Balloons In The Sky Quotes

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But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them―the best ones―are doors.
Lauren Oliver (Pandemonium (Delirium, #2))
I've told my children that when I die, to release balloons in the sky to celebrate that I graduated. For me, death is a graduation.
Elisabeth Kübler-Ross
who knows if the moon's a balloon,coming out of a keen city in the sky--filled with pretty people? ( and if you and I should get into it,if they should take me and take you into their balloon, why then we'd go up higher with all the pretty people than houses and steeples and clouds: go sailing away and away sailing into a keen city which nobody's ever visited,where always it's Spring)and everyone's in love and flowers pick themselves
E.E. Cummings (Collected Poems)
দিতে পার একশ' ফানুস এনে আজন্ম সলজ্জ সাধ, একদিন আকাশে কিছু ফানুস উড়াই।
Humayun Ahmed (শঙ্খনীল কারাগার)
Apologies have nothing to do with you. They are balloons in the sky. They may never land. They may even choke a bird.
Amy Poehler (Yes Please)
I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time." "Yeah, bu-" "I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.
John Green (Paper Towns)
I wanted to write you a story about magic. I wanted rabbits appearing from hats. I wanted balloons lifting you into the sky. It turned out to be nothing but sadness, war, heartbreak. You never saw it, but there’s a garden inside me.
Shane Jones (Light Boxes)
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
Jodi Picoult (Handle with Care)
The mountains were breathtakingly beautiful. It was so serene and tranquil. The rising sun with other balloons around it painted the sky with a silhouette that was major eye candy.
Jenna Roads (Under a Painted Sky (Spirit Warrior, #1))
AAaargwannawannaaaagongongonaargggaaaaBLOON!" which is the traditional sound of a very small child learning that with balloons, as with life itself, it is important to know when not to let go of the string. The whole point of balloons is to teach small children this.
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
She would stay on the road and in hiding, a balloon floating through the sky, eating up hundreds of miles a day with a help of the perpetual tailwind.
John Green (Paper Towns)
Fog everywhere. Fog up the river where it flows among green airs and meadows; fog down the river, where it rolls defiled among the tiers of shipping, and the waterside pollutions of a great (and dirty) city.... Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon and hanging in the misty clouds.
Charles Dickens (Bleak House)
After hanging up the phone Aoyama sank back back on the sofa feeling like a balloon in a warm blue sky.
Ryū Murakami (Audition)
Hope is a helium balloon. It is a wish lantern set out into the dark sky of night.
Sharon Weil
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
The sunset was that long, achingly beautiful balance of stillness in which the sun seemed to hover like a red balloon above the western horizon, the entire sky catching fire from the death of day; a sunset unique to the American Midwest and ignored by most of its inhabitants. The twilight brought the promise of coolness and the certain threat of night.
Dan Simmons (Summer of Night (Seasons of Horror, #1))
Learning how not to do things is as hard as learning how to do them. Harder, maybe. There'd be a sight more frogs in this world if I didn't know how not to turn people into them. And big pink balloons, too.
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Charles Dickens (Bleak House)
I stopped wanting to float away from my life, because in the end my life was all I had. I'd walk the Fairmont campus and look up to the sky and I wouldn't see myself drifting off like some lost balloon. Instead I saw the size of the world and found comfort in its hugeness. I'd think back to those times when I felt like everything was closing in on me, those times when I thought I was stuck, and I realized that I was wrong. There is always hope. The world is vast and meant for wandering. There is always somewhere else to go.
Nick Burd (The Vast Fields of Ordinary)
Up there in the sky. Don’t you see him? No, not the moon. The Man in the Moon. He wasn’t always a man. Nor was he always on the moon. He was once a child. Like you. Until a battle, a shooting star, and a lost balloon led him on a quest. Meet the very first Guardian of Childhood. MiM, the Man in the Moon.
William Joyce (The Man in the Moon (Guardians of Childhood, #1))
Panic bells, it's red alert There's something here From somewhere else The war machine springs to life Opens up one eager eye Focusing it on the sky Where 99 red balloons go by
Nena
What became of all those lost balloons: they were the loves that slipped out of our fists; the blank eyes that rose in every night sky.
Jodi Picoult (My Sister’s Keeper)
Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.
Charles Dickens (Bleak House)
She walks away as if she were going to disappear. I wonder if I’ll ever see her again." I turned and saw her yellow blouse receding into the distance as she walked along the busy street. She looked like a balloon someone had let loose in the sky. We watched her go.
Banana Yoshimoto (N.P)
He thought about himself, and the whole Earth, Of Man the wonderful, and of the Stars, And how the deuce they ever could have birth; And then he thought of Earthquakes, and of Wars, How many miles the Moon might have in girth, Of Air-balloons, and of the many bars To perfect Knowledge of the boundless Skies; And then he thought of Donna Julia's eyes.
Lord Byron (Don Juan)
Apologies have nothing to do with you. They are balloons in the sky.
Amy Poehler (Yes Please)
All over the city lights were coming on in the purple-blue dusk. The street lights looked delicate and frail, as though they might suddenly float away from their lampposts like balloons. Long twirling ribbons of light, red, green, violet, were festooned about the doorways of drugstores and restaurants--and the famous electric signs of Broadway had come to life with glittering fish, dancing figures, and leaping fountains, all flashing like fire. Everything was beautiful. Up in the deepening sky above the city the first stars appeared white and rare as diamonds.
