something don’t make it true, you know?” Ranette
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
An awed voice in the back of his mind whispered, They’re all the same. Metal, minds, men, all the same substance.…
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Never’ is a word youths often use,” Grandmother said, sipping her tea, “but rarely understand.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
What was the purpose, then, of everything they taught in here? If it couldn't prevent men from acting like monsters?
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Don’t you ever feel like you never actually grew up? That everyone else did, but you’re secretly faking
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Any window opens,” Wayne said, “if you push hard enough.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Didn’t say a word, Wayne.” “You implied one. That’s worse.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Before I learned how much power over a situation you gain when you decide that you don’t care what others think of you.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
You're the detective, I'm just around for the punchy-punchy, stabby-stabby.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Holding your brain hostage against your own stupidity—that was how to get stuff done.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I can’t do the same,” she said. “I remember being a child, and assuming the world belonged to me. That I’d be able to seize it when I grew older, accomplish my dreams, become something great. Yet as I’ve aged, I feel like less and less is under my control. I can’t help thinking it shouldn’t be that way. How could I have been so in control as a youth, yet often feel so helpless as an adult?
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
So far as he was concerned, this had been a bang-up night. Dynamite, a nice brawl, free brandy, and getting to scare the piss out of someone. It was the simple things that made his life worth living.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I’ve learned to fake being normal, but lists of prepared comments and jokes can only take me so far. People can sense that I’m not being authentic—that I don’t like the things they like or think the way they do.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
A walnut bounced off VenDell’s head. He immediately turned to glare at Wayne. “Sorry,” Wayne said. “Just had trouble believing someone could be so melodramatic, so I figured you might not be real. Hadda check, ya know?
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I'm not the Ascendant Warior, Wayne,' she said. 'And I don't particularly care to be. I don't want someone I have to convince, someone I have to rope into submission. That sort of thing is for the courtroom, not the bedroom.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
There is something beyond. Though perhaps my belief is merely my own desire wishing it to be so." "You are not encouraging me. Aren't You omnipotent?" "Hardly," Harmony said, smiling. "But I believe that parts of me could be.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Of course, the common word “boat” didn’t do the thing justice. Wayne stared at the massive construction, searching for a better description. One that would capture the majesty, the incredible scale, of the thing he was seeing. “That’s a damn big boat,” he finally whispered. Much better.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
You want gruesome? She also supposedly ripped out the Lord Ruler’s insides. I’ve seen it depicted in several illuminated manuscripts.” “Kind of graphic for a religious-type story.” “Actually, they’re all like that. I think they have to put in lots of exciting bits to make people read the rest.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Not that he was a fool. No, the book was full of insight. Disturbing insight. The Lord Mistborn advocated gathering the Metalborn who were elderly or terminally ill, then asking them to sacrifice themselves to make these … spikes, which could in turn be used to create individuals of great power.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
And where do I hold back, Waxillium? Do I prevent all wounds, or do I prevent only those caused by people? Do I stop a man from falling asleep so that he will not tip a candle and burn down his house? Do I stop all harm that could ever befall a person?" "Maybe." "And once nobody is ever hurt," Harmony said, "will people be satisfied? Will they not pray to me and ask for more? Will some people still curse and spit at the sound of my name because they are poor, while another is rich? Should I mitigate this, make everyone the same, Waxillium?" "I won't get caught in this trap," Wax said. "You're the God, not me. You can find a line where You prevent the worst. You can find a line where You're stopping the worst that is reasonable, while still letting us live our lives." [...] "Perhaps," Harmony said softly, "I have already done just as you suggest. You do not see it, because the worst never reaches you.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
All right, see,” Wayne said, “I’ve got it figured out. I’m gonna be a rich fellow. Made loads off of the sweat and blood o’ lesser men. Only I won’t say it like that, ’cuz I’ll be in character, you see.” “Is that so?” Marasi said, starting up the steps. “Yup,” Wayne said, joining her. “Even brought me fancy hat.” He held up a top hat and spun it on his finger. “That hat belongs to Waxillium.” “No it don’t,” Wayne said, putting it on. “I gave ’im a rat for it.” “A … rat?” “Minus the tail,” Wayne said. “On account of this hat bein’ kinda dusty when I took it. Anyway, I’ll be the rich fellow. You be my younger brother’s daughter.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
We need a distraction, an excuse to leave. Something believable, but not too disconcerting … What is that?” Steris had removed a small vial of something from her purse. “Syrup of ipecac and saltroot,” she said. “To induce vomiting.” He blinked in shock. “But why…” “I had assumed they might try to poison us,” Steris said. “Though I considered it only a small possibility, it’s best to be prepared.” She laughed uncomfortably. Then she downed the whole thing. Wax reached for her arm, but too late. He watched in horror as she stoppered the empty vial and tucked it into her purse. “You might want to get out of the splash radius, so to speak.” “But … Steris!” he said. “You’ll end up humiliating yourself.” She closed her eyes. “Dear Lord Waxillium. Earlier, you spoke of the power of not caring about what others thought of you. Do you remember?” “Yes.” “Well, you see,” she said, opening her eyes and smiling, “I’m trying to practice that skill.” She proceeded to vomit all over the table.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Wayne liked how banks worked. They had style. Many people, they’d keep their money out of sight, hidden under beds and some such. What was the fun of that? But a bank … a bank was a target. Building a place like this, then stuffing it full of cash, was like climbing atop a hill and daring anyone who approached to try to knock you off.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
But … Steris!” he said. “You’ll end up humiliating yourself.” She closed her eyes. “Dear Lord Waxillium. Earlier, you spoke of the power of not caring about what others thought of you. Do you remember?” “Yes.” “Well, you see,” she said, opening her eyes and smiling, “I’m trying to practice that skill.” She proceeded to vomit all over the table. *
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Gettin’ old,” Wayne said with a grin, passing him and starting up the next ladder. “Don’t be dense,” Wax said, grabbing the ladder below him and climbing. “I’m trying to pace myself. What if we reach the top and have to fight?” “You can throw your wooden teeth at ’em,” Wayne said from above. “Do some cane waggin’ as well. I’m sure you’re cross about stayin’ up so late.” Wax
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Wayne was awakened quite rough-like, in a manner unbefitting his grand dreams, in which he was king of the dogs. Had a crown shaped like a bowl and everything. He blinked his eyes, feeling nice and warm, and got hit with a blast of air. Drowsy, he remembered he was flying in some kind of rusting airship with a fellow what had no face. And that was almost as good as that dog thing.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
The door to the adjoining suite slammed open. “Hello, humans,” MeLaan said, stepping into the doorway wearing nothing more than a tight pair of shorts and a cloth wrapped around her chest. “I need to put on something appropriate for tonight. What do you think? Large breasts? Small breasts? Extra-large breasts?” Everybody in the room paused, then turned toward her. “What?” MeLaan said. “Picking a proper bust size is vital to a lady’s evening preparations!
