Baltimore Quotes

We've searched our database for all the quotes and captions related to Baltimore. Here they are! All 100 of them:

I would never want to live anywhere but Baltimore. You can look far and wide, but you'll never discover a stranger city with such extreme style. It's as if every eccentric in the South decided to move north, ran out of gas in Baltimore, and decided to stay.
John Waters (Shock Value: A Tasteful Book about Bad Taste)
D.C., Baltimore, Philadelphia, Austin... and you. I'll be there soon.
Sarah Dessen (This Lullaby)
To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The nakedness is not an error, nor pathology. The nakedness is the correct and intended result of policy, the predictable upshot of people forced for centuries to live under fear.
Ta-Nehisi Coates (Between the World and Me)
I loved going to the library. It was the first time I ever saw Black newspapers and magazines like JET, Ebony, the Baltimore Afro-American, or the Chicago Defender. And I’ll never forget my librarian.
John Lewis (March: Book One (March, #1))
My hobby is extreme Catholic behavior -- BEFORE the Reformation.
John Waters
This bulletin brought to you from the Department of Duh.
K.A. Mitchell (Bad Company (Bad in Baltimore, #1))
Sometimes the most worthwhile things are right in front of our eyes. We just make them hard because we think that gives them more value.
Karen Rose (Did You Miss Me? (Romantic Suspense, #14; Baltimore, #3))
Can I really be Neil again?" "I told Neil to stay," Andrew said. "Leave Nathaniel buried in Baltimore with his father.
Nora Sakavic (The King's Men (All for the Game, #3))
My favourite characters are people who think they’re normal but they’re not. I live in Baltimore, and it’s full of people like that. I’ve also lived in New York, which is full of people who think they’re crazy, but they’re completely normal. I get my best material in Baltimore – you get dialogue that you just couldn’t imagine. I asked this guy in a bar what he did for a living and he said he traded deer meat for crack. I never realised that job even existed. You could make a whole movie about that person. And he was kind of cute too, if you could ignore his eyes rolling around his head. Although I did crack once, accidentally, and I thought: Oh my God, what, am I gonna rob my parents now? I prefer poppers – they’re legal in London, right? I used to do them on roller coasters. They’re illegal in Provincetown, which is the gay fishing village where I live in the summer. In the airport there are signs warning you to get rid of your poppers.
John Waters
Once upon a time Baltimore was necessary.
Gertrude Stein
Dream dreams that no one ever dared to dream before.
Benjamin Franklin Fisher IV (Myths and Reality: The Mysterious Mr. Poe)
Baltimore is warm but pleasant... I belong here, where everything is civilized and gay and rotted and polite.
F. Scott Fitzgerald
So, how'd you know about this place?" "One of my buddies is from Baltimore area - I texted him." "Saying what? 'Hey dude, know any secluded places?' He probably thinks you're a serial killer." "I think I said 'romantic and private'.
Emery Lord (Open Road Summer)
When I get to the end of my life, I want to be able to look back and know that my being here made things better - Daphne
Karen Rose (Did You Miss Me? (Romantic Suspense, #14; Baltimore, #3))
I can’t believe I’ve missed this sport. It’s all about fingering holes and caressing balls.
K.A. Mitchell (Bad Boyfriend (Bad in Baltimore, #2))
Lucy,' he murmured, 'you have some splainin' to do.
Karen Rose (You Belong to Me (Romantic Suspense, #12; Baltimore, #1))
Alex said. “This is Medina Station under occupation by a bunch of splinter Martian military expats. It’s not Baltimore.” Amos’ smile was as placid as always. “Everywhere’s Baltimore.
James S.A. Corey (Persepolis Rising (The Expanse, #7))
The meek shall inherit the earth” meant nothing to me. The meek were battered in West Baltimore, stomped out at Walbrook Junction, bashed up on Park Heights, and raped in the showers of the city jail. My understanding of the universe was physical, and its moral arc bent toward chaos then concluded in a box.
Ta-Nehisi Coates (Between the World and Me)
The killing fields of Chicago, of Baltimore, of Detroit, were created by the policy of Dreamers, but their weight, their shame, rests solely upon those who are dying in them. There is a great deception in this. To yell “black-on-black crime” is to shoot a man and then shame him for bleeding.
Ta-Nehisi Coates (Between the World and Me)
Murder often doesn't unsettle a man. In Baltimore, it usually doesn't even ruin his day.
David Simon (Homicide: A Year on the Killing Streets)
You take a dick and you get it wet and then you put it someplace tight—
K.A. Mitchell (Bad Company (Bad in Baltimore, #1))
Todo el mundo es diferente, Markie, y puede que ese sea el secreto de la felicidad: estar en paz con lo que eres.
Joël Dicker (El libro de los Baltimore)
The problem was that such simple, ordinary bliss seldom formed memories. It was too smooth and silken to adhere. It was the bad stuff, ragged and uneven, that caught, like all those plastic grocery bags stuck in the trees of Baltimore.