Elizabeth Enright (The Saturdays (The Melendy Family, #1))
The wine still waits in the cellars below. My beloved family still sits on the porch in the dark. The fire balloon still drifts and burns in the night sky of an as yet unburied summer. Why and how? Because I say it is so.
Ray Bradbury (Dandelion Wine (Green Town, #1))
There are some questions that have no answers. How do you express pain when you can't even locate the wound? It's like when you let a balloon loose into the sky. You don't know where it goes, but you know it went somewhere far away.
Alok Vaid-Menon (Beyond the Gender Binary)
Crazy, crazy kids on a crazy night, a night for pink balloons all over the sky and a candyfruit tree at the end of the street, and he rocked his girl in his arms, sugartight, and he was king of the moon and the streamers and popcorn.
Jay Gilbert (The Skinner)
When I pass-away (as each of us must) release a balloon into the sky with ashes attached, to celebrate my graduation... My graduation from this life to the next.
Raymond D. Longoria Jr.
We would be in each other's lives again. No, he hadn't been the best father, but he was my father, and we loved each other. We needed each other. Though he'd disappointed me countless times through the years, life had already proven too short for me to hold on to that. So I let go of my hurt. I let go years of frustration between us. Most of all, I let go of any desire to change my father and I accepted him for who he was. I took all of my anguish and released it like a fistful of helium balloons to the sky, and I chose to forgive him.
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
Tiffany jumped when she saw a balloon sail up above the trees, catch the wind, and swoop away, but it turned out to be just a balloon and not a lump of excess Brian. She could tell this because it was followed by a long scream of rage mixed with a roar of complaint: “AAaargwannawannaaaagongongonaargggaaaaBLOON!” which is the traditional sound of a very small child learning that with balloons, as with life itself, it is important to know when not to let go of the string. The whole point of balloons is to teach small children this.
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
That is the nature of this madness. It fills the sky with barrage balloons and people's eyes with hate.
Chris Cleave (Incendiary)
Hospital vigils inspire us to such nostalgia. Hospital vigils take place in slow-time during which the mind floats free, a frail balloon drifting into the sky as into infinity.
Joyce Carol Oates (A Widow's Story)
I've just always wanted to see a balloon drift off into a cloudless sky.
M. Leighton
Apologies have nothing to do with you. They are balloons in the sky. They may never land.
Anonymous
I've told my children that when I die, to release balloons in the sky to celebrate that I graduated. For me, death is a graduation
Greg Laurie (As It Is in Heaven: How Eternity Brings Focus to What Really Matters)
I felt this boy whose name I couldn't be bothered to remember grunting and heaving inside me; I was that empty and that far away. And suddenly I knew what became of all those lost balloons: they were the loves that slipped out of our fists; the blank eyes that rose in every night sky.
Jodi Picoult (My Sister’s Keeper)
No he hadn't been the best father, but he was my father, and we loved each other. We needed each other. Though he'd disappointed me countless times through the years, life had already proven too short for me to hold on to that. So I let go of my hurt. I let go years of frustration between us. Most of all, I let go of any desire to change my father and I accepted him for who he was. I took all of my anguish and released it like a fistful of helium balloons to the sky, and I chose to forgive him.
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
I am nothing but oxygen and hydrogen, A luminous sphere of plasma Held together by helium and gravity, And like a balloon I float on earth, Waiting to be released back into the sky, Waiting to go back in the reverse Direction from which I came, Traveling through a warm tunnel of light, And out into a cold, dark abyss Where I will explode into a thousand pieces. I shall leave behind my body, Just like air abandons the skin of a shattered balloon, And the magnetic dust that carries my Heart and spirit will lift us back To congregate and shine With the stars. Home again, In the fluorescent Kingdom of the constellations, I will once again be called by My soul’s true name. And my heart, It will flicker again, With every memory from its many Lifetimes, And with every wish Made by a child. SONG OF THE STAR by Suzy Kassem
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
And then I realized that love is like a helium balloon. You know the one which flies away into the sky if you don’t hold it by its strings? No matter how much I tried to break my string, the balloon always remained there. Know why? Because maybe unknown to yourself, you were holding a couple of strings as well
Sapan Saxena (Unns: The Captivation)
It was actually beautiful to hear myself speak it, the way it’s beautiful to let go of the string of a balloon, to give up the responsibility of holding it, watching it fly away and disappear into the sky. With that
Laurelin Paige (Falling Under You (Fixed, #4.5))
In approved places, every story serves a purpose. But forbidden books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them—the best ones—are doors.
Lauren Oliver (Pandemonium (Delirium, #2))
I dreamed you a field of running horses, Selah. For you, Bianca, a balloon the size of the sky, my body a kite you can throw into the air. Pull me by string and horse. Tell me everything won't end in death. That everything doesn't end with February. Dead wildflowers wrapped around a crying baby's throat. I've slowed my heartbeat to three beats a minute. I've redrawn the clouds into birds, a fox chasing them into the mountains. I'm going to move my hand today. I vomit ice cubes. There's a ghost next to me. Get up, Dad. (Light Boxes)
Shane Jones
Remember nothing of the sort! Built by faith indeed! That simply means the workmen weren't paid properly. And as for the frescoes, I see no truth in them. Look at that fat man in blue! He must weigh as much as I do, and he is shooting into the sky like an air- balloon.