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Elizabeth smiled warmly. "For you I will allow it, Mr. Trask. How is your wife, sir? Still putting up with you, or has she finally come to her senses and run away?" Trask laughed, slapping his knee. "I see married life has not tamed that wit of yours, Miss Elizabeth! Well done! Your poor hus- band, to be saddled with such a wench!" Lizzy assumed a mournful face. "Yes, it is a tragic affair. It is merely a matter of time ere a cell at Bedlam will be his home.
Sharon Lathan (Loving Mr. Darcy: Journeys Beyond Pemberley (Darcy Saga #2))
He gestured at me. “Do you like the blanket?” I nodded. “It’s warm.” “I made it. Well, actually, I didn’t skin the animal, but I did kill it….after the others pinned it down. It’s werewolf skin.” My heart faltered; I gripped at a wad of black fur. “I slayed the beast for you, Catherine. I used your sword. It was your grandmother’s idea actually, a wedding present. You mentioned how chilly you get.” “You didn’t slay a werewolf,” I breathed before repeating the words louder. “You did not slay a werewolf, Thaddeus.” “Oh, but I did. I took a band of huntsman with me and we tracked one down. A smaller one, mind you, not far from the front gate…” “You did not!” I contended more strongly. Why would one wolf have separated from the pack? Why outside our walls? “Yes, Catherine, I did,” he insisted. I shook my head disbelieving. “You’re not capable—” “I am so.” I wanted to cry. I wanted to protest, but to do so meant giving away my knowledge of the truth. Without knowing what else to do or say I changed the subject. “The fire’s gone out.” Thaddeus turned his head to check. “You’re right. I’ll see to it.” He fed the barrel stove until a healthy blaze was roaring. Finding me no longer a decent conversationalist, Thaddeus left with a promise to return soon with food and water. Unobserved, I gathered up the fur hide of a lost soul and curled into a ball, hugging it close to my chest. I cried silent tears and mourned for this unknown werewolf for days.
Richelle E. Goodrich (The Tarishe Curse)
Dance with me', he says. There is a longing in his voice, and loss, and she thinks, perhaps, it is the end, of this, of them. A game finally played out. A war with no winners. And so she agrees to dance. There is no music, but it does not matter. When she takes his hand, she hears the melody, soft and soothing in her head. Not a song, exactly, but the sound of the woods in summer, the steady hush of the wind through the fields. And as he pulls her close, she hears a violin, low and mournful, along the Seine. His hand slides through hers, and there is the steady murmur of the seaside. The symphony soaring through Munich. Addie leans her head against his shoulder, and hears the rain falling in Villon, the brass band ringing in an L.A. lounge, and the ripple of a saxophone thorugh the open windows on Bourbon.
V.E. Schwab
What's that?" he asked. "A balance sheet," I said. "To keep track of your payments." He asked whether Pop had written it or me. When I answered truthfully, he handed the paper back like the useless thing it was. "Thank you," he said. "I won't be needing this." Which took me by surprise and set me stammering how it was proof he was making his payments, and how he should take it because it was the right and proper way to do business. "The rules aren't the same for me as they are for you," Joseph replied, shaking his head. "Don't you know that, Will?" Which put my nose out of joint so bad that I told him he was being rude, and that I was only trying to do him a favor at no small risk to myself. Joseph's face went blank as the cloudless sky overhead. He eyed the receipt. Said, "Thank you, Mr. William. But I can't accept." And got back on his bicycle. "That all you got to say?" I near shouted, frustrated at how easily he'd turned my good intentions into a fool's errand. And the quickest flash of hate you ever did see danced across the dark of his eyes. I stood there, feeling awkward and a fool. Joseph put one foot on a pedal and said, real quiet, "If you'll excuse me, I've a funeral to attend." Only then did I notice the band of mourning black around his upper arm. "Who died?" I asked stupidly. Joseph's eyes were flat. "Nobody important, Mr. William. Only a Negro boy like me.
Jennifer Latham (Dreamland Burning)
It is easy to mourn the lives we aren't living. Easy to wish we'd developed other other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn't make and the work we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy. We can't tell if any of those other versions would of been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can't visit every place or meet every person or do every job, yet most of what we feel in any other life is still available. We don't have to play every game to know what winning feels like. We don't have to hear every piece of music in the world to understand music. We don't have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savor the taste of the drink in front of us and listen to the song as it plays.
Matt Haig (The Midnight Library)
It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever.
Matt Haig (The Midnight Library)