Laura Lippman (Life Sentences)
...Baltimore. It's imperfect. Boy, is it imperfect. And there are parts of its past that make you wince. It's not all marble steps and waitresses calling you 'hon,' you know. Racial strife in the sixties, the riots during the Civil War. F. Scott Fitzgerald said it was civilized and gay, rotted and polite. The terms are slightly anachronistic now, but I think he was essentially right.
Laura Lippman (Hardly Knew Her)
White supremacy is a black person telling the people of Baltimore to chill out and try peace, thinking they came up with that thought all on their own.
Darnell Lamont Walker
I've never heard anyone come back from downtown Baltimore waxing poetic about the authenticity of poverty.
Lisa Samson (The Sky Beneath My Feet)
His free papers named him Kojo Freeman. Free man. Half the ex-slaves in Baltimore had the name. Tell a lie long enough and it will turn to truth.
Yaa Gyasi (Homegoing)
He cleared his throat. “One good thing about the range, Starling, is there’s no politics out there.” “No?” “You were right to secure that garage up at Baltimore there. You worried about the TV?
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
It's nice when grown people whisper to each other under the covers. Their ecstasy is more a leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavour would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher's palm asking for witnesses in His name's sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don't have to look at themselves anymore; there is no stud's eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers.
Toni Morrison (Jazz (Beloved Trilogy, #2))
You get up every morning then life happens to you. You just have to have the right stuff to get through it.
K.A. Mitchell (Bad Company (Bad in Baltimore, #1))
Me guardo rencor por no haberme acordado lo suficiente de lo efímeras que son las madres y de no haberme repetido más a menudo: quiere a tu madre.
Joël Dicker (El libro de los Baltimore)
¡Sueña, y sueña a lo grande! Solo sobreviven los sueños más grandes. A los otros los borra la lluvia y los arrastra el viento.
Joël Dicker (El libro de los Baltimore)
A curse. Been in our family for generations. The Lees have always been perverts. I shall never forget the unspeakable horror that froze the lymph in my glands when the baneful word seared my reeling brain—I was a homosexual. I thought of the painted simpering female impersonators I'd seen in a Baltimore nightclub. Could it be possible I was one of those subhuman things? I walked the streets in a daze like a man with a light concussion. I would've destroyed myself. And a wise old queen—Bobo, we called her—taught me that I had a duty to live and bear my burden proudly for all to see. Poor Bobo came to a sticky end - he was riding in the Duke Devanche's Hispano Suissa when his falling hemorrhoids blew out of the car and wrapped around the rear wheel. He was completely gutted leaving an empty shell sitting there on the giraffe skin upholstry. Even the eyes and the brain went with a horrible "shlupping" sound. The Duke says he would carry that ghastly "shlup" with him to his mausoleum.
William S. Burroughs (Queer)
Far beneath the rusty Baltimore dawn, stirrings in the maximum security ward. Down where it is never dark the tormented sense beginning day as oysters in a barrel open to their lost tide. God’s creatures who cried themselves to sleep stirred to cry again and the ravers cleared their throats.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
So does that mean if you won’t fuck me because I’m high, I could fuck you because you’re not?
K.A. Mitchell (Bad Company (Bad in Baltimore, #1))
If the Gods are fucking you, you find a way to fuck them back. It's Baltimore, gentlemen; the Gods will not save you
Ervin H. Burrell
If a drug dealer falls in West Baltimore and no one is there to hear him, does he make a sound?
David Simon
And by focusing on the character of the victim, we inadvertently take the focus off the powerful and instead train our eyes and judgment on the powerless.
Wesley Lowery (They Can't Kill Us All: Ferguson, Baltimore, and a New Era in America’s Racial Justice Movement)
...I found myself surrounded by people--starting with my mom, grandparents, uncles, and aunts, and leading to a string of wonderful role models and mentors--who kept pushing me to see more than what was directly in front of me, to see the boundless possibilities of the wider world and the unexplored possibilities within myself. People who taught me that no accident of birth--not being black or relatively poor, being from Baltimore or the Bronx or fatherless--would ever define or limit me.
Wes Moore (The Other Wes Moore: One Name, Two Fates)
It must be nice to be so strong and to think it's because you're so good, that you live right and eat right, so you deserve your health and happiness. But there is such a thing as luck, and there's more bad luck than good in this world.
Laura Lippman (Baltimore Blues (Tess Monaghan, #1))
I still feel at home in Baltimore in a way I will never feel anywhere else—part of the definition of home being a place you don’t belong anymore.
Tim Kreider
John Updike, in that book you gave me, he said the dead make space. Do you know what I think? Updike doesn't know dick about what it's like to be a homicide cop in Baltimore.
Laura Lippman (The Sugar House (Tess Monaghan, #5))
Going to live at Baltimore laid the foundation, and opened the gateway, to all my subsequent prosperity.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Baltimore's slogan was 'The City that Reads', but like the rest of its one million or so inhabitants Lori knew that was a pipedream; the city had one of the lowest literacy rates in the country, and along with illiteracy went a lack of morals.