E.M. Forster (A Room with a View)
The other day as I was stepping out of Star Grocery on Claremont Avenue with some pork ribs under my arm, the Berkeley sky cloudless, a smell of jasmine in the air, a car driving by with its window rolled down, trailing a sweet ache of the Allman Brothers' "Melissa," it struck me that in order to have reached only the midpoint of my life I will need to live to be 92. That's pretty old. If you live to be ninety-two, you've done well for yourself. I'd like to be optimistic, and I try to take care of my health, but none of my grandparents even made it past 76, three killed by cancer, one by Parkinson's disease. If I live no longer than any of them did, I have at most thirty years left, which puts me around sixty percent of the way through my time. I am comfortable with the idea of mortality, or at least I always have been, up until now. I never felt the need to believe in heaven or an afterlife. It has been decades since I stopped believing-a belief that was never more than fitful and self-serving to begin with-in the possibility of reincarnation of the soul. I'm not totally certain where I stand on the whole "soul" question. Though I certainly feel as if I possess one, I'm inclined to disbelieve in its existence. I can live with that contradiction, as with the knowledge that my time is finite, and growing shorter by the day. It's just that lately, for the first time, that shortening has become perceptible. I can feel each tiny skyward lurch of the balloon as another bag of sand goes over the side of my basket.
Michael Chabon
I am nothing but oxygen and hydrogen, a luminous sphere of plasma held together by helium and gravity, And like a balloon I float on earth, waiting to be released back into the sky, where I will explode into a thousand pieces. I shall leave behind my body, just like air abandons the skin of a shattered balloon, and the magnetic dust that carries my heart and spirit will lift us back to congregate and shine with the stars. Home again, in the fluorescent kingdom of the constellations, I will once again be called by my soul’s true name.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Even as he spoke, the boy appeared to have forgotten the subject, as if it was a balloon he had abandoned to the sky.
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
You can’t let go of pain. It’s not a balloon that can float into the sky.
Sarai Walker (Dietland)
At the end of the street the sharp white needle of the church's steeple poked into the sky as if heaven were a big balloon that needed to be popped.
Wendy Wunder (The Probability of Miracles)
We could not be further from ballooning’s established tropes: freedom, spiritual exaltation, human progress. Redon’s eternally open eye is deeply unsettling. The eye in the sky; God’s security camera. And that lumpish human head invites us to conclude that the colonisation of space doesn’t purify the colonisers; all that has happened is that we have brought our sinfulness to a new location.
Julian Barnes (Levels of Life)
I want you to send a hundred red balloons up into the sky every Fourth of July and make everyone who sees them wonder what the story behind them is all about. Let me live on inside of a made up story, Callum Andrew
Emalynne Wilder (Infinite Dolls)
That’s what I see too. You carry a great deal of pain around with you, Plum. Can you envision ever letting it go?” “You can’t let go of pain. It’s not a balloon that can float into the sky.” “Okay, but imagine for a minute that it is. You put your pain into a balloon and you let go of it. It floats away. How do you feel?” If I let go of my pain, there would be a hole inside me that was so vast I would cease to exist. I would be the balloon floating into the sky, not the other way around. There would be nothing pulling me down, nothing keeping my feet on the ground. My pain was my gravity. “Without my pain, I wouldn’t be me anymore.” “Pain takes up a lot of space,” Verena said. “You
Sarai Walker (Dietland)
No, But the hairs. on the back of your neck, and the peach-fuzz in your ears, they do, and the hair along your arms. sings like grasshopper legs friction and trembling with strange music. So you know, you feel, you are sure, lying abed, that a balloon is submerging the ocean sky" (Bradbury 131). This quote quickly shows the "showing telling" in this scene. This scene describes the ballon, and Jim and Will. This quote depicts how Jim and Will feels at the moment.
Ray Bradbury
I lean back into your body - memory is a shade of the color blue. Painted the walls white, the clocks went back an hour and who knew you'd be the one? I am okay with chopsticks, you know how to please just about any man. Your cheeks a hot air balloon lifting up into the sky, a kind of yellow vibrant, tastes like the milkshakes in Pulp Fiction. The McDonald's lobby is now open 24 hours in case you really want a big mac or some french fries and do not have a car. It might make you fat but it might be worth it. The ones who will love you regardless.
Eric Shaw
And then what?" she asked, though this time the words were quieter, smaller; they were heavy with things unspoken: questions without answers and promises without assurances. Owen wanted to say this: "And then we'll be together forever." Or this: "And then we'll live happily ever after." But he could't. Instead, he fixed his eyes on the empty sky, feeling his once heavy heart go floating off like a balloon. "And then we'll have to go home," he said eventually, because it was the truth, and after everything they'd been through, it was the only thing he could give her.
Jennifer E. Smith
My conduct, Pugstyles,' said Mr Gregsbury, looking round upon the deputation with gracious magnanimity—'my conduct has been, and ever will be, regulated by a sincere regard for the true and real interests of this great and happy country. Whether I look at home, or abroad; whether I behold the peaceful industrious communities of our island home: her rivers covered with steamboats, her roads with locomotives, her streets with cabs, her skies with balloons of a power and magnitude hitherto unknown in the history of aeronautics in this or any other nation—I say, whether I look merely at home, or, stretching my eyes farther, contemplate the boundless prospect of conquest and possession—achieved by British perseverance and British valour—which is outspread before me, I clasp my hands, and turning my eyes to the broad expanse above my head, exclaim, "Thank Heaven, I am a Briton!