Stephen Leather (The Birthday Girl)
Blue had once intercepted a set of e-mails on her mother’s computer; one of Maura’s male clients had ardently begged Maura to bring Blue “and whatever else you cannot live without” to his row house in Baltimore. In the reply, Maura had sternly informed him that this was not a possibility, for many reasons, chief of which that she would not leave Henrietta and least of which that she didn’t know if he was an ax murderer. He had e-mailed back only a sad-face smiley. Blue always wondered what became of him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Warning: Contains old friends, old enemies, a dramatic cat rescue, soft drink references and a lot of teasing before the steamy sex. Readers are cautioned against drinking any beverage while reading to avoid accidental snorting or spraying of said beverages.
K.A. Mitchell (Bad Company (Bad in Baltimore, #1))
Because of this history, black residents near Hopkins have long believed the hospital was built in a poor black neighborhood for the benefit of scientists—to give them easy access to potential research subjects. In fact, it was built for the benefit of Baltimore’s poor.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
Just so you know, it makes no difference to me either way," Matt said, "except I would have seriously judged your taste a couple days ago." Neil assumed Andrew's territorial streak in Baltimore had a lot to do with Matt's change of heart. "Did he really choke Kevin?" "Took three of us to pull him off," Matt said. Neil didn't know what to say to that.
Nora Sakavic (The King's Men (All for the Game, #3))
Sogna - e sogna in grande! Solo i sogni più grandi sopravvivono. Gli altri sono cancellati dalla pioggia e spazzati via dal vento.
Joël Dicker (Le Livre des Baltimore (Marcus Goldman, #2))
Le tragedie sono inevitabili. In fondo, non hanno molta importanza. Ciò che conta è riuscire a superarle.
Joël Dicker (Le Livre des Baltimore (Marcus Goldman, #2))
Virginians don’t belong in Maryland for the same reason Marylanders don’t belong in Virginia. When we meet, it should be in DC where everyone is the same kind of nasty: feds.
Ian Kirkpatrick (Bleed More, Bodymore)
Molti di noi cercano di dare un senso alla propria vita, ma la nostra vita ha un senso solo se siamo capaci di raggiungere questi tre traguardi: amare, essere amati e saper perdonare.
Joël Dicker (Le Livre des Baltimore (Marcus Goldman, #2))
Andrew's bare feet were silent against the carpet, but Neil saw a blur of colors on the fogged-up mirror and turned. Andrew studied his chest with a bored look, but the fingers he pressed to Neil's scars were a heavy and lingering weight. Neil waited to see if he had anything to say, but Andrew hadn't spoken to anyone since they checked out of the hotel in Baltimore. Neil doubted the others had noticed, since Andrew rarely talked to even Kevin or Nicky now that he was sober, but Neil wasn't used to the silent treatment. "Hey," Neil said, just to make Andrew look up at him. Neil leaned in to kiss him, needing to know if Andrew would lean away or push him back. Instead Andrew opened his mouth to Neil without hesitation and slid his hand up Neil's chest to his throat.
Nora Sakavic (The King's Men (All for the Game, #3))
I hear of a convention to be held at Baltimore, or elsewhere, for the selection of a candidate for the Presidency, made up chiefly of editors, and men who are politicians by profession; but I think, what is it to any independent, intellegent, and respectable man what decision they may come to? Shall we not have the advantage of his wisdom and honesty, nevertheless? Can we not count upon some independent votes? Are there not many individuals in the country who do not attend conventions? But no: I find that the respectable man, so called, has immediately drifted from his position, and despairs of his country, when his country has more reason to despair of him. He forthwith adopts one of the candidates thus selected as his only AVAILABLE one, thus proving that he is himself AVAILABLE for any purposes of the demagogue. His vote is of no more worth than that of any unprincipled foreigner or hireling native, who may have been bought.
Henry David Thoreau (Walden and Other Writings)
Eli eased back enough to breathe words onto Quinn's mouth. 'Well? Romantic enough?' 'My heart's aflutter.' Eli sank away. 'All the fluttering is in my balls.
K.A. Mitchell (Bad Boyfriend (Bad in Baltimore, #2))
Cada uno es responsable de su propia vida. Somos responsables de en qué nos hemos convertido. Marcus,
Joël Dicker (El libro de los Baltimore)
Poverty is so concentrated because it is generational and, research shows, created with relentless intention.
Wes Moore (Five Days: The Fiery Reckoning of an American City)
Ognuno è diverso dagli altri, Markie. E forse la felicità è proprio questo: essere in pace con quello che si ha.
Joël Dicker (Le Livre des Baltimore (Marcus Goldman, #2))
El culpable del caos de nuestras vidas, si es que hay alguno, tan solo somos nosotros,
Joël Dicker (El libro de los Baltimore)
It isn't about the welfare check. It never was. It isn't about sexual permissiveness, or personal morality, or failures in parenting, or lack of family planning. All of these are inherent in the disaster, but the purposefulness with which babies make babies in places like West Baltimore goes far beyond accident and chance, circumstance and misunderstanding. It's about more than the sexual drives of adolescents, too, though that might be hard to believe in a country where sex alone is enough of an argument to make anyone do just about anything. In Baltimore, a city with the highest teen pregnancy rates in the nation, the epidemic is, at root, about human expectation, or more precisely, the absence of expectation.
David Simon (The Corner: A Year in the Life of an Inner-City Neighborhood)
Somos muchos los que buscamos darle algún sentido a la vida, pero la vida solo tiene sentido si somos capaces de cumplir estos tres propósitos: dar amor, recibirlo y saber perdonar. Todo
Joël Dicker (El libro de los Baltimore)
you believe a little shithead like this is able to stay on the run for so long?” McLarney declares, returning from yet another unsuccessful turn-up of a Milligan hideout. “You shoot a guy, hey,” the sergeant adds with a shrug. “You shoot another guy—well, okay, this is Baltimore. You shoot three guys, it’s time to admit you have a problem.
David Simon (Homicide: A Year On The Killing Streets)
When our elders presented school to use, they did not present it as a place of high learning but as a means of escape from death and personal warehousing. Fully 60 percent of all young black men who drop out of high school will go to jail. This should disgrace the country. But it does not, and while I couldn't crunch the numbers or plumb the history back then, I sensed that the fear marked West Baltimore could not be explained by the schools. Schools did not reveal truths, they concealed them. Perhaps they must be burned away so that the heart of this thing might be known.
Ta-Nehisi Coates (Between the World and Me)
But the central branch of the Enoch Pratt Free Library was still a place of wonders to Tess, even if the book budget had been slashed and the hours cut. Her parents had made a lot of mistakes, a fact Tess compulsively shared on first dates, but she gave them credit for doing one thing right: Starting when she was eight, they gave her a library card and dropped her off at the downtown Pratt every Saturday while they shopped. Twenty-one years later, Tess still entered through the children's entrance on the side, pausing to toss a penny in the algae-coated fish pond, then climbing the stairs to the main hall. If she could be married here, she would.
Laura Lippman (Baltimore Blues (Tess Monaghan, #1))
My heart isn't big enough to care for the oppressors.
Darnell Lamont Walker
You need to have a Why Having a “Why” whatever it is, becomes food. It makes your dreams become more urgent.
George Schiaffino (Making Millions by Helping Millions)
Chacun est responsable de sa vie. Nous sommes responsables de ce que nous sommes devenus.
Joël Dicker (Le Livre des Baltimore)
Somos muchos los que buscamos darle algún sentido a la vida, pero la vida solo tiene sentido si somos capaces de cumplir estos tres propósitos: dar amor, recibirlo y saber perdonar.
Joël Dicker (Le Livre des Baltimore (Marcus Goldman, #2))
Beaucoup d’entre nous cherchons à donner du sens à nos vies, mais nos vies n’ont de sens que si nous sommes capables d’accomplir ces trois destinées : aimer, être aimé et savoir pardonner.
Joël Dicker (Le Livre des Baltimore)
¿Por qué escribo? Porque los libros son más fuertes que la vida. Son su mejor revancha. Son testigos de la muralla inexpugnable de nuestra mente, de la impenetrable fortaleza de nuestra memoria. Y
Joël Dicker (El libro de los Baltimore)
Restorative justice is more interested in relationships. A crime is not act against a rule, it's an act against a person. When you harm somebody, you owe it to them to make things right. By making things right, you begin to heal your relationship with the community. Our system is focused on blame and punishment and not on healing and learning. - Lauren Abramson (RJ Program in Baltimore, MD)
Dashka Slater (The 57 Bus: A True Story of Two Teenagers and the Crime That Changed Their Lives)
She stands like she’s trouble, and though her jagged haircut is trying too hard to tell me that she doesn’t care what I think, the pugnacious set of her mouth tells me everything I need to know about why she got dropped out of all those schools. The hair is what tells me she needs help, all right, but her mouth tells me she doesn’t need that much and she probably just needs time to work it out for herself. And I want, want, want to tell her not to sign the paperwork and to instead go out with me and live happily ever after in a tiny apartment in Baltimore because I always liked Baltimore and we could have two poodles, both shaved strangely to attract attention because I can see that’s a big part of her, and pretty much eat take out spring rolls every night, because that’s a big part of me.
Maggie Stiefvater
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home.
Erik Larson (The Devil in the White City)
You're not me,' Millhouse gritted. 'True. I'm sitting in a chair wearing Armani. You're on the floor, wearing an ugly orange jumpsuit. You're facing a long stay at Hotel Don't-Bend-Over and I'll go home to a soft, warm bed. I'm glad I'm not you for those reasons alone. But the biggest difference between us is my people believe in me and yours don't.