Charles Dickens (Nicholas Nickleby)
Let her go. Those three words sounded so easy, as if releasing Dani was as simple as cutting a balloon’s string and watching the sky swallow it whole. Instead, her memory was an anchor, pulling me into the darkness below. It reminded me that I was still just ten years old, stuck alone in the forest.
Kit Lyman (Satan's Garden)
It was one of those great iron afternoons in London: the yellow sun being teased apart by a thoasand chimneys breathing, fawning upward without shame. This smoke is more than the day’s breath, more than dark strength--it is an imperial presence that lives and moves. People were crossing the streets and squares, going everywhere. Busses were grinding off, hundreds of them, down the long concrete viaducts, smeared with years’ pitiless use and no pleasure, into haze-gray, grease black, red lead and pale aluminum, between scrap heaps that towered high as blocks of flats, down side-shoving curves into roads clogged with Army convoys, other tall busses and canvas lorries, bicycles and cars, hitching now and then, over it all the enormous gas ruin of the sun among the smokestacks, the barrage balloons, power lines and chimneys brown as aging indoor wood, brown growing deeper, approaching black through an instant-- perhaps the true turn of the sunset-- that is wine to you, wine and comfort. The Moment was 6:43:16 British Double Summer Time: the sky beaten like Death’s drum, still humming, and Slothrop’s cock--say what? yes lookit inside his GI undershorts here’s a sneaky hardon stirring, ready to jump-- well great God where’d that come from? There is in his history, and likely, God help him, in his dossier, a peculiar sensitivity to what is revealed in the sky. (But a harden?)
Thomas Pynchon (Gravity’s Rainbow)
I explored the literature of tree-climbing, not extensive, but so exciting. John Muir had swarmed up a hundred-foot Douglas Spruce during a Californian windstorm, and looked out over a forest, 'the whole mass of which was kindled into one continuous blaze of white sun-fire!' Italo Calvino had written his The Baron in the Trees, Italian editionmagical novel, The Baron in the Trees, whose young hero, Cosimo, in an adolescent huff, climbs a tree on his father's forested estate and vows never to set foot on the ground again. He keeps his impetuous word, and ends up living and even marrying in the canopy, moving for miles between olive, cherry, elm, and holm oak. There were the boys in B.B.'s Brendan Chase, who go feral in an English forest rather than return to boarding-school, and climb a 'Scotch pine' in order to reach a honey buzzard's nest scrimmed with beech leaves. And of course there was the realm of Winnie the Pooh and Christopher Robin: Pooh floating on his sky-blue balloon up to the oak-top bee's nest, in order to poach some honey; Christopher ready with his pop-gun to shoot Pooh's balloon down once the honey had been poached....
Robert Macfarlane (The Wild Places)
lifted her gaze to the last telephone pole on the street. A mass of black balloons were caught there, snarled in the lines. The wind was wrestling to wrench them free, and they bobbled and weaved, pulling hard to escape. The wires held the balloons implacably where they were. She recoiled at the sight of them. They were dreadful – somehow they were dreadful – a dead spot in the sky.
Joe Hill (The Black Phone)
She likes to write messages on balloons and send them to the sky. She takes out a black Magic Marker and she starts writing on the dozen or so balloons, one for each member of our family who died. She doesn't think she can write well and asks me not to read her notes. She likes to think they'll soar all the way to heaven. I think she knows they end up tangled in power lines or deflated in a pile of orange leaves in someone's backyard miles away, but I can never bring myself to say that to her. I've often wondered what they must think, those people who find our balloons. I've wondered if they read the messages and understand what they mean. I remember watching those balloons as a little boy, each fall, wondering if someday I, too, would be nothing but a balloon in the sky, soaring toward the sun until I began to fall slowly back to earth and into the hands of a stranger.
Kenny Porpora (The Autumn Balloon)
The he-lizard is crying. The she-lizard is crying. The he-lizard and the she-lizard with little white aprons. Have lost without wanting to their wedding ring. Ah, their little leaden wedding ring, ah, their little ring of lead! A large sky without people carries the birds in its balloon. The sun, rotund captain, wears a satin waistcoat. Look how old they are! How old the lizards are! Oh, how they cry and cry, Oh! Oh! How they go on crying!
Federico García Lorca (The Selected Poems)
The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk one way or another, and after a while a man can get discouraged. Everywhere the balloons, and each of them with a mother or a father, or God forbid both, and after a while, you can’t even see ’em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.” He paused then, and inhaled sharply, as if he was realising something. “But then every now and again you talk to some big-eyed kid with too much hair for his head and you want to lie to him because he seems like a good kid. And you feel bad for this kid, because the only thing worse than the skyful of balloons you see is what he sees: a clear blue day interrupted by just the one balloon. But once that string gets cut, kid, you can’t uncut it.
John Green (Paper Towns)
He rolled and thrashed in his bed, waiting for the dancing blue shadows to come in his window, waiting for the heavy knock on his door, waiting for some bodiless, Kafkaesque voice to call: Okay, open up in there! And when he finally fell asleep he did it without knowing it, because thought continued without a break, shifting from conscious rumination to the skewed world of dreams with hardly a break, like a car going from drive to low. Even in his dreams he thought he was awake, and in his dreams he committed suicide over and over: burned himself; bludgeoned himself by standing under an anvil and pulling a rope; hanged himself; blew out the stove’s pilot lights and then turned on the oven and all four burners; shot himself; defenestrated himself; stepped in front of a moving Greyhound bus; swallowed pills; swallowed Vanish toilet bowl disinfectant; stuck a can of Glade Pine Fresh aerosol in his mouth, pushed the button, and inhaled until his head floated off into the sky like a child’s balloon; committed hara-kiri while kneeling in a confessional at St. Dom’s, confessing his self-murder to a dumbfounded young priest even as his guts accordioned out onto the bench like beef stew, performing an act of contrition in a fading, bemused voice as he lay in his blood and the steaming sausages of his intestines. But most vividly, over and over, he saw himself behind the wheel of the LTD, racing the engine a little in the closed garage, taking deep breaths and leafing through a copy of National Geographic, examining pictures of life in Tahiti and Aukland and the Mardi Gras in New Orleans, turning the pages ever more slowly, until the sound of the engine faded to a faraway sweet hum and the green waters of the South Pacific inundated him in rocking warmth and took him down to a silver fathom.