Karen Rose (Did You Miss Me? (Romantic Suspense, #14; Baltimore, #3))
Somos muchos los que buscamos darle algún sentido a la vida, pero la vida solo tiene sentido si somos capaces de cumplir estos tres propósitos: dar amor, recibirlo y saber perdonar. Todo lo demás es una pérdida de tiempo.
Joël Dicker (Le Livre des Baltimore (Marcus Goldman, #2))
the protest chants were never meant to assert the innocence of every slain black man and woman. The protests were an assertion of their humanity and a demand for a system of policing and justice that was transparent, equitable, and fair.
Wesley Lowery (They Can't Kill Us All: Ferguson, Baltimore, and a New Era in America's Racial Justice Movement)
I remembered that once, as a child, I was filled with wonder, that I had marveled at tri-folded science projects, encyclopedias, and road atlases. I left much of that wonder somewhere back in Baltimore. Now I had the privilege of welcoming it back like a long-lost friend, though our reunion was laced with grief; I mourned over all the years that were lost. The mourning continues. Even today, from time to time, I find myself on beaches watching six-year-olds learn to surf, or at colleges listening to sophomores slip from English to Italian, or at cafés seeing young poets flip though "The Waste Land," or listening to the radio where economists explain economic things that I could've explored in my lost years, mourning, hoping that I and all my wonder, my long-lost friend, have not yet run out of time, though I know that we all run out of time, and some of us run out of it faster.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
I expected to be happy, but let me tell you something. Anticipating happiness and being happy are two entirely different things. I told myself that all I wanted to do was go to the mall. I wanted to look at the pretty girls, ogle the Victoria's Secret billboards, and hit on girls at the Sam Goody record store. I wanted to sit in the food court and gorge on junk food. I wanted to go to Bath and Body Works, stand in the middle of the store, and breathe. I wanted to stand there with my eyes closed and just smell, man. I wanted to lose myself in the total capitalism and consumerism of it all, the pure greediness, the pure indulgence, the pure American-ness of it all. I never made it that far. I didn't even make it out of the airport in Baltimore with all its Cinnabons, Starbucks, Brooks Brothers, and Brookstones before realizing that after where we'd been, after what we'd seen, home would never be home again.
Matthew J. Hefti (A Hard And Heavy Thing)
A curse. Been in our family for generations. The Lees have always been perverts. I shall never forget the unspeakable horror that froze the lymph in my glands—the lymph glands that is, of course—when the baneful word seared my reeling brain: I was a homosexual. I thought of the painted, simpering female impersonators I'd seen in a Baltimore nightclub. Could it be possible I was one of those subhuman things? I walked the streets in a daze like a man with a light concussion—just a minute, Doctor Kildare, this isn't your script. I might well destroyed myself, ending an existence which seemed to offer nothing but grotesque misery and humiliation. Nobler, I thought, to die a man than live on, a sex monster. It was a wise old queen—Bobo, we called her—who taught me that I had a duty to live and bear my burden proudly for all to see, to conquer prejudice and ignorance and hate with knowledge and sincerity and love.
William S. Burroughs (Queer)
En los Hamptons perdíamos la cuenta de la fecha y los días. Quizá fue eso lo que me engañó: aquella sensación de que todo duraría para siempre. De que duraríamos para siempre. Como si en ese lugar mágico, en las calles y en las casas, la gente pudiera zafarse del tiempo y sus estragos.
Joël Dicker (El libro de los Baltimore)
I run Venture for America, a nonprofit organization that recruits dozens of our country’s top graduates each year and places them in startups and growth companies in Detroit, New Orleans, Las Vegas, Providence, Cincinnati, Baltimore, Cleveland, Philadelphia, and other cities around the country. Our goal is to help create 100,000 new US jobs by 2025. We supply talent to early-stage companies so that they can expand and hire more people. And we train a critical mass of our best and brightest graduates to build enterprises and create new opportunities for themselves and others.
Andrew Yang (Smart People Should Build Things: How to Restore Our Culture of Achievement, Build a Path for Entrepreneurs, and Create New Jobs in America)
West Broadway. It was all that I’d felt looking at those Parisian doors. And at that moment I realized that those changes, with all their agony, awkwardness, and confusion, were the defining fact of my life, and for the first time I knew not only that I really was alive, that I really was studying and observing, but that I had long been alive—even back in Baltimore. I had always been alive. I was always translating. I arrived in Paris. I checked in to a hotel in the 6th arrondissement. I had no understanding of the local history at all. I did not think much about Baldwin or Wright. I had not read Sartre nor Camus, and if I walked past Café de Flore or Les Deux Magots I did not, then, take any particular note. None of that mattered. It was Friday, and what mattered were the streets thronged with people in amazing configurations. Teenagers together in cafés. Schoolchildren kicking a soccer ball on the street, backpacks to the side. Older couples in long coats, billowing scarves, and blazers.
Ta-Nehisi Coates (Between the World and Me)
To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The nakedness is not an error, nor pathology. The nakedness is the correct and intended result of policy, the predictable upshot of people forced for centuries to live under fear, The law did not protect us. And now, in your time, the law has become an excuse for stopping and frisking you, which is to say, for furthering the assault on your body, But a society that protects some people through a safety net of schools, government-backed home loans, and ancestral wealth but can only protect you with a club of criminal justice has either failed at enforcing its good intentions or has succeeded at something much darker. However you call it, the result was our infirmity before the criminal forces of the world. It does not matter if the agent of those forces is white or black—what matters is our condition, what matters is the system that makes your body breakable.
Ta-Nehisi Coates (Between the World and Me)
Pero él no tenía intención de quedarse mano sobre mano, deprimido, ni de que la vida lo desalentase. Comprendí que esa era la razón por la que lo admiraba: no por su posición económica o social, sino porque era un luchador excepcional. Necesitaba ganarse la vida y se puso a buscar cualquier tipo de trabajo.
Joël Dicker (El libro de los Baltimore)
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
Let us once again be clear: if we oppose violence, then we must oppose all forms of policing. If we oppose violence, then we must call for an end to war, an end to occupation. We must oppose sexual assault, and prisons as institutions that wield it as a strategic tool. If we abhor violence to bodies, families, and communities, then we should abhor all these systems and call for their immediate abolition. As Ta-Nehisi Coates said so perfectly in his Atlantic piece "Nonviolence as Compliance," "When nonviolence is preached by the representatives of the state, while the state doles out heaps of violence to its citizens, it reveals itself to be a con." In Support of Baltimore; or, Smashing Police Cars Is Logical Political Strategy
Benji Hart
MR. BONES KNEW THAT WILLY WASN'T LONG FOR THIS WORLD. The cough had been inside him for over six months, and by now there wasn't a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer. All that was bad enough, but in the past two weeks a new tonality had crept into the bronchial music - something tight and flinty and percussive - and the attacks came now so often as to be almost constant. Every time one of them started, Mr. Bones half expected Willy's body to explode from the rockets of pressure bursting agaisnt his rib cage. He figured that blood would be the next step and when that fatal moment finally occurred on Saturday afternoon, it was as if all the angels in heaven had opened their mouths and started to sing. Mr. Bones saw it happen with his own eyes, standing by the edge of the road between Washington and Baltimore as Willy hawked up a few miserable clots of red matter into his handkerchief, and right then and there he knew that every ounce of hope was gone. The smell of death had settled upon Willy G. Christmas, and as surely as the sun was a lamp in the clouds that went off and on everyday, the end was drawing near. What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy's presence. Habits die hard, and no doubt there's some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Substract Willy from the world, and the odds were that the world itself would cease to exist.
Paul Auster (Timbuktu)
You are the opposite of romantic. Did anyone ever tell you that?" "I am full of romance. I like sunsets and the ocean and beaches and flowers and love songs and Shakespeare in the park and all that kind of shit." Eli's cheeks flushed. It was adorable on him. "I don't get what any of that has to do with sex." "I'm not talking about sex, Eli. I'm talking about a kiss." "Fine. I'll kiss the romantic fuck out of you.
K.A. Mitchell (Bad Boyfriend (Bad in Baltimore, #2))
Hopkins was one of the top hospitals in the country. It was built in 1889 as a charity hospital for the sick and poor, and it covered more than a dozen acres where a cemetery and insane asylum once sat in East Baltimore. The public wards at Hopkins were filled with patients, most of them black and unable to pay their medical bills. David drove Henrietta nearly twenty miles to get there, not because they preferred it, but because it was the only major hospital for miles that treated black patients. This was the era of Jim Crow—when black people showed up at white-only hospitals, the staff was likely to send them away, even if it meant they might die in the parking lot. Even Hopkins, which did treat black patients, segregated them in colored wards, and had colored-only fountains. So when the nurse called Henrietta from the waiting room, she led her through a single door to a colored-only exam room—one in a long row of rooms divided by clear glass walls that let nurses see from one to the next.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
I never took you for a coward, Stevie,’ he said quietly and her gaze swung back, angrily. ‘Did I make you mad? Good. I’m glad. Because you make me mad. If today didn’t change anything for you, then you’re either a liar or a fool. And I never took you for either of those, either.’ He leaned closer, until he could see every dark eyelash. ‘I’m not a coward or liar, but I might be a fool because I’m not giving up on you. Nor am I giving you up. So consider yourself on notice, Detective Mazzetti. Things will be different when you get out of here. I’m not going to wait forever, because we don’t have forever. If things had been any different this morning, we might not even have this moment. So if you’re not “ready”, then you’d best spend your time in here figuring out how to get “ready