Stephen King (Roadwork)
In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.
Frank O'Hara (In Memory Of My Feelings)
Miika sighed, his tail drooping like a string that had lost its balloon. 'I just need some words of reassurance.' 'Well, I can reassure you that terrible things will probably happen.' 'Great.' 'Terrible things always happen.' 'Thanks.' 'But good things will also happen. Because that is what life is. You need the bad to know what good is. You need the dark to know the light.' Miika thought of how Urga-burga cheese tasted. All the opposites mixed together, complementing each other like in life itself. 'I mean,' continued the Truth Pixie, 'think of the night sky. The stars wouldn't shine without all the darkness around them, would they?
Matt Haig (A Mouse Called Miika (Christmas, #1.5))
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
Snow and soot covered the ancient tree's broken branches and seared bark. It wasn't dead, not quite yet. Here and there tiny shoots of green struggled to emerge, but they weren't doing well. The end was near. A shadow loomed, and a creature settled into the drifts, and old, wounded thing of the skies, as near death as the tree. Pinions drooping, it laboriously began building a nest--a place of dying. Stick by stick, it pecked among the ruined wood on the ground, piling the bits higher until it was clear that it was not a nest at all. It was a pyre. The bloody, dying thing settled in atop the kindling, and crooned soft music unlike anything ever heard before. A glow began to build, surrounding the beast soon in a rich purple lambience. Blue flames burst forth. And the tree seemed to respond. Aged, ruined branches curled forward toward the heat, like an old man warming his hands. Snow shivered and fell, the green patches grew and began to fill the air with the fragrance of renewal It was not the creature on the pyre that was reborn, and even in sleep, that surprised Gordon. The great bird was consumed, leaving only bones. But the tree blossomed, and from its flowering branches things uncurled and drifted off into the air. He stared in wonderment when he saw that they were balloons, airplanes, and rocket ships. Dreams. They floated away in all directions, and the air was filled with hope.
David Brin (The Postman)
In the Volksgarten “I’d like to have a blue balloon! A blue balloon is what I’d like!” “Here’s a blue balloon for you, Rosamunde!” It was explained to her then that there was a gas inside that was lighter than the air in the atmosphere, as a consequence of which, etc. etc. “I’d like to let it go—,” she said, just like that. “Wouldn’t you rather give it to that poor little girl over there?” “No, I want to let it go—!” She lets the balloon go, keeps looking after it, till it disappears in the blue sky. “Aren’t you sorry now you didn’t give it to the poor little girl?” “Yes, I should’ve given it to the poor little girl.” “Here’s another blue balloon, give her this one!” “No, I want to let this one go too up into the blue sky!”— She does so. She is given a third blue balloon. She goes over to the poor little girl on her own, gives this one to her, saying: “You let it go!” “No,” says the poor little girl, peering enraptured at the balloon. In her room it flew up to the ceiling, stayed there for three days, got darker, shriveled up and fell down dead, a little black sack. Then the poor little girl thought to herself: “I should have let it go outside in the park, up into the blue sky, I’d’ve kept on looking after it, kept on looking—!” In the meantime, the rich little girl gets another ten balloons, and one time Uncle Karl even buys her all thirty balloons in one batch. Twenty of them she lets fly up into the sky and gives ten to poor children. From then on she had absolutely no more interest in balloons. “The stupid balloons—,” she said. Whereupon Aunt Ida observed that she was rather advanced for her age! The poor little girl dreamed: “I should have let it go up into the blue sky, I’d’ve kept on looking and looking—!
Peter Altenberg (Telegrams of the Soul)
I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.
Nora Cooper
You know, there are things that can be done easily and simply and there are things that are very difficult. When it comes to the important stuff, I always seem to take the most difficult path, for some reason. You can buy the most amazing ring and get down on one knee or write a message in the sky or go up in a hot air balloon, but all of those options are for people who do everything on time, and that’s not me. I made my choice a long time ago... But how can I tell this girl that I want to live a full and happy life and that that’s only possible with her when she’s not available? Somebody beat me to it, but it’s so much more than that. How can I tell her that I’ll never hurt her, never cause her pain? That I’ll dedicate my life to protecting her from all the bad, from every possible harm and danger? That I want to have lots of babies, but only if she is their mother? That I can’t imagine my life without her? How can I tell her all this if she has already given herself to someone else?
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
On one sunny day in August, journalist Virginia Cowles found herself watching a major air battle while lying on the grass atop Shakespeare Cliff, near Dover. "The setting was majestic," she wrote, "In front of you stretched the blue water of the Channel and in the distance you could distinguish the hazy outline of the coast of France." Houses lay below. Boats and trawlers drifted in the harbor agleam with sun. The water sparkled. Above hung twenty or more immense gray barrage balloons, like airborne manatees. Meanwhile, high above, pilots fought to the death. "You lay in the tall grass with the wing blowing gently across you and watched the hundreds of silver planes swarming through the heavens like clouds of gnats," she wrote. "All around you anti-aircraft guns were shuddering and coughing, stabbing the sky with small white bursts." Flaming planes arched toward the ground, "leaving as their testament a long black smudge against the sky." She heard engines and machine guns. "You knew the fate of civilization was being decided fifteen thousand feet above your head in a world of sun, wind and sky," she wrote. "You knew it, but even so it was hard to take it in.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
When Dad pulled up in front of the house, the three of us sat still for a moment and stared at the gloomy pile of bricks my great-aunt called home. Up close, it looked even worse than it had from a distance. Ivy clung to the walls, spreading over windows and doors. A wisteria vine heavy with bunches of purple blossoms twisted around the porch columns. Paint peeled, loose shutters banged in the wind, slates from the roof littered the overgrown lawn. Charles Addams would have loved it. So would Edgar Allan Poe. But not me. No, sir, definitely not me. Just looking at the place made my skin prickle. Dad was the first to speak. “This is your ancestral home, Drew,” he said, once more doing his best to sound excited. “It was built by your great-great-grandfather way back in 1865, right after the Civil War. Tylers have lived here ever since.” While Dad babbled about family history and finding your roots and things like that, I let my thoughts drift to Camp Tecumseh again. Maybe Martin wasn’t so bad after all, maybe he and I could have come to terms this summer, maybe we-- My fantasies were interrupted by Great-aunt Blythe. Flinging the front door open, she came bounding down the steps. The wind ballooned her T-shirt and swirled her gray hair. If she spread her arms, she might fly up into the sky like Mary Poppins.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
The thin woman in the green sari stood on the slippery rocks and gazed at the dark waters around her. The warm wind loosened strands of her scanty hair, pulling them out of her bun. Behind her, the sounds of the city were muted, shushed into silence by the steady lapping of the water around her bare feet. Other than the crabs that she heard and felt scuttling around the rocks, she was all alone here—alone with the murmuring sea and the distant moon, stretched thin as a smile in the nighttime sky. Even her hands were empty, now that she had unclenched them and released her helium-filled cargo, watching until the last of the balloons had been swallowed up by the darkness of the Bombay night. Her hands were empty now, as empty as her heart, which itself was a coconut shell with its meat scooped out. Balancing gingerly on the rocks, feeling the rising water tonguing her feet, the woman raised her face to the inky sky for an answer. Behind her was the lost city and a life that at this very moment felt fictitious and unreal. Ahead of her was the barely visible seam where the sea met the sky. She could scramble over these rocks, climb over the cement wall, and reenter the world; partake again of the mad, throbbing, erratic pulse of the city. Or she could walk into the waiting sea, let it seduce her, overwhelm her with its intimate whisperings. She looked to the sky again, searching for an answer. But the only thing she could hear was the habitual beating of her own dutiful heart…
Thrity Umrigar (The Space Between Us)
SWEETEST IN THE GALE by Michelle Valois After Emily Dickinson You won’t lose your hair, I heard at the start of treatment, and though I didn’t, I lost a litany of other lesser and greater luxuries—saliva, stamina, taste buds, my voice—but my hair, during that chilly sojourn in the land of extremity to which I had sailed on a strange and stormy sea, my hair was not taken from me. Had it been, I would have perched one of those 18th century wigs on my head, such as those worn by the French aristocracy, measuring three, four, even five feet high and stuffed, as they were known to be, with all sorts of things: ribbons, pearls, jewels, flowers, tunes without words, reproductions of great sailing vessels, my soul inside a little bird cage—ornaments selected to satisfy a theme: the signs of the Zodiac (à la Zodiaque) or the discovery of a new vaccine (à l’inoculation) or, as was the case in June of 1782, the first successful hot air balloon flight by the brothers Michel and Etienne Montgolfier. Regarde, I exclaim to my ladies in waiting, pointing to the sky on that bright afternoon as the balloon, made of linen and paper, rises some 6,000 feet. Later, a duck, then a sheep, and finally a human is carried away. I watch, inspired, hopeful, whispering, lest my doctors overhear: when the storm turns sore, and that little bird escapes her little bird cage and is abashed without reckoning, I will sail away in my balloon, prepared, if it fails me, to pluck a few ostrich feathers from the high hair of the Queen of France herself; they and hope (which never asked for a crumb) will carry me beyond disease for as long as I have left to choose between futility and flight.
Michelle Valois
To overcome the exertion, mountaineers use several tricks to stay strong at altitude. One method is to inhale deeply, pursing one’s lips and exhaling forcefully, as if blowing up a balloon. This is known as pressure breathing; physicians call it positive end expiratory pressure, or PEEP. Patients with emphysema or other breathing difficulties use this technique reflexively, and research shows that it improves gas exchange and prevents fluid buildup in the lungs. The pursed lips and forceful exhalation increase air pressure, which resuscitates the lungs’ air sacs, or alveoli, so they can expand, absorb more oxygen, and expel more carbon dioxide.
Peter Zuckerman (Buried in the Sky: The Extraordinary Story of the Sherpa Climbers on K2's Deadliest Day)
Photographs and videos are often misperceived and can be easily doctored, and lights in the sky have many prosaic explanations: aerial flares, lighted balloons, experimental aircraft, helicopters, clouds, swamp gas, or even the planet Venus, which, if you are driving on an undulating highway away from city lights, really does appear to be a bright light following your car.