Karen Rose (Did You Miss Me? (Romantic Suspense, #14; Baltimore, #3))
mediocre es su instituto! Mandar a la gente a la enseñanza privada, ¿esa es su respuesta para todo? ¡Lo iguala todo a la baja! ¡Prohíbe a Steinbeck porque en el texto aparecen tres palabrotas, pero es incapaz de entender el alcance de su obra! Y se esconde detrás de unos reglamentos opacos para justificar su falta de ambición intelectual. Y no me hable de un sistema que funciona porque nuestro sistema público de enseñanza es totalmente disfuncional y usted lo sabe. ¡Y un país cuyo sistema de enseñanza no funciona no es ni una democracia ni un Estado de derecho! Hubo un prolongado silencio. El director suspiró
Joël Dicker (El libro de los Baltimore)
But for reasons that genuinely escape me, it has also become spectacularly accommodating to stupidity. Where this thought most recently occurred to me was in a hotel coffee shop in Baltimore, where I was reading the local paper, the Sun, and I saw a news item noting that Congress had passed a law prohibiting the U.S. Department of Health and Human Services from funding research that might lead, directly or indirectly, to the introduction of gun controls. Let me repeat that but in slightly different words. The government of the United States refuses to let academics use federal money to study gun violence if there is a chance that they might find a way of reducing the violence. It isn’t possible to be more stupid than that. If you took all the commentators from FOX News and put them together in a room and told them to come up with an idea even more pointlessly idiotic, they couldn’t do it. Britain isn’t like that, and thank goodness. On tricky and emotive issues like gun control, abortion, capital punishment, the teaching of evolution in schools, the use of stem cells for research, and how much flag waving you have to do in order to be considered acceptably patriotic, Britain is calm and measured and quite grown up, and for me that counts for a great deal. —
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. “As the cost of the tower and its slides is of secondary importance,” McComber noted, “I do not mention it here, but will furnish figures upon application.” A third proposal demanded even more courage from visitors. This inventor, who gave his initials as R. T. E., envisioned a tower four thousand feet tall from which he proposed to hang a two-thousand-foot cable of “best rubber.” Attached at the bottom end of this cable would be a car seating two hundred people. The car and its passengers would be shoved off a platform and fall without restraint to the end of the cable, where the car would snap back upward and continue bouncing until it came to a stop. The engineer urged that as a precaution the ground “be covered with eight feet of feather bedding.
Erik Larson (The Devil in the White City)
It has now been many months, at the present writing, since I have had a nourishing meal, but I shall soon have one—a modest, private affair, all to myself. I have selected a few dishes, and made out a little bill of fare, which will go home in the steamer that precedes me, and be hot when I arrive—as follows: Radishes. Baked apples, with cream Fried oysters; stewed oysters. Frogs. American coffee, with real cream. American butter. Fried chicken, Southern style. Porter-house steak. Saratoga potatoes. Broiled chicken, American style. Hot biscuits, Southern style. Hot wheat-bread, Southern style. Hot buckwheat cakes. American toast. Clear maple syrup. Virginia bacon, broiled. Blue points, on the half shell. Cherry-stone clams. San Francisco mussels, steamed. Oyster soup. Clam Soup. Philadelphia Terapin soup. Oysters roasted in shell-Northern style. Soft-shell crabs. Connecticut shad. Baltimore perch. Brook trout, from Sierra Nevadas. Lake trout, from Tahoe. Sheep-head and croakers, from New Orleans. Black bass from the Mississippi. American roast beef. Roast turkey, Thanksgiving style. Cranberry sauce. Celery. Roast wild turkey. Woodcock. Canvas-back-duck, from Baltimore. Prairie liens, from Illinois. Missouri partridges, broiled. 'Possum. Coon. Boston bacon and beans. Bacon and greens, Southern style. Hominy. Boiled onions. Turnips. Pumpkin. Squash. Asparagus. Butter beans. Sweet potatoes. Lettuce. Succotash. String beans. Mashed potatoes. Catsup. Boiled potatoes, in their skins. New potatoes, minus the skins. Early rose potatoes, roasted in the ashes, Southern style, served hot. Sliced tomatoes, with sugar or vinegar. Stewed tomatoes. Green corn, cut from the ear and served with butter and pepper. Green corn, on the ear. Hot corn-pone, with chitlings, Southern style. Hot hoe-cake, Southern style. Hot egg-bread, Southern style. Hot light-bread, Southern style. Buttermilk. Iced sweet milk. Apple dumplings, with real cream. Apple pie. Apple fritters. Apple puffs, Southern style. Peach cobbler, Southern style Peach pie. American mince pie. Pumpkin pie. Squash pie. All sorts of American pastry. Fresh American fruits of all sorts, including strawberries which are not to be doled out as if they were jewelry, but in a more liberal way. Ice-water—not prepared in the ineffectual goblet, but in the sincere and capable refrigerator.