Michael Shermer (The Believing Brain: From Ghosts and Gods to Politics and Conspiracies---How We Construct Beliefs and Reinforce Them as Truths)
The last thing he saw was the flesh on their faces turning black and their ballooning eyes popping from their sockets like enormous wads of veined bubblegum. In minutes, the sky became as black as the devil’s soul, and the blood-red ball of the blazing sun exploded in a sonic boom, obliterating every trace that anything had ever been there at all.
Billy Wells (Scary Stories: A Collection of Horror - Volume 1 (Chamber of Horror Series))
However, the answer can be inferred from the WMAP data, by measuring the sizes of the temperature fluctuations—the hot and cold (light and dark) splotches in Figure 3 ([>]). Before WMAP was launched, theorists had already worked out how big the physical sizes of the strongest fluctuations should be. Converting that into apparent angular size in the sky depends on the geometry of space: if the universe is positively curved, it would make the angles appear larger, while negative curvature would make them smaller. If the universe is geometrically flat (that is, has Euclidean geometry), the angular size of the strongest hot and cold fluctuations should be about 1° across. The results that flowed back from the satellite were definitive.14 The fluctuations were very close to 1° in size, a result confirmed by ground-based and balloon-based experiments. Cosmologists then declared that to within observational accuracy of about 2 percent, space is flat.15
Paul C.W. Davies (Goldilocks Engima: Why Is the Universe Just Right for Life?)
What’s that big thing up ahead?” “Looks like one of those giant balloons for roadside advertising, except this one’s in front of a church.” “What’s it say?” Serge turned as they went by. “Something about gay marriage ruining everything.” A preacher barked into a bullhorn. Two bullets came down from the sky and popped the balloon. Coleman turned around in his seat. “It deflated on top of the preacher. The others are trying to pull him out.” “The Lord works in mysterious ways.
Tim Dorsey (Shark Skin Suite (Serge Storms #18))
Apologies have nothing to do with you. They are balloons in the sky. They may never land. They may even choke a bird.
Anonymous
Rose: But when you're in the air, and the sky above you is a sea of gray mist and the land below you is all green, the silver balloons float in between like a school of shining silver whales, bobbing a little in the wind. They are as big as buses, and I and every other pilot have a healthy fear of them because their teathering cables are loaded with explosives to try to snarl up enemy aircraft.
Elizabeth Wein (Rose Under Fire)
In the presence of immortality—the endlessly churning sea, the plowed fields of the sky, the loose gypsy wind—the rest of her life feels absurdly, ridiculously mortal and transient. Transient as money, fragile as love. As ethereal and ready to pop as these balloons that are dancing in the wind.
Thrity Umrigar (The Space Between Us)
When the balloons are out, as they often are, we raise our glasses at the sky before we drink.
Jennifer Egan (The Candy House)
he spied a string of red balloons trailing upward into the sky above the pine and cottonwood trees that shielded the old business district from the newer retailers on the highway.
Bentley Little (The Bank)
It's like crawling into a cave I always knew was there but never explored. I remember putting my head into his salesman's briefcase when I was young. This time the bright eye I entered pulls away, a helium balloon. The musty air wheezes, sighs trapped for years in old motel rooms. Further down the sound turns to grey drippings that fall on my cheeks. Some boy has been here before. Burned matches in a corner, a tennis shoe, unreadable scratchings on the walls. This is far enough. Turning to find my way out, I tiptoe along a narrow black stream where white hands are rising, sinking. I find myself stepping into the water: like slipping my small feet into large dark shoes, it is deeper than I expected. Up to my knees, my waist, I see the opening again— a circle of sky cut with a dull car key, a blue mouth singing a melody I know by heart but have never heard before. As I go under, my arms, thick as my father's, reach above the surface then return to embrace me.
William Meissner
While the signalmen fenced, the black-and-red war balloon glided around the Saint Asne's stern. It was like being sneaked up on by a heavily armed circus tent.
Curtis Craddock (The Last Uncharted Sky (The Risen Kingdoms, #3))
It's funny, but when I was little, before I'd go to sleep my mom would do this routine with me where she'd tell me to think of pretty things. I would close my eyes and she would run her fingers over my cheeks and across my brow. And we'd go through this list. I think it was a way of preventing nightmares — and it would always be, you know, pussycats and puppy dogs and balloons at the zoo. Sometimes she'd mention yellow submarines, stars in the sky, blackbirds flying overhead, trees in Central Park, and even — believe it or not — that on Saturday I would get to see Daddy. Nothing that extraordinary, but when you're four years old, it's cats and dogs that make life worth living. And I kind of think it's maybe not so different now.