Mark Twain
And while [we] do have possibilities that are vast and magnificent and almost infinite in scope, it's important to remember that our choice-rich lives have the potential to breed their own brand of trouble. We are susceptible to emotional uncertainties and neuroses that are probably not very common among the Hmong, but that run rampant these days among my contemporaries in, say, Baltimore. The problem, simply put, is that we cannot choose everything simultaneously. So we live in danger of becoming paralyzed by indecision, terrified that every choice might be the wrong choice...Equally disquieting are the times when we do make a choice, only to later feel as though we have murdered some other aspect of our being by settling on one single concrete decision. By choosing Door Number Three, we fear we have killed off a different -- but equally critical piece of our soul that could only have been made manifest by walking through Door Number One or Door Number Two. ...Two of anything brings the automatic possibility of uncertainty to our lives. Now imagine a life in which every day a person is presented with not two or even three but dozens of choices, and you can begin to grasp why the modern world has become, even with all its advantages, a neurosis-generating machine of the highest order. In a world of such abundant possibility, many of us simply go limp from indecision. Or we derail our life's journey again and again, backing up to try the doors we neglected on the first round, desperate to get it right this time. Or we become compulsive comparers - always measuring our lives against some other person's life, secretly wondering if we should have taken her path instead. Compulsive comparing, of course, only leads to debilitating causes of "life envy": the certainty that somebody else is much luckier than you, and that if only you had her body, her husband, her children, her job, everything would be easy and wonderful and happy. All these choices and all this longing can create a weird kind of haunting in our lives - as though the ghosts of all our other, unchosen, possibilities linger forever in a shadow world around us, continuously asking, "Are you certain this is what you really wanted?" And nowhere does that question risk haunting us more than in our marriages, precisely because the emotional stakes of that most intensely personal choice have become so huge.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
My grandmother’s parents had thought she was too good for my grandfather. They were Irish, shipworkers who had gotten the hell out of Locust Point and moved uptown, to Charles Village, where the houses were much bigger. They looked down on my grandfather just because he was where they once were. It killed them, the idea that their precious youngest daughter might move back to the neighborhood and live with an Italian, to boot. Everybody’s got to look down on somebody. If there’s not somebody below you, how do you know you’ve traveled any distance at all in your life? For my dad’s generation, it was all about the blacks. I’m not saying it was right, just that it was, and it hung on because it was such a stark, visible difference. And now the rules have changed again, and it’s the young people with money and ambition who are buying the houses in Locust Point, and the people in places like Linthicum and Catonsville and Arbutus are the ones to be pitied and condescended to. It’s hard to keep up. ("Easy As A-B-C")
Laura Lippman (Baltimore Noir)
The principal reason that districts within states often differ markedly in per-pupil expenditures is that school funding is almost always tied to property taxes, which are in turn a direct function of local wealth. Having school funding depend on local wealth creates a situation in which poor districts must tax themselves far more heavily than wealthy ones, yet still may not be able to generate adequate income. For example, Baltimore City is one of the poorest jurisdictions in Maryland, and the Baltimore City Public Schools have the lowest per-pupil instructional expenses of any of Maryland's 24 districts. Yet Baltimore's property tax rate is twice that of the next highest jurisdiction.(FN2) Before the funding equity decision in New Jersey, the impoverished East Orange district had one of the highest tax rates in the state, but spent only $3,000 per pupil, one of the lowest per-pupil expenditures in the state.(FN3) A similar story could be told in almost any state in the U.S.(FN4) Funding formulas work systematically against children who happen to be located in high-poverty districts, but also reflect idiosyncratic local circumstances. For example, a factory closing can bankrupt a small school district. What sense does it make for children's education to suffer based on local accidents of geography or economics? To my knowledge, the U.S. is the only nation to fund elementary and secondary education based on local wealth. Other developed countries either equalize funding or provide extra funding for individuals or groups felt to need it. In the Netherlands, for example, national funding is provided to all schools based on the number of pupils enrolled, but for every guilder allocated to a middle-class Dutch child, 1.25 guilders are allocated for a lower-class child and 1.9 guilders for a minority child, exactly the opposite of the situation in the U.S. where lower-class and minority children typically receive less than middle-class white children.(FN5) Regional differences in per-pupil costs may exist in other countries, but the situation in which underfunded urban or rural districts exist in close proximity to wealthy suburban districts is probably uniquely American. Of course, even equality in per-pupil costs in no way ensures equality in educational services. Not only do poor districts typically have fewer funds, they also have greater needs.
Robert E. Slavin
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
I know he’s had his problems in the past… “He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!” “I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.” “What does he get for a reward?” he asked insolently. She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.” “Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!” “You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why. He searched her enthusiastic eyes. “You really do love Native American history, don’t you?” She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.” “Most whites never come close to understanding us, no matter how hard they try.” “I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.” He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before. Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him. He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard. “Now, isn’t that interesting?” he said to himself in a low, deep whisper. “Wh…what?” she stammered. His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period. He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her. “Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.
Diana Palmer (Paper Rose (Hutton & Co. #2))