Elizabeth Wurtzel (Prozac Nation)
It seemed as if doggystyle was her favorite position because she couldn't see who was behind her. She kept playing Snoop Dogg's song, “What's My Name?”. It seemed as if she was referring to my signature being forged and still being on the club and she knew perfectly. As if she was referring to all the dogs eager to breed in the video running after something after someone had let them out. As Snoop Dogg is magically transforming into a Doberman dog in the music video, just like the kind of dogs the Nazis had. I just realize Martina’s dog, Chicha was all black and her cat Anouki was all black too, just like the night Sky, just like the dark, empty, cold Space. The total darkness the canvas, on which our planet is just a pinhead. This rock. This sizzling rock. Spinning. Turning. Leaning. Following the Sun. Lost in the infinite nothingness. Ain’t like a balloon which has nothing inside. All the nothing is outside, all the cold and dark and wide and empty and vile. All the dark forces all the nights, all the known universe and beyond, is located here, inside. Iron comes from Outer Space, it is not a local material on this planet. Each one of us has iron inside a “kickstart-molecule” located in our hearts. Without iron, there would be no life. Are we locals on this planet? To what degree? Since when? I noticed three members of the Camorra in our street and the street parallel to it, casually passing by. I even nodded to one or two of them, since we already knew each other from the club where I hadn't been since Adam and I had our disagreement. Later that night, while I was waiting for Martina in vain, I noticed two to three of the Camorra's soldiers living a few houses down our street. From the rooftop, and our bedroom that was higher than theirs, I could see into their living room. I couldn't help but wonder whether this was a mere coincidence, or if Adam and Martina had found our new home together, hanging out in Nico’s store, and so we moved on the Mountain of Jews, on purpose, perhaps, knowing that the Camorra’s men were living almost right in front of us. No accidents. When I told Martina about the Camorra’s guys living across the street, Martina couldn’t have cared less. It was almost as if she never considered her life being in danger in Barcelona, Europe, but only mine. I had felt before like Adam had used my skin to make money, while I was the one walking around the streets, spotting tourists usually having fun, not thinking about how I was working hard to make their “unreachable” happiness come true. This time, however, I felt both stuck in our home, feeling helpless to make Martina happy and the outside world offered her much better chances to have fun and find a rich guy or any other smoker club manager with her beauty.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
In the cosmic dance of swirling lights, Where stars are born and darkness fights, The universe whispers secrets old, In silver threads and dust of gold. Galaxies twirl in elegant grace, Each a part of the endless space, Planets orbit in silent tunes, Around their suns, like drifting balloons. Mysteries hide in the blackest night, Beyond the reach of human sight, Yet we gaze up with hopeful eyes, Dreaming of truths beyond the skies. Infinite worlds, both big and small, The universe holds them, one and all, A canvas vast for us to explore, Its beauty, a siren call to implore. So let us journey through the stars, Past the confines of our earthly bars, For in the universe, we find our place, A tiny speck, in its grand embrace.
Alexis Karpouzos (NON-DUALITY: THE PARTICIPATORY UNIVERSE)
But no, it was not to be explained so easily. The apparition didn't turn into the musician, but into a large porcupine. The crowd ran backwards, but were impaled by the quills as it grew larger and larger. Some of the quills reached the sky and popped the red balloons, creating turmoil in the crowd. Some of the quills reached into the hole and skewered the red cherries.
Tantra Bensko
Francisco, who had lived in the San Luis Valley his entire life and under the drought for half of that life, could barely fathom such festivities. Little girls in fiesta dresses rode painted carousel horses on a merry-go-round powered by men turning a massive wooden gear. Boys one-third his height wore crisp and dustless sombreros. The dancing was so vigorous that he felt his legs stepping out without his permission, his body an unwitting mirror. The music replaced Francisco’s blood, and he felt he could do anything. That was when the blue sky stopped, right over Antonia Alamilla, who was dancing in a white dress. He saw now that it was not blue sky at all, but rather a blue balloon whose string was tied around her wrist. When she saw Francisco in his dust-covered overalls, she immediately stopped dancing and declared, in facile Spanish, “I love dogs.” The rest of the townspeople looked on in shock. No one had heard Antonia speak since she’d been born, and once she had met Francisco, she did not stop. He asked her to be his wife, and when they were married in Bicho Raro two months later, Antonia’s tears of joy coaxed rain from the sky and ended the decade-long drought.
Maggie Stiefvater (All the Crooked Saints)
The way he’s shooting, he couldn’t hit the sky from a weather balloon.
Richard Kadrey (The Kill Society (Sandman Slim, #9))
Barrage balloons dotted the sky like blind whales bobbing around in the wrong element.
Kate Atkinson (Life After Life)
Steve did not have a death wish. He had the exact opposite. His appetite for life was so strong, it outweighed all fear. So what if his choices shortened his life? His choices filled his life, and enriched the lives of those around him.
Richard Branson (Reach for the Skies: Ballooning, Birdmen And Blasting into Space)
SONG OF THE STAR I am nothing but oxygen and hydrogen, A luminous sphere of plasma Held together by helium and gravity, And like a balloon I float on earth, Waiting to be released back into the sky, Waiting to go back in the reverse Direction from which I came, Traveling through a warm tunnel of light, And out into a cold, dark abyss Where I will explode into a thousand pieces. I shall leave behind my body, Just like air abandons the skin of a shattered balloon, And the magnetic dust that carries my Heart and spirit will lift us back To congregate and shine With the stars. Home again, In the fluorescent Kingdom of the constellations, I will once again be called by My soul’s true name. And my heart, It will flicker again, With every memory from its many Lifetimes, And with every wish Made by a child. SONG OF THE STAR by Suzy Kassem Copyright 1993
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Bonnie saw ropes hanging loose, poles falling away, tree-tops sinking beneath her. As they rose, the sun rose with them. Its warmth turned the dark skin of the fiery balloon midnight blue. They flew straight up. Above them, the sweet, clear music of the lonely pipe called to them. Then the smooth sky puckered into cloth-of-blue and drew aside. They passed straight through...
Pauline Fisk (Midnight Blue)